Architecture & Landscape Architecture, Art, Design, History of Art & Music
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THE UNIVERSITY of EDINBURGH
UGP COVER 2012 22/3/11 14:01 Page 2 THE UNIVERSITY of EDINBURGH Undergraduate Prospectus Undergraduate 2012 Entry 2012 THE UNIVERSITY of EDINBURGH Undergraduate Prospectus 2012 Entry www.ed.ac.uk EDINB E56 UGP COVER 2012 22/3/11 14:01 Page 3 UGP 2012 FRONT 22/3/11 14:03 Page 1 UGP 2012 FRONT 22/3/11 14:03 Page 2 THE UNIVERSITY of EDINBURGH Welcome to the University of Edinburgh We’ve been influencing the world since 1583. We can help influence your future. Follow us on www.twitter.com/UniofEdinburgh or watch us on www.youtube.com/user/EdinburghUniversity UGP 2012 FRONT 22/3/11 14:03 Page 3 The University of Edinburgh Undergraduate Prospectus 2012 Entry Welcome www.ed.ac.uk 3 Welcome Welcome Contents Contents Why choose the University of Edinburgh?..... 4 Humanities & Our story.....................................................................5 An education for life....................................................6 Social Science Edinburgh College of Art.............................................8 pages 36–127 Learning resources...................................................... 9 Supporting you..........................................................10 Social life...................................................................12 Medicine & A city for adventure.................................................. 14 Veterinary Medicine Active life.................................................................. 16 Accommodation....................................................... 20 pages 128–143 Visiting the University............................................... -
The 'When, How and What' of Text Based Wayfinding Instructions For
The ‘when, how and what’ of Text Based Wayfinding Instructions for Urban Pedestrians William Mackaness1, Phil Bartie2, Candela Sanchez-Rodilla Espeso1 1School of GeoSciences, The University of Edinburgh, Drummond St, Edinburgh EH8 9XP 2School of Natural Sciences, Stirling University, Stirling FK9 4LA [email protected] Keywords: built environment, pedestrian wayfinding, landmark saliency, LBS 1.0 A Context – urban pedestrian wayfinding The smartphone has become a conduit by which we access many different services (Raper et al. 2007; Kray et al 2005) in many different ways (Shneiderman 2004). Increasingly wayfinding in urban environments is supported by smartphone technology using maps and images; these demand our full attention (Gluck 1991; May et al. 2003). But our ambition is technology that is concealed (Weiser and Brown 1998), delivering only spoken instructions (Bartie and Mackaness 2006; Mackaness et al. 2013), thus leaving the pedestrian ‘eyes free’ and ‘hands free’ to enjoy the city. As a precursor to their spoken delivery, we report on the evaluation of a text based system in which subjects were directed by a series of landmark based instructions or street based instructions that were geo-located. Section 2.0 describes the underlying model, Section 3.0 the experiment and subsequent feedback and analysis gained through: trajectory analysis, questionnaires and a focus group. 2.0 A City Model to support Landmark modelling and instruction construction A map is data rich (hence requiring a lot of cognitive effort), whilst a dialogue based system needs to be efficient, and minimalist (we don’t want to bore the pedestrian to death), yet sufficiently robust that the user does not get lost. -
29 July–29 August 2021 Edinburghartfestival.Com #Edartf
Platform: 2021 Art Across the Capital Commissions Programme Art is Back Explore Platform: 2021, our exhibition for early As galleries reopen after many months of closure, Our 2021 programme features new commissions We are so delighted to return this year, to work career artists, with new work from Jessica Higgins, this year, more than any, we are proud to cast a and UK premieres by leading international artists, with partners across the city, to showcase the work Danny Pagarani, Kirsty Russell and Isabella Widger spotlight on the uniquely ambitious, inventive and including new work by Sean Lynch co-commissioned of artists from Scotland, the UK and around the world. presented at our festival home in the Institut français thoughtful programming produced each year by with Edinburgh Sculpture Workshop and by Emeka Some exhibitions are newly made in response to the d’Ecosse. While visiting you can also browse festival Edinburgh’s visual art community. Ogboh with Talbot Rice Gallery; alongside the UK seismic shifts of the past year; others have been many merchandise and find out more about the exhibitions premiere of Isaac Julien’s Lessons of the Hour, presented years in the planning; but all are the unique, authentic, and events taking place across the city at our With over 20 partner galleries across the capital, in partnership with National Galleries of Scotland. and thoughtful products of our city’s extraordinarily Festival Kiosk. we encourage you to explore the programme and We are also proud to collaborate with Associate Artist, rich visual art scene. support the incredible visual art organisations that Tako Taal, on her programme What happens to desire… Festival Kiosk the city has to offer. -
Annual Review 2017–18 National Galleries of Scotland Annual Review
Annual Review 2017–18 national galleries of scotland annual review annual of scotland galleries national 2017–18 www.nationalgalleries.org froNt cover reverse Back cover reverse Facts and Figures visitor nuMBers NatioNal Galleries of s cotlaNd Board of t rustees Total visitors to National Galleries of 2,533,611 Benny Higgins Chairman Scotland sites in Edinburgh Tricia Bey Alistair Dodds 1,601,433 Scottish National Gallery Edward Green Lesley Knox 562,420 Scottish National Gallery of Modern Art Tari Lang Catherine Muirden Professor Nicholas Pearce Scottish National Portrait Gallery 369,758 Willie Watt Nicky Wilson virtual v isitors seNior MaNaGeMeN t t eaM www.nationalgalleries.org website visits 1,989,101 Sir John Leighton Director-General educational v isits Chris Breward 33,210 Total number of participants from schools, Director of Collection and Research higher and further education Nicola Catterall Chief Operating Officer 19,479 Total number of adult participants at talks, Jo Coomber lectures and practical workshops Director of Public Engagement Jacqueline Ridge 4,333 Total number of community and Director of Conservation and Collections Management outreach participants Elaine Anderson 6,919 Total number of families with children at Head of Planning and Performance drop-in events fiNaNce friends Full Annual Accounts for 2017–18 are available on the National Galleries of Scotland website: 13,188 Friends at 31 March 2018 www.nationalgalleries.org volunteers froNt cover The Road Through the Rocks, Total number of volunteers Detail from Scottish National Gallery Scottish National Portrait Gallery Scottish National Gallery 166 Port-Vendres, 1926–27 by Charles of Modern Art One Rennie Mackintosh The Scottish National Gallery comprises The Scottish National Portrait Gallery is Back cover three linked buildings at the foot of the about the people of Scotland – past and Home to Scotland’s outstanding national The Road Through the Rocks, Port-Vendres, Mound in Edinburgh. -
Your Guide to Heriot-Watt University's Heritage
TWO CENTURIES OF LEARNING YOUR GUIDE TO HERIOT-WAtt UNIVERSIty’S HERITAGE CONTENTS A TRULY SCOttISH UNIVERSIty INTRODUCTION 1 WIth GLOBAL REACH 27 THE EDINBURGH SCHOOL OF ARTS: SCIENCE AND ENGINEERING 29 thE FIRST MECHANICS INSTITUTE 3 LIFE SCIENCES 31 A REVOLUTION IN EDUCATION 5 BUSINESS, MANAGEMENT EARLY DAYs – thE WAtt CONNECTION 7 AND LANGUAGES 33 THE PEOPLE’S COLLEGE 9 COMPUTING, MAthEMATICS AND thE BUILT ENVIRONMENT 35 NEW HOME, NEW NAME – THE HERIOT CONNECTION 11 TEXTILES AND DESIGN 37 ACADEMIC RECOGNITION 13 THE WAtt CLUB 39 AMBITIOUS EXPANSION 15 FIND OUT MORE 40 FROM COLLEGE TO UNIVERSIty 17 A NEW CAMPUS: FOCUSED ON thE FUTURE 19 OUR NAMESAKes – JAMES WAtt AND GEORGE HERIOT 21 HERIOt‑WAtt UNIVERSIty ARMS 23 800 YEARS OF CAMPUS HISTORY: THE HIDDEN HISTORY OF RICCARTON 25 TWO CENTURIES OF LEARNINg – YOUR GUIDE TO HERIOT-WAtt UNIVERSIty’S HERITAGE 1 INTRODUCTION Today, Heriot‑Watt University is a vibrant forward looking University at the forefront of innovation in research and teaching. But if you delve into our history you will discover that our international reputation as one of the leading UK universities for business and industry can be traced back almost 200 years. Our rich and inspiring story begins in 1821 with the World’s first Mechanics Institute, a revolutionary concept in education which gave life changing opportunities for generations of young people. If you would like to find out more about our journey from a room in Edinburgh’s Old Town to Scotland’s most international university, read on to discover how we earned our special place in Edinburgh and Scottish history. -
THE HOME of the ROYAL SOCIETY of EDINBURGH Figures Are Not Available
THE HOME OF THE ROYAL SOCIETY OF EDINBURGH Figures are not available Charles D Waterston The bicentennial history of the Royal Society of Edinburgh1, like previous accounts, was rightly concerned to record the work and achievements of the Society and its Fellows. Although mention is made of the former homes and possessions of the Society, these matters were incidental to the theme of the history which was the advancement of learning and useful knowledge, the chartered objectives of the Society. The subsequent purchases by the Society of its premises at 22–28 George Street, Edinburgh, have revealed a need for some account of these fine buildings and of their contents for the information of Fellows and to enhance the interest of many who will visit them. The furniture so splendidly displayed in 22–24 George Street dates, for the most part, from periods in our history when the Society moved to more spacious premises, or when expansion and refurbishment took place within existing accommodation. In order that these periods of acquisition may be better appreciated it will be helpful to give a brief account of the rooms which it formerly occupied before considering the Society's present home. Having no personal knowledge of furniture, I acknowledge my indebtedness to Mr Ian Gow of the Royal Commission on the Ancient and Historical Monuments of Scotland and Mr David Scarratt, Keeper of Applied Art at the Huntly House Museum of Edinburgh District Council Museum Service for examining the Society's furniture and for allowing me to quote extensively from their expert opinions. -
School of Art
SCHOOL OF ART www.eca.ed.ac.uk Undergraduate degree programme information ART | Architecture & Landscape Architecture | School of Art | School of Design | SCHOOL OF History of Art | Reid School of Music | CORONAVIRUS UPDATE: CONTENTS WELCOME TO THE APRIL 2020 SCHOOL OF ART Welcome to the School of Art 3 Choose to study Art and you will join a stimulating We intend to begin the 2020-21 community of students, artists and theorists. Offering Our degree programmes 4 academic year as usual in September. specialist study in intermedia, painting, photography This brochure reflects these Why choose Edinburgh? 5 and sculpture, you’ll be encouraged to demonstrate intentions. imaginative responses to the world through curiosity Introduction to your degree 6 and exploration. We will let you know of any changes, and confirm start dates in Intermedia BA (Hons) 8 Through successive projects and courses, you will our pre-arrival communications. develop your specialist practice, your professional, Painting BA (Hons) 8 technical and organisational skills, and your Photography BA (Hons) 9 knowledge and application of critical contexts. Sculpture BA (Hons) 9 We encourage you to demonstrate inventive responses to the world through curiosity and Detailed degree content 10 exploration and we prepare you to do this with depth, breadth and ambition. Example year by year degree content 14 Teaching 16 By the time you graduate, you’ll be equipped with the talent, knowledge and expertise to lead, Facilities 18 rather than simply respond to, future innovation in art -
Welcome to Thinking Chile: Sharing Ideas in Edinburgh 2018
Welcome to Thinking Chile: Sharing Ideas in Edinburgh 2018 An event developed in collaboration with ChileGlobal Seminars UK and supported by the Chilean Society of the University of Edinburgh, ChileGlobal, The Anglo Chilean Society, The Embassy of Chile in the UK, and The Institute for Academic Development of the University of Edinburgh. February 2018 Edinburgh, Scotland, UK Thinking Chile: Sharing Ideas in Edinburgh 2018 Welcome! The Chilean Society of The University of Edinburgh and ChileGlobal Seminars UK welcomes student and researchers to the seminar: "Thinking Chile: Sharing ideas in Edinburgh 2018". Thinking Chile: Sharing Ideas in Edinburgh 2018 has the aim to reinforce The University of Edinburgh as a centre of thinking and development, to promote new and innovative knowledge for the development of Chile through a strong networking based on a multidisciplinary perspective. The aim of the seminar is to provide a space for sharing and disseminating ideas grounded on high quality research carried out by Chilean students and researchers in the UK, as well as the creation of links in an environment of companionship and cooperation. Welcome to Thinking Chile: Sharing Ideas in Edinburgh 2018 1 Welcome! 2 Code of Conduct 4 Organizer Committee 5 Keynote Speakers 6 Professor Liz Grant 6 Stacey Hunter, PhD 6 Schedule 7 Thursday 22 February 7 Friday 23 February 7 Speakers 11 Camilo Anabalon 11 Felipe Aguilera Millacura 11 Begoña Arellano Jaimerena 12 Magdalena Cattan Lavin 12 María Contesse 13 Yennifer Cortes 14 Camila Dentone 15 Daniel Díaz Vera 15 Felipe Espic 16 Alejandro Espinosa-Rada 17 Bárbara Fernández Melleda 17 Fabián Fuentes González 18 Richard Guerrero 19 Claudio Molina - Camacho 19 Silvia Ojeda García 20 Luis Paiva 21 Ignacio Pérez 22 Diego Rates 22 Felipe Rivera 23 2 Thinking Chile: Sharing Ideas in Edinburgh 2018 Daniela Rodríguez Gutiérrez 24 Vicente Silva 24 Simón C. -
Summer School of Arts in the University of Edinburgh
USEFUL STAFF AT THE ADDRE SSE S CONFUCI US I NSTI TUTE The Confucius Institute Edinburgh FOR SCOTL A ND for Scotland Information Centre Abden House 3 Princes St Professor Natascha Gentz, Director 1 Marchhall Crescent Edinburgh EH2 2QP Dr Ri Jin, Co-Director Edinburgh EH16 5HP T: 0131 473 3898 Frances Christensen, General Manager T: 0131 662 2180 www.visitscotland.com Jie Chen, Business Development Administrator E: [email protected] Xin Zhang, Administrative Assistant National Museum of Scotland www.confuciusinstitute.ac.uk Chambers St Please let us know if you need any help Edinburgh College of Art Edinburgh EH1 1JF during your time in Scotland. University of Edinburgh www.nms.ac.uk 74 Lauriston Place Scottish National Gallery Edinburgh EH3 9DF The Mound T: 0131 651 5800 Edinburgh EH2 2EL www.ed.ac.uk/eca www.nationalgalleries.org Unite Accommodation Scottish National Gallery Portsburgh Court of Modern Art 56 Lady Lawson Street 75 Belford Road Edinburgh EH3 9DH Edinburgh EH4 3DR T: 0131 656 0798 www.nationalgalleries.org www.unite-students.com/ edinburgh/portsburgh-court Scottish National Portrait Gallery 1 Queen Street Edinburgh EH2 1JD www.nationalgalleries.org SUMMER SCHOOL OF ARTS IN THE UNIVERSITY OF EDINBURGH OUR PARTNE R S Leaflet design by Red Empire Female dancer photo by Graham Wylie Front cover performance artist photo by jan kranendonk / Shutterstock.com Male dancer photo by Ryan Schude Royal Edinburgh Military Tattoo image by domhnall dods / Shutterstock.com Printed in Scotland by CCB on 100% recycled FSC-approved paper. SUMMER OF ARTS PROGRAMME SUNDAY 3 AUGUST TUESDAY 5 AUGUST Arrival from York by coach • 0930-1100 Lecture: Ming - The Golden Empire. -
Edinburgh College of Art Locations
Edinburgh College of Art locations St Andrew Bus Station 1 ECA Main Building 6 Alison House 2 Lauriston Architecture Building 7 Forrest Hill 3 Hunter Building 8 Reid ConcertSt Andrew Hall 4 Evolution House 9 Old CollegeSquare / Registry 5 Minto House & Maltings 10 UoE Main Library Leith Street George Street Waterloo Place Princes Street Waverley Bridge RSA Waverley Station North Bridge Princes Street Gallery estern The Mound to W Hospital General National Gallery Market Street Jeffrey Street Cockburn Street Canongate St John Street St Mary’s Street St Giles’ Holyrood Road Cathedral South Bridge Lawnmarket George IV Bridge Castle The National Cowgate Edinburgh Esplanade t Library of tree Scotland Castle S Holyrood ia r Campus o t Cowgate c errace i V Pleasance Johnstone T Infirmary St 5 R o x b Chambers Street u Grassmarket r King’s Stables Road 9 g h Drummond St S t Greyfriars National Museum Nicolson Street Kirk of Scotland Surgeons’ Pedestrian Hall underpass Festival West Port Bristo Place Theatre Richmond Pl Forrest Road Forrest 4 2 Lady Lawson Street Pedestrian acce 6 1 7 Potterrow s Nicolson s Keir Street Keir Heriot Place George Lothian Street Marshall St 3 Heriot’s School Square Teviot Place Bristo Edinburgh Square Central Mosque Middle Meado Middle to The University of Edinburgh Lauriston Place Medical School at Little France 8 and Ve at Easter Bush Lauriston Gardens Lauriston Building Quartermile St Leonard’s Street terinary development Crichton Street W Nicolson St w W w Chalmers Street School alk George Square Buccleuch Street Clerk Street 10 Buccleuch Place Meadow Lane Rankeillor Street The Meadows Montague Street errace Hope Park T Melville Driv e. -
Volume I March 1948
Complete contents of GSJs I II III IV V VI VII VIII IX X XI XII XIII XIV XV XVI XVII XVIII XIX XX XXI XXII XXIII XXIV XXV XXVI XXVII XXVIII XXIX XXX XXXI XXXII XXXIII XXXIV XXXV XXXVI XXXVII XXXVIII XXXIX XL XLI XLII XLIII XLIV XLV XLVI XLVII XLVIII XLIX L LI LII LIII LIV LV LVI LVII LVIII LIX LX LXI LXII LXIII LXIV LXV LXVI LXVII LXVIII LXIX LXX LXXI LXXII LXXIII GSJ Volume LXXIII (March 2020) Editor: LANCE WHITEHEAD Approaching ‘Non-Western Art Music’ through Organology: LAURENCE LIBIN Networks of Innovation, Connection and Continuity in Woodwind Design and Manufacture in London between 1760 and 1840: SIMON WATERS Instrument Making of the Salvation Army: ARNOLD MYERS Recorders by Oskar Dawson: DOUGLAS MACMILLAN The Swiss Alphorn: Transformations of Form, Length and Modes of Playing: YANNICK WEY & ANDREA KAMMERMANN Provenance and Recording of an Eighteenth-Century Harp: SIMON CHADWICK Reconstructing the History of the 1724 ‘Sarasate’ Stradivarius Violin, with Some Thoughts on the Use of Sources in Violin Provenance Research: JEAN-PHILIPPE ECHARD ‘Cremona Japanica’: Origins, Development and Construction of the Japanese (née Chinese) One- String Fiddle, c1850–1950: NICK NOURSE A 1793 Longman & Broderip Harpsichord and its Replication: New Light on the Harpsichord-Piano Transition: JOHN WATSON Giovanni Racca’s Piano Melodico through Giovanni Pascoli’s Letters: GIORGIO FARABEGOLI & PIERO GAROFALO The Aeolian harp: G. Dall’Armi’s acoustical investigations (Rome 1821): PATRIZIO BARBIERI Notes & Queries: A Late Medieval Recorder from Copenhagen: -
Hutchesonian 2020
T he n a n Hu tc h e s o i 2020 hen Charlotte, Ryan and I decided that the way we are all connected by ‘long lines of blood and Neil DeGrasse Tyson declaration ‘We are, family’; Joni Mitchell sings ‘We are stardust’. These Weach of us, a little universe’ would guide this inside covers, front and back, I hope remind us of all year’s magazine, we hadn’t heard of Covid19. We this; that even as we are apart – and as I write, we still didn’t know that life as we knew it would be paused, are – we are a part of something so much bigger. Pompeii-like, frozen in time; that they would end their Thanks to Ryan, Charlotte, Charlotte B who school careers at home; that I would spend hours parachuted in to help us out, Mrs Ritchie and everyone teaching from my dining room table; that we would all who contributed when it was the last thing they had be exhausted looking at our own reflections in video time to do. We miss you; we can’t wait to see you in calls. DeGrasse Tyson observes the inter- August. connectedness of things; Fergal Keane talks about the JS The TEAM Hutchesonian OF 2020 Editors 2020 EDITORIAL 2 Charlotte Adams and Ryan Coyle Community Charlotte Adams Global Citizenship Sophie Barnett and Abigail Lindsay FROM THE HEAD BOY AND 3 5 STAFF NOTES 6 RECTOR GIRL REPORT Writing Charlotte Barry Drama Ryan Coyle and Meganne McCartney Art Charlotte Barry GLOBAL COMMUNITY MUSIC 15 CITIZENSHIP 19 26 Music Meganne McCartney and Megan Brown Clubs, societies & Trips Sophie Barnett and Abigail Lindsay CLUBS, S6 DRAMA 30 ART 33 SOCIETIES AND 37 Arun Uttamchandani TRIPS Kingarth Street Jane Ritchie House Charlotte Adams and Ryan Coyle Sport Zara Mason S6 HOUSE WRITING 43 OVERVIEW 46 48 Photography The School Photography Company Overview of magazine Jane Ritchie & Jenny Simpson Cover design by KINGARTH PRIZE LIST SPORT Emily Cowie STREET 56 76 JUNE 2019 94 1 Editorial This year at Hutchesons’ This year has proven to has been a year full of be one of the most new challenges.