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BROADSIDE (212) 870-1614 Barbara Naomi Cohen Stratyner, 265 Riverside Drive, 7C
NEWSLETTER OF THE THEATRE LIBRARY ASSOCIATION - - -- Volume 14, Number 4/Volume 15, Number 1 SprindSummer 1987 SPECIAL DOUBLE ISSUE THEATRE LIBRARY ASSOCIATION PRESENTS ANNUAL BOOK AWARDS The Theatre Library Association pre- sented its annual awards at a reception at Lincoln Center on May 22, 1987. The George Freedley Award, representing ex- cellence in writing about the theatre, was given to Mary C. Henderson for her book, Theatre in America: Two Hundred Years of Plays, Players, and Productions (Harry N. Abrams). The presentation was made by producer Alexander H. Cohen, who praised Dr. Henderson for her dedication to the theatre community. Dr. Henderson, who is Curator of the Mulholland Library of Con- Production Design at the American Mu- a former Curator of the Theatre'Collection juring and the Allied Arts in Los Angeles. seum of the Moving Image in New York. of the Museum of the City of New York, is In his book one meets Harry Kahne, the The presentation was made by Broadway also the author of The City & The Theatre: Multiple Mental Marvel, who could write set designer Robin Wagner, whose credits New York Playhouses from Bowling Green five words simultaneously with pieces of include A Chorus Line and Dream Girls. to Times Square (James T. White, 1973), chalk held in each hand, each foot, and The Freedley Award is named for which has become indispensible to re- in his mouth. One also encounters Max George Freedley, the first Curator of the searchers of New York theatre. Malini, who could sit at a dinner table for Theatre Collection of The New York Public The Theatre Library Association Award many hours, never leave, then lift his hat Library and first President of the Theatre for excellence in writing about film, televi- to reveal a large block of unmelted ice. -
CIVIL RIGHTS INSIDER Federal Bar Association Civil Rights Law Section’S Newsletter
CIVIL RIGHTS INSIDER Federal Bar Association Civil Rights Law Section’s Newsletter Winter 2019 OFFICERS From the Desk of the Chairperson CHAIR Chair – Elect Stephen Haedicke TBD Hello, and happy new year case denying a right to receive New Orleans, LA from the Civil Rights Section. exculpatory information from [email protected] Secretary Robin Wagner We have a lot going on this year, the government prior to a guilty Treasurer Ann Arbor, MI starting with our premier event, plea; the Sixth Circuit case of Eric Foley [email protected] New Orleans, LA the Civil Rights Etouffee here EEOC and Aimee Stephens v. [email protected] Immediate Past Chair in New Orleans on February 15, R.G. and G.R. Funeral Homes, Wylie Stecklow 2019. This full day CLE will be Inc., which involved a sex Membership New York, NY Rob Sinsheimer [email protected] held at the New Orleans Jazz discrimination claim brought by Boston, MA & Heritage Center next to the a transgender employee; and an [email protected] Education Caryl Andrea Oberman French Quarter, and will feature Eleventh Circuit case involving Bonnie Kift Willow Grove, PA panels on topics such as First accommodations for people with Ligonier, PA [email protected] Amendment and privacy in the a hearing impairment under the [email protected] Federal Prohibition digital age, ending money bail, Americans with Disability Act. A Amicus Briefing Against Marijuana school safety, immigration, and schedule for the upcoming calls is Kevin Golembiewski Bonnie Kift Tampa, FL Ligonier, PA more. That weekend is also included below. I hope you will [email protected] [email protected] the official start of the Mardi join us on these calls, and please Gras parade season, with some let me know if you are interested Discrimination in Defense of Gov’t Entities Employment, Housing Theresa Powell great local parades happening in presenting on a case from your And/Or Public Springfield, IL Saturday night— a wonderful circuit. -
Edition 9 | 2018-2019
TABLE OF THE BUSHNELL CENTER CONTENTS for the PERFORMING ARTS TRUSTEE OFFICERS Message from the President & CEO ..................... 5 Jay S. Benet Chair Come From Away Robert E. Patricelli Co-Sponsored by Immediate Past Chair People’s United Bank and Travelers .................. 11 Thomas O. Barnes Vice Chair The Sound of Music Jeffrey N. Brown Sponsored by Vice Chair Voya Financial ................................................... 21 Jeffrey S. Hoffman Vice Chair Annual Fund Donor Honor Roll ......................... 32 David G. Nord Vice Chair An Extra Special Thank You ............................... 37 David M. Roth Vice Chair The Bushnell Services ....................................... 43 Henry M. Zachs Vice Chair Arnold C. Greenberg Treasurer Mark N. Mandell Assistant Treasurer Eric D. Daniels Secretary EXECUTIVE STAFF David R. Fay President and CEO Ronna L. Reynolds Executive Vice President Elizabeth Casasnovas Vice President, Development, and Chief Development Officer Patti Jackson Vice President, Finance, and Chief Financial Officer Yolande Spears Senior Vice President, Education and Community Initiatives Ric Waldman Vice President, Programming and Marketing The Bushnell is a 501(c)(3) not-for-profit organization that is proud to serve Connecticut and its citizens. | 3 MESSAGE FROM THE PRESIDENT & CEO A Look Ahead Spring has season next June. And as enticing as season finally arrived, and as that is, we were also able to tease the news it’s a particularly that Hamilton will return to The Bushnell in exciting time of year our 2020/2021 season. at The Bushnell. Our 2018/2019 season is If you’re a season-ticket holder, you should in full swing; we’ve got already have your renewal packet. If you’re two Broadway shows this month – current interested in becoming one, just contact our hit Come from Away, still going strong on box office and we’ll begin selling new series Broadway, and a classic audience favorite, packages this summer. -
1998 Acquisitions
1998 Acquisitions PAINTINGS PRINTS Carl Rice Embrey, Shells, 1972. Acrylic on panel, 47 7/8 x 71 7/8 in. Albert Belleroche, Rêverie, 1903. Lithograph, image 13 3/4 x Museum purchase with funds from Charline and Red McCombs, 17 1/4 in. Museum purchase, 1998.5. 1998.3. Henry Caro-Delvaille, Maternité, ca.1905. Lithograph, Ernest Lawson, Harbor in Winter, ca. 1908. Oil on canvas, image 22 x 17 1/4 in. Museum purchase, 1998.6. 24 1/4 x 29 1/2 in. Bequest of Gloria and Dan Oppenheimer, Honoré Daumier, Ne vous y frottez pas (Don’t Meddle With It), 1834. 1998.10. Lithograph, image 13 1/4 x 17 3/4 in. Museum purchase in memory Bill Reily, Variations on a Xuande Bowl, 1959. Oil on canvas, of Alexander J. Oppenheimer, 1998.23. 70 1/2 x 54 in. Gift of Maryanne MacGuarin Leeper in memory of Marsden Hartley, Apples in a Basket, 1923. Lithograph, image Blanche and John Palmer Leeper, 1998.21. 13 1/2 x 18 1/2 in. Museum purchase in memory of Alexander J. Kent Rush, Untitled, 1978. Collage with acrylic, charcoal, and Oppenheimer, 1998.24. graphite on panel, 67 x 48 in. Gift of Jane and Arthur Stieren, Maximilian Kurzweil, Der Polster (The Pillow), ca.1903. 1998.9. Woodcut, image 11 1/4 x 10 1/4 in. Gift of Mr. and Mrs. Frederic J. SCULPTURE Oppenheimer in memory of Alexander J. Oppenheimer, 1998.4. Pierre-Jean David d’Angers, Philopoemen, 1837. Gilded bronze, Louis LeGrand, The End, ca.1887. Two etching and aquatints, 19 in. -
Catalogue of Photographs of Performers at the Embassy Theatre
Catalogue of Photographs of Performers and Shows in the Archives of the Embassy Theatre Foundation The archives of the Embassy Theatre Foundation hold more than 3000 artifacts, including more than 600 photographs of vaudevillians inscribed to Bud Berger (long-time stage man- ager at the Embassy Theatre, known as the Emboyd until 1952); more than 300 posters, playbills, programs, stools, and even guitars signed by the stars and casts of shows that have played at the Embassy Theatre over the past forty years, rang- ing from classic and current Broadway shows to acrobatic groups, choral ensembles, dance shows, ballet, stand-up comedians, rock bands, country singers, travel films, silent films, theatre organists, and so on; and hundreds of publicity photographs of performers, shows, and events at the theatre, primarily from the period following the establishment of the Embassy Theatre Foundation and its rescue of the theatre from the wrecking ball in 1975; and a nearly complete run of the journal of the American Theatre Organ Society. The archive is now almost fully catalogued and preserved in archival housing. Earlier excerpts from the catalogue (available on the Archives page of the Embassy Theatre’s web site) cover the photographs inscribed to Bud Berger and the posters, playbills, programs, stools, and so on from later shows at the Embassy. This is the third excerpt, covering the public- ity photographs of the last forty-five years and a few photographs of earlier events, Bud Berger, and other members of the stage crew. The publicity photographs are primarily of individ- ual performers, but a few shows are presented as well, including Ain’t Misbehavin’, Annie, Barnum, Bubbling Brown Sugar, Cabaret, California Suite, Cats, A Christ- mas Carol, Dancin’, Evita, Gypsy, I'm Getting My Act Together And Taking It On The Road, Joseph and the Amazing Technicolor Dreamcoat, Peter Pan, Same Time Next Year, Side by Side by Sondheim, and Ziegfeld: A Night at the Follies. -
The Sound of Music at the Paramount Seattle
SEPTEMBER 2017 September 6 – 11, 2017 My wealth. My priorities. My partner. You’ve spent your life accumulating wealth. And, no doubt, that wealth now takes many forms, sits in many places, and is managed by many advisors. Unfortunately, that kind of fragmentation creates gaps that can hold your wealth back from its full potential. The Private Bank can help. The Private Bank uses a proprietary approach called the LIFE Wealth Cycle SM to ind those gaps—and help you achieve what is important to you. To learn more, please visit unionbank.com/theprivatebank or contact: Lisa Roberts Managing Director, Private Wealth Management [email protected] 4157057159 Wills, trusts, foundations, and wealth planning strategies have legal, tax, accounting, and other implications. Clients should consult a legal or tax advisor. ©2017 MUFG Union Bank, N.A. All rights reserved. Member FDIC. Union Bank is a registered trademark and brand name of MUFG Union Bank, N.A. EAP full-page template.indd 1 7/17/17 3:08 PM September 2017 Volume 22, No. 1 Paul Heppner Publisher Susan Peterson Design & Production Director Ana Alvira, Robin Kessler, Shaun Swick, Stevie VanBronkhorst Production Artists and Graphic Design Mike Hathaway Sales Director Brieanna Bright, Joey Chapman, Ann Manning Seattle Area Account Executives Amelia Heppner, Marilyn Kallins, Terri Reed STG at a Glance San Francisco/Bay Area Account Executives Carol Yip Sales Coordinator One of STG’s core values is to serve as stewards of Seattle’s historic Sara Keats Paramount, Moore, and Neptune Theatres, and part of our commitment to Online Editor keeping these spaces healthy and vibrant is to welcome a new generation of visitors and patrons to experience their magic firsthand. -
Introduction
THE NEW YORK PUBLIC LIBRARY FOR THE PERFORMING ARTS THE OLIVE WONG PROJECT PERFORMANCE COSTUME DESIGN RESEARCH GUIDE INTRODUCTION COSTUME DESIGN AND PERFORMANCE WRITTEN AND EDITED BY AILEEN ABERCROMBIE The New York Public Library for the Perform- newspapers, sketches, lithographs, poster art ing Arts, located in Lincoln Center Plaza, is and photo- graphs. In this introduction, I will nestled between four of the most infuential share with you some of Olive’s selections from performing arts buildings in New York City: the NYPL collection. Avery Fisher Hall, Te Metropolitan Opera, the Vivian Beaumont Teater (home to the Lincoln There are typically two ways to discuss cos- Center Teater), and David H. Koch Teater. tume design: “manner of dress” and “the history Te library matches its illustrious location with of costume design”. “Manner of dress” contextu- one of the largest collections of material per- alizes the way people dress in their time period taining to the performing arts in the world. due to environment, gender, position, economic constraints and attitude. Tis is essentially the The library catalogs the history of the perform- anthropological approach to costume design. ing arts through collections acquired by notable Others study “the history of costume design”, photographers, directors, designers, perform- examining the way costume designers interpret ers, composers, and patrons. Here in NYC the the manner of dress in their time period: where so many artists live and work we have the history of the profession and the profession- an opportunity, through the library, to hear als. Tis discussion also talks about costume sound recording of early flms, to see shows designers’ backstory, their process, their that closed on Broadway years ago, and get to relationships and their work. -
The Producers,'' Understands That to Create a Musical -- Good Or Otherwise -- the Appropriate Creative Team Must Be Employed
THEATER/THE TONY AWARDS; A Crash Course in the Worl... http://www.nytimes.com/2001/05/20/arts/theater-the-tony-awar... This copy is for your personal, noncommercial use only. You can order presentation-ready copies for distribution to your colleagues, clients or customers, please click here or use the "Reprints" tool that appears next to any article. Visit www.nytreprints.com for samples and additional information. Order a reprint of this article now. » May 20, 2001 THEATER/THE TONY AWARDS THEATER/THE TONY AWARDS; A Crash Course in the World of Mel By BARRY SINGER EVEN Broadway's most maladroit impresario, Max Bialystock of ''The Producers,'' understands that to create a musical -- good or otherwise -- the appropriate creative team must be employed. For Bialystock, in Mel Brooks's current hit musical, the assured failure of his show, ''Springtime for Hitler,'' is dependent on securing the services of a director named Roger De Bris. ''Is he good?'' inquires Bialystock's ingenuous partner, Leo Bloom, as they head for a rendezvous with De Bris. ''I mean, is he bad?'' ''He stinks,'' Bialystock replies. Shortly thereafter, Bialystock imploringly informs De Bris: ''Roger, I speak for Mr. Bloom and myself when I say that you are the only man in the world who can do justice to 'Springtime for Hitler.' '' For Mr. Brooks, assuring the successful transformation of his 1968 film ''The Producers'' into a Broadway musical required at least one similarly baldfaced overture. ''Two and a half years ago, my husband, Mike Ockrent, and I got a call saying Mel Brooks wanted to meet us,'' Susan Stroman said recently. -
USITT :: Sightlines :: January 2015
USITT :: Sightlines :: January 2015 February 2015 Print this page › Lead story › NEWS & NOTICES: Teresa Eyring to be Honored in Cincinnati To Honor TCG Exec Theatre Communications Group’s Executive Director will receive the 2015 Young Designer 2015 Distinguished Achievement Award in Management for her Winners leadership... more » Fort Lauderdale in 2018 Young Designers & Technicians Named for 2015 Stellar Year for Douglas W. Ten young artists will be celebrated for their achievements and their Schmidt potential as the YD&T Awards celebrate their 20th anniversary... Wins Golden Pen Award more » Announcements In Memoriam W. Joseph Fort Lauderdale in March – Get Ready for 2018! Stell The Sunshine State will host the 2018 USITT Conference & Stage Expo from March 14 to 17, and there will be plenty of excuses to Last Word: Elections enjoy the rays... more » NEWS FROM: Around the Institute Douglas W. Schmidt: Honored with Book and Award The Cincinnati native will return to be honored with the release of The Contributing Members Designs of Douglas W. Schmidt, and the USITT Distinguished Spotlight on Giving Achievement Award in Scene Design... more » Sustaining Members Stage Designers in Early Twentieth Century America USITT's President Named Golden Pen USITT's Executive Director Christin Essin and her recent volume, subtitled Artists, Activities, Culture Critics, will receive the 2015 USITT Golden Pen award and Regional Sections help share her work with a larger community... more » COMMISSIONS: Safety & Health In Memoriam: W. Joseph Stell Programming A co-founder of the Southeast Regional Section, planner of the Costume Student Initiative Nashville Conference, and professor at the University of Georgia died in December.. -
Fidm College Catalog July 1, 2021 - June 30, 2022 Mba | B.A
FIDM FIDM COLLEGE CATALOG JULY 1, 2021 - JUNE 30, 2022 MBA | B.A. | B.S. | A.A. FIDM. YOUR STORY BEGINS HERE. At FIDM, we prepare you to launch your career by providing a supportive, creative, and professional environment from which to learn practical skills, build a network of industry contacts, and gain real-world experience. You’ll have the opportunity to generate innovative design and business solutions for top brands, collaborate with companies, build your portfolio, and put what you’re learning in the classroom to work. < Advanced Study Fashion Design student Mohamed Salaheldin does a final fitting for the DEBUT Runway Show. Our graduates own thriving fashion, graphics, and interior design companies. They’re in charge of merchandising and buying for major department stores. Some work as cosmetics executives, design sportswear, textiles, or haute couture, while others create costumes for Emmy®-and Oscar®-nominated films. Everything we do, from curriculum to career services, is geared toward ensuring that our students graduate with the skills and work experience necessary for success in their chosen field. A Visual Communications student < prepares a store window at the Beverly Hills Saks Fifth Avenue. 7 TABLE OF CONTENTS 8 President’s Message 183 Government Aid Programs 12 FIDM’s Mission 184 Private & Institutional Scholarships 14 Accreditation 184 General Guidelines for Financial Aid 15 Advisory Board 186 Satisfactory Academic Progress (SAP) 16 Programs of Study Requirements 19 Associate of Arts Programs 189 Student Loan Information -
GULDEN-DISSERTATION-2021.Pdf (2.359Mb)
A Stage Full of Trees and Sky: Analyzing Representations of Nature on the New York Stage, 1905 – 2012 by Leslie S. Gulden, M.F.A. A Dissertation In Fine Arts Major in Theatre, Minor in English Submitted to the Graduate Faculty of Texas Tech University in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY Approved Dr. Dorothy Chansky Chair of Committee Dr. Sarah Johnson Andrea Bilkey Dr. Jorgelina Orfila Dr. Michael Borshuk Mark Sheridan Dean of the Graduate School May, 2021 Copyright 2021, Leslie S. Gulden Texas Tech University, Leslie S. Gulden, May 2021 ACKNOWLEDGMENTS I owe a debt of gratitude to my Dissertation Committee Chair and mentor, Dr. Dorothy Chansky, whose encouragement, guidance, and support has been invaluable. I would also like to thank all my Dissertation Committee Members: Dr. Sarah Johnson, Andrea Bilkey, Dr. Jorgelina Orfila, and Dr. Michael Borshuk. This dissertation would not have been possible without the cheerleading and assistance of my colleague at York College of PA, Kim Fahle Peck, who served as an early draft reader and advisor. I wish to acknowledge the love and support of my partner, Wesley Hannon, who encouraged me at every step in the process. I would like to dedicate this dissertation in loving memory of my mother, Evelyn Novinger Gulden, whose last Christmas gift to me of a massive dictionary has been a constant reminder that she helped me start this journey and was my angel at every step along the way. Texas Tech University, Leslie S. Gulden, May 2021 TABLE OF CONTENTS ACKNOWLEDGMENTS………………………………………………………………ii ABSTRACT …………………………………………………………..………………...iv LIST OF FIGURES……………………………………………………………………..v I. -
Barreca Resume 2011
CHRISTOPHER H. BARRECA SCENIC DESIGNER HEAD OF SCENIC DESIGN - CALARTS The * symbol indicates a world or American premiere The ** symbol indicates musical DATE TITLE DIRECTOR THEATER Current RACE Irene Lewis ACT San Fransicso SUMMER PEOPLE Barreca/Korogodsky/Koller Theater Pokolenliy, St. Petersburg, Russia 2011 COMPLETENESS* Pam MacKinnon South Coast Repertory 2010 SIGMARINGEN* (New Opera) Janie Geiser Workshop for Musikprotokoll Graz, Austria JAMES AND THE GIANT PEACH * ** (Workshop) Graciela Daniele The Norma Terris Theatre, Chester, CT THE WIZ** Irene Lewis Baltimore Center Stage HEDDA GABLER Barreca/Rubin site specific work in a NYC brownstone ELEKTRA Carey Perloff Getty Villa, LA IN A GARDEN* David Warren South Coast Repertory PITERSBURG* Barreca/Korogodsky/Kolun/ Theater Pokoleniy Simpson/Geiser 2009 CRIME AND PUNISHMENT Sharon Ott Berkeley Rep. PITERSBURG* Barreca/Korogodsky/Kolun/ Theater Pokoleniy Simpson/Geiser RED HAND GUITAR* ** (Workshop) Evan Yionoulis Arena Stage, Wash, D.D. AH* Travis Preston REDCAT (CNP) IN THE DAYLIGHT* John Rubin Vital PHILIP ROTH IN KHARTOUM* John Rubin NY Public Theater/Labyrinth Theater 2008 PENALTIES AND INTEREST* John Rubin NY Public Theater/Labyrinth Theater THE SOUND OF MUSIC (Salzburg Marionettes)** Richard Hamburger Salzburg, Austria WHAT THEY HAVE* Chris Fields South Coast Repertory 2007 THE SOUND OF MUSIC (Salzburg Marionettes) Richard Hamburger Metropolitan Museum of Art International tour THE STUDIO* Christopher DʼAmboise South Coast Repertory Signature Theater Wash, DC CAT ON A HOT TIN ROOF Richard Hamburger Dallas Theater Center HIPPOLYTOS Stephen Sachs Getty Villa, LA THE MURDER OF ISAAC* Irene Lewis Center Stage 2006 HOUSE OF BERNALDA ALBA** * Graciela Daniele Lincoln Center Theater CARNIVAL** Erica Schmidt Papermill Playhouse BELL SOLARIS* Travis Preston REDCAT (CNP) MACBETH (A Modern Ecstasy) Travis Preston Almeida Theater London, England Adelaide Festival Australia REDCAT (CNP), Los Angeles MACBETH Eve Shapiro The Acting Co.