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Ghashiram Kotwal
FORUM GHASHIRAM KOTWAL K. Hariharan Seit dem ersten Jahr seines Bestehens hat das Forum sich bemüht, Indien 1977 Mani Kaul deutsch untertitelte Kopien der Festivalbeiträge herzustellen. Diese 107 Min. · DCP, 1:1.33 (4:3) · Farbe Praxis zahlt sich nun aus: Viele Filme haben so nur in Berlin überlebt, darunter GHASHIRAM KOTWAL, der nun in neuer, digitaler Fassung zur Regie K. Hariharan, Mani Kaul Wiederaufführung gelangt. Produziert hat ihn die Yukt Filmkooperati- Buch Vijay Tendulkar, nach seinem gleichnamigen Bühnenstück ve unter der Regie von K. Hariharan und Mani Kaul, basierend auf dem Kamera Mitglieder der Yukt Film gleichnamigen Theaterstück des Autors Vijay Tendulkar. Es beruht auf Cooperative der Biografie von Nana Phadnavis (1741–1800), eines einflussreichen Musik Bhaskar Chandavarkar Ministers, und beschreibt Entwicklung und Fall des Peshwa-Regimes in West-Indien vor dem Hintergrund einer Politik von Intrigen und Kor- Darsteller K. Hariharan Geboren 1952 in Chennai. Er ruption, die während der wachsenden kolonialen Bedrohung das Land Mohan Agashe (Nana) studierte am Film and TV Institute of India. verwüstete. Um seine Macht abzusichern, ernennt Nana Ghashiram Om Puri (Ghashiram Kotwal) Unter seiner Regie sind acht Spielfilme Mohan Gokhale sowie über 350 Dokumentar- und Kurzfilme zum Polizei- und Spionagechef des Staates. Nachdem er einst Unrecht erfahren und Rache geschworen hat, beginnt Ghashiram, willkürlich Rajni Chauhan entstanden. Darüber hinaus veranstaltete er Mitglieder der Theaterakademie Pune von 1995 bis 2004 Seminare zum indischen Macht gegen die brahmanische Bevölkerung auszuüben, bis diese seine Hinrichtung verlangt. Der Film entwickelt seine experimentelle Kino an der University of Pennsylvania. Zurzeit Produktion leitet er die LV Prasad Film & TV Academy in Ästhetik aus der Beschäftigung mit fiktionaler und dokumentarischer Yukt Film Cooperative Society Chennai, die 2004 gegründet wurde. -
P. Anbarasan, M.Phil, Phd. Associate Professor Department of Mass Communication and Journalism Tezpur University Tezpur – 784028
P. Anbarasan, M.Phil, PhD. Associate Professor Department of Mass communication and Journalism Tezpur University Tezpur – 784028. Assam. [email protected] [email protected] Mobile: +91-9435381043 A Brief Profile Dr. P. Anbarasan is Associate Professor in the Dept. of Mass Communication and Journalism of Tezpur Central University. He has been teaching media and communication for the last 15 years. He specializes in film studies, culture & communication studies, and international communication. He has done his doctorate from Jawaharlal Nehru University, New Delhi. Earlier he had studied in University Madras and Bangalore University. Before becoming teacher he worked in All India Radio and some newspapers. He has published books on Gulf war and European Radio European identity and Culture in addition to other culture and communication research works. His interest area is media and the marginalized. 1 Work Presently Associate Professor in Mass Communication and Experience Journalism, at Tezpur central University since March 2005. Earlier worked as Lecturer in the Department of Mass communication & Journalism, Assam University, Silchar, Assam from September 2000 to March 2005. Prior to that worked as Junior officer of the Indian Information Service, from 1995 to 2000 and was posted at the Central Monitoring Service, New Delhi ( March 1995 to Sept. 2000). 2 Education Obtained PhD from at Jawaharlal Nehru University, New Delhi on the topic: “The European Union’s Cultural and Audiovisual Policy: A Discourse towards Integration beyond Borders” in 2012. Earlier completed M Phil in 1997 at Jawaharlal Nehru University on a topic, “Gulf Crisis and European Media: A study of Radio coverage and Its Impact”. -
Koel Chatterjee Phd Thesis
Bollywood Shakespeares from Gulzar to Bhardwaj: Adapting, Assimilating and Culturalizing the Bard Koel Chatterjee PhD Thesis 10 October, 2017 I, Koel Chatterjee, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: Date: 10th October, 2017 Acknowledgements This thesis would not have been possible without the patience and guidance of my supervisor Dr Deana Rankin. Without her ability to keep me focused despite my never-ending projects and her continuous support during my many illnesses throughout these last five years, this thesis would still be a work in progress. I would also like to thank Dr. Ewan Fernie who inspired me to work on Shakespeare and Bollywood during my MA at Royal Holloway and Dr. Christie Carson who encouraged me to pursue a PhD after six years of being away from academia, as well as Poonam Trivedi, whose work on Filmi Shakespeares inspired my research. I thank Dr. Varsha Panjwani for mentoring me through the last three years, for the words of encouragement and support every time I doubted myself, and for the stimulating discussions that helped shape this thesis. Last but not the least, I thank my family: my grandfather Dr Somesh Chandra Bhattacharya, who made it possible for me to follow my dreams; my mother Manasi Chatterjee, who taught me to work harder when the going got tough; my sister, Payel Chatterjee, for forcing me to watch countless terrible Bollywood films; and my father, Bidyut Behari Chatterjee, whose impromptu recitations of Shakespeare to underline a thought or an emotion have led me inevitably to becoming a Shakespeare scholar. -
Padma Vibhushan S. No. Name of the Awardee Discipline State/Domicile
Padma Vibhushan S. State/Domicile Name of the Awardee Discipline No. 1. Shri L. K. Advani Public Affairs Gujarat 2. Shri Amitabh Bachchan Art Maharashtra 3. Shri Prakash Singh Badal Public Affairs Punjab 4. Dr. D. Veerendra Heggade Social Work Karnataka Shri Mohammad Yusuf 5. Art Maharashtra Khan alias Dilip Kumar Shri Jagadguru 6. Ramanandacharya Swami Others Uttar Pradesh Rambhadracharya Prof. Malur Ramaswamy Science and 7. Tamil Nadu Srinivasan Engineering Shri Kottayan K. 8. Venugopal Public Affairs Delhi Shri Karim Al Hussaini Trade and 9. France/UK Aga Khan ( Foreigner) Industry Padma Bhushan Shri Jahnu Barua 1. Art Assam Dr. Vijay Bhatkar Science and 2. Maharashtra Engineering 3. Literature and Shri Swapan Dasgupta Delhi Education 4. Swami Satyamitranand Giri Others Uttar Pradesh 5. Shri N. Gopalaswami Civil Service Tamil Nadu 6. Dr. Subhash C. Kashyap Public Affairs Delhi Dr. (Pandit) Gokulotsavji Madhya 7. Art Maharaj Pradesh 8. Dr. Ambrish Mithal Medicine Delhi 9. Smt. Sudha Ragunathan Art Tamil Nadu 10. Shri Harish Salve Public Affairs Delhi 11. Dr. Ashok Seth Medicine Delhi 12. Literature and Shri Rajat Sharma Delhi Education 13. Shri Satpal Sports Delhi 14. Shri Shivakumara Swami Others Karnataka Science and 15. Dr. Kharag Singh Valdiya Karnataka Engineering Prof. Manjul Bhargava Science and 16. USA (NRI/PIO) Engineering 17. Shri David Frawley Others USA (Vamadeva) (Foreigner) 18. Shri Bill Gates Social Work USA (Foreigner) 19. Ms. Melinda Gates Social Work USA (Foreigner) 20. Shri Saichiro Misumi Others Japan (Foreigner) Padma Shri 1. Dr. Manjula Anagani Medicine Telangana Science and 2. Shri S. Arunan Karnataka Engineering 3. Ms. Kanyakumari Avasarala Art Tamil Nadu Literature and Jammu and 4. -
Dr. Bhabendra Nath Saikia: a Versatile Legend of Assam
PROTEUS JOURNAL ISSN/eISSN: 0889-6348 DR. BHABENDRA NATH SAIKIA: A VERSATILE LEGEND OF ASSAM NilakshiDeka1 Prarthana Dutta2 1 Research Scholar, Department of Assamese, MSSV, Nagaon. 2 Ex - student, Department of Assamese, Dibrugarh University, Dibrugarh. Abstract:The versatile personality is generally used to refer to individuals with multitalented with different areas. Dr. BhabendraNathSaikia was one of the greatest legends of Assam. This multi-faceted personality has given his tits and bits to both the Assamese literature, as well as, Assamese cinema. Dr. BhabendraNathSaikia was winner of Sahitya Academy award and Padma shri, student of science, researcher, physicist, editor, short story writer and film director from Assam. His gift to the Assamese society and in the fields of art, culture and literature has not yet been adequately measured.Saikia was a genius person of exceptional intellectual creative power or other natural ability or tendency. In this paper, author analyses the multi dimension of BhabendraNathSaikias and his outstanding contributions to make him a versatile legendary of Assam. Keywords: versatile, legend, cinema, literature, writer. 1. METHODOLOGY During the research it collected data through secondary sources like various Books, E-books, Articles, and Internet etc. 2. INTRODUCTION BhabendraNathSaikia was an extraordinary talented genius ever produced by Assam in centuries. Whether it is literature or cinema, researcher or academician, VOLUME 11 ISSUE 9 2020 http://www.proteusresearch.org/ Page No: 401 PROTEUS JOURNAL ISSN/eISSN: 0889-6348 BhabendraNathSaikia was unbeatable throughout his life. The one name that coinsures up a feeling of warmth in every Assamese heart is that of Dr. BhabendraNathSaikia. 3. EARLY LIFE, EDUCATION AND CAREER BhabendranathSaikia was born on February 20, 1932, in Nagaon, Assam. -
The Lockdown to Contain the Coronavirus Outbreak Has Disrupted Supply Chains. One Crucial Chain Is Delivery of Information and I
JOURNALISM OF COURAGE SINCE 1932 The lockdown to contain the coronavirus outbreak has disrupted supply chains. One crucial chain is delivery of information and insight — news and analysis that is fair and accurate and reliably reported from across a nation in quarantine. A voice you can trust amid the clanging of alarm bells. Vajiram & Ravi and The Indian Express are proud to deliver the electronic version of this morning’s edition of The Indian Express to your Inbox. You may follow The Indian Express’s news and analysis through the day on indianexpress.com DAILY FROM: AHMEDABAD, CHANDIGARH, DELHI, JAIPUR, KOLKATA, LUCKNOW, MUMBAI, NAGPUR, PUNE, VADODARA JOURNALISM OF COURAGE THURSDAY, AUGUST 20, 2020, NEW DELHI, LATE CITY, 18 PAGES SINCE 1932 `6.00 (`8 PATNA &RAIPUR, `12 SRINAGAR) WWW.INDIANEXPRESS.COM Constitution STATE OF THE PANDEMIC TRACKING INDIA’S COVID CURVE Bench must Hopeinnumbers:Dailycasesstablefor 170 CASES: RECOVERED:20,37,870 DAYSSINCE 27,67,273 DEATHS:52,889 hear Bhushan PANDEMIC case: ex-SC BEGAN TESTS: 3,17,42,782 | DOUBLING RATE: 28.92** judge Joseph twoweeks,testsshowfewerpositives Newcases rangearound 60,000; R-value at all-timelow NEARFLATGROWTHINNEW OVERALLPOSITIVITYRATE CASESINLASTTWOWEEKS TotalPositive/Total Tested Forthe firsttime since May, fallen to 8.72per cent. KEYSTATES TOTAL SURGEIN 7-DAYAVG DOUBLING AMITABHSINHA the overall positivity rate in the Simultaneously—and not TOWATCH CASES 24HOURS GROWTH* TIME** ‘If justiceis 80000 10 PUNE,AUGUST19 countryhas begun to decline. unrelatedly —there is arelative notdone 70000 Whichmeans,for thesame stagnation in the numbers of ■ Maharashtra 6,15,477 11,119 2.01% 35.90 60000 8 heavens will SIX MONTHS afterthe outbreak number of tests,fewer people newpositive cases being de- ■ Tamil Nadu 3,49,654 5,709 1.80% 40.05 certainly fall’ 50000 of the novelcoronavirus epi- arenow beingfound infected tected everyday.This number CENT ■ Andhra 3,06,261 9,652 3.27% 22.04 40000 6 demic —and over 27 lakh cases with the virus. -
A Study of Neorealism in Assamese Cinema
A Study of Neorealism in Assamese Cinema INDRANI BHARADWAJ Registered Number: 1424030 A dissertation submitted in partial fulfilment of the requirements for the degree of Master of Arts in Communication and Media Studies CHRIST UNIVERSITY Bengaluru 2016 Program Authorized to Offer Degree: Department of Media Studies ii CHRIST UNIVERSITY Department of Media Studies This is to certify that I have examined this copy of a master’s thesis by Indrani Bharadwaj Registered Number: 1424030 and have found that it is complete and satisfactory in all respects, and that any and all revisions required by the final examining committee have been made. Committee Members: _____________________________________________________ [AASITA BALI] _____________________________________________________ Date: __________________________________ iii iv I, Indrani Bharadwaj, confirm that this dissertation and the work presented in it are original. 1. Where I have consulted the published work of others this is always clearly attributed. 2. Where I have quoted from the work of others the source is always given. With the exception of such quotations this dissertation is entirely my own work. 3. I have acknowledged all main sources of help. 4. If my research follows on from previous work or is part of a larger collaborative research project I have made clear exactly what was done by others and what I have contributed myself. 5. I am aware and accept the penalties associated with plagiarism. Date: v vi CHRIST UNIVERSITY ABSTRACT A Study of Neorealism in Assamese Cinema Indrani Bharadwaj The following study deals with the relationship between Assamese Cinema and its connection to Italian Neorealism. Assamese Cinema was founded in 1935 when Jyoti Prasad Agarwala released his first film “Joymoti”. -
Annual-Report-2014-2015-Ministry-Of-Information-And-Broadcasting-Of-India.Pdf
Annual Report 2014-15 ANNUAL PB REPORT An Overview 1 Published by the Publications Division Ministry of Information and Broadcasting, Government of India Printed at Niyogi offset Pvt. Ltd., New Delhi 20 ANNUAL 2 REPORT An Overview 3 Ministry of Information and Broadcasting Annual Report 2014-15 ANNUAL 2 REPORT An Overview 3 45th International Film Festival of India 2014 ANNUAL 4 REPORT An Overview 5 Contents Page No. Highlights of the Year 07 1 An Overview 15 2 Role and Functions of the Ministry 19 3 New Initiatives 23 4 Activities under Information Sector 27 5 Activities under Broadcasting Sector 85 6 Activities under Films Sector 207 7 International Co-operation 255 8 Reservation for Scheduled Castes, Scheduled Tribes and other Backward Classes 259 9 Representation of Physically Disabled Persons in Service 263 10 Use of Hindi as Official Language 267 11 Women Welfare Activities 269 12 Vigilance Related Matters 271 13 Citizens’ Charter & Grievance Redressal Mechanism 273 14 Right to Information Act, 2005 Related Matters 277 15 Accounting & Internal Audit 281 16 CAG Paras (Received From 01.01.2014 To 31.02.2015) 285 17 Implementation of the Judgements/Orders of CATs 287 18 Plan Outlay 289 19 Media Unit-wise Budget 301 20 Organizational Chart of Ministry of I&B 307 21 Results-Framework Document (RFD) for Ministry of Information and Broadcasting 315 2013-2014 ANNUAL 4 REPORT An Overview 5 ANNUAL 6 REPORT Highlights of the Year 7 Highlights of the Year INFORMATION WING advertisements. Consistent efforts are being made to ● In order to facilitate Ministries/Departments in promote and propagate Swachh Bharat Mission through registering their presence on Social media by utilizing Public and Private Broadcasters extensively. -
Print This Article
The world of Assamese celluloid: ‘yesterday and today’ Violet Barman Deka, Delhi University, [email protected] Volume 9. 1 (2021) | ISSN 2158-8724 (online) | DOI 10.5195/cinej.2021.358 | http://cinej.pitt.edu Abstract The study explores the entire journey of the Assamese cinema, which means a journey that will narrate many stories from its past and present, furthermore also will try to analyze its future potential. This paper deals with the trends emerging in genres, technical advancement, and visual representation along with a cult that emphasized the commercial success of cinema by toeing the style of Bollywood and world cinema. It explores the new journey of Assamese cinema, which deals with small budgets, realistic approaches, and portraying stories from the native lanes. It also touches upon the phase of ‘freeze’ that the Assamese cinema industry was undergoing due to global pandemic Covid-19. Keywords: Assamese cinema; Regional cinema; Jyotiprasad Agarwala; Regional filmmaker; Covid-19; OTT platform New articles in this journal are licensed under a Creative Commons Attribution 4.0 United States License. This journal is published by the University Library System of the University of Pittsburgh as part of its D-Scribe Digital Publishing Program and is cosponsored by the University of Pittsburgh Press The world of Assamese celluloid: ‘yesterday and today’ Voilet Barman Deka Introduction Is there any transformation in the craft of Assamese cinema or it is the same as it was in its beginning phase? Being a regional cinema industry, has the Assamese cinema been able to make its space in the creative catalog of Indian and world cinema? Is there anything radical that it has contributed towards the current and the next generation who is accepting and appreciating experimental cinema? This paper aims to explore the elongated journey of the Assamese cinema, a journey that will narrate many stories from its past and present as well analyze its future potential. -
Your Gateway to the Film Industry
MIT SCHOOL OF FILM & TELEVISION at Raj Kapoor Memorial, Pune MITSFT - your Gateway to the Film Industry www.mitsft.in PDF compression, OCR, web optimization using a watermarked evaluation copy of CVISION PDFCompressor VISION MIT School of Film and Television, MIT School of Film and Television, Rajbaug, Pune is committed to providing Rajbaug, Pune envisages a 'niche position' advanced training and thus nurturing for Indian films, film m‘ akers and ‘ knowledge-driven visionary filmmakers ‘ ‘ technicians in the world of cinema, where who will have great potential and creative they will be considered as a benchmark of SION abilities and who will make the finest films quality all across the globe. in world cinema, while exhibiting their talent in all departments of film making. MIS 1) RajbaugCONTENTS – The Garden of The King...........................................................................................................04 16) Art Direction and Production Design...........................................................................................................30 2) Raj Kapoor Memorial...............................................................................................................................07 17) Television Production.................................................................................................................................32 3) Raj Kapoor – The Legend, The Man..........................................................................................................08 18) Admission Procedure................................................................................................................................33 -
EVENT Year Lib. No. Name of the Film Director 35MM DCP BRD DVD/CD Sub-Title Language BETA/DVC Lenght B&W Gujrat Festival 553 ANDHA DIGANTHA (P
UMATIC/DG Duration/ Col./ EVENT Year Lib. No. Name of the Film Director 35MM DCP BRD DVD/CD Sub-Title Language BETA/DVC Lenght B&W Gujrat Festival 553 ANDHA DIGANTHA (P. B.) Man Mohan Mahapatra 06Reels HST Col. Oriya I. P. 1982-83 73 APAROOPA Jahnu Barua 07Reels EST Col. Assamese I. P. 1985-86 201 AGNISNAAN DR. Bhabendra Nath Saikia 09Reels EST Col. Assamese I. P. 1986-87 242 PAPORI Jahnu Barua 07Reels EST Col. Assamese I. P. 1987-88 252 HALODHIA CHORAYE BAODHAN KHAI Jahnu Barua 07Reels EST Col. Assamese I. P. 1988-89 294 KOLAHAL Dr. Bhabendra Nath Saikia 06Reels EST Col. Assamese F.O.I. 1985-86 429 AGANISNAAN Dr. Bhabendranath Saikia 09Reels EST Col. Assamese I. P. 1988-89 440 KOLAHAL Dr. Bhabendranath Saikia 06Reels SST Col. Assamese I. P. 1989-90 450 BANANI Jahnu Barua 06Reels EST Col. Assamese I. P. 1996-97 483 ADAJYA (P. B.) Satwana Bardoloi 05Reels EST Col. Assamese I. P. 1996-97 494 RAAG BIRAG (P. B.) Bidyut Chakravarty 06Reels EST Col. Assamese I. P. 1996-97 500 HASTIR KANYA(P. B.) Prabin Hazarika 03Reels EST Col. Assamese I. P. 1987-88 509 HALODHIA CHORYE BAODHAN KHAI Jahnu Barua 07Reels EST Col. Assamese I. P. 1987-88 522 HALODIA CHORAYE BAODHAN KHAI Jahnu Barua 07Reels FST Col. Assamese I. P. 1990-91 574 BANANI Jahnu Barua 12Reels HST Col. Assamese I. P. 1991-92 660 FIRINGOTI (P. B.) Jahnu Barua 06Reels EST Col. Assamese I. P. 1992-93 692 SAROTHI (P. B.) Dr. Bhabendranath Saikia 05Reels EST Col. -
Signed Mou of Assam State Film (Finance & Development) Corpn Ltd..Pdf
signed-mou-asf_fd_cl MEMORANDUM OF UNDERSTANDING (M o U) BETWEEN ASSAM STATE FILM (F INANCE & DEVELOPMENT ) C ORPORATION LTD . AND CULTURAL AFFAIRS DEPARTMENT Government of Assam For the Financial Year 2006-07 signed-mou-asf_fd_cl PREAMBLE The Assam State Film (Finance and Development) Corporation Ltd. was incorporated on 4 th September, 1974 with an Authorized Share Capital of Rupees Ten Lakh only with 1000 equity Shares @ Rs.1000.00 each. The Corporation was registered under the Companies Act, 1956. The Corporation has staff strength of eleven employees excluding the Managing Director. The Corporation is engaged in financing Loan to the Producers of Asomiya Films, organizing Film Festivals and Film appreciation Courses for encouragement of Assamese Film Lovers and has been trying to focus the rich Cultural heritage to the rest of our Country through this media. MISSION Promotion of Asomiya Film Industry & also widely acclaimed non-Asomiya Films along with preservation of cultural heritage. OBJECTIVES 1. To finance production of Assamese Films by advancing loans, subsidies, grants etc. or by extending financial assistance in any other related matter. 2. To encourage, foster, aid establish and maintain institutions for imparting knowledge and instructions on all matters connected with and allied to Film Industry. 3. To carry on the business of production of Films. 4. To carry on the business of financers, producers, distributors, exhibitors, agents of cinema Films and other allied Industry. 5. To construct, run and manage Cinema Show House, Theatre Halls, auditoriums etc. on modern line. 6. To give awards, subsidies and to hold film festivals etc, for the improvement and encouragement of better quality Films.