DOCSLIB.ORG

CMR NI Radio

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
CMR NI Radio 3 Radio and audio content 3 3.1 Recent developments in Northern Ireland Community radio Ofcom began a third round of community radio licensing in Northern Ireland in March. There are currently 12 community radio stations operating in Northern Ireland, which are among almost 200 across the UK. (Figure 3.1) They reflect a diverse mix of cultures and interests. For example, in Northern Ireland listeners can listen to stations which cater for Irish-language interests, with others ranging from student radio to services aimed at religious communities. They typically cover a small geographical area with a coverage radius of up to 5km, and are run on a not-for-profit basis. Figure 3.1 Number of community radio stations on air: 2006-2012 2006 2007 2008 2009 2010 2011 2012 England 29 72 95 126 146 160 159 UK 36 90 123 163 184 199 197 Wales Northern Ireland Scotland 20 18 18 18 18 18 16 14 12 12 12 12 11 11 10 9 9 9 8 8 8 8 7 6 6 4 4 3 3 2 1 0 2006 2007 2008 2009 2010 2011 2012 Source: Ofcom, April 2012 Commercial radio Northern Media Group (NMG), which owned the three Q Network commercial stations and their three sister stations: Five, Six, and Seven FM, consolidated the stations under the Q Network brand following a restructuring of the business. These six stations broadcast at a sub-regional level – Londonderry, Coleraine, Omagh / Enniskillen, Ballymena, Cookstown, and Newry. They transmit mainly networked output with some localised programming, as well as local news, sport and travel. 3.2 Radio service availability Digital radio listeners in Northern Ireland can access up to 22 DAB stations. These include the networked and regional BBC services, Classic FM, talkSPORT, UCB UK, and simulcasts 37 of four local commercial stations (Downtown Radio, Cool FM, Q102.9FM and City Beat) (Figure 3.2). There are also ten local commercial stations and 12 community radio stations currently broadcasting in Northern Ireland. Figure 3.2 Availability of radio stations in Northern Ireland Digital Analogue 14 12 10 8 13 6 12 10 4 8 5 2 4 3 0 BBC local and regional National commercial Local commercial Community licences Source: Ofcom, April 2012 Note: This chart shows the maximum number of stations available; local variations and reception issues mean that listeners may not be able to access all of these 3.3 Digital radio set ownership According to Ofcom research, nearly four in ten UK households claimed to have access to a DAB radio set in the home in Q1 2012; a similar level to the previous year. However, take-up varies significantly across the UK, being significantly higher in England (at 38%) than the other UK nations. Figure 3.3 shows that take-up is lowest in Northern Ireland (22%), especially in rural areas (18%), where there is a more limited choice of stations. The lower take-up is reflected in the share of listening hours through digital and analogue platforms. Listening on digital platforms in Northern Ireland accounted for 17% of radio listening hours in 2011, significantly lower than the UK average. (Figure 3.4) The apparent fall of six percentage points in DAB take-up (from 28% in 2011 to 22% in 2012) is within the error margins of the survey and should not therefore be considered significant. 38 Figure 3.3 Ownership of DAB digital radios Figure above bar shows % point change in Percentage of respondents DAB sets in household from Q1 2011 45% +1 -6 +1 -2 +2 -5 -6 40% 35% 30% 25% 20% 38 40 15% 29 29 28 22 25 22 22 10% 18 19 19 5% 0% UK 2012 N England Scotland Wales NI urban NI rural N N N N N Ireland 2012 2012 2012 2012 2012 Ireland Ireland Ireland Ireland Ireland 2012 2008 2009 2010 2011 2012 Source: Ofcom research, Quarter 1 2012 Q4. You said earlier that you have (NUMBER) radio sets in your home that someone in the household listens to in most weeks. How many of these radio sets are digital radios? Base: Adults aged 16+ who listen to radio (n = 2963 UK, 404 Northern Ireland, 1790 England, 364 Scotland, 405 Wales, 212 Northern Ireland urban, 192 Northern Ireland rural, 539 Northern Ireland 2008, 569 Northern Ireland 2009, 653 Northern Ireland 2010, 428 Northern Ireland 2011, 404 Northern Ireland 2012) Note: Remaining percentages are Don’t know responses. NB. Data in 2011 based on those who listen to radio and have any radio sets in the household that someone listens to in most weeks. Figure 3.4 Share of radio listening hours via digital and analogue platforms: 2011 Digital increase year on year (percentage points) +3.1 +3.0 +2.4 +3.8 +2.9 100% 8% 8% 7% 5% 6% 17% 27% 25% 80% 28% 29% 60% Not Stated Digital Analogue 40% 76% 69% 65% 64% 68% 20% 0% UK England Northern Ireland Scotland Wales Source: RAJAR, All adults (15+), year ended Q4 2011 39 3.4 Patterns of listening to audio content Radio reach in Northern Ireland is close to the UK average Among adults in Northern Ireland, average weekly radio listening in 2011 stood at 22 hours, slightly lower than the UK average of 22.5 hours. Radio services reached 90.1% of the adult population, 1 percentage point lower than the UK average of 91.1%. (Figure 3.5) Figure 3.5 Average weekly reach and listening hours: year to Q4 2011 England Scotland Wales Northern UK TOTAL Ireland Average weekly listening 22.5 hours 21.4 hours 23.2 hours 22.0 hours 22.5 hours Reach 91.1% 87.3% 93.2% 90.1% 91% Source: RAJAR, All adults (15+), year ended Q4 2011. Reach is defined as a percentage of the respective adult population who listen to a station for at least five consecutive minutes in the course of an average week BBC local stations are more popular in Northern Ireland than in other nations In 2011, BBC local stations accounted for 22% of total radio listening hours in Northern Ireland, significantly higher than across any other UK nation and higher than the UK average of 9%. This is consistent with findings in previous years and is explained by the relatively high share of Radio Ulster/Foyle. The BBC networked stations accounted for a share of listening of 24%, much lower than any of the other nations and significantly lower than the UK average of 46%. The share of other stations, which includes small community and commercial stations and is likely to include cross-border listening to the Republic of Ireland’s national broadcaster RTÉ, was 8%. This is higher than the rest of the UK where the average share of other stations was 2%. (Figure 3.6) 40 Figure 3.6 Share of listening hours, by nation: year to Q4 2011 Audience share 100% 2% 2% 1% 8% 2% 25% Other 31% 31% 80% 40% 38% 13% Local/Nations 60% 12% 12% Commercial 12% 13% 9% 9% 9% UK Commercial 40% 8% 22% BBC Local/Nations 47% 49% 46% 20% 37% 24% BBC Network 0% England Scotland Wales N Ireland UK Source: RAJAR, All adults (15+), year ended Q4 2011 Note: BBC Local/Nations includes both BBC Scotland and Radio Nan Gaidheal; BBC Radio Wales and Radio Cymru, and BBC Ulster and Radio Foyle Over one-third (38%) of adults listened to BBC Ulster/Foyle in an average week in 2011. The figure rose by 1.5 percentage points and remains the highest reach of the BBC’s national services and higher than the average local BBC radio audience in England. (Figure 3.7) Figure 3.7 Weekly reach for national/local BBC services Change on previous year (percentage points) -0.3 +1.5 +1.1 -1.3 -0.2 -1.1 40% 35% 30% 25% 20% 38% 15% 23% 24% 10% 19% 18% 5% 5% 0% BBC Local BBC Radio BBC Radio BBC Radio BBC Radio BBC Radio Radio in Ulster/Foyle Scotland/Radio Wales/Cymru Wales Cymru England nan Gàidheal Source: RAJAR, All adults (15+), year ended Q4 2011. Reach is defined as the total proportion of the adult population within each respective TSA who listed to at least five consecutive minutes in the average week. 41 3.5 The radio industry Commercial radio revenue and BBC Radio funding in Northern Ireland The commercial revenues generated by local radio stations in Northern Ireland reached £12.1m in 2011. By adjusting for population size, we can see that Northern Ireland has higher revenue per head of population than the UK average at £6.72, a £0.01 increase on 2010. (Figure 3.8) BBC Radio spend on BBC Radio Ulster and BBC Radio Foyle totalled £23.8m in 2011/12. Expenditure per head in Northern Ireland is the highest among the UK nations, and increased by 10% on the previous year to reach £13.27. This is due to the smaller population in Northern Ireland and the added expenditure of running two services. Figure 3.8 Local/nations’ radio spend and revenue per head of population: 2011/12 Annual change shown above bars UK nations average England Scotland Wales Northern Ireland 14 +£1.34 +£0.22 12 10 -£0.04 -£0.36 8 -£0.05 -£0.20 +£0.01 £13.27 +£0.18 6 £11.17 -£0.01 4 £7.33 £7.57 £0.00 £6.53 £6.25 £6.72 Radio revenue/spend Radio per head (£ head (£ per per capita) £5.59 2 £3.86 £2.83 0 BBC local/nations programme spend 2011-12 Local commercial radio revenue 2011 Source: Broadcasters Note: The UK total shows the average for local commercial radio across the four nations and therefore excludes revenues for the UK-wide commercial stations: Classic FM, talkSPORT and Absolute.
Load more

Recommended publications
  • Reviews of the Financial Terms Payable by Classic FM and Talksport – Determination
    Reviews of the financial terms payable by Classic FM and talkSport – determination 20 January 2011 Introduction There are three Independent National Radio (INR) licences issued by Ofcom under the Broadcasting Act 1990 (“the 1990 Act”). They are the licences for Classic FM (held by Classic FM Ltd), talkSport (talkSport Ltd) and Absolute Radio (held by TIML Radio Ltd). The Digital Economy Act 2010 (“the 2010 Act”) included provisions which amend the 1990 Act1 to allow the INR licences to be renewed for up to a further seven years rather than be re- awarded under a competitive auction. Each of the INR licensees has applied for a renewal of their licences. The INR licensees are required to make annual “additional payments” to Ofcom (in turn payable to HM Treasury). Licensees pay fixed annual cash bids plus a Percentage of Qualifying Revenue (PQR) applied to the appropriate proportion of their advertising and sponsorship revenue. As part of the process of (further) licence renewal, Ofcom is required to set new financial terms for each licence, made up of a cash bid and a PQR. Ofcom has now determined these terms for Classic FM and talkSport (Absolute Radio will apply for renewal at a later date and we will complete this review in April). How financial terms are set Ofcom set out the methodology applied in calculating the financial terms for each licence in the statement entitled Review of the Independent Radio Licences – methodology for review of financial terms published on 5 October 2010 (‘the October statement’)2. Our methodology reflects the requirement under the relevant provisions of the 1990 Act3 to determine part of the financial terms based on an assessment of the amount each incumbent would have bid were their licence being for the further renewal period granted afresh in a competitive auction.
    [Show full text]
  • Local Commercial Radio Content
    Local commercial radio content Qualitative Research Report Prepared for Ofcom by Kantar Media 1 Contents Contents ................................................................................................................................................. 2 1 Executive summary .................................................................................................................... 5 1.1 Background .............................................................................................................................. 5 1.2 Summary of key findings .......................................................................................................... 5 2 Background and objectives ..................................................................................................... 10 2.1 Background ............................................................................................................................ 10 2.2 Research objectives ............................................................................................................... 10 2.3 Research approach and sample ............................................................................................ 11 2.3.1 Overview ............................................................................................................................. 11 2.3.2 Workshop groups: approach and sample ........................................................................... 11 2.3.3 Research flow summary ....................................................................................................
    [Show full text]
  • BBC Radio Ulster/Foyle Service Licence
    BBC Radio Ulster/Foyle Service Licence. Issued November 2012 BBC Radio Ulster/Foyle This service licence describes the most important characteristics of BBC Radio Ulster/Foyle, including how it contributes to the BBC’s public purposes. Service Licences are the core of the BBC’s governance system. They aim to provide certainty for audiences and stakeholders about what each BBC service should provide. The Trust uses service licences as the basis for its performance assessment and as the basis for its consideration of any proposals for change to the UK public services from the BBC Executive. A service may not change in a way that breaches its service licence without Trust approval. The Trust presumes that any proposed change to a stated Key Characteristic of a licence will require it to undertake a Public Value Test. Should it decide not to carry out a Public Value Test before approving any such change, then it must publish its reasons in full. Part l: Key characteristics of the service 1. Remit The remit of BBC Radio Ulster/Foyle is to be a speech-led service for listeners seeking programmes about the life, culture and affairs of Northern Ireland. Its programming should combine extensive coverage of local issues, interests and events with coverage of national and international developments. 2. Scope of this Licence BBC Radio Ulster/Foyle should be available every day for reception across Northern Ireland on FM and more widely on DAB digital radio and digital television platforms1, and it may be simulcast on the internet. It may also offer its broadcast content on fixed and mobile internet protocol networks or via other platforms2.
    [Show full text]
  • Service Review of Network Music Radio (Radio 1, Radio 2, Radio 3, 6 Music, 1Xtra, Asian Network)
    Submission to BBC Trust Service Review of Network Music Radio (Radio 1, Radio 2, Radio 3, 6 Music, 1Xtra, Asian Network) from November 2014 INTRODUCTION This paper should be seen in conjunction with a submission to the BBC Trust from Classic FM’s parent company Global and also from RadioCentre. It focuses on BBC Radio 3 and its exceptional role in broadcasting and commissioning classical music. BBC Radio 3 holds a unique position in the British broadcasting landscape. Its strength in the past has been in its ability to use this unique position, with the safety net of generous public funding, to create bold, distinctive, brave programming, unfettered by the need to deliver audiences to advertisers. With a guaranteed income from the Licence Fee, BBC Radio 3 operates in common with other BBC services, without any fear of commercial failure. The position of BBC Radio 3 in the marketplace means that the BBC occupies a potentially market-distorting role in terms of the commissioning, broadcast and promotion of live classical music in the UK, either on radio or via digital online broadcasts. SUMMARY The BBC must have greater regard for the impact of BBC Radio 3 on the market place and on the classical music eco-system in the UK. In future, the BBC should enforce far tighter content requirements on publicly subsidised services such as BBC Radio 3, with far greater regard to the overall competitive broadcast marketplace when programming changes are made. Alone among any BBC radio or television service, it can be argued that BBC Radio 3’s uniquely guaranteed funding, along with the concentration of power in the hands of the station’s Controller, is unprecedented in any other area of broadcasting or the arts in the UK.
    [Show full text]
  • Radio 3 Content Analysis
    BBC Trust: Service Review of BBC Network Music Radio Annex: Radio 3 content analysis About this analysis The Trust analysed two weeks of output from Radio 3 and Classic FM, from 22 September to 5 October 2014, in order to test how similar Radio 3’s music is to Classic FM’s in peak listening periods. This analysis used a log of music played on Radio 3, which was provided by the BBC. Classic FM’s repertory was taken from its playlist, which is published on its website. (Note we substituted a small amount of content for Classic FM from a later week, due to some gaps in the published data at the time of sourcing). For the purposes of the analysis we considered only Radio 3’s primary classical music output, so excluded Jazz, World Music, and programming that only provides short excerpts of music alongside speech (such as CD Review or Music Matters). The analysis included all of Classic FM’s music. The Radio 3 data supplied to us by the BBC included detail on the length of each piece played. As this was not available for Classic FM’s repertory, we estimated the average length of track on Classic FM using the published start times of each piece, then subtracting the estimated amount of speech content. We listened to six hours at different times of the day to provide an estimate of the proportion of speech/advertising to music. Based on this listening, we have estimated that around 20% of Classic FM’s output is not music, which we estimate increases to around 25% during its breakfast programme.
    [Show full text]
  • 10 June 2011 Page 1 of 15
    Radio 4 Listings for 4 – 10 June 2011 Page 1 of 15 SATURDAY 04 JUNE 2011 SAT 07:00 Today (b011msk2) Series 74 Morning news and current affairs with John Humphrys and SAT 00:00 Midnight News (b011jx96) Evan Davis. Episode 8 The latest national and international news from BBC Radio 4. 08:10 How effective are plans to curb provocative images seen Followed by Weather. by children? A satirical review of the week's news, chaired by Sandi 08:30 Lord Lamont and Alistair Darling on the economy. Toksvig. With Rory Bremner, Jeremy Hardy, Mark Steel and 08:44 The man who inspired the classic film The Battle of Fred Macaulay. SAT 00:30 Book of the Week (b011mt39) Algiers. Ox Travels 08:49 Does London need its new Playboy club? SAT 12:57 Weather (b011jx9v) The Wrestler The latest weather forecast. SAT 09:00 Saturday Live (b011msk4) Ox Travels features original stories from twenty-five top travel Richard Coles with actor and director Richard Wilson, poet writers; this week we'll be featuring five of these stories. Susan Richardson, a woman who discovered her outwardly SAT 13:00 News (b011jx9x) respectable father was in fact a criminal gangster, and a man The latest national and international news from BBC Radio 4. Each of the stories takes as its theme a meeting life-changing, who kept a lion as a pet. There's an I Was There feature from a affecting, amusing by turn and together they transport readers man who worked on the world's first international satellite TV into a brilliant, vivid atlas of encounters.
    [Show full text]
  • 2021 Association of British Orchestras Conference 10-12 March 2021
    ‘AFTERSHOCK’ 2021 ASSOCIATION OF BRITISH ORCHESTRAS CONFERENCE 10-12 MARCH 2021 The annual Association of British Orchestras Conference, the UK’s leading classical music forum, will take place online from Wednesday 10 March – Friday 12 March. With Classic FM, the UK’s most popular classical music station, as Principal Media Partner, Classical Music as Online Media Partner, Help Musicians as Charity Partner and the British Council as International Partner, the conference will bring together speakers, panellists and delegates from across the UK and abroad to examine the critical issues facing the classical music sector and to discuss the support and innovation needed to forge an ambitious and sustainable future for the industry. Through a series of keynote speeches and interactive panel discussions, the three-day online conference will focus on the theme of ‘Aftershock’, analysing the seismic issues that have sent shockwaves through the sector – from the devastating impact of the global COVID-19 pandemic and the threatening repercussions of Brexit, to the urgency of the climate change crisis and the reignited call to confront classical music’s inequities and action meaningful change in the wake of the Black Lives Matter movement. It will also offer an opportunity to champion the invention and flexibility shown by orchestras and musicians in continuing to connect with audiences, and to discuss the new approaches they can take forward to adapt to the new post-COVID landscape and build recovery. For the first time, the opening day of the conference will be free to attend for musicians, hosted in partnership with Help Musicians. Amongst the speakers, Caroline Dinenage MP, Minister of State for Digital & Culture will give a keynote speech, while the Chair of Arts Council England, Sir Nicholas Serota, will discuss his vision for rebuilding the arts and delivering on ACE’s 10 year strategy Let’s Create.
    [Show full text]
  • Pocketbook for You, in Any Print Style: Including Updated and Filtered Data, However You Want It
    Hello Since 1994, Media UK - www.mediauk.com - has contained a full media directory. We now contain media news from over 50 sources, RAJAR and playlist information, the industry's widest selection of radio jobs, and much more - and it's all free. From our directory, we're proud to be able to produce a new edition of the Radio Pocket Book. We've based this on the Radio Authority version that was available when we launched 17 years ago. We hope you find it useful. Enjoy this return of an old favourite: and set mediauk.com on your browser favourites list. James Cridland Managing Director Media UK First published in Great Britain in September 2011 Copyright © 1994-2011 Not At All Bad Ltd. All Rights Reserved. mediauk.com/terms This edition produced October 18, 2011 Set in Book Antiqua Printed on dead trees Published by Not At All Bad Ltd (t/a Media UK) Registered in England, No 6312072 Registered Office (not for correspondence): 96a Curtain Road, London EC2A 3AA 020 7100 1811 [email protected] @mediauk www.mediauk.com Foreword In 1975, when I was 13, I wrote to the IBA to ask for a copy of their latest publication grandly titled Transmitting stations: a Pocket Guide. The year before I had listened with excitement to the launch of our local commercial station, Liverpool's Radio City, and wanted to find out what other stations I might be able to pick up. In those days the Guide covered TV as well as radio, which could only manage to fill two pages – but then there were only 19 “ILR” stations.
    [Show full text]
  • P R O C E E D I N G S
    T Y N W A L D C O U R T O F F I C I A L R E P O R T R E C O R T Y S O I K O I L Q U A I Y L T I N V A A L P R O C E E D I N G S D A A L T Y N HANSARD Douglas, Tuesday, 15th June 2021 All published Official Reports can be found on the Tynwald website: www.tynwald.org.im/business/hansard Supplementary material provided subsequent to a sitting is also published to the website as a Hansard Appendix. Reports, maps and other documents referred to in the course of debates may be consulted on application to the Tynwald Library or the Clerk of Tynwald’s Office. Volume 138, No. 24 ISSN 1742-2256 Published by the Office of the Clerk of Tynwald, Legislative Buildings, Finch Road, Douglas, Isle of Man, IM1 3PW. © High Court of Tynwald, 2021 TYNWALD COURT, TUESDAY, 15th JUNE 2021 Present: The President of Tynwald (Hon. S C Rodan OBE) In the Council: The Lord Bishop of Sodor and Man (The Rt Rev. P A Eagles), The Attorney General (Mr J L M Quinn QC), Mr P Greenhill, Mr R W Henderson, Mrs K A Lord-Brennan, Mrs M M Maska, Mr R J Mercer, Mrs J P Poole-Wilson and Mrs K Sharpe with Mr J D C King, Deputy Clerk of Tynwald. In the Keys: The Speaker (Hon. J P Watterson) (Rushen); The Chief Minister (Hon.
    [Show full text]
  • The Bbc Trust Report: On-Screen and On-Air Talent Including an Independent Assessment and Report by Oliver & Ohlbaum Associates
    THE BBC TRUST REPORT: ON-SCREEN AND ON-AIR TALENT INCLUDING AN INDEPENDENT ASSESSMENT AND REPORT BY OLIVER & OHLBAUM ASSOCIATES MAY 2008 2 BBC TRUST CONCLUSIONS The issue of talent costs The BBC Trust operates to protect the interests of licence fee payers who pay for and own the BBC. As part of this we seek to ensure quality and value for money for licence fee payers and to challenge BBC management to use everything at their disposal to deliver both. An area where this is particularly complex is the salaries paid to on-screen and on-air talent. During the course of 2006, press reports about presenters’ salaries aroused industry and public concern and led some people to question the BBC’s approach to the talent it employs. This debate was still live when the Trust was established as the BBC’s governing body in January 2007. It was and has remained a topic raised by the public with Trustees during our appearances on radio phone-ins and at public meetings in all parts of the UK. Against this background the Trust commissioned an independent review, conducted by Oliver and Ohlbaum Associates Ltd (O&O), to provide an in depth examination of the BBC’s use of on air and on screen talent. We posed O&O three specific questions: • How do the size and structure of the BBC's reward packages for talent compare with the rest of the market? • What has been the impact of the BBC's policy on the talent market, particularly in relation to cost inflation? • To what extent do the BBC's policy and processes in relation to investment in, and reward of, talent support value for money? We are publishing O&O’s report which seeks to answer these questions, the BBC management’s response to the points it raises and our own judgements informed by this evidence.
    [Show full text]
  • BBC Management Review 2010/11
    Northern Ireland Management review 2010/11 a 01 Introduction 12 Looking ahead 19 Contacts 02 Two minute summary 18 Key priorities for next year 20 Northern Ireland 04 Service performance management “ Broadcasting makes an important contribution to the wealth and well-being of local society.” Peter Johnston, Director, BBC Northern Ireland Cover image Cover shows BBC Radio Ulster presenters at the launch of Open House in Broadcasting House, Belfast. Introduction The BBC’s mission may be constant and enduring, but the business of broadcasting, like society itself, is always changing. We can report on a year in which our services enjoyed broad and popular appeal, and much critical success. Network production increased and has now begun to achieve the critical mass on which its long-term sustainability depends; we enhanced our newsgathering with the appointment of new area-based reporters; and our local television portfolio was refreshed with additional landmark programmes and commissions that were intended to reflect community life in all its different aspects and diversity. We introduced schedule changes at BBC Radio Foyle; extended the availability of the BBC’s national DAB network in Northern Ireland; secured some necessary capital investment to facilitate local television outside broadcasts into the future; and delivered a range of BBC recordings and events – showcasing talent and providing moments of celebration for the whole community. All of this activity has been taken forward in the midst of real financial constraints. Further savings are in prospect and will require difficult choices about priorities and a clear focus on how we can maximise the impact and value of our service offering.
    [Show full text]
  • TV & Radio Channels Astra 2 UK Spot Beam
    UK SALES Tel: 0345 2600 621 SatFi Email: [email protected] Web: www.satfi.co.uk satellite fidelity Freesat FTA (Free-to-Air) TV & Radio Channels Astra 2 UK Spot Beam 4Music BBC Radio Foyle Film 4 UK +1 ITV Westcountry West 4Seven BBC Radio London Food Network UK ITV Westcountry West +1 5 Star BBC Radio Nan Gàidheal Food Network UK +1 ITV Westcountry West HD 5 Star +1 BBC Radio Scotland France 24 English ITV Yorkshire East 5 USA BBC Radio Ulster FreeSports ITV Yorkshire East +1 5 USA +1 BBC Radio Wales Gems TV ITV Yorkshire West ARY World +1 BBC Red Button 1 High Street TV 2 ITV Yorkshire West HD Babestation BBC Two England Home Kerrang! Babestation Blue BBC Two HD Horror Channel UK Kiss TV (UK) Babestation Daytime Xtra BBC Two Northern Ireland Horror Channel UK +1 Magic TV (UK) BBC 1Xtra BBC Two Scotland ITV 2 More 4 UK BBC 6 Music BBC Two Wales ITV 2 +1 More 4 UK +1 BBC Alba BBC World Service UK ITV 3 My 5 BBC Asian Network Box Hits ITV 3 +1 PBS America BBC Four (19-04) Box Upfront ITV 4 Pop BBC Four (19-04) HD CBBC (07-21) ITV 4 +1 Pop +1 BBC News CBBC (07-21) HD ITV Anglia East Pop Max BBC News HD CBeebies UK (06-19) ITV Anglia East +1 Pop Max +1 BBC One Cambridge CBeebies UK (06-19) HD ITV Anglia East HD Psychic Today BBC One Channel Islands CBS Action UK ITV Anglia West Quest BBC One East East CBS Drama UK ITV Be Quest Red BBC One East Midlands CBS Reality UK ITV Be +1 Really Ireland BBC One East Yorkshire & Lincolnshire CBS Reality UK +1 ITV Border England Really UK BBC One HD Channel 4 London ITV Border England HD S4C BBC One London
    [Show full text]