The Modern Shamanic Guide to Rapé
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The Languages of Amazonia Patience Epps University of Texas at Austin
Tipití: Journal of the Society for the Anthropology of Lowland South America Volume 11 Article 1 Issue 1 Volume 11, Issue 1 6-2013 The Languages of Amazonia Patience Epps University of Texas at Austin Andrés Pablo Salanova University of Ottawa Follow this and additional works at: http://digitalcommons.trinity.edu/tipiti Part of the Anthropology Commons Recommended Citation Epps, Patience and Salanova, Andrés Pablo (2013). "The Languages of Amazonia," Tipití: Journal of the Society for the Anthropology of Lowland South America: Vol. 11: Iss. 1, Article 1, 1-28. Available at: http://digitalcommons.trinity.edu/tipiti/vol11/iss1/1 This Article is brought to you for free and open access by Digital Commons @ Trinity. It has been accepted for inclusion in Tipití: Journal of the Society for the Anthropology of Lowland South America by an authorized administrator of Digital Commons @ Trinity. For more information, please contact [email protected]. Epps and Salanova: The Languages of Amazonia ARTICLE The Languages of Amazonia Patience Epps University of Texas at Austin Andrés Pablo Salanova University of Ottawa Introduction Amazonia is a linguistic treasure-trove. In this region, defined roughly as the area of the Amazon and Orinoco basins, the diversity of languages is immense, with some 300 indigenous languages corresponding to over 50 distinct ‘genealogical’ units (see Rodrigues 2000) – language families or language isolates for which no relationship to any other has yet been conclusively demonstrated; as distinct, for example, as Japanese and Spanish, or German and Basque (see section 12 below). Yet our knowledge of these languages has long been minimal, so much so that the region was described only a decade ago as a “linguistic black box" (Grinevald 1998:127). -
Peoples in the Brazilian Amazonia Indian Lands
Brazilian Demographic Censuses and the “Indians”: difficulties in identifying and counting. Marta Maria Azevedo Researcher for the Instituto Socioambiental – ISA; and visiting researcher of the Núcleo de Estudos em População – NEPO / of the University of Campinas – UNICAMP PEOPLES IN THE BRAZILIAN AMAZONIA INDIAN LANDS source: Programa Brasil Socioambiental - ISA At the present moment there are in Brazil 184 native language- UF* POVO POP.** ANO*** LÍNG./TRON.**** OUTROS NOMES***** Case studies made by anthropologists register the vital events of a RO Aikanã 175 1995 Aikanã Aikaná, Massaká, Tubarão RO Ajuru 38 1990 Tupari speaking peoples and around 30 who identify themselves as “Indians”, RO Akunsu 7 1998 ? Akunt'su certain population during a large time period, which allows us to make RO Amondawa 80 2000 Tupi-Gurarani RO Arara 184 2000 Ramarama Karo even though they are Portuguese speaking. Two-hundred and sixteen RO Arikapu 2 1999 Jaboti Aricapu a few analyses about their populational dynamics. Such is the case, for RO Arikem ? ? Arikem Ariken peoples live in ‘Indian Territories’, either demarcated or in the RO Aruá 6 1997 Tupi-Mondé instance, of the work about the Araweté, made by Eduardo Viveiros de RO Cassupá ? ? Português RO/MT Cinta Larga 643 1993 Tupi-Mondé Matétamãe process of demarcation, and also in urban areas in the different RO Columbiara ? ? ? Corumbiara Castro. In his book (Araweté: o povo do Ipixuna – CEDI, 1992) there is an RO Gavião 436 2000 Tupi-Mondé Digüt RO Jaboti 67 1990 Jaboti regions of Brazil. The lands of some 30 groups extend across national RO Kanoe 84 1997 Kanoe Canoe appendix with the populational data registered by others, since the first RO Karipuna 20 2000 Tupi-Gurarani Caripuna RO Karitiana 360 2000 Arikem Caritiana burder, for ex.: 8,500 Ticuna live in Peru and Colombia while 32,000 RO Kwazá 25 1998 Língua isolada Coaiá, Koaiá contact with this people in 1976. -
Deductions Suggested by the Geographcial Distribution of Some
Deductions suggested by the geographcial distribution of some post-Columbian words used by the Indians of S. America, by Erland Nordenskiöld. no.5 Nordenskiöld, Erland, 1877-1932. [Göteborg, Elanders boktryckeri aktiebolag, 1922] http://hdl.handle.net/2027/inu.32000000635047 Public Domain in the United States, Google-digitized http://www.hathitrust.org/access_use#pd-us-google This work is deemed to be in the public domain in the United States of America. It may not be in the public domain in other countries. Copies are provided as a preservation service. Particularly outside of the United States, persons receiving copies should make appropriate efforts to determine the copyright status of the work in their country and use the work accordingly. It is possible that heirs or the estate of the authors of individual portions of the work, such as illustrations, assert copyrights over these portions. Depending on the nature of subsequent use that is made, additional rights may need to be obtained independently of anything we can address. The digital images and OCR of this work were produced by Google, Inc. (indicated by a watermark on each page in the PageTurner). Google requests that the images and OCR not be re-hosted, redistributed or used commercially. The images are provided for educational, scholarly, non-commercial purposes. Generated for Eduardo Ribeiro (University of Chicago) on 2011-12-10 23:30 GMT / Public Domain in the United States, Google-digitized http://www.hathitrust.org/access_use#pd-us-google Generated for Eduardo Ribeiro -
Why Mahku – Movimento Dos Artistas Huni Kuin – Sing?
Universidade Federal do Acre, AMILTON PELEGRINO DE MATTOS Campus Floresta, Cruzeiro do IBÃ HUNI KUIN Sul, Acre, Brazil. MAHKU – Artists Movement WHY MAHKU – Huni Kuin, Jordão, Acre, Brazil. MOVIMENTO DOS ARTISTAS HUNI KUIN – SING? ABSTRACT The article presented is a joint work of the authors cited above. The drawings presented are products of MAHKU – Huni Kuin Artists Movement inspired from the huni meka songs. The nixi pae (ayahuasca) songs are the motive for the commentary of Ibã Huni Kuin and his way of “translation” of the language of songs, which he calls “put in the sense” (pôr ou colocar no sentido). In the first part we make a brief keywords presentation of the Ibã and collective Huni Kuin art- Huni Kuin; Visual anthropology; ists research and the trajectory of MAHKU, portrayed Ethnographic film; Art; in the audiovisual essay The nixi pae’s dream (Dir. Anthropology of music. Amilton Mattos, 2015). 61 São Paulo, v. 2, n.1, p.61-82, may (2017) PRESENTATION This text is a presentation of excerpts from material prepared by Ibã and myself with the intention to compose, in brief, the book É tudo vivo, tudo fica olhando, tudo escutando – O MAHKU – Movimento dos Artistas Huni Kuin (Its all alive, everything is looking, everything is listening – The MAHKU – Huni Kuin Artists Movement). The material has been produced in the context of the research project Espírito da Floresta (Spirit of the Forest), started in 2009, concurrently in the Indigenous land of Alto Rio Jodão and in the Indigenous Licentiate from the Universidade Federal do Acre (Federal University of Acre) UFAC, Cruzeiro do Sul Campus, the University of the Forest, with intentions to expand into other expressive forms such as music and visual arts. -
Atassinari KARIPUNAS
KARIPUNAS” E “BRASILEIROS” A TRAJETÓRIA DE DOIS TERMOS Uma contribuição à história indígena da região do baixo Rio Oiapoque Antonella Maria Imperatriz Tassinari GT: Etnologia Indígena XXI Encontro Anual da ANPOCS Caxambu, 27 a 31 de outubro de 1998. “KARIPUNAS” E “BRASILEIROS” A TRAJETÓRIA DE DOIS TERMOS 1 “... a objetivação etnonímica inside primordialmente sobre os outros , não sobre quem está em posição de sujeito. Os etnônimos são nomes de terceiros, pertencem à categoria do ‘eles’, não à categoria do ‘nós’ .” (Viveiros de Castro 1996:126). Este paper é dedicado à história da população Karipuna do Rio Curipi, região do Baixo Oiapoque, Norte do Amapá, de um ponto de vista externo ao grupo, através de uma análise sobre a trajetória de seu etnônimo 2. A história dessa população é quase inteiramente desconhecida, embora haja vasta documentação histórica sobre a região em que habita (Caetano da Silva 1861, Paranhos 1898,1945). Há citações sobre os Caripous na região do Oiapoque no século XVII, mas este etnônimo deixa de aparecer nas fontes do século seguinte (embora seja citado em diversas regiões da Amazônia), para ressurgir no século XIX. Alguns autores consideram que a população do Curipi formou-se por refugiados da Cabanagem (Coudreau 1893, Arnaud 1989a, 1996), deslocando a história do grupo, da região do Oiapoque, para a costa paraense. Considero que, para melhor compreender a história vivenciada por esta população, é preciso fazer uma distinção entre a trajetória de seu etnônimo, e as diversas trajetórias de vida dos atuais Karipuna e de seus antepassados. Isso porque o termo nem sempre esteve associado à população do Curipi (às famílias que ali habitam e seus antepassados, ou a outras famílias ali residentes em momentos diversos) e fazer esta separação será útil para entender o próprio significado que hoje tem o nome Karipuna, referindo-se à identidade étnica atualmente compartilhada pela população do Rio Curipi. -
How JBS Is Still Slaughtering the Amazon
Slaughtering the Amazon In response to a July 2020 letter from Greenpeace UK, Burger King and Tesco confirmed that they were supplied by JBS subsidiaries (Burger King: Moy Park; Tesco: both Moy Park and Tulip). In September 2019, in response to a letter from Greenpeace UK, Aldi and Waitrose both confirmed JBS- linked supplies (Aldi: Moy Park and Tulip; Waitrose: Moy Park). In its FAQs, under ‘Who supplies you with chicken?’, Nando’s names Moy Park as one of its suppliers; Waitrose also lists Moy Park as a long-term poultry supplier on its website under ‘About our chicken’. In January 2020, a Bloomberg database chain- of-custody search identified trade between JBS subsidiary Pilgrim’s Pride (the parent company of both Moy Park and Tulip) and the following: Burger King, McDonald’s, Sainsbury’s, Tesco and YUM! (YUM! is the parent company of a number of fast food chains, including KFC.) Reports of direct links between JBS subsidiaries and KFC include specialist trade media (eg Ridler J (2018), Mulligan J (2017) and Lucas A (2020)). is still Slaughtering the Amazon the still Slaughtering is Additionally, factory codes UK 3005 EC and UK 3011 EC, documented in August 2019 on the labels of chickens in Sainsbury’s stores, link to How Moy Park facilities. Contents Executive summary Part 2: How industrial meat High stakes – how industrial meat is cooking the climate is taking us to the tipping point 1 Taking stock – JBS, the world’s largest What a carve-up – industrial meat producer, is still slaughtering the Amazon 2 meat’s impact 48 Supporting -
Origem Da Pintura Do Lutador Matipu
GOVERNO DO ESTADO DE MATO GROSSO SECRETARIA DE ESTADO DE CIÊNCIA E TECNOLOGIA UNIVERSIDADE DO ESTADO DE MATO GROSSO CARLOS ALBERTO REYES MALDONADO UNEMAT CAMPUS UNIVERSITÁRIO DEP. RENÊ BARBOUR LICENCIATURA INTERCULTURAL INDÍGENA MAIKE MATIPU ORIGEM DA PINTURA DO LUTADOR MATIPU Barra do Bugres 2016 MAIKE MATIPU ORIGEM DA PINTURA DO LUTADOR MATIPU Trabalho de Conclusão de Curso apresentado à Universidade do Estado de Mato Grosso- UNEMAT, Campus Universitário Dep. Est. Renê Barbour, como requisito parcial para obtenção do título de graduado em Línguas, Artes e Literatura. Orientador: Prof.ª Drª. Mônica Cidele da Cruz Barra do Bugres 2016 FICHA CATALOGRÁFICA MAIKE MATIPU ORIGEM DA PINTURA DO LUTADOR MATIPU Trabalho de Conclusão de Curso apresentado à Banca Avaliadora do Curso de Licenciatura Intercultural – UNEMAT, Campus Universitário Dep. Renê Barbour como requisito para obtenção do título de Licenciado em Línguas, Artes e Literatura. Barra do Bugres, 28 de abril de 2016. BANCA EXAMINADORA _______________________________________________ Prof.ª Drª. Mônica Cidele da Cruz Professora Orientadora _______________________________________________ Prof. Esp. Aigi Nafukuá Professor Avaliador _______________________________________________ Prof. Me. Isaías Munis Batista Professor Avaliador Barra do Bugres 2016 DEDICATÓRIA Dedico este trabalho para minha esposa Soko Kujahi Agika Kuikuro, aos meus filhos, às famílias e filhos da comunidade. Através do conhecimento do meu povo Matipu, consegui realizar o trabalho e fortalecer a cultura para futuras gerações. AGRADECIMENTOS Agradeço aos dois anciões narradores da história do passado. Principalmente agradeço ao meu pai Yamatuá Matipu, reconhecido como grande flautista e cantor. Agradeço, ainda, Manufá Matipu, que me auxiliou durante a pesquisa sobre o conhecimento dos antepassados. Agradeço a toda minha família que fez o trabalho comigo, e também agradeço muita minha esposa Soko Kujahi Agika Kuikuro, meus filhos Amatuá Matheus Matipu, Kaintehi Marquinho Matipu, Tahugaki Parisi Matipu e Ariati Maiate Rebeca Matipu. -
Catalogo -ENG Low.Pdf
“ “| CURATED BY CATARINA DUNCAN OCTOBER 6TH - NOVEMBER 3RD, 2018 Galeria Leme is pleased to present the group show “ “, curated by Catarina Duncan. Led by a a painting whose background is divided between green and red, the same colours of the research about the use of symbols as language tools, the exhibition features works by seventeen pan-Africanist flag, icon of the intellectual movement that reinforces the union of all African artists in order to construct an imaginary field where the symbols overlap the written word in Diaspora. On the top of these colours are the instruments of the orishas Exu and Ogum, uniting order to communicate on political matters, as well as on the relations between the human the principles of communication, contradiction and dialectic (Exu) with those of technological innovation and fight commitments (Ogum). Its title alludes to a political project on antiracist, being, the occult and the unknown. capitalist and neocolonial government reorganization. This work summarizes the encounter of According to Carl G. Jung, in his book The Man and His Symbols, “what we call a symbol is a religious and political symbols, drawing a manifesto through symbolic means. term, a name or image that may be familiar to us in daily life, though it has special connotations The selected works have allegorical, mythical, intuitive and political connotations and use the beyond its obvious and conventional meaning. It implies something vague, unknown or hidden symbols to emanate new ideas and proposals of existence and relationships. The prevalence to us. ”In this sense, evoking the symbolic places us before a process of unlearning, of what we of the symbol over the written word is a proposition of power alternation, so that new tools of cannot define or comprehend integrally. -
Current Studies on South American Languages, [Indigenous Languages of Latin America (ILLA), Vol
This file is freely available for download at http://www.etnolinguistica.org/illa This book is freely available for download at http://www.etnolinguistica.org/illa References: Crevels, Mily, Simon van de Kerke, Sérgio Meira & Hein van der Voort (eds.). 2002. Current Studies on South American Languages, [Indigenous Languages of Latin America (ILLA), vol. 3], [CNWS publications, vol. 114], Leiden: Research School of Asian, African, and Amerindian Studies (CNWS), vi + 344 pp. (ISBN 90-5789-076-3) CURRENT STUDIES ON SOUTH AMERICAN LANGUAGES INDIGENOUS LANGUAGES OF LATIN AMERICA (ILLA) This series, entitled Indigenous Languages of Latin America, is a result of the collaboration between the CNWS research group of Amerindian Studies and the Spinoza research program Lexicon and Syntax, and it will function as an outlet for publications related to the research program. LENGUAS INDÍGENAS DE AMÉRICA LATINA (ILLA) La serie Lenguas Indígenas de América Latina es el resultado de la colabora- ción entre el equipo de investigación CNWS de estudios americanos y el programa de investigación Spinoza denominado Léxico y Sintaxis. Dicha serie tiene como objetivo publicar los trabajos que se lleven a cabo dentro de ambos programas de investigación. Board of advisors / Consejo asesor: Willem Adelaar (Universiteit Leiden) Eithne Carlin (Universiteit Leiden) Pieter Muysken (Katholieke Universiteit Nijmegen) Leo Wetzels (Vrije Universiteit, Amsterdam) Series editors / Editores de la serie: Mily Crevels (Katholieke Universiteit Nijmegen) Simon van de Kerke (Universiteit -
Climate and Security in Latin America and the Caribbean
CLIMATE AND SECURITY IN LATIN AMERICA AND THE CARIBBEAN Adriana Erthal Abdenur, Giovanna Kuele and Alice Amorim, eds. 2019 IGARAPÉ INSTITUTE | DECEMBER 2019 INDEX INTRODUCTION Adriana Erthal Abdenur, Giovanna Kuele and Alice Amorim ................. 2 HOW CLIMATE CHANGE RISKS MAGNIFY ECONOMIC AND SECURITY VULNERABILITIES CASE STUDY: VENEZUELA AND ITS NEIGHBORS Oliver Leighton Barrett ......................................................................................... 13 CLIMATE CHANGE, INEQUALITY AND SECURITY IN COLOMBIA: SOME REFLECTIONS ON THE SUBJECT Saul Rodriguez ............................................ 27 CLIMATE CHANGE, SOCIAL CONFLICT AND THE COMPLEXIFICATION OF CRIME IN BOLIVIA: AN ANALYSIS OF THE IMPACT OF FLOODS AND STORMS IN CHAPARE AS A COCA GROWING REGION Marilia Closs ............ 41 TOWARDS AN INTEGRATED GOVERNANCE OF TRANSBOUNDARY AQUIFERS IN SOUTH AMERICA: BALANCING SECURITY, HUMAN RIGHTS AND TERRITORIALITY Beatriz Mendes Garcia Ferreira ......................................... 53 CLIMATE AND SECURITY IN BRAZIL: THE ROLE OF THE PRESS IN THE DISCUSSION AND PROMOTION OF PUBLIC POLICIES Eloisa Beling Loose ..... 65 CLIMATE CHANGE AND SECURITY IN THE AMAZON: VULNERABILITY AND RISKS FOR INDIGENOUS PEOPLES ON THE ACRE - UCAYALI BORDER Marco Cepik and Hannah Machado Cepik ................................................................ 77 CLIMATE EVIDENCE-BASED POLICING: THE INFLUENCE OF RAINFALL ON THE CRIMINAL DYNAMICS OF THE CITY OF MANAUS Moisés Israel Silva dos Santos, Antônio Gelson de Oliveira Nascimento, Márcio -
Indigenous and Tribal Peoples of the Pan-Amazon Region
OAS/Ser.L/V/II. Doc. 176 29 September 2019 Original: Spanish INTER-AMERICAN COMMISSION ON HUMAN RIGHTS Situation of Human Rights of the Indigenous and Tribal Peoples of the Pan-Amazon Region 2019 iachr.org OAS Cataloging-in-Publication Data Inter-American Commission on Human Rights. Situation of human rights of the indigenous and tribal peoples of the Pan-Amazon region : Approved by the Inter-American Commission on Human Rights on September 29, 2019. p. ; cm. (OAS. Official records ; OEA/Ser.L/V/II) ISBN 978-0-8270-6931-2 1. Indigenous peoples--Civil rights--Amazon River Region. 2. Indigenous peoples-- Legal status, laws, etc.--Amazon River Region. 3. Human rights--Amazon River Region. I. Title. II. Series. OEA/Ser.L/V/II. Doc.176/19 INTER-AMERICAN COMMISSION ON HUMAN RIGHTS Members Esmeralda Arosemena de Troitiño Joel Hernández García Antonia Urrejola Margarette May Macaulay Francisco José Eguiguren Praeli Luis Ernesto Vargas Silva Flávia Piovesan Executive Secretary Paulo Abrão Assistant Executive Secretary for Monitoring, Promotion and Technical Cooperation María Claudia Pulido Assistant Executive Secretary for the Case, Petition and Precautionary Measure System Marisol Blanchard a.i. Chief of Staff of the Executive Secretariat of the IACHR Fernanda Dos Anjos In collaboration with: Soledad García Muñoz, Special Rapporteurship on Economic, Social, Cultural, and Environmental Rights (ESCER) Approved by the Inter-American Commission on Human Rights on September 29, 2019 INDEX EXECUTIVE SUMMARY 11 INTRODUCTION 19 CHAPTER 1 | INTER-AMERICAN STANDARDS ON INDIGENOUS AND TRIBAL PEOPLES APPLICABLE TO THE PAN-AMAZON REGION 27 A. Inter-American Standards Applicable to Indigenous and Tribal Peoples in the Pan-Amazon Region 29 1. -
Anaconda-Becoming: Huni Kuin Image-Songs, an Amerindian Relational Aesthetics
Artigos Articles http://dx.doi.org/10.1590/S0104-71832018000200002 Anaconda-becoming: Huni Kuin image-songs, an Amerindian relational aesthetics Devir-anaconda: huni kuin cantos-imagem, uma estética relacional ameríndia Els Lagrou * * Universidade Federal do Rio de Janeiro – Rio de Janeiro, RJ, Brazil [email protected] Horiz. antropol., Porto Alegre, ano 24, n. 51, p. 17-49, maio/ago. 2018 18 Els Lagrou Abstract After depicting the contemporary scene of Huni Kuin ayahuasca shamanism and artistic agency, I analyze a selection of image-songs from this ritual. The songs unveil the workings of embodied perception and synesthesia, that is, the transductions of bodily sensations and perceptions in vision, rhythm, song and sound. The experience entails a process of other-becoming where to know means to see through the eyes of Other; to be covered with the skin/ornaments of those beings one has consumed and to sing through their voice. This other-becoming is a becoming in a deleuzian sense, which means that the lived experience is situated in-between the space of self and other. In this context the expression “you are what you eat” has specifi c implications for one’s health and for the acquisition of agentive and perceptive capabilities of other beings. The ritual technique of almost becoming consists of alternatingly producing and undoing temporary transformations through song. Keywords: shamanism; ayahuasca; Amerindian relational aesthetics; song. Resumo Depois de apresentar a cena contemporânea da agencia artística e do xamanismo ayahuasqueiro dos Huni Kuin, apresento uma seleção de seus cantos-imagem. Os cantos revelam a lógica de uma percepção incorporada e sinestésica, isto é, as trans- duções de sensações corporais e percepções entre visão, ritmo, canto e som.