DAVID MICHIE Memorial Exhibition
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List of Scottish Museums and Libraries with Strong Victorian Collections
Scottish museums and libraries with strong Victorian collections National Institutions National Library of Scotland National Gallery of Scotland National Museums Scotland National War Museum of Scotland National Museum of Costume Scottish Poetry Library Central Libraries The Mitchell Library, Glasgow Edinburgh Central Library Aberdeen Central Library Carnegie Library, Ayr Dick Institute, Kilmarnock Central Library, Dundee Paisley Central Library Ewart Library, Dumfries Inverness Library University Libraries Glasgow University Library University of Strathclyde Library Edinburgh University Library Sir Duncan Rice Library, Aberdeen University of Dundee Library University of St Andrews Library Municipal Art Galleries and Museums Kelvingrove Art Gallery, Glasgow Burrell Collection, Glasgow Aberdeen Art Gallery McManus Galleries, Dundee Perth Museum and Art Gallery Paisley Museum & Art Galleries Stirling Smith Art Gallery & Museum Stewartry Museum, Kirkcudbright V & A Dundee Shetland Museum Clydebank Museum Mclean Museum and Art Gallery, Greenock Hunterian Art Gallery & Museum Piers Art Centre, Orkney City Art Centre, Edinburgh Campbeltown Heritage Centre Montrose Museum Inverness Museum and Art Gallery Kirkcaldy Galleries Literary Institutions Moat Brae: National Centre for Children’s Literature Writers’ Museum, Edinburgh J. M. Barrie Birthplace Museum Industrial Heritage Summerlee: Museum of Scottish Industrial Life, North Lanarkshire Riverside Museum, Glasgow Scottish Maritime Museum Prestongrange Industrial Heritage Museum, Prestonpans Scottish -
The Art of Picture Making 5 - 29 March 2014
(1926-1998) the art of picture making 5 - 29 march 2014 16 Dundas Street, Edinburgh EH3 6HZ tel 0131 558 1200 email [email protected] www.scottish-gallery.co.uk Cover: Paola, Owl and Doll, 1962, oil on canvas, 63 x 76 cms (Cat. No. 29) Left: Self Portrait, 1965, oil on canvas, 91.5 x 73 cms (Cat. No. 33) 2 | DAVID McCLURE THE ART OF PICTURE MAKING | 3 FOREWORD McClure had his first one-man show with The “The morose characteristics by which we Scottish Gallery in 1957 and the succeeding recognise ourselves… have no place in our decade saw regular exhibitions of his work. painting which is traditionally gay and life- He was included in the important surveys of enhancing.” Towards the end of his exhibiting contemporary Scottish art which began to life Teddy Gage reviewing his show of 1994 define The Edinburgh School throughout the celebrates his best qualities in the tradition 1960s, and culminated in his Edinburgh Festival of Gillies, Redpath and Maxwell but in show at The Gallery in 1969. But he was, even by particular admires the qualities of his recent 1957 (after a year painting in Florence and Sicily) Sutherland paintings: “the bays and inlets where in Dundee, alongside his great friend Alberto translucent seas flood over white shores.” We Morrocco, applying the rigour and inspiration can see McClure today, fifteen years or so after that made Duncan of Jordanstone a bastion his passing, as a distinctive figure that made a of painting. His friend George Mackie writing vital contribution in the mainstream of Scottish for the 1969 catalogue saw him working in a painting, as an individual with great gifts, continental tradition (as well as a “west coast intellect and curiosity about nature, people and Scot living on the east coast whose blood is part ideas. -
Press Release for Immediate Use
Press Release For immediate use Impulses Towards Life Drawing and painting from the Edinburgh College of Art Collection 31 October – 19 December 2015 Bounding 100 years, Impulses Towards Life emphasises the reimagining of the human form in the last century, including early drawings by William McTaggart, John Bellany, Kirkland Main, Elizabeth Blackadder, Henry Moore and many others; and centred upon a work by Barbara Hepworth that has not been exhibited publicly for 65 years. Based on the Edinburgh College of Art Collection the exhibition accentuates the underlying practice of life drawing studies – a central pillar of art education – and is inclined towards the 1950s and 1960s when the majority of the collection was produced or collected. Also including paintings by Augustus Edwin John, Samuel John Peploe, David McClure, Anne Redpath and David Michie the exhibition outlines an evolving and ongoing negotiation between artists, education and the body. Establishing a backdrop for the exhibition are three prize-winning drawings completed in the 1850s at the Trustees Academy in Edinburgh. These works reflect the classical foundation for artists’ depictions of the body, featuring casts that would become an iconic part of the College’s physical environment. Art students in the second half of the 19th Century – including John Houston, John Mooney, Edward Gage and Kenneth Dingwall – were still required to take part in Life Drawing classes as part of their formal training and assessment, whilst also responding to the imperatives of modernism. By the 1950s debates on the relationship between art and the body centred upon the importance of tactility in understanding art. -
Your Guide to the Art Collection
ART AND ACADEMIA YOUR GUIDE TO THE ART COLLECTION Heriot-Watt University, Edinburgh EH14 4AS 0131 449 5111 www.hw.ac.uk AG1107 CONTEMPORARYFind out more SCOTTISH ART FURTHER READING Heriot-Watt University would like to thank the Patrick N. O’Farrell: Heriot-Watt University: artists, their relatives and estates for permission An Illustrated History to include their artworks. Pearson Education Ltd, 2004 Produced by Press and Public Relations, Heriot-Watt University: A Place To Discover. Heriot-Watt University Your Guide To The Campus Heriot-Watt University, 2006 Printed by Linney Print Duncan Macmillan: Scottish Art 1460-2000 Photography: Simon Hollington, Douglas McBride Mainstream, 2000 and Juliet Wood Duncan Macmillan Copywriter: Duncan Macmillan Scottish Art in the Twentieth Century Mainstream, 1994 © Heriot-Watt University 2007 THE ART COLLECTION 1 CONTENTS INTRODUCTION A highlight of the collection is a group of very fine INTRODUCTION 1 Heriot-Watt University’s art collection reflects paintings by artists associated with the College of SIR ROBIN PHILIPSON 2 its history and the people who have shaped its Art, a good many of them first as student and then development over two centuries. Heriot-Watt as teacher. Many of these pictures were bought JOHN HOUSTON 4 University has a long-standing relationship with by Principal Tom Johnston and gifted by him to the DAVID MICHIE 6 the visual arts. One of the several elements brought University. The collection continues to grow, however. ELIZABETH BLACKADDER 8 together to create Edinburgh College of Art in 1907 Three portraits by Raeburn of members of the was the art teaching of what was then Heriot-Watt Gibson-Craig family and a magnificent portrait DAVID McCLURE 10 College. -
Tayside, Central and Fife Tayside, Central and Fife
Detail of the Lower Devonian jawless, armoured fish Cephalaspis from Balruddery Den. © Perth Museum & Art Gallery, Perth & Kinross Council Review of Fossil Collections in Scotland Tayside, Central and Fife Tayside, Central and Fife Stirling Smith Art Gallery and Museum Perth Museum and Art Gallery (Culture Perth and Kinross) The McManus: Dundee’s Art Gallery and Museum (Leisure and Culture Dundee) Broughty Castle (Leisure and Culture Dundee) D’Arcy Thompson Zoology Museum and University Herbarium (University of Dundee Museum Collections) Montrose Museum (Angus Alive) Museums of the University of St Andrews Fife Collections Centre (Fife Cultural Trust) St Andrews Museum (Fife Cultural Trust) Kirkcaldy Galleries (Fife Cultural Trust) Falkirk Collections Centre (Falkirk Community Trust) 1 Stirling Smith Art Gallery and Museum Collection type: Independent Accreditation: 2016 Dumbarton Road, Stirling, FK8 2KR Contact: [email protected] Location of collections The Smith Art Gallery and Museum, formerly known as the Smith Institute, was established at the bequest of artist Thomas Stuart Smith (1815-1869) on land supplied by the Burgh of Stirling. The Institute opened in 1874. Fossils are housed onsite in one of several storerooms. Size of collections 700 fossils. Onsite records The CMS has recently been updated to Adlib (Axiel Collection); all fossils have a basic entry with additional details on MDA cards. Collection highlights 1. Fossils linked to Robert Kidston (1852-1924). 2. Silurian graptolite fossils linked to Professor Henry Alleyne Nicholson (1844-1899). 3. Dura Den fossils linked to Reverend John Anderson (1796-1864). Published information Traquair, R.H. (1900). XXXII.—Report on Fossil Fishes collected by the Geological Survey of Scotland in the Silurian Rocks of the South of Scotland. -
SSAH Will Continue to Grow and Develop Its Role As One of the Pre-Eminent Vehicles of Art from the Chair Historical Research in Scotland
Newsletter No. 21 Autumn/Winter 2005 During that time the SSAH will continue to grow and develop its role as one of the pre-eminent vehicles of art From the Chair historical research in Scotland. Our 2005 Journal is a particularly rich and varied publication and we are now st lthough not exactly a ‘coming of age’, the 21 exploring opportunities for more extensive distribution birthday of the SSAH has offered a marvellous and online publishing. More news of this will follow. We opportunity to review both our past and our are delighted to have contributions from several scholars A st future. Our past was essentially the theme of our 21 and writers working outwith Scotland and hope this is a anniversary colloquium in April - Art & Scotland: the last harbinger of a growing internationalism, both for our 21 years - but this was no exercise in self-indulgent Society, but also for the study and appreciation of Scottish congratulation or navel-gazing. Instead a succession of art and for the study of art in Scotland. stimulating papers and discussions served to emphasise how vibrant and energising the issue of art continues to Robin Nicholson be in a nation now mystifyingly re-branded as the ‘best small country in the world’. Certainly none can deny that Scotland always has punched above its weight and the colloquium was Notices launched with Duncan Macmillan’s challenging thesis that the international influence of Scots artists might be signifi- cantly more extensive than previously thought. Obliquely AGM this set a theme for the following day’s debates which The Annual General Meeting of the Scottish Society for constantly returned to questions of Scottish culture, Art History will take place on Saturday December 3rd in identity and outlook. -
01592 583206 E Kirkcaldy.Galleries @Onfife.Com
EXHIBITIONS & EVENTS DIARY JULY – DECEMBER 2016 onfife.com War Memorial Gardens, Kirkcaldy, Fife KY1 1YG T 01592 583206 E kirkcaldy.galleries @onfife.com Girl with a Fur Cape by William Strang Wemyss Ware pig in in the About Face exhibition (detail) Café Wemyss display War Memorial Gardens, Kirkcaldy, Fife KY1 1YG T 01592 583206 E kirkcaldy.galleries @onfife.com The Galleries are fully accessible to wheelchairs. A wheelchair is available on request. Events and ticketed exhibitions can be booked online at www.onfife.com OpeninG HOurs Monday 12 noon to 7pm, Tuesday 9.30am to 7pm, Wednesday 9.30am to 5pm Thursday 9.30am to 7pm, Friday 9.30am to 5pm, saturday 9.30am to 4pm, sunday 12 noon to 4pm Closed on public holidays – 18th July and Christmas (see website for details) There is so much to see and do when you come to Kirkcaldy Galleries. Our Library has a wide range of books and services for all ages. The Art Gallery shows temporary and longer term exhibitions, many of them featuring selections from our outstanding Scottish art collection. Be inspired by the paintings of William McTaggart, one of the country’s greatest artists, and The Scottish Colourists, including many works by S J Peploe. And why not also take time for refreshments in the Café Wemyss with its stunning display of pottery? See highlights from the history of Kirkcaldy in the Moments in Time long-term Museum display. Where else can you see a Raith Rovers turnstile, a penny farthing bicycle, a harpoon from a whaling ship and a chair made of coal all on display together?! You can investigate your own history further in our Local and Family History Centre . -
Braemar Gallery
The North*s Original Free Arts Newspaper + www.artwork.co.uk Number 205 Pick up your own FREE copy and find out what’s really happening in the arts September/October 2018 artWORK 205 September/October 2018 Page 2 artWORK 205 September/October 2018 Page 3 SOME OF SCOTLAND’S INDEPENDENT BOOK STORES* Glasgow 1: Aye-Aye Books http://www.aye-ayebooks.com/ 350 Sauchiehall Street, Glasgow G2 3JD, 0141 352 4900 2; Oswald Street Bookshop http://oswaldstreetbookshop.com/ Braemar Gallery 27 Oswald Street, Glasgow, G1 4PE, 0141 221 2216 3; Hyndland Bookshop 143 Hyndland Road, Hyndland, Glasgow G12 9JA, 0141-334 5522 4; Milngavie Bookshop http://www.milngaviebookshop.co.uk/ anne mackay • art and design to find out more ... e: [email protected] www.braemargallery.co.uk 37 Douglas Street, Milngavie, Glasgow, G62 6PE, 0141-956 4752 5; Voltaire and Rousseau Bookshop 12-14 Otage Lane, Glasgow G12 8PB 6; Young’s Interesting Books 18 Skirving St, Glasgow G41 3AB, 0141 649 9599 FINE ART : PRINTS : CERAMICS 7: Good Press GRACEFIELD http://goodpressgallery.co.uk/ ARTS CENTRE JEWELLERY : ARTISTS MATERIALS 5 St. Margaret’s Place, Glasgow G1 5JY, 0141 258 7659 8: Thistle Books http://thistlebooks.co.uk/index.html 013397 41681 55 Otago Street, Kelvinbridge, Glasgow, G12 8PQ, 0141 334 8777 28 Edinburgh Rd, 9: Caledonia Books Maggie Ayres: https://www.caledoniabooks.co.uk/ Dumfries DG1 1JQ 483 Great Western Rd, Glasgow G12 8HL, 0141 334 9663 Tel 01387 262084 Highlands and Islands Orchard Saturday 28 July 2018 10 : Achins Bookshop InverKirkaig, Lochinver, Lairg, Sutherland, -
Total Figures Detailed Figures
Total Figures Detailed Figures Total Value Total Project Council/Location £Million Project £Million Projects Digital Digital £485.60 32 Accelerate Aberdeen (City Broadband Infrastructure) Aberdeen 7.58 Improving Broadband Infrastructure Aberdeenshire 16 Transport - national £6,685.15 16 Superfast Broadband Angus 2 Transport - local £1,775.91 46 Cairngorm Community Broadband Project Cairngorms National Park 1.5 Transport - local - speculative £543.18 37 BT step change project Clackmannanshire 0.3 Councils in HIE area: Argyll & Bute / Comhairle non Eilean Accommodation £1,004.82 112 HIE area: Superfast Broadband 146 Siar / Highland / Orkney/Moray / Shetland Accommodation - speculative £603.72 54 High speed Broadband Projects Dumfries & Galloway 12.6 Food & Drink £200.67 32 Dundee Scottish Broadband Dundee BT step change project East Ayrshire 1.2 Food & Drink - speculative £2.20 9 Broadband project East Lothian Events & Festivals £114.40 16 NDG Broadband Project East Renfrewshire 0.01 Nature and activities £254.93 105 Connected Capital Edinburgh 7 Superfast Broadband Fife 2.8 Nature and activities - speculative £16.48 25 Inverness Smart City WiFi Project Highland 1 Heritage £236.82 60 High speed Broadband Midlothian 0.5 BT Step Change Programme North Ayrshire 1.1 Heritage - speculative £9.75 7 BT Step Change Programme North Lanarkshire 0.7 Business tourism £353.17 4 Step Change Orkney/HIE Rural Broadband Step Change Perth & Kinross 1.2 Business tourism - speculative £9.40 3 Digital Tourism Points Renfrewshire 0.01 Destinations towns and -
Liz Knox DA (Edin) PAI PPAI Curriculum Vitae
Liz Knox DA (Edin) PAI PPAI Curriculum Vitae Studied drawing and painting under Sir Robin Philipson and David Michie. Graduated Edinburgh College of Art 1971. 1971 – 73 Taught Art, secondary education. 1973 Worked in Spain. 1974 Art therapist, Long Grove Psychiatric Hospital Epsom. 1983 Taught drawing and painting evening classes in East Renfrewshire and Renfrewshire. 1983 – 2003 Lectured in drawing and painting further education. Curriculum development included writing entire HND Environmental Art and developing all drawing and painting elements of this. Validated by SQA, panel chaired by David Harding Head of Environmental Art at Glasgow School of Art. Also during this period, Internal Verifier for art and member of Advisory Panel Gray’s School of Art Aberdeen. 2003 Resigned from lecturing to paint full time. 2007 – 10 Elected President Paisley Art Institute. 2010 – 2017 Elected council member Royal Glasgow Institute of the Fine Arts. 2007, 2009 Assessor, Scottish Drawing Competition. 2010, 2011 Assessor Aspect Prize. Elected artist member Paisley Art Institute; elected professional member Visual Arts Scotland; elected artist member Glasgow Art Club; elected artist member Glasgow Society of Women Artists. Recipient of several awards among which are The Aspect Prize 2003, the Diploma of the Paisley Art Institute “PAI” and The University of the West of Scotland Award for Painting. Exhibitions 1971 Newcastle with Janet Tod 1972 Pool Theatre, Edinburgh with Alasdair Gray 1992 Calton Gallery, Edinburgh – Solo Rozelle House, Ayrshire – Solo -
“Heritage Is Something That Defines You” Heritage Hunters END of PROJECT REPORT
“Heritage is something that defines you” Heritage Hunters END OF PROJECT REPORT Jane Miller & Elaine Kerridge May 2019 Thank you to the funders The National Lottery Heritage Lottery Fund Martin Connell Trust The Hugh Fraser Foundation Thank you to all of the children and young people across Scotland who participated in the ‘Heritage Hunters’ project and shared what heritage means to them. Thank you to the following youth and heritage partners for supporting us with this project: Miller Primary, Glasgow Valley Primary School, Kirkcaldy South Queensferry Girlguiding 1st Troqueer Boys Brigade Edinburgh Young Carers The Citadel Youth Centre Dumfries Museum Museums and Galleries Edinburgh Young Archaeologists Club (Dunfermline) The Institute for Heritage and Sustainable Human Development (INHERIT) 2 Contents Executive summary X Children in Scotland X Project background X Participants X Methodology X A children and young people-led approach X Sharing participative approaches X Celebration event X Evaluation X Nothing about us without us X Project partners X Key learning and recommendations X Conclusion X Findings X Appendix 1 Children and young people X 3 Executive summary In 2018-19 Children in Scotland was funded by the National Lottery Heritage Fund, the Martin Connell Trust and the Hugh Fraser Foundation to deliver the national Heritage Hunters project. The project aimed to: • Provide opportunities for children and young people to access heritage, especially those who may experience barriers to doing so • Improve children and young people’s participation and engagement with heritage, including their direct experience with heritage and their role in decision-making in this sector • Develop relationships: children and young people and heritage partners to learn from each other • Support staff within heritage settings to develop and refine their skills, allowing them to develop their own participative approaches to meaningfully engage with children and young people. -
Annual Review 2018-2019 (PDF)
Preserving Memories 18 - 19 Welcome National Library of Scotland LibraryNational of Dr John Scally National Librarian Annual Review 2018 - 19 Our reach across Scotland is increasing. People from 100 years. We have plans to take these collections the Shetlands to the Borders can engage with an to locations around the country in the next few years. increasing amount of content as we digitise our 7KHFROOHFWLRQLVEHLQJGLJLWLVHGEXWPHDQZKLOHORRNRXWIRU collections and make them available online. Similarly, displays at both the Galleries and the Library this autumn. our touring displays, snapshots of our major exhibitions, are travelling around the country. We’re now entering We have given new meaning to what is possible with into the third year of our touring displays, and the waiting VRPHRIRXUFROOHFWLRQV7KHVWDUWRIWKH\HDUVDZWKH list from libraries around the country is a positive sign ¿UVWHYHUDUWLVWLFLQWHUSUHWDWLRQRIVFKRROH[DPSDSHUV of a desire to engage with the National Library. Upon digitising Scottish exam papers from the years 1888–1963 and making them available online, we offered Partnerships with Scotland’s universities are an important EXUVDULHVIRUDUWLVWLFµUHVLWV¶:RUNVLQFOXGHGDVKRUW¿OP feature of our work in promoting research and providing involving an intricate dance to a geometry paper, and a scholarship opportunities. Our collaboration with the punk rendition of a mathematics paper. University of Edinburgh allowed us to host placements for students from the Centre for the History of the Book. Our engagement with young people is a priority for the It also resulted in one of the most thought-provoking National Library. We partnered with YouthLink to deliver displays we held this year – Strike for Freedom – the Youngwummin, a creative response to our collections display of items related to the American abolitionist VXUURXQGLQJWKH)LUVW:RUOG:DU7KH\RXQJSHRSOH Frederick Douglass.