Spencer Liff Choreographer Selected Credits Contact: 818 509-0121

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spencer liff choreographer selected credits contact: 818 509-0121 < TELEVISION > 2 Broke Girls CBS / Dir. Phill Lewis The 65th Primetime Emmy Awards, Choreographer CBS / Dir. Louis Horvitz Happy Land Pilot MTV / Dir. Lee Toland Krieger Keeping Up with the Kardashians E! So You Think You Can Dance (Season 6-8) *Emmy Nominated FOX How I Met Your Mother CBS Parks and Recreation (2 Episodes) NBC Dancing With the Stars ABC SMASH (Assistant Choreographer) NBC 2009 Academy Awards (Assistant Choreographer) ABC *Emmy Award Best Choreography Kennedy Center Honors (2006, 2008, 2010, 2011) (Assistant Choreographer) CBS < THEATRE> Sleepless in Seattle Pasadena Playhouse/Sheldon Epps Oliver! The Human Race Theatre/Alan Souza Two Gentleman of Verona: A Rock Opera Shakespeare Theatre Co/Amanda Dehnert The Wedding Singer Musical Theatre West/Larry Raben A Snow White Christmas Magical Pictures Ent/Lythgoe Productions Saturday Night Fever Royal Caribbean Cruise Lines A Fantasy Come True Cruise/Disney Creative Entertainment An Unforgettable Journey Cruise/Disney Creative Entertainment Trevor Live (w/Neil Patrick Harris) Benefit/Adam Shankman Gypsy of the Year (w/Daniel Radcliffe) BCEFA Benefit Broadway by the Year 2010 Town Hall Theatre, NYC Cry-Baby (Assistant Choreo/Dance Captain) Broadway/Dir. Mark Brokaw **2008 Astaire Award Winner: Best Male Dancer, Best Choreography Equus (Assistant Movement Director/Dance Captain) Broadway/Dir. Thea Sharrock Bruce Lee: Journey to the West (Assistant Chor/Dance Capt) NYC Workshop/Bartlett Sher Brigadoon (Assistant Choreographer/Dance Captain) NYC Workshop/Rob Ashford < SELECTED PERFORMANCE CREDITS > Hairspray New Line Cinema/Adam Shankman Across the Universe Revolution Studios/Julie Taymor Footloose Paramount/Craig Brewer A Miraculous Year (Pilot) HBO/Kathryn Bigelow Gypsy (w/ Bette Midler) CBS 9 to 5 Broadway/Joe Mantello The Wedding Singer Broadway/John Rando Big, The Musical Broadway/Mike Ockrent The Will Rogers Follies 1st National Tour/Tommy Tune Tony Awards (2011/2008/2006/1996) CBS Grammy Awards (Beyonce) CBS LEXIKAT ARTISTS 22301 Dunmore Drive Calabasas, CA 91302 Victoria Morris 818.314.6767 .

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The Nineteenth-Century Russian Gypsy Choir and the Performance of Otherness
The Nineteenth-Century Russian Gypsy Choir and the Performance of Otherness Erik R. Scott Summer 2008 Erik R. Scott is a Ph.D. candidate in the Department of History, at the University of California, Berkeley Acknowledgments I would like to thank Professor Victoria Frede and my fellow graduate students in her seminar on Imperial Russian History. Their careful reading and constructive comments were foremost in my mind as I conceptualized and wrote this paper, first for our seminar in spring 2006, now as a revised work for publication. Abstract: As Russia’s nineteenth-century Gypsy craze swept through Moscow and St. Petersburg, Gypsy musicians entertained, dined with, and in some cases married Russian noblemen, bureaucrats, poets, and artists. Because the Gypsies’ extraordinary musical abilities supposedly stemmed from their unique Gypsy nature, the effectiveness of their performance rested on the definition of their ethnic identity as separate and distinct from that of the Russian audience. Although it drew on themes deeply embedded in Russian— and European—culture, the Orientalist allure of Gypsy performance was in no small part self-created and self-perpetuated by members of Russia’s renowned Gypsy choirs. For it was only by performing their otherness that Gypsies were able to seize upon their specialized role as entertainers, which gave this group of outsiders temporary control over their elite Russian audiences even as the songs, dances, costumes, and gestures of their performance were shaped perhaps more by audience expectations than by Gypsy musical traditions. The very popularity of the Gypsy musical idiom and the way it intimately reflected the Russian host society would later bring about a crisis of authenticity that by the end of the nineteenth century threatened the magical potential of Gypsy song and dance by suggesting it was something less than the genuine article.
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The Magic Flute
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The Producers,'' Understands That to Create a Musical -- Good Or Otherwise -- the Appropriate Creative Team Must Be Employed
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