Your Guide to Heriot-Watt University's Heritage
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THE UNIVERSITY of EDINBURGH
UGP COVER 2012 22/3/11 14:01 Page 2 THE UNIVERSITY of EDINBURGH Undergraduate Prospectus Undergraduate 2012 Entry 2012 THE UNIVERSITY of EDINBURGH Undergraduate Prospectus 2012 Entry www.ed.ac.uk EDINB E56 UGP COVER 2012 22/3/11 14:01 Page 3 UGP 2012 FRONT 22/3/11 14:03 Page 1 UGP 2012 FRONT 22/3/11 14:03 Page 2 THE UNIVERSITY of EDINBURGH Welcome to the University of Edinburgh We’ve been influencing the world since 1583. We can help influence your future. Follow us on www.twitter.com/UniofEdinburgh or watch us on www.youtube.com/user/EdinburghUniversity UGP 2012 FRONT 22/3/11 14:03 Page 3 The University of Edinburgh Undergraduate Prospectus 2012 Entry Welcome www.ed.ac.uk 3 Welcome Welcome Contents Contents Why choose the University of Edinburgh?..... 4 Humanities & Our story.....................................................................5 An education for life....................................................6 Social Science Edinburgh College of Art.............................................8 pages 36–127 Learning resources...................................................... 9 Supporting you..........................................................10 Social life...................................................................12 Medicine & A city for adventure.................................................. 14 Veterinary Medicine Active life.................................................................. 16 Accommodation....................................................... 20 pages 128–143 Visiting the University............................................... -
The Art of Picture Making 5 - 29 March 2014
(1926-1998) the art of picture making 5 - 29 march 2014 16 Dundas Street, Edinburgh EH3 6HZ tel 0131 558 1200 email [email protected] www.scottish-gallery.co.uk Cover: Paola, Owl and Doll, 1962, oil on canvas, 63 x 76 cms (Cat. No. 29) Left: Self Portrait, 1965, oil on canvas, 91.5 x 73 cms (Cat. No. 33) 2 | DAVID McCLURE THE ART OF PICTURE MAKING | 3 FOREWORD McClure had his first one-man show with The “The morose characteristics by which we Scottish Gallery in 1957 and the succeeding recognise ourselves… have no place in our decade saw regular exhibitions of his work. painting which is traditionally gay and life- He was included in the important surveys of enhancing.” Towards the end of his exhibiting contemporary Scottish art which began to life Teddy Gage reviewing his show of 1994 define The Edinburgh School throughout the celebrates his best qualities in the tradition 1960s, and culminated in his Edinburgh Festival of Gillies, Redpath and Maxwell but in show at The Gallery in 1969. But he was, even by particular admires the qualities of his recent 1957 (after a year painting in Florence and Sicily) Sutherland paintings: “the bays and inlets where in Dundee, alongside his great friend Alberto translucent seas flood over white shores.” We Morrocco, applying the rigour and inspiration can see McClure today, fifteen years or so after that made Duncan of Jordanstone a bastion his passing, as a distinctive figure that made a of painting. His friend George Mackie writing vital contribution in the mainstream of Scottish for the 1969 catalogue saw him working in a painting, as an individual with great gifts, continental tradition (as well as a “west coast intellect and curiosity about nature, people and Scot living on the east coast whose blood is part ideas. -
Dubai Prospectus 2020
HERIOT-WATT UNIVERSITY HERIOT-WATT Dubai Prospectus 2020 www.facebook.com/HWUDubai/ twitter.com/HWUDubai www.youtube.com/user/HeriotWattUni www.instagram.com/hwdubai www.linkedin.com/showcase/heriot- watt-university-dubai-campus Dubai Dubai Prospectus www.hw.ac.uk/dubai [email protected] 2020 4 Look to the future. Strive for better. Aim for higher. Make history. Be ambitious. Be bold. 2 | 3 since 1821 Heriot-Watt University | Dubai Prospectus 2020 4 For nearly 200 years our education and innovative research has had a profound social impact on a global scale. A pioneer in bringing education to working people, Heriot-Watt was founded as the world’s “first Mechanics Institute. Today that ethos underpins the industry informed education that gives our students the drive to hit the ground running and be FutureMade for the career of their choice. The research we do here shapes our teaching and learning and creates strong connections with global business and industry. Our aim is to connect you to people and career opportunities across the world through our international campus locations and our 140,000 alumni in 190 countries. We have outstanding facilities for our student community evidenced in being ranked 3rd in the UK for investment in student facilities by The Complete University Guide 2020.” Professor Richard A. Williams OBE, FREng, FRSE, FTSE Principal and Vice-Chancellor 4 | 5 Contents FutureMade since 1821 – Richard A. Williams 04 Your FutureMade in Dubai – Professor Ammar Kaka 06 New Dubai Campus 2021 08 Why Choose Heriot-Watt -
The 'When, How and What' of Text Based Wayfinding Instructions For
The ‘when, how and what’ of Text Based Wayfinding Instructions for Urban Pedestrians William Mackaness1, Phil Bartie2, Candela Sanchez-Rodilla Espeso1 1School of GeoSciences, The University of Edinburgh, Drummond St, Edinburgh EH8 9XP 2School of Natural Sciences, Stirling University, Stirling FK9 4LA [email protected] Keywords: built environment, pedestrian wayfinding, landmark saliency, LBS 1.0 A Context – urban pedestrian wayfinding The smartphone has become a conduit by which we access many different services (Raper et al. 2007; Kray et al 2005) in many different ways (Shneiderman 2004). Increasingly wayfinding in urban environments is supported by smartphone technology using maps and images; these demand our full attention (Gluck 1991; May et al. 2003). But our ambition is technology that is concealed (Weiser and Brown 1998), delivering only spoken instructions (Bartie and Mackaness 2006; Mackaness et al. 2013), thus leaving the pedestrian ‘eyes free’ and ‘hands free’ to enjoy the city. As a precursor to their spoken delivery, we report on the evaluation of a text based system in which subjects were directed by a series of landmark based instructions or street based instructions that were geo-located. Section 2.0 describes the underlying model, Section 3.0 the experiment and subsequent feedback and analysis gained through: trajectory analysis, questionnaires and a focus group. 2.0 A City Model to support Landmark modelling and instruction construction A map is data rich (hence requiring a lot of cognitive effort), whilst a dialogue based system needs to be efficient, and minimalist (we don’t want to bore the pedestrian to death), yet sufficiently robust that the user does not get lost. -
The Celtic Who's Wh
/ -^ H./n, bz ^^.c ' ^^ Jao ft « V o -i " EX-LlBRlS HEW- MORRISON M D E The Celtic Who's Wh. THE CELTIC WHO'S WHO Names and Addresses of Workers Who contribute to Celtic Literature, Music or other Cultural Activities Along with other Information KIRKCALDY, SCOTLAND: THE FIFESHIRE ADVERTISER LIMITED 1921 LAURISTON CASTLE LIBRARY ACCESSION CONTENTS Preface. ; PREFACE This compilation was first suggested by the needs nf the organisers of tlie Pau-Celtic Congjess held in Edin- burgh in May, 1920. Acting as convener ol the Scottish Committee for that event, the editor found that there was in existence no list of persons who took an acti^•p interest in such matters, either in Scotland or in any of the other Celtic countries. His resolve to meet this want was cordially approved by the lenxlers of tlie Congress circulars were issued to all wlrose addresses could be discovered, and these were invited to suggest the n-iines of others who ought to be included. The net result is not quite up to expectation, but it is better tlaan at first seemed probable. The Celt may not really be more shy or n.ore dilatory than men of other blood, but certainly the response to this elTort has not indicated on his pfirt any undue forwardness. Even now, after the lapse of a year and the issue of a second ;ind a third circular, tlie list of Celtic aaithors niid inu<;iciii::i.s is far from full. Perhaps a second edition of the l)"(>k, when called for, may be more complete. -
29 July–29 August 2021 Edinburghartfestival.Com #Edartf
Platform: 2021 Art Across the Capital Commissions Programme Art is Back Explore Platform: 2021, our exhibition for early As galleries reopen after many months of closure, Our 2021 programme features new commissions We are so delighted to return this year, to work career artists, with new work from Jessica Higgins, this year, more than any, we are proud to cast a and UK premieres by leading international artists, with partners across the city, to showcase the work Danny Pagarani, Kirsty Russell and Isabella Widger spotlight on the uniquely ambitious, inventive and including new work by Sean Lynch co-commissioned of artists from Scotland, the UK and around the world. presented at our festival home in the Institut français thoughtful programming produced each year by with Edinburgh Sculpture Workshop and by Emeka Some exhibitions are newly made in response to the d’Ecosse. While visiting you can also browse festival Edinburgh’s visual art community. Ogboh with Talbot Rice Gallery; alongside the UK seismic shifts of the past year; others have been many merchandise and find out more about the exhibitions premiere of Isaac Julien’s Lessons of the Hour, presented years in the planning; but all are the unique, authentic, and events taking place across the city at our With over 20 partner galleries across the capital, in partnership with National Galleries of Scotland. and thoughtful products of our city’s extraordinarily Festival Kiosk. we encourage you to explore the programme and We are also proud to collaborate with Associate Artist, rich visual art scene. support the incredible visual art organisations that Tako Taal, on her programme What happens to desire… Festival Kiosk the city has to offer. -
Architecture & Landscape Architecture, Art, Design, History of Art & Music
Architecture & Landscape Architecture, Art, Design, History of Art & Music Postgraduate Opportunities 2019 Influencing the world since 1583 The University of Edinburgh Edinburgh College of Art Postgraduate Opportunities 2019 01 02 Introduction “ Edinburgh isn’t so much a city, more 04 Taught masters programmes a way of life … I doubt I’ll ever tire of 32 Research at Edinburgh College of Art 33 Research opportunities exploring Edinburgh, on foot or in print.” 44 About Edinburgh College of Art Ian Rankin 45 Facilities and resources Best-selling author and alumnus 50 Community 51 Employability and graduate attributes 52 Applications and fees 54 Funding 56 Campus map 57 Get in touch www.eca.ed.ac.uk The University of Edinburgh 02 Edinburgh College of Art Postgraduate Opportunities 2019 03 For more than 400 years the University of Influencing the Edinburgh has been changing the world. Our TOP 50 staff and students have explored space, won We’re consistently ranked one of Nobel Prizes and revolutionised surgery. They’ve published era-defining books, run the country, the top 50 universities in the world. world since 1583 th made life-saving breakthroughs and laid the We’re 18 in the 2019 QS World foundations to solve the mysteries of the universe. University Rankings. Our distinguished alumni include NASA astronaut TH Piers Sellers, former MI5 Director-General Dame 4 Stella Rimington, Olympians Sir Chris Hoy and We’re ranked fourth in the UK for 14 Nov 2018 Katherine Grainger and historical greats such research power, based on the 2014 Postgraduate Open Day as philosopher David Hume, suffragist Chrystal Research Excellence Framework.* Macmillan, who founded the Women’s International www.ed.ac.uk/ postgraduate-open-day League for Peace and Freedom, and physicist and mathematician James Clerk Maxwell. -
Annual Review 2017–18 National Galleries of Scotland Annual Review
Annual Review 2017–18 national galleries of scotland annual review annual of scotland galleries national 2017–18 www.nationalgalleries.org froNt cover reverse Back cover reverse Facts and Figures visitor nuMBers NatioNal Galleries of s cotlaNd Board of t rustees Total visitors to National Galleries of 2,533,611 Benny Higgins Chairman Scotland sites in Edinburgh Tricia Bey Alistair Dodds 1,601,433 Scottish National Gallery Edward Green Lesley Knox 562,420 Scottish National Gallery of Modern Art Tari Lang Catherine Muirden Professor Nicholas Pearce Scottish National Portrait Gallery 369,758 Willie Watt Nicky Wilson virtual v isitors seNior MaNaGeMeN t t eaM www.nationalgalleries.org website visits 1,989,101 Sir John Leighton Director-General educational v isits Chris Breward 33,210 Total number of participants from schools, Director of Collection and Research higher and further education Nicola Catterall Chief Operating Officer 19,479 Total number of adult participants at talks, Jo Coomber lectures and practical workshops Director of Public Engagement Jacqueline Ridge 4,333 Total number of community and Director of Conservation and Collections Management outreach participants Elaine Anderson 6,919 Total number of families with children at Head of Planning and Performance drop-in events fiNaNce friends Full Annual Accounts for 2017–18 are available on the National Galleries of Scotland website: 13,188 Friends at 31 March 2018 www.nationalgalleries.org volunteers froNt cover The Road Through the Rocks, Total number of volunteers Detail from Scottish National Gallery Scottish National Portrait Gallery Scottish National Gallery 166 Port-Vendres, 1926–27 by Charles of Modern Art One Rennie Mackintosh The Scottish National Gallery comprises The Scottish National Portrait Gallery is Back cover three linked buildings at the foot of the about the people of Scotland – past and Home to Scotland’s outstanding national The Road Through the Rocks, Port-Vendres, Mound in Edinburgh. -
THE HOME of the ROYAL SOCIETY of EDINBURGH Figures Are Not Available
THE HOME OF THE ROYAL SOCIETY OF EDINBURGH Figures are not available Charles D Waterston The bicentennial history of the Royal Society of Edinburgh1, like previous accounts, was rightly concerned to record the work and achievements of the Society and its Fellows. Although mention is made of the former homes and possessions of the Society, these matters were incidental to the theme of the history which was the advancement of learning and useful knowledge, the chartered objectives of the Society. The subsequent purchases by the Society of its premises at 22–28 George Street, Edinburgh, have revealed a need for some account of these fine buildings and of their contents for the information of Fellows and to enhance the interest of many who will visit them. The furniture so splendidly displayed in 22–24 George Street dates, for the most part, from periods in our history when the Society moved to more spacious premises, or when expansion and refurbishment took place within existing accommodation. In order that these periods of acquisition may be better appreciated it will be helpful to give a brief account of the rooms which it formerly occupied before considering the Society's present home. Having no personal knowledge of furniture, I acknowledge my indebtedness to Mr Ian Gow of the Royal Commission on the Ancient and Historical Monuments of Scotland and Mr David Scarratt, Keeper of Applied Art at the Huntly House Museum of Edinburgh District Council Museum Service for examining the Society's furniture and for allowing me to quote extensively from their expert opinions. -
School of Art
SCHOOL OF ART www.eca.ed.ac.uk Undergraduate degree programme information ART | Architecture & Landscape Architecture | School of Art | School of Design | SCHOOL OF History of Art | Reid School of Music | CORONAVIRUS UPDATE: CONTENTS WELCOME TO THE APRIL 2020 SCHOOL OF ART Welcome to the School of Art 3 Choose to study Art and you will join a stimulating We intend to begin the 2020-21 community of students, artists and theorists. Offering Our degree programmes 4 academic year as usual in September. specialist study in intermedia, painting, photography This brochure reflects these Why choose Edinburgh? 5 and sculpture, you’ll be encouraged to demonstrate intentions. imaginative responses to the world through curiosity Introduction to your degree 6 and exploration. We will let you know of any changes, and confirm start dates in Intermedia BA (Hons) 8 Through successive projects and courses, you will our pre-arrival communications. develop your specialist practice, your professional, Painting BA (Hons) 8 technical and organisational skills, and your Photography BA (Hons) 9 knowledge and application of critical contexts. Sculpture BA (Hons) 9 We encourage you to demonstrate inventive responses to the world through curiosity and Detailed degree content 10 exploration and we prepare you to do this with depth, breadth and ambition. Example year by year degree content 14 Teaching 16 By the time you graduate, you’ll be equipped with the talent, knowledge and expertise to lead, Facilities 18 rather than simply respond to, future innovation in art -
Welcome to Thinking Chile: Sharing Ideas in Edinburgh 2018
Welcome to Thinking Chile: Sharing Ideas in Edinburgh 2018 An event developed in collaboration with ChileGlobal Seminars UK and supported by the Chilean Society of the University of Edinburgh, ChileGlobal, The Anglo Chilean Society, The Embassy of Chile in the UK, and The Institute for Academic Development of the University of Edinburgh. February 2018 Edinburgh, Scotland, UK Thinking Chile: Sharing Ideas in Edinburgh 2018 Welcome! The Chilean Society of The University of Edinburgh and ChileGlobal Seminars UK welcomes student and researchers to the seminar: "Thinking Chile: Sharing ideas in Edinburgh 2018". Thinking Chile: Sharing Ideas in Edinburgh 2018 has the aim to reinforce The University of Edinburgh as a centre of thinking and development, to promote new and innovative knowledge for the development of Chile through a strong networking based on a multidisciplinary perspective. The aim of the seminar is to provide a space for sharing and disseminating ideas grounded on high quality research carried out by Chilean students and researchers in the UK, as well as the creation of links in an environment of companionship and cooperation. Welcome to Thinking Chile: Sharing Ideas in Edinburgh 2018 1 Welcome! 2 Code of Conduct 4 Organizer Committee 5 Keynote Speakers 6 Professor Liz Grant 6 Stacey Hunter, PhD 6 Schedule 7 Thursday 22 February 7 Friday 23 February 7 Speakers 11 Camilo Anabalon 11 Felipe Aguilera Millacura 11 Begoña Arellano Jaimerena 12 Magdalena Cattan Lavin 12 María Contesse 13 Yennifer Cortes 14 Camila Dentone 15 Daniel Díaz Vera 15 Felipe Espic 16 Alejandro Espinosa-Rada 17 Bárbara Fernández Melleda 17 Fabián Fuentes González 18 Richard Guerrero 19 Claudio Molina - Camacho 19 Silvia Ojeda García 20 Luis Paiva 21 Ignacio Pérez 22 Diego Rates 22 Felipe Rivera 23 2 Thinking Chile: Sharing Ideas in Edinburgh 2018 Daniela Rodríguez Gutiérrez 24 Vicente Silva 24 Simón C. -
Two Centuries of Learning Your Guide to Heriot-Watt University's
TWO CENTURIES OF LEARNING YOUR GUIDE TO HERIOT-WAtt UNIVERSIty’S HERITAGE CONTENTS 800 YEARS OF CAMPUS HISTORY: INTRODUCTION 1 THE HIDDEN HISTORY OF RICCARTON 25 THE EDINBURGH SCHOOL OF ARTS: A TRULY SCOttISH UNIVERSIty thE FIRST MECHANICS INSTITUTE 3 WIth GLOBAL REACH 27 A REVOLUTION IN EDUCATION 5 SCIENCE AND ENGINEERING 29 EARLY DAYs – thE WAtt CONNECTION 7 LIFE SCIENCES 31 THE PEOPLE’S COLLEGE 9 BUSINESS, MANAGEMENT AND LANGUAGES 33 NEW HOME, NEW NAME – THE HERIOT CONNECTION 11 COMPUTING, MAthEMATICS AND thE BUILT ENVIRONMENT 35 ACADEMIC RECOGNITION 13 TEXTILES AND DESIGN 37 AMBITIOUS EXPANSION 15 THE WAtt CLUB 39 FROM COLLEGE TO UNIVERSIty 17 FIND OUT MORE 40 A NEW CAMPUS: FOCUSED ON thE FUTURE 19 OUR NAMESAKes – JAMES WAtt AND GEORGE HERIOT 21 HERIOt‑WAtt UNIVERSIty’S ShEILD OF ARMS 23 TWO CENTURIES OF LEARNINg – YOUR GUIDE TO HERIOT-WAtt UNIVERSIty’S HERITAGE 1 INTRODUCTION Today, Heriot‑Watt University is a vibrant forward looking University at the forefront of innovation in research and teaching. But if you delve into our history you will discover that our international reputation as one of the leading UK universities for business and industry can be traced back almost 200 years. Our rich and inspiring story begins in 1821 with the World’s first Mechanics Institute, a revolutionary concept in education which gave life changing opportunities for generations of young people. If you would like to find out more about our journey from a room in Edinburgh’s Old Town to Scotland’s most international university, read on to discover how we earned our special place in Edinburgh and Scottish history.