CONFERENCE PROGRAM CAA2010 98th ANNUAL CONFERENCE

CHICAGO COLLEGE ARTASSOCIATION FEBRUARY 10–13, 2010

98TH ANNUALCONFERENCE

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Conference Program WEDNESDAY, THURSDAY Can Beauty Be Administered? Early Building Regulations PROGRAM SESSIONS in Medieval Tuscany and the Ideal Town Klaus Tragbar, Hochschule Augsburg Wednesday, February 10 Giotto’s Envy and Francesco da Barberino’s Renown: 3:30 PM–5:00 PM Naturalism, Personifi cation, and Artistic Innovation Shelley MacLaren, University of the South International Sculpture Center Educator of the Year Award Lust for Killing: Defi ning Culture by Its Margins— the Massacre Grand CD North, Gold Level, East Tower, Hyatt Regency Chicago of the Innocents by Giovanni Pisano and Giusto de’ Menabuoi Chair: International Sculpture Center Beate Fricke, University of California, Berkeley Theories of Authorship in Fourteenth-Century Italian Art Diasporic Asian Art Network Joost Keizer, Columbia University Business Meeting Discussant: Klaus Krüger, Freie Universität Berlin Grand B, Gold Level, East Tower, Hyatt Regency Chicago

Historians of German and Central European Art and Architecture Dressing the Part: Textiles as Propaganda in the Business Meeting Middle Ages, Part I Grand A, Gold Level, East Tower, Hyatt Regency Chicago Columbus KL, Gold Level, East Tower, Hyatt Regency Chicago Chairs: Kate Dimitrova, Wells College; Margaret Goehring, New Mexico State University Thursday, February 11 The Performance of Picture-Textiles: The Star Mantle of Henry II 7:30 AM–9:00 AM David Ganz, University of Konstanz, Germany Textiles Reconquested: Tissues from the Royal Tombs in the Spanish Association of Research Institutes in Art History Convent of Santa María la Real de Las Huelgas in Burgos The Role of Research Institutes in Defi ning Art Kristin Böse, University of Cologne History’s Future Grand A, Gold Level, East Tower, Hyatt Regency Chicago Material Evidence, Theological Requirements and Medial Trans- Chairs: Inge J. Reist, Association of Research Institutes in Art His- formation: “Textile Strategies” in Fourteenth-Century Bohemian tory; Marcie Karp, Association of Research Institutes in Art History Panel Painting Evelin Wetter, Abegg-Stiftung

Museum of Contemporary Craft Wearers of Meaning: Exoticism and the Political Signifi cance of Critical Craft Forum Clothing on Twelfth-Century Column-Figures Columbus AB, Gold Level, East Tower, Hyatt Regency Chicago Janet E. Snyder, West Virginia University Chairs: Namita Gupta Wiggers, Museum of Contemporary Craft; Orthodox Liturgical Textiles and Clerical Self-Referentiality Elisabeth Agro, Philadelphia Museum of Art Warren T. Woodfi n, Queens College, City University of New York

International Sculpture Center CAA Committee on Women in the Arts Business Meeting Old Women, Witches, and Old Wives Regency D, Gold Level, West Tower, Hyatt Regency Chicago Regency D, Gold Level, West Tower, Hyatt Regency Chicago Chair: Frima Fox Hofrichter, Pratt Institute New Media Caucus Alchemy’s Old Wives Business Meeting M. E. Warlick, University of Denver Grand CD South, Gold Level, East Tower, Hyatt Regency Chicago Frans Hals’s Portrait of an “Older” Judith Leyster Radical Art Caucus Paul Crenshaw, Providence College Business Meeting Harridans and Busybodies: Passions and Humours in Regency A, Gold Level, West Tower, Hyatt Regency Chicago Transgressive Old Women Jane Kromm, Purchase College, State University of New York Old Woman/New Vision: Lucia Moholy’s Photographs Thursday, February 11 of Clara Zetkin 9:30 AM–12:00 PM Vanessa Rocco, Pratt Institute and International Center of Photography Innovation, Agency, History: Centering the Italian Sculptor, Hostess, Witch: Unpacking Louise Nevelson’s Boxes Fourteenth Century Johanna Ruth Epstein, Hollins University Acapulco, Gold Level, West Tower, Hyatt Regency Chicago Chairs: C. Jean Campbell, Emory University; Anne Dunlop, Yale University

CAA2010 FEBRUARY 10–13 Thursday, February 11 The Sense of Rilievo: Apprehending Materiality in Quattrocento Art and Theory 9:30 AM–12:00 PM Christopher R. Lakey, Reed College ARTspace Un colorito ch’è di vera carne: Correggio’s Ecce Homo Photography in Theory and Practice: Medium-Specifi city and Incarnational Touch and Its Discontents Sara Switzer, Columbia University Columbus GHIJ, Gold Level, East Tower, Hyatt Regency Chicago Words Will Lead the Way: Guiding Devotion in Fra Bartolommeo’s Chairs: Mary Hunter, McGill University; Simon Baker, Tate God the Father with Saints Mary Magdalene and Catherine of Siena Proof Photographic: John William Draper and the Jannette Vusich, University of King’s College Scientifi c Daguerreotype In the Hand of the Beholder: The Collector’s Caress in Sarah Kate Gillespie, York College, City University of New York Early Modern Italy Photographic Facts, Painted Fictions: Challenges to Medium- Geraldine A. Johnson, University of Oxford Specifi city in Victorian Photocollage Elizabeth Siegel, Art Institute of Chicago Representations of Brazil and Shifting Identities Medium-Specifi city and Its Surrogates: Practices around Gold Coast, Bronze Level, West Tower, Hyatt Regency Chicago Photomechanical Reproduction in the Early Years of its Chairs: Aleca Le Blanc, University of Southern California; Industrial Application Elena Shtromberg, University of Utah Tom Gretton, University College London Frans Post’s Brazilian Landscapes On the Effi cacy of Artifi ce: Radiophotographs and PM’s Pictorial Rebecca Parker Brienen, University of Miami Critique of Photojournalism Jason Hill, University of Southern California Brazil’s Gift: Coffee, Modernity, and the Brazilian Image World Luciana Martins, Birkbeck, University of London Interrogating Photography’s Indexical “Identity Crisis” Kris Belden-Adams, Graduate Center, City University of New York From o Morro to a Torre and Back Again: Brazilian Artists in Paris in the 1920s and the Trans-Atlantic Orbits of Brasilidade Edith Wolfe, Tulane University Women, Femininity, and Public Space in Nineteenth-Century Resisting the Dominant Gaze: Prison Works by Brazilian Artist Visual Culture Rosângela Rennó and Filmmaker Maria Augusta Ramos Regency B, Gold Level, West Tower, Hyatt Regency Chicago Marguerite Harrison, Smith College Chairs: Heather Belnap Jensen, Brigham Young University; Temma Balducci, Arkansas State University Cannibalizing the Favela: The Production and Display of Contemporary Brazilianess in Dias and Riedweg’s Funk Staden Female Presence in Post-Revolutionary French Painting Melissa Geppert, University of Minnesota, Minneapolis Susan Siegfried, University of Michigan, Ann Arbor Mistresses of the Camera: Sallie Garrity and Beatrice Tonnesen Margaret Denny, University of Illinois, Chicago Crossing Paths, Changing Lives: Processes of Biculturalism in Ancient Art After the Femme Fatale: Nineteenth-Century Criminality Columbus EF, Gold Level, East Tower, Hyatt Regency Chicago and the Spaces of Photography Chair: Barbara Mendoza, University of California, Berkeley Mel Francis, University of Nottingham Trading Tradition: The Establishment and Continuation of “Wheeling Women”: The Bourgeoisie and the Bicycle in Zoomorphic Mortars in the Ancient Andes Fin-de-Siècle Visual Culture Paula Winn, Virginia Commonwealth University Kimberly Morse Jones, Sweet Briar College Beyond Greece: Gandharan Sculpture and Indian Women and the Creation of New Art Publics in Artistic Traditions Fin-de-Siècle Vienna Shrita Gajendragadkar, University of Texas at Austin Julie M. Johnson, University of Texas, San Antonio Sculpture from the Edge of the Oikoumene: A Case Study of Biculturalism in the Northern Black Sea The Senses in Early Modern Art and Visual Culture Maya B. Muratov, Adelphi University Columbus AB, Gold Level, East Tower, Hyatt Regency Chicago Multiculturalism at the Crossroads: Problems with Defi ning Chairs: Christian K. Kleinbub, Ohio State University; a Phoenician Art Kim E. Butler, American University S. Rebecca Martin, Southeast Missouri State University Close Looking: Embodiment and Materiality in Titian’s Speculations on the Ambiguous Relationship between Ancient Later Paintings Egypt and Its African Context Jodi Cranston, Boston University Frederick John Lamp, Yale University

CAA2010 FEBRUARY 10–13 THURSDAY Commitment and Consumerism: Artistic Culture in Europe Post-Duchamp, Post-Production: Delineations of Media in at the Mid-Twentieth Century Art Theory and Pedagogy Regency C, Gold Level, West Tower, Hyatt Regency Chicago Grand CD North, Gold Level, East Tower, Hyatt Regency Chicago Chairs: Kent Minturn, Columbia University; Alexander Potts, Chairs: John Douglas Powers, University of Alabama, Birmingham; University of Michigan, Ann Arbor Joshua Bienko, Texas A & M University Servant of Two Masters: Fontana’s 1948 Sculptures in I Don’t Want to Teach Art; I’d Rather Teach Artists Milan’s Cinema Arlecchino Bethany Taylor, University of Florida Sharon Hecker, IES Abroad/Università Cattolica del Sacro Post-Duchamp Critiques in Art School: Following the ore di Milano Narrative of Originality Dubuffet, Paulhan, Bachelard: From Materialism to Matiérisme Mariah Doren, Columbia University and Purchase College, Seth McCormick, Western Carolina University State University of New York “A Tangible Reality and Perplexity for All”: Temporal Crisis Participatory Dissent and the Fine Arts PhD and Abstract Painting in France at Midcentury Natalie Loveless, University of California, Santa Cruz Natalie Adamson, University of St. Andrews The Agnostic Readymade: Beyond Art and Anti-Art Not Hand Painted: Design and the First Wave of Pop at the Royal Sean C. Lowry, University of Newcastle College of Art Thomas Crow, Institute of Fine Arts, New York University A Case for Letterpress Water Tower, Bronze Level, West Tower, Hyatt Regency Chicago Radical Art Caucus Chairs: Jeff Pulaski, Wichita State University; Dennis Y. Ichiyama, Autonomizing Practices in Art, Art History, and Education Purdue University Grand CD South, Gold Level, East Tower, Hyatt Regency Chicago Thinking through Making: Letterpress in Contemporary Chairs: Alan W. Moore, independent scholar, Staten Island, New Graphic-Design Education York; Susan King Obarski, University of California, Irvine Ashley John Pigford, University of Delaware Autonomy, Pseudo-Autonomy, and Prefi gurative Politics Putting the Digits Back into the Digital Rebecca Zorach, University of Chicago James Boyd-Brent, University of Minnesota Autonomous Practices: Media Collectives of the Women’s The Changing Face of Letterpress: Student and Staff Work from the Liberation Movement School of Graphic Design at London College of Communication Dara Greenwald, Rensselaer Polytechnic Institute Rose Gridneff and Alexander John Cooper, London College of San Francisco 1978–1983: Socialist School and Rats for Profi t Communication and University of Brighton Michael R. Mosher, Saginaw Valley State University The Twentieth Century Did Not Invent Graphic Design: The Guerrilla Clock-Fixers of UX Returning Letterpress to Design Education Jonathan Lackman, Institute of Fine Arts, New York University Dawn Hachenski-McCusker, James Madison University

Tough Love for Heavy Metal: Ensuring the Survival of 15½ Tons Association of Historians of American Art of Lead at the School of the Art Institute Rethinking Consumption in the History of American Art Catherine Ruggie Saunders and Martha S. Chiplis, School Regency A, Gold Level, West Tower, Hyatt Regency Chicago of the Art Institute of Chicago Chair: John Ott, James Madison University

The Politics of Art Criticism and Consumption in the Futures of Criticism Antebellum Press Grand B, Gold Level, East Tower, Hyatt Regency Chicago Wendy Katz, University of Nebraska, Lincoln Chair: Lane Relyea, Northwestern University “Ready for Immediate Removal to the Parlor”: Thomas Chambers Criticality, Critique, Critical Practice and the Mid-Nineteenth-Century American Art Market Gail Day, University of Leeds Kathleen A. Foster, Philadelphia Museum of Art The Critique of the Incitement to Discourse and the Basic “The Fur-Lined Museum”: MoMA and the Consumption Problems of Phenomenology: Two or Three Critical Models in/ of Surrealism around Tino Sehgal Sandra Zalman, University of Houston David Lewis, Graduate Center, City University of New York From Union Hall to Museum Hall: Creating a Working-Class Who Needs an Art Critic: Law and the Space of Writing Public for the Fine Arts Sergio Munoz Sarmiento, Clancco: Art and Law Frances Pohl, Pomona College Historicizing Contemporary Art: The Living, the Dead, Helen Frankenthaler’s Early Paintings: A Journey into the and the Undead Role of Gender in the Perception of an Artist’s Paintings Simone Osthoff, Pennsylvania State University Sybil Gohari, University of Maryland, College Park Criticisms, Publics, Communities Frazer Ward, Smith College

CAA2010 FEBRUARY 10–13 Thursday, February 11 The Umali Awards, a History and Why Renato G. Umali, University of Wisconsin, Milwaukee 9:30 AM–12:00 PM Discussant: Rachel C. Seligman, Mandeville Gallery, Art History Open Session Union College Recent Research in Chicago Architecture Grand A, Gold Level, East Tower, Hyatt Regency Chicago Thursday, February 11 Chair: David Theodore Van Zanten, Northwestern University 12:30 PM–2:00 PM The Skyscraper Street and Design for the Crowd ca. 1900 Joanna Merwood, Parsons the New School for Design American Council for Southern Asian Art Marketing the Movies: Chicago Picture Palace Movie Theaters A Return to Rasa: New Investigations into the Relationship Rachel Remmel, University of Rochester of Indian Aesthetic (Rasa) Theory to the Visual Arts Grand B, Gold Level, East Tower, Hyatt Regency Chicago A Preliminary Survey of the Chicago Courtyard Apartment Chair: Molly Aitken, City College of New York, City University Building: The North and West Sides of New York Michael Rabens, Oklahoma State University Rasa, Rasika, and Alamkara: Narrative and Performance in From PWA to CHA: Chicago Architecture and the American Painting at Mattanceri Palace Public-Housing Debate Mary Beth Heston, College of Charleston Alison Fisher, Art Institute of Chicago and Northwestern University Vaishnava Adaptations of Rasa Theory to the Devotional Arts The Inland Steel Building Inside Out Pika Gosh, University of North Carolina Amanda Douberley, University of Texas at Austin Tasters of Essence: Rasikas and Connoisseurship in Ancient Aspects of the Civic: Chicago’s Daley Center and Plaza Indian Art Sharon Irish, University of Illinois, Urbana-Champaign Julie Romain, Los Angeles County Museum of Art The Concept of Anukr,ti in Rasava-da in Abhinavabha-rati Early Modern Globalization (1400–1700) Parul Dave Mukherji, Jawaharlal Nehru University Grand EF, Gold Level, East Tower, Hyatt Regency Chicago Rasa and Java Chairs: Angela Vanhaelen, McGill University; Bronwen Wilson, Cecilia Levin, Harvard University University of British Columbia The Rasika and Alamkara: A Taste for Ornament Cannibal Complexities: Metaphors of Incorporation and Michael Rabe, Saint Xavier University Early Modern Globalization Susan Wight Swanson, University of Minnesota Historians of Eighteenth-Century Art and Architecture Globalism, Economy, and Early Modern Print New Scholars: Transforming Traditions in Sean Roberts, University of Southern California Eighteenth-Century Art From Elogia to Physiognomy: Complicating Early Grand CD South, Gold Level, East Tower, Hyatt Regency Chicago Modern Globalization Chair: Laura Auricchio, Parsons the New School for Design Emine Fetvaci, Boston University Vision, Display, and Information: Chardin as Tapissier Made in China? Networks of Exchange in Ming Dynasty Porcelain Ryan White, independent scholar, Toronto Stacey Sloboda, Southern Illinois University Portrait of the Artist: John Francis Rigaud’s Vision of the Exoticism at Work: Dutch Culture in a Global Context (1600–50) Role of the Artist in Eighteenth-Century England Claudia Swan, Northwestern University Lyrica Taylor, University of Maryland, College Park

Classicism’s Secret Histories: On Jean-Germain Drouais’s Lifeloggers: Chronicling the Everyday Christ and the Canaanite Columbus CD, Gold Level, East Tower, Hyatt Regency Chicago Hector Reyes, Northwestern University Chairs: Nadine A. Wasserman, independent curator and critic, Emma Hamilton as Grand Tourist Albany, New York; Rachel C. Seligman, Mandeville Gallery, Amber Ludwig, Boston University Union College Self as Ritual Association of Historians of Nineteenth-Century Art Suzanne E. Szucs, Rochester Institute of Technology New Directions in Nineteenth-Century Art A Day Is a Day Is a Day Is a Day: The Language of Grand A, Gold Level, East Tower, Hyatt Regency Chicago Sol Lewitt’s Autobiography Chair: Julie Codell, Arizona State University Prudence Peiffer, Harvard University Engineering, Photography, and a New Model of Pedagogy Trajectory: Stephen Cartwright Sean Weiss, Graduate Center, City University of New York Stephen Cartwright, University of Illinois, Urbana-Champaign

CAA2010 FEBRUARY 10–13 THURSDAY Sowing the Seeds of Nativism and Eugenics in America: International Association of Art Critics Domestic Arts and Anti-Immigrant Political Action New Challenges for Art Criticism: Relational Aesthetics, Erin Leary, University of Rochester Social Collaborations, and Public Interactivity “The Dignity of Disinfection”: The Labor and Rhetoric of Regency A, Gold Level, West Tower, Hyatt Regency Chicago Chair: Kathryn Hixson, School of the Art Institute of Chicago Disease Containment in Street Life in London Emily Morgan, University of Arizona Michelle Grabner, School of the Art Institute of Chicago

Joseph Grigely, School of the Art Institute of Chicago International Association of Word and Image Studies João Ribas, Massachusetts Institute of Technology Contesting the City: Experiments in Transnational Public Art Columbus CD, Gold Level, East Tower, Hyatt Regency Chicago Chair: Lori Cole National Committee on the History of Art Emerging Art Histories Making the Invisible Visible: Jens Haaning Presents a Water Tower, Bronze Level, West Tower, Hyatt Regency Chicago Few Colorful Jokes Chairs: Michael Ann Holly, Sterling and Francine Clark Art Steven L. Bridges, School of the Art Institute of Chicago Institute; Marc Gotlieb, Williams College Seven Walks: Francis Alÿs Reads London Jo Novelli, New York University Association for Textual Scholarship in Art History Streetscape: Sign Interventions in Public Space Lost! Richard Tipping, University of Newcastle Grand CD North, Gold Level, East Tower, Hyatt Regency Chicago Chair: Maureen Pelta, Moore College of Art and Design Creative Capital Foundation The Pull of the Unknown: Jan van Eyck’s Saint Jerome Transformers Kandice Rawlings, independent scholar Buckingham, West Tower, Bronze Level, Hyatt Regency Chicago “Outstanding works … shamefully destroyed”: Maerten van Chair: Sean Elwood, Creative Capital Foundation Heemskerck’s Lost Altarpieces and the Sculpture of Antiquity Nick Cave Arthur J. Di Furia, Moore College of Art and Design Sabrina Raaf Mastering the Loss of Modernism: Rauschenberg’s Erased de Kooning as Site of Failure Jason Salavon Nancy A. Nield, independent scholar, La Grange, Illinois Discussant: Tina Waldeier Bizzarro, Rosemont College National Endowment for the Arts Grants Workshop Columbus AB, Gold Level, East Tower, Hyatt Regency Chicago Visual Resources Association Chairs: Robert Frankel, National Endowment for the Arts; Academic Image Collections in Transition: Saving the Wendy Clark, National Endowment for the Arts Baby while Repurposing the Bath Water Columbus KL, Gold Level, East Tower, Hyatt Regency Chicago Chairs: Mark Pompelia, Rice University; Meghan Musolff, ARTspace University of Michigan CAA Services to Artists Committee Meta-Mentors: Balancing Acts The Value of Images and Locally Managed Image Collections: Columbus GHIJ, Gold Level, East Tower, Hyatt Regency Chicago Library, Visual Resources, and Faculty Perspectives Chairs: Reni Gower, Virginia Commonwealth University; Sabina Allan T. Kohl, Minneapolis College of Art and Design Ott, Columbia College Chicago Digital Image Myths Artist as Administrator Betha Whitlow, Washington University in St. Louis Theaster Gates, University of Chicago Successful Scenarios Artist as Activist Meghan Musolff, University of Michigan Barbara Koenen, Chicago Department of Cultural Affairs

Artist as Archivist /Artist Assistant (Nam June Paik) CAA Committee on Intellectual Property Stephen Vitiello, Virginia Commonwealth University Copyright Assertion and Protection for Artists Artist as Entrepreneur Columbus EF, Gold Level, East Tower, Hyatt Regency Chicago Jorge Benitez, Virginia Commonwealth University Chairs: Marci Rolnik, Lawyers for the Creative Arts; Anne Swartz, Savannah College of Art and Design Artist as Designer Rachele Riley, University of the Arts William E. Rattner, Lawyers for the Creative Arts

CAA2010 FEBRUARY 10–13 Thursday, February 11 CAA Committee on Women in the Arts 12:30 PM–2:00 PM International Perspectives on the Legacy of American Feminist Art and Art Histories Regency D, Gold Level, West Tower, Hyatt Regency Chicago American Institute for Conservation of Historic and Artistic Works Chair: Kathleen Wentrack, Queensborough Community College, Learning to Look: Winslow Homer Watercolors City University of New York and Gouaches This session will be held in the Print Study Room, Jean and Feminisms: Struggle and Choice in the New China Steven Goldman Study Center, Art Institute of Chicago. Monika Lin, artist and independent curator, Shanghai Chair: Rebecca Rushfi eld Surfi n’ the Third Wave: European Perspectives on Feminism Bettina Steinbruegge, independent critic, curator, and art

historian, Berlin Mid America College Art Association Current Models for Integrating Research into Teaching Challenging Orientalism: Contemporary Feminist Art from Grand EF, Gold Level, East Tower, Hyatt Regency Chicago Northern Africa Chair: Scott Sherer Cynthia Becker, Boston University Course Catalogue: Making Research Real in the Reluctant Proletariat Divas: Embracing Feminism in Postrevolu- Art-History Classroom tionary Cuba—A Narrative of Slow Motion toward Freedom Kevin Concannon, University of Akron Maria Magdalena Campos Pons, School of the Museum of Fine Arts, Boston Enhancing Art Education to Include Design Robin Vande Zande, Kent State University Art Historians of Southern California The Benefi ts of Going “Under the Table” and Other Business Meeting Pedagogical Tactics for Encouraging Independent Learning Gold Coast, Bronze Level, West Tower, Hyatt Regency Chicago Mysoon Rizk, University of Toledo From Teaching Art to Art-ing Taught: University Studio. Practice as Event Thursday, February 11 John Richardson, Wayne State University 12:30–2:00 PM

Queer Caucus for Art: The Lesbian, Gay, Bisexual, and Transgender Caucus for Art, Artists, and Historians Poster Sessions How is “Queer” Art Relational? East Tower, Gold Level, Hyatt Regency Chicago Regency B, Gold Level, West Tower, Hyatt Regency Chicago Poster sessions are informal presentations for small groups Chairs: Virginia Margaret Solomon, University of Southern displayed on poster boards by individuals. The poster California; Robert Summers, University of California, Los Angeles display is usually a mixture of a brief narrative paper intermixed with illustrations, tables or graphs, and other “Forget Bourriaud”: Queer Relationally and/as a Queer presentation materials. With a few concisely written areas Aesthetics of Existence of focus, the poster display communicates the essence Robert Summers, Otis College of Art of the presenter’s research, synthesizing its main ideas and research directions. Poster displays will be on view On Queer Art, Minimal Form, and Relationality for the duration of the conference, beginning on Thursday Joe Madura, Emory University morning. On Thursday and Friday, from 12:30 to 2:00 PM, Queer Relational: A Conversation from Empyre-Soft-Skinned Space presenters will be available at the Poster Area. Christina McPhee, naxsmash group productions and University of Creating a Digital Art Curriculum for the 21st Century (on California, Santa Cruz a 20th-Century Budget) Relational Aesthetics, Activist Public Art, and Queer Desi Futures Dave Beck, Clarkson University Alpesh Kantilal Patel, independent scholar A Service Learning Technology Collaboration: Bring- All Tomorrow’s Parties: Queer Aesthetics and Cultural Politics ing Expertise Together for Diverse Problem Solving in an Virginia Solomon, University of Southern California Applied Learning Experience Valerie Dibble, Kennesaw State University; Jeanne Sperry, Public Art Dialogue Kennesaw State University Chicago Revisited: A Critical Roundtable on Public Art Branching Out: Interdsciplinary Case Studies in Graphic Regency C, Gold Level, West Tower, Hyatt Regency Chicago Design Chairs: Mary M. Tinti, WaterFire Providence; Nancy Scott, Nancy Froehlich, independent artist, Baltimore; Zvezdanna Brandeis University Stojmirovic, Maryland Institute College of Art Mary Jane Jacob, School of the Art Institute of Chicago Centre for Whistler Criticism: A Digital Archive of Lifetime Eli Robb, Lake Forest College Criticism of James McNeill Whistler (1834-1903) Catherine Carter Goebel, Chair of Art History, John Pitman Weber, Elmhurst College Augustana College

CAA2010 FEBRUARY 10–13 THURSDAY The Politics of Competing Visualities in Early Colonial Latin A Collaboration of Art and Technology American Art EJ Herczyk, Philadelphia University Jeanette Favrot Peterson, University of California, Santa Barbara New Trends and Best Practices in Public Art Discussant: Thomas DaCosta Kaufmann, Princeton University Janet Kagan, Public Art Network Council

Mental Images? True or False? Blackness as Model Ellen Levy, independent artist, New York Grand B, Gold Level, East Tower, Hyatt Regency Chicago Perception of Safety from Visual-Spatial Information Chair: Huey Copeland, Northwestern University Tingyi S. Lin, National Taiwan University of Science Ultrablacklight: Kerry James Marshall’s 7 am Sunday Morning and Technology and Black Artist (Studio View) Walter Ufer and the “Gaze” Raél Jero Salley, University of Chicago and Columbia College James Peck, University of Oklahoma Black Futures Poetic Dwelling: The Humanities Confront Kara Keeling, University of Southern California Climate Change Blackness and Discrepant Abstraction Karen Pinkus, University of Southern California Julie L. McGee, University of Delaware The Photograph as Language: Developing Communicative “There is No Racism Intended” Methods of Camera Use for People with Aphasia Fred Moten, Duke University Dawn Roe, Rollins College Discussant: Jennifer A. González, University of California, Museum Studies: The Museum for Art and the Environment Santa Cruz Betty Wilde-Biasiny, Empire State College

Art History Open Session Surrealism Thursday, February 11 Grand CD North, Gold Level, East Tower, Hyatt Regency Chicago Chair: Stephanie D’Alessandro, Art Institute of Chicago 2:30 PM–5:00 PM Ins and Outs: Surrealism, Bloomsbury, and the Sense of Drama Modernism and Collectivism Mary Ann Caws, Graduate Center, City University of New York Columbus AB, Gold Level, East Tower, Hyatt Regency Chicago Captured Encounters: Documenting the Surrealist Object, VU Chair: Bridget Alsdorf, Princeton University Magazine, 1933 Fraternity vs. Family: Two Models of Nineteenth-Century Anne Umland, Museum of Modern Art Collectivism André Breton’s Nadja: Recollecting Curiosity Cordula Grewe, Columbia University Abagail Susik, Millsaps College Untimely Collectivity The Witnesses Awakened: The Re-creation of a Surrealist Sarah Betzer, University of Virginia Collection at the Menil Expressionism, Collectivism, and the Development of Katharine Conley, Dartmouth College Modern Architecture Discussant: Janine Mileaf, Swarthmore College Kai K. Gutschow, Carnegie Mellon University New Youth: The Generational Politics of “Club Dada” Michael White, University of York Chicago’s Sculptor: The Legacy of Lorado Taft (1860–1936) Water Tower, Bronze Level, West Tower, Hyatt Regency Chicago Barnett Newman’s Self-Evidence Chairs: Brian Edward Hack, Kingsborough Community College, Michael Schreyach, Trinity University City University of New York; Caterina Yvonne Pierre, Kingsbor- ough Community College, City University of New York

Thinking about Colonial Latin American Art Lorado Taft’s Modern Transformation Regency C, Gold Level, West Tower, Hyatt Regency Chicago Susan M. Martis, Ball State University Chair: Elizabeth Hill Boone, Tulane University Plaster Casts, Peep Shows, and Plays: Lorado Taft’s Humanized Historiographies of the Art and Architecture of Colonial Art History for America’s Schoolchildren Latin America Jacqueline Marie Musacchio, Wellesley College Valerie Fraser, University of Essex Beyond the City Beautiful: Lorado Taft’s Fountain of Time Architecture and Archives in Spanish America: The Case of Mark Pohlad, DePaul University Colonial Quito Lorado Taft and Allen Weller Susan Verdi Webster, College of William and Mary Henry Adams, Case Western Reserve University Colonial Style and the History of Things in Spanish America Dana Leibsohn, Smith College

CAA2010 FEBRUARY 10–13 Thursday, February 11 Autofi ction as Dissidence: Július Koller’s Extra-Terrestrial Alter Ego 2:30 PM–5:00 PM Klara Kemp-Welch, Courtauld Institute of Art Black Skin, Black Masks: The Citational Self in the Work of Distinguished Scholar Session Honoring Glenn Ligon Jules David Prown Lauren DeLand, University of Minnesota, Minneapolis Generations: Art, Ideas, and Change All about Yves Grand EF, Gold Level, East Tower, Rosemary O’Neill, Parsons the New School for Design Hyatt Regency Chicago Chair: Bryan J. Wolf, Stanford University ARTspace Alex Nemerov, Yale University The Object of Nostalgia Margaretta Lovell, University of California, Berkeley Columbus GHIJ, Gold Level, East Tower, Hyatt Regency Chicago Chairs: Rene J. Marquez, University of Delaware; Lance Winn, Jennifer Roberts, Harvard University University of Delaware Jennifer Greenhill, University of Illinois, Installation and Nostalgia: Landscape of Desire Urbana-Champaign Marlene Alt, Southern Oregon University Ethan Lasser, Chipstone Foundation Try a Little Tenderness A distinguished scholar and devoted teacher of the history Pamela L. Fraser, University of Illinois, Chicago of American art and material culture, Jules Prown is Paul Ah, but It Was Good Mellon Professor Emeritus of the History of Art at Yale Elaine B. Rutherford, College of Saint Benedict and Saint Johns University. CAA is deeply grateful to the Terra Founda- University tion for American Art for its generous support of this year’s Distinguished Scholar Session. The Interstice between the Sentimental and Cynical Act of Painting Brian Bishop, Framingham State College

Questioning “Cultural Infl uence” in the Medieval The Materiality of Early Modern Prints Part I: Manipulation Mediterranean: Artistic Production in a Hybrid Culture of the Image Columbus CD, Gold Level, East Tower, Hyatt Regency Chicago Grand CD South, Gold Level, East Tower, Hyatt Regency Chicago Chairs: Karen Rose Mathews, University of Miami; Chairs: Suzanne Karr Schmidt, Art Institute of Chicago; Catherine Barrett, University of Washington Lia Markey, Princeton University Art Museum Intercultural Aspects of Style and Meaning in the Architecture Dürer’s Indexical Fantasy: The Rhinoceros and Printmaking of Norman Sicily Susan Dackerman, Harvard Art Museum Charles E. Nicklies Cut-and-Paste Prints from Mantegna to Andreani Relic and Icon in Sinai Pilgrimage: Saint Catherine and Eva Allan, Yale University the Crusades Kristine M. Hess, University of Chicago Unique Woodcuts as Sixteenth-Century Box Decorations Gero Seelig, Staatliches Museum Schwerin Hybridity, Methexis, and the Churches of Medieval Morea Heather E. Grossman, University of Illinois, Chicago Keeping “Courtesie and Custom”: Printed Trenchers, Literacy, and Ritual in English Banquets, 1585–1662 The Wild Boar and the Domestic Sow: Refl ections on the Mary Anne Caton, independent scholar, Montclair, New Jersey Nature of Hybridity Anthony Cutler, Pennsylvania State University “Prosper Thou Our Handyworks”: Prints and Protestant Devotion at Little Gidding Discussants: Eva Hoffman, Tufts University; Lisa Reilly, Michael Gaudio, University of Minnesota, Minneapolis University of Virginia

Autofi ctions, Avatars, and Alter Egos: Fabricating Artists, Association of Historians of Nineteenth-Century Art Part I Myths of the Nation in Nineteenth-Century Visual Culture Regency A, Gold Level, West Tower, Hyatt Regency Chicago Regency D, Gold Level, West Tower, Hyatt Regency Chicago Chair: Monica Kjellman-Chapin, Emporia State University Chair: Neil McWilliam, Duke University Beyond Documentary: Autofi ction in Varda’s The Beaches of Agnes “Empire’s Dust”? Disintegration and Formation in Rebecca J. DeRoo, Washington University in St. Louis Turner’s Waterloo Leo Costello, Rice University An American Jewish Artist and Marcel Duchamp: Rrose Sélavy in Context Capturing Liberalism for the Nation: Henri Leys and the Murals Deborah J. Johnson, Providence College for the Antwerp City Hall Jan Dirk Baetens, Katholieke Universiteit Leuven

CAA2010 FEBRUARY 10–13 THURSDAY From “Peuple” to “Nation”: State Nationalism, Class Confl ict, August Schmarsow’s Theory of Ornament and Aesthetics in Early Third Republic France Christiane Hertel, Bryn Mawr College Michael Orwicz, University of Connecticut Gombrich, Perception, and the Ordering of Ornament The Graeco-Gothic Paradigm: The Nationalization of the Gothic Isabelle J. Frank, Fordham University in Nineteenth-Century French Art Criticism From Ornamental to Environmental: The Matissean Revolution Michela Passini, Institut National d’Histoire de l’Art as an Opening of a New Paradigm for Contemporary Art Creating Spanishness: The Institución Libre de Enseñanza, Jean-Claude Bonne, École des Hautes Études en Sciences Sociales El Greco, and the Myth of Toledo Dena Crosson, independent scholar, Riverdale, Maryland Moguls, Mansions, and Museums: Art and Culture in America’s First “Gilded Age” The Modern and the Fashionable Columbus KL, Gold Level, East Tower, Hyatt Regency Chicago Regency B, Gold Level, West Tower, Hyatt Regency Chicago Chair: Sally Webster, Graduate Center, City University of Chair: Änne Söll, Universität Potsdam New York Fashioning the Mistress California’s First Gilded-Age Mansions: Conspicuous Gloria Groom, Art Institute of Chicago Consumption as Civic Infrastructure Diana Strazdes, University of California, Davis Fashion and Figuration in the Work of J. M. Whistler: Modernism/Antimodernism and the Art of Aesthetic Dressing Going Public: Sculpture in the Art of Isabella Stewart Gardner Kimberly Wahl, Ryerson University Linda J. Docherty, Bowdoin College Fashioning the Neue Frau Strike Out: John La Farge’s Proposed Murals for the Boston Michelle Gewurtz, University of Leeds Public Library James L. Yarnall, Salve Regina University Drawing the Line: Solarization and Spectacle Culture Margaret Sundell, independent scholar, New York Boom (and Bust) of Artistic Reputations: Collecting Contemporary European Art in Gilded Age America A Man of Taste: Alexander Liberman between Fashion and Art Petra ten-Doesschate Chu, Seton Hall University Antje Krause-Wahl, Akademie für Bildende Künste Mainz What’s France Got to Do with It? Chicago Responds to “Parisian” Discussant: André Dombrowski, University of Pennsylvania Art at the Interstate Industrial Exposition Kirsten M. Jensen, independent scholar, Stamford, Connecticut

Photography at Work Acapulco, Gold Level, West Tower, Hyatt Regency Chicago Hypo-Technology: Artists Remix the Anachronistic and the Chairs: Stephanie Schwartz, Courtauld Institute of Art; Devin Fore, Obsolete with the Present Princeton University Gold Coast, Bronze Level, West Tower, Hyatt Regency Chicago Unworking “between Art and Garbage” Chairs: Diane Willow, University of Minnesota, Minneapolis; Susan Laxton, University of California, Riverside Joan Brigham, Center for Advanced Visual Studies, Massachusetts Institute of Technology Gordon Matta-Clark: Working Photographically Lisa Zaher, University of Chicago As Many Hours as It Takes: Impractical Labor Emily Larned, University of Bridgeport Photography and the Social Production of Space John Roberts, University of Wolverhampton The Turntable as a Lens Walter Kitundu Monumental Snapshots Juliet Koss, Scripps College Remixing the Phenomenology of Technology: An Analysis of Unplugged Performance-Installations Surface Mining Robrecht Vanderbeeken, Ghent University Lucy Raven Seeing Is Believing: Vectography and the Anachronism of Vision Robert Mertens, University of Wisconsin, Whitewater Ornament: Theoretical Perspectives The Light in the Background Is the Sun Columbus EF, Gold Level, East Tower, Hyatt Regency Chicago Victoria Bradbury, University of Florida Chair: Loretta Vandi, Istituto Statale d’Arte di Urbino Form, Function, and Flux: Ornamental Theory and the Modern Search for Perceptual Equilibrium Debra Schafter, San Antonio University “Look at Your Fish (or Your Lotus)”: Science, Modernism, and Alois Riegl’s Stilfragen Margaret Olin, Yale Divinity School

CAA2010 FEBRUARY 10–13 Thursday, February 11 A New Urgency and Relevance in Postmodern Plein-Air Painting Lilian Garcia-Roig, Florida State University 2:30 PM–5:00 PM Women, Nature, and New Technology Historians of Eighteenth-Century Art and Architecture Jeane Cooper, Florida Atlantic University Representing the Psyche in Eighteenth-Century Art Tribute and Remembrance: Vanitas and the Holocaust in the Grand A, Gold Level, East Tower, Hyatt Regency Chicago Works of Helene Baker Chair: Michael Yonan, University of Missouri, Columbia Debra Murphy, University of North Florida Thinking Heads: Representing Mental Activity in Eighteenth- Century Portraiture Heather McPherson, University of Alabama, Birmingham Arts Council of the African Studies Association The Arts of Africa: Recent Issues and Trends Figures of Pathos: Melancholy and Interiority in Late-Eighteenth- Regency D, Gold Level, West Tower, Hyatt Regency Chicago Century Art Chair: Kathleen Bickford Berzock, Art Institute of Chicago Emma Barker, Open University Looks, Effects, and Contexts: Finding (a) Perspective on the Awestruck: Claude-Joseph Vernet and the French Sublime (Empty) Connoisseurship of Contextual Meaning Thomas Beachdel, Graduate Center, City University of New York Will Rea, University of Leeds Divas, Nymphs, and Fallen Maidens: Greuze’s Experiments Children of Sidi Uqba: Fulbe Collective Identity and in Expression Architectural Continuity Yuriko Jackall, Université de Lyon 2 Mark D. DeLancey, DePaul University Romantic Stained Glass and the Formation of a Mechanisms in Uyai: Rewriting Her Body with Accoutrements Neomedieval Consciousness of Beauty and Power Barrett Kalter, University of Wisconsin, Milwaukee Imo N. Imeh, Westfi eld State College

Thursday, February 11 Foundations in Art: Theory and Education Going the Distance: Teaching Foundations through 5:30 PM–7:00 PM Distance Education Columbus KL, Gold Level, East Tower, Hyatt Regency Chicago Association of Historians of American Art Chair: Steven Bleicher, Coastal Carolina University From Parlor to Print Room to Classroom: Approaches to Teaching Historic American Visual Culture The Pitfalls and Benefi ts of Teaching On-line Studio Art Grand B, Gold Level, East Tower, Hyatt Regency Chicago (from One Who Has Been There) Chair: Georgia Barnhill, American Antiquarian Society Nancy L. Anderson, Adams State College Connoisseurship of Prints and Paintings Color Theory: Brick ‘n’ Mortar Becomes Virtual—Same Concepts Anne Verplanck, independent scholar, Chadds Ford, Pennsylvania Different Venues Debra Malschick, Savannah College of Art and Design History in Print: The Theory/Practice/Challenge of Teaching with Works on Paper Role Reversal: A Traditional Faculty Member Becomes a Nancy J. Siegel, Towson University Distant Learner Kelly Thames, Art Institute of Atlanta Teaching the Materiality of Visual Culture Kevin Muller, Chabot College International Trends and Techniques Used to Teach Studio-Art Courses through Distance Education Print Collections and the “Active Learning” Art-History Classroom Kathryn Sheldon, Southside Virginia Community College Kristina Wilson, Clark University

“A True Record of an Interesting Event”: Exploring the Intersec- Isamu Noguchi Foundation and Garden Museum tions between Graphic Art and Painting in the Classroom Ross Barrett, University of North Carolina, Chapel Hill In Considering Legacy: Perspectives on Philip Johnson, Donald Judd, and Isamu Noguchi Virtual Exhibitions of WPA Prints Columbus AB, Gold Level, East Tower, Hyatt Regency Chicago Ellen G. Landau, Case Western Reserve University Chair: Sarah Gerda, Graham Foundation for Advanced Studies in the Fine Arts

Coalition of Women in the Arts Organization Isamu Noguchi and His Museum Regional Women Artists: Exploring Nature, Spirituality, Jenny Dixon, Isamu Noguchi Foundation and Garden Museum and Universal Order Donald Judd: Stewardship Acapulco, Gold Level, West Tower, Hyatt Regency Chicago Barbara Hunt McClanahan, Judd Foundation Chair: Kyra Belán, Broward College The Glass House: An Icon with No Agenda Mother Earth, Thought Woman: Mixed-Media Installation Christy MacLear, Philip Johnson Glass House, National Trust for Kyra Belán, Broward College Historic Preservation

CAA2010 FEBRUARY 10–13 THURSDAY CAA Education Committee Center for Craft, Creativity, and Design Creative Research in the Twenty-First Century In the Making: New Texts and Resources in American Craft Grand A, Gold Level, East Tower, Hyatt Regency Chicago Columbus CD, Gold Level, East Tower, Hyatt Regency Chicago Chair: Rosanne Gibel, Art Institute of Fort Lauderdale Chair: Katie Lee, Center for Craft, Creativity, and Design, University of North Carolina Barbara Bickel, Southern Illinois University, Carbondale Constructing a History from Secondary Resources Mark Harris, University of Cincinnati Janet Koplos, independent critic and scholar, New York Brett Hunter, New York State College of Ceramics, Alfred Choosing Craft: The Artist’s Viewpoint University Vicki Halper, independent art historian David Yager, University of California, Santa Cruz Extra/Ordinary: Craft and Contemporary Art Maria Elena Buszek, Kansas City Art Institute Design Studies Forum By the Book: Toward a New Paradigm of Design Studies? Women’s Caucus for Art Regency A, Gold Level, West Tower, Hyatt Regency Chicago Investigating the Need for Women’s Art Galleries, Chair: Carma R. Gorman, Southern Illinois University, Carbondale Exhibitions, and Organizations: From Our Center The Design Culture Reader Regency B, Gold Level, West Tower, Hyatt Regency Chicago Ben Highmore, University of Sussex Chair: Janice Nesser-Chu, Women’s Caucus for Art and Florissant Valley College The Object Reader Fiona Candlin, Birkbeck University of London; Raiford Guins, Melissa H. Potter, Columbia College Chicago Stony Brook University, State University of New York Amy Galpin, San Diego Museum of Art and Woman Made Gallery Design Studies: A Reader Joanna Gardner-Huggett, DePaul University Hazel Clark, Parsons the New School for Design; David Brody, Parsons the New School for Design Beate Minkovski, Woman Made Gallery The Design History Reader Dena Muller, ArtTable Grace Lees-Maffei, University of Hertfordshire; Rebecca Houze, Joyce Owens, Chicago State University and Sapphire and Crystals Northern Illinois University Artist Collective

Association for Critical Race Art History Volunteer Lawyers for the Arts Group Practices: New Diversity Institutions Ask the Lawyer: Contracts, Copyright, Corporations, Grand CD North, Gold Level, East Tower, Hyatt Regency Chicago and More! Chair: Camara Dia Holloway, University of Delaware Columbus EF, Gold Level, East Tower, Hyatt Regency Chicago The Latina/o Studies Working Group Chair: Elena M. Paul, Volunteer Lawyers for the Arts Robb Hernandez, University of Maryland AP Studio Art Critical Mixed Race Studies Association Water Tower, Bronze Level, West Tower, Hyatt Regency Chicago Laura Kina, DePaul University Chair: Michael X. Ryan, School of the Art Institute of Chicago FACTORYwork: Matterz of the Fact; Products from the New Line Public Art Dialogue John Jennings, University of Illinois, Urbana-Champaign Business Meeting

Regency C, Gold Level, West Tower, Hyatt Regency Chicago

Pacifi c Arts Association Visual Histories in and of Polynesia Visual Culture Caucus Grand CD South, Gold Level, East Tower, Hyatt Regency Chicago Business Meeting Chair: Stacy L. Kamehiro, University of California, Santa Cruz Gold Coast, Bronze Level, West Tower, Hyatt Regency Chicago Civilizing Images: Violence and the Visual Interpellation of Maori Women Michelle Erai, University of California, Santa Cruz Polynesia on the Potomac: Maori Art at the National Museum of Natural History Jennifer Wagelie, Smithsonian Institution Hawai`i and the World Fairs, 1867–93 Stacy L. Kamehiro, University of California, Santa Cruz In Her Shadow: Exploring Representations of Hula Girls in the Nineteenth and Twentieth Centuries Caroline Vercoe, University of Auckland

CAA2010 FEBRUARY 10–13 Thursday, February 11 Impressionism and Art History: What Comes Next? 8:00 PM–10:30 PM Grand A, Gold Level, East Tower, Hyatt Regency Chicago Chair: Michelle Foa, Tulane University Resurrecting the Disappeared: The Problem of Re-Presenta- The New Politics of Vision: Feminism and Impressionist/ tion and Exhibition of Time-Based Twentieth-Century Art in Postimpressionist Studies the Twenty-First Century Aruna D’Souza, Binghamton University Regency B, Gold Level, West Tower, Hyatt Regency Chicago Family Portraits: Visualizing Modern Identities in Impressionism Chairs: Jacki Apple, Art Center College of Design; Rosetta Brooks, Greg M. Thomas, University of Hong Kong Art Center College of Design A New Look at Color: Impressionism and the Color Revolution Introduction: Resurrecting the Disappeared of the Nineteenth Century Jacki Apple, Art Center College of Design Laura Anne Kalba, Smith College Living through Instantiations: The Variable Nature of Selling Impressionism: The Myth and the Marketplace Time-Based Art Jane M. Roos, Hunter College and Graduate Center, City University Ariane Noel De Tilly, University of Amsterdam of New York The Digital Dark Age: Why Art Historians Should Care about Discussant: James H. Rubin, Stony Brook University, State Web Archiving University of New York Lindsay M. King, Northwestern University Revisioning the Archive: The Zg Project Rosetta Brooks, Art Center College of Design Translating the Lingua Franca Regency C, Gold Level, West Tower, Hyatt Regency Chicago Discussant: Hannah Higgins, Center for the Study of Modern Art, Chair: David Getsy, School of the Art Institute of Chicago and Phillips Collection, and University of Illinois, Chicago Center for Advanced Study in the Visual Arts Globalization and Indigenization in Contemporary Art Historians of British Art T. J. Demos, University College London British Art: Survey and Field in the Context of Glocalization Jamming the Transmission of the Lingua Franca in the Postcolonies Grand B, Gold Level, East Tower, Hyatt Regency Chicago Delinda Collier, School of the Art Institute of Chicago Chair: Colette Crossman, independent scholar, Arlington, Virginia Appropriation Art Appropriated by the Metropole British Art and the Uncertainties of Britishness Sarah Evans, Northern Illinois University David Bindman Invented Dialects: José Luis Sert and the Latinization of Art on the Margins: The Paradoxical Canon of Early British Art “International Style” Architecture Sara N. James, Mary Baldwin College Anthony Raynsford, San José State University 1870–1910: The Lost Decades of British Artistic Modernity (Un)Translatability from Above and Below: The Migration of the Andrea Wolk Rager, Yale Center for British Art Freestanding House in the Early Twentieth Century Zarina Bhimji: Broadening Defi nitions of Britishness? Esra Akcan, University of Illinois, Chicago Alice Correia, University of Sussex and Gimpel Fils

Neomedieval Art after Britain Women’s Caucus for Art Neil Mulholland, Edinburgh College of Art The Power of the Image: The Studio Artist and Civil Society Discussant: Jennifer Way, University of North Texas Grand CD South, Gold Level, East Tower, Hyatt Regency Chicago Chairs: Fay Grajower, independent artist, Boston; Marsha L. Heck, Indiana University, South Bend Studio Art Open Session Processing Imagery: Refl ecting Issues of Contemporary Anxiety The Saranay Motel: The Collapse of Design Methodology, Yvonne Petkus, Western Kentucky University Detroit, and Discipline Columbus CD, Gold Level, East Tower, Hyatt Regency Chicago A Voice for the Voiceless Chair: Elliott Earls, Cranbrook Academy of Art Beatriz Mejia-Krumbein, La Sierra University Collaborative Art: Theory and Practice of Working with Community Matthew Biro, University of Michigan Brett Cook and Wendy Ewald, Amherst College Benjamin Teague

Rachele Riley Elliott Earls, Cranbrook Academy of Art

CAA2010 FEBRUARY 10–13 THURSDAY Modernizing Millet Historians of Netherlandish Art Columbus EF, Gold Level, East Tower, Hyatt Regency Chicago Seeing Sensation/Perceiving Perception Chairs: Vivien Greene, Solomon R. Guggenheim Museum; Columbus AB, Gold Level, East Tower, Hyatt Regency Chicago Simon Kelly, Nelson-Atkins Museum of Art Chairs: Noël Schiller, University of South Florida; Alfred Acres, Georgetown University Of Furrows and Faith in the Art of Jean-François Millet Bradley Fratello, St. Louis Community College, Meramec Rogier van der Weyden’s Descent from the Cross: A Scene of Carthusian Compassion? “Peasant and Painter”: Selling Jean-Francois Millet to the Jennifer Hammerschmidt, University of California, Santa Barbara American Public Page Knox, Columbia University Fusion, Confusion, Vision, Cognition Bret Rothstein, Indiana University Pent Fury: Winslow Homer and Jean-François Millet Erica E. Hirshler, Museum of Fine Arts, Boston Adam van Vianen’s Silver: The Perception of Substance and Property Symbolism, Rural Time, and the Allegorical Millet Richard Checketts, independent scholar, Nottingham Maura Coughlin, Bryant University Mastering Attention: Abraham Bloemaert’s Tekenboek Misok, Materiality, and Millet: The Paintings of Park Su-geun Caroline O. Fowler, Princeton University Christine Hahn, Kalamazoo College From Elusive to Explicit in Vermeer’s The Love Letter Lisa Vergara, Hunter College and Graduate Center, City University Studio Art Open Session of New York New Media: The Culture of Dispersion Grand EF, Gold Level, East Tower, Hyatt Regency Chicago Chair: Patrick Lichty, Columbia College Chicago “The West as America” Revisited Columbus KL, Gold Level, East Tower, Hyatt Regency Chicago Inferences to the Atomization of the Artistic System beyond Chairs: Sascha Scott, Syracuse University; Alan C. Braddock, Institutional Spaces Temple University M. Elena Ubeda, School of the Art Institute of Chicago “The Best Damned Soldiers”: Frederic Remington’s Art in the Age of Dispersion: Snacks, Niche Culture, and the All-Black Tenth High End of the Long Tail Lauren Cordes Tate, Indiana University Patrick Lichty, Columbia College Chicago Invention and Tradition: Maria Martinez and the Technology Giving Things Away Is Hard Work: Three Creative Commons of Pueblo Black-on-Black Pottery Case Studies on DIY Cody Hartley, Museum of Fine Arts, Boston Michael Mandiberg, College of Staten Island, City University of New York Traveling East to Revisit the West: Robert Adam’s Turning Back Holly Markovitz, Boston University Professional Surfers: Contemporary Internet Art and the Montage of Conspicuous Consumption The New West: Suburbia or Sustainability Marisa Olson, Rhizome Ruth Wallen, Goddard College Using Software (Art) to See the World Discussant: William H. Truettner, Smithsonian American Warren Sack, University of California, Santa Cruz Art Museum

How to Draw a Bunny: Reconsidering Mail Art Collectivism after Collapse: Chicago Activist Art Spaces, Grand CD North, Gold Level, East Tower, Hyatt Regency Chicago Collectives, and Projects Chair: Stephen Perkins, University of Wisconsin, Green Bay Regency A, Gold Level, West Tower, Hyatt Regency Chicago Chairs: Gregory Sholette, REPOhistory; Salem Collo-Julin, Portrait of Robin Crozier emporary Services and Mess Hall, and Nicholas Lampert, Simon Anderson, School of the Art Institute of Chicago Justseeds Artist’s Cooperative and Mess Hall The Origins and Formation of the Mail-Art Network: 1959–79 Michael Crane, Schneider Museum of Art, Southern Oregon University Mailings from the Margins of South America: Edgardo-Antonio Vigo’s Mail-Art Practice Vanessa K. Davidson, Institute of Fine Arts, New York University Relations between Ray Johnson and Eastern Europe Kornelia Roder, Staatliches Museum Schwerin My Paper’s in the Mail: A Response to the Panel Craig Saper, University of Central Florida

CAA2010 FEBRUARY 10–13 Thursday, February 11 The Situation: Contemporary Art Practice in the Post– Cold War Era 8:00 PM–10:30 PM Elizabeth M. Grady, Fashion Institute of Technology, State University of New York Society of Architectural Historians Painting and the Built Environment Regency D, Gold Level, West Tower, Hyatt Regency Chicago Authors of Cultural History from the Ottoman Empire Chair: Julia A. Sienkewicz, Smithsonian Institution to Nation-States Shifting Points of View: Landscape, Painting, and Architecture Water Tower, Bronze Level, West Tower, Hyatt Regency Chicago at the Villa della Farnesina in Rome Chairs: Belgin Turan Ozkaya, Middle East Technical University; Rachel Foulk, Emory University Elvan Altan Ergut, Middle East Technical University Grave Cites Constructing a National Artistic Past in the Modern Greek State Allison Levy Eleonora Vratskidou, École des Hautes Études en Sciences Sociales Already Weeds are Writing the Scriptures: Painting, Architecture, Gertrude Bell as Architectural Historian and the Organization of Thai Religious Space at Suan Mokkh Veronica Kalas, University of Michigan Lawrence Chua, Cornell University Theodor Wiegand and Hamdi Edhem Bey: Wilhelmine Kulturpolitik A Square Removal from a Wall: Seeing Works by Lawrence Weiner, in the Ottoman Empire Gordon Matta-Clark, and Dan Graham in the Light of Colin Rowe’s Lawrence M. Shapiro, Cornell University Formal Methodology (Re)Locating Anatolia during the Cold War: Cevat Erder and Susanneh Bieber, Freie Universität Berlin the Establishment of METU Department of Restoration and Redefi ning the “Field”: Claes Oldenburg and Coosje van Preservation of Historical Monuments Bruggen’s Gestural Painting and Architectural Form Burak Erdim, University of Virginia Katherine Smith, Agnes Scott College Discussant: Elvan Altan Ergut, Middle East Technical University

WTF: Talking Theory with Art and Art History Undergrads Gold Coast, Bronze Level, West Tower, Hyatt Regency Chicago Friday, February 12 Chairs: Virginia B. Spivey, independent scholar, Silver Spring, 7:30–9:00 AM Maryland; Anna Cox, Longwood University Defend Yourself: Ideas about Art Joan Mitchell Foundation Kathleen Desmond, University of Central Missouri Creating a Lasting Legacy: A Resource for Artists’ Documenting Their Careers Theory: It’s Not a Dirty Word Columbus EF, Gold Level, East Tower, Hyatt Regency Chicago Parme Giuntini, Otis College of Art and Design Chair: Christa Blatchford, Joan Mitchell Foundation The Copulation of Theory and Practice in the Creative Arts Christa Blatchford, Joan Mitchell Foundation Sean Lowry and Jocelyn McKinnon, University of Newcastle Harmony Hammond, CALL artist What Makes Them So Smart? Art Theory and Undergraduate Preparation Donna M. Meeks, Lamar University Southeastern College Art Conference The Importance of Art in Economic and Social Revitalization: Historians of German and Central European Art and Architecture The Creation of Modern Cultural Economies Transformation Reconsidered: “Utopias”, Realities, and Regency A, Gold Level, West Tower, Hyatt Regency Chicago National Traditions in Post-1989 Central Europe Chair: Thomasine Miller, Tulane University Acapulco, Gold Level, West Tower, Hyatt Regency Chicago The University of New Orleans-St. Claude Gallery: Art, Cultural Chair: Andrzej Szczerski, Jagiellonian University Economy, and the Recovery of Post-Katrina New Orleans Work with Drawers, Slide Trays, Files, and Boxes! Lawrence Jenkens, University of New Orleans Georg Schoellhammer, Springerin, Hefte für Gegenwartskunst Post-Deluvian New Orleans: Prospect 1, Artists’ Cooperatives, Continuity of Art Informel and Artistic Self-Assertion in the and the Revival of the Visual Arts GDR after the Cold War Srdjan Loncar, Tulane University Sigrid Hofer, Philipps-Universität Marburg Work Detroit: The University of Michigan School of Art and “The Future Is Behind Us” Design’s Creative Connection with Ann Arbor, Detroit, and Beyond Edit András, Hungarian Academy of Sciences Stephen Schudlich, University of Michigan The Possibility of the Postnational in Contemporary East Academic Missions/Economic Realities: The Merger between European Art University of North Florida and Jacksonville’s Museum of Maja and Reuben Fowkes, Translocal.org and University Contemporary Art College London Paul Karabinis, University of North Florida

CAA2010 FEBRUARY 10–13 THURSDAY, FRIDAY Association for Latin American Art Catharsis Business Meeting Angela Kelly, Rochester Institute of Technology Columbus AB, Gold Level, East Tower, Hyatt Regency Chicago Mining the Past in Search of the Present: Susan Meiselas’s Kurdish Archive Design Studies Forum Mitra M. Abbaspour, Graduate Center, City University of New York Business Meeting From Fiction to Archive: Reconstructing Public Memory in Grand A, Gold Level, East Tower, Hyatt Regency Chicago South Korea Young Min Moon, University of Massachusetts, Amherst Historians of British Art Business Meeting Grand B, Gold Level, East Tower, Hyatt Regency Chicago They Might Be Giants: The Effect and Affect of Colossal Imagery Gold Coast, Bronze Level, West Tower, Hyatt Regency Chicago Italian Art Society Chair: Catherine Becker, University of Illinois, Chicago Business Meeting Regency B, Gold Level, West Tower, Hyatt Regency Chicago Big Men in Charge: Rethinking the Urban Colossus in Medieval Central Europe S. Adam Hindin, Harvard University Leonardo/International Society for the Arts, Sciences, and Technology The Renaissance Colossus as a Composite Business Meeting Nicole Bensoussan, Boston University Regency C, Gold Level, West Tower, Hyatt Regency Chicago From Brobdignag to Lilliput: The Agency and Afterlife of the Aztec Calendar Stone National Committee on the History of Art Khristaan Villela, University of New Mexico Business Meeting Thomas Cole’s The Titan’s Goblet (1833): Freemasonry, the Columbus CD, Gold Level, East Tower, Hyatt Regency Chicago Erie Canal, and America’s Global Mission David Bjelajac, George Washington University Northern California Art Historians Beyond Clifford: Jeff Koons’s Big Red, Yellow, Green, Pink, Purple, Business Meeting White, and Orange Dog Grand CD North, Gold Level, East Tower, Hyatt Regency Chicago Sarah Rosenbaum-Kranson, Harvard University

Queer Caucus for Art: The Lesbian, Gay, Bisexual, and Transgender Caucus for Art, Artists, and Historians ARTspace Business Meeting Hand to Mouth: Pedagogical Paradigms in Contemporary Columbus KL, Gold Level, East Tower, Hyatt Regency Chicago Ceramics Columbus GHIJ, Gold Level, East Tower, Hyatt Regency Chicago Chair: Adam Davis, Scripps College Society of Contemporary Art Historians Business Meeting The Current Flavors of Ceramic Art Pedagogy at Institutes of Grand CD South, Gold Level, East Tower, Hyatt Regency Chicago Higher Education Aurore Chabot, University of Arizona The Big Bang Friday, February 12 Katherine L. Ross, School of the Art Institute of Chicago 9:30 AM–NOON Experimentation and Individual Ceramic Identity through the Use of Mixed Media and Nonfi red Clay in Graduate-Student From Fiction to Archive: Reconstructing Public Memory in Ceramic Works South Korea Rebecca Hutchinson, University of Massachusetts, Dartmouth Grand B, Gold Level, East Tower, Hyatt Regency Chicago Discussant: Michael Jones McKean, Virginia Chairs: Kate Palmer Albers, University of Arizona; Rebecca A. Commonwealth University Senf, Center for Creative Photography Landscape via History: Locating the American Past in the Present Kate Palmer Albers, University of Arizona Jeff Wall and Edward S. Curtis: Near-Documentary Photographs of the Historical Past Shannon Egan, Gettysburg College

CAA2010 FEBRUARY 10–13 Friday, February 12 The Roles of Acquisition: Collecting Chinese and Japanese 9:30 AM–NOON Art in Europe, the United States, Britain, and Australia during the Early to Mid-Twentieth Century Columbus EF, Gold Level, East Tower, Hyatt Regency Chicago The Art of War: Confl ict, Trauma, and Representation Chair: Noelle Giuffrida, Case Western Reserve University from the Vietnam War to Today Regency B, Gold Level, West Tower, Hyatt Regency Chicago Playing All the Roles: Osvald Sirén as Curator, Collector, Dealer, Chair: Sabrina DeTurk, Saint Joseph’s University and Art Historian Minna Törmä, University of Helsinki John Baky, La Salle University Refashioning China: Displaying Chinese Art at the Nelson Gallery Jane Irish, University of Pennsylvania of Art, Kansas City, during the 1930s Daniel Heyman, Rhode Island School of Design Wei-Cheng Lin, University of North Carolina, Chapel Hill

Before and Beyond: Exhibiting and Expanding the East Asian Art and the Televisual Collection of Charles Lang Freer (1912–46) Acapulco, Gold Level, West Tower, Hyatt Regency Chicago Noelle Giuffrida, Case Western Reserve University Chair: Aviva Dove-Viebahn, University of Rochester Laurence Binyon’s Role as Curator and Collector in Forming the Andy Warhol’s Proto-TV Production National Collection of Chinese Painting in Britain Melissa Ragona, Carnegie Mellon University Michelle Ying-Ling Huang, University of St. Andrews Vanishing Mediators: The Televised Event and the Politics of The Japanese Collection at the Art Gallery of South Australia: Emergent Video Tangible Evidence of “Civilization and Enlightenment” Andrew Weiner, University of California, Berkeley (Bunmei Kaika) Jennifer Harris, University of Adelaide Televisual Spaces and the Paradox of Anamorphosis Margot Bouman, Parsons the New School for Design Visualizing the Viewing Public: Kutlug Ataman, Thomas International Center of Medieval Art Hirschhorn, and the Return of the Television Audience Questioning Geographies and Temporalities: Postcolonizing Maeve Connolly, Dun Laoghaire Institute of Art, Design, Medieval Art and Technology Columbus AB, Gold Level, East Tower, Hyatt Regency Chicago Chairs: Catherine Elizabeth Karkov, University of Leeds; Eva Frojmovic, University of Leeds Art History Open Session Manuscripts on the Move: Cross-Cultural Exchange and the Eighteenth-Century European Art Régime du Corps Grand A, Gold Level, East Tower, Hyatt Regency Chicago Jennifer Borland, University of Pennsylvania and Oklahoma Chair: Nina Dubin, University of Illinois, Chicago State University Pray, Sir, Whose Dog Are You? Nobility and Animality in Rhetorics of Sanctity and Subversion: The St. Thomas Becket Eighteenth-Century French Hunting Pictures Windows of Angers and Coutances Amy Freund, Texas Christian University Alyce Jordan, Northern Arizona University Sensibilité and Sociability: Antoine-Jean Gros’s Postcrusade and Postcolonial: Latin Architecture in Fourteenth- Embodied Classicism Century Cyprus Rachel Lindheim, Graduate Center and Brooklyn College, City Justine Andrews, University of New Mexico University of New York Of Saints and Empire: Venice, Hungary, and Dalmatian Zadar, Understanding Overdoors 1350–1450 Mimi Hellman, Skidmore College Zoë Willis, University of Warwick “Temples Became Theatres”: Henry Fuseli and the Cultural Romanesque and Republic, Ethnography and Empire: Displaying Politics of Antiquity, 1760–1800 Medieval and African Art at the Trocadéro, 1878–1937 Andrei Pop, Harvard University Risham Majeed, Columbia University Not Being David: Eccentric History Painters of the D’Angiviller Generation Mark Ledbury, Sterling and Francine Clark Art Institute Sculpture and Race, 1750–Present Regency A, Gold Level, West Tower, Hyatt Regency Chicago Chair: Linda Kim, Smith College The Life Cast of Bodybuilder Eugen Sandow and Racial Display at the British Museum of Natural History Ellery Foutch, University of Pennsylvania Ethnographic Sculpture and the Complexities of Race: The Cultural Politics of Charles Cordier, Théodore Rivière, and Auguste Rodin Marco Deyasi, University of Idaho

CAA2010 FEBRUARY 10–13 FRIDAY The Lingering Trace: Public Sculpture and Its Aftereffect Social Practice as Public Art: The Shifting Landscape of Petrina Dacres, Edna Manley College of the Visual and Community as Site Performing Arts Elizabeth Mangini, California College of the Arts “I Have a King”: The Struggle of Race, Memory, and Representa- A Front Lawn, A Hotel Room, A Coffee Cup tion in Lei Yixin’s Memorial to Martin Luther King, Jr. Gregory Sale, Arizona State University Kirsten Pai Buick, University of New Mexico

Discussant: Maria Gindhart, Georgia State University Design Studies Forum Design and the Rhetoric of Democratization Grand CD South, Gold Level, East Tower, Hyatt Regency Chicago Studio Art Open Session Chair: Ezra Shales, New York State College of Ceramics, The Artist’s Book as a Site for Interdisciplinary Work Alfred University Grand CD North, Gold Level, East Tower, Hyatt Regency Chicago Chair: Clifton Meador, Columbia College Chicago Made in Canada (but What Do the Americans Think?) Sandra Alfoldy, Nova Scotia College of Art and Design Draft Notation Jen Bervin Redefi ning Social Design in 1970s Belgium: Affordable Design vs. Elite Design Relating the Book Space to Performance Space Javier Gimeno-Martínez, Katholieke Universiteit Leuven and Brandon Graham Research Foundation-Flanders Same Things Arranged Differently IKEA’s Genealogy of Democratic Design Amber Hares Jeff Werner, Göteborg Museum of Art Virtual Environment/Physical Artifact Rogue Design in China: Democratizing or Devaluing Design? Tate Shaw, Visual Studies Workshop Tao Huang, Columbia College Chicago Discussant: Jennifer Geigel Mikulay, Indiana University and Art as Event Purdue University Columbus KL, Gold Level, East Tower, Hyatt Regency Chicago Chair: Nadja Rottner, University of Michigan, Dearborn Mass Action, Aleksei Gan, and the Social Aesthetics of Russian Edvard Munch at 2010: Reassessing a Century of Scholar- Constructivism ship, Directions for the Future Regency C, Gold Level, West Tower, Hyatt Regency Chicago Kristin Romberg, Columbia University Chair: Clarence Burton Sheffi eld, Rochester Institute of Technology Antiart, Nonevent: The Situationist Inverse of Relational Aesthetics Edvard Munch, Writer and Disciple of Edgar Allan Poe Jennifer Stob, Yale University Joan Templeton, Long Island University Rolywholyover to theanyspacewhatever: John Cage’s Composi- Edvard Munch’s Use of Caricature, Satire, and Humor tions for Museums, or Relational in Retrospect Gerd Woll, Munch-museet Sandra Skurvida, Bard College, Fashion Institute of Technology, and School of Visual Arts Munch’s Spanish Flu as Medical Performance Patricia Gray Berman, Wellesley College Inducing Spirits: Oscar Masotta’s Apperceptive Participant Daniel R. Quiles, School of the Art Institute of Chicago Discussant: Alison Chang, University of Pennsylvania

Situational Aesthetics and the Art of Participation

Kirsi Peltomäki, Oregon State University “Classicisms,” “Mannerisms,” and “Baroquisms”: Discussant: Irene Small, University of Illinois, Urbana-Champaign Sixteenth- and Seventeenth-Century Visual Culture in Europe and Other Cultural Centers, Part I Grand EF, Gold Level, East Tower, Hyatt Regency Chicago Public Art Dialogue Chairs: Larry Silver, University of Pennsylvania; Lynette M. F. Site Variations: The Shifting Grounds of Public Art Bosch, State University of New York, Geneseo Regency D, Gold Level, West Tower, Hyatt Regency Chicago Vermeer’s Poetics of Painting Chairs: Harriet F. Senie, City College, City University of New Michael Zell, Boston University York; Cher Krause Knight, Emerson College Appointments in Isfahan: The Ill Fortunes of the Painters to the Non-Sites and Non-Places Safavid Shahs Janna Eggebeen, University of Toronto Gary D. Schwartz, Netherlands Institute for Advanced Studies Invisible Venue(s): Alternatives to the Institution Flattening out the World: Planarity in Early Modern Visual Culture Christian L. Frock, Invisible Venue Stephanie Leitch, Florida State University The Neighborhood Narratives Project: Investigating Public Collecting Baroque Allegories: The Kleinplastik of Leonhard Kern Sites for New Encounters Miya Tokumitsu, University of Pennsylvania Hana Iverson, Rutgers University

CAA2010 FEBRUARY 10–13 Friday, February 12 National Endowment for the Humanities 9:30 AM–NOON Getting Funded in the Humanities: Grant Opportunities for Museums, Educators, and Art Historians Columbus AB, Gold Level, East Tower, Hyatt Regency Chicago African Diaspora Art History: State of the Field Chair: Clay Lewis, National Endowment for the Humanities Water Tower, Bronze Level, West Tower, Hyatt Regency Chicago Chairs: Krista Thompson, Northwestern University; Jacqueline Francis, California College of the Arts Exhibitor Session A Historiography of African Diaspora Art History: From the Origin of Colors Field to the Studio Water Tower, Bronze Level, West Tower, Hyatt Regency Chicago Judith Bettelheim, San Francisco State University Chair: Mark Gottsegen, Intermuseum Conservation Association What Is Africa to Me? African American Art and the Problem Beth Bergman, Wet Paint of Origins Ed Brickler, Canson Tobias Wofford, University of California, Los Angeles Mark Golden, Golden Artist Colors Modernist Painting and Diaspora Criticism William Ian Bourland, University of Chicago Richard Frumess, R&F Handmade Paints Teaching Contemporary African Diaspora Art History George O’Hanlan, Natural Pigments Cheryl Finley, Cornell University Michael Skalka, National Gallery of Art

Visual Culture around the Indian Ocean Littoral Art Libraries Society of North America Columbus CD, Gold Level, East Tower, Hyatt Regency Chicago Collecting the Contemporary: Building and Managing Artists’ Chairs: Nancy Um, Binghamton University; Prita Meier, Book Collections Cornell University Regency D, Gold Level, West Tower, Hyatt Regency Chicago A Community in Transition: Tamil Merchants in China Chair: Laura Graveline, Art Libraries Society of North America Risha Lee, Columbia University Being Collected: Portrait of an Artist as a Collectee Dispersal and Entanglement: (Dis)locating Symbols of Authority Elisabeth Long in the Mosques of East Africa and Arabia Pushing the Limits: Using and Sustaining a Teaching Collection Ruba Kana’an, York University Tony White, Art Libraries Society of North America Architecture and Society on the Asian Seas: On the Built Environ- “Fine,” “Fair,” “Poor”: Balancing Usage and Preservation at ment and Social Order of the Dutch East India Company’s Ships the Joan Flasch Artists’ Book Collection Richard Guy, Cornell University Doro Boehme, Art Libraries Society of North America Images of Effi cacy: Devotional Diasporas of Shirdi Sai Baba in The Herron Artist Book Alcove: Community Outreach and the Indian Ocean World Marketing of an Artist’s Book Collection Mary Nooter Roberts, University of California, Los Angeles Sonja Staum-Kuniej, Art Libraries Society of North America CAMP’s WHARFAGE Project: Recasting the Indian Ocean as a Space of Contact and Exchange CAA Professional Practices Committee Murtaza Vali, independent scholar, Brooklyn The Associate of Fine Arts Degree: Is It But a Mere Frill or Is It a New Necessity? Grand CD North, Gold Level, East Tower, Hyatt Regency Chicago Friday, February 12 Chair: Bertha Steinhardt Gutman, Delaware County 12:30 PM–2:00 PM Community College

Art Historians of Southern California David Koffman, Georgia Perimeter College In California: Artists Explore Hybrid Identities Susan Altman, Middlesex County College Columbus EF, Gold Level, East Tower, Hyatt Regency Chicago Christine McNearney, Pima Community College Chair: Ramela G. Abbamontian Mark S. Szantyr, Quinebaug Valley Community College

Association of Art Museum Curators Expanding Museums: Spaces and Choices Radical Art Caucus Grand B, Gold Level, East Tower, Hyatt Regency Chicago Occupations: Labor, Activism, Art, and the Academy in Crisis Chairs: Douglas Druick, Art Institute of Chicago; James Rondeau, Regency C, Gold Level, West Tower, Hyatt Regency Chicago Art Institute of Chicago Chair: Sarah Kanouse, University of Iowa

Taking a Radical Stance against Occupation without Perpetuating Myths of a Militant Resistance Aaron Hughes, Iraq Veterans Against the War

CAA2010 FEBRUARY 10–13 FRIDAY 3Cs: Counter-Cartographies Collective Producer’s Perspective Liz Mason-Deese and Tim Stallman, 3Cs: Counter- Duncan MacKenzie, Bad at Sports: Contemporary Art Talk; Cartographies Collective Richard Holland, Bad at Sports: Contemporary Art Talk

Preoccupied: Organizing, the Work of Art School Academics Therese Quinn, School of the Art Institute of Chicago Italian Art Society Caravaggio at Four Hundred and Beyond

Regency B, Gold Level, West Tower, Hyatt Regency Chicago Exhibitor Session Chair: Catherine R. Puglisi, Rutgers University Erosion or Evolution? Scholarly Art Publishing in the Twenty-First Century Caravaggio, Early vs. Late: New Directions Grand EF, Gold Level, East Tower, Hyatt Regency Chicago David M. Stone, University of Delaware Chair: Christine Kuan, ARTstor Age of Caravaggio: Its Legacy after Twenty-Five Years Patricia Fidler, Yale University Press Keith Christiansen, Metropolitan Museum of Art David Brownlee, University of Pennsylvania Why Caravaggio? Philip Sohm, University of Toronto Petra ten-Doesschate Chu, Seton Hall University Doug Dodds, Victoria and Albert Museum Association for Latin American Art Emerging Scholars Historians of German and Central European Art and Architecture Columbus KL, Gold Level, East Tower, Hyatt Regency Chicago Emerging Scholars Session Chairs: Khristaan Villela, University of New Mexico; Grand CD South, Gold Level, East Tower, Hyatt Regency Chicago Patricia Joan Sarro, Youngstown State University Chair: Barbara McCloskey, University of Pittsburgh Forbidden Angels in the Cathedral of Mexico City The Dialectics of Vision: A Reevaluation of Viennese Expressionism Orlando Amado Hernandez Ying, Graduate Center, City Nathan J. Timpano, Florida State University and Harvard Art University of New York Museum/Busch-Reisinger Museum Listening to Shadows with a Stethoscope: Urban Redevelopment Alfred Roller, the Vienna Secession, and the Gesamtkunstwerk and the Problem of Transparency at Tlatelolco Diane Silverthorne, Birkbeck, University of London and Royal George F. Flaherty, University of California, Santa Barbara College of Art Noticias de Arte (1952–53) and Cuba’s Horizon of Vanguards Kunstwissenschaft and the “Primitive”: Excursions in the History Abigail McEwen, Institute of Fine Arts, New York University of Art History, 1880–1925 Priyanka Basu, University of Southern California and Center for Advanced Study in the Visual Arts New Media Caucus New Media/New Terrain: Pioneering a PhD in Creative Research ArtTable Grand A, Gold Level, East Tower, Hyatt Regency Chicago Career Advisory Roundtables Chair: Jessica Walker Riverside Center, East Tower, Purple Level, Hyatt Regency Chicago Association for Critical Race Art History Chair: Dena Muller, ArtTable Business Meeting Gold Coast, Bronze Level, West Tower, Hyatt Regency Chicago ARTspace CAA Services to Artists Committee Association of Historians of American Art Meta-Mentors: Opt Out of Obscurity Business Meeting Columbus GHIJ, Gold Level, East Tower, Hyatt Regency Chicago Acapulco, Gold Level, West Tower, Hyatt Regency Chicago Chairs: Sabina Ott, Columbia College Chicago; Reni Gower, Virginia Commonwealth University Pacifi c Art Association Curator’s Perspective Business Meeting Michelle Grabner, School of the Art Institute of Chicago The general public is welcome. Meeting place to be announced at and the Suburban the PAA session Thursday night. Critic’s Perspective Corey Postiglione, Columbia College Chicago and Artforum Association of Historians of Nineteenth-Century Art Business Meeting Gallerist’s Perspective Columbus CD, Gold Level, East Tower, Hyatt Regency Chicago Gosia Koscielak, Koscielak Gallery

CAA2010 FEBRUARY 10–13 Friday, February 12 Friday, February 12 12:30 PM–2:00 PM 2:30 PM–5:00 PM

Intermix: Art and Language in Independent Publishing Poster Sessions Regency C, Gold Level, West Tower, Hyatt Regency Chicago East Tower, Gold Level, Hyatt Regency Chicago Chair: Sally Alatalo, School of the Art Institute of Chicago Poster sessions are informal presentations for small groups displayed on poster boards by individuals. The poster Mapping Art, Language, World display is usually a mixture of a brief narrative paper Jan Estep, University of Minnesota intermixed with illustrations, tables or graphs, and other Day In, Day Out presentation materials. With a few concisely written areas Karol Shewmaker, FLAT Publications of focus, the poster display communicates the essence of Image Process Literature: Project Overview the presenter’s research, synthesizing its main ideas and Chris Burnett, University of Toledo research directions. Poster displays will be on view for the duration of the conference, beginning on Thursday Discussants: Simon Cutts, Coracle; Erica Van Horn, Coracle morning. On Thursday and Friday, from 12:30 to 2:00 PM, presenters will be available at the Poster Area. Modern and Contemporary African Art: Recent Issues Creating a Digital Art Curriculum for the 21st Century and Trends (on a 20th-Century Budget) Columbus KL, Gold Level, East Tower, Hyatt Regency Chicago Dave Beck, Clarkson University Chair: Kathleen Bickford Berzock, Art Institute of Chicago A Service Learning Technology Collaboration: Reframing the African Art Workshop: The Mission Model and Bringing Expertise Together for Diverse Problem Solving Serima Station, Rhodesia in an Applied Learning Experience Elizabeth Morton, Wabash College Valerie Dibble, Kennesaw State University; Jeanne Sperry, Kennesaw State University Discursive Gender across Media: South African Masculinity in Printmaking and Clay Branching Out: Interdsciplinary Case Studies in Elizabeth Perrill, University of North Carolina, Greensboro Graphic Design Nancy Froehlich, independent artist, Baltimore; Zvezdanna Refashioning Portraiture: West-African Photography in Stojmirovic, Maryland Institute College of Art Global Contexts Candace Keller, Michigan State University Centre for Whistler Criticism: A Digital Archive of Lifetime Criticism of James McNeill Whistler (1834-1903) Bright Ugochukwu Eke and Otobong Nkanga: Two Nigerian Catherine Carter Goebel, Chair of Art History, Environmental Artists Augustana College Andrea Fabiola Vazquez, Columbia University A Collaboration of Art and Technology Critical White Studies and African Art EJ Herczyk, Philadelphia University Kevin Mulhearn, Graduate Center, City University of New York New Trends and Best Practices in Public Art Janet Kagan, Public Art Network Council “It Is a Small World after All”: Contemporary Art in the Mental Images? True or False? Age of Emerging Art Markets Ellen Levy, independent artist, New York Regency A, Gold Level, West Tower, Hyatt Regency Chicago Chair: Véronique Chagnon-Burke, Christie’s Education Perception of Safety from Visual-Spatial Information Tingyi S. Lin, National Taiwan University of Science Building Critical Infrastructure in a Developing Art Market: and Technology How International Patronage Underpins Chinese Contemporary Art and what India Can Learn Walter Ufer and the “Gaze” Anuradha Vikram, independent curator and critic, James Peck, University of Oklahoma Richmond, California Poetic Dwelling: The Humanities Confront Climate Change The Cult of Origin: Ethnicity, Diaspora, and Cultural Capital in Karen Pinkus, University of Southern California Contemporary Chinese Art The Photograph as Language: Developing Communicative J. P. Park, University of Colorado Methods of Camera Use for People with Aphasia Speculation vs. Real Quality and the Quality Standard Dawn Roe, Rollins College Conundrum: The 3C Methods Applied to the Market for Chinese Museum Studies: The Museum for Art and the Environment Contemporary Art Betty Wilde-Biasiny, Empire State College Till Richter, University of Texas at Austin Contemporary Drawings as an Opportunity to Open a Dialogue between the Artists, Market, International Artistic Institutions, and Collectors Saskia Sorg, Loughborough University When East Means West: Art Markets in Poland and Russia Thomas Skowronek, Humboldt University CAA2010 FEBRUARY 10–13

FRIDAY Art History Open Session War Stories: Violence and Narrative in Early Modern Europe Nineteenth-Century Art: The Prehistory of Modernity Grand CD North, Gold Level, East Tower, Hyatt Regency Chicago Grand EF, Gold Level, East Tower, Hyatt Regency Chicago Chairs: Elizabeth Alice Honig, University of California, Berkeley; Chair: Stephen F. Eisenman, Northwestern University Suzanne Walker, Tulane University Women and Erotic Pleasure in the Lithographs of Achille Devéria Mercenary Warfare: Political and Satirical Narratives by Urs Graf Andrew Shelton, Ohio State University ca. 1515–1525 The Way of All Flesh: Manet, the Morgue, and the Death of Christiane Andersson, Bucknell University History Painting Velázquez Breaking Breda: Typology as Ante-Narrative Emily Beeny, Columbia University Vanessa Lyon, University of California, Berkeley Rewriting Japonisme: Félix Régamey’s The Pink Notebook of Nicolas Poussin’s The Plague at Ashdod: Narrating Madame Chrysanthème Unconventional Warfare Christopher Reed, Pennsylvania State University Luke Nicholson, Concordia University Claiming Forefathers: Contemporary Painting, 1899 Symbol and Allegory in the Many Deaths of General Wolfe Sarah Ganz Bythe, Rhode Island School of Design Douglas Fordham, University of Virginia The City Looks Back: Charles Sheeler, the Human Presence, Discussant: James Clifton, Museum of Fine Arts, Houston and the American Past, 1917–27 David Peters Corbett, York University Art History Open Session Discussant: Alan Wallach, College of William and Mary Contemporary Chinese Art: Contexts and Narratives Grand A, Gold Level, East Tower, Hyatt Regency Chicago Transcultural Migrations: Indigenous Americans and Chair: Wu Hung, University of Chicago Mestizos in Early Modern Europe Postmedium in Postsocialist China? Water Tower, Bronze Level, West Tower, Hyatt Regency Chicago Eugene Y. Wang, Harvard University Chairs: Cristina Cruz González, Oklahoma State University; Displacement in the Narratives of Chinese Contemporary Art Ray Hernández-Durán, University of New Mexico Ming Lu Gao, University of Pittsburgh

Assimilation at the Court of Charles V: Indigenous American Micronarratives in Contemporary Chinese Art Performance in Christoph Weiditz’s Trachtenbuch (1529) and Silvia Fok Siu Har, Hong Kong University Hapsburg Imperial Identity Towards a Multilinear and Interactive Approach to Andrea M. Satterfi eld, Emory University Contemporary Chinese Art Hybridity in Exile: Bicultural Structures in the Engravings of Wu Hung, University of Chicago Diego Valadés Discussant: James Elkins, School of the Art Institute of Chicago Brendan Branley, independent scholar, Albuquerque, New Mexico El Mestizo and the Brown Atlantis: Revivals of Early Modern Orientalism and the Imagining of Mexico, 1870–1940 Art and Violence Mauricio Tenorio, University of Chicago Columbus CD, Gold Level, East Tower, Hyatt Regency Chicago Chairs: Cary Levine, University of North Carolina, Chapel Hill; Philip Glahn, Tyler School of Art, Temple University Under Fire: 3D Animation Pedagogy and Industry Complicity Martyrdom in Contemporary Art in New-Media Education Andrea D. Fitzpatrick, University of Ottawa Grand CD South, Gold Level, East Tower, Hyatt Regency Chicago Chairs: Claudia Constance Hart, School of the Art Institute Revealing Histories of Violence in Contemporary African Art of Chicago; Rachel Elizabeth Clarke, California State Allison M. Moore, Savannah College of Art and Design University, Sacramento Cartographies of Violence: Narration and Abstraction in the Work Expressive 3D of Atlas Group/Walid Raad and Emily Jacir Jennifer J. Steinkamp Kassandra Nakas, Berlin University of Arts The Industry Is OK Violence’s Relics: The Martyrs’ Museum in Tehran Joshua Mosley Christiane Jacqueline Gruber, Indiana University, Bloomington 3D Computer Graphics and the Aesthetics of Denial Gregory A. Little, Bowling Green State University Enhancing Creativity with 3D Software in Art Education Bruce Wands, School of Visual Arts Techno Luddite Michael S. Rees Can 3D Art Be Taught? A Refl ection on Challenges and Strategies Claudia Herbst-Tait, Pratt Institute

CAA2010 FEBRUARY 10–13 Friday, February 12 The Photographic Act: Event, Encounter, 2:30 PM–5:00 PM Confi guration, Network Columbus AB, Gold Level, East Tower, Hyatt Regency Chicago Chairs: Damian P. Sutton, Glasgow School of Art; Ken Neil, Pacifi c Arts Association Glasgow School of Art Views from the Continent: Art and the US Pacifi c Diaspora Acapulco, Gold Level, West Tower, Hyatt Regency Chicago Interpellating the Image: The Consequences of Alain Badiou’s Chairs: Margo Machida, University of Connecticut; Jewel Castro, Thought for Film and Photography independent artist, Gig Harbor, Washington David Brancaleone, Limerick Institute of Technology Pacifi c Islander Art in the Continental US Realism vs. Reality TV in the War on Terror: Artworks as Models Teri Sowell, University of California, San Diego and Oceanside of Interpretation Museum of Art David Crawford, Flagler College Hawaiian Cover-Ups The Breathing Factory: Multivocality, Gesture, and the Global Adrienne Pao, San Francisco Art Institute and Academy of Art Laboring Body University Mark Curran, Dublin Institute of Technology and Dun Laoghaire Institute of Art, Design, and Technology In the Nest of the Eagle Dan Taulapapa McMullin, independent artist, Laguna Niguel, Between Solidarity and Solubility: Photography and Social California Movements in South Korea Jung Joon Lee, Graduate Center, City University of New York Oceania as Center in Pacifi c American Art Bernida Webb-Binder, Cornell University Discussant: Martin Lister, University of the West of England, Bristol KULEANA MEDIA: Making Hawaiian Resistance Media in the Era of Elimination Anne Keala Kelly, independent artist, Kailua, Hawai`i American Society for Hispanic Art Historical Studies The Portrait in Golden-Age Spain: Expanding the Frame Grand B, Gold Level, East Tower, Hyatt Regency Chicago Queer Caucus for Art: The Lesbian, Gay, Bisexual, and Chairs: Tanya J. Tiffany, University of Wisconsin, Milwaukee; Transgender Caucus for Art, Artists, and Historians Laura R. Bass, Tulane University Desire is Queer! Regency D, Gold Level, West Tower, Hyatt Regency Chicago Diplomacy and Devotion: Giulio Clovio’s Miniature Portraits Chairs: Miranda Mason, independent scholar, Leeds; Jonathan in Hapsburg Spain Frederick Walz, University of Maryland, College Park Elena Calvillo, University of Richmond LINEAGE: Queer Desire and Matchmaking in the Archive Cultural Transfer and Dynastic Identity: Portrait Medals in E. G. Crichton, University of California, Santa Cruz Habsburg Spain (1543–98) Walter Cupperi, Scuola Normale Superiore di Pisa Unmade Beds: Works of Art and the Projection of Queer Desire Mark Denaci, St. Lawrence University Sixteenth- and Seventeenth-Century Children´s Portraits at the Spanish Court Censoring Paul Cadmus: Queer Desire and The Fleet’s In! Mercedes Llorente, University College London Controversy Anthony J. Morris, Case Western Reserve University Feminine Culture and Representation at the Spanish Court, 1570–1644 Fire Smoulders in the Veins: Toyen’s Expression of Queer Desire María Cruz de Carlos Varona, Universidad Autónoma de Madrid Karla Huebner, University of Pittsburgh Characterizing a Portrait of Christ in Seventeenth- A Long, Hard Look: Queer Desire in Contemporary Life Drawing Century Andalucía Jason Watson, Appalachian State University Jeffrey Schrader, University of Colorado, Denver

Intention and Interpretation, Part I Columbus EF, Gold Level, East Tower, Hyatt Regency Chicago Mice that Roar: Miniature Visions of Nationalism and Empire Gold Coast, Bronze Level, West Tower, Hyatt Regency Chicago Chairs: Charles J. Palermo, College of William and Mary; Chair: Ben C. Tilghman, Walters Art Museum Todd Cronan, Virginia Commonwealth University Intimate Empire: Egypt in the French Domestic Interior Intention/Identity/Interpretation/Affect Lisa Cherkerzian, University of California, San Diego Walter Benn Michaels, University of Illinois, Chicago Shifting the Scale of Empire: Colonial American City Views Re-turning the Hermeneutic Circle Jennifer Van Horn, University of Virginia David Summers, University of Virginia Imagining Nations in Miniature: A Comparison of Splendid Intention, Interpretation, and the Balance of Theory Chinas in Florida and Shenzhen Stephen Melville, Ohio State University Ipek Türeli, Brown University Picturer’s Meaning: Replication and Intentionality in Depiction Whitney Davis, University of California, Berkeley

CAA2010 FEBRUARY 10–13 FRIDAY Rebellion, Reconciliation, and a Painting for the Florentine Annual Artists’ Interviews Wool Guild Columbus GHIJ, Gold Level, East Tower, George R. Bent, Washington and Lee University Hyatt Regency Chicago Preparing the Mind, Preparing the Soul: The Fusion of Franciscan Phyllis Bramson will be interviewed by Lynne Warren, Thought in the Sacristy Decoration of Santa Croce, Florence Museum of Contemporary Art, Chicago; Tony Tasset will Michelle A. Erhardt, Christopher Newport University be interviewed by John Neff, independent scholar, curator, Agnolo Gaddi and the Opera del Duomo in the Late Trecento and critic. Jean K. Cadogan, Trinity College Vasari’s Taddeo Gaddi Perri Lee Roberts, University of Miami American Art and the “Period Eye” Regency B, Gold Level, West Tower, Hyatt Regency Chicago Chair: Kristina Wilson, Clark University American Council for Southern Asian Art Masterpiece or Craft, Courtly or Popular? Situating Textiles Failing to See: Imagination, Gender, and Illusion in Antebellum in South and Southeast Asian Visual Culture American Visual Culture Gold Coast, Bronze Level, West Tower, Hyatt Regency Chicago Catherine Reed Holochwost, University of Delaware Chairs: Rebecca M. Brown, Johns Hopkins University; Pika Ghosh, Light, Blindness, and Touch in American Neoclassical Sculpture University of North Carolina, Chapel Hill Crawford Alexander Mann III, Rhode Island School of Design Reframing Borders: Analysis and Interpretation of Himalayan Museum of Art Textile Frames Diagrammatics: Industrialism and the Modernizing of Melissa Kerin, College of William and Mary American Art Seeing Banners: Gendered Meanings of Buddhist Wat Textiles Barbara Jaffee, Northern Illinois University Rebecca Hall, Asian Civilisations Museum, Singapore Know Before You Go: Preconditions and Public Art of the Modernist Grids and Homespun Weaves New Deal Sonal Khullar, University of Washington George V. Speer, Northern Arizona University Art Museum Clothes Make the God: The Importance of Textiles in the Worship Seeing Race in the Saturday Evening Post of the God Krishna Eric J. Segal, University of Florida Cynthia Packert, Middlebury College Discussant: Katherine Hacker, University of British Columbia

Friday, February 12 5:15–6:15 PM Texting and Imaging the Oriental Body Grand CD South, Gold Level, East Tower, Hyatt Regency Chicago Chair: Joan DelPlato, Bard College at Simon’s Rock Annual Members’ Business Meeting Sapphism in the Seraglio Election of New Members of the CAA Board of Directors Reina Lewis, London College of Fashion, University of the Arts Grand EF, East Tower, Gold Level, Hyatt Regency Chicago Menace at the Gate: Masculinity and the Homoerotics of Orientalism James Smalls, University of Maryland, Baltimore County Tropes of Blackness in Jean-Léon Gérôme’s Moorish Bath Adrienne L. Childs, University of Maryland, College Park Friday, February 12 Embodying Memories of Travel 6:30 PM–9:00 PM Mary Roberts, University of Sydney and Sterling and Francine Clark Art Institute Italian Art Society Discussant: Julie Codell, Arizona State University I primi lumi: Studies in Italian Renaissance Art in Memory of Andrew T. Ladis Water Tower, Bronze Level, West Tower, Hyatt Regency Chicago Chair: Diane Cole Ahl, Lafayette College Sacred and Secular: The Tabernacolo della Tromba in Florence (1243–1905) Elizabeth Bailey, Wesleyan College

CAA2010 FEBRUARY 10–13 Friday, February 12 New Media Art in China: Understanding the Emergence 6:30 PM–9:00 PM of the Dragon Grand B, Gold Level, East Tower, Hyatt Regency Chicago Chair: Scott David Groeniger, University of Hawai`i, Manoa Visual Culture Caucus Vision, Space, and Ideology: Light in Modernity Alternative Art Spaces in China: Adventures in Disappointment, Regency C, Gold Level, West Tower, Hyatt Regency Chicago Guanxi, and Language Chair: Niharika Dinkar, Boise State University Ellen Zweig, New York University, Shanghai Through Stained Glass: Abstraction and Embodiment in Early China Video Stories: China as Subject, Scene, and Mind Avant-Garde Circles Conrad Gleber, La Salle University Barbara Larson, University of West Florida A New “Lure of the East”: Artistic Opportunities in China Something New under the Sun: The Dramaturgy of Curative William J. Andersen, American University of Kuwait Light in Weimar Germany Collaboration, Cooperation, and Installation: Jennifer Dillon, Duke University Three Summers in Taiyuan Benjamin’s Rainbow Scott Groeniger, University of Hawai`i, Manoa Gordon Hughes, Rice University Beijing and the Context of Location: The China Central Academy of The Fantasy of Night, the Metaphor of Light: Louis Kahn’s Fine Art (CAFA) as Site for Studio Art and International Programs Decorative and Referential Lighting Stephen Lane, Columbia University George Marcus, University of Pennsylvania Shopping Malls and Wall Drawings: The Zendai Museum Discussant: Hollis Clayson, Northwestern University f Modern Art’s 366 Days of Art in Shanghai Kirsten Rae Simonsen, Hawaii Pacifi c University

Art after Camoufl age Columbus AB, Gold Level, East Tower, Hyatt Regency Chicago The Vernacular and Medieval Art Chairs: Ann D. Elias, University of Sydney; Tanya Peterson, Columbus EF, Gold Level, East Tower, Hyatt Regency Chicago University of Sydney Chair: Margaret E. Hadley, Lawrence Technological University Invisible Landscapes: Camoufl age and Contemporary Cele houre meimes: Vernacular Poesis and Pictorial Organization Landscape Architecture in the Ellesmere Psalter-Hours Sonja Duempelmann, University of Maryland Alexa Sand, Utah State University Designing Men: Andy Warhol’s Camoufl age and Patterns “Though It Be Noght in the Registre of Venus”: Illustrating of Masculinity Gower’s Learned Interlude Stephen Monteiro, American University of Paris Sonja Drimmer, Columbia University Camoufl aging the East: Vladimir Mamyshev-Monroe and the Anthonis de Roovere, Hugo van der Goes, and the Language Post-Soviet Russian Identity of Immediacy Amy Bryzgel, University of Aberdeen Jessica Buskirk, Technische Universität The Storm Trooper’s Smock: Ian Hamilton Finlay and Camoufl age Carlo Crivelli: Vernacular or Hybrid Visual Language? Rob Silberman, University of Minnesota Liliana Leopardi, Chapman University The Insistent Visibility of Disappearance Craig J. Peariso, Boise State University Multiples and Multiplicity: Beyond Benjamin Regency A, Gold Level, West Tower, Hyatt Regency Chicago Chairs: Friedhard Kiekeben, Columbia College Chicago; Doro Boehme, School of the Art Institute of Chicago Mass-Market Manqué: The Ambivalent Ambitions of the Multiple Susan Tallman, School of the Art Institute of Chicago electroSTATIC ATTRACTION: xerox, seriality, permutation, ca. 1965 Alicia Imperiale, Tyler School of Art, Temple University Scale and the Multiple Lane Hall, University of Wisconsin, Milwaukee Toward an “Aesthetics of Access”: Distributing the Unlimited Multiple Lindsay Bosch, Art Institute of Chicago

CAA2010 FEBRUARY 10–13 FRIDAY Art History Open Session Do We Have to Read the Textbook? American Art Textbooks Twentieth-Century Art and the Shape of the Field, a Roundtable Columbus KL, Gold Level, East Tower, Hyatt Regency Chicago Regency B, Gold Level, West Tower, Hyatt Regency Chicago Chair: John Klein, Washington University in St. Louis Chairs: Maurie L. McInnis, University of Virginia; Alexis Boylan, Mediating the Avant-Garde: Russian Infl uences on Modern University of Tennessee Japanese Art in the Early Twentieth Century Sarah Burns, Indiana University Yang Wang, Ohio State University John Davis, Smith College The Torres de la Ciudad Satélite: Modernist Monumentality Erika Doss, University of Notre Dame in Mexico City Jennifer Josten, Yale University Barbara Groseclose, Ohio State University Modernism and the Politics of South African Primitivism, 1962–68: Angela Miller, Washington University in St. Louis The Amadlozi Group Jennifer Roberts, Harvard University Anitra Nettleton, University of the Witwatersrand Discussant: Frances Pohl, Ponoma College Global Modernity and the Contemporary Construction of a Visual Chinese Culture Tradition Xin Wu, American University Intersections of Art and Design Discussant: James Housefi eld, University of California, Davis Grand A, Gold Level, East Tower, Hyatt Regency Chicago Chair: Debra Riley Parr, Columbia College Chicago Recycle, Reuse, Readymade Afterlife: The Berlin Wall’s Continuing Cultural Presence Amanda Gluibizzi, Ohio State University Columbus CD, Gold Level, East Tower, Hyatt Regency Chicago Chairs: Andreas Luescher, Bowling Green State University; Environmental Affections: Women, Art, and Ecology Carolyn S. Loeb, Michigan State University Adrian Parr, University of Cincinnati Art and Spaces of Unifi cation in the Divided City An Art and Design Imperative: Ecomodernism Hybrid John Powers, Cleveland Institute of Art Eric Benson, University of Illinois, Urbana-Champaign Virtual Barrier: Reimagining the Berlin Wall Beyond Eco-Art: Twenty-First-Century Eco-visualization Gregory Williams, Boston University Tiffany G. Holmes, School of the Art Institute of Chicago Painting the Wall in the East Berlin Discussant: Annette Ferrara, IDEO April Eisman, Iowa State University

Image Crisis at the Wall: Leonard Freed’s Berlin At the session “Studio Practice and Poststudio Production: Paul Michael Farber, University of Michigan, Ann Arbor Reconsidering the Roles of Artist and Curator” Walking the Wall (February 12, 2010) at the College Art Association Kinga Araya, Ringling College of Art and Design Annual Conference, the session chair Michelle White allowed an imposter to present himself as CAA member Mary Jane Jacob. The presentation was not authorized by Theorizing Things either CAA or Prof. Jacob and did not represent her Grand CD North, Gold Level, East Tower, Hyatt Regency Chicago views. Neither the impersonation of individuals nor the Chairs: Jennifer Jane Marshall, University of Minnesota; Kate misrepresentation of their views at a CAA forum is Mondloch, University of Oregon consistent with the ethical standards of CAA or the visual arts profession that we represent. Visualizing Agency: Thing Theory and the Practice of Painting

Katherine Rieder, Harvard University Studio Practice and Poststudio Production: Reconsidering Between Documents and Objects: Surrealism and the the Roles of Artist and Curator Agency of Things Regency D, Gold Level, West Tower, Hyatt Regency Chicago Joyce Cheng, University of Oregon Chairs: Michelle White, The Menil Collection; Hilary Wilder, The Coevalness of Persons and Things: Thinking through Virginia Commonwealth University “Hidden Art” in Irish Neolithic Passage Tombs Confl ict of Interest: When Artists Become Gatekeepers Robert J. Wallis, Richmond, the American International Leta Ming, University of Southern California University in London The Function of the Home: Womanhouse in Los Angeles Game Artifacts: What Do These Things Want? Aram Moshayedi, University of Southern California Raiford Guins, Stony Brook University, State University of New York and Chicago Alternative and Artist-Run Art Spaces, New York 2000–10: What Next? Postconceptual Art and the Affordance of Obsolete Things Maika Pollack, Princeton University Amanda Boetzkes, University of Alberta Skyscrapers by the Roots Claire Barliant, independent critic, Brooklyn

CAA2010 FEBRUARY 10–13 Saturday, February 13 Studio Art Open Session 7:30–9:00 AM Painting Grand A, Gold Level, East Tower, Hyatt Regency Chicago Chair: Michelle Ann Grabner, School of the Art Institute of Chicago Women’s Caucus for Art Business Meeting Ann Craven, Yale University Grand CD North, Gold Level, East Tower, Hyatt Regency Chicago Anoka Faruqee, California Institute of the Arts Peter Halley, Yale University Rebecca Morris, Pasadena City College Saturday, February 13 Thomas Lawson, California Institute of the Arts 9:30 AM–12:00 PM Judy Ledgerwood, Northwestern University “Classicisms,” “Mannerisms,” and “Baroquisms”: Sixteenth- Sabina Ott, Columbia College Chicago and Seventeenth-Century Visual Culture in Europe and other Jon Pestoni, independent artist Cultural Centers, Part II Grand EF, Gold Level, East Tower, Hyatt Regency Chicago Scott Reeder, School of the Art Institute of Chicago Chairs: Lynette M. F. Bosch, State University of New York, Molly Zuckerman Hartung, independent artist, Chicago Geneseo; Larry Silver, University of Pennsylvania Susanna Coffey, independent artist, New York Darkness at Dawn: Artemisia Gentileschi’s Aurora, ca. 1625–27 Susan E. Wegner, Bowdoin College Carrie Moyer, Rhode Island School of Design Lifting the Veil of the Body: Imagining the Souls of Holy People in the Renaissance Literature on Art More of the Same? Analyzing Repetition in Ancient Art Steven Stowell, Oxford University Columbus CD, Gold Level, East Tower, Hyatt Regency Chicago Sì grande Apelle, e non minore Apollo: Bronzino’s Ugolino Martelli Chairs: Ann C. Gunter, Northwestern University; Ann Steiner, and the Paragone of the Arts Franklin and Marshall College Julia Alexandra Siemon, Columbia University The Omnipresent Ruler: The Multiplication of the Royal Statue in Cigoli’s Écorché and the Reform of Disegno Late-Third-Millennium Mesopotamia Lisa Bourla, University of Pennsylvania Melissa Eppihimer, University of Pittsburgh Repetition and Meaning in the Trojan Cycle: Helen and the Sacrifi cial Virgins in Greek Vase-Painting Association for Latin American Art Anthony F. Mangieri, Savannah College of Art and Design Between/Beyond Text-Image: Engaging Visual Culture in Repetition, Refl ection, and Intergenerational Storytelling on Mesoamerica and South America Gold Coast, Bronze Level, West Tower, Hyatt Regency Chicago Attic Grave Stelai of the Fourth Century BCE Chairs: Catherine Burdick, University of Illinois, Chicago; Elizabeth P. McGowan, Williams College Virginia Miller, University of Illinois, Chicago Repetition Breeds Polysemy: Copy Books and the Roman Viewer Not an Alphabet: Semasiography in Ancient America Stephanie Pearson, University of California, Berkeley Margaret A. Jackson, University of California, Los Angeles In Time with the Seasons: Movement and Repetition on Roman Tipquis and Tupus: Pinning Together Inca and Colonial Season Sarcophagi Costume Tradition Mont Allen, University of California, Berkeley Sarah Holian, Graduate Center, City University of New York Seeing with Old Eyes: The Carved Lintels from Temple I, The Materiality of Early Modern Prints, Part II: Plates, Tikal, Guatemala States, and Collections Elizabeth Olton, University of New Mexico Water Tower, Bronze Level, West Tower, Hyatt Regency Chicago Chairs: Suzanne Karr Schmidt, Art Institute of Chicago; The Shape of Mythic Time: Moteuczoma II’s Temple Stone and Lia Markey, Princeton University Art Museum the Apotheosis of Aztec Imperial History William Barnes, University of St. Thomas Prints and Precious Plates Madeleine Viljoen, La Salle University Art Museum The Later Lives of Two Aztec Sacrifi cial Stones Emily Umberger, Arizona State University Print, Interrupted: Tracing Rembrandt’s Etched Sketches Amy Frederick, University of Louisville

From Copper to Satin: Engraved Portraits Printed on Silk in Seventeenth-Century France and Their Preservation Audrey Adamczak, University of Paris-Sorbonne

CAA2010 FEBRUARY 10–13 SATURDAY Examining Physical Evidence for the Medici Print Collection An Audience of One: Assessing the Arts of Privacy Alessandra Baroni, University of Siena Grand CD North, Gold Level, East Tower, Hyatt Regency Chicago Improvising Art History: Three Eighteenth-Century Albums Chair: Anne Leonard, David and Alfred Smart Museum of Art, of Prints University of Chicago Kristel Smentek, Massachusetts Institute of Technology In the Shadow of Biedermeier: Max Klinger and the Exposure of Privacy Marsha Morton, Pratt Institute Ananda Coomaraswamy’s Legacy and Infl uence on Twentieth-Century Art, Part I Anna Mary Howitt and the Paradoxes of Privacy Columbus AB, Gold Level, East Tower, Hyatt Regency Chicago Rachel Oberter, Haverford College Chairs: Lise Kjaer, City College, City University of New York; Harmony, Musicality, and Atmosphere in Edouard Vuillard’s William Wroth, independent scholar, Santa Fe Early Decorative Ensembles A “New Order of Things”: Ananda Coomaraswamy, the India Merel van Tilburg, Université de Genève Society, and the Networks Colonial Modernity in Britain, The Luxurious Demise of the Tortoise: A Decadent Art Experiment ca. 1910–14 Colin Nelson-Dusek, National Gallery of Art Sarah V. Turner, University of York Discussant: Peter Parshall, National Gallery of Art Modernist Affi nities Allan Antliff, University of Victoria Fifty Years after Berenson: His Legacy and Phenomenon Circles of Infl uence: Ananda Coomaraswamy and the Columbus KL, Gold Level, East Tower, Hyatt Regency Chicago Stieglitz Circle Chair: Thomas Martin, Bard High School Early College Katherine Hoffman, St. Anselm College Berenson and Lorenzo Lotto Georgia O’Keeffe and Coomaraswamy’s The Door in the Sky: Andrea J. Bayer, Metropolitan Museum of Art Painting Passages beyond Western Horizons Deborah Jenner, École du Louvre Marketing Madonnas: The Berensons and the Promotion of Italian Renaissance Art in America Ananda Coomaraswamy, Alice Boner, and the Symbolic Dimension Tiffany Johnston, independent scholar of Indian Art Johannes Beltz, Museum Rietberg A New Quattrocento: Bernard Berenson and the Study of Islamic Art Discussant: Parul Dave Mukherji, Jawaharlal Nehru University Nadia Marx, Harvard University Berenson, Vasari, Verona, and Venice Autofi ctions, Avatars, and Alter Egos: Fabricating Artists, Diana Gisolfi , Pratt Institute Part II Buckingham, West Tower, Bronze Level, Hyatt Regency Chicago Berenson’s Michelangelo Chair: Monica Kjellman-Chapin, Emporia State University Carmen C. Bambach, Metropolitan Museum of Art White Masculine Fin-de-Siècle Hysteria in Daniel Paul Schreber’s Memoirs and the Art of Matthew Barney Sounding American Art: Patterns and Possibilities Dinah Holtzman, University of Rochester Columbus EF, Gold Level, East Tower, Hyatt Regency Chicago Chairs: Leo G. Mazow, Palmer Museum of Art, Pennsylvania State Alter Ego as Consumer, Theorist, and Producer: Cultural Studies University; Asma Naeem, University of Maryland as Art Production Cindy Smith, independent artist and scholar, Brooklyn Ear-y: Sound and Burying Ground Meditation in Early New England Making History Jason LaFountain, Harvard University Darryl Lauster, University of Texas at Arlington Going the Distance: Spatial Conceptualizations of Sound in Social Proxies and Real-World Avatars: Impersonation as a Mode Winslow Homer of Capitalist Production Asma Naeem, University of Maryland Antoinette LaFarge, University of California, Irvine Arthur Dove and Sonic Translation Discussant: Beauvais Lyons, University of Tennessee, Knoxville Rachael Ziady DeLue, Princeton University Lorentz’s Soundscapes: Vision and Aurality in New Deal Documentary Jason Weems, University of California, Riverside Basquiat, Bebop, and Patterns of Improvisation Jordana Moore Saggese, California College of the Arts

CAA2010 FEBRUARY 10–13 Saturday, February 13 The Age of Enlargement 9:30 AM–12:00 PM Regency C, Gold Level, West Tower, Hyatt Regency Chicago Chair: Leah Modigliani, Stony Brook University, State University of New York Art History Open Session East Asian Art From “Mr. Big of SoHo” to “The Man Who Bought Marfa”: Regency B, Gold Level, West Tower, Hyatt Regency Chicago Donald Judd and the Lateral Amplifi cation of Sculpture Chair: Amy McNair, University of Kansas Wouter Davidts, VU University Amsterdam Politic Piety: Confucianism, Conservatism, and the Social Art Trash as Livelihood: The Chiffonnier(e) in Nineteenth- of Wang Yiting Century Paris Walter Davis, University of Alberta Amy Brandt, Graduate Center, City University of New York Metamorphosis of a Bird-and-Flower Painting: Bird and Peach The Politics of Hope: Contemporary American Indian Art Blossoms as a Memorial Portrait Dana Claxton, Simon Fraser University Ai-lian Liu, University of Kansas The Value of Photography: Albert Renger-Patzsch’s The World is Navigating the Waters, Picturing the Landmarks: Both Banks of Beautiful and the Crisis of Photo-Infl ation in the Weimar Republic the Yodo River as Map Pepper Stetler, University of Vermont Pauline Ayumi Ota, DePauw University The Fatness of the Earth Collected Images from the Dianshi Studio (Shanghai, 1885): Laurie Palmer, School of the Art Institute of Chicago Book, Artists, Audience Roberta Wue, University of California, Irvine Comics in Art History, Part I The Elusive Crane: Metaphor and Memory in a Tombstone from Grand CD South, Gold Level, East Tower, Hyatt Regency Chicago Sixth-Century China Chairs: A ndrei Molotiu, Indiana University, Bloomington; Lei Xue, College of William and Mary Patricia Mainardi, Graduate Center, City University of New York Immortalizing an Empress in Ming China Dick Racy and Nance: The Comic Collages of Jess Yu Ping Luk, St. Catherine’s College, University of Oxford James Boaden, University of York Kirby after Lichtenstein Andrei Molotiu, Indiana University, Bloomington Discipline on the Edge: Michael Camille and the Shifting Contours of Art History, 1985–2010 Comic Conceptualism and Critical Comedians: Two Sides of a Regency A, Gold Level, West Tower, Hyatt Regency Chicago Wooden Nickel Chairs: Mitchell Merback, Johns Hopkins University; Benjamin John P. Hogan, independent artist, Los Angeles Withers, University of Kentucky Reading Seth through Appropriation Theory The Laocoon Group: Refl ections on Michael Camille and L’École Simon Grennan, University of the Arts London Chicago in the 1980s Posthysterical: The Study of Comics Advances a Plurogenic W. J. T. Mitchell, University of Chicago View of Art History Sex and Sensibility: The Other Middle Ages of Michael Camille Mark Staff Brandl, University of Zurich Robert S. Nelson, Yale University

Of Camille, Chameleons, and Chimeras: The Shifting Politics of Art History Open Session Medieval Studies in the 1980s and Beyond African American Art Madeline H. Caviness, Tufts University Grand B, Gold Level, East Tower, Hyatt Regency Chicago Discussant: Whitney Davis, University of California, Berkeley Chair: Kymberly N. Pinder, School of the Art Institute of Chicago Surveillance of Whiteness: Another Look at Jules Lion and

Joshua Johnston Sara Mandel, Indiana University Figures in the Landscape: Kerry James Marshall’s Founding Fathers at the San Francisco Museum of Modern Art John Zarobell, San Francisco Museum of Modern Art Lyle Ashton Harris’s Toussaint L’Ouverture: Haiti as Masquerade Lindsay Twa, Augustana College Turning Signs: Black Feminist Theory through the Art of Barbara Jones-Hogu Richard Allen May III, independent scholar, Rialto, California

CAA2010 FEBRUARY 10–13 SATURDAY Studio Art Open Session Saturday, February 13 Fashion, Art, and Architecture 12:30 PM–2:00 PM Regency D, Gold Level, West Tower, Hyatt Regency Chicago Chair: Arti Sandhu, Columbia College Chicago CAA Committee on Diversity Practices Archigram: Tailoring the Future Institutionalizing Diversity Valerie Rangel, Dominican University and International Academy Grand A, Gold Level, East Tower, Hyatt Regency Chicago of Design and Technology Chair: Renee Ater, University of Maryland The Comme des Garçons Retail Revolution Collaborative Practices in Diversity: Utilizing Visual Art Emily M. Orr, Yale University Art Gallery and Film to Synergize Multiple Disciplines Persuasive Textiles Peggy Jones, University of Nebraska, Omaha Barbara Layne, Studio subTela The Conney Project on Jewish Arts at the University of Wisconsin Sensing the Fashion Exhibition: Viktor and Rolf, a Case Study Douglas Rosenberg, University of Wisconsin, Madison Mara Gladstone, University of Rochester and J. Paul Getty Museum Walking the Talk of Diversity through Studio-Art Practice Barbara Nesin, Art Institute of Atlanta

Saturday, February 13 10:00 AM–11:30 AM Arts Spaces Archives Projects Alternative Publishing and Distribution Models as Art and ARTspace Curatorial Practice Artist Residency Session Columbus AB, Gold Level, East Tower, Hyatt Regency Chicago Chair: Ann Butler, Bard College and Arts Spaces Archives Project Be Our Guest: Finding Time and Space to Create Columbus GHIJ, Gold Level, East Tower, Hyatt Regency Chicago Anthony Elms, White Walls and Gallery 400 Chairs: Virginia Taylor Derryberry, University of North Carolina, James Hoff Asheville; Caitlin Strokosch, Alliance of Artists Communities Ulrike Mueller, LTTR and independent artist, New York Caitlin Strokosch, Alliance of Artists Communities Discussant: Ann Butler, Bard College and Arts Spaces Hunter O’Hanian, Anderson Ranch Arts Center and Massachusetts Archives Projects College of Art and Design Brad Kik, Institute for Sustainable Living, Art, and Natural Design CAA Museum Committee Cecil McDonald, Prairie Center of the Arts The Work of Art in the Age of Economic Meltdown Sarah Workneh, Ox-Bow Grand B, Gold Level, East Tower, Hyatt Regency Chicago Chairs: Jay A. Clarke, Sterling and Francine Clark Art Institute; Shannon Stratton, threewalls Alan Wallach, College of William and Mary

Jay M. Fisher, Baltimore Museum of Art Saturday, February 13 Andrew McClellan, Tufts University 12:00 PM–1:30 PM Karol Ann Lawson, Sweet Briar College

ARTspace CAA Services to Artists Committee Historians of British Art Meta-Mentors: Show Me the Money Aesthetic Culture in British India: The Amateur Arts of Brush, Columbus GHIJ, Gold Level, East Tower, Hyatt Regency Chicago Pencil, and Camera in the Colonial Periphery Chairs: Reni Gower, Virginia Commonwealth University; Melissa Gold Coast, Bronze Level, West Tower, Hyatt Regency Chicago Potter, Columbia College Chicago Chair: Renate Dohmen, University of Louisiana, Lafayette Tax and Accounting Needs for Artists Bringing India to the British: The Making and Marketing of British Julie Herwitt, CPA India, 1770–1800 Meredith Gamer, Yale University Grant-Writing Tips Melissa Potter, Columbia College Chicago Sketchbooks and Scrapbooks: Aesthetic Collecting Practices in British India, 1770–1840 Grants for Individuals in the Arts, Chicago Beth Tobin, Arizona State University Esther Grimm, 3Arts Samuel Bourne and the Amateur Divide in Photography The Art of Promotion under the Raj Mari Hulick, Cleveland Institute of Art Gary Sampson, Cleveland Institute of Art The Artist’s Guide to Public Art Lynn Basa, independent artist, Chicago

CAA2010 FEBRUARY 10–13 Saturday, February 13 CAA Student and Emerging Professionals Committee 12:30 PM–2:00 PM How Technology is Changing the Teaching of Art and Art History Buckingham, Bronze Level, West Tower, Hyatt Regency Chicago Midwest Art History Society Chairs: Randall Griffi n, Southern Methodist University; Jennifer L. New Acquisitions in Midwestern Museums Stoneking-Steward, Belmont University Columbus CD, Gold Level, East Tower, Hyatt Regency Chicago Chair: Leesa Fanning, Nelson-Atkins Museum of Art Catherine Zurybida, DePaul University Jaume Plensa and Michele Oka Doner: Conquering Sites, James Sullivan, Southern Methodist University Fulfi lling Mission Sara Lasser, American Folk Art Museum Joseph Antenucci Becherer, Frederik Meijer Gardens and Sculpture Park and Aquinas College Shaurya Kumar, Bowling Green State University Collecting Contemporary at the Art Institute of Chicago Lisa Dorin, Art Institute of Chicago Leonardo/International Society for the Arts, Sciences, Centering Art in the Liberal Arts: Constructing and Integrating a and Technology Relevant Art-History Collection Migratory Structures: Scientifi c Imagery and Contemporary Catherine Carter Goebel, Augustana College Art Practice This Just In: Josiah McElheny, Chromatic Modernism Regency A, Gold Level, West Tower, Hyatt Regency Chicago (Yellow, Blue, Red) Chair: Paul Hertz, independent artist and curator, Chicago Mary E. Murray, Munson-Williams-Proctor Arts Institute RE:presentation Happy (Museum) Anniversary! An Opportunity for Gifting Marlena Novak, Northwestern University; Jay Alan Yim, Jan Schall, Nelson-Atkins Museum of Art Northwestern University Algorithmic Practices at the Intersection of Art and Science Jean-Pierre Hébert, University of California, Santa Barbara CAA International Committee Exploring New Horizons: What Researching, Studying, and Better than Drugs: VR, Meditation, and Pain Working Abroad Can Bring to Us Diane Gromala, Simon Fraser University Grand CD North, Gold Level, East Tower, Hyatt Regency Chicago Visualization and the Art of Metaphoric Mapping Chairs: Sue Gollifer, University of Brighton; Veerle Thielemans, Jack Ox, University of New Mexico, Albuquerque Terra Foundation for American Art Europe Discussant: Hannah Higgins, University of Illinois, Chicago Jennifer Milam, University of Sydney

Society of Contemporary Art Historians Exhibitor Session Contemporary Art History in 2020 Printed Digital Media and Imagery Regency B, Gold Level, West Tower, Hyatt Regency Chicago Water Tower, Bronze Level, West Tower, Hyatt Regency Chicago Chairs: Matthew Jesse Jackson, University of Chicago; Andrew Chair: Mark Gottsegen, Intermuseum Conservation Association Perchuk, Getty Research Institute Beth Bergman, Wet Paint Hannah Feldman, Northwestern University Ed Brickler, Canson. Amelia Jones, McGill University Mark Golden, Golden Artist Colors Carrie Lambert-Beatty, Harvard University Richard Frumess, R&F Handmade Paints Robert Storr, Yale University George O’Hanlan, Natural Pigments Michael Skalka CAA Publications Committee Celebrating the Art Bulletin Grand EF, Gold Level, East Tower, Hyatt Regency Chicago Chair: Natalie Kampen, Columbia University Steven Nelson, University of California, Los Angeles Zainab Bahrani, Columbia University Yukio Lippit, Harvard University Cammy Brothers, University of Virginia Discussant: Michael Ann Holly, Sterling and Francine Clark Art Institute

CAA2010 FEBRUARY 10–13 SATURDAY American Society for Eighteenth-Century Studies Association for Textual Scholarship in Art History Art Scandals and Scandalous Art in the Eighteenth Century Business Meeting Regency C, Gold Level, West Tower, Hyatt Regency Chicago Columbian, West Tower, Bronze Level, Hyatt Regency Chicago Chairs: Mark Ledbury, Sterling and Francine Clark Art Institute; Angela Rosenthal, Dartmouth College Historians of Islamic Art Association Quoi! c’est moi là?: Wertmüller’s Portrait of Marie-Antoinette Business Meeting and Her Children 157 Cochrane Woods Art Center, 5540 South Greenwood Avenue, Melissa Hyde, University of Florida University of Chicago Immediately following the Majlis. Spreading Scandal: The Defamation of Women Artists in Pre-Revolutionary France Bernadette Fort, Northwestern University Sex, Lies, and Caricature: Scandalizing Lafayette in the Saturday, February 13 French Revolution 2:00 PM–3:30 PM Laura Auricchio, Parsons the New School for Design ARTspace CAA Services to Artists Committee Southern Graphics Council Meta-Mentors: DIY Printmaking and the Mundane Columbus GHIJ, Gold Level, East Tower, Hyatt Regency Chicago Columbus EF, Gold Level, East Tower, Hyatt Regency Chicago Chairs: Melissa Potter, Columbia College Chicago; Reni Gower, Chair: Janet Marcavage, Southern Graphics Council Virginia Commonwealth University Making Prints about Prints Mess Hall: An Experimental Cultural Center Joseph A. Lupo, West Virginia University Dan Wang, Mess Hall Repetitive Nature/Transcending the Mundane Industry of the Ordinary: Moving beyond the Quotidian Tonia Bonnell, independent artist, Denver Adam Brooks, Industry of the Ordinary Dark Woods, Light Woods, Dark Woods: Autism and the Archive of JEMA: A Location Variable Museum the Everyday Sean Miller, John Erickson Museum of Art Leona Christie, University at Albany, State University of New York Temporary Services: Noncompetitive Art Practices Marc Fischer, Temporary Services Visual Culture Caucus Bertran Projects Food Aesthetics Britton Bertran, independent curator and writer, Chicago Columbus KL, Gold Level, East Tower, Hyatt Regency Chicago Chair: Alison Pearlman, California State Polytechnic University

The Iconography of Kitchen Wallpaper Gwendolyn Owens, McGill University and the Canadian Centre for Saturday, February 13 Architecture 2:30 PM–5:00 PM Outside the Plate: Food as Medium Yael Raviv, New York University and Umami: Food and (Mis)Remembering the Sixties Regency B, Gold Level, West Tower, Hyatt Regency Chicago Art Festival Chairs: Jo Applin, University of York; Anna Lovatt, University Bento Blogs: Women’s Expression in Japanese Food Culture of Nottingham Klara B. Seddon, Institute of Cultural Research, New York As a Glass Eye: Vija Celmins, Trompe l’Oeil, and Other Anomalies Mapping the Kitchen: Constraints and Opportunities in Briony Fer, University College London Food Design For an Uncool Sixties Erin S. White, North Carolina State University Robert Slifkin, Reed College The Paradox of Time: Nouveau Réalisme and the “Archaeology Northern California Art Historians of the Present” ECOART: The Ethics and Aesthetics of Sustainability Jill Carrick, Carleton University Grand CD South, Gold Level, East Tower, Hyatt Regency Chicago Chair: Anthony Raynsford, San Jose State University Reremembering Documenta 5, 1972 David Platzker, Specifi c Object Governing Geometries: Buckminster Fuller’s Sumptuary Aesthetic Jonathan Massey, Syracuse University Nostalgia and Memory: Kerry James Marshall’s Mementos James Meyer, Emory University The Solar House in the 1950s: Aesthetics Politics and Research in Architecture Daniel Barber, Oberlin College Andy Goldsworthy: An Aesthetics of Sustainability Stuart Kendall

CAA2010 FEBRUARY 10–13 Saturday, February 13 Food as Art as Sustainability Activism: The Politics of Agriculture and Food Systems in Twenty-First-Century Art Practices 2:30 PM–5:00 PM Liena Vayzman, independent artist and curator, Oakland Pictures That Pack a Punch: Violence in American Art, Recording Change: Youth Dialogues on Progressive Efforts 1780–1917 in Chicago Regency D, Gold Level, West Tower, Hyatt Regency Chicago Jim Duignan, DePaul University Chairs: Ross Barrett, University of North Carolina, Chapel Hill; Creative Fix: Looking to Artists for Change Kevin R. Muller, Chabot College Sheryl Oring, University of California, San Diego The Space of Iconoclasm: New York, 1776 Wendy Bellion, University of Delaware Dressing the Part: Textiles as Propaganda in the Middle Managing Death in Antebellum Representations of the Hunt Ages, Part II Kenneth Haltman, University of Oklahoma Buckingham, West Tower, Bronze Level, Hyatt Regency Chicago Wounded Trees: The Traumatic Landscape of Civil Chairs: Margaret Goehring, New Mexico State University; War Photography Kate Dimitrova, Wells College Maura Lyons, Drake University Liturgical Textiles as Papal Donations in Late Medieval Italy George Bellows and the Great War Christiane Elster, University of Cologne Carol Troyen, Museum of Fine Arts, Boston Stephan the Great as Patron and Propagandist: Post-Byzantine Females under Fire: Depictions of Women and Violence in Francis Liturgical Textiles as Sites for the Display of Byzantine Identity Picabia’s Violà elle and Other New York Work and Imperial Authority Hannah Wong, University of Texas at Austin Henry Schilb, independent scholar, Bloomington, Indiana Textile Wealth in an Eleventh-Century Armenian Miniature:

Dynastic Succession and Affl uence in a Royal Portrait The Political Landscapes of Capitals Hazel Antaramian-Hofman, California State University, Fresno Columbus KL, Gold Level, East Tower, Hyatt Regency Chicago Chairs: Jessica Joyce Christie, East Carolina University; Jelena “So lyvely in cullers and gilting”: Decorative Vestments on Bogdanovic, East Carolina University Medieval Episcopal Effi gies Catherine Walden, University of Virginia The Relational Geopolitical Landscape of Constantinople, the Capital of the Byzantine Empire Weaving Legitimacy: The Jouvenel des Ursins Family and Jelena Bogdanovic, East Carolina University Constructing Nobility in Fifteenth-Century France Jennifer E. Naumann, Florida State University Benito Mussolini’s “Third Rome”: Between Tradition and Modernity Michelangelo Sabatino, University of Houston Ananda Coomaraswamy’s Legacy and Infl uence on Landscape, Landmark, Object, Image: The Political Landscape Twentieth-Century Art, Part II of American-Occupied Manila Grand EF, Gold Level, East Tower, Hyatt Regency Chicago JoAnne Mancini, National University of Ireland Maynooth Chairs: Lise Kjaer, City College, City University of New York; William Wroth, independent scholar, Santa Fe Along the Chaophraya River: The Birth of Bangkok as a Modern Capital City How Ananda Coomaraswamy Made Modernist Photography a Melody Rod-ari, University of California, Los Angeles Spiritual Art Lauren Kroiz, Illinois at the Phillips and University of Akhenaton’s Amarna in New Kingdom Egypt: Relations of Wisconsin, Madison Landscape and Ideology Jessica Christie, East Carolina University The Universal and the Unequal: Coomaraswamy, Eliade, and the Colonial Project Madhuri Desai, Pennsylvania State University Artist Citizen: Catalysts, Collectives, and Utopias Transforming Meaning through Art: Coomaraswamy Grand B, Gold Level, East Tower, Hyatt Regency Chicago and Collecting Chairs: Joan M. Giroux, Columbia College Chicago; Amy M. Brinda Kumar, Cornell University Mooney, Columbia College Chicago Ananda Coomaraswamy and Southeast Asia Transitory Utopian Potential: Spontaneous Models for Creative Cecelia Levin, Harvard University Critical Communities Gillian Whiteley, Loughborough University Discussant: Parul Dave Mukherji, Jawaharlal Nehru University

Cause Collective: Creating a Dynamic Conversation between Issues, Sites, and the Public Audience Jessica Ingram, California College of the Arts; Ryan Alexiev, Cause Collective

CAA2010 FEBRUARY 10–13 SATURDAY Comics in Art History, Part II Remix: Indigenous Visual Culture in Narratives of the New Grand CD South, Gold Level, East Tower, Hyatt Regency Chicago North America Chairs: Patricia Mainardi, Graduate Center, City University of New Sarah E. K. Smith, Queen’s University York; Andrei Molotiu, Indiana University, Bloomington Images of a “Miraculous Metamorphosis”: The Tanka Fishermen Speaking in Emanata: Navigating the Conceptual Gulf between of Hong Kong Comics and Narrative Art Emily Stokes-Rees, independent scholar, Brookline, Massachusetts Robert S. Petersen, Eastern Illinois University

Comics in 3-D from the Medieval Islamic World Looking to the Future: Antiquities and the Art Museum Marianna Shreve Simpson, independent scholar, Baltimore Grand A, Gold Level, East Tower, Hyatt Regency Chicago From Popular Prints to Comics Chair: Jenifer Neils, Case Western Reserve University and Johns Patricia Mainardi, Graduate Center, City University of New York Hopkins University The Marriage of Anxiety and Humor in Winsor McCay’s Dream of Is the Market in Antiquities Evolving toward Greater Care? the Rarebit Fiend Changing Museum Standards and Their Legal Background Katherine Roeder, University of Delaware Patty Gerstenblith, DePaul University How to Look: Ad Reinhardt, PM, and the “Art-Politics Syndrome’” “Due Diligence”: Rationalizing Acquisition in the Karen Leader, Florida Atlantic University “Universal Museum” Irene Winter, Harvard University

The Shape of Things to Come: Developing Collections of Antiqui- American Art from the Outside ties and Archaeological Materials in the Twenty-First Century Columbus AB, Gold Level, East Tower, Hyatt Regency Chicago Timothy Rub, Philadelphia Museum of Art Chairs: Pamela Jean Meecham, Institute of Education, University of London; Julie Lynne Sheldon, Liverpool John Moores University The Future for Antiquities at the J. Paul Getty Museum Karol Wight, J. Paul Getty Museum Of Contemporary Nomads and Their America: William Kentridge and Marlene Dumas Acropolis in Motion: Refl ections on the New Acropolis Museum in Elena Stylianou Athens and Its Predecessors Christina Papadimitriou, Princeton University Eliza Spalding’s Ladder to Heaven: A Medievalist’s Perspective on the Visual Culture of Early Nineteenth-Century American Missionaries Intention and Interpretation, Part II Anne McClanan, Portland State University Water Tower, Bronze Level, West Tower, Hyatt Regency Chicago The American Register: Images of the Paris/American Art World in Chairs: Charles Palermo, College of William and Mary; the Last Third of the Nineteenth Century Todd Cronan, Virginia Commonwealth University Madeleine Fidell Beaufort Intentionality and Art-Historical Methodology: A Case Study Step Right Up! Freaks and the Performance of Difference in 1930s Thierry de Duve, École des Beaux-Arts America and Beyond The Case for Inferred Intention Andrea Kann, Coe College Claude Cernuschi, Boston College Holger Cahill’s Exhibitions of American Art at the Newark The Angel of Art History Museum, 1924–30 David McNeill, University of New South Wales Jillian Russo, City University of New York Best Intentions Max Imdahl: The Reception of Postwar American Art in Bochum Michael Garral, Baruch College, City University of New York Timothy Grundy, University of Basel The Intentionality of a Vow: Inscriptions in the Ukyamuni Triad, Golden Hall, Hôryûji Historicizing Globalization: Studying the Visual in the Akiko Walley, University of Oregon Age of Three Worlds Columbus CD, Gold Level, East Tower, Hyatt Regency Chicago Chairs: Erin Morton, University of New Brunswick; Kirsty Robert- son, University of Western Ontario Creativity, Left and Right Imre Szeman, University of Alberta The Art of War: Visualizing Afghanistan within Canadian and Australian Confl ict History Susan Cahill, Queen’s University

CAA2010 FEBRUARY 10–13 Saturday, February 13 Strangers in Paradise: Immigrant Artistic Communities in 2:30 PM–5:00 PM Modern Paris Grand CD North, Gold Level, East Tower, Hyatt Regency Chicago Chairs: Susan Waller, University of Missouri, St. Louis; Karen L. Can Description Help Images Speak? Carter, independent scholar, Dunkirk, New York Regency C, Gold Level, West Tower, Hyatt Regency Chicago Chairs: Glenn A. Peers, University of Texas at Austin; Laura Negotiating Paris: The Role of American Art Clubs in Late Weigert, Rutgers University Nineteenth-Century France Emily Burns, Washington University in St. Louis The Inexpressible Vernon Hyde Minor, University of Illinois, Urbana-Champaign Catalan Artists in Paris, 1890–1914 Laura Karp Lugo, Sorbonne University (Paris I) and the National A Description of Description: Looking at Images in Hysminias Institute of Art History of France and Hysmine Paroma Chatterjee, University of North Carolina, Chapel Hill A Transnational Bohemia in Paris: Integrating the Italian Artist, 1906–14 The Limits of Words: Description and Art Criticism in the 1960s Zoë Marie Jones, Duke University Kerr Houston, Maryland Institute College of Art Discussant: Jay A. Clarke, Sterling and Francine Clark Art Institute Framing Painting: Some Instances of Visual/Verbal Relations in Sixteenth- and Seventeenth-Century Art and Theory Paul Duro, University of Rochester Visual Cultures of Contagion, Hygiene, and Convalescence, Discussant: Richard Shiff, University of Texas at Austin ca. 1870–1940 Columbus EF, Gold Level, East Tower, Hyatt Regency Chicago Chairs: Tania Anne Woloshyn, Richmond University; Consuming the Renaissance in Popular Culture Anthea Callen, University of Nottingham Gold Coast, Bronze Level, West Tower, Hyatt Regency Chicago Friction and Contradiction in Edgar Degas’s Le Pédicure Chair: Lisa M. Rafanelli, Manhattanville College Marni Kessler, University of Kansas The Contrada and the Condo: The Siena of Montclair The Pasted Paper Devolution: Health and Degeneration, Laura Morowitz, Wagner College Hygiene, and Contamination in the Cubist Papier-Collés Reenacting the Renaissance: A Consideration of Reenactment Fae Brauer, University of East London and University of New Material Culture and the Consumption of Renaissance South Wales Objects and Design The Aura of the Asylum: The Photographs of the Maya Rae Oppenheimer, Royal College of Art and Victoria Holloway Sanatorium and Albert Museum Susan Sidlauskas, Rutgers University Art and Advertising: The Case of Botticelli’s Venus Of Sweatshops and Sequins: Fashion Victims in Gilded Age Alessandra Cardarelli, Queen’s University New York Alison Matthews David, Ryerson University Art and Sound in the Premodern Era Make Your Health Points: FAP Posters and Public Regency A, Gold Level, West Tower, Hyatt Regency Chicago Health Education Chairs: Diane J. Reilly, Indiana University, Bloomington; Cory Pillen, University of Wisconsin, Madison Sheri F. Shaneyfelt, Vanderbilt University In choro sed non in tympano: Music-Making and Its Representations in the Premodern Church Eric Rice, University of Connecticut An Enduring Resonance: Sound in Chinese Painting Theresa McNichol, Mercer County Community College A Multisensorial Message of the Divine and the Personal: Qur’anic Inscriptions and Recitation in Sixteenth-Century Ottoman Mosques Nina Ergin, Koç University Discussant: Adam Herring, Southern Methodist University

CAA2010 FEBRUARY 10–13