The Art of Picture Making 5 - 29 March 2014
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THE UNIVERSITY of EDINBURGH
UGP COVER 2012 22/3/11 14:01 Page 2 THE UNIVERSITY of EDINBURGH Undergraduate Prospectus Undergraduate 2012 Entry 2012 THE UNIVERSITY of EDINBURGH Undergraduate Prospectus 2012 Entry www.ed.ac.uk EDINB E56 UGP COVER 2012 22/3/11 14:01 Page 3 UGP 2012 FRONT 22/3/11 14:03 Page 1 UGP 2012 FRONT 22/3/11 14:03 Page 2 THE UNIVERSITY of EDINBURGH Welcome to the University of Edinburgh We’ve been influencing the world since 1583. We can help influence your future. Follow us on www.twitter.com/UniofEdinburgh or watch us on www.youtube.com/user/EdinburghUniversity UGP 2012 FRONT 22/3/11 14:03 Page 3 The University of Edinburgh Undergraduate Prospectus 2012 Entry Welcome www.ed.ac.uk 3 Welcome Welcome Contents Contents Why choose the University of Edinburgh?..... 4 Humanities & Our story.....................................................................5 An education for life....................................................6 Social Science Edinburgh College of Art.............................................8 pages 36–127 Learning resources...................................................... 9 Supporting you..........................................................10 Social life...................................................................12 Medicine & A city for adventure.................................................. 14 Veterinary Medicine Active life.................................................................. 16 Accommodation....................................................... 20 pages 128–143 Visiting the University............................................... -
SULP Finalised Environmental Report
The Highland Council Sutherland Local Plan Adopted June 2010 Finalised Environmental Report 1 CONTENTS Non-Technical Summary Page 3 1 Pre-Amble 8 2 Summary of the Likely Significant Effects of the Local 8 Plan 3 Introduction and Background 9 4 The Purpose of the SEA and Local Plan Context 11 5 Methodology 15 6 Predicted Environmental Baseline and Issues 19 7 Local Plan Strategic Options and Alternatives 28 Considered 8 The Plan’s General Policies and their compatibility with 41 the SEA Objectives 9 Monitoring the environmental effects of the Plan 76 10 Future Development of the Local Plan and SEA 76 Appendix 1 Relevant Documents for Sutherland 77 Appendix 2 Draft Environmental Report October 2007: Consultation 135 Authorities’ Comments and Council’s Responses Appendix 3 Draft Environmental Report May 2008: Consultation 161 Authorities’ Comments and Council’s Responses Appendix 4 SEA Matrices for Deposit Draft November 2008 Site 175 Allocations Appendix 5 Position Statements for Settlements Including Tables 423 and Maps of Sites Not Allocated Appendix 6 SEA Matrices for Site Options Not Allocated 475 Appendix 7 SEA Update Statement April 2010 741 2 Non-Technical Summary Background The Strategic Environmental Assessment (SEA) for the Sutherland Local Plan has been drawn up in accordance with the Environmental Assessment of Plans and Programmes (Scotland) Regulations 2004. The SEA must be taken into account by the Council in developing the Local Plan which is eventually adopted. It must be available for public comment alongside the Plan itself. As the Local Plan passes through further stages of scrutiny, including the Examination, the SEA must be updated to reflect any changes in the Plan. -
0-208 Artwork
The North*s Original Free Arts Newspaper + www.artwork.co.uk Number 208 Pick up your own FREE copy and find out what’s really happening in the arts May - June 2019 Shedding Old Coats – one of the haunting works by Karólína Lárusdóttir from a recent exhibition of her work at the Castle Gallery, Inverness. In- side: Denise Wilson tells the story of this Anglo-Icelandic artist. INSIDE: Cultivating Patrick Geddes :: Tapestry Now Victoria Crowe at City Arts :: A northern take on Turner artWORK 208 May/June 2019 Page 2 artWORK 208 May/June 2019 Page 3 CASTLE GALLERY KELSO POTTERY 100 metresmetres behind behind the Kelso Kelso Abbey in the Knowes Car Park. Abbey in The Knowes Car Park. Mugs, jugs, bowls and “TimePorridge Tablets” and Soup fired Bowls, in Piggy theBanks Kelso and Goblets,Pit Kiln. Ovenproof OpenGratin DishesTuesday & Pit-fi to Saturday red Pieces. Open Mon, 10 Braemar Road, 10am-1pm and 2pm-5pm Ballater Thurs, Fri and TelephoneOpen Tues -(01573) Sat 10 to224027 1 - 2 to 5 Sat 10.00 -5.00 AB35 5RL NEWTelephone: SHOP, (01573) DISABLED 224027 ACCESS larksgallery.com facebook/Larks Gallery 013397 55888 CHECK OUT OUR ROBERT GREENHALF OTHER TITLES opening 17th may Jane B. Gibson RMS Wild Wings Over Lonely Shores Scotland’s Premier artWORK kirsty lorenz richard bracken 7th - 29th June www.artwork.co.uk Miniture Portrait Oils and woodcuts inspired by the birds of our jim wright kirstie cohen Painter coast and wetlands by Robert Greenhalf SWLA with hand-carved birds by Michael Lythgoe. West Highland www.resipolestudios.co.uk Open Studio/Gallery Castle Gallery, 43 Castle St, Inverness, IV2 3DU 01463 729512 Wayfarer loch sunart | acharacle | argyll | scotland | ph36 4hx EVERY FRIDAY [email protected] www.westhighlandwayfarer.co.uk or by appointment any www.castlegallery.co.uk THE other time. -
809 Bus Time Schedule & Line Route
809 bus time schedule & line map 809 Ullapool - Badnaban + Achmelvich + Drumbeg View In Website Mode The 809 bus line (Ullapool - Badnaban + Achmelvich + Drumbeg) has 4 routes. For regular weekdays, their operation hours are: (1) Achmelvich: 10:00 AM (2) Badnaban: 3:40 PM (3) Drumbeg: 3:25 PM - 5:20 PM (4) Ullapool: 6:45 AM - 12:20 PM Use the Moovit App to ƒnd the closest 809 bus station near you and ƒnd out when is the next 809 bus arriving. Direction: Achmelvich 809 bus Time Schedule 36 stops Achmelvich Route Timetable: VIEW LINE SCHEDULE Sunday Not Operational Monday 10:00 AM Ferry Terminal, Ullapool West Shore Street, Ullapool Tuesday 10:00 AM Latheron Lane Car Park, Ullapool Wednesday 10:00 AM Vyner Place, Ullapool Thursday 10:00 AM Friday 10:00 AM Rhue Road End, Ardmair Saturday 10:00 AM Camp Site, Ardmair Blughasary Road End, Strathcanaird Keanachulish Road End, Ardmair 809 bus Info Direction: Achmelvich Road End, Strathcanaird Stops: 36 Trip Duration: 76 min Junction, Drumrunie Line Summary: Ferry Terminal, Ullapool, Latheron Lane Car Park, Ullapool, Vyner Place, Ullapool, Rhue Road End, Ardmair, Camp Site, Ardmair, Blughasary Knockan Crag, Elphin Road End, Strathcanaird, Keanachulish Road End, Ardmair, Road End, Strathcanaird, Junction, Knockan Road End, Elphin Drumrunie, Knockan Crag, Elphin, Knockan Road End, Elphin, Telephone Kiosk, Elphin, Post Box, Elphin, Telephone Kiosk, Elphin Rhisalach Road End, Elphin, Elphin Junction, Grampian Avenue, Scotland Ledmore, Hotel, Inchnadamph, Ardvreck Castle, Loch Assynt, Skiag Bridge, -
City Research Online
City Research Online City, University of London Institutional Repository Citation: Summerfield, Angela (2007). Interventions : Twentieth-century art collection schemes and their impact on local authority art gallery and museum collections of twentieth- century British art in Britain. (Unpublished Doctoral thesis, City University, London) This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/17420/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] 'INTERVENTIONS: TWENTIETH-CENTURY ART COLLECTION SCIIEMES AND TIIEIR IMPACT ON LOCAL AUTHORITY ART GALLERY AND MUSEUM COLLECTIONS OF TWENTIETII-CENTURY BRITISH ART IN BRITAIN VOLUME If Angela Summerfield Ph.D. Thesis in Museum and Gallery Management Department of Cultural Policy and Management, City University, London, August 2007 Copyright: Angela Summerfield, 2007 CONTENTS VOLUME I ABSTRA.CT.................................................................................. ii ACKNOWLEDGEMENTS •........••.••....••........•.•.•....•••.......•....•...• xi CHAPTER 1:INTRODUCTION................................................. 1 SECTION 1 THE NATURE AND PURPOSE OF PUBLIC ART GALLERIES, MUSEUMS AND THEIR ART COLLECTIONS.......................................................................... -
Scottish Paintings & Sculpture
Scottish Paintings & Sculpture (450) Thu, 10th Dec 2015, Edinburgh Lot 62 Estimate: £1500 - £2000 + Fees § SIR WILLIAM MACTAGGART P.P.R.S.A., R.A., F.R.S.E., R.S.W. (SCOTTISH 1903-1981) THE BEECHES Signed, oil on board 18cm x 25.5cm (7in x 10in) Exhibited: Aitken Dott & Son, Sir William MacTaggart, Christmas Exhibition 1966, no.51 Note: Sir William MacTaggart is an artist of whom Edinburgh has long and rightly been proud. He was a central figure of the Edinburgh Group, a loose collective of critically and commercially successful artists which included his peers Anne Redpath, Sir William Gillies, William Crozier and Adam Bruce Thompson. Beyond this, MacTaggart also held many key roles within the city's artistic institutions. Born in Loanhead, Midlothian, he went on to study at the Edinburgh College of Art, later taking up a teaching post there, as well as serving as president of the Society of Scottish Artists between 1933-36, and ultimately as president of the Royal Scottish Academy in the years 1959-64. A towering figure in the Scottish art scene, his contribution was also recognised out with Scotland from early on in his career; he was a member of and exhibiter in the Royal Academy, and was knighted in 1962. MacTaggart came from artist stock, successfully proving his own merit and emerging from the long shadow cast by his grandfather, the popular and influential "Scottish Impressionist" William McTaggart. Aside from a looseness and airy freedom of brushwork, their work has little in common, though they both looked towards artistic developments in France when formulating the basis of their own personal style. -
Press Release for Immediate Use
Press Release For immediate use Impulses Towards Life Drawing and painting from the Edinburgh College of Art Collection 31 October – 19 December 2015 Bounding 100 years, Impulses Towards Life emphasises the reimagining of the human form in the last century, including early drawings by William McTaggart, John Bellany, Kirkland Main, Elizabeth Blackadder, Henry Moore and many others; and centred upon a work by Barbara Hepworth that has not been exhibited publicly for 65 years. Based on the Edinburgh College of Art Collection the exhibition accentuates the underlying practice of life drawing studies – a central pillar of art education – and is inclined towards the 1950s and 1960s when the majority of the collection was produced or collected. Also including paintings by Augustus Edwin John, Samuel John Peploe, David McClure, Anne Redpath and David Michie the exhibition outlines an evolving and ongoing negotiation between artists, education and the body. Establishing a backdrop for the exhibition are three prize-winning drawings completed in the 1850s at the Trustees Academy in Edinburgh. These works reflect the classical foundation for artists’ depictions of the body, featuring casts that would become an iconic part of the College’s physical environment. Art students in the second half of the 19th Century – including John Houston, John Mooney, Edward Gage and Kenneth Dingwall – were still required to take part in Life Drawing classes as part of their formal training and assessment, whilst also responding to the imperatives of modernism. By the 1950s debates on the relationship between art and the body centred upon the importance of tactility in understanding art. -
Denis Peploe Rsa Centenary Exhibition Denis Peploe Rsa (1914-1993) Centenary Exhibition
DENIS PEPLOE RSA Centenary Exhibition DENIS PEPLOE RSA (1914-1993) Centenary Exhibition 4 - 28 june 2014 www.scottish-gallery.co.uk/denispeploe 16 Dundas Street, Edinburgh EH3 6HZ tel 0131 558 1200 email [email protected] www.scottish-gallery.co.uk Front cover: Rain Clouds over Skye, c.1950, oil on canvas, 45 x 60 cms, cat. no. 34 Left: Self Portrait, c.1955, oil on canvas, 61 x 46 cms, cat. no. 18 INTRODUCTION Denis Frederic Neil Peploe was born on 25th March 1914 in Edinburgh. He was the second son of Samuel John Peploe and his wife Margaret (née Mackay), a brother for Willy, who had been born in August 1910, in Royan. His earliest memory was being held up to the window at night at the back of the family flat in the New Town to see a hostile Zeppelin dropping bombs onto Leith during a unique raid made in April 1916, which cost 11 lives. The boys lived with their parents in a first floor flat at 13 India Street and went to school at The Edinburgh Academy at the foot of the New Town and both thrived, Willy going up to Oxford to study History at Magdalen. Denis was equally academically bright, but thrived also on the sporting field, excelling at cricket, rugby and golf. In the art department AC Dodds (the one-armed inspiration for the art-master in The Prime of Miss Jean Brodie) was lenient with the tawse and encouraged Denis Peploe, c.1918 Peploe junior in his ambitions to become a painter. -
The SCOTTISH Sale Wednesday 15 and Thursday 16 April 2015 Edinburgh
THE SCOTTISH SALE Wednesday 15 and Thursday 16 April 2015 Edinburgh THE SCOTTISH SALE PICTURES Wednesday 15 April 2015 at 14.00 ANTIQUES AND INTERIORS Thursday 16 April 2015 at 11.00 22 Queen Street, Edinburgh BONHAMS Enquiries Gordon Mcfarlan Sale Number 22 Queen Street Pictures +44 (0) 141 223 8866 22762 Edinburgh EH2 1JX Chris Brickley [email protected] +44 (0) 131 225 2266 +44 (0) 131 240 2297 Catalogue +44 (0) 131 220 2547 fax [email protected] Fiona Hamilton £10 www.bonhams.com/edinburgh +44 (0) 131 240 2631 customer services Iain Byatt-Smith [email protected] Monday to Friday 8.30 to 18.00 VIEWING +44 (0) 131 240 0913 +44 (0) 20 7447 7447 Friday 10 April 10.00-16.00 [email protected] Arms & Armour Saturday 11 April 13.00-16.00 Kenneth Naples Please see back of catalogue Sunday 12 April 13.00-16.00 Areti Chavale +44 (0) 131 240 0912 for important notice to Monday 13 April 10.00-16.00 +44 (0) 131 240 2292 [email protected] bidders Tuesday 14 April 10.00-16.00 [email protected] Wednesday 15 April 10.00-14.00 Ceramics & Glass Thursday 16 April 09.00-11.00 Rebecca Bohle Illustrations Saskia Robertson Front cover: Lot 54 +44 (0) 131 240 2632 +44 (0) 131 240 0911 Bids Back cover: Lot 52 [email protected] [email protected] +44 (0) 20 7447 7447 Inside front cover: Lot 449 +44 (0) 20 7447 7401 fax Inside back cover: Lot 447 London Books, Maps & Manuscripts To bid via the internet please Facing page: Lot 9 Chris Dawson Henry Baggott visit bonhams.com +44 (0) 131 240 0916 +44 (0) 20 7468 8296 IMPORTANT INFORMATION [email protected] Telephone Bidding [email protected] The United States Government has banned the Bidding by telephone will only be Georgia Williams Jewellery import of ivory into the USA. -
DAVID MICHIE Memorial Exhibition
DAVID MICHIE DAVID DAVID MICHIE Memorial Exhibition The Scottish Gallery, Edinburgh DAVID MICHIE (1928-2015) Memorial Exhibition 1 March – 1 April 2017 16 Dundas Street · Edinburgh EH3 6HZ +44 (0) 131 558 1200 [email protected] www.scottish-gallery.co.uk Front cover: Summer Garden, 1990, oil on canvas, 132 x 152.5 cms (detail) (cat. 26) Left: Self Portrait II, c.1958, chalk drawing, 36.5 x 26.5 cms (detail) (cat. 6) FOREWORD A memorial exhibition should not be a sombre affair and with the subject being the life and work of David Michie our exhibition for March 2017 could not be anything but a joyous celebration, as the succeeding pages should attest. David was a devoted son to his mother Anne Redpath, the happiest of married men with his wife Eileen, the best of fathers to his girls (who have all our thanks for helping prepare this tribute) and a friend to so many, including succeeding staff at The Scottish Gallery. One of whom, Robin McClure, writes a warm introduction over the page. This generosity of heart sprang from David’s intense interest in people: he had much to say but always as part of a conversation. But whatever he was saying he was also looking, a sketchbook seldom far from hand and what he saw and remembered or recorded helped him develop his own visual language to describe many aspects of natural phenomena but also his own feelings. A natural modesty could make him a reluctant exhibitor but the exuberance and colour in his work seeks out the light and attests to a life well lived, full of optimism and creative fulfilment. -
Highland Bird News No 121
The Scottish Ornithologists’ Club Scotland’s Bird Club Highland Bird News No 121 August 2013 Editorial Contents As the summer draws on, waders such as Curlew, Oystercatcher and Lapwing are drifting away from their inland breeding grounds, heading Editorial p1 for the coast. Other species which breed in more northerly latitudes are already heading south – you may hear them calling as they pass over, for Indoor Meetings & Field example, Whimbrel, or come across them stopping over at places like Trips for Session 2013-14 p2 Udale Bay. What breeding success our local birds enjoyed I don’t know but I found both Lapwing and Oystercatcher chicks killed on the A9 at Branch Membership update Dalmagarry, adjacent to a field where both species breed. Curlew too p3 were feeding on the verge there though I never saw small chicks. Those who followed Springwatch this year may have seen the film sequence SOC Highland Branch from Aberdeen, when Iolo Williams met up with Alistair Duncan and Outing – Kinrara 5 May 2013 Brian Pirie, two SOC members who have been monitoring the breeding p3 success of roof-nesting Oystercatchers in the city for many years. Unfortunately this year, many chicks died during the long dry period we The Birds of Eigg p4 enjoyed because worms had gone deep and the ground was so hard that the adults could not find food. Skuas at Chanonry Point p4 Passerines too are recovering from a busy breeding season, moulting, A week on the Uists & skulking, but feeding hard as they seek to build up their strength, Benbecula 11 – 18 May 2013 especially migrants such as Willow Warbler, which will soon face the p5 long flight back to Africa. -
ACS Members Mar 2021
ACS Members Mar 2021 ACS Artist Name Date ACS Collects From Adam Bruce Thomson 02/05/2014 Adam Koukoudakis 23/02/2014 Adam White 30/10/2012 Adia Wahid 28/09/2016 Adrian George 29/01/2015 Adrian Green 10/05/2010 Adrian Wiszniewski 14/06/2018 Afifa Aleiby 26/03/2017 Agenor Asteriadis 01/01/2012 Ahmet Güneştekin 24/06/2011 Alan Gard 24/04/2017 Alan Glasby 01/01/2012 Alan Gouk 17/11/2015 Alan Kingsbury 30/01/2011 Alan Sorrell 01/01/2012 Alan Thornhill 24/10/2012 Alastair Michie 22/03/2016 Albert Henry Collings ● 27/06/2013 Albert Houthuesen 17/05/2012 Albert Louden 01/05/2007 Albert Rutherston / Albert Rothenstein 13/02/2014 Alberto Morrocco 17/06/2011 Alecos Kondopoulos 01/01/2012 Alex Russell Flint 26/07/2011 Alexander Goudie ©+ 12/01/2011 Alexander Talbot-Rice 30/07/2006 Alexandra Cowan 11/08/2006 Alexandros (Alekos) Alexandrakis 01/01/2012 Alfred Bestall 31/03/2014 Alfred Drury ● 01/01/2012 Alfred Fontville de Breanski Jr 01/01/2012 Alfred Janes 14/03/2013 Alfred John Billinghurst 25/02/2013 Alfred Reginald Thomson 20/07/2013 Alfred Wallis ● 01/01/2012 Algernon Newton 01/01/2012 Alice Boyle 21/01/2017 Alice McVicker 28/06/2013 Alison Cooper 18/07/2006 Alison Pullen 04/02/2009 Alistair Little 04/02/2018 Amanda Cornish 27/09/2007 Amelia Kleiser 18/07/2006 1 Amy Katherine Browning 01/01/2012 Ana Maria Pacheco 28/10/2013 Andras Kaldor 27/03/2012 Andrea Vecchi 20/01/2018 Andrew Cranston 18/09/2012 Andrew Festing 22/07/2008 Andrew Flint Shipman 12/09/2012 Andrew Gadd 18/09/2007 Andrew Gifford 28/06/2018 Andrew Macara 25/03/2007 Andy Hope 1930