Campus Artworks
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Campus Artworks
20 House of Phineas Gage 26 Lokey Science Complex Gargoyles “House of Phineas Gage” (2003), hidden in the courtyard Albert Einstein, Marie Curie, Sir Isaac Newton, Maxwell & his of Straub Hall, is made of wooden strips. It was a 1% for Demon, Thomas Condon, Alan Turing, and John von Neumann CCampusampus ArtworksArtworks Art commission associated with the Lewis Center for are portrayed on the façades of the Lokey Science Complex Neuroimaging. The work was created by artist/architect buildings, along with sculptures of Drosophilia (fruit fl y) James Harrison. The “subject,” Phineas Gage, is a legend in and Zebrafi sh. The hammered sheet copper sculptures were the history of brain injury: he survived a 3-foot rod blown into designed and installed by artist Wayne Chabre between 1989- his head from a construction blast in 1848. 90. 21 “Aggregation” This art installation was a 1% for Art commision made by 27 Science Walk Adam Kuby as part of his series “disintegrated” art, in “Science Walk” is a landscape work that connects the major which he takes an object and breaks it down into several science buildings from Cascade Hall to Deschutes Hall. It smaller pieces. “Aggregation” is represented through six consists of inlaid stone and tile beginning at the fountain sites surrounding the EMU green, each containing a four- “Cascade Charley.” It was designed in 1991 by Scott Wylie. by-four granite block that was quarried in Eastern Oregon. The inlaid stones were donated by three members of the UO As one moves around the circle, the blocks break down into Geological Sciences faculty Allan Kays, Jack Rice and David smaller pieces from one solid cube to a cluster of 32 broken Blackwell. -
Difference, Identification, Evolution
DIFFERENCE, IDENTIFICATION, EVOLUTION: POSTHUMANISM AS PARADIGMATIC SHIFT IN CONTEMPORARY SPECULATIVE FICTION BY BETHANY DOANE A THESIS IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN HUMANITIES DEPARTMENT OF ENGLISH TOWSON UNIVERSITY TOWSON, MARYLAND 21252 MAY, 2013 ii ACKNOWLEDGEMENTS This thesis would not have been possible without the support and encouragement of Dr. Jennifer Ballengee, who served not only as a committee chair, but also as a mentor, editor, and friend during the research and composition of this project. I would also like to thank Dr. George Hahn, Dr. Erin Fehskens, and Dr. Peter Baker, who also provided guidance and advice throughout the writing process. Lastly, I would like to give special thanks to my husband, Jeff, (who was not yet my husband when this project started) for putting up with me and my many neurotic research and writing habits. Thank you all so much. ii ABSTRACT Difference, Identification, Evolution: Posthumanism as Paradigmatic Shift in Contemporary Speculative Fiction Bethany Doane This study is an initial attempt to investigate the ways that posthumanism manifests within three works of contemporary speculative fiction: Margaret Atwood’s Oryx and Crake (2010), Kazuo Ishiguro’s Never Let Me Go (2005) and Richard Powers’s Galatea 2.2 (1995). Posthumanism seeks to overturn the assumptions of liberal humanism, which places “the human” as the central, most important, and possibly only ethical subject in order to recognize inhuman beings—whether they be animal, clone, or artificial intelligence—as legitimate ethical subjects. At the same time, it recognizes that human beings and technology are intimately bound together. -
National Conference
NATIONAL CONFERENCE OF THE POPULAR CULTURE ASSOCIATION AMERICAN CULTURE ASSOCIATION In Memoriam We honor those members who passed away this last year: Mortimer W. Gamble V Mary Elizabeth “Mery-et” Lescher Martin J. Manning Douglas A. Noverr NATIONAL CONFERENCE OF THE POPULAR CULTURE ASSOCIATION AMERICAN CULTURE ASSOCIATION APRIL 15–18, 2020 Philadelphia Marriott Downtown Philadelphia, PA Lynn Bartholome Executive Director Gloria Pizaña Executive Assistant Robin Hershkowitz Graduate Assistant Bowling Green State University Sandhiya John Editor, Wiley © 2020 Popular Culture Association Additional information about the PCA available at pcaaca.org. Table of Contents President’s Welcome ........................................................................................ 8 Registration and Check-In ............................................................................11 Exhibitors ..........................................................................................................12 Special Meetings and Events .........................................................................13 Area Chairs ......................................................................................................23 Leadership.........................................................................................................36 PCA Endowment ............................................................................................39 Bartholome Award Honoree: Gary Hoppenstand...................................42 Ray and Pat Browne Award -
Inner Visions: Sacred Plants, Art and Spirituality
AM 9:31 2 12/10/14 2 224926_Covers_DEC10.indd INNER VISIONS: SACRED PLANTS, ART AND SPIRITUALITY Brauer Museum of Art • Valparaiso University Vision 12: Three Types of Sorcerers Gouache on paper, 12 x 16 inches. 1989 Pablo Amaringo 224926_Covers_DEC10.indd 3 12/10/14 9:31 AM 3 224926_Text_Dec12.indd 3 12/12/14 11:42 AM Inner Visions: Sacred Plants, Art and Spirituality • An Exhibition of Art Presented by the Brauer Museum • Curated by Luis Eduardo Luna 4 224926_Text.indd 4 12/9/14 10:00 PM Contents 6 From the Director Gregg Hertzlieb 9 Introduction Robert Sirko 13 Inner Visions: Sacred Plants, Art and Spirituality Luis Eduardo Luna 29 Encountering Other Worlds, Amazonian and Biblical Richard E. DeMaris 35 The Artist and the Shaman: Seen and Unseen Worlds Robert Sirko 73 Exhibition Listing 5 224926_Text.indd 5 12/9/14 10:00 PM From the Director In this Brauer Museum of Art exhibition and accompanying other than earthly existence. Additionally, while some objects publication, expertly curated by the noted scholar Luis Eduardo may be culture specific in their references and nature, they are Luna, we explore the complex and enigmatic topic of the also broadly influential on many levels to, say, contemporary ritual use of sacred plants to achieve visionary states of mind. American and European subcultures, as well as to contemporary Working as a team, Luna, Valparaiso University Associate artistic practices in general. Professor of Art Robert Sirko, Valparaiso University Professor We at the Brauer Museum of Art wish to thank the Richard E. DeMaris and the Brauer Museum staff present following individuals and agencies for making this exhibition our efforts of examining visual products arising from the possible: the Brauer Museum of Art’s Brauer Endowment, ingestion of these sacred plants and brews such as ayahuasca. -
An International Journal of English Studies 25/1 2016 EDITOR Prof
ANGLICA An International Journal of English Studies 25/1 2016 EDITOR prof. dr hab. Grażyna Bystydzieńska [[email protected]] ASSOCIATE EDITORS dr hab. Marzena Sokołowska-Paryż [[email protected]] dr Anna Wojtyś [[email protected]] ASSISTANT EDITORS dr Katarzyna Kociołek [[email protected]] dr Magdalena Kizeweter [[email protected]] ADVISORY BOARD GUEST REVIEWERS Michael Bilynsky, University of Lviv Dorota Babilas, University of Warsaw Andrzej Bogusławski, University of Warsaw Teresa Bela, Jagiellonian University, Cracow Mirosława Buchholtz, Nicolaus Copernicus University, Toruń Maria Błaszkiewicz, University of Warsaw Xavier Dekeyser University of Antwerp / KU Leuven Anna Branach-Kallas, Nicolaus Copernicus University, Toruń Bernhard Diensberg, University of Bonn Teresa Bruś, University of Wrocław, Poland Edwin Duncan, Towson University, Towson, MD Francesca de Lucia, independent scholar Jacek Fabiszak, Adam Mickiewicz University, Poznań Ilona Dobosiewicz, Opole University Jacek Fisiak, Adam Mickiewicz University, Poznań Andrew Gross, University of Göttingen Elzbieta Foeller-Pituch, Northwestern University, Evanston-Chicago Paweł Jędrzejko, University of Silesia, Sosnowiec Piotr Gąsiorowski, Adam Mickiewicz University, Poznań Aniela Korzeniowska, University of Warsaw Keith Hanley, Lancaster University Andrzej Kowalczyk, Maria Curie-Skłodowska University, Lublin Christopher Knight, University of Montana, Missoula, MT Barbara Kowalik, University of Warsaw Marcin Krygier, Adam Mickiewicz University, Poznań Ewa Łuczak, University of Warsaw Krystyna Kujawińska-Courtney, University of Łódź David Malcolm, University of Gdańsk Zbigniew Mazur, Maria Curie-Skłodowska University, Lublin Dominika Oramus University of Warsaw Znak ogólnodostępnyRafał / Molencki,wersje University językowe of Silesia, Sosnowiec Marek Paryż, University of Warsaw John G. Newman, University of Texas at Brownsville Anna Pochmara, University of Warsaw Michal Jan Rozbicki, St. -
Durham E-Theses
Durham E-Theses Demonic ctions: cybernetics and postmodernism Brown, Alistair How to cite: Brown, Alistair (2008) Demonic ctions: cybernetics and postmodernism, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/2465/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk Brown 1 Demonic Fictions: Cybernetics and Postmodernism Alistair Brown Whilst demons are no longer viewed as literal beings, as a metaphor the demon continues to trail ideas about doubt and truth, simulation and reality, into post- Enlightenment culture. This metaphor has been revitalised in a contemporary period that has seen the dominance of the cybernetic paradigm. Cybernetics has produced technologies of simulation, whilst the posthuman (a hybrid construction of the self emerging from cultural theory and technology) perceives the world as part of a circuit of other informational systems. In this thesis, illustrative films and literary fictions posit a connection between cybernetic epistemologies and metaphors of demonic possession, and contextualise these against postmodern thought and its narrative modes. -
MALBA COLLECTION Agustín Pérez Rubio OPEN HISTORY, MULTIPLE TIME
MALBA COLLECTION Agustín Pérez Rubio OPEN HISTORY, MULTIPLE TIME. A NEW TURN ON THE MALBA COLLECTION 33 …we never had grammars, nor collections of old plants. And we never knew what images selected and settled on according to the criteria of those who urban, suburban, frontier and continental were. articulate “authorized” discourses on art. Even today, we unwittingly find Oswald de Andrade1 ourselves exercising power in a practice that continues to be enmeshed in that state of afairs. The historian “stains” history just as, in Lacan’s theory …forget the stuf of the Old World, and put all of our hope, and our efort, into creating of vision, the viewer stains the scopic field.4 And that is made manifest if this new culture right here. Forget artists and schools; forget that literature and philosophy; the field of action is that artifice called Latin America. While it is true that the be cleansed and renewed; think to the beat of this life that surrounds us ... Leave behind, region is held together by certain common traits, its complex cultural reality then, authors and teachers that are no longer of any use to us; they have nothing to tell us about what we must discover in ourselves. has been shaped entirely on the basis of a colonial logic driven by political Joaquín Torres García2 and economic powers. In this globalized age, we cannot situate ourselves on a tabula rasa from which to look back at history and Latin American art as if nothing had happened before. …visual artifacts refuse to be confined by the interpretations placed on them in the present. -
Current Market Prices ~ Prints, Sculpture, Originals
Issue TITLE Price, Low SIZE Retail, ISSUE LO High HI TITLE Retail (December SIZE ISSUE LO2014) HI TITLE SIZE ISSUE LO HI CURRENT MARKET PRICES ~ PRINTS, SCULPTURE, ORIGINALS Prints, Graphics, & Giclées Prices do not reflect shifts below a print's original issue price TITLE SIZE ISSUE LO HI TITLE SIZE ISSUE LO HI TITLE SIZE ISSUE LO HI ABBETT, ROBERT AMIDON, SUSAN ATKINSON, MICHAEL BIG GUY SETTER & GROUS 125 553 671 CATHEDRAL ST PAUL CE 125 409 497 GRANNYS LOVING HAND AP 420 510 BOBWHITES & POINTER 50 152 190 COMO PARK CONSERVAT AP 21X29 158 198 GRANNYS LOVING HANDS 385 467 CODY BLACK LAB 95 152 190 COMO PARK CONSERVATORY 21X29 125 125 125 ICE BLUE DIPTYCH 125 262 315 CROSSING SPLIT ROCK 125 125 150 COMO PARK GOLF SKI 21X15 100 100 120 INSPIRATION ARCHES 185 185 185 ABBOTT, LEN COMO PARK PAVILLION 125 698 848 INSPIRATION ARCHES AP 152 190 CHORUS 292 351 GOVERNORS MANSION 99 124 LETTERS FROM GRANDMA 65 152 190 ACHEFF, WILLIAM GOVERNORS MANSION AP 136 170 LONG WAY HOME 148 185 ACOMA 23X18 200 200 200 LAKE HARRIET 24X18 125 125 125 MARIAS HANDS SR 24X18 861 1060 STILL LIFE 64 80 LITTLE FRENCH CHURC AP 21X15 110 138 MONUMENT CANYON SR 33X45 490 595 ADAMS, GAIL LITTLE FRENCH CHURCH 21X15 100 100 100 MOONLIT CANYON 165 165 165 DOUBLE SOLITUDE AP 275 275 315 LORING PARK HARMON AP 29X21 158 198 MOUNTAIN LAKE 18X24 175 258 310 SLEEPIN BEAUTY 225 225 225 MINN STATE CAPITOL 21X16 187 225 ON WALDEN 150 150 150 ADAMS, HERMON MT OLIVET CHURCH 158 198 ON WALDEN AP 94 118 ARIZONA RANGER 120 1072 1320 NICOLLET AVE AP 20X25 78 98 OSTUNI 29X22 150 150 183 -
Fall 2021 Kids OMNIBUS
FALL 2021 RAINCOAST OMNIBUS Kids This edition of the catalogue was printed on May 13, 2021. To view updates, please see the Fall 2021 Raincoast eCatalogue or visit www.raincoast.com Raincoast Books Fall 2021 - Kids Omnibus Page 1 of 266 A Cub Story by Alison Farrell and Kristen Tracy Timeless and nostalgic, quirky and fresh, lightly educational and wholly heartfelt, this autobiography of a bear cub will delight all cuddlers and snugglers. See the world through a bear cub's eyes in this charming book about finding your place in the world. Little cub measures himself up to the other animals in the forest. Compared to a rabbit, he is big. Compared to a chipmunk, he is HUGE. Compared to his mother, he is still a little cub. The first in a series of board books pairs Kristen Tracy's timeless and nostalgic text with Alison Farrell's sweet, endearing art for an adorable treatment of everyone's favorite topic, baby animals. Author Bio Chronicle Books Alison Farrell has a deep and abiding love for wild berries and other foraged On Sale: Sep 28/21 foods. She lives, bikes, and hikes in Portland, Oregon, and other places in the 6 x 9 • 22 pages Pacific Northwest. full-color illustrations throughout 9781452174587 • $14.99 Kristen Tracy writes books for teens and tweens and people younger than Juvenile Fiction / Animals / Baby Animals • Ages 2-4 that, and also writes poetry for adults. She's spent a lot of her life teaching years writing at places like Johnson State College, Western Michigan University, Brigham Young University, 826 Valencia, and Stanford University. -
Simply Turing
Simply Turing Simply Turing MICHAEL OLINICK SIMPLY CHARLY NEW YORK Copyright © 2020 by Michael Olinick Cover Illustration by José Ramos Cover Design by Scarlett Rugers All rights reserved. No part of this publication may be reproduced, distributed, or transmitted in any form or by any means, including photocopying, recording, or other electronic or mechanical methods, without the prior written permission of the publisher, except in the case of brief quotations embodied in critical reviews and certain other noncommercial uses permitted by copyright law. For permission requests, write to the publisher at the address below. [email protected] ISBN: 978-1-943657-37-7 Brought to you by http://simplycharly.com Contents Praise for Simply Turing vii Other Great Lives x Series Editor's Foreword xi Preface xii Acknowledgements xv 1. Roots and Childhood 1 2. Sherborne and Christopher Morcom 7 3. Cambridge Days 15 4. Birth of the Computer 25 5. Princeton 38 6. Cryptology From Caesar to Turing 44 7. The Enigma Machine 68 8. War Years 85 9. London and the ACE 104 10. Manchester 119 11. Artificial Intelligence 123 12. Mathematical Biology 136 13. Regina vs Turing 146 14. Breaking The Enigma of Death 162 15. Turing’s Legacy 174 Sources 181 Suggested Reading 182 About the Author 185 A Word from the Publisher 186 Praise for Simply Turing “Simply Turing explores the nooks and crannies of Alan Turing’s multifarious life and interests, illuminating with skill and grace the complexities of Turing’s personality and the long-reaching implications of his work.” —Charles Petzold, author of The Annotated Turing: A Guided Tour through Alan Turing’s Historic Paper on Computability and the Turing Machine “Michael Olinick has written a remarkably fresh, detailed study of Turing’s achievements and personal issues. -
Science in the Forest, Science in the Past Hbooksau
SCIENCE IN THE FOREST, SCIENCE IN THE PAST HBooksau Director Anne-Christine Taylor Editorial Collective Hylton White Catherine V. Howard Managing Editor Nanette Norris Editorial Staff Michelle Beckett Jane Sabherwal Hau Books are published by the Society for Ethnographic Theory (SET) SET Board of Directors Kriti Kapila (Chair) John Borneman Carlos Londoño Sulkin Anne-Christine Taylor www.haubooks.org SCIENCE IN THE FOREST, SCIENCE IN THE PAST Edited by Geoffrey E. R. Lloyd and Aparecida Vilaça Hau Books Chicago © 2020 Hau Books Originally published as a special issue of HAU: Journal of Ethnographic Theory 9 (1): 36–182. © 2019 Society for Ethnographic Theory Science in the Forest, Science in the Past, edited by Geoffrey E. R. Lloyd and Aparecida Vilaça, is licensed under CC BY-NC-ND 4.0 https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode Cover photo: Carlos Fausto. Used with permission. Cover design: Daniele Meucci and Ania Zayco Layout design: Deepak Sharma, Prepress Plus Typesetting: Prepress Plus (www.prepressplus.in) ISBN: 978-1-912808-41-0 [paperback] ISBN: 978-1-912808-79-3 [ebook] ISBN: 978-1-912808-42-7 [PDF] LCCN: 2020950467 Hau Books Chicago Distribution Center 11030 S. Langley Chicago, Il 60628 www.haubooks.org Publications of Hau Books are printed, marketed, and distributed by The University of Chicago Press. www.press.uchicago.edu Printed in the United States of America on acid-free paper. Contents List of Figures vii Preface viii Geoffrey E. R. Lloyd and Aparecida Vilaça Acknowledgments xii Chapter 1. The Clash of Ontologies and the Problems of Translation and Mutual Intelligibility 1 Geoffrey E. -
Beyond Guernica and the Guggenheim
Beyond Guernica and the Guggenheim Beyond Art and Politics from a Comparative Perspective a Comparative from Art and Politics Beyond Guernica and the Guggenheim This book brings together experts from different fields of study, including sociology, anthropology, art history Art and Politics from a Comparative Perspective and art criticism to share their research and direct experience on the topic of art and politics. How art and politics relate with each other can be studied from numerous perspectives and standpoints. The book is structured according to three main themes: Part 1, on Valuing Art, broadly concerns the question of who, how and what value is given to art, and how this may change over time and circumstance, depending on the social and political situation and motivation of different interest groups. Part 2, on Artistic Political Engagement, reflects on another dimension of art and politics, that of how artists may be intentionally engaged with politics, either via their social and political status and/or through the kind of art they produce and how they frame it in terms of meaning. Part 3, on Exhibitions and Curating, focuses on yet another aspect of the relationship between art and politics: what gets exhibited, why, how, and with what political significance or consequence. A main focus is on the politics of art in the Basque Country, complemented by case studies and reflections from other parts of the world, both in the past and today. This book is unique by gathering a rich variety of different viewpoints and experiences, with artists, curators, art historians, sociologists and anthropologists talking to each other with sometimes quite different epistemological bases and methodological approaches.