Summer School of Arts in the University of Edinburgh
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EDINBURGH North One grid square on the map represents approximately Citywide 30 minutes walk. WATER R EAK B W R U R TE H O A A B W R R AK B A E O R B U H R N R U V O O B I T R E N A W A H R R N G Y E A T E S W W E D V A O DRI R HESP B BOUR S R E W A R U H U H S R N C E A ER R P R T O B S S S E SW E O W H U A R Y R E T P L A HE B A C D E To find out more To travel around Other maps SP ERU W S C Royal Forth K T R OS A E S D WA E OA E Y PORT OF LEITH R Yacht Club R E E R R B C O T H A S S ST N L W E T P R U E N while you are in the Edinburgh and go are available to N T E E T GRANTON S S V V A I E A E R H HARBOUR H C D W R E W A N E V ST H N A I city centre: further afield: download: R S BO AND U P R CH RO IP AD O E ROYAL YACHT BRITANNIA L R IMPERIAL DOCK R Gypsy Brae O A Recreation Ground NEWHAVEN D E HARBOUR D Debenhams A NUE TON ROAD N AVE AN A ONT R M PL RFR G PIE EL SI L ES ATE T R PLA V ER WES W S LOWE CE R KNO E R G O RAN S G T E 12 D W R ON D A A NEWHAVEN MAIN RO N AD STREET R Ocean R E TO RIN K RO IV O G N T IT BAN E SH Granton RA R Y TAR T NT O C R S Victoria Terminal S O A ES O E N D E Silverknowes Crescent VIE OCEAN DRIV C W W Primary School E Starbank A N Golf Course D Park B LIN R OSWALL R D IV DRI 12 OAD Park SA E RINE VE CENT 13 L Y A ES P A M N CR RIMR R O O V O RAN T SE BA NEWHAVEN A G E NK RO D AD R C ALE O Forthquarter Park R RNV PORT OF LEITH & A O CK WTH 14 ALBERT DOCK I HA THE SHORE G B P GRANTON H D A A I O LT A Come aboard a floating royal N R W N L O T O O B K D L A W T A O C O R residence or visit the dockside bars Scottish N R N T A N R E E R R Y R S SC I E A EST E D L G W N O R D T D O N N C D D and bistros; steeped in maritime S A L A T E A E I S I A A Government DRI Edinburgh College I A A M K W R L D T P E R R O D PA L O Y D history and strong local identity. -
THE UNIVERSITY of EDINBURGH
UGP COVER 2012 22/3/11 14:01 Page 2 THE UNIVERSITY of EDINBURGH Undergraduate Prospectus Undergraduate 2012 Entry 2012 THE UNIVERSITY of EDINBURGH Undergraduate Prospectus 2012 Entry www.ed.ac.uk EDINB E56 UGP COVER 2012 22/3/11 14:01 Page 3 UGP 2012 FRONT 22/3/11 14:03 Page 1 UGP 2012 FRONT 22/3/11 14:03 Page 2 THE UNIVERSITY of EDINBURGH Welcome to the University of Edinburgh We’ve been influencing the world since 1583. We can help influence your future. Follow us on www.twitter.com/UniofEdinburgh or watch us on www.youtube.com/user/EdinburghUniversity UGP 2012 FRONT 22/3/11 14:03 Page 3 The University of Edinburgh Undergraduate Prospectus 2012 Entry Welcome www.ed.ac.uk 3 Welcome Welcome Contents Contents Why choose the University of Edinburgh?..... 4 Humanities & Our story.....................................................................5 An education for life....................................................6 Social Science Edinburgh College of Art.............................................8 pages 36–127 Learning resources...................................................... 9 Supporting you..........................................................10 Social life...................................................................12 Medicine & A city for adventure.................................................. 14 Veterinary Medicine Active life.................................................................. 16 Accommodation....................................................... 20 pages 128–143 Visiting the University............................................... -
Curators' Colloquium on Knitted Textiles
Fleece to Fashion Economies and Cultures of Knitting in Modern Scotland Curators’ Colloquium on Knitted Textiles Friday 29 January 2021 1.30 - 4.00 pm on Zoom PROGRAMME 1.30 Welcome and Introduction (Lynn Abrams, Carol Christiansen) 1.40-2.30 Acquisition, Identity and Interpretation Chair: Roslyn Chapman The Challenges of a ‘Living’ Knitwear Collection (Carol Christiansen, Shetland Museum and Archives) Scottish and European Knitted Textiles at National Museums Scotland: collecting, interpretation and display' (Helen Wyld, National Museums of Scotland) 2.30-3.00 Care and Conservation Chair: Sally Tuckett The Care and conservation of Knit Collections (Frances Lennard, University of Glasgow) 3.00-3.05 Leg stretch 3.05-3.50 Interpretation and Display – Conventional and Digital Chair: Lin Gardner Colour Revolution: Bernat Klein and the post-war market for handknitting (Lisa Mason, National Museum of Scotland) Glorious Ganseys: a glance at the Scottish Fisheries Museum’s collection of fishermen’s jumpers with particular focus “Knitting the Herring” and the creation of a National Database (Jen Gordon and Federica Papiccio, Scottish Fisheries Museum) 3.50-4.00 Summing Up and Next Steps Chair: Marina Moskowitz Speaker Biographies Carol Christiansen is Curator and Community Museums Officer at Shetland Museum and Archives. As curator, her main responsibility is the Museum’s nationally recognised textiles collection, which has a large knitted textile component. She holds a PhD from the University of Manchester in Archaeology with a specialisation in Textiles and has worked and published in the specialism with colleagues in the UK and Nordic countries. She is the author of Taatit Rugs: the pile bedcovers of Shetland (2015) and numerous articles on Shetland’s textile heritage. -
Graeme Todd the View from Now Here
GRAEME TODD The View from Now Here 1 GRAEME TODD The View from Now Here EAGLE GALLERY EMH ARTS ‘But what enhanced for Kublai every event or piece of news reported by his inarticulate informer was the space that remained around it, a void not filled by words. The descriptions of cities Marco Polo visited had this virtue: you could wander through them in thought, become lost, stop and enjoy the cool air, or run off.’ 1 I enjoy paintings that you can wander through in thought. At home I have a small panel by Graeme Todd that resembles a Chinese lacquer box. In the distance of the image is the faint tracery of a fallen city, caught within a surface of deep, fiery red. The drawing shows only as an undercurrent, overlaid by thinned- down acrylic and layers of varnish that have been polished to a silky patina. Criss-crossing the topmost surface are a few horizontal streaks: white tinged with purple, and bright, lime green. I imagine they have been applied by pouring the paint from one side to the other – the flow controlled by the way that the panel is tipped – this way and that. I think of the artist in his studio, holding the painting in his hands, taking this act of risk. Graeme Todd’s images have the virtue that, while at one glance they appear concrete, at another, they are perpetually fluid. This is what draws you back to look again at them – what keeps them present. It is a pleasure to be able to host The View from Now Here at the Eagle Gallery, and to work in collaboration with Andrew Mummery, who is a curator and gallerist for whom I have a great deal of respect. -
Edinburgh Galleries Artist Training Programme
Copyright © Art, Design & Museology Department, 2005 Published by: Art, Design & Museology Department School of Arts & Humanities Institute of Education University of London 20 Bedford Way London WC1H 0AL UK All rights reserved. Except for the quotation of short passages for the purposes of criticism or review, no part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publisher. ISBN: 0-9546113-1-4 This project was generously supported by: The National Lottery, The City of Edinburgh Council and National Galleries of Scotland 1 The Edinburgh Galleries Artist Training Programme in collaboration with the Art, Design & Museology department, School of Arts & Humanities, Institute of Education, University of London A pilot programme supported by The National Lottery, The City of Edinburgh Council and National Galleries of Scotland Course Directors: Lesley Burgess, Institute of Education, University of London (IoE) Maureen Finn, National Galleries of Scotland Course Co-ordinator: Kirsty Lorenz Course Venues: Gallery of Modern Art, Edinburgh National Portrait Gallery, Edinburgh Participating Organisations: The Collective Gallery Edinburgh Printmakers Workshop Edinburgh Sculpture Workshop The Fruitmarket Gallery Stills Gallery Talbot Rice Gallery Course Leader: Lesley Burgess, IoE Session contributors: Nicholas Addison, IoE Lesley Burgess, IoE Anne Campbell, SAC Barbara Clayton Sucheta Dutt, SAC Fiona Marr Sue Pirnie, SAC Roy Prentice, IoE Helen Simons Rebecca Sinker, DARE and inIVA Sally Tallant, Serpentine Gallery, London Leanne Turvey, Chisenhale Gallery, London Research Report by: Lesley Burgess and Emily Pringle Photographs by: Lesley Burgess 2 EDINBURGH GALLERIES ARTIST TRAINING PROGRAMME RESEARCH EVALUATION REPORT OCTOBER 2003 1. -
Information Correct at Time of Issue See
NAME LOCATION DESCRIPTION NOTES PLAN YOUR VISIT / BOOK Pre-booking required Craigmillar Castle Edinburgh Medieval castle Till 31st Oct: open daily, 10am to 4pm Book here Winter opening times to be confirmed. Pre-booking required. Some glasshouses closed. Royal Botanic Garden Edinburgh Edinburgh Gardens Book here Free admission Castle closed. Free entry to the grounds (open daily 08.00- Lauriston Castle Edinburgh 16th-century tower house Walk-in 19.00) and Mimi's Cafe on site. Royal Yacht Britannia Edinburgh Attraction - former royal yacht Pre-booking recommended. Book here Shop is open Tours have been put on hold for the time being due to Edinburgh Gin Distillery Edinburgh Gin distillery tours restrictions in force from 9th Oct, and can't be booked - until further notice. Wee Wonders Online Tasting available instead. Pre-booking recommended. Currently open Thu-Mon Georgian House Edinburgh New Town House Book here 1st - 29th Nov: open Sat-Sun, 10am-4pm 30th Nov- 28th Feb: closed Edinburgh Castle Edinburgh Main castle in Edinburgh Pre-booking required. Book here Real Mary King's Close Edinburgh Underground tour Pre-booking required. Book here Our Dynamic Earth Edinburgh Earth Science Centre Pre-booking required. Open weekends in October only. Book here Edinburgh Dungeon Edinburgh Underground attraction Pre-booking required. Book here Pre-booking recommended. The camera show is not Camera Obscura Edinburgh World of Illusions - rooftop view running at the moment - admission price 10% lower to Book here reflect this. Palace of Holyroodhouse Edinburgh Royal Palace Pre-booking recommended. Open Thu-Mon. Book here Pre-booking required. Whisky is not consumed within Scotch Whisky Experience Edinburgh Whisky tours the premises for now, instead it's given at the end of Book here the tours to take away. -
Monumental Guidebooks 'In State Care' R W Munro*
Proc Soc Antiq Scot, 115 (1985), 3-14 Monumental guidebooks 'in State care' R W Munro* SUMMARY A new series of guidebooks to Scottish monuments in State care is being produced by the Historic Buildings and Monuments Directorate of the Scottish Development Department. The origin and progress Government-sponsoredof guidebooks Scotlandin consideredare chiefly from pointthe of view of the non-expert user or casual visitor. INTRODUCTION Five years is not a long time in the history of an ancient monument, but in that period there has bee transformationa whicy b y h visitorwa e th n historii o st Governmencn i sitew sno t car helpee ear d to understand what they see. A new series of guidebooks and guide-leaflets is part of the continuing proces f improveo s d 'presentation' whic bees hha n carrie t ove yeare dou th r s successivelM H y yb Office of Works, the Ministry of Works (later of Public Building and Works), the Department of the Environment finallSecretare d th an , y yb Statf yo Scotlanr efo d acting throug Scottise hth h Develop- ment Department. One does not need to be particularly 'ancient' to have seen that rather bewildering procession of office, ministr departmend yan t pas rapin si d order acros bureaucratie sth c stage. Only since 197s 8ha the Scottish ful e Officlth responsibilitd eha y for wha bees tha n called 'our monumental heritagea '- useful blanket term which appears to cover the definitions of 'monument' and 'ancient monument' enshrined in the Ancient Monuments and Archaeological Areas Act of 1979 (Maclvor & Fawcett 1983, 20). -
Dalziel + Scullion – CV
Curriculum Vitae Dalziel + Scullion Studio Dundee, Scotland + 44 (0) 1382 774630 www.dalzielscullion.com Matthew Dalziel [email protected] 1957 Born in Irvine, Scotland Education 1981-85 BA(HONS) Fine Art Duncan of Jordanstone College of Art and Design, Dundee 1985-87 HND in Documentary Photography, Gwent College of Higher Education, Newport, Wales 1987-88 Postgraduate Diploma in Sculpture and Fine Art Photography, Glasgow School of Art Louise Scullion [email protected] 1966 Born in Helensburgh, Scotland Education 1984-88 BA (1st CLASS HONS) Environmental Art, Glasgow School of Art Solo Exhibitions + Projects 2016 TUMADH is TURAS, for Scot:Lands, part of Edinburgh’s Hogmanay Festival, Venue St Pauls Church Edinburgh. A live performance of Dalziel + Scullion’s multi-media art installation, Tumadh is Turas: Immersion & Journey, in a "hauntingly atmospheric" venue with a live soundtrack from Aidan O’Rourke, Graeme Stephen and John Blease. 2015 Rain, Permanent building / pavilion with sound installation. Kaust, Thuwai Saudia Arabia. Nomadic Boulders, Permanent large scale sculptural work. John O’Groats Scotland, UK. The Voice of Nature,Video / film works. Robert Burns Birthplace Museum. Alloway, Ayr, Scotland, UK. 2014 Immersion, Solo Festival exhibition, Dovecot Studios, Edinburgh as part of Generation, 25 Years of Scottish Art Tumadh, Solo exhibition, An Lanntair Gallery, Stornoway, Outer Hebrides, as part of Generation, 25 Years of Scottish Art Rosnes Bench, permanent artwork for Dumfries & Galloway Forest 2013 Imprint, permanent artwork for Warwick University Allotments, permanent works commissioned by Vale Of Leven Health Centre 2012 Wolf, solo exhibition at Timespan Helmsdale 2011 Gold Leaf, permanent large-scale sculpture. Pooley Country Park, Warwickshire. -
Robert Maclaurin
ARTIST BIOGRAPHY – ROBERT MACLAURIN Robert Maclaurin is a prize winning landscape painter with an international reputation. A Menzies Fellowship in 1995-6 at the late Clifton Pugh's Dunmoochin Foundation Studio brought Maclaurin to Australia. He has made his permanent home and studio just outside Castlemaine since 2001. Well known for his impressive landscapes, and widely collected in Europe and America, Maclaurin exhibits regularly with gallery representation in London and Edinburgh. “You feel Maclaurin’s engagement with the earth, his feeling for its fragile, living surface. These paintings are as all true landscape should be; images of the real world, but metaphoric, lit by memory and enlarged by imagination, by sympathy and so ultimately by awe at the grandeur of what the Artist has experienced.” Prof. Duncan Macmillan, Talbot Rice Gallery, Edinburgh. Qualifications 1979-83 Edinburgh College of Art, Scotland, BA (Hons) in Drawing & Painting 1983-84 Edinburgh College of Art, Postgraduate Diploma (with distinction) Drawing and Painting, ECA Postgraduate School Selected Awards, Commissions, Prizes 2005 First prize James Farrell portrait award, Castlemaine 2002 Scottish National Portrait Gallery – commissioned to paint Hamish MacInnes, Scottish mountaineer 1998 First prize winner Noble Grossart painting prize, Scotland 1995 Sir Robert Menzies fellowship – painting Australia 1990 Royal Overseas League Salisbury Festival painting prize 1989 Scholarship – International weeks of painting, Slovenia 1986 Hunting Group painting prize – Young -
Easter Bush Campus Edinburgh Bioquarter the University in the City
The University in the city Easter Bush Campus Edinburgh BioQuarter 14 Arcadia Nursery 12 Greenwood Building, including the 4 Anne Rowling Regenerative Neurology Clinic Aquaculture Facility 15 Bumstead Building 3 Chancellor’s Building Hospital for Small Animals 13 Campus Service Centre 2 1 Edinburgh Imaging Facility QMRI R(D)SVS William Dick Building 10 Charnock Bradley Building, including 1 5 Edinburgh Imaging Facility RIE (entrance) Riddell-Swan Veterinary Cancer Centre the Roslin Innovation Centre 3 2 Queen’s Medical Research Institute Roslin Institute Building 7 Equine Diagnostic, Surgical and 11 6 Scottish Centre for Regenerative Medicine Critical Care Unit 5 Scintigraphy and Exotic Animal Unit 6 Equine Hospital 8 Sir Alexander Robertson Building Public bus 4 Farm Animal Hospital DP Disabled permit parking P Public parking 9 Farm Animal Practice and Middle Wing P Permit parking Public bus The University Central Area The University of Edinburgh is a charitable body, registered in Scotland, with registration number SC005336. in Scotland, with registration registered The University of Edinburgh is a charitable body, ). 44 Adam House 48 ECCI 25 Hope Park Square 3 N-E Studio Building 74 Richard Verney Health Centre 38 Alison House 5 Edinburgh Dental 16 Hugh Robson Building 65 New College Institute 1–7 Roxburgh Street 31 Appleton Tower 4 Hunter Building 41 Old College and 52 Evolution House Talbot Rice Gallery Simon Laurie House 67 Argyle House 1 46 9 Infirmary Street 61 5 Forrest Hill Old Infirmary Building St Cecilia’s Hall 72 Bayes Centre -
The 'When, How and What' of Text Based Wayfinding Instructions For
The ‘when, how and what’ of Text Based Wayfinding Instructions for Urban Pedestrians William Mackaness1, Phil Bartie2, Candela Sanchez-Rodilla Espeso1 1School of GeoSciences, The University of Edinburgh, Drummond St, Edinburgh EH8 9XP 2School of Natural Sciences, Stirling University, Stirling FK9 4LA [email protected] Keywords: built environment, pedestrian wayfinding, landmark saliency, LBS 1.0 A Context – urban pedestrian wayfinding The smartphone has become a conduit by which we access many different services (Raper et al. 2007; Kray et al 2005) in many different ways (Shneiderman 2004). Increasingly wayfinding in urban environments is supported by smartphone technology using maps and images; these demand our full attention (Gluck 1991; May et al. 2003). But our ambition is technology that is concealed (Weiser and Brown 1998), delivering only spoken instructions (Bartie and Mackaness 2006; Mackaness et al. 2013), thus leaving the pedestrian ‘eyes free’ and ‘hands free’ to enjoy the city. As a precursor to their spoken delivery, we report on the evaluation of a text based system in which subjects were directed by a series of landmark based instructions or street based instructions that were geo-located. Section 2.0 describes the underlying model, Section 3.0 the experiment and subsequent feedback and analysis gained through: trajectory analysis, questionnaires and a focus group. 2.0 A City Model to support Landmark modelling and instruction construction A map is data rich (hence requiring a lot of cognitive effort), whilst a dialogue based system needs to be efficient, and minimalist (we don’t want to bore the pedestrian to death), yet sufficiently robust that the user does not get lost. -
Edinburgh Responsible Itinerary
Edinburgh Itinerary - 4 days 01. Edinburgh Bus Tours Edinburgh Castle Hop-on/hop-off bus tours are a great way for your clients to Edinburgh Castle is one of quickly orientate themselves on a city visit, and to identify the the oldest fortified palaces in must-see city sights. Edinburgh Bus Tours offer visitors three Europe. Built on top of Castle fantastic hop on hop off city tours, plus a further option which Rock and dominating the will allow them to enjoy the spectacle of the iconic Forth Bridges. city’s skyline, the castle has Your clients can enjoy the views with commentary in 9 different a long rich history as a royal languages, on the company’s new fleet of environmentally friendly residence, and it is alive with tour buses. Private hires are also available. many exciting tales. When your clients climb Castle Hill, Waverley Bridge they will walk in the footsteps Edinburgh, EH1 1BQ of soldiers, kings and queens. www.edinburghtour.com The castle is now a world- Link to Trade Website famous visitor attraction and an iconic part of the Old and New Towns of Edinburgh World Heritage Site. Distance between Edinburgh bus tours and the Scottish National Gallery is 0.4miles/0.6km Castlehill Edinburgh, EH1 2NG www.edinburghcastle.scot Link to Trade Website Distance between Edinburgh Castle and the Scotch Whisky Experience is 151 feet / 50 metres The Scotch Whisky Experience A ‘must-visit’ Edinburgh attraction, The Scotch Whisky Experience has been inspiring visitors to Edinburgh about the joys of Scotch whisky for over 30 years.