VOL. LVIII November-December2015 No. 11&12 HIGHLIGHTS
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Tribute to Kishore Kumar
Articles by Prince Rama Varma Tribute to Kishore Kumar As a child, I used to listen to a lot of Hindi film songs. As a middle aged man, I still do. The difference however, is that when I was a child I had no idea which song was sung by Mukesh, which song by Rafi, by Kishore and so on unlike these days when I can listen to a Kishore song I have never heard before and roughly pinpoint the year when he may have sung it as well as the actor who may have appeared on screen. On 13th October 1987, I heard that Kishore Kumar had passed away. In the evening there was a tribute to him on TV which was when I discovered that 85% of my favourite songs were sung by him. Like thousands of casual music lovers in our country, I used to be under the delusion that Kishore sang mostly funny songs, while Rafi sang romantic numbers, Mukesh,sad songs…and Manna Dey, classical songs. During the past twenty years, I have journeyed a lot, both in music as well as in life. And many of my childhood heroes have diminished in stature over the years. But a few…..a precious few….have grown……. steadily….and continue to grow, each time I am exposed to their brilliance. M.D.Ramanathan, Martina Navratilova, Bruce Lee, Swami Vivekananda, Kunchan Nambiar, to name a few…..and Kishore Kumar. I have had the privilege of studying classical music for more than two and a half decades from some truly phenomenal Gurus and I go around giving lecture demonstrations about how important it is for a singer to know an instrument and vice versa. -
A Study of Shakespeare Contribution in Hindi Cinema
International Journal of Science and Research (IJSR) ISSN (Online): 2319-7064 Index Copernicus Value (2016): 79.57 | Impact Factor (2015): 6.391 A Study of Shakespeare Contribution in Hindi Cinema Asma Qureshi Abstract: In India, Cinema not only a name of entertainment, but also educate to millions of people every day. Friday is celebrated by screening of new films. Indians happily participate in Cinema culture of the Country. Shakespearean tragedies have been a never ending source of inspiration for all filmmakers across the world. Many Hindi films based on Shakespeare novel like Shahid, Omkara, Goliyo ki raasleela Ramleela etc. William Shakespeare in India has been an exceptional and ground-breaking venture. The literary collection of Shakespeare is dynamic and an unlimited source of inspiration for countless people across the globe. When Shakespeare’s writing is adapted in cinema, it sets it ablaze, and transfers the audience to a cinematic paradise. Indian adaptation of both Shakespearean tragedy and comedy can be comprehended as an Combination of ‘videsi’ and ‘desi’, a synthesis of East and West, and an Oriental and Occidental cultural exchange. Shakespeare’s, “bisexual‟ mind, the complexity of his Narrative, music, story-telling, and creative sensibility categorizes him as an ace literary craftsman. This Research is an attempt to understand the contribution of Shakespeare novel in Hindi cinema. So that we can easily understand the main theme of the story. What writer wants to share with us. We can easily understand main theme of novel. 1. Introduction European library worth the whole native literature of India and Arabia‖. It also has a lot to do with profound resonances Indian Hindi language film industry is also known as Hindi between Shakespeare‘s craft and Indian cultural forms that cinema which is situated or we can say mainly operated converge on one concept: masala. -
Institute of Film & Video Technology, Mumbai
INSTITUTE OF FILM & VIDEO TECHNOLOGY, MUMBAI & MEWAR UNIVERSITY, CHITTORGARH (Rajasthan) PROSPECTUS for JOINT PROGRAMMES ABOUT THE IFVT: There has always been a mad rush of people aspiring to join the glamour world of Cinema and Television. However, there is no clear cut path carved out for their entry other than through the Film Institutes established by the Government. There is always a need felt by the Production Houses to have trained film makers and technicians for quality film and Television productions. Considering this huge requirement of trained professionals many private institutes have mushroomed in various places. However these Institutes also lack the trained faculty in various departments of film making. This has prompted few graduates from Film and Television Institutes of India to come together and thus the Institute of Film and Video Technology was established with a sole objective of providing professional education in Cinema and Television Technology. The IFVT endeavors to take Cinema Education to the places where Cinema is not made and Cinema is not taught. IFVT opens a window of opportunities to those who have no access to the world of Cinema. OUR MISSION: To strive to give Cinema Education a Professional status Equivalent to other professional Degrees such as Medical, Engineering, Computers etc by providing a Bachelors degree in Cinema & Television with Master’s degree & PhD in cinema thereafter. FACILITIES AND SERVICES: IFVT draws its highly experienced faculty from internationally renowned Film Institutes and from the film industry. Apart from the permanent faculty, the IFVT has tie ups and arrangements with reputed artistes and technicians from the film world to train & share their experiences with the students. -
Understanding Meaningful Cinema
[ VOLUME 5 I ISSUE 3 I JULY– SEPT 2018] E ISSN 2348 –1269, PRINT ISSN 2349-5138 Understanding Meaningful Cinema Dr. Debarati Dhar Assistant Professor, Vivekananda School of Journalism and Mass Communication Vivekananda Institute of Professional Studies, New Delhi. Received: June 23 , 2018 Accepted: August 03, 2018 Introduction: Cinephilia Cineastes say that films help the audience to reflect on the divergent cultures and justify the presence of multi-cultural, multi-ethnic audience in view of this divergence. The language of cinema continues to evolve in a living tradition and the filmmakers trace the ever-changing language of this medium from the silent era to the talkies, from the days when screen went from black and white and got colorized. Emotional appeal, subtlety in its communication and most importantly throwing a new light on the world, as we know it counted a lot to the audience. Filmmakers now work across the spectrum of media including painting, novels, theatre and opera. In the global cinema, in general, the production has become more accessible today, the qualitative aspects have sadly given way to quantity and so, films often miss emotional and spiritual richness. The world is a closer place today. Perhaps it is cinema that helps to blur the boundaries. The concept of film as a commercial art form started in fifties. The fifties and sixties are generally known as the golden period of Indian cinema not only because masterpieces were being made, but because of the popularity of the songs of that era. One of the distinctive features of Indian cinema is its narrative structure. -
Koel Chatterjee Phd Thesis
Bollywood Shakespeares from Gulzar to Bhardwaj: Adapting, Assimilating and Culturalizing the Bard Koel Chatterjee PhD Thesis 10 October, 2017 I, Koel Chatterjee, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: Date: 10th October, 2017 Acknowledgements This thesis would not have been possible without the patience and guidance of my supervisor Dr Deana Rankin. Without her ability to keep me focused despite my never-ending projects and her continuous support during my many illnesses throughout these last five years, this thesis would still be a work in progress. I would also like to thank Dr. Ewan Fernie who inspired me to work on Shakespeare and Bollywood during my MA at Royal Holloway and Dr. Christie Carson who encouraged me to pursue a PhD after six years of being away from academia, as well as Poonam Trivedi, whose work on Filmi Shakespeares inspired my research. I thank Dr. Varsha Panjwani for mentoring me through the last three years, for the words of encouragement and support every time I doubted myself, and for the stimulating discussions that helped shape this thesis. Last but not the least, I thank my family: my grandfather Dr Somesh Chandra Bhattacharya, who made it possible for me to follow my dreams; my mother Manasi Chatterjee, who taught me to work harder when the going got tough; my sister, Payel Chatterjee, for forcing me to watch countless terrible Bollywood films; and my father, Bidyut Behari Chatterjee, whose impromptu recitations of Shakespeare to underline a thought or an emotion have led me inevitably to becoming a Shakespeare scholar. -
Intellectuals and the Maoists
Intellectuals and the Maoists Uddipan Mukherjee∗ A revolution, insurgency or for that matter, even a rebellion rests on a pedestal of ideology. The ‘ideology’ could be a contested one – either from the so-called leftist or the rightist perspective. As ideology is of paramount importance, so are ‘intellectuals’. This paper delves into the concept of ‘intellectuals’. Thereafter, the role of the intellectuals in India’s Maoist insurgency is brought out. The issue turns out to be extremely topical considering the current discourse of ‘urban Naxals/ Maoists’. A few questions that need to be addressed in the discourse on who the Maoist intellectuals are: * Dr. Uddipan Mukherjee is a Civil Service officer and presently Joint Director at Ordnance Factory Board, Ministry of Defence, Government of India. He earned his PhD from the Tata Institute of Fundamental Research, Department of Atomic Energy. He was part of a national Task Force on Left Wing Extremism set up by the think tank VIF. A television commentator on Maoist insurgency, he has published widely in national and international journals/think-tanks/books on counterinsurgency, physics, history and foreign policy. He is the author of the book ‘Modern World History' for Civil Services. Views expressed in this paper are his own. Uddipan Mukherjee Are the intellectuals always anti-state? Can they bring about a revolution or social change? What did Gramsci, Lenin or Mao opine about intellectuals? Is the ongoing Left- wing Extremism aka Maoist insurgency in India guided by intellectuals? Do academics, -
Padma Vibhushan S. No. Name of the Awardee Discipline State/Domicile
Padma Vibhushan S. State/Domicile Name of the Awardee Discipline No. 1. Shri L. K. Advani Public Affairs Gujarat 2. Shri Amitabh Bachchan Art Maharashtra 3. Shri Prakash Singh Badal Public Affairs Punjab 4. Dr. D. Veerendra Heggade Social Work Karnataka Shri Mohammad Yusuf 5. Art Maharashtra Khan alias Dilip Kumar Shri Jagadguru 6. Ramanandacharya Swami Others Uttar Pradesh Rambhadracharya Prof. Malur Ramaswamy Science and 7. Tamil Nadu Srinivasan Engineering Shri Kottayan K. 8. Venugopal Public Affairs Delhi Shri Karim Al Hussaini Trade and 9. France/UK Aga Khan ( Foreigner) Industry Padma Bhushan Shri Jahnu Barua 1. Art Assam Dr. Vijay Bhatkar Science and 2. Maharashtra Engineering 3. Literature and Shri Swapan Dasgupta Delhi Education 4. Swami Satyamitranand Giri Others Uttar Pradesh 5. Shri N. Gopalaswami Civil Service Tamil Nadu 6. Dr. Subhash C. Kashyap Public Affairs Delhi Dr. (Pandit) Gokulotsavji Madhya 7. Art Maharaj Pradesh 8. Dr. Ambrish Mithal Medicine Delhi 9. Smt. Sudha Ragunathan Art Tamil Nadu 10. Shri Harish Salve Public Affairs Delhi 11. Dr. Ashok Seth Medicine Delhi 12. Literature and Shri Rajat Sharma Delhi Education 13. Shri Satpal Sports Delhi 14. Shri Shivakumara Swami Others Karnataka Science and 15. Dr. Kharag Singh Valdiya Karnataka Engineering Prof. Manjul Bhargava Science and 16. USA (NRI/PIO) Engineering 17. Shri David Frawley Others USA (Vamadeva) (Foreigner) 18. Shri Bill Gates Social Work USA (Foreigner) 19. Ms. Melinda Gates Social Work USA (Foreigner) 20. Shri Saichiro Misumi Others Japan (Foreigner) Padma Shri 1. Dr. Manjula Anagani Medicine Telangana Science and 2. Shri S. Arunan Karnataka Engineering 3. Ms. Kanyakumari Avasarala Art Tamil Nadu Literature and Jammu and 4. -
Un Film De Amos Gitai
Agav Films présente Tsili Un film deAmos Gitai Adapté du roman d’Aharon Appelfeld AGAV FILMS présente “TSILI” un film deAmos GITAI avec Sarah ADLER, Meshi OLINSKI, Adam TSEKHMAN, Andrey KASHKAR, Yelena YARLOVA scénario Amos GITAI, Marie José SANSELME assistant réalisateur Adi HALFIN image Giora BEJACH décors Andrey CHERNEKOV son Tulli CHEN montage image Yuval ORR, Isabelle INGOLD musique Alexei KOCHETKOV, Amit KOTCHANSKY montage son Alex CLAUD producteurs exécutifs Gadi LEVY, Pavel DOUVIDZON producteurs Laurent TRUCHOT, Michael TAPUACH, Yuri KRESTINSKY, Denis FREYD, Amos GITAI producteurs associés Carlo HINTERMANN, Gerardo PANICHI, Luca VENITUCCI, Anton CHERENKOV, Anna SHALASHINA, Sam TSEKHMAN, Leon EDERY, Moshe EDERY coproduction AGAV Films, ARCHIPEL35, TRIKITA Entertainment, HAMON Hafakot, CITRULLO International Avec le support de ISRAEL FILM FUND, RUSSIAN CINEMA FUND distribution EPICENTRE FILMS (écriture blanc pour fond foncé) (écriture noire pour fond clair) (noir et blanc) (couleurs) AGAV FILMS présente Tsili Un film deAmos Gitai Adapté du roman d’Aharon Appelfeld Avec Sarah Adler, Meshi Olinski, Adam Tsekhman, Lea Koenig, Andrey Kashkar, Yelena Yaralova, Alexey Kochetkov 2014 - Israël / France / Italie / Russie - 88 min - Num - Couleur - 1.85 - Son 5.1 - Visa 135 578 Sortie nationale le 12 aout 2015 Matériel presse disponible sur www.epicentrefilms.com Distribution Presse EPICENTRE FILMS Florence Narozny Daniel Chabannes 6, place de la Madeleine 75008 Paris 55 rue de la Mare 75020 Paris Tél : 01 40 13 98 09 Tél. 01 43 49 03 03 [email protected] [email protected] SYNOPSIS Inspiré du roman d’Aharon Appelfeld, le film retrace l’histoire de Tsili, une jeune fille prise dans les affres de la Seconde Guerre Mondiale. -
The Lockdown to Contain the Coronavirus Outbreak Has Disrupted Supply Chains. One Crucial Chain Is Delivery of Information and I
JOURNALISM OF COURAGE SINCE 1932 The lockdown to contain the coronavirus outbreak has disrupted supply chains. One crucial chain is delivery of information and insight — news and analysis that is fair and accurate and reliably reported from across a nation in quarantine. A voice you can trust amid the clanging of alarm bells. Vajiram & Ravi and The Indian Express are proud to deliver the electronic version of this morning’s edition of The Indian Express to your Inbox. You may follow The Indian Express’s news and analysis through the day on indianexpress.com DAILY FROM: AHMEDABAD, CHANDIGARH, DELHI, JAIPUR, KOLKATA, LUCKNOW, MUMBAI, NAGPUR, PUNE, VADODARA JOURNALISM OF COURAGE THURSDAY, AUGUST 20, 2020, NEW DELHI, LATE CITY, 18 PAGES SINCE 1932 `6.00 (`8 PATNA &RAIPUR, `12 SRINAGAR) WWW.INDIANEXPRESS.COM Constitution STATE OF THE PANDEMIC TRACKING INDIA’S COVID CURVE Bench must Hopeinnumbers:Dailycasesstablefor 170 CASES: RECOVERED:20,37,870 DAYSSINCE 27,67,273 DEATHS:52,889 hear Bhushan PANDEMIC case: ex-SC BEGAN TESTS: 3,17,42,782 | DOUBLING RATE: 28.92** judge Joseph twoweeks,testsshowfewerpositives Newcases rangearound 60,000; R-value at all-timelow NEARFLATGROWTHINNEW OVERALLPOSITIVITYRATE CASESINLASTTWOWEEKS TotalPositive/Total Tested Forthe firsttime since May, fallen to 8.72per cent. KEYSTATES TOTAL SURGEIN 7-DAYAVG DOUBLING AMITABHSINHA the overall positivity rate in the Simultaneously—and not TOWATCH CASES 24HOURS GROWTH* TIME** ‘If justiceis 80000 10 PUNE,AUGUST19 countryhas begun to decline. unrelatedly —there is arelative notdone 70000 Whichmeans,for thesame stagnation in the numbers of ■ Maharashtra 6,15,477 11,119 2.01% 35.90 60000 8 heavens will SIX MONTHS afterthe outbreak number of tests,fewer people newpositive cases being de- ■ Tamil Nadu 3,49,654 5,709 1.80% 40.05 certainly fall’ 50000 of the novelcoronavirus epi- arenow beingfound infected tected everyday.This number CENT ■ Andhra 3,06,261 9,652 3.27% 22.04 40000 6 demic —and over 27 lakh cases with the virus. -
33°C—45°C Today D
Community Community Lamjung Art Service conservators Society- use their P7Qatar elects a new P16 multitude of skills to working committee preserve artworks as at its recent 12th close to the artist’s convention. original intent as possible. Wednesday, July 5, 2017 Shawwal 11, 1438 AH DOHA 33°C—45°C TODAY LIFESTYLE/HOROSCOPE 11 PUZZLES 12 & 13 Under a cloud COVER Field tests show how STORY pesticides can wreak havoc on honeybees. P4-5 2 GULF TIMES Wednesday, July 5, 2017 COMMUNITY ROUND & ABOUT PRAYER TIME Fajr 3.19am Shorooq (sunrise) 4.48am Zuhr (noon) 11.38am Asr (afternoon) 3.02pm Maghreb (sunset) 6.30pm Isha (night) 8.00pm USEFUL NUMBERS The Mummy (Annabelle Wallis) try to excavate the fi ndings, the resurrected DIRECTION: Alex Kurtzman Ahmanet emerges from her sarcophagus with a plot to enslave CAST: Sofi a Boutella, Tom Cruise, Annabelle Wallis humanity. Russell Crowe, Jake Johnson, and Courtney B SYNOPSIS: Soldier of fortune Nick Morton (Tom Cruise) Vance co-star in this action-horror hybrid from director Alex Emergency 999 accidentally discovers the tomb of a female pharaoh of ancient Kurtzman, which is an entry in a shared cinematic universe Worldwide Emergency Number 112 Egypt named Ahmanet (Sofi a Boutella) during a fi refi ght based on the iconic Universal monsters. Kahramaa – Electricity and Water 991 in the Middle East. But when he and a British Egyptologist THEATRES: The Mall, Landmark, Royal Plaza Local Directory 180 International Calls Enquires 150 Hamad International Airport 40106666 Labor Department 44508111, 44406537 Mowasalat -
Eine Lange Nacht Über Den Israelischen Filmemacher Amos Gitai
„Ich folge den Ablagerungen der Geschichte in mir“ Eine Lange Nacht über den israelischen Filmemacher Amos Gitai Autoren: Heike Brunkhorst und Roman Herzog Regie: Claudia Mützelfeldt Redaktion: Dr. Monika Künzel SprecherInnen: Renate Fuhrmann Volker Risch Josef Tratnik Nicole Engeln Uli Auer Sendetermine: Deutschlandfunk Kultur Deutschlandfunk __________________________________________________________________________ Urheberrechtlicher Hinweis: Dieses Manuskript ist urheberrechtlich geschützt und darf vom Empfänger ausschließlich zu rein privaten Zwecken genutzt werden. Jede Vervielfältigung, Verbreitung oder sonstige Nutzung, die über den in den §§ 45 bis 63 Urheberrechtsgesetz geregelten Umfang hinausgeht, ist unzulässig. © Deutschlandradio - unkorrigiertes Exemplar - insofern zutreffend. 1. Stunde Atmozuspiel (Filmanfang Berlin-Jerusalem) Klaviermusik, Explosionen, Schüsse, Sirenen, Radiostimmen auf Hebräisch, Helikopterrotor. Zuspiel (Amos Gitai) A: «I consider that I am a witness, you know. Since my position during the Kippur war, I find myself as a witness…» E: «…And I think, that it deserves a strong cinema, not complaisant, not caressing, but engaging with this history.» Sprecher Josef Tratnik Ich denke, seit dem Jom-Kippur-Krieg bin ich ein Zeuge, der aufgrund merkwürdiger Umstände überlebt hat, als mein Helikopter abgeschossen wurde. Ich bin extrem interessiert, fasziniert und verstört von diesem Land. Und ich denke, es braucht ein starkes Kino, kein schmeichelndes oder wohlgefälliges, sondern ein Kino, das sich mit der Geschichte -
1 Vision-2011
1 Mercy Vision-2011 VISION-2011 Academic excellence, development of skills and character formation based on the love of God and service of man as modeled in Jesus Christ. The college also aims at training women for the service of God and humanity. MISSION To become a centre of learning par excellence. To provide value- based education To promote quality education aimed at global competence. To ensure an integrated development of individuals. To empower women through education. From the Principal's Desk It is with great joy that the eighth volume of our annual campus newsletter is being released. The pages of this bulletin bear testimony for the academic and non-academic activities of the 48th year of our college and also reflects the attempts made to impart holistic education for our students based on the vision and mission of our pioneers. Placing my deepest gratitude in front of God Almighty, I present….VISION 2011. Dr. Sr. Annamkutty M.J. (Dr. Sr. Kripa) Principal NEW VENTURES Inauguration of the Blessed Pope John Paul II block KARUNYAM, an outreach programme was coordinated by the NAAC coordinator, Dr.W.S.Kottiswari, with the Social Service League as part of post re-accreditation process. It is a continuous process organized with the intention of creating social awareness and commitment in the minds of the younger generation. Students, faculty members and non-teaching staff are actively involved in this programme contributing generously to buy provisions, blankets, adult diapers and cotton clothes for the inmates of the isolated ward, District Hospital, Palakkad. DEPARTMENT OF ENGLISH Activities of the Department The activities of the English association for the academic year 2011-12 were inaugurated by Dr.Anto Thomas C.