Cast Biographies Rich Rothbell (Harry the Bartender) Rich Has Been on Stage As Mr
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Kennedy Center Education Department. Funding Also Provided by the Kennedy Center Corporate Fund
DOCUMENT RESUME ED 381 839 CS 508 906 AUTHOR Carr, John C. TITLE "Crazy for You." Spotlight on Theater Notes. INSTITUTION John F. Kennedy Center for the Performing Arts, Washington, D.C. SPONS AGENCY Department of Education, Washington, DC. PUB DATE [95] NOTE 17p.; Produced by the Performance Plus Program, Kennedy Center Education Department. Funding also provided by the Kennedy Center Corporate Fund. For other guides in this series, see CS 508 902-905. PUB TYPE Guides General (050) EDRS PRTCE MF01/PC01 Plus Postage. DESCRIPTORS Acting; *Cultural Enrichment; *Drama; Higher Education; Playwriting; Popular Culture; Production Techniques; Secondary Education IDENTIFIERS *Crazy for You; Historical Background; Musicals ABSTRACT This booklet presents a variety of materials concerning the musical play "Crazy for You," a recasting of the 1930 hit. "Girl Crazy." After a brief historical introduction to the musical play. the booklet presents biographical information on composers George and Ira Gershwin, the book writer, the director, the star choreographer, various actors in the production, the designers, and the musical director. The booklet also offers a quiz about plays. and a 7-item list of additional readings. (RS) ....... ; Reproductions supplied by EDRS ore the best that can he made from the original document, U S DEPARTMENT OF EDUCATION Ofi.co ofEaucabonni Research aria improvement EDUCATIONAL RESOURCES INFORMATION CENTER IERIC1 Et This document has been reproduced as received from the person or organization onqinallnq d 0 Minor charms have been made to improve reproduction quality. Points or view or opinions stated in this document do not necessarily represent official OERI position or policy -1411.1tn, *.,3^ ..*. -
The Producers,'' Understands That to Create a Musical -- Good Or Otherwise -- the Appropriate Creative Team Must Be Employed
THEATER/THE TONY AWARDS; A Crash Course in the Worl... http://www.nytimes.com/2001/05/20/arts/theater-the-tony-awar... This copy is for your personal, noncommercial use only. You can order presentation-ready copies for distribution to your colleagues, clients or customers, please click here or use the "Reprints" tool that appears next to any article. Visit www.nytreprints.com for samples and additional information. Order a reprint of this article now. » May 20, 2001 THEATER/THE TONY AWARDS THEATER/THE TONY AWARDS; A Crash Course in the World of Mel By BARRY SINGER EVEN Broadway's most maladroit impresario, Max Bialystock of ''The Producers,'' understands that to create a musical -- good or otherwise -- the appropriate creative team must be employed. For Bialystock, in Mel Brooks's current hit musical, the assured failure of his show, ''Springtime for Hitler,'' is dependent on securing the services of a director named Roger De Bris. ''Is he good?'' inquires Bialystock's ingenuous partner, Leo Bloom, as they head for a rendezvous with De Bris. ''I mean, is he bad?'' ''He stinks,'' Bialystock replies. Shortly thereafter, Bialystock imploringly informs De Bris: ''Roger, I speak for Mr. Bloom and myself when I say that you are the only man in the world who can do justice to 'Springtime for Hitler.' '' For Mr. Brooks, assuring the successful transformation of his 1968 film ''The Producers'' into a Broadway musical required at least one similarly baldfaced overture. ''Two and a half years ago, my husband, Mike Ockrent, and I got a call saying Mel Brooks wanted to meet us,'' Susan Stroman said recently. -
Broadside ISSN: 0068-2748, Published Quarter Archive, 149 West 45& St., NWK%FY 00F Editor: Ellen Truax, University of Nohh I! Ex%
. - .- NEWSLETTER OF THE THEATRE LIBRARY ASSOCIATION 2 -- - Vol. 29, No. 4-Vol. 30, No. 1 TLA's 65'h Anniversary Year SprindSummer 2002 .... TLA Celebrates 34thAnnual Book Awards - It was old home week as TLA presented its MrnAnnual Mr. Gurney recalled meeting Ron ~enkinsafter hiring Book Awards on Friday May 31,2002 at the newly him as a teaching assistant for a course on comedy at refurbish& Bruno Walter Auditorium at The New York M.I.T., and how impressed he was with Mr. Jenkins's Public Library for the Performing Arts. ability to incorporate the flashy, subversive nature of comedy with a disarmingly ingratiating quality, both of The George Freedley Memorial Award, named for the which are reflected in the book. Thanking A.R. Gurney first curator of The Billy Rose Theatre Collection, is and Dario Fo for all he learned from them, Ron Jenkins - awarded to the outstanding book in the area of theatre said his book attempts to put together art, text, and . or live performance. The TLA Award honors the analysis of Dario Fo's work. outstanding book in the area of film or broadcasting. Cabaret star and writer Mary Cleere Haran gave the TLA President Kevin Winkler thanked the Lincoln TLA Award to her longtime friend Gary Giddins for his Center Institute for offering the awards an elegant home book Bing Cmsby: A Pocketfulof Dreams-The Eady in the Kaplan Penthouse for the last three years, while Years 1903-1940 (Little, Brown & Co.). Ms. Haran . noting that there's no place like home. Serving as described first encountering Gary Giddins' work while Program Coordinator and Master of Ceremonies, Kevin researching a public television documentary. -
The Rocky Horror Show
Let’s Do The Time Warp Again! THE ROCKY HORROR SHOW .. / parksquaretheatre.org SEP –NOV sponsored by Executive Director Note Of course we have learned a lot since . The transgender people Saturday of color who kicked off the gay rights revolution years ago at riots in New York’s Stonewall Inn and San Cinema Francisco’s Compton’s Cafeteria are only just now—slowly and painfully— getting recognized as our brothers and sisters who deserve not just rights but our respect. Host Lynn Warfel plays Director Ilana Ransom Toeplitz, has the best scores and Let’s Do the Time Warp Again! rooted today’s show in our collective sounds from the movies love for this campy reminder that we Like Park Square, The Rocky Horror are all in this life together. We are Tune in every Show had its debut in . You can one rainbow family of humanity. Saturday at 10 a.m. still see the famous fi lm version with Tim Curry Saturdays at midnight in Thank you for being naughty with Minneapolis. us tonight and for joining our loving Rocky Horror Show family. My own introduction happened in the early s, dancing to “Sweet As the song says: “Don’t Dream It, Transvestite” at high school drama BE IT!” t UNDER parties. Rocky’s madcap mix of “Barbarella”-style science fi ction (And please help us clean up the aisles and glam rock band concert was an as you exit the theatre!) PRESSURE exhilarating soundtrack to a closeted presented by: gay teenager. This show gives us all Yours, Cuisine. -
Temecula Theater Your Experiences, Your Memories
TEMECULA THEATER YOUR EXPERIENCES, YOUR MEMORIES 2019 - 2020 SEASON #ExperienceTemeculaTheater Reasons we all #LOVETemecula! The City of Temecula celebrates 30 years of incorporation on Sunday, SUBSCRIBE & SAVE December 1, 2019. Temecula’s commitment to providing world-class, affordable, and accessible cultural experiences is evidenced by 2019-2020 Season Package Pricing offers music, dance, and Temecula Theater’s 15th Season offering music, dance, and theater theater lovers the opportunity to experience extraordinary lovers extraordinary experiences at memorable live performances, so evenings at your favorite series performances at a significant close to home. savings. Buy Series Packages and receive the deepest discount or Create Your Own Series by selecting five or more shows to Love builds communities and we are grateful for all the love and get the Pick 5 rates. As a Season Subscriber, you will be set for support from our talented artists, generous volunteers, dedicated the Season without worrying about sold-out performances or staff, and loyal patrons. Temecula’s Theater is dedicated to waiting in line to purchase tickets. encouraging, inspiring, and developing the next generation of performers, producers, presenters, and patrons. BENEFITS The Old Town Temecula Community Theater has entertained • Best Value over 700,000 visitors since opening in 2005. Temecula Presents • Preferred Seating continues the tradition by curating various genres for all ages on • Advance Purchase multiple stages, reflecting the diversity of our growing community by • Prior Notices showcasing legendary heroes and rising stars. • Free Ticket Delivery Temecula’s Theater Foundation, Resident Companies, and community performance partners show love by providing traditional and GROUP SALES contemporary experiences through musical theater, chorus, dance, speakers, and all our @ The Merc Series’. -
A Christmas Carol
CFCArts Senior Staff Thank You to Our Sponsors Executive Leadership Joshua Vickery I Founder & Executive Director Ethan Lolley I Executive Assistant ; Terrance Hunter I Sr. Director of Programs @rieeo-,,�ss Brewer Long 111STOR�E � Cors.J @1 '19 e tJ Po ;of ropical' Artistic Leadership Brandon Fender I Director of Choral Programs Justin Muchoney I Director of Orchestral Programs ,:!!!;-Rf/MAX @ THE John Almeida Co-Director of Big Band .• SELECT COLE I Cll tI 7 = """...........,., Daniel Maldonado I Co-Director of Big Band TEAM Eric Yow Director of Dance I •. :CIA � esuninstcr VITJ\S' VAi F, .., WinterPadc Advent Health -- Healthcare co • Education Leah Porrata I Director of Education, Youth Programs and Academy •� t Kaileigh Anne Tayek Director of Education, Program Development and Research GH IJrltl�J,,..,.try � I ........ ."' •'-....... TRINGAS • "'.. OIITltOOONIJCS --- Rebekah Lugo-Melise I Sr. Manager of Arts Equity and Access BBB Ashley Lewis Music Therapy Program Coordinator I � Erin Wolfe I Education Coordinator OUC'9 OIU.,\Jl,DOI r\ IT11 UCF � Advancement Bia Silva I Sr. Manager of Advancement CFCArts.com/Sponsors Bethany Dickens I Grants Manager Sara Breitfelder I Advancement & Box Office Associate Administration Shauna Smith I Director of Administration Loretta Fredrich I Choral Programs Administrator Thank You to Our Funders Priscilla Greenough I Orchestra Personnel Administrator Melissa Brown I Symphony Orchestra Administrator '-11t' I I I \ 1 WINIFRED CFCArts Board of Directors '4� JOHNSON a,111 CITY OF Cfttlft OF CENTRAL RORIDA I PI CL I VE NDATIO - ORLANDO Carlos Barrios Steve Fessler Gary Moss Baker Barrios Architects, Inc. Community Advocate Simon Malls Dean Bosco, Treasurer Kris Gault-Lewis, Secretary Dr. -
Adding Fizz to Minsky's Musical
http://www.playbill.com/news/article/114832.html February 5, 2008 Drowsy's Martin and Nicholaw Are Adding Fizz to Minsky's Musical By Kenneth Jones The Night They Raided Minsky's, the long-gestating musical comedy with songs by Tony Award-winner Charles Strouse and lyricist Susan Birkenhead, has new additional collaborators — director-choreographer Casey Nicholaw and Tony Award-winning librettist Bob Martin. Nicholaw and Martin know from funny: They collaborated on the dizzy Broadway hit, The Drowsy Chaperone, which snagged Best Score and Best Book Tonys, as well as a nomination for Best Musical. Nicholaw is a three-time Tony nominee for choreographing Spamalot and for directing and choreographing Drowsy. (Like Drowsy, Minsky's is a period piece, set in the Jazz Age.) Charles Strouse The Night They Raided Minsky's, which a decade ago had Mike Ockrent, Susan Stroman and librettist Evan Hunter on board with an eye toward a premiere at the Ahmanson Theatre in Los Angeles, is still looking west to L.A., Playbill.com has learned. Producer Bob Boyett is attached to the property, and it's expected to be part of the Ahmanson's 2008-09 season, although no official announcement has been made. The Drowsy Chaperone and the current Broadway musical Curtains, two tradition-friendly musical comedies, both got their start at the Ahmanson prior to Broadway. Strouse, Birkenhead, Martin and Nicholaw have been working on Minsky's in Manhattan in recent months. The musical's creation hit turbulence when Crazy for You and Me and My Girl director Ockrent — a champion of the show, as well as a co-conceiver — took ill. -
Os Caminhos Da Coreografia No Teatro Musical: As Trajetórias Artísticas De Agnes De Mille, Jerome Robbins, Bob Fosse E Susan Stroman Marianna Chaves
MESTRADO ARTES CÉNICAS INTERPRETAÇÃO E DIREÇÃO ARTÍSTICA Os caminhos da coreografia no teatro musical: as trajetórias artísticas de Agnes de Mille, Jerome Robbins, Bob Fosse e Susan Stroman Marianna Chaves 12/2020 ESMAE ESCOLA SUPERIOR DE MÚSICA E ARTES DO ESPETÁCULO POLITÉCNICO DO PORTO MESTRADO ARTES CÉNICAS M INTERPRETAÇÃO E DIREÇÃO ARTÍSTICA Os caminhos da coreografia no teatro musical: as trajetórias artísticas de Agnes de Mille, Jerome Robbins, Bob Fosse e Susan Stroman Marianna Chaves Dissertação apresentada à Escola Superior de Música e Artes do Espetáculo como requisito parcial para obtenção do grau de Mestre em Artes Cénicas, especialização em Interpretação e Direção Artística. Professora Orientadora Claudia Marisa Silva de Oliveira Professor Coorientador Rubens Rodrigues Lima Junior 12/2020 ii Dedico este trabalho à minha mãe, Liana Chaves, uma grande artista, professora e pesquisadora, que será sempre uma fonte de inspiração constante na minha vida. Durante toda sua vida pude acompanhar o seu fazer artístico e sua luta para desenvolver no Brasil uma educação voltada para a valorização das artes. Ela me ensinou tudo o que sei e sempre me incentivou a estudar, pois só assim eu construiria a melhor trajetória dentro das artes cênicas. Seu esforço para me dar sempre a melhor educação me trouxe até aqui. Juntas sonhamos com a realização deste mestrado e sei que onde estiver estará felicíssima por esta conquista! iii Agradecimentos A Deus, meu Anjo da Guarda e Nossa Senhora de Fátima, meus protetores. À minha mãe, Liana Chaves, que me apoiou desde o princípio e fez de tudo para que eu viesse para Portugal realizar este mestrado. -
10 FRANCSS 10 Francs, 28 Rue De L'equerre, Paris, France 75019 France, Tel: + 33 1 487 44 377 Fax: + 33 1 487 48 265
MIPTV - MIPDOC 2013 PRE-MARKET UNABRIDGED COMPREHENSIVE PRODUCT GUIDE SPONSORED BY: NU IMAGE – MILLENNIUM FILMS SINCE 1998 10 FRANCSS 10 Francs, 28 Rue de l'Equerre, Paris, France 75019 France, Tel: + 33 1 487 44 377 Fax: + 33 1 487 48 265. www.10francs.fr, [email protected] Distributor At MIPTV: Christelle Quillévéré (Sales executive) Market Stand: MEDIA Stand N°H4.35, Tel: + 33 6 628 04 377 Fax: + 33 1 487 48 265 COLORS OF MATH Science, Education (60') Language: English Russian, German, Finnish, Swedish Director: Ekaterina Erementp Producer: EE Films Year of Production: 2011 To most people math appears abstract, mysterious, complicated, inaccessible. But math is nothing but another language to express the world. Math can be sensual. Math can be tasted, it smells, it creates sound and color. One can touch it - and be touched by it... Incredible Casting : Cedric Villani (french - he talks about « Taste »). Anatoly Fomenko (russian - he talks about « Sight »), Aaditya V. Rangan (american - he talks about « Smell »), Gunther Ziegler (german - he talks about « To touch » and « Geométry »), Jean- Michel Bismut (french - he talks about « Sound » … the sound of soul …), Maxime Kontsevich (russian - he talks about « Balance »). WILD ONE Sport & Adventure, Human Stories (52') Language: English Director: Jure Breceljnik Producer: Film IT Country of Origin: 2012 "The quest of a young man, athlete and disabled, to find the love of his mother and resolve the past" In 1977, Philippe Ribière is born in Martinique with the Rubinstein-Taybi Syndrome. Abandoned by his parents, he is left to the hospital, where he is bound to spend the first four years of his life and undergo a series of arm and leg operations. -
For Media Information, Contact
INVISIBLE THEATRE PRESS RELEASE Contact: Cathy Johnson or Susan Claassen 1400 N. First Ave, Tucson, AZ. 85719 Administration – (520) 884-0672 Box Office – (520) 882-9721 [email protected] www.invisibletheatre.com FOR RELEASE ON OR AFTER FEBRUARY 10, 2012 THE INVISIBLE THEATRE Presents With Musical Direction by Ron Abel Made possible in part through the generous support of Sonora Investment Management WHERE: The Berger Performing Arts Center 1200 W. Speedway Blvd. Tucson, AZ 85745 WHEN: Friday, March 2, 2012 at 8:00 pm and Sunday, March 4, 2012 at 3:00 pm TICKETS: Ticket Price: $42 To charge tickets by phone call: (520) 882-9721 To purchase tickets on-line: OvationTix at www.invisibletheatre.com Discounts available for groups of ten or more RUNNING TIME: 80 minutes with no intermission Tucson, Arizona (February 10, 2012); The incomparable Lucie Arnaz sparkles in LATIN ROOTS! “These are the rhythms of my soul”, says Lucie and indeed they are! This is a not-to-be-missed eclectic celebration of her musical heritage blending south of the border sounds, fiery Latin classics and enduring American standards with sophistication and sassy spice! As Michael Feinstein says, “She captures the energy and spirit of her father’s (Desi Arnaz) music and puts her own inimitable stamp on it. She’s an original and a treasure!” 1 Believe it or not, Lucie Arnaz is celebrating over 45 years in show business. She began her long career in a recurring role on television on The Lucy Show, opposite her mother, Lucille Ball. At age fifteen, she became a series regular on Here’s Lucy, a show that ran for six seasons. -
Crazy for You®
theatre.indiana.edu CRAZY FOR YOU® MUSIC AND LYRICS BY GEORGE AND IRA GERSHWIN | BOOK BY KEN LUDWIG MUSICAL DIRECTION BY TERRY LA BOLT | CHOREOGRAPHED BY DJ GRAY CO- DIRECTED BY ANSLEY VALENTINE AND DJ GRAY RUTH N. HALLS THEATRE IU Theatre & Dance wishes to acknowledge and honor the Miami, Delaware, Potawatomi, and Shawnee people, on whose PRESENTS ancestral homelands and resources Indiana University was built. CRAZY FOR YOU® Music and Lyrics by LIVE George Gershwin and Ira Gershwin PERFORMANCE Book by Ken Ludwig The mission of the Co Conception by Ken Ludwig and Mike Ockrent Department of Theatre, Inspired by Material by Guy Bolton and John McGowan Drama, and Contemporary Originally produced on Broadway by Roger Horchow and Elizabeth Williams Dance is to advance the art, Original Broadway Choreography by Susan Stroman scholarship, and appreciation of theatre and dance and its place in society. We pursue this mission collectively MUSICAL DIRECTOR Terry LaBolt and as individuals through theatrical productions, CHOREOGRAPHED BY DJ Gray scholarship and publication, presentation of our work in CO- DIRECTORS Ansley Valentine* and DJ Gray national and international venues, formal instruction, SCENIC DESIGNER Christopher Mueller and individual mentoring. COSTUME DESIGNER Rachel Saylor The Department of Theatre, Drama, and Contemporary LIGHTING DESIGNER Joshua Wroblewski Dance is accredited by the SOUND DESIGNER Macy Kloville National Association of Schools of Theatre and is a STAGE MANAGER Lexi Duddleson member of the University/ Resident Theatre Association The worldwide copyrights in the music of George and Ira Gershwin® for this presentation are licensed and United States Institute for by the Gershwin Family. -
ROAD SHOW January 2
LAWRENCE HELMAN PUBLIC RELATIONS – E MAIL - [email protected] nd 1643 32 Ave. SF, CA 94122 - Tel. 415 /661- 1260 / Cell. 415/ 336- 8220 (DO NOT PUBLISH THIS #) FOR IMMEDIATE RELEASE: Nov. 25, 2013.- For press materials and hi-res color press photos, visit: http://www.therhino.org/press.htm Theatre Rhinoceros presents… The Bay Area Premiere of the Stephen Sondheim Musical ROAD SHOW Music and Lyrics by Stephen Sondheim Book by John Weidman Orchestrations by Jonathan Tunick Starring Bill Fahrner * and Rudy Guerrero* Musical Direction by Dave Dobrusky Directed by John Fisher Bay Area Premiere - Limited Engagement - 15 Performances Only! January 2 – 19, 2014 - MUST CLOSE JANUARY 19 Wed. - Sat. - 8:00 pm / Sun. - 3:00 pm Previews Jan. 2 & 3 (Thurs. & Fri.) – Opens Sat. Jan. 4 - 8:00 pm Eureka Theatre in SF www.TheRhino.org *Member Actor’s Equity Association Trailer: http://tinyurl.com/kweqjmf “Addison and Wilson Mizner were born within a year and a half of each other in the early 1870s in Benicia, CA. During the course of their long, colorful and often chaotic lives, they criss-crossed the country – sometimes separately, sometimes together – trying their hands at a dizzying array of different enterprises and pursuits from prospecting for gold in the Yukon to promoting a utopian real-estate venture during the Florida land boom. Addison died in Palm Beach in 1933, leaving behind a handful of uniquely designed Mizner houses. Wilson died within weeks of him, in Hollywood. ROAD SHOW is the story of their lives – or at any rate our version of it.” - Stephen Sondheim & John Weidman Theatre Rhino does Sondheim.