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MALBA COLLECTION Agustín Pérez Rubio OPEN HISTORY, MULTIPLE TIME
MALBA COLLECTION Agustín Pérez Rubio OPEN HISTORY, MULTIPLE TIME. A NEW TURN ON THE MALBA COLLECTION 33 …we never had grammars, nor collections of old plants. And we never knew what images selected and settled on according to the criteria of those who urban, suburban, frontier and continental were. articulate “authorized” discourses on art. Even today, we unwittingly find Oswald de Andrade1 ourselves exercising power in a practice that continues to be enmeshed in that state of afairs. The historian “stains” history just as, in Lacan’s theory …forget the stuf of the Old World, and put all of our hope, and our efort, into creating of vision, the viewer stains the scopic field.4 And that is made manifest if this new culture right here. Forget artists and schools; forget that literature and philosophy; the field of action is that artifice called Latin America. While it is true that the be cleansed and renewed; think to the beat of this life that surrounds us ... Leave behind, region is held together by certain common traits, its complex cultural reality then, authors and teachers that are no longer of any use to us; they have nothing to tell us about what we must discover in ourselves. has been shaped entirely on the basis of a colonial logic driven by political Joaquín Torres García2 and economic powers. In this globalized age, we cannot situate ourselves on a tabula rasa from which to look back at history and Latin American art as if nothing had happened before. …visual artifacts refuse to be confined by the interpretations placed on them in the present. -
Current Market Prices ~ Prints, Sculpture, Originals
Issue TITLE Price, Low SIZE Retail, ISSUE LO High HI TITLE Retail (December SIZE ISSUE LO2014) HI TITLE SIZE ISSUE LO HI CURRENT MARKET PRICES ~ PRINTS, SCULPTURE, ORIGINALS Prints, Graphics, & Giclées Prices do not reflect shifts below a print's original issue price TITLE SIZE ISSUE LO HI TITLE SIZE ISSUE LO HI TITLE SIZE ISSUE LO HI ABBETT, ROBERT AMIDON, SUSAN ATKINSON, MICHAEL BIG GUY SETTER & GROUS 125 553 671 CATHEDRAL ST PAUL CE 125 409 497 GRANNYS LOVING HAND AP 420 510 BOBWHITES & POINTER 50 152 190 COMO PARK CONSERVAT AP 21X29 158 198 GRANNYS LOVING HANDS 385 467 CODY BLACK LAB 95 152 190 COMO PARK CONSERVATORY 21X29 125 125 125 ICE BLUE DIPTYCH 125 262 315 CROSSING SPLIT ROCK 125 125 150 COMO PARK GOLF SKI 21X15 100 100 120 INSPIRATION ARCHES 185 185 185 ABBOTT, LEN COMO PARK PAVILLION 125 698 848 INSPIRATION ARCHES AP 152 190 CHORUS 292 351 GOVERNORS MANSION 99 124 LETTERS FROM GRANDMA 65 152 190 ACHEFF, WILLIAM GOVERNORS MANSION AP 136 170 LONG WAY HOME 148 185 ACOMA 23X18 200 200 200 LAKE HARRIET 24X18 125 125 125 MARIAS HANDS SR 24X18 861 1060 STILL LIFE 64 80 LITTLE FRENCH CHURC AP 21X15 110 138 MONUMENT CANYON SR 33X45 490 595 ADAMS, GAIL LITTLE FRENCH CHURCH 21X15 100 100 100 MOONLIT CANYON 165 165 165 DOUBLE SOLITUDE AP 275 275 315 LORING PARK HARMON AP 29X21 158 198 MOUNTAIN LAKE 18X24 175 258 310 SLEEPIN BEAUTY 225 225 225 MINN STATE CAPITOL 21X16 187 225 ON WALDEN 150 150 150 ADAMS, HERMON MT OLIVET CHURCH 158 198 ON WALDEN AP 94 118 ARIZONA RANGER 120 1072 1320 NICOLLET AVE AP 20X25 78 98 OSTUNI 29X22 150 150 183 -
University of Oklahoma
UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE OF BIRDS, GUANO, AND MAN: WILLIAM VOGT’S ROAD TO SURVIVAL A Dissertation SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the Degree of Doctor of Philosophy By MAUREEN A. McCORMICK Norman, Oklahoma 2005 UMI Number: 3159283 UMI Microform 3159283 Copyright 2005 by ProQuest Information and Learning Company. All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest Information and Learning Company 300 North Zeeb Road P.O. Box 1346 Ann Arbor, MI 48106-1346 © Copyright by Maureen A. McCormick 2005 All Rights Reserved. ACKNOWLEDGEMENTS Research for this dissertation was made possible through grants from the National Science Foundation (SBR-9729903), from the Rockefeller Archives Center, from the Graduate College of the University of Oklahoma, and from the Graduate Student Senate of the University of Oklahoma. Alasdair and Richard Fraser-Darling kindly spoke with me about their father and allowed me to review family papers. Population-Environment Balance permitted me to view the papers of William Vogt that it held. Librarians at Smith College, Rice University, the Denver Public Library, the Library of Congress, the National Library of Scotland, UNESCO Archives, Yale University, the University of Oklahoma, the University of Central Florida, and West Melbourne Public Library provided invaluable assistance and filled numerous requests for interlibrary loans; I especially note the gracious aid provided in this regard by Cécile Thiéry of the World Conservation Union and Tom Rosenbaum at the Rockefeller Archives Center. Brevard Community College provided me with congenial colleagues, a quiet place to work, and students who inspire me. -
The Practice of Art and AI
Gerfried Stocker, Markus Jandl, Andreas J. Hirsch The Practice of Art and AI ARS ELECTRONICA Art, Technology & Society Contents Gerfried Stocker, Markus Jandl, Andreas J. Hirsch 8 Promises and Challenges in the Practice of Art and AI Andreas J. Hirsch 10 Five Preliminary Notes on the Practice of AI and Art 12 1. AI–Where a Smoke Screen Veils an Opaque Field 19 2. A Wide and Deep Problem Horizon– Massive Powers behind AI in Stealthy Advance 25 3. A Practice Challenging and Promising– Art and Science Encounters Put to the Test by AI 29 4. An Emerging New Relationship–AI and the Artist 34 5. A Distant Mirror Coming Closer– AI and the Human Condition Veronika Liebl 40 Starting the European ARTificial Intelligence Lab 44 Scientific Partners 46 Experiential AI@Edinburgh Futures Institute 48 Leiden Observatory 50 Museo de la Universidad Nacional de Tres de Febrero Centro de Arte y Ciencia 52 SETI Institute 54 Ars Electronica Futurelab 56 Scientific Institutions 59 Cultural Partners 61 Ars Electronica 66 Activities 69 Projects 91 Artists 101 CPN–Center for the Promotion of Science 106 Activities 108 Projects 119 Artists 125 The Culture Yard 130 Activities Contents Contents 132 Projects 139 Artists 143 Zaragoza City of Knowledge Foundation 148 Activities 149 Projects 155 Artists 159 GLUON 164 Activities 165 Projects 168 Artists 171 Hexagone Scène Nationale Arts Science 175 Activities 177 Projects 182 Artists 185 Kersnikova Institute / Kapelica Gallery 190 Activities 192 Projects 200 Artists 203 LABoral Centro de Arte y Creación Industrial 208 Activities -
What Every Duck Needs to Know
2015 DuckWHAT EVERY DUCK NEEDS Life TO KNOW YOU’RE A DUCK NOW. YOU’RE ONE OF US. SO, WHAT’S NEXT? Within these pages you’ll find everything you need to go from a fledgling duckling to a bonafide mallard. ➜ FOOTBALL TICKETS ➜ GREEK LIFE ➜ MEAL PLANS ➜ BUYING BOOKS ➜ OUTDOOR PROGRAM ➜ AND MORE... content sponsored by: NEW STUDENT HOUSING OPENING FALL 2015 SIGN A LEASE IN A 4 BED + 4 BATH A OR B FLOOR PLAN & SAVE VISIT 2125FRANKLIN.COM TO SEE OUR CURRENT LEASING SPECIALS + SAVE $150 WITH ZERO DOWN HOW DO WE COMPARE? MEAL PLAN REQUIRED? SUMMER INCLUDED? TOTAL 2125 FRANKLIN shared bed + shared bath NO YES $6,588 RESIDENCE HALLS shared bed + shared bath YES NO $11,430-$16,645* 2125 FRANKLIN private bed + private bath NO YES $7,908-$8,628 RESIDENCE HALLS private bed + private or shared bath YES NO $12,582-$19,786* HARD HAT TOURS — EVERY TUES. & WED. FROM 4-5PM TOURS BEGIN AT THE 2125 FRANKLIN LEASING OFFICE & ARE LIMITED TO 10 PEOPLE AT A TIME Rates & fees are subject to change. Limited time only. While supplies last. Total includes 16 meals per week. Total does not include cost for summer. Information accurate as of 5/19/15 — https:housing.uoregon.edu COUPON COBURG RD. Student Special Oakway Golf Course 2000 Cal Young Rd CAL YOUNG RD. 50% OAKWAY RD. OFFwith valid Student ID COBURG RD. $9 for Ferrry Street Bridge 18 holes Willamette River $5 for BROADWAY FRANKLIN BLV 9 holes D OAKWAY GOLF COURSE University of Oregon Bring entire ad to course. -
The Art of Big Ideas IT’S the STORY of CRUSHED NEW LIFE, BEANS BIG Realized& CHARACTERS Dreams
WILLIE’S JOURNEY | DIGGING LAVA | REMEMBERING VANPORT The Art of Big Ideas IT’S THE STORY OF CRUSHED NEW LIFE, BEANS BIG realized& CHARACTERS dreams. GRITTY a COMEBACKS, THICK DARK & FOGGY WORLDS, plot. & IT’S A TALE ABOUT the 45years recent in THE MAKING, past AS WELL AS a SMALL THE coffee future ROASTER OF in ALBANY, OR Allann Brothers is becoming Allan’s. allannbrothers.com FW UO ad 9-19-17_Layout 1 9/21/17 7:20 AM Page 1 Our employees stand behind our numbers and proudly back the Oregon Ducks. $3 million minimum fergusonwellman.com $750,000 minimum westbearinginvest .com Data as of 1/1/17 PIONEERS IN SENIOR LIVING FOR OVER 25 YEARS The newest addition to the acclaimed BPM Senior Living Portfolio! Award winning building design • Stunning riverside location • Innovative leaders in wellness-centered care since 1989 • Pioneers in development of the nationally recognized Personal Preferences Program • Spa, massage therapist & full service salon • State-of-the-art fitness center & indoor pool • Alzheimer’s endorsed, cognitive specific memory care • Restaurant style, all day dining directed by our executive chef & his culinary team. We invite you to call BPM 541-636-3329 Senior Living Company for your personal tour today waterfordgrand.com 600 Waterford Way • Eugene, Oregon 97401 Life the Grand Life TM dialogue FROM THE PRESIDENT lenges ranging from climate change to disease prevention. Also, the School of Journalism and Communication will be creating a media center for science and technology, with inter- disciplinary faculty that will explore how scientific and technological solutions can be understood by broad audiences. -
Campus Artworks
19 House of Phineas Gage 25 Lokey Science Complex Gargoyles “House of Phineas Gage” (2003), hidden in the courtyard Albert Einstein, Marie Curie, Sir Isaac Newton, Maxwell & his of Straub Hall, is made of wooden strips. It was a 1% for Demon, Thomas Condon, Alan Turing, and John von Neumann CCampusampus ArtworksArtworks Art commission associated with the Lewis Center for are portrayed on the façades of the Lokey Science Complex Neuroimaging. The work was created by artist/architect buildings, along with sculptures of Drosophilia (fruit fl y) James Harrison. The “subject,” Phineas Gage, is a legend in and Zebrafi sh. The hammered sheet copper sculptures were the history of brain injury: he survived a 3-foot rod blown into designed and installed by artist Wayne Chabre between 1989- his head from a construction blast in 1848. 90. 20 “Aggregation” This art installation was a 1% for Art commision made by 26 Science Walk Adam Kuby as part of his series “disintegrated” art, in “Science Walk” is a landscape work that connects the major which he takes an object and breaks it down into several science buildings from Cascade Hall to Deschutes Hall. It smaller pieces. “Aggregation” is represented through six consists of inlaid stone and tile beginning at the fountain sites surrounding the EMU green, each containing a four- “Cascade Charley.” It was designed in 1991 by Scott Wylie. by-four granite block that was quarried in Eastern Oregon. The inlaid stones were donated by three members of the UO As one moves around the circle, the blocks break down into Geological Sciences faculty Allan Kays, Jack Rice and David smaller pieces from one solid cube to a cluster of 32 broken Blackwell. -
Dissertation Viral Shedding and Antibody Response Of
DISSERTATION VIRAL SHEDDING AND ANTIBODY RESPONSE OF MALLARD DUCKS TO AVIAN INFLUENZA VIRUSES Submitted by Jack P. Muth Department of Microbiology, Immunology, and Pathology In partial fulfillment of the requirements For the Degree of Doctor of Philosophy Colorado State University Fort Collins, Colorado Summer 2012 Doctoral Committee: Advisor: Richard Bowen Gabriele Landolt Gary Mason Mark Zabel Copyright by Jack Philip Muth 2012 All Rights Reserved ABSTRACT VIRAL SHEDDING AND ANTIBODY RESPONSE OF MALLARD DUCKS TO AVIAN INFLUENZA VIRUSES Wild ducks are a key reservoir for avian influenza (AI) viruses. Their long distance migrations, coupled to frequent contact with domestic poultry enhances risk for spread of highly pathogenic avian influenza (HPAI) viruses. Despite years of study, our understanding of how AI viruses are maintained and transmitted in nature remains poorly understood. The work described here examines several aspects of avian influenza virus infections that play a role in perpetuation and spread of this disease, including persistence of virus in duck feces, effect of prior exposure to AI viruses on subsequent infections and the passage of maternal antibodies between hen and duckling. In recent years, the emergence of H5N1 HPAI virus stimulated establishment of massive international surveillance programs to detect that virus in wild waterfowl. One deficit in these efforts was a lack of data on the stability of AI virus and AI virus RNA in bird feces under different environmental conditions. Consequently, an experiment was designed to address this knowledge gap. Feces were collected from mallards infected with a low pathogenic avian influenza (LPAI) virus (H5N2) on days 3 and 4 post infection and kept in environmental chambers for 21 days under the following conditions: 32°C/20% relative humidity (RH), 32°C/50%RH, 32°C/90%RH, 4.5°C/50%RH, 4.5°C/90%RH, and 0°C/50%RH. -
2014 UO Artwalk Guide
UNIVERSITY OF OREGON PUBLIC ART SPECIAL THANKS AND APPRECIATION TO 4. The Family Group, John Geise, 1967, sculpted stone Our Title Sponsor: (JSMA south lawn) 5. Encounter, Bruce Beasley, 2003, painted or treated metal (JSMA north lawn) LANE ARTS COUNCIL 6. Reflections of a Summer Day, Duane Loppnow, 1974, painted metal (JSMA north lawn) UNIVERSITY OF OREGON 7. Prometheus, Jan Zach, presented to UO in 1958, Additional Sponsor: ARTWALK GUIDE sculpted concrete and metal (JSMA north lawn) 8. Pioneer Mother, Alexander Phimister Proctor, 1930 and installed 1932, cast bronze and red marble 10 (Woman’s Quadrangle, Gerlinger lawn) 9. The Pioneer, Alexander Phimister Proctor, 1918 and installed 1919, cast bronze (Lawn between Fenton Hall and Friendly Hall, facing Johnson Hall) 10. Flying Ducks, Tom Hardy (West side of Lawrence Hall) 11. Buffalo sculpture, 1958 (Lawrence Hall Courtyard) Promotional Supporter: 12. Cascade Charley, Alice Wingwall, 1991, cement, water, tile, and red marble (Cascade Courtyard) 13. Science Walk, Scott William Wylie, 1989, concrete, blocks, granite, and tile (Plaza between Cascade Hall and Pacific Hall) 14. Science Complex Gargoyles, including Alan Turing, 15 The University of Oregon ArtWalk is coordinated by: Marie Curie & Albert Einstein, Wayne Chabre, 1988 and installed 1989-1991, Donald Bunse, Erb Memorial Union hammered copper sheets (Science Buildings) Lane Arts Council works to WEDNESDAY strengthen and support the arts OCTOBER 8, 2014 | 5:30 - 7:30 PM 15. Akbar’s Garden, Lee Kelly, 1983-84, tooled aluminum (Lawn between EMU throughout Lane County by serving and Rec Center) as a supportive, central community organization for artists, artistic and 18 16. -
Anglo-American Exchange in Postwar Sculpture, 1945–1975
Anglo-American Exchange in Postwar Sculpture, 1945–1975 Rebecca Peabody, editor 1 Anglo-American Exchange in Postwar Sculpture, 1945–1975 Edited by Rebecca Peabody THE J. PAUL GETTY MUSEUM LOS ANGELES Anglo-American Exchange in Postwar Sculpture, 1945–1975 (Getty, 2011) PROOF 1 2 3 4 5 6 2 © 2011 J. Paul Getty Trust Published by the J. Paul Getty Museum on www.gettypublications.org Getty Publications 1200 Getty Center Drive, Suite 500 Los Angeles, California 90049-1682 www.gettypublications.org Marina Belozerskaya, Editor Elizabeth Zozom, Production Coordinator Gary Hespenheide, Designer ISBN: 978-1-60606-069-8 Front cover: Barbara Hepworth, Figure for Landscape, 1960. Los Angeles, J. Paul Getty Museum. Gift of Fran and Ray Stark. © Bowness, Hepworth Estate Illustration credits Every effort has been made to contact the owners and photographers of objects reproduced here whose names do not appear in the captions or in the illustration credits. Anyone having further infor- mation concerning copyright holders is asked to contact Getty Publications so this information can be included in future printings. This publication may be downloaded and printed either in its entirety or as individual chapters. It may be reproduced, and copies distributed, for noncommercial, educational purposes only. Please properly attribute the material to its respective authors and artists. For any other uses, please refer to the J. Paul Getty Trust’s Terms of Use. Anglo-American Exchange in Postwar Sculpture, 1945–1975 (Getty, 2011) PROOF 1 2 3 4 5 6 3 Contents 4 Foreword Antonia Boström, Penelope Curtis, Andrew Perchuk, Jon Wood 6 Introduction: Trajectories in Sculpture Rebecca Peabody 9 Object Relations: Transatlantic Exchanges on Sculpture and Culture, 1945–1975 John C. -
NEVADA WOLF PACK ARIZONA WILDCATS 2012 Record: 7-5 (4-4 Mountain West) 2012 Record: 7-5 (4-5 Pac-12) Sept
2012 Gildan New Mexico Bowl • Arizona Football Postseason Guide • Dec. 15 • 11 a.m. (MST) • Albuquerque, N.M. • TV: ESPN Athletics Communications Services Contact: Molly O’Mara Contact: Blair Willis McKale Memorial Center Office: 520-621-4283 Office: 520-621-0914 1 National Championship Drive Cell: 520-444-1068 Cell: 520-419-2979 Tucson, AZ 85721-0096 Email: [email protected] Email: [email protected] Website: www.arizonawildcats.com • Facebook: www.facebook.com/ArizonaFootball • Twitter: @ArizonaFBall 2012 Arizona Schedule 2012 Gildan New Mexico Bowl: Nevada vs. Arizona Overall: 7-5 Pac-12: 4-5 Home: 6-2 Road: 1-3 Date Opponent Time/Result TV NEVADA WOLF PACK ARIZONA WILDCATS 2012 Record: 7-5 (4-4 Mountain West) 2012 Record: 7-5 (4-5 Pac-12) Sept. 1 Toledo W, 24-17 (OT) ESPNU Head Coach: Chris Ault, 28th Year (233-108-1) Head Coach: Rich Rodriguez, 1st Year (7-5) Sept. 8 #18 Oklahoma State W, 59-38 Pac-12 Sept. 15 South Carolina St. W, 56-0 Pac-12 Date: Saturday, Dec. 15 Time: 11 a.m. (MST) Sept. 22 at #3 Oregon* L, 49-0 ESPN Location: Albuquerque, N.M. (University Stadium -- 37,457) Sept. 29 #18 Oregon State* L, 38-35 Pac-12 Television Broadcast: ESPN Oct. 6 at #18 Stanford* L, 54-48 (OT) FOX TV Broadcasters: Bob Wischusen (pxp), Danny Kanell (analyst), Kaylee Hartung (sideline) UA Radio: Arizona Radio Network, 1290 AM Tucson (see page 4 of this release for complete list of affiliates) Oct. 20 Washington* (Fam. Wknd) W, 52-17 Pac-12 UA Radio Broadcasters: Brian Jeffries (pxp), Lamont Lovett (color analyst), Dana Cooper (sideline analyst) Oct. -
Not Forgotten: the Korean War in American Public Memory, 1950-2017
NOT FORGOTTEN: THE KOREAN WAR IN AMERICAN PUBLIC MEMORY, 1950-2017 A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY by Levi Fox May 2018 Examining Committee Members: Dr. Seth Bruggeman, Temple University Department of History Signature_______________________________________Date_______________ Dr. Hilary Iris Lowe, Temple University Department of History Signature_______________________________________Date_______________ Dr. Jay Lockenour, Temple University Department of History Signature_______________________________________Date_______________ Dr. Carolyn Kitch, Temple University Department of Media and Communication Signature_______________________________________Date_______________ ii ABSTRACT The “forgotten war” is the label most frequently used to recall the conflict that took place in Korea from June 25, 1950 to July 27, 1953, with variations of this phrase found in museum exhibitions and monuments across the country. Since the widespread presence of so many mentions of Korea clearly demonstrates that the Korean War is not forgotten, this project critically evaluates several forms of public memory (including museum exhibitions, historical scholarship, films and television shows, state and local monuments, and memorial infrastructure including bridges, highways, buildings, and trees) in order to explore how the war has come to be called forgotten. This project also seeks to examine the foreign policy issues of labeling the Korean War as