Press Release for Immediate Use

Press Release For immediate use Impulses Towards Life Drawing and painting from the Edinburgh College of Art Collection 31 October – 19 December 2015 Bounding 100 years, Impulses Towards Life emphasises the reimagining of the human form in the last century, including early drawings by William McTaggart, John Bellany, Kirkland Main, Elizabeth Blackadder, Henry Moore and many others; and centred upon a work by Barbara Hepworth that has not been exhibited publicly for 65 years. Based on the Edinburgh College of Art Collection the exhibition accentuates the underlying practice of life drawing studies – a central pillar of art education – and is inclined towards the 1950s and 1960s when the majority of the collection was produced or collected. Also including paintings by Augustus Edwin John, Samuel John Peploe, David McClure, Anne Redpath and David Michie the exhibition outlines an evolving and ongoing negotiation between artists, education and the body. Establishing a backdrop for the exhibition are three prize-winning drawings completed in the 1850s at the Trustees Academy in Edinburgh. These works reflect the classical foundation for artists’ depictions of the body, featuring casts that would become an iconic part of the College’s physical environment. Art students in the second half of the 19th Century – including John Houston, John Mooney, Edward Gage and Kenneth Dingwall – were still required to take part in Life Drawing classes as part of their formal training and assessment, whilst also responding to the imperatives of modernism. By the 1950s debates on the relationship between art and the body centred upon the importance of tactility in understanding art. For British Art critic Herbert Read, Professor of Fine Art at the University of Edinburgh from 1931 to 1932, who was closely associated with Henry Moore and Barbara Hepworth, being sensitive to the ‘feeling’ of surface, volume and mass was more vital than a ‘purely visual’ identification with the subject. The collective impulse of artists driven by these new ideas led to a rejection of the ‘normal standards’ of classicism and brought about a desire to inhabit the world in a different way, viewing embodied experience and the body from a more sensitive, interconnected position. Impulses Towards Life will be accompanied by a programme of events including traditional Life Drawing Classes and contemporary performative re-interpretations of the Life Drawing Class by artist Steven Anderson. “Art at the moment is thrilling. The work of the artist today springs from innate impulses towards life, towards growth - impulses whose rhythms and structures have to do with the power and insistence of life. [...] In the past, when sculpture was based on the human figure, we knew this structure well. But today we are concerned with structures in an infinitely wider sense, in a universal sense. Our thoughts can either lead us to life and continuity or [...] the way to annihilation. That is why it is so important that we find our complete sense of continuity backwards and forwards in this new world of forms and values” Barbara Hepworth 1959 _________________________________________________________________________________ Press and Photo call § Member of the press and photographers are invited to the Gallery from 10am – 2pm on Friday 30 October. § For image or interview requests, please contact Stuart Fallon E: [email protected] T: 0131 651 4784 § Visitors can access the gallery either through the University of Edinburgh’s quadrangle on South Bridge, or by West College Street from Chambers Street. Notes to Editors § The University of Edinburgh, of which Talbot Rice Gallery is part, must be mentioned in any articles. § Since its foundation in 1975, Talbot Rice Gallery has made a commitment to showing work by Scottish and International artists and has a pursued a policy of excellence in exhibitions and audience development. As part of the University of Edinburgh, one of the world’s top universities, Talbot Rice Gallery is an influential player in the cultural landscape of Scotland and has a growing international reputation. .

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