The Producers,'' Understands That to Create a Musical -- Good Or Otherwise -- the Appropriate Creative Team Must Be Employed
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BROADSIDE (212) 870-1614 Barbara Naomi Cohen Stratyner, 265 Riverside Drive, 7C
NEWSLETTER OF THE THEATRE LIBRARY ASSOCIATION - - -- Volume 14, Number 4/Volume 15, Number 1 SprindSummer 1987 SPECIAL DOUBLE ISSUE THEATRE LIBRARY ASSOCIATION PRESENTS ANNUAL BOOK AWARDS The Theatre Library Association pre- sented its annual awards at a reception at Lincoln Center on May 22, 1987. The George Freedley Award, representing ex- cellence in writing about the theatre, was given to Mary C. Henderson for her book, Theatre in America: Two Hundred Years of Plays, Players, and Productions (Harry N. Abrams). The presentation was made by producer Alexander H. Cohen, who praised Dr. Henderson for her dedication to the theatre community. Dr. Henderson, who is Curator of the Mulholland Library of Con- Production Design at the American Mu- a former Curator of the Theatre'Collection juring and the Allied Arts in Los Angeles. seum of the Moving Image in New York. of the Museum of the City of New York, is In his book one meets Harry Kahne, the The presentation was made by Broadway also the author of The City & The Theatre: Multiple Mental Marvel, who could write set designer Robin Wagner, whose credits New York Playhouses from Bowling Green five words simultaneously with pieces of include A Chorus Line and Dream Girls. to Times Square (James T. White, 1973), chalk held in each hand, each foot, and The Freedley Award is named for which has become indispensible to re- in his mouth. One also encounters Max George Freedley, the first Curator of the searchers of New York theatre. Malini, who could sit at a dinner table for Theatre Collection of The New York Public The Theatre Library Association Award many hours, never leave, then lift his hat Library and first President of the Theatre for excellence in writing about film, televi- to reveal a large block of unmelted ice. -
THE PRODUCERS Matt Byrne Media
www.theatreguide.com.au Supporting live theatre in Adelaide PO Box 10278 [email protected] ADELAIDE BC SA 5000 ABN : 93 297 960 525 THE PRODUCERS Matt Byrne Media Arts Theatre Until 4 August 2007 (Shedley Theatre 9-11 August) Review by John Wells I could smell hubris in the air. An Adelaide company doing “The Producers” – the Mel Brooks show that took Broadway by the scruff of its neck and was showered with Tonys? Could an Adelaide amateur company do this show? Attempting a production of this impeccable and brilliantly-credentialed show is remarkably ambitious. With two films and the wildly successful stage musical already seared into the public consciousness, it is impossible to create an original rendering. Add to this the limited budget of amateur theatre and the risks of presenting a spectacular dud are high. But this is no dud. “The Producers” is by no means perfect, but it is an enjoyable, tight and funny show. With disciplined performances, and comical and precise characterisations, Director Glenn Vallen must take the credit for the success of this production. “The Producers” is the story of the failed, bombastic Broadway producer Max Bialystock and his mousy accountant Leo Bloom. They plan to raise millions of dollars to produce a sure-fire flop, and then run off with the investors’ cash when the show closes. When they find “Springtime for Hitler”, a musical honouring the Fuhrer by a local Nazi, they think they’ve found their perfect turkey. “The Producers” depends primarily on Bialystock and Bloom. If they are ineffective, the show cannot succeed. -
Jim Sandefur 1
JIM SANDEFUR Scenic Designer: Local 829 Membership Current Scenic Design, Creative Concepts, Event & Tradeshow Design, Visual Merchandising, Design Drafting, Sketching, Model Building, Graphics, etc. 1141 Arbor Creek drive #3B St Louis, MO 63122 cell: 310.709.5718 e-mail: [email protected] Website: www.jimsandefurdesign.com FILM & TELEVISION The Grid - News Network, January 2014 Indie Cable Broadcast News Program: Production Designer: Yoojung Han, Los Angeles CA. Created Design Drawings for Newsroom Set pricing and construction. Little Rascals, NBC/Universal Studios, September/October 2012 Musical Instrument, Prop Design/Construction. & Design Drawings/Waldo's Tree-house. Production Designer: Rusty Smith, Art Direction: Rosario Provenza, Props Lead: Cynthia Nibler Hip Hop Squares: Art Director (MTV2) February/March 2012 New Remote Productions Inc. Production Designer, John Gilles. Zombies and Cheerleaders (Disney Pilot) January, 2012 Design/Draw Period Pieces Production Designer: Rusty Smith Danni Lowinski (CW Pilot) October, 2010 & January 2011 Art Dept. Asst., Draftsman/Model Builder CBS Productions (CW) Production Designer: Rusty Smith BEASTLY (Reshoots, CBS Back-lot) December, 2010 Art Dept. Asst., Draftsman/Researcher CBS Film Productions Production Designer: Rusty Smith CORPORATE ENTERTAINMENT EMPLOYMENT CLUB MED - Turquoise Holiday Village Providenciales, Turks and Caicos Islands, British West Indies Entertainment Manager: Corentin Rioche HR Manager: Hany Ghobrial (649) 946-5500 ext. 35313 - Chef De Village/General Manager: Michael Clarke Resort Set Designer Responsibilities: Daily Set-up, Teardown, and maintenance of all nightly Main-stage Productions, Special Event and Holiday Duration of Employment Presentations, nightly Restaurant Entrance Décor and Bar Parties, Hire Date: June 3, 2013 as well as the design, construction, fabrication and painting of Departure Date: Nov 21, 2013 new productions while in residence. -
A Memory of Two Mondays (1955)
Boris Aronson: An Inventory of His Scenic Design Papers at the Harry Ransom Humanities Research Center Descriptive Summary Creator: Aronson, Boris, 1900-1980 Title: Boris Aronson Scenic Design Papers Dates: 1939-1977 Extent: 5 boxes, 4 oversize boxes, 47 oversize folders (4.1 linear feet) Abstract: Russian-born painter, sculptor, and most notably set designer Boris Aronson came to America in 1922. The Scenic Design Papers hold original sketches, prints, photographs, and technical drawings showcasing Aronson's set design work on thirty-one plays written and produced between 1939-1977. RLIN Record #: TXRC00-A6 Language: English. Access: Open for research Administrative Information Acquisition: Gift and purchase, 1996 (G10669, R13821) Processed by: Helen Baer and Toni Alfau, 1999 Repository: Harry Ransom Humanities Research Center, University of Texas at Austin Aronson, Boris, 1900-1980 Biographical Sketch Boris Aronson was born in Kiev in 1900, the son of a Jewish rabbi. He came of age in pre-revolutionary Russia in the city that was at the center of Jewish avant-garde theater. After attending art school in Kiev, Aronson served an apprenticeship with the Constructivist designer Alexandre Exter. Under Exter's tutelage and under the influence of the Russian theater directors Alexander Tairov and Vsevolod Meyerhold, whom Aronson admired, he rejected the fashionable realism of Stanislavski in favor of stylized reality and Constructivism. After his apprenticeship he moved to Moscow and then to Germany, where he published two books in 1922, and on their strength was able to obtain a visa to America. In New York he found work in the Yiddish experimental theater designing sets and costumes for, among other venues, the Unser Theatre and the Yiddish Art Theatre. -
CIVIL RIGHTS INSIDER Federal Bar Association Civil Rights Law Section’S Newsletter
CIVIL RIGHTS INSIDER Federal Bar Association Civil Rights Law Section’s Newsletter Winter 2019 OFFICERS From the Desk of the Chairperson CHAIR Chair – Elect Stephen Haedicke TBD Hello, and happy new year case denying a right to receive New Orleans, LA from the Civil Rights Section. exculpatory information from [email protected] Secretary Robin Wagner We have a lot going on this year, the government prior to a guilty Treasurer Ann Arbor, MI starting with our premier event, plea; the Sixth Circuit case of Eric Foley [email protected] New Orleans, LA the Civil Rights Etouffee here EEOC and Aimee Stephens v. [email protected] Immediate Past Chair in New Orleans on February 15, R.G. and G.R. Funeral Homes, Wylie Stecklow 2019. This full day CLE will be Inc., which involved a sex Membership New York, NY Rob Sinsheimer [email protected] held at the New Orleans Jazz discrimination claim brought by Boston, MA & Heritage Center next to the a transgender employee; and an [email protected] Education Caryl Andrea Oberman French Quarter, and will feature Eleventh Circuit case involving Bonnie Kift Willow Grove, PA panels on topics such as First accommodations for people with Ligonier, PA [email protected] Amendment and privacy in the a hearing impairment under the [email protected] Federal Prohibition digital age, ending money bail, Americans with Disability Act. A Amicus Briefing Against Marijuana school safety, immigration, and schedule for the upcoming calls is Kevin Golembiewski Bonnie Kift Tampa, FL Ligonier, PA more. That weekend is also included below. I hope you will [email protected] [email protected] the official start of the Mardi join us on these calls, and please Gras parade season, with some let me know if you are interested Discrimination in Defense of Gov’t Entities Employment, Housing Theresa Powell great local parades happening in presenting on a case from your And/Or Public Springfield, IL Saturday night— a wonderful circuit. -
Something Rotten!
newyork Something Rotten! – Musik / Texte: Karey Kirkpatrick / Wayne Kirkpatrick; Buch: Karey Kirkpatrick / John O'Farrell; Regie / Choreografie: Casey Nicholaw; Bühne: Scott Pask; Kostüme: Gregg Barnes; Licht: Jeff Croiter; Ton: Peter Hylenski; Arrangements: Glen Kelly; Orchestrierung: Larry Hochman; Musikalische Leitung: Phil Reno. Darsteller: u.a. Brian d'Arcy James (Nick Bottom), Christian Borle (The Bard), John Cariani (Nigel Bottom), Heidi Blickenstaff (Bea), Brad Oscar (Nostradamus), Kate Reinders (Por- tia), Brooks Ashmanskas (Brother Jeremiah), Peter Bartlett (Lord Clapham / Judge), Gerry Vichi (Shylock), Michael James Scott (Minstrel). Broadway-Premiere: 22.04.2015, St. James Theatre, New York. rottenbroadway.com Something Rotten! Die Erfindung des Musicals als irrsinnig witzige Parodie von Didier C. Deutsch Dieses Musical wurde schon vor der Premi- Drehbuchautor John O'Farrell, und gemein- vorhersagt, dass der absolute Tophit der ere voller Spannung erwartet, ließ die völli- sam haben die drei tatsächlich das seltene Zukunft das Musical ist. ge Respektlosigkeit seiner Zeitungsanzei- Kunststück vollbracht, ein frei erfundenes gen und Fernsehspots doch keinerlei Zwei- Theaterstück zu erschaffen, das auf keiner Zuerst zweifelt Nick daran, dass die Zu- fel daran, dass sich der neue Broadway-Zu- anderen Quelle beruht und sich köstlich schauer eine Aufführung goutieren könn- gang kein bisschen ernst nimmt. Jetzt hat über alles und jeden amüsiert. ten, in der die Darsteller unvermittelt zwi- ‘Something Rotten!’ (Ta-ta-ta-taaa, Fanfa- schen ihren Dialogen in Gesang ausbre- renstoß bitte) endlich seine Theatertüren Die Handlung spielt im Jahr 1595 in Süd- chen, aber Nostradamus versichert ihm: geöffnet und wird jedem Versprechen ge- London. Die zweitklassigen Dramatiker die werden es lieben! Der erste Schritt zum recht, denn es ist irrsinnig witzig und zum Nick und Nigel Bottom – Nick ist der ehr- Erfolg muss nun sein, das richtige Thema Brüllen komisch. -
MEDIA ADVISORY Contact: Kirstin M. Franko/Julia Suszynski [email protected]; 202-600-4056 October 4, 2010 TICKETS for THE
MEDIA ADVISORY Contact: Kirstin M. Franko/Julia Suszynski [email protected]; 202-600-4056 October 4, 2010 TICKETS FOR THE HOMECOMING GRAND OPENING CELEBRATION AT ARENA STAGE AT THE MEAD CENTER FOR AMERICAN THEATER ARE RELEASED ONLINE FRIDAY, OCTOBER 8, 2010 *** Tickets are free and required for events in select performance spaces *** (Washington, D.C.) Arena Stage at the Mead Center for American Theater in Southwest D.C. officially opens to the public Saturday, October 23 with the Homecoming Grand Opening Celebration. This day of free events starts with a ribbon cutting ceremony at 11:30 and goes until 6:00 p.m., with festivities throughout the building featuring Broadway and Tony Award-winning stars, conversations with prominent Arena Stage artists, presentations by local arts groups and more. General admission tickets are free but required for events in the Fichandler Stage, Kreeger Theater, Arlene and Robert Kogod Cradle, and for backstage tours. Tickets will be available exclusively online beginning October 8, 2010 at www.arenastage.org. Limited tickets will be available for day-of release outside the Mead Center at the Arena Stage visitor’s center beginning at 10:00 a.m. Homecoming Grand Opening Celebration October 23, 2010 11:30 AM – 6:00 PM Schedule of Events : Backstage tours will leave every 15 minutes from the Stage Door. Tickets for these tours will be required. Outdoor Stage (no tickets necessary) 11:30 a.m. Ribbon Cutting Ceremony 12:30 p.m. Universes, spoken word/slam poetry ensemble 1:30 p.m. Show Choir Spectacular featuring Chantilly High School and Churchill High School 2:30 p.m. -
Hitler's Doubles
Hitler’s Doubles By Peter Fotis Kapnistos Fully-Illustrated Hitler’s Doubles Hitler’s Doubles: Fully-Illustrated By Peter Fotis Kapnistos [email protected] FOT K KAPNISTOS, ICARIAN SEA, GR, 83300 Copyright © April, 2015 – Cold War II Revision (Trump–Putin Summit) © August, 2018 Athens, Greece ISBN: 1496071468 ISBN-13: 978-1496071460 ii Hitler’s Doubles Hitler’s Doubles By Peter Fotis Kapnistos © 2015 - 2018 This is dedicated to the remote exploration initiatives of the Stargate Project from the 1970s up until now, and to my family and friends who endured hard times to help make this book available. All images and items are copyright by their respective copyright owners and are displayed only for historical, analytical, scholarship, or review purposes. Any use by this report is done so in good faith and with respect to the “Fair Use” doctrine of U.S. Copyright law. The research, opinions, and views expressed herein are the personal viewpoints of the original writers. Portions and brief quotes of this book may be reproduced in connection with reviews and for personal, educational and public non-commercial use, but you must attribute the work to the source. You are not allowed to put self-printed copies of this document up for sale. Copyright © 2015 - 2018 ALL RIGHTS RESERVED iii Hitler’s Doubles The Cold War II Revision : Trump–Putin Summit [2018] is a reworked and updated account of the original 2015 “Hitler’s Doubles” with an improved Index. Ascertaining that Hitler made use of political decoys, the chronological order of this book shows how a Shadow Government of crisis actors and fake outcomes operated through the years following Hitler’s death –– until our time, together with pop culture memes such as “Wunderwaffe” climate change weapons, Brexit Britain, and Trump’s America. -
Kennedy Center Education Department. Funding Also Provided by the Kennedy Center Corporate Fund
DOCUMENT RESUME ED 381 839 CS 508 906 AUTHOR Carr, John C. TITLE "Crazy for You." Spotlight on Theater Notes. INSTITUTION John F. Kennedy Center for the Performing Arts, Washington, D.C. SPONS AGENCY Department of Education, Washington, DC. PUB DATE [95] NOTE 17p.; Produced by the Performance Plus Program, Kennedy Center Education Department. Funding also provided by the Kennedy Center Corporate Fund. For other guides in this series, see CS 508 902-905. PUB TYPE Guides General (050) EDRS PRTCE MF01/PC01 Plus Postage. DESCRIPTORS Acting; *Cultural Enrichment; *Drama; Higher Education; Playwriting; Popular Culture; Production Techniques; Secondary Education IDENTIFIERS *Crazy for You; Historical Background; Musicals ABSTRACT This booklet presents a variety of materials concerning the musical play "Crazy for You," a recasting of the 1930 hit. "Girl Crazy." After a brief historical introduction to the musical play. the booklet presents biographical information on composers George and Ira Gershwin, the book writer, the director, the star choreographer, various actors in the production, the designers, and the musical director. The booklet also offers a quiz about plays. and a 7-item list of additional readings. (RS) ....... ; Reproductions supplied by EDRS ore the best that can he made from the original document, U S DEPARTMENT OF EDUCATION Ofi.co ofEaucabonni Research aria improvement EDUCATIONAL RESOURCES INFORMATION CENTER IERIC1 Et This document has been reproduced as received from the person or organization onqinallnq d 0 Minor charms have been made to improve reproduction quality. Points or view or opinions stated in this document do not necessarily represent official OERI position or policy -1411.1tn, *.,3^ ..*. -
1998 Acquisitions
1998 Acquisitions PAINTINGS PRINTS Carl Rice Embrey, Shells, 1972. Acrylic on panel, 47 7/8 x 71 7/8 in. Albert Belleroche, Rêverie, 1903. Lithograph, image 13 3/4 x Museum purchase with funds from Charline and Red McCombs, 17 1/4 in. Museum purchase, 1998.5. 1998.3. Henry Caro-Delvaille, Maternité, ca.1905. Lithograph, Ernest Lawson, Harbor in Winter, ca. 1908. Oil on canvas, image 22 x 17 1/4 in. Museum purchase, 1998.6. 24 1/4 x 29 1/2 in. Bequest of Gloria and Dan Oppenheimer, Honoré Daumier, Ne vous y frottez pas (Don’t Meddle With It), 1834. 1998.10. Lithograph, image 13 1/4 x 17 3/4 in. Museum purchase in memory Bill Reily, Variations on a Xuande Bowl, 1959. Oil on canvas, of Alexander J. Oppenheimer, 1998.23. 70 1/2 x 54 in. Gift of Maryanne MacGuarin Leeper in memory of Marsden Hartley, Apples in a Basket, 1923. Lithograph, image Blanche and John Palmer Leeper, 1998.21. 13 1/2 x 18 1/2 in. Museum purchase in memory of Alexander J. Kent Rush, Untitled, 1978. Collage with acrylic, charcoal, and Oppenheimer, 1998.24. graphite on panel, 67 x 48 in. Gift of Jane and Arthur Stieren, Maximilian Kurzweil, Der Polster (The Pillow), ca.1903. 1998.9. Woodcut, image 11 1/4 x 10 1/4 in. Gift of Mr. and Mrs. Frederic J. SCULPTURE Oppenheimer in memory of Alexander J. Oppenheimer, 1998.4. Pierre-Jean David d’Angers, Philopoemen, 1837. Gilded bronze, Louis LeGrand, The End, ca.1887. Two etching and aquatints, 19 in. -
February 23, 2016 (XXXII:5) Mel Brooks, the PRODUCERS (1967, 88 Min)
February 23, 2016 (XXXII:5) Mel Brooks, THE PRODUCERS (1967, 88 min) Directed by Mel Brooks Written by Mel Brooks Produced by Sidney Glazier Music John Morris Cinematography Joseph F. Coffey Film Editing Ralph Rosenblum Zero Mostel…Max Bialystock Gene Wilder…Leo Bloom Dick Shawn…L.S.D. - Lorenzo St. DuBois Kenneth Mars…Franz Liebkind Lee Meredith…Ulla Christopher Hewett…Roger De Bris Andréas Voutsinas…Carmen Ghia Estelle Winwood…'Hold Me Touch Me' Renée Taylor…Eva Braun David Patch…Goebbels William Hickey…The Drunk Martin…Göring Musical, Original Music Score and Book (musical); and 3 Shimen Ruskin…The Landlord Grammys- Best Spoken Comedy Album for "The 2000 Year Old Frank Campanella…The Bartender Man In The Year 2000" (1998, with Carl Reiner) and two for Josip Elic…Violinist The Producers (2001): Best Musical Show Album (as Madelyn Cates…Concierge (as Madlyn Cates) composer/lyricist) and Best Long Form Music Video (as artist). John Zoller…Drama Critic Brooks has many funny trademarks in his films, for instance his Brutus Peck…Hot Dog Vendor films often contain references to the film's sequel, which never Mel Brooks…Singer in 'Springtime for Hitler' (voice) come to pass. Good examples of this are History of the World: (uncredited) Part I (1981), Spaceballs (1987) and Robin Hood: Men in Tights Bill Macy…Jury Foreman (uncredited) (1993). Additionally, Brooks always features one scene in his movies in which the main character is seated and staring blankly, MEL BROOKS (b. Melvin James Kaminsky on June 28, 1926 wondering what went wrong, while friends console him. In fun in Brooklyn, New York) served in WWII, and afterwards got a trivia, The Producers (1967) was the inspiration for the title of job playing the drums at nightclubs in the Catskills. -
Cast Biographies Rich Rothbell (Harry the Bartender) Rich Has Been on Stage As Mr
Many thanks to TD Wealth, our Silver Sponsor The Actorsingers performing at the Edmund Keefe Auditorium, Nashua NH Presents CRAZY FOR YOU THE NEW GERSHWIN MUSICAL Music and Lyrics by George Gershwin and Ira Gershwin Book by Ken Ludwig Co-conception by Ken Ludwig and Mike Ockrent Inspired by Material by Guy Bolton and John McGowan Originally produced on Broadway by Roger Horchow and Elizabeth Williams. The worldwide copyrights in the music of George and Ira Gershwin for this presentation are licensed by the Gershwin family. GERSHWIN is a registered trademark and service mark of Gershwin Enterprises. CRAZY FOR YOU is a registered trademark and service mark of CRAZY FOR YOU Directed by: Martha Daniels Holland Musical Direction by: Judy Hayward Choreography by: Martha Daniels Holland CRAZY FOR YOU is produced by arrangement with TAMS-WITMARK MUSIC LIBRARY, INC, 560 Lexington Ave, New York, NY 10022. Friday, May 15, 2015, 8pm Saturday, May 16, 8pm Sunday, May 17, 2pm The videotaping or other video or audio recording of this production is strictly prohibited. ---- Many thanks to our sponsor, TD Wealth ---- Become a season advertiser in our programs! Your half- or full-page ad will appear in the Fall and Spring show programs. PLUS you will receive two free tickets to each show. Contact us at [email protected] (more) FRIENDS -- $25+ P. Magrath Ruth & Todd Pack Walter Shannon* Ellen McCormick* Steven & Gloria St. Pierre Mr. & Mrs. Gerald Simmons, Jr. Ken & Kathy Morman Tom & Deb Ritrovato Dennis Statuto Robert L. Napolitano The Sandlers Dan & Karen Velasco James & Christine Paul & Maggie Schellenberg Deb Walz O’Reilly *The Actorsingers Scholarship Fund (Awarded to Actorsingers High School Seniors continuing their education) We thank the following for Donations to The Scholarship Fund in Memory of Life Member, Janet Christie: Catherine Z.