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kienzle|oberhammer Kunst- und Museumsfotografie Lorenz Kienzle Tel. +49/ 177/ 623 17 22 | Ronka Oberhammer Tel. +49/ 173/ 232 53 57 | [email protected] A.R. Penck, »English Head«, 1987, Bronze, Neue & Alte Kunst Basel, Basel A.R. Penck, »Aztontek«, 1987, Bronze, Neue & Alte Kunst Basel, Basel A.R. Penck, »M«, 1987, Bronze, Neue & Alte Kunst Basel, Basel A.R. Penck, »11T11«, 1987, Bronze, Neue & Alte Kunst Basel, Basel A.R. Penck, »EN-TE«, 1987, Bronze, Neue & Alte Kunst Basel, Basel Käthe Kollwitz, »Mutter mit Kind über der Schulter«, vor 1917, Bronze, Käthe-Kollwitz-Museum, Berlin Käthe Kollwitz, »Turm der Mütter«, Detail, 1937/38, Bronze, Käthe-Kollwitz-Museum, Berlin Käthe Kollwitz, »Pietà«, 1937/38, Bronze, Käthe-Kollwitz-Museum, Berlin Käthe Kollwitz, »Pietà«, Detail, 1937/38, Bronze, Käthe-Kollwitz-Museum, Berlin »Putten Schloss Schwerin«, Zink, in Restauration für den Betrieb für Bau und Liegenschaften Mecklenburg-Vorpommern bei Haber & Brandner GmbH Metallrestaurierung, Berlin »Berg-Schmidt-Hof«, Küche, Freilichtmuseum Altranft Museum »Himmlisches Theater«, Foyer, Kloster Neuzelle »Kinopublikum«, Projektion auf eine Kellertreppe, Ludwigsburg Museum »Kinopublikum«, Projektion auf den Innenhof, Ludwigsburg Museum »Kinopublikum«, Projektion an der Stadtchronik, Ludwigsburg Museum Museum »Himmlisches Theater«, Ausstellungsraum mit Passionsdarstellung der »Kreuztragung«, Kloster Neuzelle »DDR expressiv - die 80er Jahre«, Museum Junge Kunst, Frankfurt/Oder Hans Scheib, »Paar«, 1986, Holz bemalt, »DDR expressiv - die 80er Jahre«, Museum Junge Kunst, Frankfurt/Oder Museum »Himmlisches Theater«, Depot, Kloster Neuzelle Museum »Himmlisches Theater«, Depot, Kloster Neuzelle »Hochhaus«, Entwurf von Julius Schirren, 1925, Holz bemalt, Museum Neuruppin »Kugelamphore«, Jungsteinzeit (2000 - 3000 v. Chr.), Museum in der Adler Apotheke, Eberswalde »Kupferkessel«, 19.Jahrhundert, Museum in der Adler Apotheke, Eberswalde »Tänzerin«, Entwurf von Eberhard Schrammen, 1927, Holz, Glas und Metall, Museum Neuruppin Lotta Blokker, »Muted«, 2012, Bronze, Käthe-Kollwitz-Museum, Berlin Markus Lüpertz, »Achilles«, 2014, Bronze bemalt, Galerie Michael Werner, Märkisch Wilmersdorf Wir arbeiten für: Käthe-Kollwitz-Museum Berlin Museum in der Adler-Apotheke Eberswalde Museum Ludwigsburg Potsdam Museum Galerie Michael Werner, Märkisch Wilmersdorf Alte & Neue Kunst Basel Museum Neuruppin Museum of Modern Art, New York Monumenta, Paris Richard Serra, New York Museumsverband Brandenburg Niederlausitzmuseum Luckau Universität Regensburg Archäologisches Landesmuseum Brandenburg Die Zeit kienzle | oberhammer Kunst- und Museumsfotografie Babelsberger Str. 40-41 10715 Berlin Lorenz Kienzle Tel. +49/ 177/ 623 17 22 Ronka Oberhammer Tel. +49/ 173/ 23 25 357 [email protected].

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Moral Rights: the Anti-Rebellion Graffiti Heritage of 5Pointz Richard H
digitalcommons.nyls.edu Faculty Scholarship Articles & Chapters 2018 Moral Rights: The Anti-Rebellion Graffiti Heritage of 5Pointz Richard H. Chused New York Law School, [email protected] Follow this and additional works at: https://digitalcommons.nyls.edu/fac_articles_chapters Part of the Entertainment, Arts, and Sports Law Commons, Land Use Law Commons, and the Property Law and Real Estate Commons Recommended Citation Chused, Richard H., "Moral Rights: The Anti-Rebellion Graffiti Heritage of 5Pointz" (2018). Articles & Chapters. 1172. https://digitalcommons.nyls.edu/fac_articles_chapters/1172 This Article is brought to you for free and open access by the Faculty Scholarship at DigitalCommons@NYLS. It has been accepted for inclusion in Articles & Chapters by an authorized administrator of DigitalCommons@NYLS. Moral Rights: The Anti-Rebellion Graffiti Heritage of 5Pointz Richard Chused* INTRODUCTION Graffiti has blossomed into far more than spray-painted tags and quickly vanishing pieces on abandoned buildings, trains, subway cars, and remote underpasses painted by rebellious urbanites. In some quarters, it has become high art. Works by acclaimed street artists Shepard Fairey, Jean-Michel Basquiat,2 and Banksy,3 among many others, are now highly prized. Though Banksy has consistently refused to sell his work and objected to others doing so, works of other * Professor of Law, New York Law School. I must give a heartfelt, special thank you to my artist wife and muse, Elizabeth Langer, for her careful reading and constructive critiques of various drafts of this essay. Her insights about art are deeply embedded in both this paper and my psyche. Familial thanks are also due to our son, Benjamin Chused, whose knowledge of the graffiti world was especially helpful in composing this paper.
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AZ 3930 Visp | Donnerstag, 27. Februar 2020 Nr. 48 | 180. Jahrgang | Fr. 3.00 ZAP ANGEBOT BIS 30.04.2020 beim Einzug über CHF 2‘000.- Kopierpapier geschenkt! A4 Plano Speed Pro Pack Fr. 4.80 statt Fr. 5.20 Pro Palette Fr. 790.– statt Fr. 910.– SPORTPLATZWEG.CH Heute mit Mietwohnungen in Naters Stellenmarkt www.1815.ch Re dak ti on Te le fon 027 948 30 00 | Aboservice Te le fon 027 948 30 50 | Mediaverkauf Te le fon 027 948 30 40 Leser: 49 000 Wallis Wallis Sport INHALT Wallis 2 – 16 Der RWO-Chef Könnerin Enges Rennen Traueranzeigen 14 Sport 17 – 21 Damian Imboden über- Die Make-up-Artistin Yannick Herren und der Ausland 26/28 nimmt ab dem 1. Juni Michèle Clausen arbeitet HC Lausanne haben die Schweiz 27 Wirtschaft/Börse 29 2020 die Leitung der RW für die New York Fashion Playo s noch nicht auf TV-Programme 30 Oberwallis AG. | Seite 12 Week. | Seite 16 sicher. | Seite 18 Wohin man geht 31 Wetter 32 Oberwallis | Verschiedene Anschauungen zwischen kantonalen und kommunalen Polizeikorps KOMMENTAR Bedauerliche Taser statt Schusswaffen Auslegung Die Destabilisierungsgeräte Um in Notwehrsituatio- oder Taser sind umstritten. nen nicht die Waffe zie- In den USA soll deren Einsatz hen zu müssen, haben gar schon zum Tod von betrof- die Brig-Gliser Stadt- fenen Personen geführt haben. polizei und die Regional- Wobei nicht abschliessend ge- polizei Visp neu Taser im klärt ist, ob die Opfer allein Einsatz. Die Kantonspoli- durch die Auswirkungen der zei sieht derweil keinen lähmenden Stromstösse verstar- Handlungsbedarf. ben oder an Begleiterscheinun- gen.
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Richard Serra Born 1938 in San Francisco, California
This document was updated March 17, 2021. For reference only and not for purposes of publication. For more information, please contact the gallery. Richard Serra Born 1938 in San Francisco, California. Lives and works in New York and Nova Scotia, Canada. EDUCATION 1956-1957 University of California, Berkeley 1961 B.A., University of California, Santa Barbara 1962 B.F.A., Yale University, New Haven 1964 M.F.A., Yale Univesity, New Haven SOLO EXHIBITIONS 2020 Richard Serra: Works on Paper, Berggruen Gallery, San Francisco (February 20-June 2020) 2019 Richard Serra | Finally Finished, David Klein Gallery, Birmingham, Michigan (November 2- December 21, 2019) Richard Serra: Composites, Gemini G.E.L. at Joni Moisant Weyl, New York (October 17, 2019- February 1, 2020) Richard Serra Drawings, Paul Coulon, London (September 26-November 15, 2019) Richard Serra: Forged Rounds, Gagosian Gallery (24th Street), New York (September 17- December 7, 2019) Richard Serra: Reverse Curve, Gagosian Gallery (21st Street), New York (September 17, 2019- February 1, 2020) Richard Serra: Triptychs and Diptychs, Gagosian Gallery (Madison Avenue), New York (September 16-November 2, 2019) Richard Serra: Equals, Hiram Butler Gallery, Houston (March 5-April 27, 2019) Richard Serra: 1985-1996, Krakow Witkin Gallery, Boston (January 5-February 9, 2019) 2018 Richard Serra: Equals, Gemini G.E.L. at Joni Moisant Weyl, New York (September 22- November 3, 2018) Richard Serra Drawings, David Zwirner, Hong Kong (May 23-June 30, 2018) Richard Serra: Rifts, Gagosian Gallery (Grosvenor
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The National Arts Awards Chair
1 Edye and Eli Broad salute Americans for the Arts and 2 tonight’s honorees for their commitment ensuring broad access to the arts 2014 Americans for the Arts National Arts Awards Monday, October 20, 2014 Welcome from Robert L. Lynch Performance by YoungArts Alumni President and CEO of Americans for the Arts Outstanding Contributions to the Arts Award Legacy Award American Legion Auxiliary Madeleine H. Berman Presented by Nolen V. Bivens, Presented by Anne Parsons Brigadier General, U.S. Army, (Ret) Accepted by Janet Jefford Lifetime Achievement Award Richard Serra Eli and Edythe Broad Award for 3 Presented by Jennifer Russell Philanthropy in the Arts Vicki and Roger Sant Arts Education Award Presented by The Honorable Christopher J. Dodd P.S. ARTS Presented by Ben Stiller Bell Family Foundation Young Artist Award Accepted by Joshua B. Tanzer David Hallberg Presented by RoseLee Goldberg Dinner Closing Remarks Robert L. Lynch introduction of Maria Bell Abel Lopez, Chair, Americans for the Arts Vice Chairman, Americans for the Arts Board of Board of Directors Directors and Chair, National Arts Awards and Robert L. Lynch Greetings from the Board Chair and President It is our pleasure to welcome you to our annual Americans for the Arts National Arts Awards. Tonight we again celebrate a select group of cultural leaders— groundbreaking artists, visionary philanthropists, and two outstanding nonprofit organizations—who help ensure that every American has access to the transformative power of the arts. We gratefully acknowledge the contributions of all of our honorees. In this time of increasing challenges to our nation’s security and the sacrifices made by our servicemen and women and their families, we are especially pleased to recognize the American Legion Auxiliary, one of our many partners in the work we do with the military and veterans on the role of the arts & healing.
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Und Museumsfotografie
kienzle|oberhammer Kunst- und Museumsfotografie Lorenz Kienzle Tel. +49/ 177/ 623 17 22 | Ronka Oberhammer Tel. +49/ 173/ 23 25 357 | [email protected] »Leuchtschrift«, 1952, Stadt- und Industriemuseum, Guben »Moorrindschädel«, Mittelalter, Niederlausitz-Museum Luckau »Zylinderhalsurne und Schale mit Fuß«, 1200-800 v Chr., Niederlausitz-Museum Luckau »Schaukelpferd«, Garnisonsmuseum, Wünsdorf »Katamaran mit zwei Paddeln«, um 1910, Niederlausitz-Museum Luckau »Bidenhänder«, um 1600, Museum Burg Eisenhardt, Bad Belzig »Apothekerglas«, erste Hälfte 19. Jhd, Niederlausitzer Heidemuseum Spremberg »Känguru-Stuhl«, 1972, DDR-Kopie des Entwurfs von Verner Panton, Stadtmuseum Schwedt »Wheels«, Nataly Hocke, 2008, Galerie Delta 35, Berlin »Vogelpräparate«, Niederlausitz-Museum Luckau »Motorcycle Accident«, Duane Hanson, 1967, Flick Collection, Hamburger Bahnhof, Berlin »Cäsar«, Kunstgussmuseum Lauchhammer »Endlosformen«, Christina Friedman, 2002, Mühle Wustrau »Eisenhütte«, Hütten- und Fischereimuseum Peitz »Model for Trench and Four Buried Passages«, Bruce Nauman, 1977, Flick Collection, Hamburger Bahnhof, Berlin »Delineator«, Richard Serra, 1974-75, Museum of Modern Art, New York »Band«, Richard Serra, 2006, Museum of Modern Art, New York »Olson«, Richard Serra, 1986, Fondation Beyeler, Basel »The Consequence of Consequence«, Richard Serra, 2011, Fondation Beyeler, Basel »Pessoa«, Richard Serra, 2007/2008, Fondation Beyeler, Basel »Junction«, Richard Serra, 2011, installiert bei SFG Steelforming GmbH, Freudenberg »Radialer Gang« im
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Moral Rights: the Anti-Rebellion Graffiti Heritage of 5Pointz
RICHARD CHUSED, MORAL RIGHTS: THE ANTI-REBELLION GRAFFITI OF 5POINTZ, 41 COLUM. J.L. & ARTS 583 (2018) Moral Rights: The Anti-Rebellion Graffiti Heritage of 5Pointz Richard Chused* INTRODUCTION Graffiti has blossomed into far more than spray-painted tags and quickly vanishing pieces on abandoned buildings, trains, subway cars, and remote underpasses painted by rebellious urbanites. In some quarters, it has become high art. Works by acclaimed street artists Shepard Fairey,1 Jean-Michel Basquiat,2 and Banksy,3 among many others, are now highly prized. Though Banksy has consistently refused to sell his work and objected to others doing so, works of other * Professor of Law, New York Law School. I must give a heartfelt, special thank you to my artist wife and muse, Elizabeth Langer, for her careful reading and constructive critiques of various drafts of this essay. Her insights about art are deeply embedded in both this paper and my psyche. Familial thanks are also due to our son, Benjamin Chused, whose knowledge of the graffiti world was especially helpful in composing this paper. In addition, I owe a debt of gratitude to my colleagues Ari Waldman and Jacob Sherkow for reading earlier drafts, to many others on the New York Law School faculty who commented on this paper during two faculty colloquia and to New York Law School for providing me with summer writer grants for many years. Finally, I commend the staff at the Columbia Journal of Law and the Arts for their comments on the paper when they accepted it for publication. They were sophisticated and important contributors to the final version.
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Richard Serra Born 1938 in San Francisco, California
This document was updated March 4, 2021. For reference only and not for purposes of publication. For more information, please contact the gallery. Richard Serra Born 1938 in San Francisco, California. Lives and works in New York and Nova Scotia, Canada. EDUCATION 1961 B.A., University of California, San Diego 1962 B.F.A., Yale University, New Haven 1964 M.F.A., Yale Univesity, New Haven SOLO EXHIBITIONS 2020 Richard Serra: Works on Paper, Berggruen Gallery, San Francisco (February 20-June 2020) 2019 Richard Serra | Finally Finished, David Klein Gallery, Birmingham, Michigan (November 2- December 21, 2019) Richard Serra: Composites, Gemini G.E.L. at Joni Moisant Weyl, New York (October 17, 2019- February 1, 2020) Richard Serra Drawings, Paul Coulon, London (September 26-November 15, 2019) Richard Serra: Forged Rounds, Gagosian Gallery (24th Street), New York (September 17- December 7, 2019) Richard Serra: Reverse Curve, Gagosian Gallery (21st Street), New York (September 17, 2019- February 1, 2020) Richard Serra: Triptychs and Diptychs, Gagosian Gallery (Madison Avenue), New York (September 16-November 2, 2019) Richard Serra: Equals, Hiram Butler Gallery, Houston (March 5-April 27, 2019) Richard Serra: 1985-1996, Krakow Witkin Gallery, Boston (January 5-February 9, 2019) 2018 Richard Serra: Equals, Gemini G.E.L. at Joni Moisant Weyl, New York (September 22- November 3, 2018) Richard Serra Drawings, David Zwirner, Hong Kong (May 23-June 30, 2018) Richard Serra: Rifts, Gagosian Gallery (Grosvenor Hill), London (April 6-May 25, 2018) Richard
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