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Annual Report 2018–2019 Artmuseum.Princeton.Edu
Image Credits Kristina Giasi 3, 13–15, 20, 23–26, 28, 31–38, 40, 45, 48–50, 77–81, 83–86, 88, 90–95, 97, 99 Emile Askey Cover, 1, 2, 5–8, 39, 41, 42, 44, 60, 62, 63, 65–67, 72 Lauren Larsen 11, 16, 22 Alan Huo 17 Ans Narwaz 18, 19, 89 Intersection 21 Greg Heins 29 Jeffrey Evans4, 10, 43, 47, 51 (detail), 53–57, 59, 61, 69, 73, 75 Ralph Koch 52 Christopher Gardner 58 James Prinz Photography 76 Cara Bramson 82, 87 Laura Pedrick 96, 98 Bruce M. White 74 Martin Senn 71 2 Keith Haring, American, 1958–1990. Dog, 1983. Enamel paint on incised wood. The Schorr Family Collection / © The Keith Haring Foundation 4 Frank Stella, American, born 1936. Had Gadya: Front Cover, 1984. Hand-coloring and hand-cut collage with lithograph, linocut, and screenprint. Collection of Preston H. Haskell, Class of 1960 / © 2017 Frank Stella / Artists Rights Society (ARS), New York 12 Paul Wyse, Canadian, born United States, born 1970, after a photograph by Timothy Greenfield-Sanders, American, born 1952. Toni Morrison (aka Chloe Anthony Wofford), 2017. Oil on canvas. Princeton University / © Paul Wyse 43 Sally Mann, American, born 1951. Under Blueberry Hill, 1991. Gelatin silver print. Museum purchase, Philip F. Maritz, Class of 1983, Photography Acquisitions Fund 2016-46 / © Sally Mann, Courtesy of Gagosian Gallery © Helen Frankenthaler Foundation 9, 46, 68, 70 © Taiye Idahor 47 © Titus Kaphar 58 © The Estate of Diane Arbus LLC 59 © Jeff Whetstone 61 © Vesna Pavlovic´ 62 © David Hockney 64 © The Henry Moore Foundation / Artists Rights Society (ARS), New York 65 © Mary Lee Bendolph / Artist Rights Society (ARS), New York 67 © Susan Point 69 © 1973 Charles White Archive 71 © Zilia Sánchez 73 The paper is Opus 100 lb. -
MALBA COLLECTION Agustín Pérez Rubio OPEN HISTORY, MULTIPLE TIME
MALBA COLLECTION Agustín Pérez Rubio OPEN HISTORY, MULTIPLE TIME. A NEW TURN ON THE MALBA COLLECTION 33 …we never had grammars, nor collections of old plants. And we never knew what images selected and settled on according to the criteria of those who urban, suburban, frontier and continental were. articulate “authorized” discourses on art. Even today, we unwittingly find Oswald de Andrade1 ourselves exercising power in a practice that continues to be enmeshed in that state of afairs. The historian “stains” history just as, in Lacan’s theory …forget the stuf of the Old World, and put all of our hope, and our efort, into creating of vision, the viewer stains the scopic field.4 And that is made manifest if this new culture right here. Forget artists and schools; forget that literature and philosophy; the field of action is that artifice called Latin America. While it is true that the be cleansed and renewed; think to the beat of this life that surrounds us ... Leave behind, region is held together by certain common traits, its complex cultural reality then, authors and teachers that are no longer of any use to us; they have nothing to tell us about what we must discover in ourselves. has been shaped entirely on the basis of a colonial logic driven by political Joaquín Torres García2 and economic powers. In this globalized age, we cannot situate ourselves on a tabula rasa from which to look back at history and Latin American art as if nothing had happened before. …visual artifacts refuse to be confined by the interpretations placed on them in the present. -
Current Market Prices ~ Prints, Sculpture, Originals
Issue TITLE Price, Low SIZE Retail, ISSUE LO High HI TITLE Retail (December SIZE ISSUE LO2014) HI TITLE SIZE ISSUE LO HI CURRENT MARKET PRICES ~ PRINTS, SCULPTURE, ORIGINALS Prints, Graphics, & Giclées Prices do not reflect shifts below a print's original issue price TITLE SIZE ISSUE LO HI TITLE SIZE ISSUE LO HI TITLE SIZE ISSUE LO HI ABBETT, ROBERT AMIDON, SUSAN ATKINSON, MICHAEL BIG GUY SETTER & GROUS 125 553 671 CATHEDRAL ST PAUL CE 125 409 497 GRANNYS LOVING HAND AP 420 510 BOBWHITES & POINTER 50 152 190 COMO PARK CONSERVAT AP 21X29 158 198 GRANNYS LOVING HANDS 385 467 CODY BLACK LAB 95 152 190 COMO PARK CONSERVATORY 21X29 125 125 125 ICE BLUE DIPTYCH 125 262 315 CROSSING SPLIT ROCK 125 125 150 COMO PARK GOLF SKI 21X15 100 100 120 INSPIRATION ARCHES 185 185 185 ABBOTT, LEN COMO PARK PAVILLION 125 698 848 INSPIRATION ARCHES AP 152 190 CHORUS 292 351 GOVERNORS MANSION 99 124 LETTERS FROM GRANDMA 65 152 190 ACHEFF, WILLIAM GOVERNORS MANSION AP 136 170 LONG WAY HOME 148 185 ACOMA 23X18 200 200 200 LAKE HARRIET 24X18 125 125 125 MARIAS HANDS SR 24X18 861 1060 STILL LIFE 64 80 LITTLE FRENCH CHURC AP 21X15 110 138 MONUMENT CANYON SR 33X45 490 595 ADAMS, GAIL LITTLE FRENCH CHURCH 21X15 100 100 100 MOONLIT CANYON 165 165 165 DOUBLE SOLITUDE AP 275 275 315 LORING PARK HARMON AP 29X21 158 198 MOUNTAIN LAKE 18X24 175 258 310 SLEEPIN BEAUTY 225 225 225 MINN STATE CAPITOL 21X16 187 225 ON WALDEN 150 150 150 ADAMS, HERMON MT OLIVET CHURCH 158 198 ON WALDEN AP 94 118 ARIZONA RANGER 120 1072 1320 NICOLLET AVE AP 20X25 78 98 OSTUNI 29X22 150 150 183 -
Simply Turing
Simply Turing Simply Turing MICHAEL OLINICK SIMPLY CHARLY NEW YORK Copyright © 2020 by Michael Olinick Cover Illustration by José Ramos Cover Design by Scarlett Rugers All rights reserved. No part of this publication may be reproduced, distributed, or transmitted in any form or by any means, including photocopying, recording, or other electronic or mechanical methods, without the prior written permission of the publisher, except in the case of brief quotations embodied in critical reviews and certain other noncommercial uses permitted by copyright law. For permission requests, write to the publisher at the address below. [email protected] ISBN: 978-1-943657-37-7 Brought to you by http://simplycharly.com Contents Praise for Simply Turing vii Other Great Lives x Series Editor's Foreword xi Preface xii Acknowledgements xv 1. Roots and Childhood 1 2. Sherborne and Christopher Morcom 7 3. Cambridge Days 15 4. Birth of the Computer 25 5. Princeton 38 6. Cryptology From Caesar to Turing 44 7. The Enigma Machine 68 8. War Years 85 9. London and the ACE 104 10. Manchester 119 11. Artificial Intelligence 123 12. Mathematical Biology 136 13. Regina vs Turing 146 14. Breaking The Enigma of Death 162 15. Turing’s Legacy 174 Sources 181 Suggested Reading 182 About the Author 185 A Word from the Publisher 186 Praise for Simply Turing “Simply Turing explores the nooks and crannies of Alan Turing’s multifarious life and interests, illuminating with skill and grace the complexities of Turing’s personality and the long-reaching implications of his work.” —Charles Petzold, author of The Annotated Turing: A Guided Tour through Alan Turing’s Historic Paper on Computability and the Turing Machine “Michael Olinick has written a remarkably fresh, detailed study of Turing’s achievements and personal issues. -
The Practice of Art and AI
Gerfried Stocker, Markus Jandl, Andreas J. Hirsch The Practice of Art and AI ARS ELECTRONICA Art, Technology & Society Contents Gerfried Stocker, Markus Jandl, Andreas J. Hirsch 8 Promises and Challenges in the Practice of Art and AI Andreas J. Hirsch 10 Five Preliminary Notes on the Practice of AI and Art 12 1. AI–Where a Smoke Screen Veils an Opaque Field 19 2. A Wide and Deep Problem Horizon– Massive Powers behind AI in Stealthy Advance 25 3. A Practice Challenging and Promising– Art and Science Encounters Put to the Test by AI 29 4. An Emerging New Relationship–AI and the Artist 34 5. A Distant Mirror Coming Closer– AI and the Human Condition Veronika Liebl 40 Starting the European ARTificial Intelligence Lab 44 Scientific Partners 46 Experiential AI@Edinburgh Futures Institute 48 Leiden Observatory 50 Museo de la Universidad Nacional de Tres de Febrero Centro de Arte y Ciencia 52 SETI Institute 54 Ars Electronica Futurelab 56 Scientific Institutions 59 Cultural Partners 61 Ars Electronica 66 Activities 69 Projects 91 Artists 101 CPN–Center for the Promotion of Science 106 Activities 108 Projects 119 Artists 125 The Culture Yard 130 Activities Contents Contents 132 Projects 139 Artists 143 Zaragoza City of Knowledge Foundation 148 Activities 149 Projects 155 Artists 159 GLUON 164 Activities 165 Projects 168 Artists 171 Hexagone Scène Nationale Arts Science 175 Activities 177 Projects 182 Artists 185 Kersnikova Institute / Kapelica Gallery 190 Activities 192 Projects 200 Artists 203 LABoral Centro de Arte y Creación Industrial 208 Activities -
2018-2019 Academic Catalogue
Ave Maria University Catalogue 2018-2019 5050 Ave Maria Blvd. Ave Maria, FL 34142 Telephone: (239) 280-2500 www.avemaria.edu July 2018 Ave Maria University All Rights Reserved Volume XVI, Number I 2018-2019 AMU Academic Catalogue / 2 2018-2019 AMU Academic Catalogue / 3 WELCOME TO AVE MARIA UNIVERSITY As President of Ave Maria University, I welcome you to one of America’s youngest and most dynamic and faithful institutions within Catholic higher education. Launched in 2003 by Domino’s Pizza magnate and philanthropist Thomas S. Monaghan, AMU offers a first-rate liberal arts curriculum and over 30 challenging undergraduate majors, as well as graduate degrees in theology. In addition to vibrant programs in the humanities, sciences, and music, the University features pre-professional and professional specializations in disciplines as diverse as nursing, accounting, and biochemistry. The University’s Core Curriculum numbers among the strongest in America and provides graduates with the tools they need to become critical thinkers, competent writers, and lovers of learning. Beginning in the Fall of 2018, the University also began to offer degrees, including a Master in Business Administration, through online learning. An Ave Maria education has been a spring board for many to promising careers and vocations. Recent alumni pursuing graduate studies have been admitted to prominent law and medical schools and other graduate programs of distinction. Those seeking employment have secured favorable placements in the marketplace. A number of AMU’s graduates have entered the seminary or religious life, while others have been called to married life – often with a fellow Ave classmate! Vocational discernment is at the heart of the Ave Maria educative experience. -
PERFORMANCE STUDIES: an Introduction
PERFORMANCE STUDIES The publication of Performance Studies:An Introduction was a The book itself has also been revised, with 25 new defining moment for the field. Richard Schechner’s pioneer- extracts and biographies, up-to-date coverage of global and ing textbook provides a lively and accessible overview of the intercultural performances, and further exploration of the full range of performance for undergraduates at all levels and growing international presence of performance studies as a beginning graduate students in performance studies,theatre, discipline. performing arts, and cultural studies. Among the topics Performance Studies is the definitive overview for under- discussed are the performing arts and popular entertain- graduates, with primary extracts, student activities, key ments, rituals, play and games, and the performances of biographies and over 200 images of global performance. everyday life.Supporting examples and ideas are drawn from the social sciences,performing arts,poststructuralism,ritual Richard Schechner is a pioneer of performance studies. theory,ethology,philosophy,and aesthetics. A scholar, theatre director, editor, and playwright, he is This third edition is accompanied by an all-new companion University Professor and Professor of Performance Studies at website curated by Sara Brady. It features clips of Richard the Tisch School of the Arts,NewYork University.He is editor Schechner discussing his approach to performance studies and of TDR:The Journal of Performance Studies. Schechner is the explaining key ideas, -
Flying Ducks
FR ANK Farm LIN BLVD 4 - Flying Ducks 11 - Trees of Knowledge 5 Robinson Millrace 4 “Flying Ducks” (1970) was created by Tom Hardy and given to the School of “Trees of Knowledge” is a 1994 copper garden sculpture by Wayne Chabre. This Northwest Theatre Villard Christian McKenzieMILLER THEATRE COMPLEX Franklin Lawrence Building Architecture and Allied Arts in 1984 by Mr. and Mrs. Hugh Klopfenstein. It now work, located on the back (south) side of the library, consists of three 4-foot-tall University Hope Cascade Theatre 4 Annex rests comfortably on the west façade of Lawrence Hall, which houses the School of lights shaped like trees with book “leaves” rather than fruits. T 12TH AVE Deady Onyx Bridge Lewis Pacific StreisingerIntegrative Architecture and Allied Arts. UO 3 Allen Cascade Science Annex Computing Klamath 6 27 MRI 12 - Pegasus Lillis L O K E Y S C I E N C E C O M P L E X LILLIS BUSINESS COMPLEX 28 Huestis Jaqua 5 - Dads’ Gates As you walk back to the front of the library, look up 2 Willamette Oregon Duck Chiles Fenton Friendly Lokey Academic Store Peterson Anstett Columbia 26 Laboratories Center The ornamental “Dads’ Gates” were put into place in January 1941. The concept to see “Pegasus” by Keith Jellum, a polished cast- Deschutes T S for the gates started in 1938 by the Dads Club, a patron-parent organization of bronze wind sculpture located on the roof of the Knight Volcanology Chapman H 25 Condon C Carson E the university that was established in 1927. -
Anglo-American Exchange in Postwar Sculpture, 1945–1975
Anglo-American Exchange in Postwar Sculpture, 1945–1975 Rebecca Peabody, editor 1 Anglo-American Exchange in Postwar Sculpture, 1945–1975 Edited by Rebecca Peabody THE J. PAUL GETTY MUSEUM LOS ANGELES Anglo-American Exchange in Postwar Sculpture, 1945–1975 (Getty, 2011) PROOF 1 2 3 4 5 6 2 © 2011 J. Paul Getty Trust Published by the J. Paul Getty Museum on www.gettypublications.org Getty Publications 1200 Getty Center Drive, Suite 500 Los Angeles, California 90049-1682 www.gettypublications.org Marina Belozerskaya, Editor Elizabeth Zozom, Production Coordinator Gary Hespenheide, Designer ISBN: 978-1-60606-069-8 Front cover: Barbara Hepworth, Figure for Landscape, 1960. Los Angeles, J. Paul Getty Museum. Gift of Fran and Ray Stark. © Bowness, Hepworth Estate Illustration credits Every effort has been made to contact the owners and photographers of objects reproduced here whose names do not appear in the captions or in the illustration credits. Anyone having further infor- mation concerning copyright holders is asked to contact Getty Publications so this information can be included in future printings. This publication may be downloaded and printed either in its entirety or as individual chapters. It may be reproduced, and copies distributed, for noncommercial, educational purposes only. Please properly attribute the material to its respective authors and artists. For any other uses, please refer to the J. Paul Getty Trust’s Terms of Use. Anglo-American Exchange in Postwar Sculpture, 1945–1975 (Getty, 2011) PROOF 1 2 3 4 5 6 3 Contents 4 Foreword Antonia Boström, Penelope Curtis, Andrew Perchuk, Jon Wood 6 Introduction: Trajectories in Sculpture Rebecca Peabody 9 Object Relations: Transatlantic Exchanges on Sculpture and Culture, 1945–1975 John C. -
Prints, Sculpture, Originals
Issue TITLE Price, SIZE Low ISSUE 10/06LO Retail, 10/06HI TITLE High Retail SIZE ISSUE 10/06LO (November 10/06HI TITLE 2006) SIZE ISSUE 10/06LO 10/06HI TITLE SIZE ISSUE 10/06LO 10/06HI CURRENT MARKET PRICES ~ PRINTS, SCULPTURE, ORIGINALS Prints, Graphics, & Giclées Prices do not reflect shifts below a print's original issue price TITLE SIZE ISSUE 9/06LO 9/06HI TITLE SIZE ISSUE 9/06LO 9/06HI TITLE SIZE ISSUE 9/06LO 9/06HI TITLE SIZE ISSUE 9/06LO 9/06HI ABBETT, ROBERT ABBETT, ROBERT ADAMSON, HARRY CURIEUX AMIDON, SUSAN AFTERNOON ADVENTURE 125 125 150 LEFT OUT AP 250 728 884 WINTER IDYLL MALLARD 130 130 130 KENWOOD AP 962 1184 AUTUMN POOLS PP 60 96 120 ON THE ROCKS BW AP 200 742 901 WINTER QUARTERS 64 80 LAKE HARRIET AP 24X18 200 285 342 BIG GUY SETTR & GROUSE 125 665 807 ADAMS, HERMON AGNEW, AL LAKE HARRIET GC 29X22 475 475 475 BLACK LAB FAMILY 150 150 150 ARIZONA RANGER 120 1023 1260 A BEND IN ROAD 150 225 270 LITTLE FRENCH CHURCH 21X15 100 157 189 BRIDGE POOL 125 136 170 BROKEN SILENCE 75 186 223 ALMOST HEAVEN 125 125 125 LORING PARK HARMON PL 29X21 125 187 225 BRITTANY HEAD I PP 144 180 BROTHERS 200 200 200 AMERICAN ODYSSEY 125 142 178 MN STATE CAPITOL 240 288 BRITTANY HEAD II 75 202 243 CHALLENGE 120 152 190 AUTUMN RITUAL 75 120 150 MN STATE CAPITOL AP 553 671 BRITTANY HEAD III 85 337 405 CHIEF JOSEPH 150 150 150 AUTUMN TRIO TURKEYS 16 20 MOONLIGHT GRAND AVE AP 23X17 200 285 342 BUCK BRITTANY SPANIEL 12X15 125 125 130 COMING HOME 50 180 216 BOYS CLUB 125 169 203 MT OLIVET CHURCH 172 207 BULLDOGGIN 125 125 140 COMING HOME AP 225 270 BREAKING -
2019 Annual Report
2019 Annual Report Fiscal Year 2019 Washington, DC TABLE OF CONTENTS President’s Foreword ...........................................................5 Director’s Statement ............................................................9 Board of Trustees and Committees................................. 11 Year in Review ......................................................................13 Treasurer’s Report and Financial Statements ...............35 Acquisitions .......................................................................... 41 Changes of Attribution ..................................................... 85 Exhibitions and Loans ........................................................89 Gifts and Donors ............................................................. 109 Staff List ...............................................................................121 PRESIDENT’S FOREWORD At the dedication of the National Gallery of Art in 1941, Paul Mellon spoke of his father’s hope that the museum he had founded “would become not a static but a living institution, growing in usefulness and importance to artists, scholars, and the general public.” Founder Andrew W. Mellon envisioned “a joint enterprise on the part of the Government, on the one hand, and of magnanimous citizens, on the other.” This public- private partnership, now nearly eight decades later, makes it possible for the Gallery to serve millions of visitors each year. I am deeply grateful for the steadfast support of the president and the Congress of the United States. Carrying -
Ghosts – Or the (Nearly) Invisible
9 In this volume, ghost stories are studied in the context of their media, their place in history and geography. From prehistory to this day, we have been haunted by our memories, the past itself, by inklings of the future, by events playing outside our lives, and by ourselves. Hence the lure of ghost stories throughout history 9 Volume and presumably prehistory. Science has been a great destroyer of myth and superstition, but at the same time it has created new black boxes which we are ALPHALPH Approaches to Literary Phantasy filling with our ghostly imagination. In this book, literature from the Middle Ages to Oscar Wilde and Neil Gaiman, children’s stories, folklore and films, ranging from the Antarctic and Russia to Haiti, are covered and show the continuing presence of spectral phenomena. Maria Fleischhack / Elmar Schenkel (eds.) Elmar Schenkel (eds.) · Ghosts – or the (Nearly) Invisible / Ghosts – Maria Fleischhack lectures at Leipzig University with a focus on Victorian and Postmodern fiction and Shakespearean drama; special interest: Sherlock or the (Nearly) Invisible Holmes. Elmar Schenkel teaches English Literature at the University of Leipzig. He has Spectral Phenomena in Literature published on Wells, Conrad and Tolkien and the relations between science and the Media and literature. Maria Fleischhack ISBN 978-3-631-66566-4 ALPH 09_266566_Fleischhack_gr_HCA5_Eng PLE.indd 1 28.06.16 KW 26 14:24 9 In this volume, ghost stories are studied in the context of their media, their place in history and geography. From prehistory to this day, we have been haunted by our memories, the past itself, by inklings of the future, by events playing outside our lives, and by ourselves.