Curators' Colloquium on Knitted Textiles
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Graeme Todd the View from Now Here
GRAEME TODD The View from Now Here 1 GRAEME TODD The View from Now Here EAGLE GALLERY EMH ARTS ‘But what enhanced for Kublai every event or piece of news reported by his inarticulate informer was the space that remained around it, a void not filled by words. The descriptions of cities Marco Polo visited had this virtue: you could wander through them in thought, become lost, stop and enjoy the cool air, or run off.’ 1 I enjoy paintings that you can wander through in thought. At home I have a small panel by Graeme Todd that resembles a Chinese lacquer box. In the distance of the image is the faint tracery of a fallen city, caught within a surface of deep, fiery red. The drawing shows only as an undercurrent, overlaid by thinned- down acrylic and layers of varnish that have been polished to a silky patina. Criss-crossing the topmost surface are a few horizontal streaks: white tinged with purple, and bright, lime green. I imagine they have been applied by pouring the paint from one side to the other – the flow controlled by the way that the panel is tipped – this way and that. I think of the artist in his studio, holding the painting in his hands, taking this act of risk. Graeme Todd’s images have the virtue that, while at one glance they appear concrete, at another, they are perpetually fluid. This is what draws you back to look again at them – what keeps them present. It is a pleasure to be able to host The View from Now Here at the Eagle Gallery, and to work in collaboration with Andrew Mummery, who is a curator and gallerist for whom I have a great deal of respect. -
Edinburgh Galleries Artist Training Programme
Copyright © Art, Design & Museology Department, 2005 Published by: Art, Design & Museology Department School of Arts & Humanities Institute of Education University of London 20 Bedford Way London WC1H 0AL UK All rights reserved. Except for the quotation of short passages for the purposes of criticism or review, no part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publisher. ISBN: 0-9546113-1-4 This project was generously supported by: The National Lottery, The City of Edinburgh Council and National Galleries of Scotland 1 The Edinburgh Galleries Artist Training Programme in collaboration with the Art, Design & Museology department, School of Arts & Humanities, Institute of Education, University of London A pilot programme supported by The National Lottery, The City of Edinburgh Council and National Galleries of Scotland Course Directors: Lesley Burgess, Institute of Education, University of London (IoE) Maureen Finn, National Galleries of Scotland Course Co-ordinator: Kirsty Lorenz Course Venues: Gallery of Modern Art, Edinburgh National Portrait Gallery, Edinburgh Participating Organisations: The Collective Gallery Edinburgh Printmakers Workshop Edinburgh Sculpture Workshop The Fruitmarket Gallery Stills Gallery Talbot Rice Gallery Course Leader: Lesley Burgess, IoE Session contributors: Nicholas Addison, IoE Lesley Burgess, IoE Anne Campbell, SAC Barbara Clayton Sucheta Dutt, SAC Fiona Marr Sue Pirnie, SAC Roy Prentice, IoE Helen Simons Rebecca Sinker, DARE and inIVA Sally Tallant, Serpentine Gallery, London Leanne Turvey, Chisenhale Gallery, London Research Report by: Lesley Burgess and Emily Pringle Photographs by: Lesley Burgess 2 EDINBURGH GALLERIES ARTIST TRAINING PROGRAMME RESEARCH EVALUATION REPORT OCTOBER 2003 1. -
List of Scottish Museums and Libraries with Strong Victorian Collections
Scottish museums and libraries with strong Victorian collections National Institutions National Library of Scotland National Gallery of Scotland National Museums Scotland National War Museum of Scotland National Museum of Costume Scottish Poetry Library Central Libraries The Mitchell Library, Glasgow Edinburgh Central Library Aberdeen Central Library Carnegie Library, Ayr Dick Institute, Kilmarnock Central Library, Dundee Paisley Central Library Ewart Library, Dumfries Inverness Library University Libraries Glasgow University Library University of Strathclyde Library Edinburgh University Library Sir Duncan Rice Library, Aberdeen University of Dundee Library University of St Andrews Library Municipal Art Galleries and Museums Kelvingrove Art Gallery, Glasgow Burrell Collection, Glasgow Aberdeen Art Gallery McManus Galleries, Dundee Perth Museum and Art Gallery Paisley Museum & Art Galleries Stirling Smith Art Gallery & Museum Stewartry Museum, Kirkcudbright V & A Dundee Shetland Museum Clydebank Museum Mclean Museum and Art Gallery, Greenock Hunterian Art Gallery & Museum Piers Art Centre, Orkney City Art Centre, Edinburgh Campbeltown Heritage Centre Montrose Museum Inverness Museum and Art Gallery Kirkcaldy Galleries Literary Institutions Moat Brae: National Centre for Children’s Literature Writers’ Museum, Edinburgh J. M. Barrie Birthplace Museum Industrial Heritage Summerlee: Museum of Scottish Industrial Life, North Lanarkshire Riverside Museum, Glasgow Scottish Maritime Museum Prestongrange Industrial Heritage Museum, Prestonpans Scottish -
Dalziel + Scullion – CV
Curriculum Vitae Dalziel + Scullion Studio Dundee, Scotland + 44 (0) 1382 774630 www.dalzielscullion.com Matthew Dalziel [email protected] 1957 Born in Irvine, Scotland Education 1981-85 BA(HONS) Fine Art Duncan of Jordanstone College of Art and Design, Dundee 1985-87 HND in Documentary Photography, Gwent College of Higher Education, Newport, Wales 1987-88 Postgraduate Diploma in Sculpture and Fine Art Photography, Glasgow School of Art Louise Scullion [email protected] 1966 Born in Helensburgh, Scotland Education 1984-88 BA (1st CLASS HONS) Environmental Art, Glasgow School of Art Solo Exhibitions + Projects 2016 TUMADH is TURAS, for Scot:Lands, part of Edinburgh’s Hogmanay Festival, Venue St Pauls Church Edinburgh. A live performance of Dalziel + Scullion’s multi-media art installation, Tumadh is Turas: Immersion & Journey, in a "hauntingly atmospheric" venue with a live soundtrack from Aidan O’Rourke, Graeme Stephen and John Blease. 2015 Rain, Permanent building / pavilion with sound installation. Kaust, Thuwai Saudia Arabia. Nomadic Boulders, Permanent large scale sculptural work. John O’Groats Scotland, UK. The Voice of Nature,Video / film works. Robert Burns Birthplace Museum. Alloway, Ayr, Scotland, UK. 2014 Immersion, Solo Festival exhibition, Dovecot Studios, Edinburgh as part of Generation, 25 Years of Scottish Art Tumadh, Solo exhibition, An Lanntair Gallery, Stornoway, Outer Hebrides, as part of Generation, 25 Years of Scottish Art Rosnes Bench, permanent artwork for Dumfries & Galloway Forest 2013 Imprint, permanent artwork for Warwick University Allotments, permanent works commissioned by Vale Of Leven Health Centre 2012 Wolf, solo exhibition at Timespan Helmsdale 2011 Gold Leaf, permanent large-scale sculpture. Pooley Country Park, Warwickshire. -
National Strategy for Scotland's Museums and Galleries
GOING TheNationalStrategyfor Scotland’sMuseumsandGalleries fURTHER To SUccEEd aNd floURiSH we wILL aLL Need tO pLay Our part ScoTTiSH NaTioNal PoRTRaiT GallERy National Galleries of Scotland TheScottishNationalPortraitGalleryre-opened on1December2011,followingatwoandahalfyear closureandanambitious£17.6mrestorationproject. Asaresult,amuchgreaterproportionofthe collectionwillbeonshow,bringingtolightawealth Theproject–thefirstmajorrefurbishmentinthe ofartworksthathasbeen,untilnow,largelyhidden Gallery’s120-yearhistory–hasrestoredmuchof fromview. thearchitect’soriginalvision,openinguppreviously inaccessiblepartsofthebuildingandincreasing Reviewsandfeedbackhavebeenoverwhelmingly thepublicspacebymorethan60%.Accesstothe positivewithmorethan52,000visitorsgoing exhibitionspacesonallthreelevelshasbeenopened totheGalleryduringthefirstmonthofopening. up,whiletherestorationofthemagnificentsuiteof top-litgalleriesontheupperfloorhascreatedoneof themostimpressivedisplayspacesinScotland. www.nationalgalleries.org TheNationalStrategyfor Scotland’sMuseumsandGalleries Images courtesy of the National Galleries of Scotland © Chris Watt The National Strategy for Scotland’s Museums and Galleries gOINg The National Strategy for Scotland’s Museums and Galleries further Acknowledgements contents The development of this National Strategy for Scotland’s Museums and Galleries would not have 5 FOREWORD 34 AIm fIve -
Robert Maclaurin
ARTIST BIOGRAPHY – ROBERT MACLAURIN Robert Maclaurin is a prize winning landscape painter with an international reputation. A Menzies Fellowship in 1995-6 at the late Clifton Pugh's Dunmoochin Foundation Studio brought Maclaurin to Australia. He has made his permanent home and studio just outside Castlemaine since 2001. Well known for his impressive landscapes, and widely collected in Europe and America, Maclaurin exhibits regularly with gallery representation in London and Edinburgh. “You feel Maclaurin’s engagement with the earth, his feeling for its fragile, living surface. These paintings are as all true landscape should be; images of the real world, but metaphoric, lit by memory and enlarged by imagination, by sympathy and so ultimately by awe at the grandeur of what the Artist has experienced.” Prof. Duncan Macmillan, Talbot Rice Gallery, Edinburgh. Qualifications 1979-83 Edinburgh College of Art, Scotland, BA (Hons) in Drawing & Painting 1983-84 Edinburgh College of Art, Postgraduate Diploma (with distinction) Drawing and Painting, ECA Postgraduate School Selected Awards, Commissions, Prizes 2005 First prize James Farrell portrait award, Castlemaine 2002 Scottish National Portrait Gallery – commissioned to paint Hamish MacInnes, Scottish mountaineer 1998 First prize winner Noble Grossart painting prize, Scotland 1995 Sir Robert Menzies fellowship – painting Australia 1990 Royal Overseas League Salisbury Festival painting prize 1989 Scholarship – International weeks of painting, Slovenia 1986 Hunting Group painting prize – Young -
Easter Bush Campus Edinburgh Bioquarter the University in the City
The University in the city Easter Bush Campus Edinburgh BioQuarter 14 Arcadia Nursery 12 Greenwood Building, including the 4 Anne Rowling Regenerative Neurology Clinic Aquaculture Facility 15 Bumstead Building 3 Chancellor’s Building Hospital for Small Animals 13 Campus Service Centre 2 1 Edinburgh Imaging Facility QMRI R(D)SVS William Dick Building 10 Charnock Bradley Building, including 1 5 Edinburgh Imaging Facility RIE (entrance) Riddell-Swan Veterinary Cancer Centre the Roslin Innovation Centre 3 2 Queen’s Medical Research Institute Roslin Institute Building 7 Equine Diagnostic, Surgical and 11 6 Scottish Centre for Regenerative Medicine Critical Care Unit 5 Scintigraphy and Exotic Animal Unit 6 Equine Hospital 8 Sir Alexander Robertson Building Public bus 4 Farm Animal Hospital DP Disabled permit parking P Public parking 9 Farm Animal Practice and Middle Wing P Permit parking Public bus The University Central Area The University of Edinburgh is a charitable body, registered in Scotland, with registration number SC005336. in Scotland, with registration registered The University of Edinburgh is a charitable body, ). 44 Adam House 48 ECCI 25 Hope Park Square 3 N-E Studio Building 74 Richard Verney Health Centre 38 Alison House 5 Edinburgh Dental 16 Hugh Robson Building 65 New College Institute 1–7 Roxburgh Street 31 Appleton Tower 4 Hunter Building 41 Old College and 52 Evolution House Talbot Rice Gallery Simon Laurie House 67 Argyle House 1 46 9 Infirmary Street 61 5 Forrest Hill Old Infirmary Building St Cecilia’s Hall 72 Bayes Centre -
Post Festival Summary
Post festival summary 21 - 29 November 2016 www.eamif.com Programme 2016 Symposium: Emma Finn Defaced, hidden, stolen, crushed, Gender and the moving image plus EAMIF Showcase chopped, pierced: Event Screening + Q&A SUPERLUX Reading Group with artist Jamie Crewe Workshop Edward Thomasson Edward Thomasson SUPERLUX Social Talk Screening + Q&A Event Ettrick Take Time: EAMIF Showcase African Lines: Conversations in Screening + Q&A Screening + Q&A Film and Poetry Event The festival has grew strongly from last year. This year we held events at Filmhouse, Talbot Rice Gallery, The Fruitmarket Gallery, Collective Gallery and Edinburgh College of Art. Highlights in- cluded a symposium on gender and the moving image, films plus a sousaphone performance at Filmhouse, an evening of African video art and an evening of film and live music. Ambient Audiences Event Feedback survey Our survey showed that audiences really enjoyed our events and learned much from them. 96% of people surveyed either ‘really enjoyed’ or ‘enjoyed’ the event they attended 57% said they ‘really enjoyed’ the event they attended 38.6% saidReally enjoyed theyEnjoyed ‘enjoyedNeutral Not Enjoyed’ the event they attended Symposium 34 15 0 1 Ambient Audiences 28 20 3 2 Emma Finn 18 17 0 0 African Lines 3 4 1 Take Time 5 1 Edward Thomasson Talk 7 6 Edward Thomasson Screening 6 5 0 0 TOTAL 101 68 4 3 I really enjoyed the event 101 57.38636364 I enjoyed the event 68 38.63636364 96.02272727 Neutral 4 2.272727273 I did not enjoy the event 3 1.704545455 176 Creative discovery When presented -
29 July–29 August 2021 Edinburghartfestival.Com #Edartf
Platform: 2021 Art Across the Capital Commissions Programme Art is Back Explore Platform: 2021, our exhibition for early As galleries reopen after many months of closure, Our 2021 programme features new commissions We are so delighted to return this year, to work career artists, with new work from Jessica Higgins, this year, more than any, we are proud to cast a and UK premieres by leading international artists, with partners across the city, to showcase the work Danny Pagarani, Kirsty Russell and Isabella Widger spotlight on the uniquely ambitious, inventive and including new work by Sean Lynch co-commissioned of artists from Scotland, the UK and around the world. presented at our festival home in the Institut français thoughtful programming produced each year by with Edinburgh Sculpture Workshop and by Emeka Some exhibitions are newly made in response to the d’Ecosse. While visiting you can also browse festival Edinburgh’s visual art community. Ogboh with Talbot Rice Gallery; alongside the UK seismic shifts of the past year; others have been many merchandise and find out more about the exhibitions premiere of Isaac Julien’s Lessons of the Hour, presented years in the planning; but all are the unique, authentic, and events taking place across the city at our With over 20 partner galleries across the capital, in partnership with National Galleries of Scotland. and thoughtful products of our city’s extraordinarily Festival Kiosk. we encourage you to explore the programme and We are also proud to collaborate with Associate Artist, rich visual art scene. support the incredible visual art organisations that Tako Taal, on her programme What happens to desire… Festival Kiosk the city has to offer. -
Biography Daniel F
Newsletter No 44 Winter 2013/14 From the Chair and archives in Glasgow and Edinburgh. This relates to her broader research on two other This year has been both varied and enjoyable illustrators from the Pre-Raphaelite circle, Arthur as my first and also final year as Chair. There has Hughes and Frederick Sandys, but also promises to been a lot to learn but the main focus throughout lead to a separate study on King. has been on keeping a continuity in what the In relation to art historical research, there is a society does. And the experience and tireless work report on the recent conference ‘Et in Archiva Ego: of our committee has been an invaluable factor in Artists in the Archives’, which some of our maintaining our range of activities, from this members had the chance to attend. This was a newsletter, our forthcoming journal through to the succinct but enlightening one-day event that tours that we have organised this year. explored different aspects of what is involved in As the final issue of the year, the pages of researching the life and work of artists as well as this newsletter recall some of these more recent the intriguing ways that artists use and respond to activities, including reviews of our two most recent the archive. And, finally, there is a feature article tours. Shannon Hunter Hurtado describes an by Fiona Pearson on the late Sir Eduardo Paolozzi, afternoon spent in early September at the newly in which she draws on her in-depth knowledge and renovated Black Watch Castle and Museum, Perth, acquaintance with the artist from her years and I report on our visit to the Dovecot Studios, working with his gift to the National Galleries of Edinburgh, where we had a practical Scotland. -
Summer School of Arts in the University of Edinburgh
USEFUL STAFF AT THE ADDRE SSE S CONFUCI US I NSTI TUTE The Confucius Institute Edinburgh FOR SCOTL A ND for Scotland Information Centre Abden House 3 Princes St Professor Natascha Gentz, Director 1 Marchhall Crescent Edinburgh EH2 2QP Dr Ri Jin, Co-Director Edinburgh EH16 5HP T: 0131 473 3898 Frances Christensen, General Manager T: 0131 662 2180 www.visitscotland.com Jie Chen, Business Development Administrator E: [email protected] Xin Zhang, Administrative Assistant National Museum of Scotland www.confuciusinstitute.ac.uk Chambers St Please let us know if you need any help Edinburgh College of Art Edinburgh EH1 1JF during your time in Scotland. University of Edinburgh www.nms.ac.uk 74 Lauriston Place Scottish National Gallery Edinburgh EH3 9DF The Mound T: 0131 651 5800 Edinburgh EH2 2EL www.ed.ac.uk/eca www.nationalgalleries.org Unite Accommodation Scottish National Gallery Portsburgh Court of Modern Art 56 Lady Lawson Street 75 Belford Road Edinburgh EH3 9DH Edinburgh EH4 3DR T: 0131 656 0798 www.nationalgalleries.org www.unite-students.com/ edinburgh/portsburgh-court Scottish National Portrait Gallery 1 Queen Street Edinburgh EH2 1JD www.nationalgalleries.org SUMMER SCHOOL OF ARTS IN THE UNIVERSITY OF EDINBURGH OUR PARTNE R S Leaflet design by Red Empire Female dancer photo by Graham Wylie Front cover performance artist photo by jan kranendonk / Shutterstock.com Male dancer photo by Ryan Schude Royal Edinburgh Military Tattoo image by domhnall dods / Shutterstock.com Printed in Scotland by CCB on 100% recycled FSC-approved paper. SUMMER OF ARTS PROGRAMME SUNDAY 3 AUGUST TUESDAY 5 AUGUST Arrival from York by coach • 0930-1100 Lecture: Ming - The Golden Empire. -
TT Report 2013-2014
TREASURE TROVE IN SCOTLAND REPORT BY QUEEN’S AND LORD TREASURER’S REMEMBRANCER 2013/2014 Protecting our Archaeological Heritage for the Nation CONTENTS Page Foreword and Report by QLTR 1 Introduction 3 Remit of SAFAP 3 Report by the Chair of SAFAP 3 Interesting Cases 5 Statistics 11 The work of the Treasure Trove Unit 12 Allocation procedures 13 Funding 14 TTU Contact details 14 Information for users of the Treasure Trove system 14 Comments from Readers 14 APPENDICES 15 Appendix 1 - Names and professional status of members of SAFAP 16 Appendix 2 - Terms of Reference of SAFAP 21 Appendix 3 - List of allocated Finds, their find spots and recipient museums 23 Appendix 4 - List of Finders who reported finds in this reporting year and who 33 have agreed to their name being published Appendix 5 - 2 Flow Charts – Chance Finds and Excavation assemblages 34 Appendix 6 – TTU Contact details (as at June 2014) 36 Appendix 7 - Information for users of the Treasure Trove system 37 Appendix 8 – Standard Reporting form for chance Finds 41 TREASURE TROVE IN SCOTLAND - REPORT BY QUEEN’S AND LORD TREASURER’S REMEMBRANCER The period covered in this report has been another very productive one with a number of welcome developments across the operation of the Treasure Trove system. Membership of the Scottish Archaeological Finds Allocation Panel now includes a representative from Historic Scotland, providing an important national perspective. SAFAP is the hard working group of independent experts chaired by Dr Evelyn Silber. They give generously of their time on a voluntary basis to provide me with expert advice on finds and ensure a fair and transparent system in respect of the claim and allocation of objects.