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Junior Livestock Shows and Educational Contests, but We Have Been Forced to Adjust the Shows and Contests Offered This Year
Welcome! We are celebrating the 72nd San Antonio Stock Show & Rodeo and are delighted to have you here as our guests and contestants! The San Antonio Livestock Exposition, Inc. is a volunteer organization emphasizing agriculture and education to develop the youth of Texas. Our 6,000 volunteers and an outstanding staff are the ones who make this show possible. We have faced a few challenges building up to this year’s show, but we continue to have the same level of devotion to our youth. We typically offer a wide assortment of junior livestock shows and educational contests, but we have been forced to adjust the shows and contests offered this year. All of these provide youth an opportunity to showcase their livestock knowledge and skills in a competitive environment. Scholarship winners will join a special group of scholars. Currently there are 1,500 active S.A.L.E. scholars enrolled in more than 100 colleges and universities throughout Texas. Since the inception of our show, we have provided over $223 million to the youth of Texas in the form of scholarships, grants, endowments, auctions, calf scramble and show premiums. My deep appreciation and thanks to the Livestock Committee Chairman, Sarah Franklin; Vice- Chairman, Jason Walker; Ag Mechanics Committee Chairman, Marcus Demel; Ag Mechanics Committee Vice-Chairman, Lawrence Padalecki; Livestock Director, Dr. Brian Faris; Livestock Manager, Joslyn Jones and all the Livestock and Ag Mechanics Volunteers. Your commitment and enthusiasm are what make it all possible. God Bless, Rusty Collier President 1 2021 SAN ANTONIO STOCK SHOW & RODEO LIVESTOCK PREMIUM LIST TABLE OF CONTENTS President's Page .......................................................................................................................................................................... -
Excesss Karaoke Master by Artist
XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not -
Dani Felber Big Band Explosion – Glenn Gould Plays Bach (3-DVD-Box), Sony Thank You Fos Stabe Z Fehlt
Das Schweizer Jazz & Blues Magazin Nov./Dez. 6/2012 S Schweiz CHF 11.– / Deutschland € 5.90 / Österreich € 6.10 , ROOT ‚ N BLUES ‘‘ NN ''MMOORREE MICHEL Legrand HowlIN’ WolF Andreas VARADY MATTHIAS SPILLMANN OMRI ZIegele FABIAN Anderhub DAVE FEUSI & FRIends STRAYMONK LESTER MENEZES Don LI'S OrbITAL Garden MALI MUSIC IIRO RANTALA Sarah BÜCHI ANSON Funderburgh Andrew HILL URS LEImgruber ChrIS MARK SATTLER MAX FRANKL ED PARTYKA WIesendanger ORIOXY AUS DEM Innern MEHR ALS 80 CD-BESPRECHUNGEN JNM_06_2012_01_def.indd 1 26.10.12 09:41 Andreas Homoki wird nicht ruhen, das Opernhaus Zürich neuen Künstlern und neuen Besuchern zu öffnen. Qualität. Das verbindet uns mit dem Intendanten des Opernhauses Zürich. Als eine der weltweit erfolgreichsten Bühnen zeigt das Opernhaus Zürich seit Jahren Opern und Ballette auf höchstem Niveau. Andreas Homoki sichert mit Zuhören, präzisen Analysen und harmonischem Zusammenspiel des ganzen Ensembles künstlerische Spitzenleistungen, die ein breites Publikum begeistern. Unermüdliches Streben nach dem Besten und leidenschaftliches Teamwork kennzeichnen auch unsere Arbeit für alle Kunden in der Schweiz. Deshalb unterstützt UBS das Opernhaus Zürich seit 1987 als Partner. Bis Sie von der Nachhaltigkeit unseres Engagements überzeugt sind, dürfen Sie sich auf eines verlassen: Wir werden nicht ruhen www.ubs.com/sponsoring Die Verwendung von Namen oder sonstiger Bezeichnungen Dritter in dieser Werbung erfolgt mit der entsprechenden Genehmigung. © UBS 2012. Alle Rechte vorbehalten. 10157_Ad Andreas Homoki Opernhaus Bühne - Publication Jazz'n'More_2012_10_12.indd 1 10/15/2012 4:03:21 PM JNM_06_2012_02-03.indd 2 26.10.12 09:43 EDITORIAL INHALT Andreas Homoki wird nicht ruhen, das Opernhaus Zürich neuen Künstlern und neuen Besuchern zu öffnen. -
February 26, 2021 Amazon Warehouse Workers In
February 26, 2021 Amazon warehouse workers in Bessemer, Alabama are voting to form a union with the Retail, Wholesale and Department Store Union (RWDSU). We are the writers of feature films and television series. All of our work is done under union contracts whether it appears on Amazon Prime, a different streaming service, or a television network. Unions protect workers with essential rights and benefits. Most importantly, a union gives employees a seat at the table to negotiate fair pay, scheduling and more workplace policies. Deadline Amazon accepts unions for entertainment workers, and we believe warehouse workers deserve the same respect in the workplace. We strongly urge all Amazon warehouse workers in Bessemer to VOTE UNION YES. In solidarity and support, Megan Abbott (DARE ME) Chris Abbott (LITTLE HOUSE ON THE PRAIRIE; CAGNEY AND LACEY; MAGNUM, PI; HIGH SIERRA SEARCH AND RESCUE; DR. QUINN, MEDICINE WOMAN; LEGACY; DIAGNOSIS, MURDER; BOLD AND THE BEAUTIFUL; YOUNG AND THE RESTLESS) Melanie Abdoun (BLACK MOVIE AWARDS; BET ABFF HONORS) John Aboud (HOME ECONOMICS; CLOSE ENOUGH; A FUTILE AND STUPID GESTURE; CHILDRENS HOSPITAL; PENGUINS OF MADAGASCAR; LEVERAGE) Jay Abramowitz (FULL HOUSE; GROWING PAINS; THE HOGAN FAMILY; THE PARKERS) David Abramowitz (HIGHLANDER; MACGYVER; CAGNEY AND LACEY; BUCK JAMES; JAKE AND THE FAT MAN; SPENSER FOR HIRE) Gayle Abrams (FRASIER; GILMORE GIRLS) 1 of 72 Jessica Abrams (WATCH OVER ME; PROFILER; KNOCKING ON DOORS) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEPPER) Nick Adams (NEW GIRL; BOJACK HORSEMAN; -
Navigating Jazz: Music, Place, and New Orleans by Sarah Ezekiel
Navigating Jazz: Music, Place, and New Orleans by Sarah Ezekiel Suhadolnik A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Musicology) in the University of Michigan 2016 Doctoral Committee: Associate Professor Charles Hiroshi Garrett, Chair Professor David Ake, University of Miami Associate Professor Stephen Berrey Associate Professor Christi-Anne Castro Associate Professor Mark Clague © Sarah Ezekiel Suhadolnik 2016 DEDICATION To Jarvis P. Chuckles, an amalgamation of all those who made this project possible. ii ACKNOWLEDGEMENTS My dissertation was made possible by fellowship support conferred by the University of Michigan Rackham Graduate School and the University of Michigan Institute for the Humanities, as well as ample teaching opportunities provided by the Musicology Department and the Residential College. I am also grateful to my department, Rackham, the Institute, and the UM Sweetland Writing Center for supporting my work through various travel, research, and writing grants. This additional support financed much of the archival research for this project, provided for several national and international conference presentations, and allowed me to participate in the 2015 Rackham/Sweetland Writing Center Summer Dissertation Writing Institute. I also remain indebted to all those who helped me reach this point, including my supervisors at the Hatcher Graduate Library, the Music Library, the Children’s Center, and the Music of the United States of America Critical Edition Series. I thank them for their patience, assistance, and support at a critical moment in my graduate career. This project could not have been completed without the assistance of Bruce Boyd Raeburn and his staff at Tulane University’s William Ransom Hogan Jazz Archive of New Orleans Jazz, and the staff of the Historic New Orleans Collection. -
Tenor Saxophone Mouthpiece When
MAY 2014 U.K. £3.50 DOWNBEAT.COM MAY 2014 VOLUME 81 / NUMBER 5 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editors Ed Enright Kathleen Costanza Art Director LoriAnne Nelson Contributing Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, -
Extensions of Remarks 10509
May 9, 1979 EXTENSIONS OF REMARKS 10509 MENT REPORT.-The Secretary shall set forth available to the United States Geological -Page 274, line 1, strike "(b) (1)" and in in each report to the Congress under the Survey, the Bureau of Mines, or any other lieu thereof insert "(c) (2)". Mining and Minerals Policy Act of 1970 a agency or instrumentality of the United Page 333, lines 14 and 15, strike "after the summary of the pertinent information States. date of enactment of this Act". (other than proprietary or other confidential (Additional technical amendments to -Page 275, line 8, change "28" to "27" and information) relating to minerals which is Udall-Anderson substitute (H.R. 3651) .) change "33" to "34". EXTENSIONS OF REMARKS A NONFUEL MINERAL POLICY: WE Of course, the usual antagonists are lined These Americans descend from .Japa CAN NO LONGER WAIT up on each side of this policy debate. But, nese, Chinese, Korean, and Filipino an as Nevada Congressman J. D. Santini points cestors, as well as from Hawaii and t'iher out in our p . 57 feature, their arguments Pacific Islands such as Samoa, Fiji, and HON. JIM SANTINI go by one another like ships in the night with nothing happening-until the lid blows Tahiti. In southern California, where OF NEVADA off. we have the greatest concentration of IN THE HOUSE OF REPRESENTATIVES But, how do you get the public excited Asian and Pacific Americans anywhere Wednesday, May 9, 1979 about metal shortages? in the Nation, their valuable involvemept Even Congressman Santini's well-meant in the growth and prosperity of our local • Mr. -
ED443120.Pdf
DOCUMENT RESUME ED 443 120 CS 216 938 AUTHOR Schultz, Lucille M. TITLE The Young Composers: Composition's Beginnings in Nineteenth-Century Schools. Studies in Writing and Rhetoric. INSTITUTION Conference on Coll. Composition and Communication, Urbana, IL. ISBN ISBN-0-8093-2236-6 PUB DATE 1999-00-00 NOTE 231p. AVAILABLE FROM Southern Illinois University Press, P.O. Box 3697, Carbondale, IL 62902-3697 ($14.95). Web site: www.siu.edu/-siupress. PUB TYPE Books (010) Historical Materials (060) EDRS PRICE MF01/PC10 Plus Postage. DESCRIPTORS *Cultural Context; *Educational History; Elementary Secondary Education; Higher Education; *Rhetoric; Student Centered Curriculum; *Writing Instruction; Writing Strategies IDENTIFIERS *Nineteenth Century; Nineteenth Century Rhetoric; Pestalozzi (Johann Heinrich) ABSTRACT This book, the first full-length history of school-based writing instruction, demonstrates that writing instruction in 19th-century American schools was more important than has previously been assumed in the overall history of writing instruction. Drawing on primary materials that have not been considered in previous histories of writing instruction (little-known textbooks and student writing that includes prize-winning essays, journal entries, letters, and articles written for school newspapers), the book shows that in 19th-century American schools the voices of the British rhetoricians that dominated college writing instruction were attenuated by the voice of the Swiss education reformer Johann Heinrich Pestalozzi. It was partly through the influence of Pestalozzi's thought that writing instruction for children in schools became child-centered, not just a replica or imitation of writing instruction in the colleges. These 19th-century schools prefigured some contemporary composition practices: free writing, peer editing, and the use of illustrations as writing prompts. -
EMILYINPARISAUG12 Proofed CLEAN.Fdx
EMILY IN PARIS Written by Darren Star Writer's Draft August 12, 2018 EXT. CHICAGO - ESTABLISHING - DAWN (D1) The majestic skyline at dawn. MUSIC PLAYS: DJ KHALED’S “ALL I DO IS WIN.” EXT. CHICAGO LAKEFRONT - DAY (D1) EMILY COOPER, late twenties, attacks her morning run, passing fellow joggers with competitive determination. Finally she reaches the end of her route and stops, breathless. Speaks into her wristwatch. EMILY Run complete. BRITISH VOICE Well done, Emily. Five point three miles. Forty one minutes. Seven hundred and thirty calories. Emily listens for it. Then: BRITISH VOICE (CONT’D) Eighteen seconds faster than yesterday. Good effort. Emily allows herself a moment of satisfaction. INT. EMILY AND DOUG’S APARTMENT - DAY (D1) Emily, sensibly dressed for work in a black “power suit” with heels, is putting the finishing touches on a cake: “Bon Voyage Madeline.” An icing outline of the Eiffel Tower. Her boyfriend DOUG MARSHALL (28) approaches from the bedroom, neatly dressed in Dockers and a J Crew button down. Doug is blandly handsome, nice, down to earth. DOUG Morning. EMILY You’re out early. DOUG Client wants to look at that office space on Wacker Drive. EMILY (excited) The full floor? Emily in Paris - Pilot 8/12/18 2. DOUG They’re a startup. It will never happen. EMILY It’s been vacant for a year and they’re a cool company. Throw in the first two months. It could help attract some other creatives. DOUG Hmmm. He notices the cake. DOUG (CONT’D) What’s that for? EMILY Madeline. It’s her last day before she transfers to the job in Paris. -
Neglected Literature: an Experimental Curriculum Resource Bulletin for Secondary Schools
DEPARTMENT OF HEALTH. EDUCATION, AND WELFARE . OE FORM 6000, 2/69 OFFICE OF EDUCATION fr-cd-Utt ERIC ACC. NO. tallt.... I. FCC.UMt. ED 032 315 IS DOCUMENTCOPYRIGHTED? YES 0 NOEl CH ACC. NO. P.A.PUBL. DATEno 7`EPICREPRODUCTIONRELEASE? YESIIINOEa TE 001 546 56r ILEVELOF AVAILABILITY I I I I I AUTHOR TITLE Neglected Literature: An Experimental Curriculum Resource Bulletin for Secondary Schools. SOURCECODEINSTITUTION(SOURCE) FGK22275 SP. AG. CODESPONSORING AGENCY EDRS PRICE CONTRACT NO. GRANT NO. 0.25;2.55 REPORT NO. BUR EAU NO. AVAILABILITY JOURNAL CITATION DESCRIPTIVE NOTE 49p. DESCRIPTORS *Negro Literature; *English Instruction; *Instructional Materials; *Teaching Guides; Literature Appreciation; Negro History; Negro Culture; Negroes; African American Studies; Novels; Short Stories; Poetry; Drama; Essays; Biographies; American Literature; Chronicles . IDENTIFIERS 1 ABSTRACT The materials presented in this teaching guide for Negro literature, prepared under an ESEA Title 3 grant, were collected for inclusion into the traditional English . curriculum "to enable students to regard the works of .Negro writers as a' sharing of diversified human experiences." Sample units on the novel, slave narration, short story,' poetry, drama,'essay, biography; and argumentation and debate illustrate how literature of the Negro may be used in planning lessons. One or more literary works are reviewed in each unit which also lists questions and activities for class discussion. Following each unit are short bibliographies that suggest alternatives , to the units presented. (LH) . We acknowledge with appreciation theservice of Mr. James E. Taylor, Deputy Director Educational Resources Center and. Staff in duplicating and collating thispamphlet. 59 77". ^It U.S. DEPARTMENT OF HEALTH, EDUCATION & WELFARE OFFICE OF EDUCATION THIS DOCUMENT HAS BEEN REPRODUCED EXACTLY AS RECEIVED FROM THE LC1 PERSON OR ORGANIZATION ORIGINATING IT.POINTS OF VIEW OR OPINIONS r-4 STATED DO NOT NECESSARILY REPRESENT OFFICIAL OFFICE OF EDUCATION 141 POSITION OR POLICY. -
The Lady Onstage by Erin Bregman
The Lady Onstage by Erin Bregman Resource Guide for Teachers Created by: Lauren Bloom Hanover, Director of Education Jeff Denight, Dramaturgy Intern 1 Table of Contents About Profile Theatre 3 How to Use This Resource Guide 4 The Artists 5 Lesson 1: Historical Context 6 Classroom Activities: 1) Biography and Context 6 2) Knipper and Chekov in Their Own Words 6 3) The Development of The Lady Onstage 8 4) Considering Contemporary Cultural Shifts (Homework) 9 Supplemental Materials 10 Lesson 2: The Process of Play Development 21 Classroom Activities 1) Where Do New Plays Come From? 21 2) Exploring a Play We Know 23 3) How to Start - the Development Process in Action 24 4) Starting Your Own Play (Homework) 24 Supplemental Materials 26 Lesson 3: One Person Plays - A Unique Challenge 34 Classroom Activities 1) Exploring Single-Character Monologues 34 2) Exploring Multi-character Solo Performances 35 3) Writing Your Own Monologue (Homework) 36 Supplemental Materials 38 Lesson 4: Chekhov Today: Translations and Adaptations 41 Classroom Activities 1) Exploring Translations 42 2) Exploring Work Inspired by Chekhov 42 3) Creating Your Own Adaptation 43 Supplemental Materials 44 Lesson 5: Reflecting on the Performance Classroom Activities 1) Classroom Discussion and Reflection 52 2) What We’ve Learned 52 3) Creative Writing (Homework) 53 2 About Profile Theatre Profile Theatre was founded in 1997 with the mission of celebrating the playwright’s contribution to live theater. Each year Profile produces a season of plays devoted to a single playwright, engaging with our community to explore that writer’s vision and influence on theatre and the world at large. -
OFA Health Results June 2014
OFA Health Results June 2014 Dog Name Sex Test Date OFA No. Results Date of Birth Color CH. BOWGATE HENNESEE M Oct 15 1984 FS-11 HIPS NORMAL 26/11/1981 LIVER A NEW KID IN TOWN TANDY LOVE M Oct 21 2009 FS-682G37M-VPI HIPS GOOD 12/09/2006 LIVER AINSLEY PRISCILLA GALE F Nov 12 2003 FS-421G31F-PI HIPS GOOD 29/03/2001 LIVER AINSLEY ROBIN GOODFELLOW M Nov 12 2003 FS-419E31M-PI HIPS EXCELLENT 29/03/2001 LIVER AINSLEY THAT'S MY BOY M Mar 21 2007 FS-DNA-15/B DNA DATA BANK DNA Sample Donated for Canine Health Research 29/03/2001 LIVER AINSLEY THAT'S MY BOY M Jan 20 2006 FS-458 CERF 06:D3a-Iris, persistent pupillary membranes- iris to iris 29/03/2001 LIVER AINSLEY THAT'S MY BOY M Feb 11 2006 FS-PA23/58M/P-PI PATELLA NORMAL - PRACTITIONER 29/03/2001 LIVER AINSLEY THAT'S MY BOY M Feb 11 2006 FS-TH63/58M-PI THYROID NORMAL 29/03/2001 LIVER AINSLEY-KNGSMD AND HE DID M Nov 12 2003 FS-420G31M-PI HIPS GOOD 29/03/2001 LIVER AINSLEY-SKYLINE WILLO WISP F Apr 15 2003 FS-390G24F-PI HIPS GOOD 29/03/2001 LIVER ALFONZO DE PASEO ROBLES M Jul 26 1994 FS-149G82M HIPS GOOD 12/08/1987 LIVER AMBERCROFT'S FORMAT O'KAELEN M Jul 6 1988 FS-34F25M-T HIPS FAIR 29/01/1986 LIVER ARBORFIELD A HEART ACT TO FOLLOW M Apr 19 2012 FS-CA199/77M/P-VPI CARDIAC NORMAL - PRACTITIONER 08/11/2005 BLACK ARBORFIELD A HEART ACT TO FOLLOW M Nov 27 2007 FS-EL107M24-VPI ELBOW NORMAL 08/11/2005 BLACK ARBORFIELD A HEART ACT TO FOLLOW M Aug 15 2009 FS-602 CERF 9 08/11/2005 BLACK ARBORFIELD A HEART ACT TO FOLLOW M Nov 27 2007 FS-589G24M-VPI HIPS GOOD 08/11/2005 BLACK ARBORFIELD ALLINTHEFAMILEGH M