Jay Binder C.S.A. Jack Bowdan C.S.A., Mark Brandon C.S.A, Jason Styres C.S.A Joanna Levinger

Total Page:16

File Type:pdf, Size:1020Kb

Jay Binder C.S.A. Jack Bowdan C.S.A., Mark Brandon C.S.A, Jason Styres C.S.A Joanna Levinger Jay Binder C.S.A. Jack Bowdan C.S.A., Mark Brandon C.S.A, Jason Styres C.S.A Joanna Levinger BROADWAY DAMES AT SEA Randy Skinner, Dir. Upcoming Infinity Theatre Company/Perry Street Theatricals Prod. IT SHOULDA BEEN YOU David Hyde Pierce, Dir. Daryl Roth & Scott Landis Prod. A GENTLEMAN’S GUIDE TO LOVE AND MURDER Darko Tresnjak, Dir. (2014 Tony Winner for Best Musical) Joey Parnes Productions Prod. NICE WORK IF YOU CAN GET IT Kathleen Marshall, Dir. Scott Landis, Prod. BORN YESTERDAY Doug Hughes, Dir. Philip Morgaman, Anne Caruso, Vicent Caruso and Frankie J. Grande, Prod. LOOPED Rob Ruggiero, Dir. Tony Cacciotti, Chase Mishkin, Bard Theatricals, Prod. THE MIRACLE WORKER Kate Whoriskey, Dir. David Richenthal, Eric Falkenstein, Randall L. Wreghitt IRVING BERLIN’S WHITE CHRISTMAS (2009) Walter Bobbie, Dir. Kevin McCollum, Prod. FINIAN’S RAINBOW Warren Carlyle, Dir. David Richenthal, Jack Viertel, Prod. BRIGHTON BEACH MEMOIRS David Cromer, Dir. Emanuel Azenberg, Prod. STORY OF MY LIFE Richard Maltby, Dir. Chase Mishkin, Prod. VANITIES Judith Ivey, Dir. Junkyard Dog Productions/Bartner Jenkins, Prod. IRVING BERLIN’S WHITE CHRISTMAS (2008) Walter Bobbie, Dir. The Producing Office – Kevin McCollum, Jeffrey Sellers/Paramount Pictures, Prod. THE 39 STEPS Maria Aitken, Dir Bob Boyett, Roundabout Theater Company, Huntington Theater Compnay, and Edward Snape, Prod. GYPSY (starring Patti Lupone) Arthur Laurents, Dir The Frankel/Barush/Viertel/Routh Group IS HE DEAD? Michael Blackmore, Dir Bob Boyett, Prod GREASE Kathleen Marshall, Dir Nederlander Organization INHERIT THE WIND Doug Hughes, Dir Boyett/Ostar Productions JOURNEY’S END David Grindley, Dir Boyett/Ostar Productions BUTLEY Nicholas Martin, Dir. Elizabeth Ireland McCann, Prod. THE TIMES THEY ARE A CHANGIN’ Twyla Tharp, Dir. Nederlander Presentations, Inc. Prod A CHORUS LINE Bob Avian, Dir. Vienna Waits Prod. LLC, John Breglio, Prod. LESTAT Robert Jess Roth, Dir. Greg Maday/ Warner Bros. Theatre Ventures,Prod. WELL Leigh Silverman, Dir. Elizabeth McCann & Scott Rudin, Prod. WHO’S AFRAID OF VIRGINIA WOOLF Anthony Page, Dir Elizabeth Ireland McCann, Prod. SWEET CHARITY Walter Bobbie, Dir. Fran & Barry Weissler, Prod. SIXTEEN WOUNDED Garry Hynes, Dir. Jujamcyn Theatres, Prod. WONDERFUL TOWN Kathleen Marshall, Dir. Fran & Barry Weissler, Prod. URBAN COWBOY Lonny Price, Dir. Chase Mishkin & Leonard Soloway, Prod. MOVIN’ OUT Twlya Tharp, Dir./Choreo. Emaunuel Azenberg, Prod. PRIVATE LIVES (American Casting) Howard Davies, Dir. Emanuel Azenberg, Prod. 45 SECONDS FROM BROADWAY by Neil Simon Jerry Zaks, Dir. Emanuel Azenberg, Prod. URINETOWN John Rando, Dir. Dodger Theatrical/Araca Group, Prod. 42nd STREET Mark Bramble, Dir. Stage Holding/Dodger Theatrical, Prod. STONES IN HIS POCKETS Ian McElhenny, Dir. (American Casting) Emanuel Azenberg, Prod. JUDGMENT AT NUREMBERG John Tillinger, Dir. National Actors Theatre, Prod. THE DINNER PARTY by Neil Simon John Rando, Dir. Emanuel Azenberg, Prod. MACBETH Terry Hands, Dir. SFX/Emanuel Azenberg, Prod. THE SEUSSICAL Frank Galati, Dir. SFX, Producers THE MUSIC MAN Susan Stroman, Dir. Dodger Productions WRONG MOUNTAIN Richard Jones, Dir. Dodger Productions, Prod. THE ICEMAN COMETH (Artios Award 1999) Howard Davies, Dir. Manny Azenberg, Prod. Opens: Spring 1999 YOU’RE A GOOD MAN CHARLIE BROWN Michael Mayer, Dir. (Artios Award 1999) Fox Theatricals, Prod. Opens: February 1999 HIGH SOCIETY Christopher Renshaw, Dir. Dodger Productions, Prod. THE SOUND OF MUSIC Susan Schulman, Dir. Jujamcyn Theatres, Prod. GOLDEN CHILD James Lapine, Dir. Ben Mordecai, Prod. TRIUMPH OF LOVE Michael Mayer, Dir. Margo Lion, Prod. PROPOSALS by Neil Simon Joe Mantello, Dir. Manny Azenberg, Prod. THE LION KING Julie Taymor, Dir. Walt Disney Theatrical Productions KING DAVID Mike Ockrent, Dir. Walt Disney Theatrical Productions THE LAST NIGHT OF BALLYHOO Ron Lagomarsino, Dir. by Alfred Uhry (Artios Award 1997) JUAN DARIEN Julie Taymor, Dir. Lincoln Center Theatres, Prod. ONCE UPON A MATTRESS Gerry Gutierrez, Dir. CHICAGO (Original Broadway Co. 1996) Walter Bobbie, Dir. THE KING AND I (Artios Award 1996) Christopher Renshaw, Dir. GETTING AWAY WITH MURDER by Stephen Sondheim & George Furth Jack O’Brien, Dir. HAMLET (American Casting) Jonathan Kent, Dir. ON THE WATERFRONT Gordon Edelstein, Dir. BROKEN GLASS by Arthur Miller John Tillinger, Dir. BEAUTY AND THE BEAST Walt Disney Theatrical Productions/ Robert W. McTyre, Prod. DAMN YANKEES Jack O’Brien, Dir. LAUGHTER ON THE 23RD FLOOR Jerry Zaks, Dir. THE GOODBYE GIRL Michael Kidd, Dir. JAKE’S WOMEN Gene Saks, Dir. LOST IN YONKERS (Artios Award 1991) Gene Saks, Dir. MEET ME IN ST. LOUIS Louis Burke, Dir. JEROME ROBBINS’ BROADWAY Jerome Robbins, Dir. RUMORS Gene Saks, Dir. LOLITA Frank Dunlop, Dir. LONDON THE LADY FROM DUBUQUE Anthony Page, Dir Liz McCann/Robert Fox, Prod West End NATIONAL ANTHEMS David Grindley, Dir. Old Vic Theatre, Prod. Kevin Spacey, Artistic Director PHILADELPHIA STORY Jerry Zaks, Dir Old Vic Theatre, Prod. Kevin Spacey, Artistic Director LAS VEGAS THE LION KING Julie Taymor, Dir. Walt Disney Theatrical Productions WE WILL ROCK YOU Ben Elton, Dir. Tribeca Theatrical Productions, Queen Theatrical Productions & Phil McIntyre Promotions, Prod. ENCORES! GREAT AMERICAN MUSICALS IN CONCERT – CITY CENTER 1994-2015 SEASONS OFF BROADWAY 39 STEPS Maria Aitken, Dir. Roy Gabay Productions MARVELOUS WONDERETTES Roger Bean, Dir. David Elzer, Peter Schneider, and Marvelous NYC, Prod. OPENING DOORS David Kernan, Dir. Carnegie Hall, Prod. PORTRAITS Marc Pinter, Dir. Union Square Theatre ELEGIES, A Song Cycle Graciela Daniele, Dir. Lincoln Center Theater MY OLD LADY David Esbjornson, Dir. Richard Frankel Productions, Prod. SURVIVING GRACE Jack Hofsiss, Dir. Richard Frankel Productions, Prod. URINETOWN John Rando, Dir. Araca Group, Producers TIME AND AGAIN Susan Schulman, Dir. Manhattan Theatre Club A CLASS ACT Lonny Price, Dir. Manhattan Theatre Club NEIL SIMON’S HOTEL SUITE Roundabout Theatre Co., Prod. John Tillinger, Dir. THINGS YOU SHOULDN’T SAY PAST MIDNIGHT John Rando, Dir. Jeffrey Richards, Ted Snowden, Jean Dominian Ben Sprecher, Leonard Soloway, Steven Levy Prod. TRAINSPOTTING Harry Gibson, Dir. Columbia Artists Management, Inc., Arielle Tepper, Prod. ALL MY SONS Barry Edelstein, Dir. Roundabout Theatre Co. GREENHEART Ken Elliot, Dir. MOLLY SWEENEY Brian Friel, Dir. NEIL SIMON’S LONDON SUITE Dan Sullivan, Dir. MERRILY WE ROLL ALONG Susan Schulman, Dir. HELLO MUDDAH, HELLO FADDAH! The Songs of Allen Sherman Circle in the Square, Downtown HYDE IN HOLLYWOOD Gerald Gutierrez, Dir. OIL CITY SYMPHONY D. Monk/M. Hardwick, Creators Lois Deutchman, Mary Nealon, David Mussleman, Prod. GHOSTS Roundabout Theatre SO LONG ON LONELY STREET Jack Lawrence Theatre NATIONAL TOUR A GENTLEMAN’S GUIDE TO LOVE AND MURDER Darko Tresnjak, Dir Upcoming Joey Parnes Productions SISTER ACT Jerry Saks, Dir. Sister Act On Tour LLC./Stage Entertainment IRVING BERLIN’S WHITE CHRISTMAS Randy Skinner, Dir. Work Light Productions DREAMGIRLS Robert Longbottom, Dir. Vienna Waits, LLC, John Breglio, Prod. A CHORUS LIINE Bob Avian, Dir. Vienna Waits Prod. LLC, John Breglio, Prod. GREASE! Nederlander Organization, Prod. IRVING BERLIN’S WHITE CHRISTMAS Walter Bobbie, Dir. The Producing Office – Kevin McCollum, Jeffrey Sellers/Paramount Pictures, Prod. MOVIN’ OUT Twyla Tharp, Dir. Emanuel Azenberg, Prod. 42nd STREET Mark Bramble, Dir. Dodger Theatrical & Stage Holdings, Prod. URINETOWN John Rando, Dir. Dodger Theatrical & Stage Holdings, Prod. LION KING Julie Taymor, Dir. Los Angeles and National Tours Buena Vista Theatrical Group, Producers THE SOUND OF MUSIC Susan Schulman,Dir. Starring Richard Chamberlain Jujamcyn Theatres, Prod. SUNSET BOULEVARD Susan Schulman, Dir. Starring Petula Clark Pace Theatricals, Prod. THE KING AND I starring Hayley Mills Christopher Renshaw, Dir. DAMN YANKEES starring Jerry Lewis Jack O’Brien, Dir. BEAUTY AND THE BEAST Robert Jess Roth, Dir. Los Angeles, Toronto and 1st National Tour Walt Disney Theatrical Prod. LAUGHTER ON THE 23RD FLOOR Gene Saks, Dir. ANGELS IN AMERICA Michael Mayer, Dir. LOST IN YONKERS Gene Saks, Dir. JEROME ROBBINS BROADWAY Jerome Robbins, Dir. RUMORS Peter Lawrence, Dir. PRE-BROADWAY TURN OF THE CENTURY Tommy Tune, Dir./Chor. Liz McCann, Joey Parnes, and Goodman Theater, Prod. HAPPY DAYS Gary Marshall and Gordon Greenberg, Dir. Bob Boyett, Papermill Playhouse, Goodspeed Opera House, Prod. DANCING IN THE DARK (BANDWAGON) Gary Griffin, Dir. Namco and Old Globe, Prod. MAMBO KINGS Arne Glimcher, Dir. Jordan & Daryl Roth, Prod. ELABORATE LIVES (AIDA) Alliance Theatre Co. Robert Jess Roth, Dir. Walt Disney Theatrical Prod. TIME AND AGAIN Old Globe Theatre Jack O’Brien, Dir. MONEY AND FRIENDS Michael Blakemore, Dir. Center Theatre Group OPERA COMIQUE Nagle Jackson, Dir. Kennedy Center FILM NINE Lucamar Productions/Weinstein Company Rob Marshall, Dir NY Dance Casting HAIRSPRAY New Line Cinema Adam Shankman, Dir. NY Dance Casting DREAMGIRLS Dreamworks/Paramount (Artios Award 2006) William Condon, Dir. Co-casting with Debra Zane CHICAGO Miramax Rob Marshall Dir. Co-casting with Laura Rosenthal & Ali Farrell TELEVISION SO YOU THINK YOU CAN DANCE FOX/19 Entertainment Judge Casting SIX BY SONDHEIM HBO/James Lapine, Dir. Opening Doors ONCE UPON A MATTRESS ABC/Martin Tudor, Mark Platt, Prod. Kathleen Marshall, Dir. MUSIC MAN ABC/The Wonderful World of Disney Jeff Bleckner Dir. SONY PICTURES TELEVISION Mark Saks East Coast Casting Director Senior VP of Talent 2003 Pilot Season “BROADWAY WORKSHOP” Jeff Folmsbee, Prod. EGG,
Recommended publications
  • Winter Edition VOLUME 6 ISSUE 3
    Mise en Scéne Winter Edition VOLUME 6 ISSUE 3 CSUEB Spellers take the stage in Inside this Issue "The 25th Annual Putnam County Spelling Bee" Director, Marc Jacobs, shares his thoughts on this musical comedy Upcoming Shows 2 My first encounter with "The 25th Annual Putnam County Spelling Bee" was with the Post Street Theatre in San Francisco, 10 years ago. This was the first Our Students 3 production after the original Broadway cast, and I had several friends in the show, which was cast locally. One of the cast members was James Monroe Checking In 4 Iglehart (CSUEB Graduate) who had been in previous musicals I had directed in San Jose. James has since gone on to win the Tony Award as the Genie in Disney’s Broadway production of "Aladdin." James was playing 'Comfort Guest Artists 5 Counselor' Mitch Mahoney in "Spelling Bee," and his performance was so perfect that the producers decided to model every subsequent 'Mitch' on James’ performance. Another friend in the show was Aaron Albano, who had Featured Faculty 7 started out as one of the teenagers in my production of The Music Man that I directed in San Jose, and has since gone on to appear on Broadway in The Wiz, Newsies, and currently in Allegiance. The San Francisco company of Information 9 "Spelling Bee" was so successful, that the producers ultimately used those actors to replace the Broadway company once the original actors were ready to leave the show. One of those original actors, Sarah Salzburg ‒ the original “Schwarzy” in ‘Spelling Bee - was the daughter of a good friend of mine.
    [Show full text]
  • The Chronicle
    Thursday September 29, 1983 Volume 80, Number 25 Duke University Durham, North Carolina THE CHRONICLE Newsfile Andropov response harsh: Yuri V. Andropov criticized President Reagan's new proposals for limiting medium-range nuclear weapons in Europe as unaccep­ table. In an unusually strong personal statement, the Soviet leader raised questions about the entire spec­ trum of Soviet-American relations under the Reagan administration. The response was coupled with a war­ ning that the deployment of new American missiles in Western Europe, scheduled for December, would be "a step against peace" See page 2. HOUSe invokes act: The evocation of the War Powers Act in Lebanon and authorization ofthe deploy­ ment of American Marines in Beirut were provided for in legislation approved by the House of Representatives The historic vote marked the first time that a House of Congress has decided to invoke the War Powers Act, which was passed 10 years ago as a congressional move to place constraints upon the war-making powers of a president. The Senate will vote on the resolution Thurs­ day, and is expected to pass it. Reagan plans Visit: T&lks in Peking ended with Secretary of Defense Caspar W Weinberger announc­ ing that President Reagan and Premier Zhao Ziyang would exchange official visits next year. He said there had also been progress toward eventual sales of American arms to China. See page 2. Philippine tour uncertain: The scheduling of a visit to China by President Reagan in April raised new questions about whether he should go ahead with Weinberger winds up trip his visit to the Philippines in November, a senior ad­ Defense secretary Caspar Weinberger, shown here with his Chinese counterpart, Zhang Aiping, wound up a ministration official said.
    [Show full text]
  • Neues Textdokument (2).Txt
    Filmliste Liste de filme DVD Münchhaldenstrasse 10, Postfach 919, 8034 Zürich Tel: 044/ 422 38 33, Fax: 044/ 422 37 93 www.praesens.com, [email protected] Filmnr Original Titel Regie 20001 A TIME TO KILL Joel Schumacher 20002 JUMANJI 20003 LEGENDS OF THE FALL Edward Zwick 20004 MARS ATTACKS! Tim Burton 20005 MAVERICK Richard Donner 20006 OUTBREAK Wolfgang Petersen 20007 BATMAN & ROBIN Joel Schumacher 20008 CONTACT Robert Zemeckis 20009 BODYGUARD Mick Jackson 20010 COP LAND James Mangold 20011 PELICAN BRIEF,THE Alan J.Pakula 20012 KLIENT, DER Joel Schumacher 20013 ADDICTED TO LOVE Griffin Dunne 20014 ARMAGEDDON Michael Bay 20015 SPACE JAM Joe Pytka 20016 CONAIR Simon West 20017 HORSE WHISPERER,THE Robert Redford 20018 LETHAL WEAPON 4 Richard Donner 20019 LION KING 2 20020 ROCKY HORROR PICTURE SHOW Jim Sharman 20021 X‐FILES 20022 GATTACA Andrew Niccol 20023 STARSHIP TROOPERS Paul Verhoeven 20024 YOU'VE GOT MAIL Nora Ephron 20025 NET,THE Irwin Winkler 20026 RED CORNER Jon Avnet 20027 WILD WILD WEST Barry Sonnenfeld 20028 EYES WIDE SHUT Stanley Kubrick 20029 ENEMY OF THE STATE Tony Scott 20030 LIAR,LIAR/Der Dummschwätzer Tom Shadyac 20031 MATRIX Wachowski Brothers 20032 AUF DER FLUCHT Andrew Davis 20033 TRUMAN SHOW, THE Peter Weir 20034 IRON GIANT,THE 20035 OUT OF SIGHT Steven Soderbergh 20036 SOMETHING ABOUT MARY Bobby &Peter Farrelly 20037 TITANIC James Cameron 20038 RUNAWAY BRIDE Garry Marshall 20039 NOTTING HILL Roger Michell 20040 TWISTER Jan DeBont 20041 PATCH ADAMS Tom Shadyac 20042 PLEASANTVILLE Gary Ross 20043 FIGHT CLUB, THE David
    [Show full text]
  • Stage by Stage South Bank: 1988 – 1996
    Stage by Stage South Bank: 1988 – 1996 Stage by Stage The Development of the National Theatre from 1848 Designed by Michael Mayhew Compiled by Lyn Haill & Stephen Wood With thanks to Richard Mangan and The Mander & Mitchenson Theatre Collection, Monica Sollash and The Theatre Museum The majority of the photographs in the exhibition were commissioned by the National Theatre and are part of its archive The exhibition was funded by The Royal National Theatre Foundation Richard Eyre. Photograph by John Haynes. 1988 To mark the company’s 25th birthday in Peter Hall’s last year as Director of the National October, The Queen approves the title ‘Royal’ Theatre. He stages three late Shakespeare for the National Theatre, and attends an plays (The Tempest, The Winter’s Tale, and anniversary gala in the Olivier. Cymbeline) in the Cottesloe then in the Olivier, and leaves to start his own company in the The funds raised are to set up a National West End. Theatre Endowment Fund. Lord Rayne retires as Chairman of the Board and is succeeded ‘This building in solid concrete will be here by the Lady Soames, daughter of Winston for ever and ever, whatever successive Churchill. governments can do to muck it up. The place exists as a necessary part of the cultural scene Prince Charles, in a TV documentary on of this country.’ Peter Hall architecture, describes the National as ‘a way of building a nuclear power station in the September: Richard Eyre takes over as Director middle of London without anyone objecting’. of the National. 1989 Alan Bennett’s Single Spies, consisting of two A series of co-productions with regional short plays, contains the first representation on companies begins with Tony Harrison’s version the British stage of a living monarch, in a scene of Molière’s The Misanthrope, presented with in which Sir Anthony Blunt has a discussion Bristol Old Vic and directed by its artistic with ‘HMQ’.
    [Show full text]
  • Simon Russell Beale Photo: Charlie Carter
    Paddock Suite, The Courtyard, 55 Charterhouse Street, London, EC1M 6HA p: + 44 (0) 20 73360351 e: [email protected] Simon Russell Beale Photo: Charlie Carter Location: London Other: Equity Height: 5'7" (170cm) Eye Colour: Grey Playing Age: 51 - 55 years Hair Colour: Greying Appearance: White Hair Length: Short Stage 2018, Stage, The Lehman Trilogy, The National Theatre, Sam Mendes 2016, Stage, Prospero, The Tempest, Royal Shakespeare Company, Gregory Doran 2015, Stage, Mr Foote, Mr Foote's Other Leg, Hampstead Theatre/Haymarket (transfer), Richard Eyre 2015, Stage, The Dean, Temple, Donmar Warehouse, Howard Davies 2014, Stage, King Lear, King Lear, National Theatre, Sam Mendes 2013, Stage, Acting Captain Terri Dennis, Privates on Parade, Noel Coward Theatre, Michael Grandage 2013, Stage, Roote, The Hothouse, Trafalgar Studios, Jamie Lloyd 2012, Stage, Timon of Athens (Critics' Circle Award 2013), Timon of Athens, National Theatre, Nicholas Hytner 2011, Stage, Jimmy, Bluebird, Atlantic Theatre Company, New York, Gaye Taylor Upchurch 2011, Stage, Stalin, Collaborators, National Theatre, Nicholas Hytner 2010, Stage, Sydney, Deathtrap, Noel Coward Theatre, Matthew Warchus 2010, Stage, Sir Harcourt Courtly, London Assurance, National Theatre, Nicholas Hytner 2009, Stage, Lopahkin, The Cherry Orchard, Brooklyn Academy/World Tour/Old Vic, Sam Mendes 2009, Stage, Leontes, The Winter's Tale, Brooklyn Academy/World Tour/Old Vic, Sam Mendes 2008, Stage, Edward, A Slight Ache, National Theatre, Iqbal Khan 2008, Stage, Landscape, National Theatre,
    [Show full text]
  • “Kiss Today Goodbye, and Point Me Toward Tomorrow”
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Missouri: MOspace “KISS TODAY GOODBYE, AND POINT ME TOWARD TOMORROW”: REVIVING THE TIME-BOUND MUSICAL, 1968-1975 A Dissertation Presented to The Faculty of the Graduate School At the University of Missouri In Partial Fulfillment Of the Requirements for the Degree Doctor of Philosophy By BRYAN M. VANDEVENDER Dr. Cheryl Black, Dissertation Supervisor July 2014 © Copyright by Bryan M. Vandevender 2014 All Rights Reserved The undersigned, appointed by the dean of the Graduate School, have examined the dissertation entitled “KISS TODAY GOODBYE, AND POINT ME TOWARD TOMORROW”: REVIVING THE TIME-BOUND MUSICAL, 1968-1975 Presented by Bryan M. Vandevender A candidate for the degree of Doctor of Philosophy And hereby certify that, in their opinion, it is worthy of acceptance. Dr. Cheryl Black Dr. David Crespy Dr. Suzanne Burgoyne Dr. Judith Sebesta ACKNOWLEDGEMENTS I incurred several debts while working to complete my doctoral program and this dissertation. I would like to extend my heartfelt gratitude to several individuals who helped me along the way. In addition to serving as my dissertation advisor, Dr. Cheryl Black has been a selfless mentor to me for five years. I am deeply grateful to have been her student and collaborator. Dr. Judith Sebesta nurtured my interest in musical theatre scholarship in the early days of my doctoral program and continued to encourage my work from far away Texas. Her graduate course in American Musical Theatre History sparked the idea for this project, and our many conversations over the past six years helped it to take shape.
    [Show full text]
  • Programming; Providing an Environment for the Growth and Education of Theatre Professionals, Audiences, and the Community at Large
    JULY 2017 WELCOME MIKE HAUSBERG Welcome to The Old Globe and this production of King Richard II. Our goal is to serve all of San Diego and beyond through the art of theatre. Below are the mission and values that drive our work. We thank you for being a crucial part of what we do. MISSION STATEMENT The mission of The Old Globe is to preserve, strengthen, and advance American theatre by: creating theatrical experiences of the highest professional standards; producing and presenting works of exceptional merit, designed to reach current and future audiences; ensuring diversity and balance in programming; providing an environment for the growth and education of theatre professionals, audiences, and the community at large. STATEMENT OF VALUES The Old Globe believes that theatre matters. Our commitment is to make it matter to more people. The values that shape this commitment are: TRANSFORMATION Theatre cultivates imagination and empathy, enriching our humanity and connecting us to each other by bringing us entertaining experiences, new ideas, and a wide range of stories told from many perspectives. INCLUSION The communities of San Diego, in their diversity and their commonality, are welcome and reflected at the Globe. Access for all to our stages and programs expands when we engage audiences in many ways and in many places. EXCELLENCE Our dedication to creating exceptional work demands a high standard of achievement in everything we do, on and off the stage. STABILITY Our priority every day is to steward a vital, nurturing, and financially secure institution that will thrive for generations. IMPACT Our prominence nationally and locally brings with it a responsibility to listen, collaborate, and act with integrity in order to serve.
    [Show full text]
  • BRIEF CHRONICLE Artistic Director the Official Newsmagazine of Writers’ Theatre Kathryn M
    ISSUE twEnty-nInE MAY 2010 1 A STREETCAR NAMED DESIRE: On Stage Table of ConTenTs Dear Friends .................................................................................................... 3 “DroppeD overboarD… on Stage: A Streetcar Named Desire ...................................................................... 5 The Man. The Play. The Legend. ........................................................ 6 Director's Sidebar .................................................................................... 10 into an ocean Acting Cromer ............................................................................................. 12 Setting the Scene ..................................................................................... 13 Why Here? Why Now? ............................................................................ 14 Announcing the 2010/11 Season ................................................. 16 baCksTage: as blue as Event Wrap Up – Behind-the-Scenes Brunch ........................... 20 Event Wrap Up – Literary Luncheon ............................................ 22 Sponsor Salute ........................................................................................... 24 Tales of a True Fourth Grade Nothing .......................................... 26 Performance Calendar .......................................................................... 29 my first lover’s eyes!” - blanChe, A Streetcar named desire 2 A STREETCAR NAMED DESIRE: On Stage A STREETCAR NAMED DESIRE: On Stage 1 Michael halberstam tHe
    [Show full text]
  • Kevin New CV 8-27-16 Reorganized
    CV of Kevin Rigdon 1 Kevin Rigdon 2618 Texas Avenue ¡ Houston, Texas 77003 713.962.4658 ¡ [email protected] Current Positions 1997 - Present Associate Director/Design, Alley Theatre, Houston Responsibilities include: participation in planning and oversight of a 10 play season in two theatres with an annual operating budget of $15M; long range strategic planning; principal resident designer and day-to-day supervision of $46M renovation of the performance facility. 1997 – Present University of Houston School of Theatre & Dance, Houston John and Rebecca Moores Professor of Theatre; Head of MFA Design & Technology Responsibilities include curriculum development of MFA Design & Technology program; recruitment of MFA D&T students; mentorship of MFA D&T students Previous Positions 1974 – 1997 Resident Designer, Steppenwolf Theatre Company, Chicago 1991 - 1996 Adjunct Professor — The Theatre School, DePaul University, Chicago Adjunct Professor — Roosevelt University, Chicago 1994 – 1995 Associate Director, Wisdom Bridge Theatre, Chicago 1989 Guest Artist — Illinois State University, Normal 1981 - 1983 Adjunct Professor — Columbia College, Chicago AWARDS AND HONORS THE ANTOINETTE PERRY AWARD (The Tony Award) 1990 Nomination - Outstanding Lighting Design - The Grapes of Wrath Nomination - Outstanding Scenic Design - The Grapes of Wrath THE AMERICAN THEATRE WING DESIGN AWARD 1995 Nomination - Outstanding Scenic Design - Distant Fires 1990 Award - Outstanding Scenic Design - The Grapes of Wrath Nomination - Outstanding Lighting Design - The Grapes
    [Show full text]
  • Christopher Plummer
    Christopher Plummer "An actor should be a mystery," Christopher Plummer Introduction ........................................................................................ 3 Biography ................................................................................................................................. 4 Christopher Plummer and Elaine Taylor ............................................................................. 18 Christopher Plummer quotes ............................................................................................... 20 Filmography ........................................................................................................................... 32 Theatre .................................................................................................................................... 72 Christopher Plummer playing Shakespeare ....................................................................... 84 Awards and Honors ............................................................................................................... 95 Christopher Plummer Introduction Christopher Plummer, CC (born December 13, 1929) is a Canadian theatre, film and television actor and writer of his memoir In "Spite of Myself" (2008) In a career that spans over five decades and includes substantial roles in film, television, and theatre, Plummer is perhaps best known for the role of Captain Georg von Trapp in The Sound of Music. His most recent film roles include the Disney–Pixar 2009 film Up as Charles Muntz,
    [Show full text]
  • Guest Artists
    Guest Artists George Hamilton, Broadway and Film Actor, Broadway Actresses Charlotte D’Amboise & Jasmine Guy speaks at a Chicago Day on Broadway speak at a Chicago Day on Broadway Fashion Designer, Tommy Hilfiger, speaks at a Career Day on Broadway SAMPLE BROADWAY GUEST ARTISTS CHRISTOPHER JACKSON - HAMILTON Christopher Jackson- Hamilton – original Off Broadway and Broadway Company, Tony Award nomination; In the Heights - original Co. B'way: Orig. Co. and Simba in Disney's The Lion King. Regional: Comfortable Shoes, Beggar's Holiday. TV credits: "White Collar," "Nurse Jackie," "Gossip Girl," "Fringe," "Oz." Co-music director for the hit PBS Show "The Electric Company" ('08-'09.) Has written songs for will.i.am, Sean Kingston, LL Cool J, Mario and many others. Currently writing and composing for "Sesame Street." Solo album - In The Name of LOVE. SHELBY FINNIE – THE PROM Broadway debut! “Jesus Christ Superstar Live in Concert” (NBC), Radio City Christmas Spectacular (Rockette), The Prom (Alliance Theatre), Sarasota Ballet. Endless thanks to Casey, Casey, John, Meg, Mary-Mitchell, Bethany, LDC and Mom! NICKY VENDITTI – WICKED Dance Captain, Swing, Chistery U/S. After years of practice as a child melting like the Wicked Witch, Nicky is thrilled to be making his Broadway debut in Wicked. Off-Broadway: Trip of Love (Asst. Choreographer). Tours: Wicked, A Chorus Line (Paul), Contact, Swing! Love to my beautiful family and friends. BRITTANY NICHOLAS – MEAN GIRLS Brittany Nicholas is thrilled to be part of Mean Girls. Broadway: Billy Elliot (Swing). International: Billy Elliot Toronto (Swing/ Dance Captain). Tours: Billy Elliot First National (Original Cast), Matilda (Swing/Children’s Dance Captain).
    [Show full text]
  • Contact: Kirstin M. Franko/Julia Suszynski [email protected]; 202-600-4055
    Contact: Kirstin M. Franko/Julia Suszynski [email protected]; 202-600-4055 ARENA STAGE AT THE MEAD CENTER FOR AMERICAN THEATER ANNOUNCES THE 2010/11 INAUGURAL SEASON FOR NEW THREE-THEATER CAMPUS With more than 45 projects in homecoming season, Arena Stage returns to campus as a national center for the production, presentation, development and study of American theater (Washington, D.C.) Arena Stage Artistic Director Molly Smith announces the D.C.-based pioneering theater company’s 60th season filled with award-winning artists and projects to celebrate the grand opening of Arena Stage at the Mead Center for American Theater. The 2010/11 inaugural season includes eight full productions, seven presentations from the National Endowment for the Arts New Play Development Program and public readings from all 30 of Edward Albee’s works, totaling at least 45 projects produced and presented by Arena Stage in the inaugural year at the Mead Center. With the opening next fall, Arena Stage will fully become a national center for production, presentation, development and study of American theater. “The moment we have been waiting for has arrived—we are heading home,” shares Artistic Director Molly Smith. “After 11 years of planning and two and a half years of construction, the beautiful new Mead Center for American Theater will be ready to welcome audiences and artists this fall.” The new campus includes the renovation of the two existing performance spaces, the Fichandler Stage and the Kreeger Theater, and the creation of the 200-seat Arlene and Robert Kogod Cradle—a venue dedicated to cradling risk surrounding new or radically re-envisioned productions of American theater.
    [Show full text]