Publications 2018–19 New Books

The National Galleries of Scotland’s award-winning Victoria Crowe: Beyond Likeness exceptional skill of this remarkable artist’s portraits and Victoria Crowe, herself, publishing house is committed to producing books Duncan Macmillan, Victoria Crowe contributes many insightful accounts of on the visual arts which are engaging, accessible & Julie Lawson her own thoughts and perceptions as each and affordable, combining high-quality writing and 220 X 245MM | 96PP work developed. rigorous research with the best in design. As well as 65 COLOUR ILLUSTRATIONS This book also tells Crowe’s own story 978 1 911054 22 1 | £14.95 PAPER producing books that provide access to the national – both professional and personal – through collection and accompany exhibitions, we publish ‘The most important portraits to me are the her art. She has developed an approach ones of people who have enriched my own to portraiture that seeks to do more than a number of titles on different aspects of art, art thinking or awareness. Areas of philosophy, record the outward appearance of a person; practice and art history, furthering the Galleries' religion, psychological perspectives, poetry, she aims to represent something of the programme of scholarly research. Our publications music, art history, women’s roles and the inner life. are designed to enhance the visitor experience and inner life are important issues for me – and With eighty illustrations, the portraits to reflect and extend the Galleries’ educational and all have been nurtured by these people whom include the artist’s family, composer scholarly activities. I have met through portraiture.’ Ronald Stevenson, pioneer medical Victoria Crowe scientist Dame Janet Vaughan, poet Our publications encompass new academic research; Victoria Crowe is one of Britain’s most Kathleen Raine, actor Graham Crowden, fresh perspectives on well-known and loved art; books vital and original figurative painters. psychiatrist R.D. Laing, physicist Professor aimed at introducing those outside Scotland to our Here, Duncan Macmillan explores the Sir Peter Higgs and many others. national collection, and the Scottish public to artworks from home and abroad; lectures; full catalogues and bite-sized introductions. Most of our titles are highly illustrated and we are dedicated to ensuring the finest production values.

New Books | 3 Raqib Shaw

Reinventing the Old Masters Patrick Elliott Patrick Elliott RAQIB SHAW REINVENTING THE OLD MASTERS 240 X 330MM | 48PP 50 COLOUR ILLUSTRATIONS 978 1 911054 20 7 | £16 PAPER

NATIONAL GALLERIES OF SCOTLAND Edinburgh · 2018 Raqib Shaw is one of the most extraordinary and sought-after artists working in the world today. Born in Calcutta in 1974 and raised in Kashmir, he came to London to study in 1998 and has lived there ever since. RAQIB SHAW Inspired by a broad range of influences, including the old masters, Indian miniatures, Persian carpets and the Pre-Raphaelites, his paintings are infused with memories and longing for his homeland in Kashmir. Fig.3 | Lucas Cranach the Elder (1472–1553) Cupid Complaining to Venus, c.1525 Oil on wood, 81.3 x 54.6 cm His technique constitutes a completely National Gallery, London: purchased 1963 Fig.4 | Raqib Shaw (b.1974) After Lucas Cranach the Elder, 2001 Oil, acrylic, enamel and glitter on board, 166 x 104 cm unique kind of enamel painting. Spending Central Saint Martins College of Art and Design, London months on preparatory drawings, tracings and photographic studies, he then transfers the composition onto prepared wooden panels, establishing an intricate design with acrylic liner, which leaves a slightly raised line. He adds the enamel paint using needle-fine syringes and a porcupine quill, with which he manoeu- vres the paint. The finished works are intricate, magical and breathtaking in

20 21 their colour and complexity.

4 Self-portrait in the Sculpture Studio at Peckham (After Gerolamo Mocetto) II, 2015–16

Acrylic liner and enamel on birch wood, 213.3 x 152.5 cm Courtesy of Raqib Shaw and White Cube

Shaw’s painting is based on a rather grand-tour aristocrats in the Grand Duke In Shaw’s painting, his own Garden of obscure work by Gerolamo Mocetto, a of Tuscany’s Tribuna of the Uffizi in Earthly Delights III, 2003, hangs on the minor Venetian artist who is better known Florence. The room is stuffed full of the far wall. The bronzes in the foreground as a printmaker. Mocetto’s The Massacre Grand Duke’s collection of masterpieces, are Shaw’s own sculptures, which are of the Innocents is a fragment; another which the British diligently admire. Shaw based on Florentine mannerist bronzes, section depicting Herod is also in the also researched other Dutch eighteenth- particularly those of Giambologna National Gallery collection. Shaw’s century paintings of this type, showing (1529–1608). Shaw’s bronzes – entitled painting adopts Mocetto’s architectural magnificent collections hung from floor Duo, Trio, Quintet and Sextet, depending scene, but its theme is based on Johann to ceiling in vast rooms. This version on the number of figures each contains Zoffany’sTribuna of the Uffizi, 1772–77 standing over 200 centimetres tall was – formed the core of an exhibition held (Royal Collection, Windsor Castle), a preceded by a smaller version measuring at the Galerie Thaddaeus Ropac in celebrated painting which shows British 155 x 104 centimetres. Paris in 2013. Books on Giambologna and Rodin, and the catalogue of the Royal Academy’s extraordinary Bronze exhibition of 2012, lie amongst the studio detritus on the floor. The picture of the centaur fighting a man in the lower right corner is taken from one of the metopes of the Parthenon Frieze in the British Museum. The skeletal artist, holding one of his dogs while the other is at his A feet, is robed in a Kashmiri Kani shawl, and is half-hidden behind a pillar. Some of the busts placed high up in niches are based on friends and studio assistants. Through the arch, in the distance, we glimpse architect Renzo Piano’s London skyscraper The Shard (completed 2012). As Britain’s tallest building, it can actu- ally be seen from Shaw’s studio. The tree which is also visible through the arch is based on a bonsai growing in Shaw’s garden. High up on the balcony, a peacock surveys the scene. This is a ‘quote’ from Carlo Crivelli’s The Annunciation, 1486 (National Gallery, London: see fig.9), as is the carpet hanging over the bannister. Peacocks are native to India and have a rich symbolic significance, sometimes associated with vanity. In Hindu culture, Lord Kartikeya, the god of war, and his wives, ride a peacock.

Fig.14 | Gerolamo Mocetto (c.1458–1531) The Massacre of the Innocents, c.1500–25 Oil on canvas, 67.9 x 44.5 cm National Gallery, London: purchased 1888

4 | NATIONAL GALLERIES OF SCOTLAND New Books | 5 Rembrandt & Britain This absorbing introduction to the story of Rembrandt’s rampant fame and influence in Christian Tico Seifert Britain is filled with beautiful images. REMBRANDT 200 X 220MM | 36PP The story of ‘Rembrandt mania’ began BRITAIN’S DISCOVERY OF THE MASTER 26 COLOUR ILLUSTRATIONS in 18th-century Britain with passionate, 978 1 911054 26 9 | £7.95 PAPER and often eccentric, collectors acquiring artworks by any and every means. As the craze for Rembrandt ebbed and flowed, each new wave of enthusiasm brought him ever- greater fame and influence, and collectors became increasingly ingenious. This master’s impact not only on collectors and the public but also on British artists over the last four centuries is explored, with lavish paintings, drawings and prints from artists such as Henry Raeburn, Joshua Reynolds and James Abbott McNeill Whistler shown alongside some of Rembrandt’s most famous masterpieces.

Rembrandt: Britain’s Discovery In this book, some of the world’s leading of the Master experts reveal how the taste for Rembrandt’s paintings, drawings and prints evolved, Christian Tico Seifert with Peter Black, growing into a mania that gripped collec- Stephanie S. Dickey, Patrick Elliott, tors and art lovers across the country. This Donato Esposito, M.J. Ripps reached a fever pitch in the late 1700s, before & Jonathan Yarker the dawn of a new century ushered in a 280 X 240MM | 176PP re-evaluation of Rembrandt’s reputation and 145 COLOUR ILLUSTRATIONS opportunities for the wider public to see his 978 1 911054 19 1 | £22 PAPER masterpieces for themselves. This is the exceptionally rich story of The story of Rembrandt’s profound Rembrandt’s fame and influence in Britain. and inspirational impact on the British No other nation has witnessed such a imagination is illustrated by over 130 passionate – and sometimes eccentric – works by the master himself, as well as enthusiasm for Rembrandt’s works. His by some of Britain’s best-loved artists, imagery has become ubiquitous, making including William Hogarth, James Abbott him one of the most recognised artists McNeill Whistler, Eduardo Paolozzi and in history. John Bellany.

6 | NATIONAL GALLERIES OF SCOTLAND New Books | 7 Pin-ups: Toulouse-Lautrec and the Art of Celebrity Hannah Brocklehurst and Frances Fowle ANDY WARHOL & 170 X 300MM | 120PP | OCTOBER 2018 100 COLOUR ILLUSTRATIONS EDUARDO PAOLOZZI 978 1 911054 21 4 | £19.95 PAPER

This book offers a beautiful I WANT TO BE exploration of Henri de Toulouse- A MACHINE Lautrec’s works in lithography. It explores the new artistic approach to the poster at the end of the 19th century, which bridged visual and popular culture and turned the relationship between ‘high’ and ‘low’ art on its head. Technical PIN-UPs innovations in lithography pioneered by Lautrec and other artists produced larger sizes, more Andy Warhol & Eduardo Paolozzi: Neither artist made the logical next step varied colours and new effects and I Want To Be A Machine and used a truly mechanical means to create their own artworks until the early 1960s. launched the role of the poster as a Keith Hartley powerful tool for communication Warhol made his first photo-silkscreened and marketing in fin de siècle Paris. 220 X 245MM | 36PP | NOVEMBER 2018 paintings in the summer of 1962 and his first 25 COLOUR ILLUSTRATIONS photo-silkscreened prints in 1963. During Lautrec’s embrace of celebrity 978 1 911054 30 6 | £7.95 PAPER helped to define the famous the same period, Paolozzi realised the full hotspots (theatres, cabarets and Through the early works of Andy Warhol potential of photo-screenprinting. café-concerts) of fin de siècle Paris and Eduardo Paolozzi, this book traces the Paolozzi extended the concept of and made their stars recognisable development of their deep fascination with mechanised, serial imagery to his sculpture figures across the whole city. the machine. in 1962, making works using off-the-shelf, Works by contemporaries and This book illustrates both artists’ serially produced metal parts, which he TOULOUSE– Lautrec’s influence on British, and fascination with popular culture and the would then solder together to form robotic particularly Scottish, artists of the methods that they used in creating their humanoids. Warhol also made sculptures LAUTREC period are explored. art. Common to all their methods of making using serial imagery – his famous ‘Brillo works was their hand-made quality. Even boxes’ are to all intents and purposes & THE when Warhol made limited-edition books identical, three-dimensional screenprints, during this period, he would organise each side emblazoned with the sign of its ART OF colouring-in parties so as to achieve a contents. From a distance they look like sense of naïve uniqueness. Paolozzi made the real thing, except that there are no his first bronzes himself in a friend’s contents and the ‘box’ is made of wood, CELEBRITY garden, because he could not afford the not cardboard. expense of having his sculptures cast in a As Warhol said of himself, there is only bronze foundry. surface, with nothing underneath.

8 | NATIONAL GALLERIES OF SCOTLAND New Books | 9 A New Era: Scottish Modern Art and interpretation of the great movements 1900–1950 of European modern art, from Fauvism and Expressionism, to Cubism, Art Deco, Alice Strang abstraction and Surrealism, among others. 265 X 245MM | 136PP Looking at the most advanced work of 80 COLOUR ILLUSTRATIONS high-profile artists such as William Gillies 978 1 911054 16 0 | £19.95 PAPER and Stanley Cursiter, and lesser-known Revealing an alternative story of modern talents, like Tom Pow and Edwin G. Lucas, Scottish art, A New Era examines the A New Era takes its name from the group most experimental work of Scottish established in Edinburgh in 1939 to show artists during the first half of the 20th surreal and abstract work by its members. century. It challenges the accepted view of the dominance of the Scottish Colourists and uncovers the hitherto little-known progressive Scottish art world. Through these works, we can see the commitment of Scottish artists to the progress of art through their engagement

Emil Nolde painted, identifying with his subjects in every brushstroke he made, heightening Keith Hartley, Sean Rainbird, his colours and simplifying his shapes, so Christian Weikop, Frances Blythe and that we, the viewers, can also experience Astrid Becker his emotional response to the world about 245 X 265MM | 136PP him. This is what makes Nolde one of 100 COLOUR ILLUSTRATIONS Germany’s greatest expressionist artists. 978 1 911054 15 3 | £20 PAPER This book, illustrating 100 paintings, Emil Nolde (1867–1956) was one of the drawings, watercolours and prints, covers greatest colourists of the twentieth Nolde’s complete career, from his early A NEW ERA century. An artist passionate about his atmospheric paintings of his homeland SCOTTISH MODERN ART north German home near the Danish right through to the intensely coloured, 1900–1950 border, with its immense skies, flat, so-called ‘unpainted paintings’, works windswept landscapes and storm-tossed done on small pieces of paper during the seas, he was equally fascinated by the Third Reich when Nolde was branded a demi-monde of Berlin’s cafés and cabarets, ‘degenerate’. the busy to and fro of tugboats in the port of Hamburg and the myriad of peoples and places he saw on his trip to the South Seas in 1914. Nolde felt strongly about what he

10 | NATIONAL GALLERIES OF SCOTLAND New Books | 11 Popular Bridget Riley on Riley’s work makes this title the authority on new thinking around Michael Bracewell, Éric de Chassey, Riley’s practice. Marina Warner, Lucy Askew and Cliff TRUE TO LIFE In the last decade, Riley has Lauson British Realist continued to push her practice consid- Painting in the 270 X 245MM | 192PP | JUNE 2019 1920s & 1930s erably, producing several large-scale 120 COLOUR ILLUSTRATIONS site-specific wall paintings as well 978 1 911054 24 5 | £35 HARDBACK as continuing to develop new series 978 1 911054 32 0 | £24.95 PAPER of paintings. This book explores This landmark book reflects on the 70-year these recent developments, as well career of renowned British artist Bridget as showcasing a number of very early Riley (b.1931), from her earliest paintings drawings and paintings by Riley rarely to very recent projects, providing a unique published or exhibited. It also examines record of the work of an artist still very the notable influence that other artists, much at the height of her powers. Essays including Georges Seurat and Piet from leading scholars and commentators Mondrian, have had on Riley’s work.

Bridget Riley

True To Life: British Realist passed out of fashion as abstraction and Painting in the 1920s & 1930s Pop Art became the dominant trends in the post-war years. In the last decade Patrick Elliott and Sacha Llewellyn their work has re-emerged and interest 300 X 245MM | 144PP in them has grown. Interwar realist art 140 COLOUR ILLUSTRATIONS embraces a number of different styles, 978 1 911054 05 4 | £19.95 PAPER but is characterised by fine drawing, British realist art of the 1920s and meticulous craftsmanship, a tendency 1930s is visually stunning – strong, towards classicism and an aversion to seductive and demonstrating extraordi- impressionism and visible brushwork. nary technical skill – and yet it is often Artists such as Gerald Leslie Brockhurst, overshadowed by abstract art. This book Meredith Frampton, James Cowie and presents the very first overview of British Winifred Knights combine fastidious realist painting of the period, showcasing ‘Old Master’ detail with 1920s modernity. outstanding works from private and Featuring many Scottish and women public collections across the UK. Of the artists, this book promises a fascinating 58 artists featured, many were major discovery of this captivating period of figures in the 1920s and 1930s but later British art.

12 | NATIONAL GALLERIES OF SCOTLAND Popular | 13 Joan Eardley: A Sense of Place to tight-knit communities, living under christopher baker · extreme pressure: Townhead suffered from Patrick Elliott with Anne Galastro J.M.W.TURNER overcrowding and poverty, and Catterline The Vaughan Beques 240 X 275MM | 120PP from depopulation brought about by the 120 COLOUR ILLUSTRATIONS J. M.W.Turner 1775–1851 was perhaps the most proliﬁc and

declininginnovative of all British fishing artists. His industry. outstanding watercolours Eardley was 978 1 911054 02 3 | £19.95 PAPER J.M.W.TURNER inspiredin the National Gallery by the of Scotland humanity are one of the most she popular found in features of its collection. Bequeathed to the Gallery in 1899 by the Joan Eardley (1921–1963) is one of bothdistinguished places. collector Henry Vaughan, they have been exhibited, as he requested, every January, for over 100 years. Re nowned for Scotland’s most admired artists. During These two intertwining strands are the · their excellent state of preservation, they provide a remarkable THE VAUGHAN BE a career that lasted barely fifteen years, focusoverview ofof many this of the book, most imp or which tant aspects oflooks Turner’s in detail at she concentrated on two very distinct Eardley’s career. This richly working illustrated book, processes.provides a commentary Her method on the watercolours, addressing questions of technique and themes: children in the Townhead area can function, be as welltraced as considering from some of rough the numerous sketches contacts and

Turner had with other artists, collectors and dealers. The intro Q of central Glasgow, and the fishing village photographs through to pastel drawings UEST duction concentrates on Henry Vaughan, one of the greatest of Catterline, just south of Aberdeen, and enthusiasts large for British oil art paintings. in the late nineteenth Identifying century, whose many · national galleries of scotland ofdiverse Eardley’s collections have subjectsnot previously been and fully appreciated. drawing on with its leaden skies and wild sea. The national galleries of scotland · isbn 1 903278 89 9 contrast between this urban and rural unpublished letters, archival records and subject matter is self-evident, but the interviews, the authors provide a new and two are not, at heart, so very different. remarkably detailed account of Eardley’s Townhead and Catterline were home life and art.

REVISED EDITION JOAN EARDLEY J.M.W. Turner: A SENSE OF PLACE The Vaughan Bequest Christopher Baker and Charlotte Topsfield

220 X 245MM | 120PP 60 COLOUR ILLUSTRATIONS 978 1 911054 09 2 | £12.95 PAPER

J.M.W. Turner was perhaps the most prolific and innovative of all British artists. His outstanding watercolours in the Scottish National Gallery are one of the most popular features of its collection. Bequeathed in 1899 by the distinguished collector Henry Vaughan, they have been exhibited, as he requested, every January, for over 100 years. Renowned for their excellent state of preservation, they provide a remarkable overview of many of the most important aspects of Turner's career.

14 | NATIONAL GALLERIES OF SCOTLAND Popular | 15 The Monarch of the Glen on a new role as marketing image which A Perfect Chemistry: are among the first images of social gave it global recognition. It also inspired documentary photography. Christopher Baker Photographs by Hill & Adamson the work of a wide spectrum of other In the space of four and a half years Hill 190 X 170MM | 64PP artists, ranging from Sir Bernard Partridge Anne M. Lyden and Adamson produced several thousand 30 ILLUSTRATIONS and Ronald Searle to Sir Peter Blake and 250 X 205MM | 120PP | 110 ILLUSTRATIONS prints encompassing landscapes, archi- 978 1 911054 17 7 | £9.99 HARDBACK Peter Saville. Today the picture has an 978 1 911054 04 7 | £29.95 HARDBACK tectural views, tableaux vivants from The Monarch of the Glen by Sir Edwin intriguing status, being seen by some as a 978 1 911054 10 8 | £19.95 PAPER Scottish literature and an impressive suite Landseer (1802–1873) is one of the most splendid celebration of Scotland’s natural Pioneering Edinburgh photographers of portraits featuring key members of celebrated paintings of the nineteenth wonders and by others as an archaic David Octavius Hill (1802–1870) and Edinburgh society. century and was acquired by the National trophy. This publication will make a signif- Robert Adamson (1821–1848) together Anne M. Lyden, International Galleries of Scotland in 2017. In this new icant contribution to the debates that it formed one of the most famous partner- Photography Curator at the National book, the first to focus in detail on this continues to stimulate. ships in the history of photography. Galleries of Scotland, discusses the dynamic iconic picture, Christopher Baker explores Christopher Baker has been the Producing highly skilled photographs dispute that brought these two men together its complex and fascinating history. He Director of the Scottish National Portrait just four years after the new medium was and reveals their perfect chemistry as the places Landseer’s work in the context of Gallery since 2012 and in addition is announced to the world in 1839, their first professional partnership in Scottish the artist’s meteoric career, considers the currently Acting Director of the Scottish images of people, buildings and scenes in photography. circumstances of its high-profile commis- National Gallery. and around Edinburgh offer a fascinating Illustrated with around 100 masterpieces sion, and its extraordinary subsequent glimpse into 1840s Scotland. Their much- from the Galleries’ unique, vast collection of reputation. When so much Victorian art loved prints of the Newhaven fisherfolk the duo’s ground-breaking work. fell out of fashion Landseer’s Monarch took

THE MONARCH OF THE GLEN EDWIN LANDSEER

16 | NATIONAL GALLERIES OF SCOTLAND Popular | 17 Modern Scottish Women: 1965, when Anne Redpath, the doyenne ARTHUR MELVILLE Painters and Sculptors of post-Second World War Scottish 1885–1965 painting died, an unprecedented number ·

of Scottish women trained and worked ADVENTURES IN COLOUR Edited by Alice Strang as artists. This book focuses on forty-five 265 X 245MM | 128PP Scottish female painters and sculptors 60 COLOUR ILLUSTRATIONS and explores the conditions that they 978 1 906270 89 6 | £18.95 PAPER negotiated as students and practitioners In 1885 Sir William Fettes Douglas, due to their gender. Many of the artists President of the Royal Scottish featured are not widely known and so The Amazing Arthur Melville (1855–1904) was arguably In this comprehensive survey of Arthur Melville’s the most innovative and modernist Scottish artist career, the artist emerges as Orientalist, forerunner Academy, declared that the work of a will be a revelation to readers,of his generation and one of the finest whilst British of the Glasgow Boys, painter of modern life and World of watercolourists of the nineteenth century. During his re-interpreter of the landscape of Scotland. His lifetime critics were compelled to find new ways to spectacular watercolours – adventures in colour – woman artist was ‘like a man’s only others with establisheddescribe hisreputations work; he painted in ‘blobs’ and ‘spots’. were inspired by his travels and his later works in oils M. C. Escher In 1943 the Scottish Colourist J.D. Fergusson were equally radical and ambitious. Opening with ISBN 978 1 906270 87 2 confessed that although they never met, ‘his work a career survey by Kenneth McConkey, this book opened up to me the way to free painting – not merely illustrates over seventy of his works, each with a 9 7 8 1 9 0 6 2 7 0 8 7 2 weaker and poorer’. Yet between 1885, are evaluated afresh. Anfreedom in theessay use of paint, but freedom by of outlook’. Alicecatalogue entry. ARTHUR MELVILLE when Fra Newbery was appointed Strang and artist entries by twenty-one ADVENTURES IN COLOUR Director of Glasgow School of Art and authors uncover and celebrate women’s did much in terms of gender equality contribution to this chapter of Scottish amongst his staff and students, and modern art history. Arthur Melville: The Amazing World of Adventures in Colour M.C. Escher Kenneth McConkey and Charlotte Micky Piller, Patrick Elliott and Topsfield Frans Peterse

265 X 245MM | 136PP 220 X 245MM | 144PP 80 COLOUR ILLUSTRATIONS 80 COLOUR ILLUSTRATIONS 978 1 906270 87 2 | £18.95 PAPER 978 1 906270 88 9 | £19.95 PAPER

Arthur Melville (1855–1904) was arguably The Dutch artist M.C. Escher (1898–1972) the most innovative and modernist Scottish created some of the most celebrated artist of his generation and one of the finest and extraordinary images in twenti- British watercolourists of the nineteenth eth-century art, yet he remains an elusive century. During his lifetime critics were figure. In the 1960s, when his reputation compelled to find new ways to describe his sky-rocketed, he was championed on work; he painted in ‘blobs’ and ‘spots’. the one hand by leading mathematicians In this comprehensive survey of Arthur who admired his grasp of geometry, and Melville’s career, the artist emerges as on the other by hippies who claimed him Orientalist, forerunner of the Glasgow as the godfather of psychedelic art. Rock Boys, painter of modern life and re-inter- stars and teenagers were equally amazed preter of the landscape of Scotland. His by Escher’s ingenuity and imagination, spectacular watercolours – adventures in yet the art world looked upon him – and colour – were inspired by his travels and his still looks upon him – with reserved later works in oils were equally radical and judgement; in short, his work is ripe for ambitious. Opening with a career survey by rediscovery and reappraisal. Kenneth McConkey, this book illustrates over seventy of his works, each with a catalogue entry.

18 | NATIONAL GALLERIES OF SCOTLAND Popular | 19 Kurz Luxor 377

Inspiring Impressionism: The Printmaker’s Art LEIG H

JOHN LEIGHTON

Daubigny, Monet, Van Gogh SURREAL ENCOUNTERS T

Hannah Brocklehurst and O

collecting the marvellous N

Lynne Ambrosini, Nienke Bakker, Kerry Watson

René Boitelle, Michael Clarke, Maite 200 X 220MM | 96PP van Dijk and Frances Fowle 60 COLOUR ILLUSTRATIONS 978 1 906270 75 9 | £14.95 PAPER 265 X 245MM | 176PP 140 COLOUR ILLUSTRATIONS The print collections of the National 978 1 906270 86 5 | £24.95 PAPER Galleries of Scotland reveal a diverse Charles François Daubigny was one of and dazzling variety of different tech-

niques and approaches the Director-General Sirto John Lprintmaking.eighton is the most important French landscape intended to evoke the special character of the collection at the National Galleries with

FromNational exquisiteGallery. Together these galleries copperplateand international art as well as the man y engravings painters of the nineteenth century. He conversations that it establishes between the be found anywhere in the world, ranging art of the past and the present. from the thirteenth century to the present helped to shape Impressionism through by theday. Many ofold the greatest masters names in Western to woodblocks is Director-General cut on art are represented by major works, from of the National Galleries of Scotland. He was Titian, Rembrandt and Vermeer through to formerly Director of the Van Gogh Museum in kitchen tables, thisAmsterdam book and Curator of nine examinesteenth-century key his working practice: routinely painting illustrated book contains one hundred of the paintings at the National Gallery in London. National Galleries of Scotland’s greatest and He is the author of numerous publications and National Galleries 9 7 8 1 9 0 6 2 7 0 0 1 8 outdoors, often from his studio boat; works by artists fromexhibition catalogues Dürer on nineteenth-century artot. Warhol of Scotland exploring new subjects and unexpected and beyond, giving readers an introduc-

100 Paperback2.indd 1 15/04/2015 22:05 viewpoints; and developing a radically tion to printmaking as an art form and an 'unfinished' style and a brighter palette. understanding of the different working 100 Masterpieces His more subjective interpretation of Surreal Encounters: methods and materials. Through National Galleries of Scotland nature in his later sunsets and nocturnes technical summaries and featured Collecting the Marvellous Sir John Leighton inspired not only Monet, but Vincent examples, The Printmaker’s Art draws van Gogh, who spent the last two months Dawn Ades, Richard Calvocoressi, on the print and archive collections of 280 X 240MM | 240PP of his life close to Daubigny's home and Désirée de Chair, Elizabeth Cowling, the National Galleries of Scotland to 150 COLOUR ILLUSTRATIONS Hubertus Gaßner, Annabelle Görgen, illustrate and explain the mysteries of 978 1 906270 01 8 | £24.95 PAPER studio at Auvers-sur-Oise. 978 1 906270 73 5 | £35 HARDBACK Keith Hartley, Saskia van Kampen-Prein relief and intaglio printing, lithography, and Antony Penrose screenprint, photomechanical and Together, the three galleries that make 300 X 245MM | 240PP digital processes. up the National Galleries of Scotland 220 COLOUR ILLUSTRATIONS house one of the finest collections of art 978 1 906270 97 1 | £19.95 PAPER to be found anywhere in the world. Many This book provides an exceptional of the greatest names in Western art are overview of Surrealism, bringing together represented by major works, from Titian, important works by artists including Rembrandt and Vermeer through to Salvador Dalí, Max Ernst, René Magritte Picasso, Hockney and Warhol. and Joan Miró. This lavishly illustrated book contains Ten essays by leading scholars provide 100 of the National Galleries of Scotland’s an insight into the way that four key The Printmaker’s Art greatest and best-loved treasures. The collections of surrealist art were formed selection made by the Director-General and the motivations behind their creation. Sir John Leighton evokes the special Together these collections, formed by character of the collection, with its Roland Penrose, Edward James, Gabrielle distinctive interplay between Scottish Keiller and Ulla and Heiner Pietzsch, and international art, as well as the many create a many-faceted glimpse of the conversations that it establishes between ‘marvellous’. the art of the past and the present.

20 | NATIONAL GALLERIES OF SCOTLAND Popular | 21 A Shepherd’s Life: Winifred Nicholson in Scotland Paintings of Jenny Armstrong Alice Strang by Victoria Crowe 195 X 175MM | 64PP JOAN EARDLEY Julie Lawson and Mary Taubman 28 COLOUR ILLUSTRATIONS 978 1 906270 90 2 | £9.99 HARDBACK 195 X 175MM | 62PP 25 COLOUR ILLUSTRATIONS Throughout her long career, Winifred 978 1 903278 02 4| £9.95 HARDBACK Nicholson (1893–1981) was concerned A Shepherd’s Life centres on Jenny with capturing light, colour and radiance Armstrong, born in 1903 at the farm of in her work and is best known for her Fairliehope, who spent her life working as sensitive and joyful flower paintings. In a shepherd in the Pentland Hills. In a series 1920 she married Ben Nicholson and their of remarkable paintings made over twenty mutually influential artistic relationship years and based on close observation, lasted, despite separation, until Winifred’s Victoria Crowe, one of Scotland’s foremost death in 1981. During the 1950s, Winifred painters, pays tribute to the life and work of made regular working trips to Scotland, this exceptional woman. often with the poet, Kathleen Raine. They frequently stayed at Sandaig on the west Joan Eardley F.C.B. Cadell coast and in the Western Isles. This book, Fiona Pearson with an essay Alice Strang based on personal correspondence and by Sara Stevenson the recollections of relatives, friends and 265 X 245MM | 96PP

Victoria Crowe 265 X 245MM | 96PP 80 COLOUR AND 8A BLAC SHEPHERD’SK AND LIFE WHITE painting partners, examines Winifred’s centres on Jenny Armstrong, born in 1903 100 ILLUSTRATIONS ILLUSTRATIONSat the farm of Fairliehope, who spent her VICTORIA CROWE love of Scottish landscape and her fascina- life working as a shepherd in the Pentland 978 1 906270 76 6 | £14.95 PAPER · 978 1 906270 40Hills. 7 In | a £16.95series of remarkable PAPER paintings A SHEPHERD’S LIFE tion with the quality of light created by the made over twenty years and based on close A SHEPHERD’S ob ser va tion, Victoria Crowe, one of Scot L I F E land’s fore most painters, pays tribute to the ever-changing weather conditions. Joan Eardley was one of the best F.C.B. Cadell lifewas and work born of this exceptional in Edinburgh, woman. In spite of their di^erent ages and back loved Scottish artists of the twentieth where he livedgrounds, for the mosttwo women cameof histo value life, and each other’s company and it was through century. Her observations of children studied in Paristhe shepherd and that the Munich. artist learned how to This book interpret the surrounding landscape. At the ·

same time the paintings depict an ancient National Galleries of Scotland in the back streets of Glasgow as well as illustrates manyway of living of that the has been works long in decline for which

alice strang alice and which, at the start of a new millennium, her expressionistic drawings and oils Cadell is celebrated,may be ﬁnally including disappearing. stylish WINIFRED NICHOLSON IN SCOTLAND NATIONAL GALLERIES OF SCOTLAND WINIFRED NICHOLSON of the elements on the north-east coast isbn 978 1 903278 02 4

portrayals of Edinburgh New Town Winifred Nicholson in Scotland IN SCOTLAND interiors, vibrantly coloured, daringly of Scotland have caught the imagina- 9 7 8 1 9 0 3 2 7 8 0 2 4 Throughout her long career, This is the place after my heart … Winifred Nicholson was concerned Not a tree, not a bush. But grey tion of the Scottish public. Eardley is simplified still lives of the 1920s, and with capturing light, colour and boulders, grey rocks, grey stones, radiance in her work and is best grey mountains. And bog in cherished as a painter of the Scottish evocative landscapes of the Scottish west known for her sensitive and joyful between – In the bog, lochs with ﬂower paintings. In  she waterlilies, and rare ferns that love married Ben Nicholson and their the black peaty soil – The sea full identity in both town and country, coast and the south of France. A special mutually inﬂuential artistic rela- of grey mysterious islands and tionship lasted, despite separation, rocks, seals and seabirds. White · who had a unique ability to sum up a

section concentrates on Cadell’s relation- until Winifred’s death in . glistening beaches and transparent sco of galleries national During the s, Winifred made sea all the way across to Eriskay. regular working trips to Scotland, Blue mountains of Barra to the community and the timeless drama of ship with Iona, where he painted nearly often with the poet, Kathleen west – and the Cuillins far away Raine. They frequently stayed at snow covered to the south. the natural world. This book examines every year from 1912 until 1935. The Sandaig on the west coast and in Winifred Nicholson writing to her son the Western Isles. This book, based Andrew from South Uist in  Eardley’s oeuvre and its place in the book accompanied a major exhibition at on personal correspondence and the recollections of relatives, friends tland international and British context. It and painting partners, examines NATIONAL GALLERIES OF SCOTLAND the Scottish National Gallery of Modern ISBN 1 903278 40 6 Winifred’s love of Scottish land- ISBN 978 1 906270 90 2 scape and her fascination with the includes paintings and drawings from Art in 2011–12, the first retrospective quality of light created by the ever- changing weather conditions. 9 7 8 1 9 0 6 2 7 0 9 0 2 exhibition of Cadell’s work held at a public private collections and works from gallery since 1942. the collection of the Scottish National Gallery of Modern Art.

22 | NATIONAL GALLERIES OF SCOTLAND Popular | 23

Kaft Nicholson 1 04-05-2004, 13:43

     Elizabeth Blackadder john byrne Philip Long and John Leighton sitting ducks 265 X 245MM | 112PP 100 ILLUSTRATIONS Sitting Ducks 978 1 906270 3 91 | £14.95 PAPER

This extensively illustrated book is devoted to the art of Dame Elizabeth Blackadder, one of Scotland’s best loved painters. Blackadder’s art explores a diverse range of subjects through many mediums. The artist draws on experiences of foreign travel, as well as plant forms and animals closer to home, to produce highly original works that appear to breathe with their own life. Her deeply analytical eye allows her to see the underlying structure, design and colour harmony in both the exotic and the Witches & Wicked Bodies John Byrne: Sitting Ducks everyday. This book tells the fascinating Deanna Petherbridge John Byrne, Gordon Brown and Julie story of her career, from her early days as a student in Edinburgh, and her friend- 220 X 245MM | 128PP Lawson The Scottish Colourists 87 COLOUR ILLUSTRATIONS ships with Scottish painters William 245 X 200MM| 64PP Philip Long and Elizabeth Cumming 978 1 906270 55 1 | £14.95 PAPER Gillies, William MacTaggart and Anne 35 COLOUR ILLUSTRATIONS NATIONAL GALLERIES OF SCOTLAND IN 257 X 310MM | 152PP 978 1 906270 82 7|£12.95 PAPER Redpath, to her very recent work. ASSOCIATION WITH THE BRITISH MUSEUM, 144 COLOUR ILLUSTRATIONS LONDON John Byrne is one of Scotland’s most 978 1 903278 0 48 | £14.95 HARDBACK Witches & Wicked Bodies provides an inno- prolific and accomplished artists. As well F.C.B. Cadell, J.D. Ferguson, G.L. Hunter vative, rich survey of images of European as some rare examples of Byrne’s commis- and S.J. Peploe are now amongst the most witchcraft, from the sixteenth century sioned portraits, this publication celebrates admired of early twentieth century British to the present day. It focuses on the some of the artist’s warmest relationships, artists. Their direct contact with French representation of women and the enduring being for the most part, portraits of his Post-Impressionism and their early stereotypes they embody, ranging from friends and family. To accompany this, the knowledge of the work of Matisse and the hideous old crones to beautiful young book features an ‘in conversation’ between Fauves encouraged them to produce some seductresses. Such imagery has ancient the artist and his good friend and gallery of the most progressive British paintings precedents and has been repeatedly re-in- owner Gordon Brown. of the early twentieth century. During their vented by artists over the centuries. lifetime the Colourists developed an inter- Deanna Petherbridge introduces this national reputation, exhibiting in Paris, fascinating subject and includes insightful London and New York as well as Scotland. catalogue entries on each of the exhibited Since their deaths they have often been works. A wide range of artists are repre- overlooked in histories of British art, but sented including Dürer, Cranach, Goya, the last thirty years have seen a dramatic Fuseli, Blake, Burra, Sherman and Rego. revival of interest in their work.

24 | NATIONAL GALLERIES OF SCOTLAND Popular | 25 Rubens & Company: Flemish Watson Gordon Lecture Series DAUBIGNY Known today for his atmospheric views Drawings from the Scottish of the River Oise, Daubigny was a pioneer of modern landscape painting and an important AND IMPRESSIONISM DAUBIGNYAND precursor of French Impressionism. Although

Established in 2006 and named after the painter commercially highly successful he was often IMPRESSIONISM National Gallery criticised for his broad, sketch-like handling and unembellished view of nature, and Sir John Watson Gordon, the Watson Gordon Lectures was dubbed the leader of ‘the school of the Christian Tico Seifert impression’. As a result he drew the attention of the next generation of artists, among them typify the long-standing and positive collaboration Claude Monet and Vincent van Gogh, who were inspired by Daubigny’s frank naturalism, 245 X 220MM | 80PP between the University of Edinburgh and the National bold compositions and technical innovations. Theirs was an artistic dialogue which spanned 60 COLOUR ILLUSTRATIONS Galleries of Scotland. Each lecture is by a leading thirty years, from the early 1860s to the end of Van Gogh’s short life. 978 1 906270 98 8 | £7.95 PAPER scholar and reveals new research on a focused topic. · · Classic Mondrian in This book presents a selection of - · LATEST IN SERIES: WATSON GORDON LECTURE 2017 Neo-Calvinist View Classic Mondrian in Neo-Calvinist View

national of scotland galleries Established following the th anniversary of the foundation of outstanding Flemish drawings thefrom Chair of Fine Artthe at the University of Edinburgh and named a er JOSEPH MASHECK Classic Mondrian in Neo-Calvinist View the painter Sir John Watson Gordon, the Watson Gordon Lectures typify the longstanding and positive collaboration between the collection of the National GalleriesUniversity of Edinburghof and the National Galleries of Scotland. is lecture was given by Dr Helen Langdon, writer, scholar and curator. Joseph Masheck Caravaggio’s astonishingly naturalistic and provocative Cupid Scotland. Masters such as Rubens,Victorious, which Van evokes the artist’s world of street and studio while also responding ambiguously to ancient and Renaissance art and 215 X 165MM | 48PP | NOVEMBER 2018 literature, threw out a challenge to contemporary painters. Langdon Dyck and Jordaens feature alongsidecaptivatingly explores less their responses,- which sometimes pay homage 23 COLOUR ILLUSTRATIONS 9 7 8 1 9 1 1 0 4 1 4 to him, but at others reject his irony and rethink his imagery. er-known artists including David Teniers 978 1 911054 28 3 | £7.95 HARDBACK the Younger, Jan Cossiers and Cornelis Daubigny and Impressionism Masheck, Guggenheim fellow and Professor Schut. Many of the works are preparatory Emeritus of Art History at Hofstra University, New Frances Fowle drawings or studies which offer a fasci- York, considers Mondrian and Dutch Neo-Calvinism nating insight into the process of these 200 X 225MM | 36PP in this extraordinary reassessment of one of the revered artists. 22 COLOUR ILLUSTRATIONS fathers of abstract art. 978 1 911054 00 9 | £7.95 PAPER An introductory essay complements a catalogue of twenty-six works, many of Known today for his atmospheric which have never before been illustrated Previously published Hunter, a Savage’: Vincent 215 X 165MM | 48PP| 2010 views of the River Oise, Daubigny was a van Gogh and Karl Bodmer 19 ILLUSTRATIONS in colour. This book is a captivating Caravaggio and Cupid: 978 1 906270 34 6 | £7.95 HARDBACK pioneer of modern landscape painting resource for academics and anyone inter- Homage and Rivalry in Richard Kendall Picasso’s ‘Toys for Adults’: and an important precursor of French ested in drawing or Flemish art. Rome and Florence 215 X 165MM | 48PP| 2014 Impressionism. Although commercially 21 ILLUSTRATIONS Cubism as Surrealism Helen Langdon 978 1 906270 83 4 | £7.95 HARDBACK highly successful he was often criticised Neil Cox 215 X 165MM | 48PP | 2017 Faces in a Library: for his broad, sketch-like handling and 20 ILLUSTRATIONS 215 X 165MM | 48PP| 2009 Rubens & Company 978 1 911054 14 6 | £7.95 HARDBACK Sir Joshua Reynolds’s 20 ILLUSTRATIONS unembellished view of nature, and Flemish Drawings from the Scottish National Gallery ‘Streatham Worthies’ 978 1 906270 26 1 | £7.95 HARDBACK was dubbed the leader of ‘the school From the Masterpieces Mark Hallett to Rooms Full of Art – Sound, Silence and of the impression’. As a result he drew 215 X 165MM | 48PP| 2012 Modernity in Dutch the attention of the next generation of and Back? 19 ILLUSTRATIONS 978 1 906270 56 8 | £7.95 HARDBACK Pictures of Manners artists, among them Claude Monet and Robert Storr Vincent van Gogh, who were inspired 215 X 165MM | 48PP| 2015 ‘The Hardest Kind of Mariët Westermann 20 ILLUSTRATIONS Archetype’: Reflections on 215 X 165MM | 32PP| 2008 by Daubigny’s frank naturalism, bold 978 1 911054 01 6 | £7.95 HARDBACK Roy Lichtenstein 17 ILLUSTRATIONS compositions and technical innova- 978 1 906270 25 4 | £7.95 HARDBACK Unfinished Paintings: Hal Foster tions. Theirs was an artistic dialogue Narratives of the Non 215 X 165MM | 48PP| 2011 Roger Fry’s Journey: which spanned thirty years, from the Finito 19 ILLUSTRATIONS From the Primitives to the early 1860s to the end of Van Gogh’s 978 1 906270 38 4 | £7.95 HARDBACK David Bomford Post-Impressionists short life. The Renaissance Image 215 X 165MM | 48PP| 2014 Caroline Elam 20 ILLUSTRATIONS Unveiled: From Madonna 978 1 906270 91 9 | £7.95 HARDBACK to Venus 215 X 165MM | 48PP| 2007 18 ILLUSTRATIONS ‘Studying Nature as a Paul Hills 978 1 906270 11 7 | £7.95 HARDBACK

26 | NATIONAL GALLERIES OF SCOTLAND Scottish National Portrait Gallery Guide

Gallery Guides

Scottish National Portrait illustrated guide to the collection; it is an A Companion Guide to the A Companion Guide to Photography Gallery Guide important visual record of Scottish history Scottish National Gallery in the National Galleries of Scotland

235 X 165MM | 208PP and achievement. 245 X 165MM | 224PP 245 X 165MM | 224PP 185 COLOUR ILLUSTRATIONS 220 COLOUR ILLUSTRATIONS 220 COLOUR ILLUSTRATIONS 978 1 906270 65 0 | £9.99 PAPER A Companion Guide to the Scottish 978 1 903278 11 6 | £12.95 PAPER 978 1 906270 20 9 | £9.99 PAPER National Gallery of Modern Art Portraits have an immediate, visceral The Scottish National Gallery is widely Scotland has been the centre of the history 245 X 165MM | 224PP appeal as images that provide insights regarded as one of the finest small and development of photography since 250 COLOUR ILLUSTRATIONS into the lives and ambitions of people galleries in the world. Not only does it the 1840s. The Scottish National Portrait 978 0 903598 84 2 | £9.99 PAPER we are curious about: the great, the contain the most comprehensive collec- Gallery and the Scottish National Gallery good, the notorious and sometimes Founded in 1960, the Scottish National tion of Scottish masterpieces, but its of Modern Art hold outstanding collec- the unknown. The Scottish National Gallery of Modern Art in Edinburgh collection includes works by the greatest tions of photographic art spanning three Portrait Gallery houses an outstanding already boasts an outstanding collection names in Western art. This in-depth look centuries. This book offers a wide-ranging collection, which encompasses all of of modern and contemporary art. More at the collection provides readers with guide to the collection and is a useful these, and allows you to discover the than 230 of the finest paintings, sculptures, an engaging and informative account of introduction to the history of photography. figures that forged Scotland’s history. prints and drawings are illustrated here the history of art. It also provides an insight into devel- in colour, alongside descriptions of each opments in the overlapping spheres of work. The book offers a detailed guide to art, biography, fashion, patronage, fame the collection as well as an accessible and and celebrity. This book is more than an informative introduction to modern art.

28 | NATIONAL GALLERIES OF SCOTLAND Gallery Guides | 29 GENERATION: 25 Years Alan Davie: Work in the 245 X 165MM | 176PP Selected Backlist of Contemporary Art in Scottish National Gallery of 47 ILLUSTRATIONS (31 COLOUR) 978 1 903278 91 0 | £35.00 James Hall, Pierre Vaisse, 265 X 215 MM | 152PP Scotland Modern Art HARDBACK Wolfgang Ullrich et al. 100 COLOUR ILLUSTRATIONS 978 1 906270 57 5 | £19.95 HARDBACK Edited by Moira Jeffrey Patrick Elliott 300 X 240MM | 288PP 220 X 160MM 300 X 245MM | 104PP 180 COLOUR ILLUSTRATIONS 95 COLOUR ILLUSTRATIONS 70 COLOUR ILLUSTRATIONS 978 1 906270 96 4 | £29.95 PAPER 978 1 906270 71 1 GUIDE | 220PP | £4.95 978 1 903278 13 0 | £14.95 PAPER PUBLISHED IN COLLABORATION PAPER WITH SNOECK 978 1 906270 72 8 READER | 168PP English Drawings & GUIDE AND READER IN SLIPCASE Watercolours 1600–1900 £14.95 PAPER Christopher Baker 295 X 245MM | 464PP THE TO 450 COLOUR ILLUSTRATIONS ROBERTS 978 1 906270 35 3 | SPECIAL PRICE Nathan Coley £20 HARDBACK S.J. Peploe Ewan Morrison Robert 220 X 226MM | 48PP Colquhoun Alice Strang, Elizabeth CuMMing 22 COLOUR ILLUSTRATIONS An Art Adventure Around and Frances Fowle with a 978 1 911054 13 9 | £9.95 PAPER & Robert MacBryde the National Galleries of preface by Guy Peploe Scotland 265 X 245MM | 112PP 88 COLOUR ILLUSTRATIONS Eilidh Muldoon American Impressionism: 978 1 906270 51 3 | £14.95 PAPER The Two Roberts: 230 X 230MM | 34PP A New Vision 1880–1900 Poussin to Seurat: Robert Colquhoun & BLACK AND WHITE LINE French Drawings from Robert MacBryde DRAWINGS Katherine M Bourguignon, 978 1 906270 92 6 | £7.95 HARDBACK Frances Fowle and Richard Gauguin’s Vision the National Gallery of Patrick Elliott with Adrian Brettell Scotland Clark and Davy Brown Belinda Thomson with Frances 295 X 245MM | 160PP Michael Clarke 265 X 245MM | 120PP 120 COLOUR ILLUSTRATIONS Fowle and Lesley Stevenson 300 X 240MM | 136PP 100 COLOUR ILLUSTRATIONS 978 0 300206 10 4 | £20 PAPER 265 X 250MM | 144PP 95 ILLUSTRATIONS 978 1 906270 74 2 | £14.95 PAPER PUBLISHED BY THE NATIONAL 140 COLOUR ILLUSTRATIONS 978 1 906270 31 5 | £14.95 PAPER Karla Black + Kishio Suga: GALLERIES OF SCOTLAND AND 1 903278 68 6 | £9.95 PAPER A New Order HAZAN, FRANCE. TRADE ENQUIRIES YALE UNIVERSITY PRESS Douglas Gordon: Julie-Ann Delaney (ed.); Karla BENJAMIN WEST AND Superhumanatural THE DEATH Black and Kishio Suga OF A STAG the story behind the painting and Keith Hartley, Holger Broeker, its conservation 220 X 235MM | 48PP 39 COLOUR ILLUSTRATIONS Jaroslav Anděl, Ian Rankin and 978 1 911054 08 5 Michael Fried 1 £9.95 PAPER WITH JACKET 300 X 165MM | 144PP 75 COLOUR ILLUSTRATIONS System, Chance 1 903278 85 6 | £12.95 PAPER Jonathan Carson, Rosie A History of the Scottish Miller, Patricia Allmer, Kirstie National Portrait Gallery Benjamin West & The Meehan, John Sears and Kerry From Death to Death Duncan Thomson Botticelli to Braque: Death of the Stag: The Watson and Other Small Tales: 250 X 195MM | 176PP Masterpieces from the Another World: Dalí, Story Behind the Painting 150 X 215MM | 28PP Masterpieces from the 142 ILLUSTRATIONS 25 COLOUR ILLUSTRATIONS National Galleries of Magritte, Miró and the 978 1 906270 48 3 | £19.95 HARDBACK and its Conservation Scottish National Gallery 978 1 911054 03 0 | £4.95 PAPER Scotland Surrealists of Modern Art and the D. Monet and French Timothy Clifford, Michael Facing the World: Daskalopoulos Collection Edited by Michael Clarke Patrick Elliott Landscape: Vétheuil and Gallagher and Helen Smailes Self-Portraits from 280 X 225MM|136PP 245 X 165MM | 176PP 244 X 210MM | 32PP Keith Hartley, Lucy Askew and Normandy Rembrandt to Ai Weiwei 72 COLOUR ILLUSTRATIONS 160 ILLUSTRATIONS 28 ILLUSTRATIONS Richard Flood 978 1 906270 77 3 |£12.95 HARDBACK 978 1 906270 30 8 | £12.95 PAPER Edited by Frances Fowle 978 1 906270 12 4 | £7.95 PAPER

30 | NATIONAL GALLERIES OF SCOTLAND Selected Backlist | 31 National Galleries of Scotland Publishing Bridge Lodge 70 Belford Road Edinburgh EH4 3DE Scotland Telephone: +44 (0)131 624 6269 Email: [email protected]

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Front cover: Detail of Raqib Shaw Allegory of Melancholy (After Lucas Cranach the Elder), 2017–18 Acrylic liner and enamel on birch wood, 134 x 100 cm Courtesy of Raqib Shaw and White Cube