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Before the Forties
Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY -
National Arts Awards Monday, October 19, 2015
2015 Americans for the Arts National Arts Awards Monday, October 19, 2015 Welcome from Robert L. Lynch Performance by YoungArts Alumni President and CEO of Americans for the Arts Musical Director, Jake Goldbas Philanthropy in the Arts Award Legacy Award Joan and Irwin Jacobs Maria Arena Bell Presented by Christopher Ashley Presented by Jeff Koons Outstanding Contributions to the Arts Award Young Artist Award Herbie Hancock Lady Gaga 1 Presented by Paul Simon Presented by Klaus Biesenbach Arts Education Award Carolyn Clark Powers Alice Walton Lifetime Achievement Award Presented by Agnes Gund Sophia Loren Presented by Rob Marshall Dinner Closing Remarks Remarks by Robert L. Lynch and Abel Lopez, Chair, introduction of Carolyn Clark Powers Americans for the Arts Board of Directors and Robert L. Lynch Remarks by Carolyn Clark Powers Chair, National Arts Awards Greetings from the Board Chair and President Welcome to the 2015 National Arts Awards as Americans for the Arts celebrates its 55th year of advancing the arts and arts education throughout the nation. This year marks another milestone as it is also the 50th anniversary of President Johnson’s signing of the act that created America’s two federal cultural agencies: the National Endowment for the Arts and the National Endowment for the Humanities. Americans for the Arts was there behind the scenes at the beginning and continues as the chief advocate for federal, state, and local support for the arts including the annual NEA budget. Each year with your help we make the case for the funding that fuels creativity and innovation in communities across the United States. -
AM-05-Sheetmusic.Pdf
SHEET music SHEET MUSIC 27 America the Beautiful At Last (from Cadillac Records) SHEET MUSIC Words by Katherine Lee Bates, music by Samuel A. Ward Music by Harry Warren, lyric by Mack Gordon / recorded by Beyoncé Piano/Vocal/Chords ...............................$3.95 00-PVM01132____ Piano/Vocal/Chords ...............................$3.95 00-32178____ Numeric American Honey Arr. Dan Coates Words and music by Cary Barlowe, Shane Stevens, and Hillary Easy Piano ..............................................$3.95 00-32552____ 8th of November Lindsey / recorded by Lady Antebellum August Rush (Piano Suite) (from August Rush) Recorded by Big & Rich Piano/Vocal/Chords ...............................$3.99 00-34678____ Composed by Mark Mancina / arr. Dave Metzger Piano/Vocal/Chords ...............................$3.95 00-26211____ An American in Paris Advanced Piano Solo .............................$3.95 00-29201____ 21 Guns By George Gershwin / paraphrased by Maurice C. Whitney Auld Lang Syne Sheet Music Lyrics by Billie Joe, music by Green Day / recorded by Green Day / Advanced Piano Solo .............................$4.95 00-PS0004____ (from the motion picture Sex and the City) arr. Carol Matz Transcr. William Daly Traditional / arr. Mairi Campbell and Dave Francis / Easy Piano ..............................................$3.95 00-34018____ Advanced Piano Solo ...........................$14.95 00-0092B____ as recorded by Mairi Campbell and Dave Francis 10,000 Reasons (Bless the Lord) An American in Paris (Blues Theme) Piano/Vocal/Chords ...............................$3.95 00-31853____ Words and music by Matt Redman and Jonas Myrin / By George Gershwin / performance miniature transcr. and arr. Ave Maria and Prelude No. 1 recorded by Matt Redman Jan Thomas Ave Maria by Johann Sebastian Bach / Charles François Gounod, Piano/Vocal/Guitar ................................$3.99 00-39445____ Easy Piano Solo ......................................$3.50 00-PS0350____ Prelude No. -
Summer Classic Film Series, Now in Its 43Rd Year
Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre. -
Repertoire List (January 2009) Classical
Dovetail Quartet - Repertoire list (January 2009) Classical Tango Albéniz Adagio Albinoni The Waltzing Cat Anderson Air on G J.S Bach Arie ‘Mein gläubiges Herze’ J.S Bach Jesu, Joy of Man’s Desiring J.S Bach Orchestral Suite no. 3 J.S Bach Sheep May Safely Graze J.S Bach Cavatine op. 130 Beethoven Menuett op. 20 Beethoven Quartet in G op.18 no.2 Beethoven ‘Au Fond de Temple’ (The Pearl Fishers) Bizet Prelude to Carmen Bizet Menuett Bocherini Polovtsian Dances from Prince Igor Borodin O Sole Mio Capua Scherzo Cherubini La Spagnola Chiara Mazurka op.7 no.2 Chopin Hoedown from Rodeo Copland Santa Lucia Cottrau Mazurka from Coppelia Delibes Flower Duet from Lakme Delibes Pizzicato Polka Delibes Funiculi Funicula Denza ‘American’ Quartet op.96 no.12 in F Dvořák Humoresque Dvořák Slavonic Dance Dvořák Chanson de Matin Elgar Chanson de Nuit Elgar Salut d’amour Elgar Pavane Faure Por Una Cabeza (tango) Gardel Summertime from Porgy and Bess Gershwin Ave Maria Gounod Morning from Peer Gynt Suite Grieg Arrival of the Queen of Sheba Handel Hornpipe from The Water Music Handel Largo ‘Ombra mai fu’ Handel ‘Where ‘ere you walk’ from Semele Handel Canzona Hasse Serenade Haydn Intermezzo from Cavalleria Rusticana Mascagni Meditation from Thaïs Massenet Canzonetta op. 12 Mendelssohn On Wings of Song Mendelssohn Wedding March Mendelssohn ‘Dissonance’ Quartet in C K. 465 Mozart Divertimento in B flat Mozart Divertimento in D Mozart Divertimento in F Mozart Eine Kleine Nachtmusik Mozart Menuett from Quartet in B flat Mozart Overture to The Magic Flute Mozart -
New York to Hollywood: Advertising, Narrative Formats, and Changing Televisual Space in the 1950'S
Bard College Bard Digital Commons Senior Projects Spring 2017 Bard Undergraduate Senior Projects Spring 2017 New York to Hollywood: Advertising, Narrative Formats, and Changing Televisual Space in the 1950's Peter McCormack Bard College, [email protected] Follow this and additional works at: https://digitalcommons.bard.edu/senproj_s2017 Part of the United States History Commons, and the Visual Studies Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation McCormack, Peter, "New York to Hollywood: Advertising, Narrative Formats, and Changing Televisual Space in the 1950's" (2017). Senior Projects Spring 2017. 148. https://digitalcommons.bard.edu/senproj_s2017/148 This Open Access work is protected by copyright and/or related rights. It has been provided to you by Bard College's Stevenson Library with permission from the rights-holder(s). You are free to use this work in any way that is permitted by the copyright and related rights. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. For more information, please contact [email protected]. From New York to Hollywood: Advertising, Narrative Formats, and Changing Televisual Space in the 1950’s Senior Project Submitted to The Division of Social Studies of Bard College by Peter McCormack Annandale-on-Hudson, New York May 2017 ii From New York to Hollywood iii Acknowledgements I would like to thank my parents first and foremost. I don’t think I’ve ever taken the time to bore them with the intimate details of this project. -
The Personal Branding of Lucille Ball Honors Thesis
BLAZING THE TRAILS: THE PERSONAL BRANDING OF LUCILLE BALL HONORS THESIS Presented to the Honors College of Texas State University in Partial Fulfillment of the Requirements for Graduation in the Honors College by Sarah L. Straka San Marcos, Texas December, 2016 BLAZING THE TRAILS: THE PERSONAL BRANDING OF LUCILLE BALL by Sarah L. Straka Thesis Supervisor: ________________________________ Dr. Raymond Fisk, Ph.D. Department of Marketing Approved: _________________________________ Heather C. Galloway, Ph.D. Dean, Honors College TABLE OF CONTENTS ABSTRACT……………………………………………….…………..…………………iv CHAPTER I. INTRODUCTION…………………………………………………….….…….1 II. CHILDHOOD………………………………………………………….……...1 III. REBEL………………………………………………………………….….…4 IV. LEADER……………………………………………………...……….....….14 V. ICON……………………………………………………………...………..…17 VI. CONCLUSION……………………………………….............................….18 REFERENCES……………………………………………………………………..........20 CHRONOLOGICAL TIME LINE OF LUCILLE BALL…………………...…..........…21 iii ABSTRACT The extraordinary Lucille Ball was the most loved and iconic television comedian of her time. She was an American icon and the first lady of television during the 1950s. Not only did Lucille Ball provide laughter to millions of people, but Lucille Ball gave women a voice and America heard what she had to say. She showed women they can be accepted, and be in a position both on television and in the working world where they can be strong and independent. She was a leader and set an example for women and showed society that women have a voice to be heard and will be successful, when given the opportunity. Lucille Ball managed her career and created her personal brand by beating all obstacles that were laid in front of her and test boundaries, which lead her to become an entrepreneurial success. Lucille Ball blazed the trails for many women, on and off stage. -
CPY Document
PUBUC WORKS AUG 0 1 ZO MOTION Lucy's El Adobe Café serves as an LA establisluent; it is a restaurant that has been a traditional star hangout for decades and continues to be a favored café by many influential individuals. Lucy Casada, the owner, has become famous in her own right among celebrities and high profie individuals, due to the restaurants friendly service, great food and reasonable prices. Lucy's daughter introduced Linda Rondstadt to California Governor Jerry Brown at Lucy's. George Lucas is a good friend of Lucy's as well as Kevin Costner, Orson Welles, Jack Nicholson and many others. Lucy's El Adobe Café has brought many stars to Melrose Avenue, becoming a part of the rich history of Los Angeles. In addition, adjacent from Lucy's El Adobe Café, is the historic location ofDesilu Productions. Although a portion of this site is now home to Paramount Studios, the history and legacy of Lucille Ball's career began on this comer in Hollywood. Although the site ofDesilu productions shifted, the first fiming of the "I Love Lucy" show was at Desilu productions headquarters on Melrose A venue and Plymouth Boulevard, established in 1951. The joint ownership ofDesilu productions was met with failure, as was the marriage of Lucille Ball and Desi Arnaz. Lucile Ball bought out Desi Arnaz's half ofDesilu productions in the 1960's, making her the first woman to own a major studio and one of the most powerful women in Southern California. Lucile Ball later sold the company, which is partly occupied by Paramount Studios. -
24)0 M « » R C T » 2 "7 T L I Johnny Jones" (1989
derer of his parents. per. A former country singer, his life pines following the Spanish- ® **% ‘Rafferty and the Gold and career ruined by alcoholism, American War. Dust Twins” (1975. Comedy) Alan falls in love with a Texas motel 114)0 Arkin, Sally Kelierman. Two young owner and decides to make a female drifters kidnap a depressed comeback. a ★ "It's Alive!" (1968, Science driving instructor and launcn a zany Fiction) Tommy Kirk, Shirley crime spree. EVENING Bonne. A lunatic's plot to trap three tors seem to vanish when they strangers in an Ozark cave with a threaten the privacy of a teen-age prehistoric m onster backfires when girt who lives with her unseen 74)0 the creature sets its sights on him. Father in a mysterious house. FRIDAY, a ** V i "The Adventures of 124)0 M « » r c T » 2 "7 t l i Johnny Jones" (1989. Drama) Ri 9:30 chard Love, Ida Gregory. In 1943 [41 QD ★★ "La Parfaite Forme” ® **W "Johnnie Mae Gibson: Wales, an imaginative boy’s work! (1985, Cornedie) John Travolta, Ja FBI" (1986, Drama) Lynn Whitfield. M O R N IN G Is changed by tne arrival of children mie Lee Curtis. Un journalists de Howard E. Rollins Jr. Fact-based evacuated from Liverpool and the I'hebdomadaire “Rolling Stone" story of a Southern woman who ov 84)0 introduction of American bobble prepare un reportage a sensation ercame a poverty-stricken child sur les centres de conditionnement (8 * * “Crooks in Cloisters" (1963. gum. hood and the strains of balancing a 7:30 physique, bars de rencontres nou marriage and a career to achieve Comedy) Ronald Fraser. -
Kennedy Center Education Department. Funding Also Provided by the Kennedy Center Corporate Fund
DOCUMENT RESUME ED 381 839 CS 508 906 AUTHOR Carr, John C. TITLE "Crazy for You." Spotlight on Theater Notes. INSTITUTION John F. Kennedy Center for the Performing Arts, Washington, D.C. SPONS AGENCY Department of Education, Washington, DC. PUB DATE [95] NOTE 17p.; Produced by the Performance Plus Program, Kennedy Center Education Department. Funding also provided by the Kennedy Center Corporate Fund. For other guides in this series, see CS 508 902-905. PUB TYPE Guides General (050) EDRS PRTCE MF01/PC01 Plus Postage. DESCRIPTORS Acting; *Cultural Enrichment; *Drama; Higher Education; Playwriting; Popular Culture; Production Techniques; Secondary Education IDENTIFIERS *Crazy for You; Historical Background; Musicals ABSTRACT This booklet presents a variety of materials concerning the musical play "Crazy for You," a recasting of the 1930 hit. "Girl Crazy." After a brief historical introduction to the musical play. the booklet presents biographical information on composers George and Ira Gershwin, the book writer, the director, the star choreographer, various actors in the production, the designers, and the musical director. The booklet also offers a quiz about plays. and a 7-item list of additional readings. (RS) ....... ; Reproductions supplied by EDRS ore the best that can he made from the original document, U S DEPARTMENT OF EDUCATION Ofi.co ofEaucabonni Research aria improvement EDUCATIONAL RESOURCES INFORMATION CENTER IERIC1 Et This document has been reproduced as received from the person or organization onqinallnq d 0 Minor charms have been made to improve reproduction quality. Points or view or opinions stated in this document do not necessarily represent official OERI position or policy -1411.1tn, *.,3^ ..*. -
The George-Anne Student Media
Georgia Southern University Digital Commons@Georgia Southern The George-Anne Student Media 11-17-1967 The George-Anne Georgia Southern University Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/george-anne Part of the Higher Education Commons Recommended Citation Georgia Southern University, "The George-Anne" (1967). The George-Anne. 2547. https://digitalcommons.georgiasouthern.edu/george-anne/2547 This newspaper is brought to you for free and open access by the Student Media at Digital Commons@Georgia Southern. It has been accepted for inclusion in The George-Anne by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. HAPPY Published By Students of Georgia Southern College Volume 47 Statesboro, Georgia, Friday, Nov. 17,1967 Number 9 Winter Pre-registration Planned for Nov. 27-Dec. 6 By KEN PURCELL ege, will be available to all stu- ADVISORS Staff Writer dents now enrolled except those During the pre-registration who have obligations to the bus- week, all students who wish Pre - registration for winter iness office in the form of fines to pre-register may see their quarter will be held Nov. 27 or fees. advisor and complete neces- through Dec. 6 in individual All students not taking advan- sary forms. The advisor will aid division offices, according to tage of the new system of re- the student in preparing a trial Lloyd Joyner, registrar. gistration, along with beginning schedule with desired courses AVAILABILITY freshmen and transfers as well and periods indicated. Alternate Pre - registration, being used as former students not enrolled periods or courses will also be for the first time at the coll- fall quarter, will receive time included in case first choices permit cards to be used the have already been filled. -
The Producers,'' Understands That to Create a Musical -- Good Or Otherwise -- the Appropriate Creative Team Must Be Employed
THEATER/THE TONY AWARDS; A Crash Course in the Worl... http://www.nytimes.com/2001/05/20/arts/theater-the-tony-awar... This copy is for your personal, noncommercial use only. You can order presentation-ready copies for distribution to your colleagues, clients or customers, please click here or use the "Reprints" tool that appears next to any article. Visit www.nytreprints.com for samples and additional information. Order a reprint of this article now. » May 20, 2001 THEATER/THE TONY AWARDS THEATER/THE TONY AWARDS; A Crash Course in the World of Mel By BARRY SINGER EVEN Broadway's most maladroit impresario, Max Bialystock of ''The Producers,'' understands that to create a musical -- good or otherwise -- the appropriate creative team must be employed. For Bialystock, in Mel Brooks's current hit musical, the assured failure of his show, ''Springtime for Hitler,'' is dependent on securing the services of a director named Roger De Bris. ''Is he good?'' inquires Bialystock's ingenuous partner, Leo Bloom, as they head for a rendezvous with De Bris. ''I mean, is he bad?'' ''He stinks,'' Bialystock replies. Shortly thereafter, Bialystock imploringly informs De Bris: ''Roger, I speak for Mr. Bloom and myself when I say that you are the only man in the world who can do justice to 'Springtime for Hitler.' '' For Mr. Brooks, assuring the successful transformation of his 1968 film ''The Producers'' into a Broadway musical required at least one similarly baldfaced overture. ''Two and a half years ago, my husband, Mike Ockrent, and I got a call saying Mel Brooks wanted to meet us,'' Susan Stroman said recently.