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Inner Visions: Sacred Plants, Art and Spirituality
AM 9:31 2 12/10/14 2 224926_Covers_DEC10.indd INNER VISIONS: SACRED PLANTS, ART AND SPIRITUALITY Brauer Museum of Art • Valparaiso University Vision 12: Three Types of Sorcerers Gouache on paper, 12 x 16 inches. 1989 Pablo Amaringo 224926_Covers_DEC10.indd 3 12/10/14 9:31 AM 3 224926_Text_Dec12.indd 3 12/12/14 11:42 AM Inner Visions: Sacred Plants, Art and Spirituality • An Exhibition of Art Presented by the Brauer Museum • Curated by Luis Eduardo Luna 4 224926_Text.indd 4 12/9/14 10:00 PM Contents 6 From the Director Gregg Hertzlieb 9 Introduction Robert Sirko 13 Inner Visions: Sacred Plants, Art and Spirituality Luis Eduardo Luna 29 Encountering Other Worlds, Amazonian and Biblical Richard E. DeMaris 35 The Artist and the Shaman: Seen and Unseen Worlds Robert Sirko 73 Exhibition Listing 5 224926_Text.indd 5 12/9/14 10:00 PM From the Director In this Brauer Museum of Art exhibition and accompanying other than earthly existence. Additionally, while some objects publication, expertly curated by the noted scholar Luis Eduardo may be culture specific in their references and nature, they are Luna, we explore the complex and enigmatic topic of the also broadly influential on many levels to, say, contemporary ritual use of sacred plants to achieve visionary states of mind. American and European subcultures, as well as to contemporary Working as a team, Luna, Valparaiso University Associate artistic practices in general. Professor of Art Robert Sirko, Valparaiso University Professor We at the Brauer Museum of Art wish to thank the Richard E. DeMaris and the Brauer Museum staff present following individuals and agencies for making this exhibition our efforts of examining visual products arising from the possible: the Brauer Museum of Art’s Brauer Endowment, ingestion of these sacred plants and brews such as ayahuasca. -
Current Market Prices ~ Prints, Sculpture, Originals
Issue TITLE Price, Low SIZE Retail, ISSUE LO High HI TITLE Retail (December SIZE ISSUE LO2014) HI TITLE SIZE ISSUE LO HI CURRENT MARKET PRICES ~ PRINTS, SCULPTURE, ORIGINALS Prints, Graphics, & Giclées Prices do not reflect shifts below a print's original issue price TITLE SIZE ISSUE LO HI TITLE SIZE ISSUE LO HI TITLE SIZE ISSUE LO HI ABBETT, ROBERT AMIDON, SUSAN ATKINSON, MICHAEL BIG GUY SETTER & GROUS 125 553 671 CATHEDRAL ST PAUL CE 125 409 497 GRANNYS LOVING HAND AP 420 510 BOBWHITES & POINTER 50 152 190 COMO PARK CONSERVAT AP 21X29 158 198 GRANNYS LOVING HANDS 385 467 CODY BLACK LAB 95 152 190 COMO PARK CONSERVATORY 21X29 125 125 125 ICE BLUE DIPTYCH 125 262 315 CROSSING SPLIT ROCK 125 125 150 COMO PARK GOLF SKI 21X15 100 100 120 INSPIRATION ARCHES 185 185 185 ABBOTT, LEN COMO PARK PAVILLION 125 698 848 INSPIRATION ARCHES AP 152 190 CHORUS 292 351 GOVERNORS MANSION 99 124 LETTERS FROM GRANDMA 65 152 190 ACHEFF, WILLIAM GOVERNORS MANSION AP 136 170 LONG WAY HOME 148 185 ACOMA 23X18 200 200 200 LAKE HARRIET 24X18 125 125 125 MARIAS HANDS SR 24X18 861 1060 STILL LIFE 64 80 LITTLE FRENCH CHURC AP 21X15 110 138 MONUMENT CANYON SR 33X45 490 595 ADAMS, GAIL LITTLE FRENCH CHURCH 21X15 100 100 100 MOONLIT CANYON 165 165 165 DOUBLE SOLITUDE AP 275 275 315 LORING PARK HARMON AP 29X21 158 198 MOUNTAIN LAKE 18X24 175 258 310 SLEEPIN BEAUTY 225 225 225 MINN STATE CAPITOL 21X16 187 225 ON WALDEN 150 150 150 ADAMS, HERMON MT OLIVET CHURCH 158 198 ON WALDEN AP 94 118 ARIZONA RANGER 120 1072 1320 NICOLLET AVE AP 20X25 78 98 OSTUNI 29X22 150 150 183 -
Fall 2021 Kids OMNIBUS
FALL 2021 RAINCOAST OMNIBUS Kids This edition of the catalogue was printed on May 13, 2021. To view updates, please see the Fall 2021 Raincoast eCatalogue or visit www.raincoast.com Raincoast Books Fall 2021 - Kids Omnibus Page 1 of 266 A Cub Story by Alison Farrell and Kristen Tracy Timeless and nostalgic, quirky and fresh, lightly educational and wholly heartfelt, this autobiography of a bear cub will delight all cuddlers and snugglers. See the world through a bear cub's eyes in this charming book about finding your place in the world. Little cub measures himself up to the other animals in the forest. Compared to a rabbit, he is big. Compared to a chipmunk, he is HUGE. Compared to his mother, he is still a little cub. The first in a series of board books pairs Kristen Tracy's timeless and nostalgic text with Alison Farrell's sweet, endearing art for an adorable treatment of everyone's favorite topic, baby animals. Author Bio Chronicle Books Alison Farrell has a deep and abiding love for wild berries and other foraged On Sale: Sep 28/21 foods. She lives, bikes, and hikes in Portland, Oregon, and other places in the 6 x 9 • 22 pages Pacific Northwest. full-color illustrations throughout 9781452174587 • $14.99 Kristen Tracy writes books for teens and tweens and people younger than Juvenile Fiction / Animals / Baby Animals • Ages 2-4 that, and also writes poetry for adults. She's spent a lot of her life teaching years writing at places like Johnson State College, Western Michigan University, Brigham Young University, 826 Valencia, and Stanford University. -
Campus Artworks
19 House of Phineas Gage 25 Lokey Science Complex Gargoyles “House of Phineas Gage” (2003), hidden in the courtyard Albert Einstein, Marie Curie, Sir Isaac Newton, Maxwell & his of Straub Hall, is made of wooden strips. It was a 1% for Demon, Thomas Condon, Alan Turing, and John von Neumann CCampusampus ArtworksArtworks Art commission associated with the Lewis Center for are portrayed on the façades of the Lokey Science Complex Neuroimaging. The work was created by artist/architect buildings, along with sculptures of Drosophilia (fruit fl y) James Harrison. The “subject,” Phineas Gage, is a legend in and Zebrafi sh. The hammered sheet copper sculptures were the history of brain injury: he survived a 3-foot rod blown into designed and installed by artist Wayne Chabre between 1989- his head from a construction blast in 1848. 90. 20 “Aggregation” This art installation was a 1% for Art commision made by 26 Science Walk Adam Kuby as part of his series “disintegrated” art, in “Science Walk” is a landscape work that connects the major which he takes an object and breaks it down into several science buildings from Cascade Hall to Deschutes Hall. It smaller pieces. “Aggregation” is represented through six consists of inlaid stone and tile beginning at the fountain sites surrounding the EMU green, each containing a four- “Cascade Charley.” It was designed in 1991 by Scott Wylie. by-four granite block that was quarried in Eastern Oregon. The inlaid stones were donated by three members of the UO As one moves around the circle, the blocks break down into Geological Sciences faculty Allan Kays, Jack Rice and David smaller pieces from one solid cube to a cluster of 32 broken Blackwell. -
2014 UO Artwalk Guide
UNIVERSITY OF OREGON PUBLIC ART SPECIAL THANKS AND APPRECIATION TO 4. The Family Group, John Geise, 1967, sculpted stone Our Title Sponsor: (JSMA south lawn) 5. Encounter, Bruce Beasley, 2003, painted or treated metal (JSMA north lawn) LANE ARTS COUNCIL 6. Reflections of a Summer Day, Duane Loppnow, 1974, painted metal (JSMA north lawn) UNIVERSITY OF OREGON 7. Prometheus, Jan Zach, presented to UO in 1958, Additional Sponsor: ARTWALK GUIDE sculpted concrete and metal (JSMA north lawn) 8. Pioneer Mother, Alexander Phimister Proctor, 1930 and installed 1932, cast bronze and red marble 10 (Woman’s Quadrangle, Gerlinger lawn) 9. The Pioneer, Alexander Phimister Proctor, 1918 and installed 1919, cast bronze (Lawn between Fenton Hall and Friendly Hall, facing Johnson Hall) 10. Flying Ducks, Tom Hardy (West side of Lawrence Hall) 11. Buffalo sculpture, 1958 (Lawrence Hall Courtyard) Promotional Supporter: 12. Cascade Charley, Alice Wingwall, 1991, cement, water, tile, and red marble (Cascade Courtyard) 13. Science Walk, Scott William Wylie, 1989, concrete, blocks, granite, and tile (Plaza between Cascade Hall and Pacific Hall) 14. Science Complex Gargoyles, including Alan Turing, 15 The University of Oregon ArtWalk is coordinated by: Marie Curie & Albert Einstein, Wayne Chabre, 1988 and installed 1989-1991, Donald Bunse, Erb Memorial Union hammered copper sheets (Science Buildings) Lane Arts Council works to WEDNESDAY strengthen and support the arts OCTOBER 8, 2014 | 5:30 - 7:30 PM 15. Akbar’s Garden, Lee Kelly, 1983-84, tooled aluminum (Lawn between EMU throughout Lane County by serving and Rec Center) as a supportive, central community organization for artists, artistic and 18 16. -
Theatre Magick: Aleister Crowley and the Rites of Eleusis
THEATRE MAGICK: ALEISTER CROWLEY AND THE RITES OF ELEUSIS DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University by Tracy W. Tupman, M.A. * * * * * The Ohio State University 2003 Dissertation Committee: Approved by Dr. Joy H. Reilly, Advisor Dr. Alan Woods ________________________________ Advisor Dr. Lesley Ferris Theatre Graduate Program ABSTRACT In October and November of 1910 seven one-act plays were produced at Caxton Hall, Westminster, London, under the collective title The Rites of Eleusis. These public productions were as much an experiment in audience and performer psychology as they were an exotic entertainment. Written, produced and directed by leading cast member, Aleister Crowley, The Rites of Eleusis attempted to present a contemporary interpretation of an ancient myth in order to reignite the role and importance of mysticism in modern society. Through exposing the audience to a variety of sensory stimuli such as incense, rhythmic music, dance, and poetry, it attempted to create within the audience itself an altered state of consciousness which would make them co-celebrants within the performance/ritual. As Crowley stated in the original broadsheet advertisements for the productions, the Rites were intended “to illustrate the magical methods followed by a mystical society which seeks for illumination by ecstasy.” But Crowley intended much more: he hoped the audience would not merely view an “illustration,” but experience an -
Voices De La Luna a Quarterly Poetry & Arts Magazine
Voices de la Luna A Quarterly Poetry & Arts Magazine Friday 15 July 2011 Volume 3, Number 4 “Ringing” by Naomi Shihab Nye Questions for Richard Becker Gini Garcia’s Chandelier for Dresden Literature by UTSA Students Letter from the Editors Poetry & Arts Places in San Antonio Mo H Saidi and James Brandenburg “A poem … begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness. … It finds the thought and the Although Voices de la Luna has not yet been able to secure a thought finds the words.” Robert Frost (1874–1963) significant grant or sponsorship funds, the magazine continues to exist and thrive. It is now completing its third year of publication; with the 15 October issue, Voices will enter its fourth year as a BOTANICAL GARDEN—33 acres of formal gardens, pools, foun- venue for celebrating poetry and the arts. During a time in which tains, and natural areas; Native Texas Trail, Lucille Halsell Conserva- literary journals are facing reduced circulation and financial con- tory. www.sabot.org traction, Voices de la Luna’s achievements are gratifying. CARVER COMMUNITY CULTURAL CENTER—Traces its It must be noted, however, that the success of the magazine and historic roots back some 85 years. Facility is both a gallery for con- the improvement in the quality of published work were attained temporary art exhibits and a theater for performing artists. only with the hard work of our staff, most of them volunteers, www.thecarver.org and the continued support of loyal authors who graciously submit GUADALUPE CULTURAL ARTS CENTER—Dedicated to the their work for consideration without any financial expectations. -
Campus Artworks
19 House of Phineas Gage 25 Lokey Science Complex Gargoyles “House of Phineas Gage” (2003), hidden in the courtyard Albert Einstein, Marie Curie, Sir Isaac Newton, Maxwell & his of Straub Hall, is made of wooden strips. It was a 1% for Demon, Thomas Condon, Alan Turing, and John von Neumann CCampusampus ArtworksArtworks Art commission associated with the Lewis Center for are portrayed on the façades of the Lokey Science Complex Neuroimaging. The work was created by artist/architect buildings, along with sculptures of Drosophilia (fruit fl y) James Harrison. The “subject,” Phineas Gage, is a legend in and Zebrafi sh. The hammered sheet copper sculptures were the history of brain injury: he survived a 3-foot rod blown into designed and installed by artist Wayne Chabre between 1989- his head from a construction blast in 1848. 90. 20 “Aggregation” This art installation was a 1% for Art commision made by 26 Science Walk Adam Kuby as part of his series “disintegrated” art, in “Science Walk” is a landscape work that connects the major which he takes an object and breaks it down into several science buildings from Cascade Hall to Deschutes Hall. It smaller pieces. “Aggregation” is represented through six consists of inlaid stone and tile beginning at the fountain sites surrounding the EMU green, each containing a four- “Cascade Charley.” It was designed in 1991 by Scott Wylie. by-four granite block that was quarried in Eastern Oregon. The inlaid stones were donated by three members of the UO As one moves around the circle, the blocks break down into Geological Sciences faculty Allan Kays, Jack Rice and David smaller pieces from one solid cube to a cluster of 32 broken Blackwell.