2012 V&A RESEARCH REPORT MESSAGE FROM THE DIRECTOR Research is a core activity of the V&A, helping to develop the public understanding of the art and artefacts of many of the great cultures of the world. This annual Research Report lists the outputs of staff from the calendar year 2012. Though the tabulation may seem detailed, this is certainly a case where the whole is greater than the sum of the parts. The V&A plays a synthetic role in binding together the fields of art, design and performance; conservation and collections management; and museum-based learning. We let the world know about our work through many different routes, which reach as large and varied an audience as possible. Here you will find some listings that you might expect - scholarly journal articles and books - but also television and radio programmes, public lectures, digital platforms. Many of these research outputs are delivered through collaborative partnerships with universities and other institutions. The V&A is international both in its collections and its outlook, and in this Report you will notice entries in French, Spanish, German, and Russian as well as English – and activities in places as diverse as Ukraine, Libya, and Colombia. Most importantly, research ensures that the Museum will continue to innovate in the years to come, and in this way inspire the creativity of others.

Martin Roth ASIAN DEPARTMENT ROTH, MARTIN JACKSON, ANNA [Foreword]. In: Olga Dmitrieva and Tessa Murdoch, The ‘exotic European’ in Japanese art. In: Francesco eds. The ‘Golden Age’ of the English Court: from Morena, ed. Di Linea e di Colore: Il Giappone, Henry VIII to Charles I. Moscow: Kremlin Museums, le sue Arti e l’Incontro con I’Occidente. Livorno: 2012, p.9 Sillabe, 2012, pp.514–516

Director’s foreword. In: Christopher Breward and Fascination for the foreign: the appreciation and Ghislaine Wood, eds. British Design from 1948: appropriation of ‘exotic’ textiles in Europe and Innovation in the Modern Age. : V&A, 2012, Japan. In: Tradition and Transmission of Textile pp.10–11. ISBN 9781851776740 Techniques: Present Condition of Research and Conservation. Proceedings of the 35th International Keynote address, Museums Association annual Symposium on the Conservation and Restoration conference, held in , 8-9 November 2012 of Cultural Properties. Tokyo: National Research http://www.museumsassociation.org/ Institute for Cultural Properties, 2012, pp.183–194 video/27112012-martin-roth-conference-keynote The World of the Maharaja. Lecture delivered Roth, Martin and MacGregor, Neil. Directors’ to accompany the exhibition, Maharaja: the preface. In: Lu Zhangshen, chief ed. Passion for Splendour of India’s Royal Courts, at the Virginia Porcelain: Masterpieces of Ceramics from the Museum of Fine Art, Richmond, 24 May 2012, and and the Victoria & Albert at the Field Museum, Chicago, 14 October 2012 Museum. Beijing: Zhonghua shu ju, 2012, p.7. ISBN 9787101087857 Jewels of the Maharajas. Lecture delivered as part of the Insight series, organised by and held at Picture Gallery, London, 6 June 2012

Meiji Fashion: Continuity and Change. Lecture delivered at the study day, Threads of Silk and Gold: Ornamental Textiles from Meiji Japan, organised by and held at the Ashmolean Museum, Oxford, 6 November 2012

Board member, Cecil Higgins Art Gallery

Jackson, Anna and Stuart, Jan. Keepers’ preface. In: Lu Zhangshen, chief ed. Passion for Porcelain: Masterpieces of Ceramics from the British Museum and the Victoria & Albert Museum. Beijing: Zhonghua shu ju, 2012, pp.8–9. ISBN 9787101087857

EAST ASIA SECTION FAULKNER, RUPERT Reconsidering the Anglo-Japanese Nexus. Paper delivered at the conference, Give and Take, organised by and held at North Lands Creative Glass, Lybster, Scotland, 8-9 September 2012

Committee member, CHArt (Computers and the History of Art)

HUTT, JULIA Japanese Netsuke. London: V&A, 2012. 2nd ed. 112p., ill (chiefly col.), map, port. ISBN 9781851777020 Scatola per documenti nota come ‘Scatola Van From porcelain to copper: Chinese painted WILSON, MING http://www.moneyandmedals.org.uk/#/audio- Diemen’. In: Francesco Morena, ed. Di Linea e di enamels for global markets. Paper delivered at Dressed to rule - the Qing emperor’s wardrobe. and-video/4567272650 Colore: Il Giappone, le sue Arti e l’Incontro con the workshop, Global Commodities, organised by Lecture delivered at the Royal Asiatic Society, I’Occidente. Livorno: Sillabe, 2012, pp.344–6 the University of Warwick, held at the V&A, London, 12 January 2012, and at the Oxford Textile Materials used in Indian jewellery and their 12 October 2012 Group, Oxford, 25 April 2012 significance. Lecture delivered as part of the series, Trustee, Chiddingstone Castle, Kent Ideas about things, on the V&A/Royal College Contributions to China, documentary on the Council member, Oriental Ceramic Society of Art MA course in the History of Design, Asian IRVINE, GREGORY history of Chinese porcelain. Television broadcast. Design History: Material Cultures of Asia, Japanese Cloisonné, the Seven Treasures. Lecture CCTV9, China, December 2012 WU, ANNA 20 November 2012 delivered to accompany the V&A touring The silent traveller: Chiang Yee in Britain 1933-55. exhibition, at Bolton Museum, 19 October 2012, Contributions to a documentary for the V&A Online Journal 4, Summer 2012 Associate member, Centre of Jaina Studies, SOAS and at the Southern Counties Japan Society, centennial of the National Museum of China. http://www.vam.ac.uk/content/journals/ Petersfield, 25 October 2012 Television broadcast. CCTV10, China, December research-journal/issue-no.-4-summer-2012/the- CAMERON, AINSLEY M. 2012 silent-traveller-chiang-yee-in-britain-1933-55 Sacred water, sacred vessel: the use of water in Collecting and presenting Japan in Europe: Hindu ritual. Orientations Magazine, vol.43, no.6, 1854-1912. Lecture delivered at the Staatliche Council member, Oriental Ceramic Society ZHANG, HONGXING 2012, pp.98–102 Kunstsammlungen Dresden Directors Forum, Museums and Art History. Three lectures 28 November 2012 Mengoni, Luisa with Laura, Nera, Scagliola, delivered as part of the series, Art and Culture, CRILL, ROSEMARY Manuele and Kerr, Rose. East Asian Ceramics: the organised by and held at the Central Academy Embroidery in Kashmir shawls. In: Steven Cohen, Committee member, ENJAC (European Network Laura Collection. Turin: Umberto Allemandi & Co., of Fine Art, Beijing, 17-19 April 2012 ed. Kashmir Shawls: the Tapi Collection. Mumbai: of Japanese Art Collections) 2012. 348 p., col. ill. ISBN 9788842221425 Shoestring Publisher, 2012, pp.290–319 ‘Zheng’ or Stretcher: forgotten equipment in Founder member and Chair, JACUK (Japanese Art Mengoni, Luisa, with Priewe, Sacha. Organisers the painters’ workshop in imperial China. Paper Indian textiles in Georgian Britain. Lecture delivered Collections in the UK) of the panel, Collecting Chinese Archaeology in delivered at the conference, Homage to Tradition, at the Bath Literary Festival, 11 March 2012 European Museums, at the 5th conference of the organised by and held at the Chinese University Member, Japan Society Publications Committee Society of East Asian Archaeology (SEAA), held in of Hong Kong, 13-15 December 2012 Ragamala in Rajasthan. Paper delivered at the Fukuoka, Japan, study day accompanying the exhibition, Ragamala Advisor to ASEMUS (Asia-Europe Museums) 5-10 June 2012 Paintings from India, organised by and Brighton Museum and Art MENGONI, LUISA E. PERSSON, HELEN Gallery, held at Dulwich Picture Gallery, 14 April The Sino-European trade in ceramics: bulk export Collecting Egypt: the textile collection of the SOUTH AND SOUTH 2012 and special orders; and [59 catalogue entries]. Victoria & Albert Museum. Journal of the History In: Lu Zhangshen, chief ed. Passion for Porcelain: of Collections, vol.24, no.1, 2012, pp.3–13 EAST ASIA SECTION Indian embroidery. Lecture delivered as part of the Masterpieces of Ceramics from the British BARNARD, NICK V&A short course on Asian embroidery, 24 October Museum and the Victoria & Albert Museum. Dyes and Colours along the Silk Road. Paper Indian jewellery and nineteenth century Britain: 2012, and at the South Asian Decorative Arts and Beijing: Zhonghua shu ju, 2012, pp.14–24. delivered at the 2nd International Symposium on evolving patterns of re-use. In: Julia A.B. Hegewald Crafts Collection, Norwich, 13 November 2012 ISBN 9787101087857 Hallstatt-Textiles, 3000 Years of Colour, organised and Subrata K. Mitra, eds. Re-Use - the Art and by the Austrian Society for Textile-Art-Research, Politics of Integration and Anxiety. New Delhi: Rajasthani painting. Two lectures delivered as From fields to market stalls: life trajectories of held at the Natural History Museum, Vienna, Sage Publications, 2012, pp.107–130. part of the SOAS Arts of Asia postgraduate year ceramic shards in Jingdezhen. Paper delivered at 21-23 March 2012 ISBN 9788132106555 course, 19 November 2012 the Ai Weiwei study day, organised by and held at the V&A, 9 March 2012 Eye-catching attire: Women’s fashion from the Jain manuscripts and the Western Indian painting Committee member and Hon. Treasurer, Indian late Qing dynasty. Lecture delivered as part of a style. Lecture delivered to the Society Art Circle In the Shadow of George Eumorfopoulos: Collecting series accompanying the exhibition, Living in Silk, for the Arts of Asia, held at the Department of Early Chinese Art at the Victoria & Albert Museum, organised by and held at the Castle Theology & Religious Studies, University of Bristol, PATEL, DIVIA London. Paper delivered as part of the Harn Eminent Museum and Art Gallery, 20 June 2012 16 May 2012 Foreign affairs: perspectives on Satyendra Scholar lecture series, organised by and held at the Pakhalé, Andrea Noronha, Rebecca Reubens, University of Florida, Gainesville, 2 April 2012 Digitising Stein. Paper delivered at the conference, Jaina manuscripts and paintings in the Victoria & Sanaddep Sangaru, Sahil and Sarthak Design Co. Archaeology of the Southern Taklamakan: Albert Museum, London. Lecture delivered as part Architectural Digest, July-August 2012, pp.73–82 The formation of the Chinese archaeological Hedin and Stein’s Legacy and New Explorations, of the series, Jaina Art in India and the Pianarosa collection at the Victoria & Albert Museum. Paper organised by the International Dunhuang Project, Library in Bonn, organised by and held at the Contemporary Design from India: an Exhibition delivered at the 5th conference of the Society of SOAS and the Xinjiang Institute of Archaeology, Department of Asian and Islamic Art History, of…? Lecture delivered at the workshop, Asian East Asian Archaeology (SEAA), held in Fukuoka, held at the , 8-10 November 2012 University of Bonn, Germany, 14 June 2012 Design: Histories, Collecting, Curating, organised Japan, 5-10 June 2012 by M+ and held at the Asia Society, Hong Kong, Committee member, Early Textiles Study Group Hidden Origins: Identifying Mackenzie 2-3 December 2012 Porcelain made to order: Combining European sculptures at the V&A. Paper delivered at the http://www.mplusmatters.hk/asiandesign/#/en/ sources and Chinese designs. Paper delivered at Colin Mackenzie Study Day, organised by and topic9intro the conference accompanying the exhibition, held at the British Museum, 18 July 2012 Passion for Porcelain, organised by and held at the National Museum of China, Beijing, 23 June 2013 STRONGE, SUSAN ‘Diverse precious merchandise’: Amalfitan relations (Review of) Dog˘an Kuban, Ottoman architecture. The Akbarnama and Mughal Court culture; and MIDDLE EAST SECTION with Umayyad Córdoba and their implications for Woodbridge: Antique Collectors’ Club, 2010. [Catalogue entries]. In: Gian Carlo Calza, ed. Akbar BAIN, ROWAN the ivory trade. Paper delivered at the conference, Cornucopia, issue 48, 2012, p.26 the Great Emperor of India. Milan: Skira, 2012, Mourning and Memory: The Iconography of Shi’a The Tusk and the Book: the Salerno/Amalfi ivories pp.21–29 Shrines. Seminar delivered at the Department in their Mediterranean contexts, organised by and (Review of) Nurhan Atasoy and Lâle Uluç, of Theology & Religious Studies, University of held at the Kunsthistorisches Institut, Florence, Impressions of Ottoman culture in Europe Artistic production at the court of Jahangir. Winchester, Hampshire, 13 February 2012 29 June-1 July 2012 1453–1699. Istanbul: Armaggan, 2012. Cornucopia, Lecture delivered at the Centre of Advanced Study, issue 47, 2012, p.27 Department of History, Aligarh Muslim University, CAREY, MOYA Ivories from Islamic Spain. Paper delivered at the Aligarh, India, 27 February 2012 Carey, Moya and Graves, Margaret S., eds. The Scholars’ Day on Ivories of the Mediterranean, Ottoman-period manuscripts from the Haramayn. Historiography of Islamic Art. Special issue of the organised by and held at the Metropolitan Paper delivered at the conference accompanying Foreign luxuries at the Mughal Court. Paper Journal of Art Historiography, no. 6, June 2012 Museum of Art, New York, 5 November 2012 the exhibition, Hajj: Journey to the heart of Islam, delivered at the symposium, Material World: The http://arthistoriography.wordpress.com/number- organised by and held at the British Museum, Art & Culture of Global Connections, organised 6-june-2012-2 Organiser of the conference, Curating Islamic 22-24 March 2012 by the Peabody Essex Museum in partnership collections, organised in partnership with Arts with the University of Warwick, the V&A, and Bilgi Carey, Moya and Graves, Margaret S. Introduction: Council , held at the V&A, 30 November The Jameel Gallery at the Victoria & Albert University, Istanbul, held at the Peabody Essex Historiography of Islamic art and architecture. 2012 Museum. Paper delivered at the 46th Seminar Museum, Salem, Massachusetts, 22 March 2012 In: Moya Carey and Margaret Graves eds. The for Arabian Studies, held at the British Museum, Historiography of Islamic Art. Special issue of the Fellow, Royal Asiatic Society 13-15 July 2012 Jade at the Mughal court in the 17th century. The Journal of Art Historiography, no. 6, June 2012 Annual OCS Woolf Jade Lecture, organised by the http://arthistoriography.files.wordpress. Academic Advisory Committee member, the The Baroque and the Koran Manuscript. Paper Oriental Ceramics Society, held at the Society of com/2012/05/introgravesandcarey2.pdf Barakat Trust delivered at the conference, Cultural Encounters Antiquaries, London, 13 March 2012 in the Ottoman World and their Artistic Reflections, ROSSER-OWEN, MARIAM Series editor, Arts and Archaeology of the Islamic organised by the Department of Art History, Jahangir’s Journeys. The Toby Falk Memorial The metal mounts on Andalusi ivories: initial World Hacettepe University, and held at Hacettepe Lecture, organised by the Indian Art Circle, held observations. In: Venetia Porter and Mariam University, Ankara, 14-16 September 2012 at SOAS, 2 May 2012 Rosser-Owen, eds. Metalwork and Material Academic adviser for the exhibition, Pearls on a Culture in the Islamic World: Art, Craft and Text: String: Art and Biography in the Islamic World, Gloss Goes Global. Paper delivered at the Court art in the reign of Jahangir. Lecture delivered Essays presented to James W. Allan. London: Walters Art Gallery, Baltimore conference, Global Commodities: The Material as part of a series organised by and held at the I.B. Tauris, 2012, pp.301–316 Culture of Early Modern Connections, 1400-1800, Ancient Iran and India Trust, Cambridge, 11 May Co-supervisor, PhD, Universidad Autónoma, Madrid organised by the Global History and Culture 2012 Mediterraneanism: how to incorporate Islamic Centre, University of Warwick, and held at the art into an emerging field. In: Moya Carey and Rosser-Owen, Mariam and Porter, Venetia eds. University of Warwick, 12-14 December 2012 Itinerant Masters: Artistic production at the court Margaret Graves eds. The Historiography of Metalwork and Material Culture in the Islamic of Jahangir. The 19th Benjamin Zucker Lecture on Islamic Art. Special issue of the Journal of Art World: Art, Craft and Text. Essays presented to Member, Conseil scientifique du Musée du Louvre Mughal Art, organised by and held at the V&A, Historiography, no. 6, June 2012 James W. Allan. London: I.B. Tauris & Co., 2012. xii, 7 November 2012 http://arthistoriography.files.wordpress. 530 p., ill, charts. ISBN 9781780763231 TUQAN, SALMA com/2012/05/rosserowen.pdf [Interview]. Kalimat: Arab Thought and Culture, Speaker on the panel, Makings of an Empire: The Rosser-Owen, Mariam and Moraitou, Mina and vol.2, issue 6, summer 2012, pp.68–74 Mark of the Mughals on South Asia, organised ‘An historical museum of ornament’: architectural Cabrera, Ana. Catalogue no.173, Fragments of the by the South Asian Literature Festival, held at the plaster casts from Granada and Cairo in the so-called Marwan Tiraz. In: Helen C. Evans, ed. British Library, 9 November 2012 South Kensington Museum. Paper delivered with Brandie Ratliff, Byzantium and Islam: Age at the conference, Owen Jones, la Alhambra y of Transition. New York: Metropolitan Museum of Advisory Group member, the East India Company el Orientalismo, held in connection with the Art, 2012, pp.238–241 at Home research project, UCL exhibition, Owen Jones y la Alhambra, at the Alhambra, Granada, 21-22 February 2012 STANLEY, TIM A Mamluk tray and its journey to the V&A. In: Los tejidos andalusíes y Mudéjares en el Victoria Venetia Porter and Mariam Rosser-Owen, eds. & Albert museum, Londres. Paper delivered Metalwork and Material Culture in the Islamic at the conference, La Investigación Textil y los World: Art, Craft and Text: Essays presented to Nuevos Métodos de Estudio, organised by and James W. Allan. London: I.B. Tauris, 2012, pp.187– held at the Fundación Lázaro Galdiano, Madrid, 200 27-28 February 2012 (Trans.). Elegy to Sultan Suleyman the Magnificent. The oliphant: a symbol of Mediterranean In: Sophie Makariou, ed. Islamic Art at the Musée hybridity? Paper delivered at the conference, du Louvre. Paris: Hazan; Museé du Louvre, 2012, Romanesque and the Mediterranean, organised pp.308–309 by the British Archaeological Association, held in Palermo, 16-18 April 2012 FASHION DEPARTMENT FURNITURE, TEXTILES &

SCHOLZE, JANA FURNITURE AND Ausstellungssemiotik. In: Schnittpunkt TEXTILES AND Ausstellungstheorie & -praxis, ed. Handbuch: WOODWORK Ausstellungstheorie und -praxis. Stuttgart, 2012 FASHION SECTION BROWNE, CLARE SECTION Tracing materiality. In: Raw Craft: Fine Thinking in Textiles at Court. In: Olga Dmitrieva and Tessa DONNELLY, MAX Contemporary Furniture. London: Crafts Council, Murdoch, eds. The ‘Golden Age’ of the English ‘Ideas of their own’: patronage and Cottier & 2012, p.3 Court: from Henry VIII to Charles I. Moscow: Company’s memorial windows. Journal of the Kremlin Museums, 2012, pp.322–370 Decorative Arts Society, no.35, 2011 [i.e.2012], Transient Space: Updating the Permanent. Paper pp.122–133 delivered at the conference, The History and Governor, Pasold Research Fund Future of Art and Design Museums, organised by A stitch in time (Collecting agenda: John Jones), and held at the Kunst- und Ausstellungshalle der Directing Council member, CIETA (Centre V&A Magazine, issue no.29, winter 2012, p.19 Bundesrepublik Deutschland, Bonn, 19-21 January International d’Etude des Textiles Anciens) 2012 Back to the future. (Review of exhibition) CONOVER, KATY Inventing the Modern World: Decorative Arts at New Objects - Transient Spaces. Public lecture and Fashion in Conflict. Paper delivered at the the World’s Fairs, 1851-1939, The Nelson-Atkins workshop with Interior Design students, delivered conference, Women in Magazines, of Art, Kansas City. Apollo, vol.176, at Ryerson University, Toronto, Canada, 1 March 2012 University, London, 23-25 June 2012, and at the October 2012, pp.99–101 NORDIK Conference for Art History in the Nordic Intangibles: New things, old spaces. Paper Countries, Stockholm, 24-26 October 2012 Aspects of nineteenth-century British design. delivered at the conference, The Museum of Four lectures organised by the University of the Future: Between Physical Place and Virtual CULLEN, ORIOLE Vilnius, delivered at the Kaunas Faculty of Space, held on the occasion of the Micheletti Beauty. Collective Magazine, spring/summer 2012 Humanities (University of Vilnius), Kaunas, Award ceremony for European museums, at the Lithuania, 28-31 May 2012 State Textile and Industry Museum, Augsburg, Digital fashion. Disegno Magazine, no.3, autumn/ Germany, 27 April 2012 winter 2012, pp.22–23 The Medieval Court at the International Exhibition of 1862. Paper delivered at the Panel discussion, in connection with the exhibition, Fashion in Motion: Olivier Saillard, event held at conference, Almost Forgotten: the International Raw Craft: fine thinking in contemporary furniture, the V&A, 20 January 2012 Exhibition of 1862, organised by the William held as part of Collect, at the , Shipley Group for RSA History, held at the Medical London, 11 May 2012 The Etiquette of Hats. Lecture delivered at Bard Society of London, 1 November 2012 Graduate Centre, New York, 15 March 2012 Exhibition Reviews Editor, Design and Culture Council member, Furniture History Society Ballgowns: British Glamour since 1950. Lecture Nominator, Designer of the Year 2012, Design delivered at The Hospital Club, London, 19 June Committee member, Decorative Arts Society Museum London 2012, and at Penguin Pearson building, London, 11 July 2012 Fellow, Society of Antiquaries Nominator, The Arts Foundation Awards 2012, product design category Fashion in Motion: Craig Lawrence, event held at HAY, KATE the V&A, 20 July 2012 Marble tables for the British market: the export Expert, Disegno 2012 Review, design category trade of J. Darmanin & Sons. Treasures of Malta In Conversation with Justine Picardie, editor of 53, vol.18, no.2, Easter 2012, pp.63–73 Supervisor, two PhDs, V&A/, Harpers Bazaar, held to accompany a screening department of Design Products of the documentary, Diana Vreeland: The Eye has HUMPHREY, NICK To Travel, at the V&A, 3 August 2012 Furniture Techniques and Materials: developing WILK, CHRISTOPHER a new gallery at the V&A. The Regional Furniture Beyond (and Before) Eames: the reinvention of In Conversation with Stephen Jones, held Society Christopher Gilbert Annual Lecture, held plywood. Paper delivered at the symposium, New to accompany the V&A exhibition, Hats: An at the Geffrye Museum, London, 17 November Narratives for ‘Living in a Modern Way’: California Anthology by Stephen Jones, at the Peabody 2012 Design at Mid-Century, organised by and held at Los Essex Museum, Salem, Massachusetts, 7 Sept 2012 Angeles County Museum of Art, 25 February 2012 Furniture Gallery overview: Themes of the Designing the Ballgown, lecture delivered at the furniture gallery. Emery Walker, William Morris and the best study day, Beauty and the Ball: Fashion, Society http://www.vam.ac.uk/content/articles/a/audio- surviving Arts and Crafts Interior in Britain. and Ballgowns, organised by and held at the V&A, descriptions-of-the-furniture-gallerys-touch- Lecture delivered to the William Morris Society 20 October 2012 object-displays/ in America, the American Friends of Art and Crafts in Chipping Camden and the Stickley Museum, Fashion in Motion: Fyodor Golan, event held at Council member, Regional Furniture Society at the Grolier Club, New York, 10 September 2012 the V&A, 7 December 2012 Panel member and judge, British Fashion A portrait of the ‘Raphael of silk design’, V&A (Review of) Elizabeth Cumming, ed. The art of Trustee, Royal School of Needlework Council and British Council International Fashion Online Journal, issue no. 4, summer 2012 modern tapestry. Dovecot Studios since 1912. Lund Showcase http://www.vam.ac.uk/content/journals/ Humphries, 2012. The Decorative Arts Newsletter Member, AHRC Peer Review College research-journal/issue-no.-4-summer-2012/a- 1850 to the Present, no.96, winter 2012, pp.9–10 Cultural Advisory Board member, UK Federation portrait-of-the-raphael-of-silk-design Editorial Board member, Fashion Theory of Irish Societies Quilts 1700-2010: Hidden Histories, Untold Material marketing: how Lyonnais manufacturers Stories. Paper delivered at the conference, Wilcox, Claire and Breward, Christopher, eds. The Cullen, Oriole and Stanfill, Sonnet. Ballgowns: sold their silks in the eighteenth century. Paper Bedtime Stories: Beds and Bedding in Britain, Ambassador Magazine: Promoting Post-War British Glamour since 1950. London: V&A, 2012. delivered at the conference, Desiring Fashion: The 1650-1850, organised by and held at Temple British Textiles and Fashion. London: V&A, 2012. 128 p., ill. (chiefly col.). ISBN 9781851776849 Consumption and Dissemination of Dress, 1750- Newsam House, Leeds, 21-22 June 2012 240 p., ill. (some col.), ports. ISBN 9781851776771 1850, organised by the Centre for Eighteenth- Cullen, Oriole and Stanfill, Sonnet. Ballgowns. Century Studies, University of York, 23 June 2012 Creativity and Confinement: Narrating the Radio broadcast, six-part series on Woman’s Hour. HMP Wandsworth Quilt. Paper delivered at the BBC Radio 4, 2012 Making a reputation. Designers and Merchants in conference, Practical Partnerships: Getting the the Lyon Silk Industry, 1660-1789. Paper delivered Most Out of Creative Collaborations, organised 1600-1800 PROJECT DAVIES-STRODDER, CASSIE at the final conference organised by the HERA by the Dress and Textile Specialists Network, held HOSKIN, DAWN The Heather Firbank Collection at the V&A. Paper project, Fashioning the Early Modern, held at the at the , Glasgow, 8-9 November Klaus Nomi: Construction, Contradiction & delivered at the conference, Fashion Now & Then, V&A, 14 September 2012 2012 Transcendence of a Post-Modern Performer. Paper organised by and held at LIM College, New York, delivered at the study day, Music, Fashion & 19-20 October 2012 Innovation et évolution du métier de dessinateur Associate Fellow, International Quilt Study Centre, Fantasy: from Masquerade to Lady Gaga, organised à Lyon au XVIIIe siècle. Paper delivered at the Lincoln, Nebraska by The Costume Society, held at London College of Davies-Strodder, Cassie, with Buxton, Susannah. conference, Innovation in the Lyon Silk Industry, Fashion, 20 October 2012 Designing for Downton, Dresses and Dramas. held as part of the Festival Labelsoie, at the Trustee, Princess of Wales Royal Regimental Lecture delivered at the V&A, 24 September 2012 Musées Gadagne, Lyon, 20 November 2012 Museum LASIC, BARBARA Acquiring and displaying replicas at the South EHRMAN, EDWINA Principal Investigator, Strand 2, HERA, Fashioning External examiner, MA Textile Design, Chelsea Kensington Museum, 1854-1899: ‘the next best Hayward, Douglas Frederick Cornelius (1934- the Early Modern: Creativity and Innovation in College of Art and Design, London thing’. In: M. Aldrich and J. Hackforth-Jones, eds. 2008). Oxford Dictionary of National Biography, Europe 1500-1800 Authenticating Art Works: Studies in the Art Oxford University Press, January 2012 External examiner, BA Fashion Textiles, University Object. London: Lund Humphries, 2012, pp.72–86 http://www.oxforddnb.com/view/article/99924 Editorial Board member, Textile History of the Creative Arts, Rochester, Kent ‘Dignity and Graciousness’: Mewès and Davis ‘More than ordinary beautiful’: the magic and Scientific Committee member, annual academic STANFILL, SONNET and the creation of ‘Tous les Louis’ period rooms. glamour of wedding dress. Lecture organised conference, Festival Labelsoie, Musées Gadagne, Past, Present and a Possible Future: displaying Furniture History, vol. 48, 2012, pp.192–210 by the Western Australian Museum, delivered Lyon fashion and textiles at the V&A. Paper delivered at the State Library of Western Australia, Perth, at the Ratti Foundation Textile Symposium, Como, (Review of) Dominique Pety, Poétique de la 11 December 2012 Advisory Board member, Research Network, Italy, 21 September 2012 collection au XIXe siècle. Du document de Centre for Textile Conservation and Technical Art l’historien au bibelot de l’esthète. Paris: Presses Trustee, Textile Society History, Glasgow University WILCOX, CLAIRE Universitaires de Paris Ouest, 2010. Journal of [Contributions]. In: Haute Couture: la Mode en the History of Collections, 2012, pp.133–134 LISTER, JENNY Member, Pasold Research Fund Details, du XVIIe au XXe Siecle. Paris: Editions des Misrepresentations: displaying dress and image Places Victoires, 2012. 599 p., chiefly ill. (chiefly col.) ‘Something old, something borrowed’: Loans at in the Museum. Paper delivered at the study day, NORTH, SUSAN the South Kensington Museum, 1852-1872. Paper Dress and Portraiture, organised by the Subject [Contributions]. In: Haute Couture: la Mode en A history of containment. In: Judith Clark, ed. delivered at the conference, The History and Specialist Networks, Understanding British Details, du XVIIe au XXe Siecle. Paris: Editions des Handbags: the Making of a Museum. New Haven: Future of Art and Design Museums, organised by Portraits and Dress and Textiles Specialists, held Places Victoires, 2012. 599 p., chiefly ill. (chiefly col.) Yale University Press, 2012, pp.12–21 and held at the Kunst- und Ausstellungshalle der at Norwich Castle Museum, 17 January 2012 Bundesrepublik Deutschland, Bonn, 19-21 January North, Susan and Tiramani, Jenny, eds. Minimalist Fashion. Lecture delivered on the 2012 MILLER, LESLEY ELLIS Seventeenth-Century Women’s Dress Patterns. Twentieth Century Design year course, V&A, La culture de la manufacture. Les marchands London: V&A, 2011-12. 2 v., ill. (chiefly col.), ports. 26 March 2012 Displacing and Reviving the Louis in turn of the fabricants. In: M.A. Privat-Savigny, ed. Lyon au XVIIIe ISBN 9781851776856 century plutocratic interiors. Paper delivered at the Siècle: Un Siècle Surprenant. Paris: Somogny; Lyon: Handbags. Lecture delivered on the Twentieth 9th European Social Science History Conference, Musées Gadagne, 2012, pp.109–121. PRICHARD, SUE Century Design year course, V&A, 2 April 2012 held at Glasgow University, 11-14 April 2012 ISBN 9782757205808 Collecting the contemporary: ‘love will decide what is kept and science will decide how it is Deconstructing Fashion. Lecture delivered at The Minutoli collection of photographs in the Fidélités trompeuses: la consommation d’étoffes kept’. In: Jessica Hemmings, ed. The Textile Reader. the V&A Summer School, Introducing Vivienne Victoria & Albert Museum. Paper delivered at the de soie françaises à Madrid, 1759-1789. In: London: Berg, 2012, pp.78–88 Westwood, 10 July 2012 Festival de l’Histoire de l’Art, held at the Château Autour des Van Loos: Peinture, Commerce Textile de Fontainebleau, 1-3 June 2012 et Espionnage Industrielle. Rouen: Presses Introductory essay. In: Mapping the Future: Where Lead curator (V&A), Europeana Digital Fashion Universitaires, 2012, pp.143–152 are you now? Textile Forum South West Exhibition Project Catalogue. Taunton: Brewhouse Gallery, 2012, pp.5–6 DEPARTMENT & GLASS CERAMICS SCULPTURE, METALWORK, NORMAN, JOANNA Handmade in Britain. London: V&A, 2012. 203 p., ill. SCULPTURE SECTION (chiefly col.), port. ISBN 9781851777082 DAVIES, GLYN (Review of) Oro dai Visconti agli Sforza. Smalti e From Renaissance to Baroque: the collections oreficerie nel Ducato di Milano. Burlington of the V&A. Lecture delivered as part of a series Magazine, vol.154, no.1306, Jan. 2012, pp.60–61 organised by and held at the Society of the Four Arts, Palm Beach, Florida, 8 March 2012 Signed Chalices in Central Italy 1250-1500. Paper delivered at the 2012 Courtauld Institute of Art Co-ordinator and researcher of Metalworks! Medieval Postgraduate Symposium, 8-9 March 2012 Three-part series of television broadcasts, part of the BBC and V&A Partnership project, Handmade An Italian Taste Abroad? Bishop John Grandisson in Britain. BBC Four, May 2012 of Exeter, the papal curia and Episcopal identity. Paper delivered at the conference, Identité et Norman, Joanna. Handmade in Britain. May 2012. mémoire: l’evêque, l’image et la mort, organised http://www.vam.ac.uk/content/articles/h/ by and held at the University of Lausanne, handmade-in-britain-mobile/ Switzerland, 19-21 March 2012 http://m.vam.ac.uk/handmade/ http://www.vam.ac.uk/page/h/handmade-in- ‘… this elegant little chest is remarkably good’: the britain/ ivory collecting of Francis Douce (1757-1834). Paper delivered at the conference, Gothic Ivory Sculpture: Old Questions, New Directions, organised by and held at the V&A and the Courtauld Institute of Art, London, 23-24 March 2012

Building/History: the new Medieval & Renaissance Galleries at the V&A. Paper delivered at the workshop, Architecture and Museums: Design on Display, organised by the Architecture, Space and Society Network, held at the School of Arts, Birkbeck, , 17 May 2012

Trustee, Society for the Study of Medieval Languages and Literature

Davis, Glyn and Williamson, Paul; Co-organisers of the conference, Gothic Ivory Sculpture: Old Questions, New Directions, held at the V&A and the Courtauld Institute of Art, London, 23-24 March 2012

HAMNETT, MELISSA Teacher of Many, Leader of More. Edouard Lanteri: Medallist, Mentor and New Sculpture Practitioner. Paper delivered at the British Art Medals Society Conference, held at Cutler’s Hall, London, 28 April 2012

Changing Visions: the collection and display of 20th century sculpture at the Victoria & Albert Museum. Paper delivered at the First International Festival of Contemporary Sculpture in Ukraine, organised in association with the Yorkshire Sculpture Park and Kiev State Department, held in Kiev, 1-3 June 2012

The New Sculpture: Changing Conditions of Sculpture Production and Display. Paper delivered at Werner Reimers Stiftung in collaboration with the Goethe University, Frankfurt, 4-6 September 2012 Edouard Lanteri and the Sculptures on the Aston TRUSTED, MARJORIE Member, AHRC Peer Review College EATWELL, ANN Webb Façade of the V&A. Lecture delivered to the El coleccionismo europeo de escultura en South Selling the Family Silver. Paper delivered at the Decorative Arts Society, London, 11 October 2012 Kensington desde la década de 1850 al siglo XXI. Trustee, Association of Art Historians conference, Consuming the Country House: from In: M. Bolaños, ed. El Taller Europeo. Intercambios, Acquisition to Presentation, organised by the In The Round: Correlations between Medals Influjos y Préstamos en la Escultura Moderna Hon. Vice-President, ARTES (Iberian and Latin University of Northampton and , and Sculpture. Seminar given at the Oxford Art Europea. Valladolid: Colegio de San Gregorio, 2012, American Visual Culture Group) held at the University of Northampton, 18-19 April History Seminar Series, Oxford, 30 October 2012 pp.65–72. ISBN 9788461586295 2012 Editorial Board member, The Medal Committee member, Decorative Arts Society Foreword. In: Frederick Brock and John Sankey, eds. MA course, Dining Cultures, Sussex University, Thomas Brock: Forgotten Sculptor of the Victoria Co-ordinator, International Ivories Group spring term 2012 MOTTURE, PETA Memorial. Bloomington: Ian Thompson, 2012, Chapter VII, I bronzetti, and catalogue entries pp.1–2. ISBN 9781467883344 Advisory Council member, VISTAS (Virtual Images VII.1-20. In E Lucchesi Ragni, ed. Collezioni e of Sculpture in Time And Space), project to fund EDGCUMBE, RICHARD collezionisti. Arti applicate dei Civici Musei di Arte Introduction. In: G. Schembri Bonaci and S. Moulden, new scholarship on sculpture 1250-1780 Jewellery of the 16th-17th centuries. In: Olga e Storia di Brescia. Brescia: Grafo, 2012, pp.249–273 Antonio Sciortino and the British Academy of Arts in Dmitrieva and Tessa Murdoch, eds. The ‘Golden Rome. Valletta: Horizons, 2012, pp.5–6. Trusted, Marjorie and Yarrington, A. Mapping the Age’ of the English Court: from Henry VIII to (Review of exhibition) Antico: The Golden Age ISBN 9789995738105 practice and profession of sculpture in Britain Charles I. Moscow: Kremlin Museums, 2012, of Renaissance Bronzes, The of and Ireland 1851-1951, Victoria & Albert Museum, pp.184–195 Art, Washington D.C. (subsequently shown at The Jesuit Baroque Sculpture in Spain. The Chapel London, 25-26 February 2011. Introduction. Frick Collection, New York). Burlington Magazine, of the English College in Valladolid. Valladolid: Sculpture Journal, vol.21, no.2, 2012, pp.85–86 Fellow, Society of Antiquaries vol.154, no.1310, May 2012, p.372 Trustees of the Royal English College, 2012. 54 p. WILLIAMSON, PAUL Associate of the Museums Association (AMA) A Taste for Bronze: Feeding the Market for Reproduction as spectacle, education and Fellow, Society of Antiquaries Renaissance ‘bronzetti’. Paper delivered for a inspiration. In: C. Schreiter, ed. Gipsabgüsse und Committee member, Society of Jewellery session, Recreating the Renaissance in the Antike Skulpturen: Präsentation und Kontext. Fellow, Royal Historical Society Historians Nineteenth century, at the Renaissance Society of : Reimer, 2012, pp.355–371. America annual meeting, held in Washington D.C., ISBN 9783496014690 Director, Trustee and Consultative Committee Committee member, Sculpture and Furnishings 24 March 2012 member, Burlington Magazine Subcommittee of the Church Buildings Council Breaking out of the Mould? The Beginnings of the Andrea Riccio’s Bronzes in Renaissance Padua and Royal Academy in London: Diploma Sculptures of Member of the Comité scientifique, Perspective KENNEDY, KIRSTIN their layers of meaning. Paper delivered at the the Late Eighteenth and Early Nineteenth Centuries. (La revue de l’INHA) [Catalogue entry]. In: Rafael Cornudella, ed. conference, The Metaflux Platform, held at the Paper delivered at the conference, Morceaux de Cataluña 1400: El Gótico Internacional. Barcelona: Royal College of Art, London, 17-18 September 2012 reception, Dono and Diploma Pieces: Histories of a Consultative Committee member, Walpole Society Museu Nacional d’Art de Catalunya, 2012, p.126. Self-Reflective Genre, organised by and held at the ISBN 9788480432498 Feeling crabby. Paper delivered at the conference, Düsseldorf Künstakademie, 17-18 May 2012 Editorial Board, Boletín del Museo Arqueológico The Metaflux Platform, held at the Royal College Nacional The Appeal to the Senses (Work in Progress). of Art, London, 17-18 September 2012 The Casting of the Pórtico de la Gloria for Paper delivered at a seminar organised by the South Kensington. Paper delivered at the study Consultative Committee member, Sculpture Metropolitan Museum of Art Academic Program, Andrea Riccio’s Bronzes in Renaissance Padua and day on the Pórtico de la Gloria of Santiago de Journal held in the department of European Sculpture their layers of meaning. Revised and extended Compostela, organised by Marjorie Trusted with and Decorative Arts, The Metropolitan Museum paper delivered to an MA seminar group at the the assistance of the Pedro Barrié Foundation, La International Advisory Panel member, Courtauld of Art, New York, 21 March 2012 University of Bristol, 26 November 2012 Coruña, and held at the V&A, 15 June 2012 Institute of Art (Wall Paintings Conservation) Colonial silver in the V&A. Paper delivered at a Advisory Council member, VISTAS (Virtual Images Co-organiser and chair of the meeting and study morning on Latin American art organised of Sculpture in Time And Space), project to fund conference of the International Ivories Group, held by ARTES (Iberian and Latin American Visual new scholarship on sculpture 1250-1780 at the Grünes Gewölbe, Dresden, 25-27 June 2012 METALWORK Culture Group), held at the V&A, 20 April 2012 Member, Board of Advisors for Art History, Le moulage du Pórtico de la Gloria exposé à South Secretary, ARTES (Iberian and Latin American Renaissance Studies, Journal of the Society for Kensington. Paper delivered at the conference, SECTION Visual Culture Group) Renaissance Studies Castings: Historical, Practical, Collections and CHURCH, RACHEL Uses, organised by and held at the Musée du [Catalogue entries]. In: Olga Dmitrieva and Tessa Kennedy, Kirstin and Trusted, Marjorie. Organisers Consultative Committee member, Burlington quai Branly and the Cité de l’architecture et du Murdoch, eds. The ‘Golden Age’ of the English of a study morning on Latin American art, for Magazine patrimoine, Paris, 14-15 November 2012 Court: from Henry VIII to Charles I. Moscow: ARTES (Iberian and Latin American Visual Culture Kremlin Museums, 2012 Group) members, held at the V&A, 20 April 2012 Fellow, Society of Antiquaries Contributions to Five Alive. Radio broadcast on a painting by Velázquez. BBC Radio Five, November The reunion of the Totnes rings. Jewellery History 2011 Today, autumn 2012, pp.3–5

Fellow, Society of Antiquaries Totnes rings. Newsletter of the American Jewelry Historians, vol.26, no.3, winter 2012, pp.10–11 MURDOCH, TESSA External Faculty and Examiner, Cooper Hewitt, MA The South Kensington Museum’s Electrotype From sacred to profane? The Afterlife of a The ‘Golden Age’ of the English Court. In: in the Decorative Arts Collection. Lecture delivered to The Worshipful seventeenth-century Augsburg Masterpiece. Proceedings of the Second International Company of Founders, October 2012 Paper delivered at the Fourth Early Modern Conference ‘Language, Culture and Society External Examiner, University of Sussex Symposium, Art and its Afterlives, organised by in Russian/English Studies’, 25-26 July 2011. The Greenwich Armouries. Lecture delivered on and held at the Courtauld Institute of Art, London, University of London, School of Advanced Studies; External Examiner, Horology and Metalwork, the High Renaissance to Baroque year course, 17 November 2012 Russian Academy of Sciences, 2012, pp.318–328 West Dean College, University of Sussex V&A, October 2012

Queen Christina of Sweden as a patron of music Dmitrieva, Olga and Murdoch, Tessa, eds. The Working with Artists. Lecture delivered at the in Rome in the mid-seventeenth century. In: ‘Golden Age’ of the English Court: from Henry VIII Artists in Residence Open Day, held at the V&A, Deborah Howard & Laura Moretti, eds. The Music to Charles I. Moscow: Kremlin Museums, 2012. 21 March 2012 CERAMICS AND Room in Early Modern France and Italy. Oxford: 384 p. ISBN 9785886782417 Published for the British Academy by Oxford Contributions to Metalworks!: The Knight’s Tale. GLASS SECTION University Press, 2012, pp.259–273 (Proceedings Murdoch, Tessa and Howard, Maurice. Tudor and Television broadcast, part of the BBC and V&A CROUCH, JUDITH of The British Academy; 176) Stuart heraldry. In: Olga Dmitrieva and Tessa Partnership project, Handmade in Britain. BBC Four, Inlaid Room at Sizergh Castle. November 2012. Murdoch, eds. The ‘Golden Age’ of the English May 2012 http://www.vam.ac.uk/__data/assets/pdf_ Cricket trophies. Silver Studies: the Journal of the Court: from Henry VIII to Charles I. Moscow: file/0015/232431/sizergh_castle_loan.pdf Silver Society, no.27, 2011, pp.67–73 Kremlin Museums, 2012, pp.112–123 Committee member, Antique Metalware Society at http://www.vam.ac.uk/content/articles/l/ loans-and-exhibitions/ (Review of) Timothy Schroder, The Zilkhe Collection. PATTERSON, ANGUS Freeman of the Worshipful Company of Pewterers Apollo, vol.176, no.603, November 2012 [Editor and designer]. Journal of the Antique GRAVES, ALUN Metalware Society, vol.20, June 2012. 80 p. V&A Advisor to the Elkington Museum Project in Design and conquer. (Interview with David Through the Looking Glass. Lecture delivered association with the Museum of Lost Heritage, Queensberry and Martin Hunt). Ceramic Review, at Houston Annual Antiques Fair, held at the Parade armour and arms: Arms and armour at Birmingham no.255, May/June 2012, pp.36–39 Museum of Fine Arts, Houston, 1 March 2012 court, and Catalogue entries 125-134. In: Olga Dmitrieva and Tessa Murdoch, eds. The ‘Golden Patterson, Angus and Sissons, Juliana. Proud [Essay]. In: Nao Matsunaga: Stones and Bones. Boughton House: The English Versailles. Lecture Age’ of the English Court: from Henry VIII to Lookes and Brave Attire: Fashion and Armour in London: Marsden Woo Gallery, 2012 delivered to the Antiquarian Club, at the Art Charles I. Moscow: Kremlin Museums, 2012, Renaissance Europe. Lecture delivered for the Institute, Chicago, 12 April 2012 pp.278–287 London Design Festival, at the V&A, September Foreword. In: Tessa Peters, ed. Tradition & 2012 Innovation: Five Decades of Harrow Ceramics. Tudors, Stuarts and the Russian Tsars. Lecture The perfect marriage of art and industry: London: University of Westminster, 2012, p.11 delivered at the Contemporary Club, Chicago, Elkingtons and the South Kensington Museum’s ROBINSON, ALICIA April 2012 electrotype collection. The Journal of the Antique Houdon and Voltaire: an attribution reconsidered. Beyond the Collection: The V&A and Ceramics in Metalware Society, vol.20, June 2012, pp.56–77 Sculpture Journal, vol.21, no.1, 2012, pp.97–134 the Expanded Field. Ceramics in the Expanded Contributions to Metalworks!: The Golden Age of Field: Behind the Scenes at the Museum. University Silver. Television broadcast, part of the BBC and Tony North: a tribute. Newsletter of the Antique Contributions to Metalworks!: The Blacksmith’s of Westminster Ceramics Research Centre. 2012. V&A Partnership project, Handmade in Britain. Metalware Society, autumn 2012 Tale. Television broadcast, part of the BBC and http://www.ceramics-in-the-expanded-field. BBC Four, May 2012 V&A Partnership project, Handmade in Britain. com/index.php?q=essays/alun-graves-gb For the Promotion of Art: The Victoria & Albert BBC Four, May 2012 Fellow, Society of Antiquaries Museum’s Electrotype Collections. Paper delivered Hans Coper: Sculpture in Architecture. Interpreting at the conference, Art versus Industry, held at ZECH, HEIKE Ceramics, no.14, 2012. Editorial Board member, Apollo Magazine Leeds City Museum, 23-24 March 2012 The princely mother as collector: between http://www.interpretingceramics.com/issue014/ maternal love and dynastic ambition. In: Susanna articles/05.htm Activities Committee member, Furniture History The Perfect Marriage of Art and Industry: Bracken, Andrea M. Gáldy and Adriana Turpin, Society Elkingtons and the South Kensington Museum’s eds. Women Patrons and Collectors. Newcastle- Beyond the Collection: The V&A and Ceramics in the Electrotype Collection. Paper delivered at the upon-Tyne: Cambridge Scholars Publishing, 2012, Expanded Field. Paper delivered at the symposium, Advisory Council member, Silver Society conference accompanying the exhibition, pp.121–137 The Museum, The Artist and Intervention, organised Victorian Electrotypes: Old Treasures, New by the University of Westminster Ceramics Research Committee member, Art Fund Jonathan Ruffer Technology, at the Metropolitan Museum of Art, (Review of) British silver: the wealth of a nation Centre, held at the V&A, 10 January 2012 Curatorial Training Grant Award New York, 25 March 2012 15 May 2012-12 January 2013, the Metropolitan Museum of Art, New York. Apollo, vol.176, no.602, Hans Coper: Sculpture in Architecture. Paper Director, La Providence, The French Hospital, Original Replicas: The Victoria & Albert Museum’s October 2012, pp.98–99 delivered at the conference, Ceramics and Rochester, Kent Electrotype Type Patterns. Paper delivered at the Sculpture: Different Disciplines and Shared study day held in connection with the exhibition, ‘An exercise of virtue’: Mosaics for the South Concerns, organised by Cardiff Metropolitan Curatorial Advisor and Trustee, Handel House Victorian Electrotypes: Old Treasures, New Kensington Museum. Lecture delivered as part of University and National Museum Wales, held Museum Technology, at the Metropolitan Museum of Art, the Mosaics Forum 2012, organised by the British at National Museum Wales, Cardiff, 5 July 2012 New York, 26 March 2012 Association of Modern Mosaicists (BAMM), held Trustee, the Idlewild Trust at the V&A, 27 October 2012 Selection committee member, Collect 2013 (Crafts Council) Trustee, Huguenot Heritage, New York DEPARTMENT THEATRE & PERFORMANCE Editorial Advisory Board member, Journal of The Minton Art Pottery Studio 1871-75. The Annual BAILEY, KATE Modern Craft Cumming Foundation Lecture delivered at the Paper on designing for performance at the V&A, Gardiner Museum, Toronto, 3 October 2012 delivered at the symposium accompanying the Editorial Advisory Board member, Interpreting exhibition, Staging Space, organised by the V&A Ceramics, electronic journal Committee member, Decorative Arts Society and the Society of British Theatre Designers, held at the V&A, 30 March 2012 External examiner, BA 3D Design: Ceramics, Bath Committee member, Glass Association Spa University Space and Light: Edward Gordon Craig. Paper YOUNG, HILARY delivered at a seminar for the European partners External examiner, BA Ceramics, Cardiff European responses to Chinese porcelain: of the Intersection project, Prague Quadrennial Metropolitan University technology, design and trade; and [24 catalogue 2011, held at the V&A, 28 March 2012 entries]. In: Lu Zhangshen, chief ed. Passion for JONES, CATRIN Porcelain: Masterpieces of Chinese and European Bailey, Kate and Crawley, Greer. Gormley to Painted luxury: imitations as decoration on Sèvres Ceramics from the British Museum and the Gaga: Transformation & Revelation: Design for porcelain. Paper delivered at the symposium in Victoria & Albert Museum. Beijing: Zhonghua shu Performance. London: V&A, 2012. 48 p., col. ill. honour of Dame Rosalind Savill, organised by ju, 2012, pp.30–38. ISBN 9787101086904 ISBN 9781851776863 the French Porcelain Society, held at the , London, 13-14 April 2012 East Asian Export Wares and the Origins of BROACKES, VICTORIA Enamelling on Porcelain in Europe. Paper Designing David Bowie. Arts and Collectors LIEFKES, REINO delivered at the conference accompanying the Magazine, 12 December 2012 László Lukácsi. Neues Glas, no.4, winter 2012, exhibition, Passion for Porcelain, held at the pp.40–45 National Museum of China, Beijing, 23 June 2012 The creation of the iconic musician or the fantasy persona through dress. Paper delivered The making of maiolica. In: Elisa P. Sani, Italian at the study day, Music, Fashion & Fantasy: Renaissance Maiolica. London: V&A, 2012, pp.15–37. from Masquerade to Lady Gaga, organised by ISBN 9781851777068 the Costume Society, held at London College of Fashion, 20 October 2012 Venetian glass on the dining table in Renaissance Italy: 1400-1600. Paper delivered at the conference, Sound and Vision - Rock and Pop exhibitions in a Giornate di Studio sul vetro veneziano: Il vetro museum of art, design and performance. Lecture rinascimentale veneziano, 1500 circa, organised by delivered as part of Cité de la musique, Paris, and held at the Istituto Veneto di Scienze, Lettere 17 November 2012 ed Arti, Venice, 8-10 March 2012 Interview with Robert Elms. Radio broadcast in Editorial adviser, Journal of Glass Studies connection with London Design Festival. BBC Radio London, 13 September 2012 Board member, ICOM International Glass Committee Trustee, Working Families

Board member, Artistic Advisory Council, North Trustee, Kids in Museums Lands Creative Glass Liveryman, Worshipful Company of Goldsmiths Programme Adviser, Conservation-Restoration of Ceramics and Related Materials, West Dean Charities and Grants Committee member, College, University of Sussex Worshipful Company of Goldsmiths

SANI, ELISA P. DORNEY, KATE Italian Renaissance Maiolica. London: V&A, 2012. Staging space: design for performance 1958-1989. 192 p., col. ill., map, ports. ISBN 9781851777068 In: Christopher Breward and Ghislaine Wood, eds. British Design from 1948: Innovation in the WALLIS, REBECCA Modern Age. London: V&A, 2012, pp.186–201 Fact or Fiction: 19th-Century European Interpretations of Islamic Decorative Arts. Past Building Collections: The Librarians and the Tribal in Present. Courtauld Institute of Art. September Scribes. Paper delivered as part of the panel 2012 session, The Once and Future Archive: Capture http://pastinpresent.courtauld.ac.uk/past-in- and Control of Performance Remains, at the present-v/ Shakespeare Association of America Annual Conference, Boston, 6 April 2012 Connecting Past and Present: Curation for Mobile Documenting and storing prompt books. 2012. PRITCHARD, JANE Paintings for Performance: Theatre Cloths in the Digital Devices. Paper delivered at the SIBMAS http://www.performingartscollections.org.uk/ Ballet and dance. In: D.S. Lewis and Wendy Slater, collections of the Victoria & Albert Museum, (International Association of Libraries and resources/practical-solutions-for-collections/ The Annual Register: World Events 2011. Ann London, and the Royal Pavilion Art Gallery and Museums of the Performing Arts) conference, documenting-and-storing-prompt-books/ Arbor; Cambridge: ProQuest, 2012, pp.499–502 Museums, Brighton. Paper delivered at the held at the V&A, 25-26 October 2012 conference, European Painted Cloths C14th - C21st: HUDSON, CLAIRE Chout comes to Perm. Dancing Times, November Pageantry, Ceremony, Theatre and the Domestic Dorney, Kate and Gray, Frances. Played in Britain: The digital museum. In: Lorna M. Hughes, ed. 2012, pp.23–25 Interior, organised by the V&A and the Courtauld Modern Theatre in 100 Plays, app for iPad. V&A, Evaluating and Measuring the Value, Use and Institute of Art, held at the Courtauld Institute of 2012 Impact of Digital Collections. London: Facet Diaghilev and the golden age of the Ballets Russes Art, London, 15-16 June 2012 Publishing, 2012, pp.35–48. ISBN 9781856047203 1909-1929: the exhibition at the V&A, London. In: HAILL, CATHERINE Daniela Rizzi and Patrizia Veroli, Omaggio a Sergej Dancing the Empire: Imperialism on the ballet The evidence before us – music sheets and the ISAAC, VERONICA Djagilev i Ballets Russes (1909-1929): cent’anni stage. Paper delivered at the conference, Race, music hall. The Ephemerist, issue 157, summer The art of costume: highlights from the wardrobe dopo. Salerno: Europa Orientalis, 2012, pp.167–201 Nation and Empire on the Popular Stage, 2012, pp.4–14 of the painter’s actress. Nineteenth Century organised by the Universities of Lancaster Theatre and Film, special edition. From bad fairy to gramophone girl: Ninette de and Birmingham, held at the Storey Institute, Hold it! What a Picture! - Art, Living Pictures and University Press, 2012 Valois’ early career in English popular theatre. Lancaster, 11-14 July 2012 Poses Plastiques on the 19th century stage. Paper In: Richard Cave and Libby Worth, Ninette de Valois: delivered at the conference, Shared Visions: Art, ‘Poets, Lilies and Potatoes’: An initial exploration Adventurous Traditionalist. Alton: Dance Books, Anna Pavlova, Twentieth Century Ballerina. Theatre and Visual Culture in the Nineteenth of Aestheticism and its impact on the operettas 2012, pp.4–12 Lecture delivered at Literary Festival, Century, organised by the Association of Art of Gilbert & Sullivan. Paper delivered at the held at Ivy House, London, 11 September 2012, and Historians, held at the University of Warwick, conference, Fashioning Opera and Musical Theatre: Visualising the operas: designs in the Britten- to the London Ballet Circle, 29 October 2012 11 February 2012 Stage Costumes from the Late Renaissance to Pears collection. In: Judith Legrove, A Musical Eye: 1900, organised by and held at the Fondazione the Visual World of Britten and Pears. London: Le Sacre du Printemps. Lecture delivered to My Chaise Pony Goes On, In Timour The Tartar - Cini, Venice, 29 March-1 April 2012 Artists’ Choice, 2012, pp.106–117 students of the Royal Scottish Conservatoire and The Theatrical World of Charles Dickens of Art, to launch a major project explored through the V&A Archives of Theatre & The Art of Costume: Highlights from the The Iconography of the Ballet at the Alhambra on The Rite of Spring, 5 October 2012 Performance. Paper delivered at the conference, Wardrobe of ‘The Painter’s Actress’. Paper 1884-1912. Paper delivered at the conference, Dickensfest - Victorian Lives in Arts and Archives, delivered at the conference, Shared Visions: Art, Shared Visions: Art, Theatre and Visual Culture Theatre designs in the V&A collections. Lecture held at King’s College London, 28 April 2012 Theatre and Visual Culture in the Nineteenth in the Nineteenth Century, organised by and held delivered to the Friends of Charleston, at Century, organised by the Association of Art at the University of Warwick, 11 February 2012 Charleston, Sussex, 18 October 2012 Patriotic Pirates and a Very English Japan: Race, Historians, held at the University of Warwick, Nation and Empire In The Savoy Operas. Paper 11 February 2012 Picasso and the Ballets Russes. Lecture delivered at Dance on Screen. Lecture delivered to postgraduate delivered at the conference, Race, Nation & Empire Britain, London, 29 February 2012, at Charleston, students at the Department of Dance, University on the Victorian Popular Stage, organised by the Representative for the South East, Dress and Sussex, 15 March 2012, and at The National Gallery of of Roehampton, 27 November 2012 Universities of Lancaster and Birmingham, held at Textile Specialists Network Scotland, Edinburgh, 28 August 2012 the Storey Institute, Lancaster, 11-14 July 2012 Contributions to Ballet goes to the Music Hall. LODWICK, KEITH Cecil Beaton and Theatre. Lecture delivered at Radio broadcast. BBC Radio 3, August 2012 The Lure of Foreign Lands: Life Abroad as Captured Transformations: Johnny Depp; Creative the study day, Cecil Beaton: Photography, Theatre, by Victorian Painting. Paper delivered at a collaborators; Beaton’s Fair Lady; Transformations: Fashion and High Society, organised by and held Contributions to One Man’s War: Lionel Bradley. conference organised by the George Edwardes Robert de Niro; Transformations: Meryl Streep; at the V&A, 17 March 2012 Radio broadcast. BBC Radio 4, 14 October 2012 Musical Comedy Society, held at Westminster The treasure hunt. In: Deborah Nadoolman Reference Library, 16 October 2012 Landis, ed. Hollywood Costume. London: V&A, Ballet, Class and Identity: Political elements Contributions to Black Out Ballet. Radio 2012, pp.80–84, 84–91, 146–149, 158–161, 162–167, in ballet productions at the Metropolitan and broadcast. BBC Radio 4, 10 December 2012 Contributions to item on puppetry, in The Alan 202–211 South London Music Halls. Paper delivered at the Titchmarsh Show. Television broadcast. ITV, symposium, Politics, Performance and Popular Curator of the film season, Anna Pavlova on 9 October 2012 Hidden in Plain Sight: the Making of Hollywood Culture in Nineteenth Century Britain, held at Screen, held at BFI Southbank, London, 11-31 Costume. Paper delivered at the conference the University of Birmingham, 19-20 April 2012 August 2012 Contributions to the programme, Doris Hare. accompanying the exhibition, Hollywood Television broadcast for a series entitled Welsh Costume, organised by and held at the V&A, From tutus to tunics: how dancewear in the studio Committee member, Society for Dance Research Greats. BBC Wales, 11 November 2012 9 November 2012 revealed the body. Paper delivered at The Natural Body Research Seminar, at the International Pritchard, Jane with Hamilton, Caroline. Anna HART, BEVERLEY The Design of Hollywood Costume. Paper Centre for Sports History and Culture, De Montfort Pavlova: Twentieth Century Ballerina. London: “Now you see me, now you....”: Shakespeare in delivered at the SIBMAS (International University, Leicester, 27 April 2012 Booth-Clibborn, 2012 the National Video Archive of Performance at the Association of Libraries and Museums of the V&A. In: Gabrielle Malcolm and Kelli Marshall, eds. Performing Arts) conference, held at the V&A, The Ballets Russes Collections in the Victoria & Locating Shakespeare in the Twenty-First Century. 25-26 October 2012 Albert Museum, London. Paper delivered at the Newcastle-upon-Tyne: Cambridge Scholars symposium held at the Diaghilev Festival, Perm, Publishing, 2012, pp.49–61 Russia, 20 May 2012

The V&A takes Street Art to Libya. Art in Print, Art Street ArtV&A in Print, takes The Libya. to pp.26–27 2012, May-June http://artinprint.org/images/journals/Art_in_ Print_Vol_2_No_2.pdf of) Price, (Review M. David and marvels. Mysteries May- 29 London, at Alma Enterprises Vacui Horror Special History Review Wallpaper 11 July 2010. p.94 2012, Issue, Kusama, of)Yayoi (Review Optical slippage. June 2012. 9 February-5 London, Modern, Tate p.96 2012, Special Issue, History Review Wallpaper icons, Feminist of)(Review Smith, Bob & Roberta p.31 2012, Jan.-Feb. 5, no. vol.1, Art in Print, 2011, http://artinprint.org/images/journals/Art_in_ Print_Vol-1-No-5.pdf Print of) Biennale, The International (Review June 2012, no.2, vol.29, Print Quarterly, Newcastle. pp.221–223 flogging of)(Review and Dinos Chapman: Jake no.4, vol.29, Print Quarterly, a dead horse. pp.445–448 2012, December Ornament prints and contemporary art. March 2012. 2012. March art. contemporary and Ornament prints http://www.vam.ac.uk/b/blog/engraved-ornament- project/ornament-prints-and-contemporary-art Forum Print Curators Member, Fondation Giacometti, Prix Annette Jury member, Alberto et Giacometti Annette LIZ MILLER, and renaissance the medieval Researching class Postgraduate V&A. at collections the as part on Collections delivered of a course held at ofthe Institute Archaeology, Curatorship, 30 January 2012 UCL, College Review Member AHRC Peer GILL SAUNDERS, and Eric Ravilious, Richards J.M. In: Afterword. pp.104–111. 2012, V&A, London: High Street. ISBN 9781851776894 Breward Christopher In: The Ambassador. Art and Magazine: Ambassador The eds. Wilcox, Claire and and Fashion. Textiles British Post-War Promoting pp.104–126 2012, V&A, London: Mini 8th British International In: Thinking small. Council, Printmakers London: Print Exhibition. p.2 2012, (Review of) Allen Staley, The New Painting of the Painting The New of)(Review Allen Staley, Press, University Yale London: Haven; New 1860s. p.72 spring 2012, issue no.27, V&A Magazine, 2011. CATHERINE FLOOD, Art Advertising, & Activism. British Posters: ports. (chiefly col.), ill. 128 p., 2012. V&A, London: ISBN 9781851776764 SARAH GRANT, Art in Print, Four. Printing Paradise Gary Hume: p.24 2012, January-February no.5, vol.2, winter issue no.29, V&A Magazine, Object lesson. p.96 2012, from of) highlights (Review Designed impress: to Art in Museum. Fitzwilliam the Print Collection, pp.28–31 2012, July-August no.2, vol.2, Print, (1747-1823): Templetown Lady Upton, Elizabeth in Georgian cutting and the Noble Amateur Paper at Artthe Feminist delivered History Paper England. and held at by organised the American Conference, in Women Museum of and the National University 2012 8-11 November DC, Washington the Arts, PRINTS SECTION BRYONY BARTLETT-RAWLINGS, and Ornament Prints the 16th century delivered Paper of dissemination the grotesque. in Renaissance Directions New at conference, the of and held at by the University organised Italy, 2012 2 November Edinburgh, April 2012. Mermaids. http://www.vam.ac.uk/b/blog/engraved- ornament-project/mermaids build up to the cloudes. love of your Monuments http://www.vam.ac.uk/b/blog/ June 2012. engraved-ornament-project/monuments-your- love-built-cloudes 2012. November Still Life. http://www.vam.ac.uk/b/blog/engraved- ornament-project/still-life and collection. presentation Ornament for http://www.vam.ac.uk/b/ 2012. December blog/engraved-ornament-project/ornament- presentation-and-collection STEPHEN CALLOWAY, Richard In: note. and Biographical Introduction Twenty-Four a Selected Cabinet of Smith: Shirley 2012. Abbott & Holder, London: Paintings. Recent pp.1–2; 3 p.

vészeti vészeti ű vészet mindenkinek: a Victoria Victoria a mindenkinek: vészet vészeti Múzeum and the Victoria Victoria and Múzeum the vészeti ű ű organised by the William Shipley Group for RSA RSA for Group Shipley William by the organised held at the Medical Society of London, History, 2012 1 November Close Up. Caro: Martina. Julius and Droth, Bryant, 2012. Press, University Yale London: Haven; New ISBN 9780300176032 ports. (some col.), ill. 230 p., Walter. Susan and Liedtke, Jenkins, Julius, Bryant, the Gainsborough: Dyck, Van Rembrandt, York: New London. House, of Kenwood Treasures ill. col. p., 54 2012. of Arts, American Federation ISBN 9781885444417 of Public Collections of Graphic Art, held at the Art, of Graphic Collections of Public 2012 May 30 Vienna, Albertina, 7 Case House Museums: Historic Re-presenting Houston, at Rienzi, delivered Lecture Studies. 25 June 2012 at delivered Lecture Kenwood. Bequest, The Iveagh 26 June 2012 Houston, Arts, the Museum of Fine for Center Yale at delivered Lecture Close Up. Caro: 18 October 2012 British Art, ArtFine Exhibition. at the 1862 International Almost at conference, the delivered Paper of 1862, Exhibition the International Forgotten: ISBN 9786155217043 Paper 1837-2012. V&A, ofThe Changing Aims the The History and at the conference, delivered by organised of ArtFuture Design Museums, and der und Austellungshalle and held at Kunst- the 19-21 January Bonn, Deutschland, Bundesrepublik 2012 at the Art delivered Lecture Today. V&A The 2012 23 February Australia, Gallery of Ballarat, Access Printto Rooms. Public Encouraging at bi-annual meeting ofthe the delivered Paper of Keepers Advisory Committee International BRYANT, JULIUS BRYANT, The Iparm Origins and Ambitions. & Albert Museum: 2012, September no.5, vol.3, Review, Hungarian pp.109–115 M [Editor]. Iparm Budapest: & Albert Museum. ports. plans, col.), (chiefly ill. : p. 279 2012. Múzeum,

WORD & IMAGE DEPARTMENT Swiss Rolls. (Review of) Helen Bieri Thomson, ed. English limning of the 16th-17th centuries. In: Drawing in Britain: technique and purpose. Organiser of the study day, Cecil Beaton: Papiers peints, poésie des murs. Les collections du Olga Dmitrieva and Tessa Murdoch, eds. The Seminar delivered to students on the MA course, Photography, Theatre, Fashion & High Society, Musée national Suisse. Lausanne, 2010. Wallpaper ‘Golden Age’ of the English Court: from Henry VIII Drawing, Representation and the Circulation of held at the V&A, 17 March 2012 History Review Special Issue, 2012, pp.88–89 to Charles I. Moscow: Kremlin Museums, 2012, Knowledge in the Global Eighteenth Century, at pp.230–277 the Courtauld Institute of Art, London, 18 October Cecil Beaton: The Man. Lecture delivered at the Street Art. Lecture delivered on the occasion of 2012 study day, Cecil Beaton: Photography, Theatre, the opening of the touring exhibition, Street Art DEBENEDETTI, ANA Fashion & High Society, held at the V&A, 17 March from the V&A, London, and Libya, at the Dar Al Member, Subject Specialist Network for European Guest curator, 2012 Fagi Hassan Art Gallery, Tripoli, 11 April 2012 Paintings Pre-1900 Advisory Committee member, AHRC FuzzyPhoto From the Street to the Museum: Street Artists and EVANS, MARK Project, De Montfort University Printmaking. Lecture delivered to accompany the (Letter about) Veronese’s portrait of Sidney. PHOTOGRAPHS V&A touring exhibition, Street Art: Contemporary Burlington Magazine, vol.154, no.1315, October GIVENS, ASHLEY Prints from the V&A, at The Civic, Bradford, 28 April 2012, p.712 [Contributions]. In: Juliet Hacking, ed. Photography: 2012, and at Tullie House Museum and Art Gallery, SECTION the Whole Story. London: Thames & Hudson, 2012 Carlisle, 3 October 2012 Raphael and Grünewald (Review of exhibition) BARNES, MARTIN Himmlischer Glanz: Raffael, Duerer und Gruenwald The Channel / The North Sea. In: Sense of Place: KNIERIM, FABIAN Recording Britain: nostalgia, national identity Malen die Madonna, at Gemaeldegalerie, Dresden European Landscape Photography. Munich; New DADA; The Düsseldorf School. In: Juliet Hacking, and the spirit of place. Paper delivered at the (6 September 2011-8 January 2012). Burlington York: Prestel, 2012, pp.16–18 ed. Photography: the Whole Story. London: symposium, Recording Britain, organised by Magazine, vol.154, no.1306, January 2012, pp.58–60 Thames & Hudson, 2012, pp.192–195; 440–443. and held at the V&A, 20 April 2012 [Essay]. In: Daniel Naudé: Animal Farm. London: ISBN 9780500290453 Emperor Maximilian I (Review of exhibition) Prestel, 2012 ‘Lovely to look at and lively to read’: the story of Emperor Maximilian I and the Age of Dürer, Knierim, Fabian and Pohlmann, Ulrich, eds. Floris High Street by J.M. Richards and Eric Ravilious. Albertina, Vienna. Burlington Magazine, vol.154, Foreword. In: Resistance: Subverting the Camera. Neusüss: Traumbilder: Fotografien 1958 bis 1983. Lecture delivered at the symposium, Artists and no.1317, December 2012, pp.869–871 London: Fine Art Society Contemporary, 2012, p.1 Ostfildern: Hatje Cantz, 2012. 232 p., ill. Writers: A Symbiotic Relationship, held at Burton ISBN 9783775733588 Art Gallery, Bideford, Devon, 12 November 2012 (Review of) Leo Gooch, A Complete Pattern of Hold and release: Blaffert & Wamhof’s ‘JHQ’. Nobility: John, Lord Lumley (c.1534-1609), Rainton In: Blaffert & Wamhof, JHQ. Salzburg: Fotohof LEDERMAN, ERIKA A book of shops: High Street by Eric Ravilious. Bridge: University of Sunderland Press, 2009. Edition, 2012 Photography and tourism; Street photography. Lecture delivered at the study day, Eric Ravilious, Journal of the History of Collections, 2012, 2 p. In: Juliet Hacking, ed. Photography: the Whole organised by and held at the V&A, 17 November Introduction. In: Home Dartmoor: Garry Fabian Story. London: Thames & Hudson, 2012, pp.88–91; 2012 (Review of) Yvette Bruijnen, Jan Rombouts, the Miller. Newton Abbot: Filtow, 2012, pp.19–21 288–295. ISBN 9783791347349 discovery of an early sixteenth-century Master Street Art in Libya. Radio interview for BBC World in Louvain. Burlington Magazine, vol.154, no.1307, Introduction. In: Peter Marlow, The English Victoria and Albert Museum / Elsbeth Juda. Service, 5 April 2012 February 2012, p.125 Cathedral. London: Merrell, 2012. Photomonitor. May 2012. ISBN 9781858945903 http://www.photomonitor.co.uk/2012/05/ Trustee, Wallpaper History Society John Constable and the History of Art. Lecture elsbeth-juda-2/ delivered to accompany the V&A touring Shadow Catchers: Camera-less Photography. Editorial Board member, Wallpaper History Review exhibition, The Art of Seeing Nature: the Oil London: Merrell, 2012. 206 p., ill. (chiefly col.), ports. WEISS, MARTA Sketches of John Constable, at Princeton ISBN 9781858945927 Light from the Middle East: New Photography. Saunders, Gill with Kuittinen, Riikka. Shared University, 17 March 2012, at the Frist Center Gottingen; London: Steidl in association with V&A Streets. Printmaking Today, autumn 2012, p.14 for the Visual Arts, Nashville, 22 June 2012, at Notes on Nicholas Hughes’ ‘Aspects of Cosmological Publishing, 2012. 180 p., ill. ISBN 9783869305578 the Kunsthistorisches Museum, Vienna, 26 Indifference’. October 2012. Saunders, Gill with Cooksey, Thomas. Out of Africa. September 2012, and at , Hampstead, http://www.photomonitor.co.uk/2012/10/notes- Photography and the Arts; John Robert Parsons, V&A Magazine, issue no. 29, winter 2012, p.15 9 November 2012 on-nicholas-hughes-aspects-of-cosmological- Jane Morris in Rossetti’s Garden, 1865; Oscar indifference/ Gustaf Rejlander, Two Ways of Life, 1857. In: Juliet TIMMERS, MARGARET Evans, Mark, Costaras, Nicola, Turnbull, Rachel Hacking, ed. Photography: the Whole Story. A Century of Olympic Posters. 2nd ed. London: and Wilson, Lara. The Triptych of the Apocalypse BROWN, SUSANNA London: Thames & Hudson, 2012, pp.112–119. V&A, 2012. 144 p., col. ill. ISBN 9781851776986 by Master Bertram. Burlington Magazine, vol.154, Early fashion photography; Miss Nancy Beaton as ISBN 9780500290453 no.1313, August 2012, pp.536–543 a shooting star by Cecil Beaton; Mainbocher corset by Horst P. Horst; Post-War fashion photography; Art and Industry: Portraiture, Albums and Art OWENS, SUSAN Dovima with elephants by ; Photography. Lecture delivered as part of the Ecorché drawings by Edwin Landseer. Burlington Fashion and style; Kate Moss, underexposure by evening course, The Art of Photography, held PAINTINGS SECTION Magazine, vol.154, no.1310, May 2012, pp.337–344 Corinne Day. In: Juliet Hacking, ed. Photography: at the V&A, 1 May 2012 COOMBS, KATHERINE the Whole Story. London: Thames & Hudson, 2012, British Watercolours 1750-1950. London: V&A, Topographical drawings of the Lower Lea Valley. pp.260–263; 264–265; 266–267; 342–345; 346–347; Light from the Middle East: New Photography. 2012. 144 p., col. ill. ports. ISBN 9781851777075 London Gardener, vol.16, 2012, pp.50–54 488–491; 492–493. Paper delivered at the colloquium, Photography ISBN 9780500290453 at the Arab Crossroads, organised by and held at New York University, Abu Dhabi, 13-16 May 2012 Lewis Carroll and Photography. Lecture delivered Process and Transformation: Design Drawings We shall not be silenced: ephemera as a record at the study day, Introducing Lewis Carroll, in the V&A collections. Paper delivered at the NATIONAL ART of the struggle against apartheid in South Africa. organised by and held at the V&A, 26 May 2012 symposium, Drawing and Making: The Elements The Ephemerist, no.158, autumn 2012, pp.20–22 of Creativity, organised by and held at Edinburgh LIBRARY Panel discussion coordinator and moderator, Light College of Art, 7 December 2012 FLYNN, MARTIN We shall not be silenced: ephemera as a record from the Middle East Artists in Conversation, Art libraries. In: John Bowman, ed. British of the struggle against apartheid in South Africa. held to accompany the exhibition, Light from the Exhibitions as Design Residencies at the V&A. Paper Librarianship and Information Work 2006-2010. Paper delivered at the study day, Black ephemera: Middle East: New Photography, at the V&A, 13 delivered at the ResArtis biannual conference, London: the editor, 2012, pp.207–223 depictions of people of African descent, organised November 2012 organised by Tokyo Wonder Site and held at United by the Centre for Ephemera Studies at the Nations University, Tokyo, 27 October 2012 Cerrando la Brecha: cómo maximizar el potencial de University of Reading, 4 July 2012 la innovación tecnológica para el descubrimiento y The Future . Lecture delivered as la diffusion de la inforrmación sobre arte. In: Elena Council member, The Ephemera Society DESIGNS SECTION part of the seminar, The Museum of the Future, Roseras Carcedo, ed. Gestión de la Innovación y organised by the National Museum of Norway Nuevas Estragias de Investigación y Diffusion del WATSON, ROWAN THOMAS, ABRAHAM and held at the Astrup Fearnley Museum, Oslo, Fondo Documental Artístico. Gijón: Ediciones Trea, Art publishing and the leisure market, from the Colour printing and design reform: Owen Jones 6 November 2012 2012, pp.113–126 1840s to the 1870s. In: Robin Myers, Michael Harris and the birth of chromolithography. In: Robin and Giles Mandelbrote, eds. Publishing the Fine Myers, Michael Harris and Giles Mandelbrote, eds. Heatherwick Studio: Design Process. Lecture Lost in translation: the challenges of and Applied Arts, 1500-2000. London: British Publishing the Fine and Applied Arts, 1500-2000. delivered as part of the session, Beyond Convention: multilingualism. Art Libraries Journal, vol.37, no.3, Library, 2012, pp.127–156 London: British Library, 2012, pp.101–126 Objects and Environments, on the V&A year course, 2012, pp.41–43 Art and Design 1900-2012, 17 June 2012 (Review of) The best of both worlds: finely Curated diary. In: Johnny Tucker, ed. Blueprint (Review of) Ken Soehner. Back to the source: the printed livres d’artistes, 1910-2010. Jerry Kelley, Magazine. London: Progressive Media The architectural development of the Albertopolis National Art Library at the South Kensington Riva Castleman and Anne H. Hoy, eds. New York: International, October 2012, pp.52–53 cultural campus in South Kensington. Television Museum and the development of the American Grolier Club; Boston: David R. Godine, 2011. Print broadcast for the programme, Flog It (Series 11). art museum library. ARLIS keynote conference Quarterly, vol.29, no.3, 2012, pp.327–329 James Wild, Cairo and the South Kensington BBC Two, 23 November 2012 speech 27 June 2012. ARLIS News-Sheet, no.219, Museum. In: Mercedes Volait, ed. Le Caire: Dessiné Sept.-Oct. 2012, p.9 (Review of) Illuminated manuscripts in Cambridge. et Photographié au XIXe Siècle. Paris: Picard and Judging panel, FX International Interior Design A catalogue of western book illumination in the Institut National d’Histoire de l’Art, 2012, pp.41–68 Awards 2012 Organiser of the conference, Integrating Access Fitzwilliam Museum and the Cambridge Colleges. to Art Resources - Boon or Bane?, organised by the Part Two, volumes one and two: Italy and the Photography and graphic design: ‘just a job lot’. Committee member, London Festival of Art Libraries Section of IFLA as part of the World Iberian Peninsula, edited by Nigel Morgan, Stella In: Claire Wilcox and Christopher Breward, eds. Architecture Libraries and Information Congress, Helsinki, Panayotova and Suzanne Reynolds. London: The Ambassador Magazine: Promoting Post-War 11 August 2012 Turnhout: Harvey Miller Publishers, 2011. Burlington British Textiles and Fashion. London: V&A, 2012, Academic adviser, MA Culture, Criticism and Magazine, vol.154, no.1317, December 2012, p.847 pp.44–95 Curation, validation panel, Central Saint Martins, Secretary, Art Libraries Section, International University of the Arts London Federation of Library Associations (IFLA) (Review of) Royal Manuscripts: the genius of Thomas Heatherwick: Designing the Extraordinary. illumination [an exhibition at the British Library]. London: V&A, 2012. 1 folded sheet (4 p.), ill. THUNDER, MOIRA Web and Communications Manager, Museum Burlington Magazine, vol.154, no.1309, April 2012, The V&A’s Collection of Designs by Pugin. Lecture Librarians and Archivists Group pp.287–289 The Red House and Arts & Crafts Architecture. delivered at the study day, A. W. N. Pugin: A Passion Lecture delivered as part of the term course, for Gothic, organised by Ayla Lepine, Andrew W HOPSON, JONATHAN Bindings in The National Art Library: its historic Iconic Buildings: From the Renaissance to Mellon Research Forum Postdoctoral Fellow at [Catalogue entries]. In: Olga Dmitrieva and Tessa and modern collections. Lecture delivered to the Postmodernism, organised by and held at the The Courtauld Institute of Art, held at the V&A, Murdoch, eds. The ‘Golden Age’ of the English Designer-Bookbinders, at the Art Workers Guild, V&A, 15 May 2012 10 November 2012 Court: from Henry VIII to Charles I. Moscow: London, 14 January 2012 Kremlin Museums, 2012, pp.88, 98, 100 & 106 Owen Jones and the Cult of the Alhambra. Paper Object in Focus: Man’s Banyan. HERA, Fashioning Books of Hours and the advent of printing. delivered at the symposium, Revival: Utopia, the Early Modern: Innovation and Creativity in LAWS, EMMA Contribution to a course on The Medieval Book, Identity, Memory, organised by and held at the Europe 1500-1800. March 2012. The Secret Success of Peter Rabbit. Lecture delivered part of the MA in the History of the Book, Courtauld Institute of Art, London, 20 June 2012 http://www.fashioningtheearlymodern.ac.uk/ (by Elizabeth James) at the symposium, Yours Institute of English Studies, School of Advanced object-in-focus/mans-banyan/ Sincerely, Beatrix Potter: Letters and Librarians, Study, University of London, 21 March 2012 Panel discussion with artist Nao Matsunaga, to organised by the Beatrix Potter Society and held accompany the exhibition, My Primal Memory, Associate of the Museums Association (AMA) at the Morgan Library & Museum, New York, 16-17 Hans-Peter Feldmann: books and objects. Lecture organised by and held at the Daiwa Anglo- November 2012 delivered as part of a series accompanying the Japanese Foundation, London, 13 November 2012 Mentor, Museums Association exhibition, Hans-Peter Feldmann, organised by and SUTHERLAND, DEBORAH held at the Serpentine Gallery, London, 28 April 2012 Projects by Heatherwick Studio: 1992-2012. Lecture Pro Dva Kvadrata; The Red Letter Shakespeare; delivered as part of the Modern and Contemporary Timothy McSweeney’s Quarterly Concern. In: Charles Dickens and his manuscripts. Lecture Art seminar series, organised by and held at The Phaidon Archive of Graphic Design. London: delivered at the postgraduate seminar of the the Faculty of Architecture and History of Art, Phaidon, 2012, pp.E001; C011; L030. Department of English, Bangor University, 23 May University of Cambridge, 29 November 2012 ISBN 9780714848679 2012 CONTEMPORARY SECTION The manuscripts of Charles Dickens novels. CHARLES, KAIA Paper delivered at the conference, Dickens and MUSEUM ARCHIVES Charles, Kaia, Bancroft, Anne, Saunders, Gill and Childhood, organised by the Museum of Childhood MARSDEN, CHRISTOPHER Oniri, Liz. Organisers of the symposium, Curating with the English Association and the Dickens Godfrey Sykes and his studio at the South the Black Diaspora, held at the V&A, 16 November Fellowship, and held at the Museum of Childhood, Kensington Museum. Paper delivered at the 2012 18 June 2012 conference, Artists work in the museum: histories, interventions and subjectivity, organised by the PARKER, LAUREN Manuscripts and calligraphy at the V&A. Lecture V&A and the Museums and Galleries History Organiser of the conference, Running with Scissors: delivered at the AGM of the Society of Scribes Group, held at the V&A, 12-13 October 2012 Design & Risk, held at the V&A, 27 March 2012 and Illuminators, held at the Art Workers Guild, London, 13 October 2012 SHANNON, LOUISE The Cult of the Lab: A Nation of Inventors. In: Member, British Academy Neil Ker Memorial Fund Christopher Breward and Ghislaine Wood, eds. DIGITAL COLLECTIONS British Design from 1948: Innovation in the Academic Committee member, Institute of Modern Age. London: V&A, 2012, pp.288–305. English Studies, School of Advanced Study, AND SERVICES ISBN 9781851776740 University of London DODDS, DOUGLAS Mark Wilson: Code Matrix 1985-2012. Cologne: WHITLEY, ZOE Watson, Rowan, with Stratford, Jenny. Books Digital Art Museum, 2012. Exhibition catalogue. Conspicuous absences: branding and unbranding of Hours. Course run as part of the London 20 p. the black body. The Ephemerist, no.158, autumn Palaeography Summer School, organised by the 2012, pp.31–33 Institute of English Studies, School of Advanced Member, Future of Art Bibliography Project, Getty Study, University of London, 20-21 June 2012 Research Institute [Entries]. In: The Phaidon Archive of Graphic Design. London: Phaidon, 2012, pp. B030; E062; Watson, Rowan, with Goldman, Paul. Illustration HIBBARD, RUTH F042; I033; I047; I058 & K001. ISBN 9780714848679 and its technologies: an introduction. Course run [Catalogue entries]. In: Olga Dmitrieva and Tessa as part of the London Rare Book School, organised Murdoch, eds. The ‘Golden Age’ of the English by the Institute of English Studies, School of Court: from Henry VIII to Charles I. Moscow: Advanced Study, University of London, 2-6 July 2012 Kremlin Museums, 2012, pp.94, 96, 104 & 240

WILLIS, FRANCES Organiser of the conference, For What It’s Worth… Fantasy and fairytales in children’s books from valuations for museums, organised by the UK the V&A collections. Lecture delivered at the Registrars Group, held at Manchester Art Gallery, workshop, Storybooks and Stilettos: Paper Craft, 19 April 2012 organised by and held at the V&A, 13 January 2012 Organiser of the conference, Pick & Mix Event, Cover designs on Dickens books for the children’s covering topics including Legal Issues for Registrars market. Lecture delivered at the workshop, Iconic and Security and Art Thefts in Museums, organised Design: Book Covers, organised by and held at the by the UK Registrars Group, held at the Horniman V&A, 10 March 2012 Museum, London, 13 July 2012

A history of the moveable book. Lecture delivered Organiser of the conference, The Relay Race at the workshop, Unlocking the Archives: Pop-up - Exhibitions in 2012, organised by the UK Books, organised by and held at the V&A, Registrars Group, held at The , 8 September 2012 London, 24 September 2012

Ex officio committee member, Beatrix Potter Associate of the Museums Association (AMA) Society Committee member, UK Registrars Group Acting Secretary, Linder Trust LENZ, MELANIE Digital Acquisitions. V&A Magazine, issue no.29, winter 2012, pp.76–77

Transformations: Digital Prints from the V&A Collection. Lecture delivered at Great Western Hospital, Swindon, to accompany the exhibition of the same title, 7 September 2012

V&A, 9 November 2012 9 November V&A, Gus Wood the Punch Professor. 22 May 2012. 22 May Professor. Punch the Wood Gus http://collectingchildhood.wordpress.com/ 26 June 2012. Magazine. Child Education http://collectingchildhood.wordpress.com/ 21 July 2012. Late. Never Absent, Never http://collectingchildhood.wordpress.com/ in the East End. Village An Irish-Cockney 12 August 2012. http://collectingchildhood.wordpress.com/ Teachers. and Pupil Punishments Prizes, 2012. 4 November http://collectingchildhood.wordpress.com/ RUTH SLANEY, Museum Birmingham Lives, of)(Review Children’s May issue 112, Journal, Museums and Art Gallery. pp.46–492005, SARAH WOOD, a Book of Childhood Museum of Childhood: (chiefly col.), ill. 112 p., 2012. V&A, London: Things. ISBN 9781851777037 ports. Museum ofV&A the houses from Dolls’ at a workshop delivered Lecture Childhood. and room furniture miniature on constructing with the in collaboration organised settings, and held at the Dollshouse Festival, Kensington

discussion as part of the project and residency, discussion as part of the project and residency, The , held at Home, Collecting 26 January 2012 , Advisory Board member, British Academy research research Academy British member, Board Advisory An Archive Play: Childhoods and project, ESTHER LUTMAN, V&A the from Highlights Made in England: delivered Museum of Childhood Doll Collection, public evening Thursday as partThird of the by the Sainsbury series organised Institute lecture held at the Study of Art Japanese for and Culture, 2012 14 November Norwich, the Assembly House, of (AMA) Associate the Museums Association ALICE SAGE, Panel and Imagination. Objects in our Lives Playing religion. V&A Magazine, issue no.28, issue no.28, V&A Magazine, religion. Playing summer 2012 delivered and workshop Lecture War. at Playing 12 July 2012 London, Library, Wiener at the accompany to delivered Lecture Worlds. Magic as of V&A the same exhibition touring title, the of the Mind, Festival part University’s of September 27 Sheffield, Museum, Park Weston at 2012 Television history of and games. toys General that Toys The entitled a programme broadcast for 2012 December Two, BBC Made Christmas. pp.222–239 IEUAN HOPKINS, winter issue no.29, V&A Magazine, A scar is born. p.78 2012, at delivered Lecture and Design the Archive. Toy Fair, Toy held at UK students, design a seminar for 26 January 2012 London, Olympia, of Organisers Sarah. Wood, and Ieuan, Hopkins, held at the Museum Action Man, the study day, 2012 10 November of Childhood, CATHERINE HOWELL, HARRIS, RHIAN HARRIS, and shifting childhood 1948-2012 Modern British pp.12–14 2012, issue 54, Outlook, of play. patterns of childhood: and representations Museums Museum and the on reflections the Foundling Darian Kate In: ofV&A Museum Childhood. Childhood Children, eds. Pascoe, Carla Smith and 2012, Routledge, London: Heritage. and Cultural

MUSEUM OF CHILDHOOD RESEARCH DEPARTMENT ADAMSON, GLENN The Attack of the Blob: Glass Art and the Will to Objects of Globalisation: Tracing Material Backstage antics. In: Jorunn Veiteberg, ed. Kjell Form. Strattman Lecture, delivered at the Glass Connections in the Renaissance. Keynote paper Rylander: Archive. Bergen: Bergen Academy of Art Art Society annual conference, held at the Toledo delivered at the conference, ‘Infinite riches in and Design; Gustavsberg: Gustavsberg Konsthall, Museum of Art, Toledo, Ohio, 13-17 June 2012 a little room’: Collecting as a Cultural Practice 2012 and Literary Theme in Antiquity, the Middle Goodbye Craft. Keynote address, delivered at Ages and Renaissance, the Annual International Balancing act: Margaret De Patta and the symposium, Nation Building: Craft and Conference of the Taiwan Association of Constructivism. In: Ursula Neumann, ed. Space Contemporary American Culture, organised by Classical, Medieval and Renaissance Studies, Light Structure: The Jewelry of Margaret De Patta. the Renwick Gallery in conjunction with the organised by and held at Tunghai University, New York: Museum of Arts and Design, 2012 exhibition, 40 Under 40: Craft Futures, and held Taichung, Taiwan, 26-28 October 2012 at the Smithsonian American Art Museum, Matters of Fact. In: Julian Stair: Quietus: the Vessel, Washington DC, 8-9 November 2012 Figuring Out Techné: Exploring the Status of Death and the Human Body. Middlesborough: the Mechanical Arts in Renaissance Italy. Paper MIMA, 2012 Goodbye Craft: A History of Departures. Keynote delivered at the symposium, Italian Technology address, delivered at the conference, Revival: in a European and Global Context, 15th-20th Implications: the modern pot. In: Garth Clark and Utopia, Identity, Memory, organised by and held Centuries, organised by and held at the European Cindi Strauss. Shifting Paradigms in Contemporary at the Courtauld Institute of Art, 23-24 November University Institute, Badia Fiesolana, Florence, Ceramics. New Haven; London: Yale University 2012 8-9 November 2012 Press; Houston: in association with the Houston Museum of Fine Arts, 2012 Contributions to Paul Martin’s Handmade Material Metamorphoses: Trans-materiality and Revolution. Television broadcast. BBC2, October material mimesis in Renaissance art objects. Metal against the body. In: Susan Cohn, ed. 2012 Paper delivered at the 5th Interim Meeting of Unexpected Pleasures: the Art and Design the ICOM-CC Working Group, Art Technological of Contemporary Jewellery. London: Design Co-editor, Journal of Modern Craft Source Research, held at the Royal Institute for Museum; Skira, 2012 Cultural Heritage, Brussels, 22-23 November 2012 Chair of the Board of Trustees, Crafts Study The old reliable: contemporary British design and Centre, University of the Creative Arts, Farnham Co-convenor of the seminar series, Early Modern the resources of craft. In: Christopher Breward Material Cultures, organised by the V&A and the and Ghislaine Wood, eds. British Design from Member, AHRC Peer Review College Institute of Historical Research, May-June 2012 1948: Innovation in the Modern Age. London: V&A, 2012, pp.306–309 External examiner, Courtauld Institute of Art Co-organiser of the Robert H. Smith Renaissance Sculpture in Context, Scholar in Residence On the move. In: Stephanie Syjuco: Pattern AJMAR, MARTA programme (Prof. Pamela Smith, Columbia Migration. Columbus, Ohio: Museum of Art, 2012 All Arts Are Mechanical: Investigating the common University) and Research Seminars series, May 2012 ground of craftsmanship in Renaissance Italy. Opinion: art and copyright. Art in America, Paper delivered at the seminar, Object Matters: The travelling tankard: Japanese tankard. Global vol.100, no.6, June 2012 interdisciplinary perspectives on material Commodities Network, University of Warwick. culture, organised by the National College of November 2012. Opinion: the passing of a pottery proving ground. Art and Design (NCAD), the Graduate School of http://www2.warwick.ac.uk/knowledge/culture/ Crafts, no.237, July/Aug 2012, pp.28–29 Creative Arts and Media (GradCAM), UCD School globalcommoditiesnetwork/ of Archaeology and the Humanities Institute of Die Postmoderne Kuratieren. In: Postmodernism Ireland, held at Newman House, Dublin, 23 January Member, AHRC Peer Review College aus Schweizer Sicht. Zurich: Schweizerisches 2012, and at the V&A/IHR Early Modern Material Museum, 2012, pp.8–10. ISBN 9783905875331 Cultures seminar, held at the Institute of Historical Selection Panel member, IHR Mellon Fellowships Research, University of London, 23 May 2012 Committee (Art History) The skill factory: workmanship at the RCA. In: The Perfect Place to Grow: 175 Years of the Royal The Material Turn. Paper delivered at the seminar, Member, Faculty of Archaeology, History and College of Art. London: RCA, 2012, pp.55–65 Clothing and the Culture of Appearances in Early Letters, British School at Rome Modern Europe: Research Perspectives, organised Too many teapots? Thoughts on curating by the University of Madrid and Museo del Traje, Scientific Committee member, Centre for the Postmodernism. The Exhibitionist, no.6, June 2012 held at the Fundacion Carlos Amberes, Madrid, History of Innovation and Creativity (Chic), 2-4 February 2012 University of Warwick Wake-Up Call: California Design after 1965. Paper delivered at the symposium, New Narratives for Ajmar, Marta and Guth, Christine, with Checketts, ‘Living in a Modern Way’: California Design at Richard and Buchli, Victory. Organisers of The Mid-Century, organised by and held at Los Angeles Skin and Bone Workshops, research workshops County Museum of Art, 24-25 February 2012 organised by the V&A, University of Leeds and UCL, held at UCL and the V&A, 13 February and 30 April 2012 ASHMORE, SONIA Breward, Christopher and Wood, Ghislaine. Getting under the Skin: Reflections on Japanese Narrativa de la arquitectura actual: La cultura Muslin. London: V&A, 2012. 160 p., ill. (chiefly col.), Introduction; Tradition and Modernity 1945-79; In Tattoos. Paper delivered at a research workshop del diseño y el interior postmoderno. Paper maps, ports. ISBN 9781851777148 the Service of the State: Change and Continuity held as part of the Skin and Bone Workshops delivered at the Congreso Internacional Diseño in Design; Subversion 1955-97; Innovation and series, organised by the V&A, University of Leeds de Interiores: Objetos, Ideas, Poéticas, held at the BARBIERI, DONATELLA Creativity 1963-2012. In: Christopher Breward and and UCL, held at UCL, 13 February 2012 Museo del Patrimonio Municipal, Malaga, Encounters in the Archive: Reflections on Ghislaine Wood, eds. British Design from 1948: 24-26 October 2012 costume. V&A Online Journal 4, Summer 2012 Innovation in the Modern Age. London: V&A, From Copenhagen to Hirado: Material Translations http://www.vam.ac.uk/content/journals/research- 2012, pp.12–27, 30–39, 40–63, 144–155, 256–263. of Hokusai’s Great Wave. Paper delivered at the Territories and Articulations: Design Activism journal/issue-no.-4-summer-2012/encounters-in- ISBN 9781851776740 conference, Things that Connect: Pathways of and its Communication. Paper delivered at the the-archive-reflections-on-costume Materiality and Practice, organised by the Cluster conference, Do We Need Good Design?, held as CAMPBELL, MARIAN of Excellence, Asia and Europe in a Global Context, part of the Graphic Knowledge Fair, Warsaw, Between archive and performance, ambiguities Contributions to Metalworks!: The Blacksmith’s and the Collaborative Research Centre, Material 26-28 October 2012 and absences in creating discourse around Tale. Television broadcast, part of the BBC and Text Cultures, held at Heidelberg University, costume. Paper delivered as the concluding V&A Partnership project, Handmade in Britain. 10-12 October 2012 Barcelona 1986-98 y la Mirada Británica. Paper presentation at the OISTAT (International BBC Four, May 2012 delivered at the seminar, Barcelona 92, una Organisation of Scenographers, Theatre Architects Object Agency: Theoretical Approaches to Japanese olimpiada del diseño, organised by the Fundacion and Technicians) History and Theory Commission Hon. Curator, Cutlers’ Company Mortuary Rites for Inanimate Objects. Lecture Historia del Diseño, held at the Palau de la conference, held at the University of Nevada, Las delivered at the University of Vienna, 30 May 2012 Virreina, Barcelona, 11-12 December 2012 Vegas, 22 March 2012 Collections Committee member, Cutlers’ Company The Social Life of Needles. Lecture delivered at Co-convenor, Social Design Talks, organised with Organiser of the lecture series, Marking the Iron Committee member, Ironmongers’ Company HDK School of Design and Crafts, University the Young Foundation and Policy Connects Paradigm Shift in Design for Performance Through of Gothenburg, Sweden, 20 November 2012, Costume, held at the London College of Fashion, Fellow, Society of Antiquaries and at the Department of Material and Visual Chair and convenor, V&A Design Culture Salon the V&A and the Barbican, 23 April-10 July 2012 Anthropology, Oxford University, 23 November 2012 CROWTHER, LILY Board member, Fundacion Historia del Diseño, The Performativity of Costume. Keynote address, Award Winning British Design 1957-1988. Asian Design: Conceptual and Methodological Barcelona delivered at the conference Traje De Cena, held in London: V&A, 2012. 108 p., ill. (chiefly col.). Frameworks. Lecture delivered at the workshop, São Paulo, Brazil, 18 September 2012 ISBN 9781851776733 Asian Design: Histories, Collecting, Curating, Expert Steering Group member, Design organised by M+ and held at the Asia Society, Commission, Parliamentary Enquiry on Design Encounters in the Archive Research Project. Coventry Cathedral. In: Christopher Breward and Hong Kong, 2-3 December 2012 and the Public Sector Collaboration between the V&A and University Ghislaine Wood, eds. British Design from 1948: http://www.mplusmatters.hk/asiandesign/#/en/ of the Arts London. Innovation in the Modern Age. London: V&A, 2012, topic4intro External examiner, PhD, Nottingham Trent www.encountersinthearchive.com pp.92–95. ISBN 9781851776740 University JULIER, GUY Barbieri, Donatella, with Trimingham, Melissa. The William Bower Dalton: Potter and Teacher. British design consultancy and the creative External examiner, PhD, University of Brighton Embodied Researcher: effecting change through V&A Online Journal 4, Summer 2012 economy. In: Christopher Breward and Ghislaine the body, creative processes, materials and http://www.vam.ac.uk/content/journals/ Wood, eds. British Design from 1948: Innovation in MCSHANE, ANGELA interaction. Lecture delivered at the Barbican’s research-journal/issue-no.-4-summer-2012/ the Modern Age. London: V&A, 2012, pp.310–323. Martin Parker. In: Garrett A. Sullivan Jr. and Summer School as part of the lecture william-bower-dalton-potter-and-teacher ISBN 9781851776740 Alan Stewart, eds. The Encyclopaedia of English series, Marking the Paradigm Shift in Design for Renaissance Literature. Chichester: Wiley- Performance Through Costume, 10 July 2012 Associate of the Museums Association (AMA) Economies of seeing. Journal of Visual Culture, Blackwell, 2012, 2 p. vol.11, no.2, 2012, pp.132–134 BREWARD, CHRISTOPHER GUTH, CHRISTINE PAVITT, JANE Fashion. In F. Trentman, ed. The Oxford Handbook The local and the global: Hokusai’s Great Wave (Review of) Anne Balsamo, Designing Culture: The Input/Output: design research and systems of the History of Consumption. Oxford: Oxford in contemporary product design. Design Issues, Technological Imagination at Work. Design and thinking. In: The Perfect Place to Grow: 175 Years University Press, 2012, pp.618–632. vol.28, no.2, spring 2012, pp.16–29 Culture, vol.4, no.3, pp.387–389 of the Royal College of Art. London: RCA, 2012, ISBN 9780199561216 pp.129–139 Collecting Japanese Prints in America: A Taste for Nada especial? La Pericia del Diseño para el Siglo Boutiques and Beyond: The Rise of British Fashion. Democracy? Paper delivered at the symposium, 21. Paper delivered at the XI Festival Internacional SANDINO, LINDA In: Christopher Breward and Ghislaine Wood, The Dragon and the Chrysanthemum: Collecting de la Imagen, held in Manizales, Colombia, A Curatocracy: who and what is a V&A curator? eds. British Design from 1948: Innovation in the Chinese and Japanese Art in America, organised 16-20 April 2012 In: K. Hill, ed. Museums and Biographies: Stories, Modern Age. London: V&A, 2012, pp.202–219. by the Center for the History of Collecting and Objects, Identities. Woodbridge: Boydell & Brewer, ISBN 9781851776740 the Rockefeller Archive Center, held at The Frick Co-convenor of the panel discussion, Critical 2012. ISBN 9781843837275 Collection, New York, 15-16 March 2012 Pathways in Design Anthropology, at the Royal Breward, Christopher and Wood, Ghislaine, eds. Anthropological Institute Annual Conference, For the Record: [un]official voices at the V&A. British Design from 1948: Innovation in the Materials and Mimetic Desire. Paper delivered held at the British Museum, 8-10 June 2012 Journal of Conservation and Museum Studies, Modern Age. London: V&A, 2012. 400 p., ill. (chiefly at the conference, Inspiring Matter: Innovative Special Issue ‘Voices in (and around) the Museum’, col.), ports. ISBN 9781851776740 Encounters between Science, Art & Design, La Cultura del Diseño en el mundo contemporaneo. vol.10, no. 1. organised by and held at the Royal College of Art, Lecture delivered at the Museo Franz Mayer, http://www.jcms-journal.com/article/view/ 2-4 April 2012 Mexico City, 17 October 2012 jcms.1011208/49 CONSERVATION DEPARTMENT Keeping and Sharing: the paradox of curatorial Picture This: the Black Curator. Paper delivered at the ALLEN, ZOË discourse. Paper delivered at the conference, seminar series Curators in Conversation 6, organised Allen, Zoë and Shah, Bhavesh. In the frame: Cultures of Curating: Curatorial Practices and the by Mother Tongue and CuratorLab/Konstfack, held microclimate frames from the V&A: a case Production of Meaning c. 1650-2000, organised at Konsthall C, Stockholm, 25 April 2012 study. Picture Restorer, the Journal of the British by the Museums and Galleries History Group, Association of Paintings Conservator-Restorers, held at the University of Lincoln, 12-13 July 2012 Auto/Biography and the Need to Make. Paper issue 41, autumn 2012 delivered at the workshop, Small is Beautiful? Visual ‘All human life is here...’: stories from and in the and Material Cultures of Making and Mending, BAMFORTH, NIGEL museum. Paper delivered at the conference, organised by the Small is Beautiful project, held at The Morris Bed; a Kelmscott Gem. Lecture delivered Narrative Matters: Life and Narrative, organised the University of Exeter, 13-14 April 2012 to the Society of Antiquaries, London, 13 December by the American University Paris, the University 2012 of Paris Diderot-Paris 7, and the Centre for Acquisitions Sub-Committee member, Black Interdisciplinary Research on Narrative at St Cultural Archives BANCROFT, ANNE Thomas University, USA, held at the American Preserving intangible integrity. V&A Conservation University Paris, 28 May-1 June, 2012 Advisory Board member, Journal of Fashion, Style Journal, no.60, spring 2012 and Popular Culture http://www.vam.ac.uk/content/journals/ TIERNEY, ELAINE conservation-journal/spring-2012-issue-60/ Clearing Away the Everyday: Preparing and Academic adviser, African Combs: 5000 Years of preserving-intangible-integrity/ Representing Festival in London and Paris, 1660- Culture, Politics and Identity project, Fitzwilliam 1715. Paper delivered at the workshop, Town and Museum, Cambridge Bancroft, Anne, Smith, Sandra and Bashir, Sarah. Gown, organised by the Daily Life and the Capital Recording the sacred integrity: the Victoria & City Research Group, held at Oxford Brookes WINCHESTER, OLIVER Albert Museum. Material Religion: the Journal University, 17 November 2012 A book with its pages always open? In: Richard of Objects, Art and Belief, vol.8, issue 4, 2012, Sandell and Eithne Nightingale, eds. Museums, pp.545–546 TULLOCH, CAROL Equality and Social Justice. Abingdon: Routledge, [Editor]. A riot of our own. London: TrAIN Research 2012, pp.142–155. ISBN 9780415504683 BLYTH, VALERIE Centre, 2012. 20p., ill. Accredited Conservator-Restorer, Institute of WOOD, GHISLAINE Conservation (ICON) It takes a nation of millions to hold us back: British Design 1948-2012. Lecture given for the freedom and the dynamics of the African Decorative Arts Society, 18 April 2012, and for CPD reader, reviewer and mentor, Professional diaspora in Aicha Diallo and Sandrine Micossé- the Art Fund, 25 April 2012, and for NADFAS – Accreditation of Conservator Restorers, ICON Aikins. In: In the Seams: the Aesthetics of Gade valley, 14 June 2012 Freedom Expressed. Stuttgart: Institut für Outside assessor, Conservation Technician Auslandsbeziehungen e.V., 2012, pp.8–15 British Design 1948-2012: Innovation in the Qualification, ICON Modern Age. Lecture delivered at Hay Literary Take a look at it from my point of view. In: Tessa Festival, 10 June 2012 Committee member, Care of Collections group, Jackson and Grant Watson, Kimathi Donkor: ICON Queens of the Undead. London: Iniva, 2012 The Surreal Body: Fetish and Fashion. Lecture delivered at the Costume Institute, Metropolitan BORGES, VICTOR Insert Here: Curating Difference. Paper delivered Museum of Art, New York, 22 June 2012 REMAI: the European Network of Museums at the conference, Disturbing Pasts: Memories, of Islamic Art. V&A Conservation Journal, Controversies and Creativity, organised by and Great Designs of the 20th Century. Lecture no.60, spring 2012 held at the Museum of Ethnology, Vienna, delivered at the Cheltenham Literary Festival, http://www.vam.ac.uk/content/journals/ 20-22 November 2012 10 October 2012 conservation-journal/spring-2012-issue-60/ remai-the-european-network-of-museums-of- Harmonious Possibilities: The Use of Textiles Wood, Ghislaine and Breward, Christopher, with islamic-art/ in the Exhibitions ‘A Riot of Our Own’ and Sparke, Penny. Organisers of the conference, ‘Handmade Tales: Women and Domestic Crafts’. Spaces and Places: British Design 1948-2012, Partner, European Network of Museums of Paper delivered at the Social Fabric symposium, accompanying the V&A exhibition, British Design Islamic Art organised by and held at Iniva, London, 10 March 1948-2012, organised with Kingston University, 2012 held at the V&A, 11-12 May 2012 BURGIO, LUCIA Molecular Spectroscopy in Cultural Heritage: Handmade Tales: Curating Domestic Craft Wood, Ghislaine and Breward, Christopher. Aims Practical Applications in the Daily Life of a Practice. Paper given at the symposium, Disruptive and Ambitions. Paper delivered at the conference, National Museum. Seminar delivered at the Difference: Transnational Craft Dialogues, organised Spaces and Places: British Design 1948-2012, Special Infrared and Raman Discussion Group by The Shape of Things, and held at the School of accompanying the V&A exhibition, British Design meeting, held at Diamond Light Source, Didcot, Museum Studies, University of Leicester, 17 February 1948-2012, held at the V&A, 11-12 May 2012 Oxfordshire, 28 March 2012 2012 Raman analysis of museum objects: advantages, HACKETT, JOANNE JORDAN, FI Mulholland, Richard and Bancroft, Anne. National limitations and practical tips. Lecture delivered Accredited Conservator-Restorer, Institute of Fellow, International Institute for Conservation Paper & Book Conservation Workshop: Preventive at the IRUG Raman Conference, held at the Conservation (ICON) of Historic and Artistic Works (IIC) Measures. Workshop organised by the V&A and Philadelphia Museum of Art, Philadelphia, the Salar Jung Museum, funded by The Bonita 28 September 2012 Professional Associate member, American Accredited Conservator-Restorer, Institute of Trust, and held at the Salar Jung Museum, Institute for Conservation Conservation (ICON) Hyderabad, India, 5-9 November 2012 Project team member, MINIARE (Manuscript Illumination: Non-Invasive Analysis, Research and HALDANE, ELIZABETH-ANNE Jordan, Fi and Rosser-Owen, Mariam. The Alhambra OAKLEY, VICTORIA Expertise), with the University of Cambridge and The use of starch and modified cellulose adhesives Court fire surround. V&A Conservation Journal, Accredited Conservator-Restorer, Institute the Fitzwilliam Museum in Textile Conservation. Lecture delivered to no.60, spring 2012, pp.13–14 of Conservation (ICON) students on the MPhil Textile Conservation course http://www.vam.ac.uk/content/journals/ Honorary Research Fellow, Chemistry at the Centre for Textile Conservation and Technical conservation-journal/spring-2012-issue-60/the- Assessor, Professional Accreditation of Department, University College London Art History, School of Culture and Creative Arts, alhambra-court-fire-surround/ Conservator-Restorers, ICON University of Glasgow, 23 October 2012 Member, IRUG Raman Steering Committee KENEGHAN, BRENDA Fellow, International Institute for Conservation Haldane, Elizabeth-Anne, Glenn, Sarah, Fajardo, UK representative, EUChemMS group for of Historic and Artistic Works (IIC) Editorial board member, Journal of Cultural Heritage Susana and Hillyer, Lynda. RAKSHA - Raising Chemistry for Cultural Heritage Awareness of Textile Conservation in India. External examiner, Graduate Diploma and Editorial board member, ISRN (International Paper delivered by Sarah Glenn at the American Editor, Plastiquarian, Journal of the Plastics Postgraduate Diploma, Conservation of Ceramics Scholarly Research Network) Spectroscopy Institute of Conservation 40th Annual Meeting, Historical Society and Related Materials, West Dean College, Connecting to Conservation: Outreach and University of Sussex Burgio, Lucia, Cesaratto, Anna and Derbyshire, Advocacy, held in Albuquerque, New Mexico, Technical Programming Chair, Design Special Alan. Comparison of English portrait miniatures 8-11 May 2012 Interest Group of the Society of Plastics Engineers Oakley, Victoria, and Smith, Sandra. Displacements using Raman microscopy and other techniques. and relocations: object moves to make study Journal of Raman Spectroscopy, vol.43, issue 11, HEATH, DIANA KITE, MARION collections visible and accessible at the Victoria & 2012, pp.1713–1721 Heath, Diana and Burgio, Lucia. Mahasiddha Fellow, International Institute for Conservation Albert Museum. Paper delivered at the IIC Nordic Virupa: an exploration. V&A Conservation Journal, of Historic and Artistic Works (IIC) Group Conference, Oslo, 15-17 October 2012 COSTARAS, NICOLA no.60, 2012, pp.2–4 The ownership of painted cloths in late medieval http://www.vam.ac.uk/content/journals/ Accredited Conservator-Restorer, Institute of PRETZEL, BORIS England. Paper delivered at the conference, conservation-journal/spring-2012-issue-60/ Conservation (ICON) Pretzel, Boris, Keneghan, Brenda, Blyth, Valerie, European Painted Cloths C14th -C21st: Pageantry, mahasiddha-virupa-an-exploration/ Shah, Bhavesh and Burgio, Lucia. Science Ceremony, Theatre and the Domestic Interior, held Trustee, Museum of Leathercraft Section supports the Public Programme. V&A at the Courtauld Institute of Art, London, 15-16 June Heath, Diana and Clarke, John. A New Image of Conservation Journal, no.60, spring 2012, pp.5–6 2012 the Mahasiddha Virupa - a Major Addition to the Trustee, the Leather Conservation Centre http://www.vam.ac.uk/content/journals/ Corpus of Yongle Bronzes: Conservation and Art conservation-journal/spring-2012-issue-60/ Costaras, Nicola with Young, Christina, organisers Historical Investigations. Paper delivered at the Trustee, the Glove Collections Trust science-section-supports-the-public-programme/ of the conference, European Painted Cloths C14th First Buddhist Art Forum, organised by and held - C21st: Pageantry, Ceremony, Theatre and the at the Courtauld Institute, London, 11-14 April External editor, Costume PUISTO, JOHANNA Domestic Interior, held at the Courtauld Institute 2012, and at the Fifth International Conference Puisto, Johanna and Borges, Victor. Technical of Art, London, 15-16 June 2012 on Tibetan Archaeology and Arts (ICTAAV), held MORRIS, ROISIN considerations on the original casting and the at Shunyi Conference Centre, Beijing, 21-23 Accredited Conservator-Restorer, Institute of conservation of the V&A’s Pórtico de la Gloria. FLEURY, SIMON September 2012 Conservation (ICON) Lecture delivered at the study day, The Pórtico Positive Negative. V&A Conservation Journal, de la Gloria, organised by and held at the V&A, no.60, spring 2012 HUBBARD, CHARLOTTE MULHOLLAND, RICHARD 15 June 2012 http://www.vam.ac.uk/content/journals/ Accredited Conservator-Restorer, Institute of Technical Study and Tacit Knowledge. Paper conservation-journal/spring-2012-issue-60/ Conservation (ICON) delivered at the session, ‘Trading Zones’: Strategies RAMAKERS, HANNEKE positive-negative/ for the Study of Artists and Their Art-Making Tang Dynasty Model of a Horse: a suitable Committee member, Sculpture and Furnishings Practices, at the 100th Anniversary Conference of adhesive for reconstruction. Paper delivered GATLEY, SAM Subcommittee of the Church Buildings Council the College Art Association, Los Angeles, at the conference, Soft, strong and how long? Cutting character: research into innovative 22-25 February 2012 Materials for ceramics and glass conservation, mannequin costume supports in collaboration with JOLLIFFE, ALEXANDER organised by the Institute of Conservation the Royal College of Art Rapid Form Department. Bombay Blackwood. V&A Conservation Journal, “…And I knew damned well what he wanted!”: Ceramics and Glass Group, held at the Merseyside V&A Conservation Journal, no.60, spring 2012 no.60, spring 2012 Deliberate Alteration and Interpretations of Maritime Museum, , 15-16 June 2012 http://www.vam.ac.uk/content/journals/ http://www.vam.ac.uk/content/journals/ Intent in Several Late Sculptures by David Smith. conservation-journal/spring-2012-issue-60/ conservation-journal/spring-2012-issue-60/ Paper delivered at the conference, The Real Thing? Accredited Conservator-Restorer, Institute of cutting-character-research-into-innovative- bombay-blackwood/ The Value of Authenticity and Replication for Conservation (ICON) mannequin-costume-supports-in-collaboration- Investigation and Conservation, organised by and with-the-royal-college-of-art-rapid-form- held at the University of Glasgow, 6-7 December Accredited Member, Restauratoren Nederland department/ 2012 (RN) SERVICES COLLECTIONS MANAGEMENT DOCUMENTATION & Assessor for Accreditation, Restauratoren WADEWITZ, KERSTIN CAVEN, HEATHER Nederland (RN) Cinderella table. V&A Conservation Journal, no.60, The 21st century collection manager - challenges spring 2012 and opportunities at the V&A. Paper delivered SHAH, BHAVESH http://www.vam.ac.uk/content/journals/ at a conference organised by the Fachgruppe Member, Royal Society of Chemistry conservation-journal/spring-2012-issue-60/ Dokumentation im Deutschen Museumsbund, cinderella-table/ held at the Institut für Museumsforschung SMITH, KATY Staatliche Museen zu Berlin, 17 October 2012 Conservation of a child’s fairy costume. WHALLEY, JOANNA V&A Conservation Journal, no.60, spring 2012 [Commissioning Features Editor for the Society Collections Management at the V&A. Lecture http://www.vam.ac.uk/content/journals/ of Jewellery Historians]. Jewellery History Today, delivered on the MA Museum Studies course, conservation-journal/spring-2012-issue-60/ 2012 University of Leicester, 12 December 2012 conservation-of-a-childs-fairy-costume/ Faded Glory: Gemstone Simulants and Advisory Committee member, AHRC FuzzyPhoto SMITH, SANDRA Enhancements. In: IIC Congress, Vienna, Preprints, Project, De Montfort University Editorial. V&A Conservation Journal, no.60, Studies in Conservation, Volume 57, Supplement 1, spring 2012 2012, pp. 313-321 Caven, Heather and Peters, Roxanne. Case study: http://www.vam.ac.uk/content/journals/ http://www.ingentaconnect.com/content/ Getting it Right, Rights Management in Policy and conservation-journal/spring-2012-issue-60/ maney/sic/2012/00000057/A00101s1/art00039 Practice. Paper delivered at the seminar, Latest editorial/ Developments in IP: Law, Policy and Practice Faded Glory: Gemstone Simulants and - An Update for Librarians and Information Smith, Sandra. Conservation at the V&A. Enhancements. Paper delivered at the Professionals, organised by and held at the Lecture delivered at the Worshipful Company 24th Biennial IIC Congress, The Decorative: Chartered Institute of Librarians and Information of Needlemakers, 11 January 2012, and at the Conservation and the Applied Arts, held in Professionals (CILIP), London, 15 May 2012 Worshipful Company of Industrial Cleaners, Vienna, 10-14 September 2012 March 2012 PANTER, VICTORIA Practical Magic: Gemstones and their Settings Panter, Victoria and Peters, Roxanne. Case study: Trustee, Institute of Conservation (ICON) in Renaissance Europe. Paper delivered at the V&A Search the Collections. Paper delivered at conference, The Renaissance Workshop, organised the seminar series, Building Digital Capacity for Accredited Conservator-Restorer, ICON by CHARISMA, held at the British Museum, the Arts, organised by the BBC Academy and Arts 10-11 May 2012, and to the Society of Jewellery Council England, 2 July 2012 Member, Disciplinary panel for Accredited Historians, at the Society of Antiquaries, London, Conservator-Restorers, ICON 26 June 2012

Senior Judge, Nigel Williams Award, ICON Smoke and Mirrors: Gemstones and their Settings in Renaissance Europe. Lecture delivered at Fellow, International Institute for Conservation the Annual International Conference of the of Historic and Artistic Works (IIC) Gemmological Association of Great Britain, 4 November 2012 Fellow, Society of Antiquaries Trustee and Committee Member, Society of Expert Advisor, Art Fund Jewellery Historians

Trustee, Gabo Trust for Sculpture Conservation Fellow, Gemmological Association of Great Britain

External examiner, MSc Conservation, Institute WILLS, SOPHY of Archaeology, UCL Wills, Sophy and Murray, Roger. Moving Meleager. V&A Conservation Journal, no.60, spring 2012 Smith, Sandra, Derbyshire, Alun, and Oakley, http://www.vam.ac.uk/content/journals/ Victoria. Connoisseurship, aesthetics and conservation-journal/spring-2012-issue-60/ ethics: Factors influencing the conservation moving-meleager/ of the decorative arts. Paper delivered at the 24th Biennial IIC Congress, The Decorative: Conservation and the Applied Arts, held in Vienna, 10-14 September 2012 LEARNING DEPARTMENTLEARNING FLOOD, LINDSAY Lectures delivered as part of the V&A High Council member, Engage: the National Renaissance to Baroque Year Course, September- Association for Gallery Education November 2012

GINLEY, BARRY PYE, MATILDA Ginley, Barry, Smith, Heather J.L. and Goodwin, Looking, Thinking, and Dwelling in the Museum: Hannah. Beyond compliance? Museums, disability a brief history. Paper delivered at the conference, and the law. In: Richard Sandell and Eithne Artists Work in the Museum: histories, Nightingale, eds. Museums, Equality and Social interventions and subjectivities, held at the V&A, Justice. Abingdon: Routledge, 2012, pp.59–71. 12-13 October 2012 ISBN 9780415504683 Le Victoria & Albert Museum de Londres et LANG, CAROLINE ses propositions pédagogiques innovantes Design for learning: developing the Sackler dans la médiation des arts et du design. Paper Centre for Arts Education at the V&A. In: From delivered at the conference, Approcher l’oeuvre: Transmission to Interaction: Museum Education entre original et virtuel, quels défis?, held at Spaces. Taipei: Taipei Fine Arts Museum, 2012 Bibliothèque nationale de France, Paris, 5 December 2012 NIGHTINGALE, EITHNE Sandell, Richard and Nightingale, Eithne, eds. Pye, Matilda and Sandino, Linda. Organisers of the Museums, Equality and Social Justice. Abingdon: conference, Artists Work in the Museum: histories, Routledge, 2012. 344 p., ill. ISBN 9780415504683 interventions and subjectivities, held at the V&A, 12-13 October 2012 Sandell, Richard and Nightingale, Eithne. Introduction. In: Richard Sandell and Eithne Nightingale, eds. Museums, Equality and Social Justice. Abingdon: Routledge, 2012, pp.1–9. ISBN 9780415504683

Nightingale, Eithne and Mahal, Chandran. The heart of the matter: integrating equality and diversity into the policy and practice of museums and galleries. In: Richard Sandell and Eithne Nightingale, eds. Museums, Equality and Social Justice. Abingdon: Routledge, 2012, pp.13–37. ISBN 9780415504683

NUTTALL, PAULA Reconsidering the Nude: Northern tradition and Venetian Innovation. In: S. Lindquist, ed. The Meanings of Nudity in Medieval Art. London: Ashgate, 2012, pp.299–318

Perugino and Netherlandish Painting. Keynote lecture delivered at the scholars’ day for the exhibition, Perugino, Rafaels Meister, organised by the Alte Pinakothek and the Ludwig Maximilians Universität, and held at the Ludwig Maximilians Universität, Munich, 9 January 2012

The Arts of Florence and Central Italy. MA course taught at the Courtauld Institute of Art, London, Autumn Term 2012

Lectures and seminars delivered as part of the V&A Late Medieval to Early Renaissance Year Course, February-July 2012 OTHER V&A STAFF DAVEY, JEMMA (EXHIBITIONS & LOANS Committee member, Association for Historical DEPARTMENT) and Fine Art Photography Davey, Jemma and Patterson, Angus. Fashionably dated: a ‘Landsknecht’ candlestick at the Victoria Stevenson, James, and Jimenez, Carlos. 3D image and Albert Museum. Journal of the Antique modelling of cultural objects in the V&A museum. Metalware Society, vol.20, June 2012, pp.34–41 Seminar delivered to accompany the 3D-COFORM exhibition, held at the University of Brighton LEWIS, ANDREW (DIGITAL MEDIA DEPARTMENT) Gallery, 22 August 2012 Practical experiences of evidence-based change management using Google Analytics. Paper TOWNSEND, ELEANOR (EXHIBITIONS & LOANS delivered at the MuseumNext 2012 conference, DEPARTMENT) held at Centre de Cultura Contemporània de ‘Naked came I out of my mother’s womb, and Barcelona, 23-25 May 2012 naked shall I return thither’: images of death and suffering on the Placebo page of Margaret of Technology Projects: What could possibly go Foix’s hours. Paper delivered at the conference, wrong? Paper delivered at the Museum Computer Mortality and Imagination: The Life of the Dead in Network 2012 conference, Seattle, 7-10 November the Middle Ages and the Renaissance, organised 2012 by the South African Society for Medieval and Renaissance Studies, held at Mont Fleur, Committee member, UK Museums Computer Stellenbosch, 30 August-2 September 2012 Group

Programme Selection Committee member, Museums and the Web conference

Programme Selection Committee member, MuseumNext conference

ROSE, MATTHEW (TECHNICAL SERVICES DEPARTMENT) Rose, Matthew and Mifsud, Dan. Re-housing alabasters: an altarpiece framework mount. V&A Conservation Journal, no.60, spring 2012 http://www.vam.ac.uk/content/journals/ conservation-journal/spring-2012-issue-60/ re-housing-alabasters-an-altarpiece-framework- mount/

SAFER, SAMANTHA (VAE RETAIL) Modern British Designers. London: V&A, 2012. 66 p., chiefly col. ill. ISBN 9781851776818

STEVENSON, JAMES (PHOTOGRAPHIC SERVICES DEPARTMENT) 3-D scanning of museum objects: the 3D-COFORM project. Paper delivered at the SIBMAS (International Association of Libraries and Museums of the Performing Arts) conference, held at the V&A, 25-26 October 2012

Claude Cahun, an analyisis of her photographic technique. Paper delivered at the Association of Historical and Fine Art Photography (AHFAP) conference, held at Dulwich Picture Gallery, London, 19 November 2012

Chairman, Association for Historical and Fine Art Photography (until 11 November 2012) V&A GALLERY PROJECTS V&A EXHIBITIONS FASHION GALLERY QUEEN ELIZABETH II BY CECIL BEATON Lead Curator: Claire Wilcox Susanna Brown May 2012 7 February-22 April 2012

FURNITURE - THE DR SUSAN WEBER GALLERY BRITISH DESIGN 1948-2012: INNOVATION IN THE Lead Curators: Nick Humphrey and Leela MODERN AGE Meinertas Ghislaine Wood and Christopher Breward November 2012 31 March-12 August 2012

BALLGOWNS: BRITISH GLAMOUR SINCE 1950 Sonnet Stanfill and Oriole Cullen 19 May-6 January 2012

HEATHERWICK STUDIO: DESIGNING THE EXTRAORDINARY Abraham Thomas 31 May-30 September 2012

HOLLYWOOD COSTUME Deborah Landis and Christopher Frayling 20 Oct 2012-27 January 2013

LIGHT FROM THE MIDDLE EAST: NEW PHOTOGRAPHY Marta Weiss 13 November 2012-7 April 2013 EXHIBITIONS MUSEUM OF CHILDHOOD V&A TEMPORARY DISPLAYS MODERN BRITISH CHILDHOOD PRINT OF THE MONTH (TWELVE DISPLAYS) Rhian Harris Prints and Drawings Study Room 13 October 2012-14 April 2013 Tim Travis January-December 2012

ON EAGLE’S WINGS: BRITISH ADVENTURE COMICS, 1950-1969 Room 74 (20th Century Gallery) Marc Ward 7 January-27 May 2012

GOLDEN SPIDER SILK Rooms 17a & 18a (Studio Gallery) Rowan Bain 25 January-5 June 2012

CRAFTING CONTEMPORARY METAL Room 220 (Sackler Centre) Learning Department 10 February-24 April 2012

THE NEW MEDALLIST Room 111 (Gilbert Bayes Gallery) Melanie Vandenbrouck Przybylski 11 February-9 August 2012

UNFOLDING Members’ Room Tim Travis 14 February-7 June 2012

ISLAND STORIES: FIFTY YEARS OF PHOTOGRAPHY IN BRITAIN Room 38a (Photography) Martin Barnes, Ashley Givens and Erika Lederman 16 March 2012-21 April 2013

TRANSFORMATION AND REVELATION: GORMLEY TO GAGA, UK DESIGN FOR PERFORMANCE 2007- 2011 Room 104 (Theatre and Performance Galleries) Kate Bailey 17 March-30 September 2012

UNTARNISHED: CONTEMPORARY BRITISH SILVERSMITHS Room 66 (Whiteley Galleries) Eric Turner 31 March-30 September 2012

ANGELS AND SAINTS: FOUR MASTERPIECES OF SACRED SILVER FROM THE GILBERT COLLECTION Room 83 (Sacred Silver Gallery) Heike Zech 2 April 2012-31 May 2013

GEORGE W. ADAMSON: A TWENTIETH CENTURY ILLUSTRATOR Room 85 (Library Landing) 3 April-30 September 2012 RECORDING BRITAIN ARTHUR BISPO DO ROSÁRIO MICHAEL LLOYD: TWELVE VESSELS OF LIFE, LOVE Rooms 88a & 90 (Breckman Galleries) Rooms 17a & 18a (Studio Gallery) AND DEATH Gill Saunders Tim Travis Room 66 (Whiteley Galleries) 14 April-2 December 2012 13 August-28 October 2012 Eric Turner, Alicia Robinson and Angus Patterson 31 October 2012-7 July 2013 QUEENSBERRY HUNT TONY CRAGG Room 146 (Ceramics) Exhibition Road, V&A, Science Museum and CHROMAZONE: COLOUR IN CONTEMPORARY Alun Graves Natural History Museum ARCHITECTURE 14 April-2 September 2012 Melissa Hamnett Rooms 127 & 128a (Architecture) Organised in collaboration with the Cass Robert Wilson THE SILENT TRAVELLER Sculpture Foundation 17 November 2012-21 July 2013 Room 44 (China) 25 August-25 November 2012 Anna Wu THE ART OF SEEING NATURE: THE OIL SKETCHES 23 April-9 November 2012 WAXING AND WANING: 19TH CENTURY WOMEN OF JOHN CONSTABLE SCULPTORS AND WAX MODELLING Room 88a (Breckman Galleries) KITTY AND THE BULLDOG: LOLITA FASHION AND Room 111 (Gilbert Bayes Gallery) Mark Evans THE INFLUENCE OF BRITAIN Amy Mechowski 17 December 2012-22 September 2013 Room 45 (Japan) 1 September 2012-9 March 2013 Rupert Faulkner RESEARCH ON PAINTINGS: TECHNICAL ART 23 April 2012-24 February 2013 LONDON DESIGN FESTIVAL AT THE V&A HISTORY AND CONNOISSEURSHIP Various spaces Room 90 (Breckman Galleries) NEW ACQUISITIONS DISPLAY 2012/2013 Victoria Broackes Ana Debenedetti Room 20a (New Acquisitions Gallery) 17-27 September 2012 17 December 2012-22 September 2013 Rachel Francis April 2012-January 2013 MASTERPIECES OF ITALIAN RENAISSANCE V&A AFRICA: EXPLORING HIDDEN HISTORIES MAIOLICA Rooms 17a & 18a (Studio Gallery) HANGING OUT Room 146 (Ceramics) Gill Saunders, Zoe Whitley and Nicola Stylianou Sackler Centre Main Entrance and Room 220 Elisa Sani 15 November 2012-3 February 2013 (Sackler Centre) 22 September 2012-6 May 2013 7 May-4 September 2012 INSPIRED BY… KINGS CROSS: REGENERATING A LONDON Sackler Centre Main Entrance and Room 220 LANDMARK (Sackler Centre) Rooms 127 & 127a (Architecture) Learning Department Kurt Helfrich and Fiona Orsini 6 October 2012-21 April 2013 19 May-21 October 2012 COLLECTING ABROAD FOR THE V&A, 1851-1914 DESIGN FUND ACQUISITIONS 2012 Room 85 (Library Landing) Room 20a (New Acquisitions Gallery) Nick Smith Jana Scholze 2 October 2012-26 May 2013 14 September 2012-April 2013 A HISTORY OF PHOTOGRAPHY ‘SO PECULIARLY ENGLISH’: TOPOGRAPHICAL Room 100 (Photography Gallery) WATERCOLOURS FROM THE V&A COLLECTION Martin Barnes Room 102 (Leighton Corridor) October 2012-January 2014 Bryony Bartlett-Rawlings 7 June 2012-12 March 2013 HALFWAY TO PARADISE: THE BIRTH OF BRITISH ROCK, PHOTOGRAPHS BY HARRY HAMMOND REVEAL Room 104 (Theatre and Performance Galleries) Members’ Room Kate Bailey and Jim Fowler Tim Travis 13 October 2012-3 March 2013 7 June-24 October 2012 WINTER LIGHT V&A ILLUSTRATION AWARDS 2012 Members’ Room Room 74 (20th Century Gallery) Tim Travis Kirsten Pairpoint 24 October 2012-13 February 2013 12 June 2012-1 January 2013 TEMPORARY DISPLAYS MUSEUM OF CHILDHOOD EXHIBITIONS INTERNATIONAL TOURING THE VALUE OF THE PAW WHEN ART DANCES WITH MUSIC: DIAGHILEV’S Marble Floor BALLETS RUSSES Rhian Harris with Cathie Pilkington Jane Pritchard 21 January-7 May 2012 CaixaForum, Madrid 16 February-3 June 2012 A MUSEUM FOR THE EAST END: 140TH ANNIVERSARY KALIGHAT PAINTING Front Lobby Suhashini Sinha Carolyn Bloore and Alison Fielding Salar Jung, Hyderabad 18 February-8 July 2012 16 February-30 March 2012 National Gallery of Modern Art, Delhi PLAYING IN OR OUT? 14 April-25 May 2012 Front Room Gallery (Community Art Projects) Teresa Hare Duke PRINCELY TREASURES: EUROPEAN MASTERPIECES 24 March-4 November 2012 1600-1800 Lesley Miller and Joanna Norman MASCOTS OF THE OLYMPIC GAMES Oklahoma City Museum of Art Marble Floor 16 February-13 May 2012 Alice Sage and Becky Howell National Art Museum, Minsk, Belarus 18 May-28 October 2012 17 August-4 November 2012

HAPPY BIRTHDAY, MR PUNCH: THAT’S THE WAY THE CULT OF BEAUTY: THE AESTHETIC MOVEMENT TO DO IT! 1860-1900 Gallery Installation Stephen Calloway Kristian Volsing and Sarah Wood Fine Art Museum, San Francisco 14 July-9 December 2012 18 February-17 June 2012

HAPPY BIRTHDAY, MR PUNCH: PUNCH QUEEN ELIZABETH II BY CECIL BEATON: A PROFESSORS IN ENGLAND DIAMOND JUBILEE CELEBRATION Front Lobby Susanna Brown Tom Hunter Fine Art Gallery, Ballarat, Australia 14 July-9 December 2012 25 February-15 April 2012 Royal British Columbia Museum, Victoria, British THE SPACE BETWEEN Columbia Front Lobby and Marble Floor 1 June-3 Sept 2012 The Lyrical and the Ordinary (artists’ collective) McMichael Canadian Art Collection, Kleinburg, 15 December 2012-19 May 2013 Ontario 26 September 2012-6 January 2013 A TREASURED COLLECTION Front Room Gallery (Community Art Projects) POSTMODERNISM: STYLE AND SUBVERSION Teresa Hare Duke Glenn Adamson with Jane Pavitt 22 December 2012-12 September 2013 Museo di Arte Moderna e Contemporanea di Trento e Rovereto, Italy 25 February-3 June 2012 Swiss National Museum, Zurich 5 July-28 October 2012

GRACE KELLY: STYLE ICON Jenny Lister Bendigo Art Gallery, Victoria, Australia 10 March-17 June 2012

THE ART OF SEEING NATURE: THE OIL SKETCHES OF JOHN CONSTABLE Mark Evans Princeton University Art Museum 17 March-10 June 2012 Frist Center for the Visual Arts, Nashville 22 June-30 September 2012 UK UK EXHIBITIONS TOURING OWEN JONES: ISLAMIC DESIGN, DISCOVERY A CENTURY OF OLYMPIC POSTERS AND VISION Margaret Timmers and Catherine Flood Abraham Thomas and Mariam Rosser-Owen Canary Wharf, London Sharjah Museum of Islamic Civilisation, UAE 16 January-2 March 2012 21 March-15 July 2012 The Goyang Cultural Foundation, Seoul A FLASH OF LIGHT: THE DANCE PHOTOGRAPHY 14 August-4 December 2012 OF CHRIS NASH Jane Pritchard STREET ART: PRINTS FROM THE V&A The Lowry, Salford Riikka Kuittinen and Gill Saunders 11 February-13 May 2012 Tripoli, Libya Artsdepot, North Finchley, London 31 March-12 April 2012 24 May-18 July 2012 Benghazi, Libya 21 April-2 May 2012 FIVE TRUTHS Kate Bailey JAMEEL PRIZE 2011 Howard Assembly Room, Leeds Tim Stanley and Salma Tuqan 13 February-26 March 2012 Casa Arabe, Madrid, Spain National Theatre, London 19 April-15 July 2012 23 September-7 October 2012 Cantor Arts Center, Stanford University 12 December 2012-10 March 2013 SELLING DREAMS: 100 YEARS OF FASHION PHOTOGRAPHY THE HALF: PHOTOGRAPHS OF ACTORS Susanna Brown BY SIMON ANNAND Royal West of England Academy, Bristol Kate Bailey 10 March-29 April 2012 The Players Club, New York Royal Museum & Art Gallery, 6 May-17 July 2012 Exeter 7 July-2 September 2012 MAHARAJA: THE SPLENDOUR OF INDIA’S McManus Galleries, ROYAL COURTS 28 September 2012-6 January 2013 Anna Jackson Virginia Museum of Fine Arts, Richmond THE HOUSE OF ANNIE LENNOX 19 May-19 August 2012 Victoria Broackes The Field Museum, Chicago The Lowry, Salford 17 October 2012-3 February 2013 17 March-17 June 2012 and Museums A CENTURY OF OLYMPIC POSTERS 7 July-30 September 2012 Margaret Timmers and Catherine Flood National Sports Museum, Melbourne STREET ART: PRINTS FROM THE V&A 18 June-16 September 2012 Riikka Kuittinen Bradford ONE Gallery WEDDING DRESS: 200 YEARS OF BRIDAL FASHION 24 March-10 June 2012 Edwina Ehrman Tullie House Museum & Art Gallery, Carlisle National Museum of Singapore 22 September-9 December 2012 8 August-31 October 2012 Western Australian Museum, Perth HALFWAY TO PARADISE: THE BIRTH OF BRITISH 8 December 2012-2 April 2013 ROCK, PHOTOGRAPHS BY HARRY HAMMOND Kate Bailey and Jim Fowler HATS: AN ANTHOLOGY BY STEPHEN JONES Darlington Arts Centre Oriole Cullen with Stephen Jones 2 April-28 May 2012 Peabody Essex Museum, Salem 8 September 2012-3 February 2013 THE HALF: PHOTOGRAPHS OF ACTORS BY SIMON ANNAND Kate Bailey The Woodville, Gravesend 8 April-8 June 2012 North Wall Gallery, Oxford 5 September-6 October 2012 Theatre Royal, Plymouth 9 September-2 December 2012 EXHIBITIONS OUTSIDE OUTSIDE EXHIBITIONS THE V&A MAGIC WORLDS TRANSFORMATIONS: DIGITAL PRINTS FROM Catherine Howell THE V&A COLLECTION Weston Park Museum, Sheffield Melanie Lenz 29 April 2012-6 January 2013 Exhibition organised by Paintings in Hospitals Great Western Hospital, Swindon QUEEN ELIZABETH II BY CECIL BEATON: 19 April-13 September 2012 A DIAMOND JUBILEE CELEBRATION Susanna Brown PASSION FOR PORCELAIN: MASTERPIECES Leeds City Museum OF CHINESE AND EUROPEAN CERAMICS 8 May-24 June 2012 Luisa Mengoni and Hilary Young, with Aileen Norwich Castle Museum Dawson and Jessica Harrison-Hall 7 July-30 September 2012 Exhibition organised by the British Museum, Tyne & Wear Museums (Laing Art Gallery) the National Museum of China, and the V&A 13 October-2 December 2012 National Museum of China, Beijing 22 June 2012-6 January 2013 TEDDY BEAR STORY Catherine Howell THE GOLDEN AGE OF THE ENGLISH COURT: Museum of Hartlepool FROM HENRY VIII TO CHARLES I 16 June-9 September 2012 Tessa Murdoch with Olga Dmitrieva Winter Gardens, Sunderland Exhibition organised by Moscow Kremlin 22 September 2012-24 February 2013 Museums and the V&A Moscow Kremlin Museums JAPANESE CLOISONNÉ: THE SEVEN TREASURES 24 October 2012-27 January 2013 Gregory Irvine Bolton Museum & Archive 6 October 2012-5 January 2013

MY GENERATION: THE GLORY YEARS OF BRITISH ROCK 1964-73, PHOTOGRAPHS BY HARRY GOODWIN Victoria Broackes Clotworthy Arts Centre, Antrim 23 November 2012-18 January 2013 COMMISSIONED PROJECTS BRITAIN CREATES 2012: FASHION + ART COLLUSION Rooms 17a & 18a (Studio Gallery) Curator: Susanna Greeves 6-29 July 2012

PRISM Cupola (entrance via Gallery 140) Designed by Keiichi Matsuda for the London Design Festival Commissioned by Veuve Clicquot 14-28 September 2012

MIMICRY CHAIRS Various spaces Designed by nendo for the London Design Festival 14 September-5 November 2012