Fidm College Catalog July 1, 2021 - June 30, 2022 Mba | B.A
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BROADSIDE (212) 870-1614 Barbara Naomi Cohen Stratyner, 265 Riverside Drive, 7C
NEWSLETTER OF THE THEATRE LIBRARY ASSOCIATION - - -- Volume 14, Number 4/Volume 15, Number 1 SprindSummer 1987 SPECIAL DOUBLE ISSUE THEATRE LIBRARY ASSOCIATION PRESENTS ANNUAL BOOK AWARDS The Theatre Library Association pre- sented its annual awards at a reception at Lincoln Center on May 22, 1987. The George Freedley Award, representing ex- cellence in writing about the theatre, was given to Mary C. Henderson for her book, Theatre in America: Two Hundred Years of Plays, Players, and Productions (Harry N. Abrams). The presentation was made by producer Alexander H. Cohen, who praised Dr. Henderson for her dedication to the theatre community. Dr. Henderson, who is Curator of the Mulholland Library of Con- Production Design at the American Mu- a former Curator of the Theatre'Collection juring and the Allied Arts in Los Angeles. seum of the Moving Image in New York. of the Museum of the City of New York, is In his book one meets Harry Kahne, the The presentation was made by Broadway also the author of The City & The Theatre: Multiple Mental Marvel, who could write set designer Robin Wagner, whose credits New York Playhouses from Bowling Green five words simultaneously with pieces of include A Chorus Line and Dream Girls. to Times Square (James T. White, 1973), chalk held in each hand, each foot, and The Freedley Award is named for which has become indispensible to re- in his mouth. One also encounters Max George Freedley, the first Curator of the searchers of New York theatre. Malini, who could sit at a dinner table for Theatre Collection of The New York Public The Theatre Library Association Award many hours, never leave, then lift his hat Library and first President of the Theatre for excellence in writing about film, televi- to reveal a large block of unmelted ice. -
Aardman in Archive Exploring Digital Archival Research Through a History of Aardman Animations
Aardman in Archive Exploring Digital Archival Research through a History of Aardman Animations Rebecca Adrian Aardman in Archive | Exploring Digital Archival Research through a History of Aardman Animations Rebecca Adrian Aardman in Archive: Exploring Digital Archival Research through a History of Aardman Animations Copyright © 2018 by Rebecca Adrian All rights reserved. Cover image: BTS19_rgb - TM &2005 DreamWorks Animation SKG and TM Aardman Animations Ltd. A thesis submitted in partial fulfilment of the requirements for the degree of Master of Arts in Media and Performance Studies at Utrecht University. Author Rebecca A. E. E. Adrian Student number 4117379 Thesis supervisor Judith Keilbach Second reader Frank Kessler Date 17 August 2018 Contents Acknowledgements vi Abstract vii Introduction 1 1 // Stop-Motion Animation and Aardman 4 1.1 | Lack of Histories of Stop-Motion Animation and Aardman 4 1.2 | Marketing, Glocalisation and the Success of Aardman 7 1.3 | The Influence of the British Television Landscape 10 2 // Digital Archival Research 12 2.1 | Digital Surrogates in Archival Research 12 2.2 | Authenticity versus Accessibility 13 2.3 | Expanded Excavation and Search Limitations 14 2.4 | Prestige of Substance or Form 14 2.5 | Critical Engagement 15 3 // A History of Aardman in the British Television Landscape 18 3.1 | Aardman’s Origins and Children’s TV in the 1970s 18 3.1.1 | A Changing Attitude towards Television 19 3.2 | Animated Shorts and Channel 4 in the 1980s 20 3.2.1 | Broadcasting Act 1980 20 3.2.2 | Aardman and Channel -
'Nomadland' Finds a Home with WAFCA Critics
FOR IMMEDIATE RELEASE The Washington, D.C. Area Film Critics Association Contact: [email protected], Tim Gordon 202-374-3305 On the Web: www.wafca.com Facebook.com/wafca Twitter.com/wafca February 8, 2021 ‘Nomadland’ Finds a Home with WAFCA Critics Washington, D.C. — “Nomadland” triumphed with five wins when The Washington, D.C. Area Film Critics Association (WAFCA) announced their top honorees for 2020 this morning. A slice-of-life from filmmaker Chloé Zhao about a widow who loses her job and sells her belongings to travel the American West, “Nomadland” won Best Film, Best Director, Best Actress for Frances McDormand, Best Adapted Screenplay, and Best Cinematography. WAFCA posthumously awarded Best Actor to the late Chadwick Boseman for his searing turn as a talented trumpeter and songwriter struggling to make a name for himself in 1927 Chicago in George C. Wolfe’s film adaptation of August Wilson’s play “Ma Rainey’s Black Bottom.” Best Supporting Actor was awarded to Leslie Odom, Jr. for his powerful performance as soul musician Sam Cooke in Regina King’s 1964-set “One Night in Miami…” and Best Supporting Actress went to Yuh-Jung Youn, a standout in Lee Isaac Chung’s “Minari.” Best Youth Performance also went to “Minari,” for Alan Kim’s memorable work as the young son of South Korean immigrants relocating from California to rural Arkansas in the 1980s. Best Acting Ensemble accolades were awarded to “One Night in Miami…,” a drama about a fictionalized February 1964 meeting between Malcolm X, Muhammad Ali, Jim Brown, and Sam Cooke, starring Kingsley Ben-Adir, Eli Goree, Aldis Hodge, and Leslie Odom, Jr. -
Jim Sandefur 1
JIM SANDEFUR Scenic Designer: Local 829 Membership Current Scenic Design, Creative Concepts, Event & Tradeshow Design, Visual Merchandising, Design Drafting, Sketching, Model Building, Graphics, etc. 1141 Arbor Creek drive #3B St Louis, MO 63122 cell: 310.709.5718 e-mail: [email protected] Website: www.jimsandefurdesign.com FILM & TELEVISION The Grid - News Network, January 2014 Indie Cable Broadcast News Program: Production Designer: Yoojung Han, Los Angeles CA. Created Design Drawings for Newsroom Set pricing and construction. Little Rascals, NBC/Universal Studios, September/October 2012 Musical Instrument, Prop Design/Construction. & Design Drawings/Waldo's Tree-house. Production Designer: Rusty Smith, Art Direction: Rosario Provenza, Props Lead: Cynthia Nibler Hip Hop Squares: Art Director (MTV2) February/March 2012 New Remote Productions Inc. Production Designer, John Gilles. Zombies and Cheerleaders (Disney Pilot) January, 2012 Design/Draw Period Pieces Production Designer: Rusty Smith Danni Lowinski (CW Pilot) October, 2010 & January 2011 Art Dept. Asst., Draftsman/Model Builder CBS Productions (CW) Production Designer: Rusty Smith BEASTLY (Reshoots, CBS Back-lot) December, 2010 Art Dept. Asst., Draftsman/Researcher CBS Film Productions Production Designer: Rusty Smith CORPORATE ENTERTAINMENT EMPLOYMENT CLUB MED - Turquoise Holiday Village Providenciales, Turks and Caicos Islands, British West Indies Entertainment Manager: Corentin Rioche HR Manager: Hany Ghobrial (649) 946-5500 ext. 35313 - Chef De Village/General Manager: Michael Clarke Resort Set Designer Responsibilities: Daily Set-up, Teardown, and maintenance of all nightly Main-stage Productions, Special Event and Holiday Duration of Employment Presentations, nightly Restaurant Entrance Décor and Bar Parties, Hire Date: June 3, 2013 as well as the design, construction, fabrication and painting of Departure Date: Nov 21, 2013 new productions while in residence. -
Universidade Federal De Santa Maria Centro De Ciências Sociais E Humanas Curso De Comunicação Social – Produção Editorial
1 UNIVERSIDADE FEDERAL DE SANTA MARIA CENTRO DE CIÊNCIAS SOCIAIS E HUMANAS CURSO DE COMUNICAÇÃO SOCIAL – PRODUÇÃO EDITORIAL “PORQUE ESSA MULHER MUDOU A MINHA VIDA”: CONSUMO E IDENTIDADE DE GÊNERO EM COMUNIDADE DE FÃS DE LADY GAGA NO FACEBOOK. MONOGRAFIA DE GRADUAÇÃO Luiza Betat Corrêa Santa Maria, RS, Brasil. 2014 2 3 LUIZA BETAT CORRÊA “PORQUE ESSA MULHER MUDOU A MINHA VIDA”: CONSUMO E IDENTIDADE DE GÊNERO EM COMUNIDADE DE FÃS DE LADY GAGA NO FACEBOOK. Monografia apresentada à Comissão de Trabalho de Conclusão de Curso, do Departamento de Ciências da Comunicação da Universidade Federal de Santa Maria como requisito para obtenção do Grau de Bacharel em Comunicação Social – Produção Editorial. Orientador: Prof. Ms. Filipe Bordinhão dos Santos Co-orientadora: Ma. Sandra Depexe Santa Maria, RS, Brasil, 2014. 4 5 Universidade Federal de Santa Maria Centro de Ciências Sociais e Humanas Curso de Comunicação Social – Produção Editorial A Comissão Examinadora abaixo assinada aprova a Monografia “PORQUE ESSA MULHER MUDOU A MINHA VIDA”: CONSUMO E IDENTIDADE DE GÊNERO EM COMUNIDADE DE FÃS DE LADY GAGA NO FACEBOOK. Elaborada por Luiza Betat Corrêa Comissão examinadora __________________________ Prof Ms. Filipe Bordinhão dos Santos Presidente/Orientador __________________________ Profa. Dr. Sandra Rúbia da Silva (UFSM) __________________________ Mestrando Tainan Pauli Tomazetti (UFSM) Aprovado em:...... de .................... de 2014. 6 7 AGRADECIMENTOS Aos meus pais, Anildo e Corina, pelo amor infinito, pelo apoio constante e por todas as iniciativas que ajudaram a moldar o caráter que hoje possuo. À Faculdade de Comunicação Social (FACOS), pelos quatro anos extremamente enriquecedores. Com toda a certeza, a Luiza que entrou em 2010, é uma Luiza totalmente diferente da que sai em 2014. -
Little Monsters Jako Nowa Forma Fanostwa. Wywyższenie Artysty Za Pomocą Wywyższenia Fana
Uniwersytet Warszawski Wydział Polonistyki Aleksandra Jusińska Nr albumu: 272760 Little Monsters jako nowa forma fanostwa. Wywyższenie artysty za pomocą wywyższenia fana Praca magisterska na kierunku kulturoznawstwo – wiedza o kulturze Praca wykonana pod kierunkiem dra Romana Chymkowskiego Zakład Kultury Współczesnej Warszawa, marzec 2014 Oświadczenie kierującego pracą Oświadczam, że niniejsza praca została przygotowana pod moim kierunkiem i stwierdzam, że spełnia ona warunki do przedstawienia jej w postępowaniu o nadanie tytułu zawodowego. Data Podpis kierującego pracą Oświadczenie autora (autorów) pracy Świadom odpowiedzialności prawnej oświadczam, że niniejsza praca dyplomowa została napisana przez mnie samodzielnie i nie zawiera treści uzyskanych w sposób niezgodny z obowiązującymi przepisami. Oświadczam również, że przedstawiona praca nie była wcześniej przedmiotem procedur związanych z uzyskaniem tytułu zawodowego w wyższej uczelni. Oświadczam ponadto, że niniejsza wersja pracy jest identyczna z załączoną wersją elektroniczną. Data Podpis autora (autorów) pracy 2 Streszczenie Niniejsza pracy porusza zagadnienie kreowania wizerunku scenicznego Lady Gagi i budowania społeczności fanów, w którego efekcie powstała nowa grupa fanowska Little Monsters, a także portal społecznościowy o tej samej nazwie. Przedstawione zostały mechanizmy funkcjonowania mediów społecznościowych, ułatwiających dotarcie do określonej grupy odbiorców, a także wzmacniających więzi między fanami a artystą. Dokonano również analizy społecznej fanów, ze szczególnym -
CIVIL RIGHTS INSIDER Federal Bar Association Civil Rights Law Section’S Newsletter
CIVIL RIGHTS INSIDER Federal Bar Association Civil Rights Law Section’s Newsletter Winter 2019 OFFICERS From the Desk of the Chairperson CHAIR Chair – Elect Stephen Haedicke TBD Hello, and happy new year case denying a right to receive New Orleans, LA from the Civil Rights Section. exculpatory information from [email protected] Secretary Robin Wagner We have a lot going on this year, the government prior to a guilty Treasurer Ann Arbor, MI starting with our premier event, plea; the Sixth Circuit case of Eric Foley [email protected] New Orleans, LA the Civil Rights Etouffee here EEOC and Aimee Stephens v. [email protected] Immediate Past Chair in New Orleans on February 15, R.G. and G.R. Funeral Homes, Wylie Stecklow 2019. This full day CLE will be Inc., which involved a sex Membership New York, NY Rob Sinsheimer [email protected] held at the New Orleans Jazz discrimination claim brought by Boston, MA & Heritage Center next to the a transgender employee; and an [email protected] Education Caryl Andrea Oberman French Quarter, and will feature Eleventh Circuit case involving Bonnie Kift Willow Grove, PA panels on topics such as First accommodations for people with Ligonier, PA [email protected] Amendment and privacy in the a hearing impairment under the [email protected] Federal Prohibition digital age, ending money bail, Americans with Disability Act. A Amicus Briefing Against Marijuana school safety, immigration, and schedule for the upcoming calls is Kevin Golembiewski Bonnie Kift Tampa, FL Ligonier, PA more. That weekend is also included below. I hope you will [email protected] [email protected] the official start of the Mardi join us on these calls, and please Gras parade season, with some let me know if you are interested Discrimination in Defense of Gov’t Entities Employment, Housing Theresa Powell great local parades happening in presenting on a case from your And/Or Public Springfield, IL Saturday night— a wonderful circuit. -
The Transgender-Industrial Complex
The Transgender-Industrial Complex THE TRANSGENDER– INDUSTRIAL COMPLEX Scott Howard Antelope Hill Publishing Copyright © 2020 Scott Howard First printing 2020. All rights reserved. No part of this publication may be copied, besides select portions for quotation, without the consent of its author. Cover art by sswifty Edited by Margaret Bauer The author can be contacted at [email protected] Twitter: @HottScottHoward The publisher can be contacted at Antelopehillpublishing.com Paperback ISBN: 978-1-953730-41-1 ebook ISBN: 978-1-953730-42-8 “It’s the rush that the cockroaches get at the end of the world.” -Every Time I Die, “Ebolarama” Contents Introduction 1. All My Friends Are Going Trans 2. The Gaslight Anthem 3. Sex (Education) as a Weapon 4. Drag Me to Hell 5. The She-Male Gaze 6. What’s Love Got to Do With It? 7. Climate of Queer 8. Transforming Our World 9. Case Studies: Ireland and South Africa 10. Networks and Frameworks 11. Boas Constrictor 12. The Emperor’s New Penis 13. TERF Wars 14. Case Study: Cruel Britannia 15. Men Are From Mars, Women Have a Penis 16. Transgender, Inc. 17. Gross Domestic Products 18. Trans America: World Police 19. 50 Shades of Gay, Starring the United Nations Conclusion Appendix A Appendix B Appendix C Introduction “Men who get their periods are men. Men who get pregnant and give birth are men.” The official American Civil Liberties Union (ACLU) Twitter account November 19th, 2019 At this point, it is safe to say that we are through the looking glass. The volume at which all things “trans” -
Oscar®-Nominated Production Designer Jim Bissell to Receive Lifetime Achievement Award at 19Th Annual Art Directors Guild Awards on January 31, 2015
FOR IMMEDIATE RELEASE OSCAR®-NOMINATED PRODUCTION DESIGNER JIM BISSELL TO RECEIVE LIFETIME ACHIEVEMENT AWARD AT 19TH ANNUAL ART DIRECTORS GUILD AWARDS ON JANUARY 31, 2015 LOS ANGELES, July 15, 2014 — Emmy®-winning and Oscar®-nominated Production Designer Jim Bissell will receive the Art Directors Guild’s Lifetime Achievement Award at the 19th Annual Excellence in Production Design Awards on January 31, 2015 at a black- tie ceremony at the Beverly Hilton Hotel. The announcement was made today by John Shaffner, ADG Council Chairman, and ADG Award Producers Dave Blass and James Pearse Connelly. “Jim Bissell’s work as a Production Designer is legendary and we are proud to rank him among the best in the history of our profession. He is an extraordinary artist and accomplished leader in the industry and it is our pleasure to name him as this year’s Lifetime Achievement Award recipient,” said Shaffner. A veteran leader of the ADG, Bissell was a past Vice President and a Board member for more than 15 years. He also chaired the Guild’s Awards Committee for the first three years of its existence. Bissell’s distinguished work can be seen on such notable films as E.T. the Extra- Terrestrial (1982), which took home four Oscars® with an additional five Oscar® nominations in 1983; The Rocketeer (1991), Jumanji (1995), 300 (2006), Mission: Impossible – Ghost Protocol (2011) and most recently The Monuments Men (2014), directed by and starring George Clooney. Monuments Men is Jim’s fourth collaboration with Clooney, which began with Confessions of a Dangerous Mind (2002), followed with Oscar®-nominated Good Night, and Good Luck (2005) and continuing with Leatherheads (2007). -
1998 Acquisitions
1998 Acquisitions PAINTINGS PRINTS Carl Rice Embrey, Shells, 1972. Acrylic on panel, 47 7/8 x 71 7/8 in. Albert Belleroche, Rêverie, 1903. Lithograph, image 13 3/4 x Museum purchase with funds from Charline and Red McCombs, 17 1/4 in. Museum purchase, 1998.5. 1998.3. Henry Caro-Delvaille, Maternité, ca.1905. Lithograph, Ernest Lawson, Harbor in Winter, ca. 1908. Oil on canvas, image 22 x 17 1/4 in. Museum purchase, 1998.6. 24 1/4 x 29 1/2 in. Bequest of Gloria and Dan Oppenheimer, Honoré Daumier, Ne vous y frottez pas (Don’t Meddle With It), 1834. 1998.10. Lithograph, image 13 1/4 x 17 3/4 in. Museum purchase in memory Bill Reily, Variations on a Xuande Bowl, 1959. Oil on canvas, of Alexander J. Oppenheimer, 1998.23. 70 1/2 x 54 in. Gift of Maryanne MacGuarin Leeper in memory of Marsden Hartley, Apples in a Basket, 1923. Lithograph, image Blanche and John Palmer Leeper, 1998.21. 13 1/2 x 18 1/2 in. Museum purchase in memory of Alexander J. Kent Rush, Untitled, 1978. Collage with acrylic, charcoal, and Oppenheimer, 1998.24. graphite on panel, 67 x 48 in. Gift of Jane and Arthur Stieren, Maximilian Kurzweil, Der Polster (The Pillow), ca.1903. 1998.9. Woodcut, image 11 1/4 x 10 1/4 in. Gift of Mr. and Mrs. Frederic J. SCULPTURE Oppenheimer in memory of Alexander J. Oppenheimer, 1998.4. Pierre-Jean David d’Angers, Philopoemen, 1837. Gilded bronze, Louis LeGrand, The End, ca.1887. Two etching and aquatints, 19 in. -
NEEDLE NETWORK JAN/FEB 2021 Advancing Sewing As an Art and Life Skill VOLUME 34, ISSUE 1 President's Message
NEEDLE NETWORK JAN/FEB 2021 Advancing sewing as an art and life skill VOLUME 34, ISSUE 1 President's Message Dear Chapter name (first name only is fine) and contact Members: information (phone and/or email). The ad I’m writing with may include up to 2 pictures. optimism that the new To place an ad, contact Nancy Bensimon year will bring hope at [email protected]. You will for a speedy end to be asked for your ASG Membership our stay-at-home Number; this will only be used to verify that orders. Zoom is fun, but somehow fails to you are a current member; it will not be fill our need for social interaction. I’m published. learning more about different ways to use I’ve also been contacted by a local hospice Zoom, and hopefully we can learn and organization, Apreva Hospice in San Diego, make it more interesting. Please stay well which is looking for volunteers to make and safe until we can all be together again. memory bears. Please take a look at the I’m holding my breath as to our planned story on page 2 and see if this is something retreat in June. All will depend on the that interests you. success of the vaccine. We'll keep you Be sure to check the list of programs being posted as we learn more. offered by our Neighborhood Groups. In the meantime, our webmaster wants to Check in with the Group Leader if you’re remind you that current Chapter members interested in joining one of their meetings. -
Commercials Issueissue
May 1997 • MAGAZINE • Vol. 2 No. 2 CommercialsCommercials IssueIssue Profiles of: Acme Filmworks Blue Sky Studios PGA Karl Cohen on (Colossal)Õs Life After Chapter 11 Gunnar Str¿mÕs Fumes From The Fjords An Interview With AardmanÕs Peter Lord Table of Contents 3 Words From the Publisher A few changes 'round here. 5 Editor’s Notebook 6 Letters to the Editor QAS responds to the ASIFA Canada/Ottawa Festival discussion. 9 Acme Filmworks:The Independent's Commercial Studio Marcy Gardner explores the vision and diverse talents of this unique collective production company. 13 (Colossal) Pictures Proves There is Life After Chapter 11 Karl Cohen chronicles the saga of San Francisco's (Colossal) Pictures. 18 Ray Tracing With Blue Sky Studios Susan Ohmer profiles one of the leading edge computer animation studios working in the U.S. 21 Fumes From the Fjords Gunnar Strøm investigates the history behind pre-WWII Norwegian animated cigarette commercials. 25 The PGA Connection Gene Walz offers a look back at Canadian commercial studio Phillips, Gutkin and Associates. 28 Making the Cel:Women in Commercials Bonita Versh profiles some of the commercial industry's leading female animation directors. 31 An Interview With Peter Lord Wendy Jackson talks with co-founder and award winning director of Aardman Animation Studio. Festivals, Events: 1997 37 Cartoons on the Bay Giannalberto Bendazzi reports on the second annual gathering in Amalfi. 40 The World Animation Celebration The return of Los Angeles' only animation festival was bigger than ever. 43 The Hong Kong Film Festival Gigi Hu screens animation in Hong Kong on the dawn of a new era.