Crazy for You®

Total Page:16

File Type:pdf, Size:1020Kb

Crazy for You® theatre.indiana.edu CRAZY FOR YOU® MUSIC AND LYRICS BY GEORGE AND IRA GERSHWIN | BOOK BY KEN LUDWIG MUSICAL DIRECTION BY TERRY LA BOLT | CHOREOGRAPHED BY DJ GRAY CO- DIRECTED BY ANSLEY VALENTINE AND DJ GRAY RUTH N. HALLS THEATRE IU Theatre & Dance wishes to acknowledge and honor the Miami, Delaware, Potawatomi, and Shawnee people, on whose PRESENTS ancestral homelands and resources Indiana University was built. CRAZY FOR YOU® Music and Lyrics by LIVE George Gershwin and Ira Gershwin PERFORMANCE Book by Ken Ludwig The mission of the Co Conception by Ken Ludwig and Mike Ockrent Department of Theatre, Inspired by Material by Guy Bolton and John McGowan Drama, and Contemporary Originally produced on Broadway by Roger Horchow and Elizabeth Williams Dance is to advance the art, Original Broadway Choreography by Susan Stroman scholarship, and appreciation of theatre and dance and its place in society. We pursue this mission collectively MUSICAL DIRECTOR Terry LaBolt and as individuals through theatrical productions, CHOREOGRAPHED BY DJ Gray scholarship and publication, presentation of our work in CO- DIRECTORS Ansley Valentine* and DJ Gray national and international venues, formal instruction, SCENIC DESIGNER Christopher Mueller and individual mentoring. COSTUME DESIGNER Rachel Saylor The Department of Theatre, Drama, and Contemporary LIGHTING DESIGNER Joshua Wroblewski Dance is accredited by the SOUND DESIGNER Macy Kloville National Association of Schools of Theatre and is a STAGE MANAGER Lexi Duddleson member of the University/ Resident Theatre Association The worldwide copyrights in the music of George and Ira Gershwin® for this presentation are licensed and United States Institute for by the Gershwin Family. Theatre Technology. GERSHWIN is a registered trademark and service mark of Gershwin Enterprises. CRAZY FOR YOU is a registered trademark and service mark of CRAZY FOR YOU Enterprises. CRAZY FOR YOU®, THE NEW GERSHWIN® MUSICAL is presented by arrangement with TAMS-WITMARK LIVING www.tamswitmark.com *This Director is a member of the Stage Directors and Choreographers Society, a national theatrical labor union, IMPACT and Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States. The video and/or audio recording of this production is strictly prohibited. Do not use cell phones, pagers, or other devices that may emit sound or light. RUTH N. HALLS THEATRE | APRIL 17–18, 21– 25, 2020 Cast ENSEMBLE BOBBY CHILD Broderick O'Neal BETSY Catherine Barker POLLY BAKER Larkin Reilly SHEILA Allison Demers IRENE ROTH Nina Donville BEN Ben Dow BELA ZANGLER Michael Bayler ELAINE Amanda Fawell MOTHER Justin Smusz JIMMY Kabir Gandhi LANK HAWKINS Luke Major VERA Maya McQueen EUGENE Ethan St. Germain CUSTUS Henry Miller PATRICIA Cassia Scagnoli GEORGE George Mulder TESS Casey Lamont HARRY Dominic Pagliaro PATSY Casey McCoy MITZI Lisa Podulka EVERETT BAKER Josh Carter MARGIE Antoinette Pompe Van Meerdevort COWBOY TRIO - MOOSE Max Rezek-Tewinkle JUNIOR Justin Smusz COWBOY TRIO - SAM Sam Sanderson SUSIE Katie Scarlett Swaney COWBOY TRIO - MINGO Kyle Mason LOUISE Caroline Santiago Turner BILLY Taylor Ward PETE Michael Winner ORCHESTRA Matt Roehrich Quinn Sternberg Jeremy Gussin SWINGS Piccolo/Flute Bass Piano 2 Phillip Ponella Greg Niemi Terry LaBolt M OTHER Ethan St. Germain Clarinet/Tenor Sax Drums Conductor/Piano 1 Noah Marcus EVERETT/LANK Dan Keller Percussion FEMALE ENSEMBLE/ Natalie Stahl PATRICIA This play is presented with one 15-minute intermission. 4 5 Scenes Musical Numbers ACT ONE ACT ONE 1. WINGS & STAGE OF ZANGLER'S BROADWAY THEATER. Overture – Orchestra Just before a Follies finale. K-r-a-z-y For You – Bobby 2. STREET IN FRONT OF THE ZANGLER THEATER, NEW YORK. Can't Be Bothered Now – Bobby and Women Five minutes later. Bidin' My Time – Moose and Men 3. MAIN STREET, DEADROCK, NEVADA. Morning. Things Are Looking Up – Bobby 4. INSIDE LANK'S SALOON. DEADROCK, NEVADA. Could You Use Me? – Bobby and Polly Immediately following. Shall We Dance – Bobby and Polly 5. MAIN STREET & DESERT. DEADROCK, NEVADA. As evening falls. The "Follies" Girls Arrive In Nevada – Ensemble 6. STAGE OF THE GAIETY THEATER. DEADROCK, NEVADA. Someone To Watch Over Me – Polly Immediately following. Slap That Bass – Bobby (as Zangler), Moose, and Company 7. MAIN STREET, DEADROCK, NEVADA. Morning, three days later. Embraceable You – Polly & Bobby (as Zangler) 8. LOBBY OF THE GAIETY THEATER. Mid-morning, two weeks later. Tonight's The Night – Ensemble 9. STAGE OF THE GAIETY THEATER. Immediately following. I Got Rhythm – Polly & Ensemble 10. BACKSTAGE OF THE GAIETY THEATER. Saturday night, about 7 o'clock. ACT TWO 11. MAIN STREET, DEADROCK, NEVADA. Immediately following. The Real American Folk Song – Ensemble ACT TWO What Causes That? – Bobby and Zangler 1. INSIDE LANK'S SALOON. Fifteen minutes later. Naughty Baby – Irene, Lank, and Men 2. LANK'S SALOON. The next morning, about 10 o'clock. Stiff Upper Lip – Eugene, Patricia, Bobby, Polly, and Ensemble 3. STAGE OF THE GAIETY THEATER. Ten minutes later. They Can't Take That Away From Me – Bobby 4. STREET IN FRONT OF THE ZANGLER THEATER, NEW YORK. But Not For Me – Polly Six weeks later. Nice Work If You Can Get It – Bobby and Women 5. MAIN STREET, DEADROCK, NEVADA. Three days later. French Reprise: Bidin' My Time – Moose, Pete, and Wyatt Reprise: Things Are Looking Up – Everett Finale – Company 6 7 Production staff Message from the chair Assistant Stage Managers Scenic Studio Employees Melanie Patterson Danielle Bergman Rachel Burke Rachel Saylor Jorie Miller Joshua Carter Hannah Schulthise Greetings! management—are produced by and Sophie Reynolds Taylor Furman Wardrobe Supervisors with our students. The number of Amanda Gardin Assistant Lighting Designers Erin Barnett Welcome to the Spencer Gjerde students, faculty, and staff required Megan Branham Justin Gannaway Matt Hapeman 2019–2020 season to mount just one production is Russell Long Carrie Hurst Wardrobe Crew of the Department tremendous, and after seventeen Assistant Costume Designer Rachel Johnson Madi Bell of Theatre, Drama, Meredith Buckley Hannah Keeler Allison Marshall years on our IU faculty I continue to be Kyle Mason Jenna Sears and Contemporary Dance Captain awestruck and proud of our work. We Daniel Meeks Lalo Vera Casey Lamont Dance here in Christopher Mueller Drew Waller come together as a professional model the beautiful Lee Dress Rehearsal Assistant Valeriya Negviga Cole Winston of collaboration and artistic vision to Victoria Wiley Dominic Pagliaro Norvelle Theatre and Drama Center at Lighting Supervisor achieve the high production value you Melanie Patterson Indiana University! Department Speech, Voice, and Marie Pipinich Betsy Smith will experience at each performance. Dialect Coach Samantha Rahn Production Master Electrician Nancy Lipschultz Ben Ramos Naomi S. Gold Theatre and dance are a vital part of You as an audience member have Production Manager Emma Rodes Assistant Master Electrician human expression and convey the Trish Hausmann Margaretha Setiawan a direct impact on the study of Lee Anne Meeks values, hopes, fears and dreams of our performance and the training Department Technical Director Scenic Run Crew Lighting Board Operator world through the stories of individuals, Tien-Yin Sun Danielle McKnight experience of our students. We hope Mitchell Black families, and communities—however we Production Technical Director Costume Studio Supervisor that you enjoy your time with us, and Spot Operators I. Christopher Berg Robbie Stanton choose to define them. Oriana Ogle we invite you to read our department M.F.A. Technical Director Director of Dance Costumes & Cameron Pelton mission statement included in this I find such joy in being part of a Matt Hapeman Department Cutter/Draper Carolynn Stouder program. If you would like to learn more Anne Sorenson community of scholars, artists, and M.F.A. Assistant Technical Electrics Studio Employees about our department, please visit us at Directors Production Cutter/Draper Megan Branham makers, here in our department and in Ellis Greer theatre.indiana.edu. Marie Pipinich Elijah Carpenter the larger university and Bloomington Ben Ramos Elizabeth Licata Ian Dutler Naomi S. Gold communities. This season of theatre, Department Props Master and Costume Studio Assistants We are grateful for the generous Erin Barnett Russell Long dance, and musicals engages important Scenic Artist Supervisor Lee Anne Meeks support of our many donors and Dan Tracy Madi Bell ideas and addresses issues of love, Grace Branam Mitch Ost Associate Producers whose gifts have MacKenzie Van Tassel Props Master Meaghan E. Carlo hope, memory, loss, addiction, and made possible unique production Christopher Mueller Elizabeth Grace Davis Sound Studio Employees revenge. Even classic plays such as opportunities and student scholarships. Scenic Charge Artist Justin Gannaway Ben Ballmer Hamlet and The Servant of Two Masters Rachel Burke Ellis Greer Anna Fagin To support our department and our Addie Helfers Macy Kloville will compel us to consider universal students with a financial gift, or if you Elizabeth Licata Grace Leckey themes and view our world through a are considering joining the unwavering contemporary lens. The Department Production Technical Director and Costume Shop Supervisor are members of the International champions in our Theatre Circle, look Alliance of Theatrical Stage Employees, 618 or 893. for the Alumni & Giving tab on our Our department productions are a website, theatre.indiana.edu.
Recommended publications
  • Susanna Vaughan MFA Musical Theatre 2871 S
    Susanna Vaughan MFA Musical Theatre 2871 S. Fairview Street Santa Ana, CA 92704 (408) 476-0102 [email protected] EDUCATION San Diego State University M.F.A. Musical Theatre, 2018 Azusa Pacific University B.A. Theatre Arts, 2010 Summa Cum Laude TEACHING POSITIONS Adjunct Instructor Spring 2020 Fullerton College THEA 185 Beginning Musical Theatre II Department of Theatre Arts THEA 105 Musical Theatre History (online) Fall 2019 THEA 184 Beginning Musical Theatre I THEA 105 Musical Theatre History Spring 2019 THEA 189 Beginning Movement and Performance Techniques for Musical Theatre Fall 2018 THEA 188 Intro to Movement and Performance Techniques for Musical Theatre Adjunct Instructor Spring 2020 Concordia University Irvine THR 111 Experiences in Theatre Department of Theatre THR 241 Voice and Movement for the Actor Fall 2018 THR 371 Acting III THR 241 Voice and Movement for the Actor 2018-2019, 2019-2020 Director of ACTS (TYA troupe) Vaughan 2 Graduate Instructor Spring 2018 San Diego State University THEA 205 Musical Theatre History School of Theatre, Television, and Film Spring 2017, Fall 2017 THEA 115 Acting for Non-majors PROFESSIONAL TEACHING Voice and Movement Coach 2019 Mater Dei High School, Santa Ana, CA Love’s Labor’s Lost Guest Instructor 2017-2018 JCompany Youth Theatre, La Jolla, CA Musical Theatre Dance Instructor 2017 Dance & Co. Studio, San Diego, CA Musical Theatre Dance Instructor 2012-2013 Azusa Renaissance Theater Acting and Improvisation Instructor 2011-2012 Soaring Spirit Dance Studio, San Jose, CA Ballet, Tap,
    [Show full text]
  • Musical Theatre at the Academy
    MUSICAL THEATRE AT THE ACADEMY “Cole Porter Medley” at Showcase 2019 In the Musical Theatre Department, students master storytelling in three different disciplines: voice, dance, and acting. While many graduates of The Academy attend highly regarded BFA conservatory If you are looking for a career in the arts, the programs in musical theatre or acting, training that you get here is second to none. I others choose to pursue their training can’t imagine what it would be like in a regular in academic BA programs at liberal arts high school musical theatre program. We do colleges. two to three challenging musical productions a For Musical Theatre students, performance year, in addition to a Shakespeare festival. You is a key part of learning, and students have get so much exposure to different works and ample opportunity for it. The Department techniques that by the time you are going to produces three to four mainstage college, you have the confidence to audition shows per year, including two musical productions, and several plays as part of and succeed.” the Shakespeare Festival collaboration with - Jack, Musical Theatre ‘18 the Theatre Department. In acting classes, freshman and sophomore students focus their studies on the work of Shakespeare and Thornton Wilder, while juniors concentrate on Oscar Wilde and Tennessee Williams. Seniors begin to study the work of Anton Chekhov. chicagoacademyforthearts.org 312.421.0202 MUSICAL THEATRE AT THE ACADEMY Musical Theatre Department Curriculum Musical Theatre Department students are immersed in
    [Show full text]
  • 42Nd Street Center for Performing Arts
    Governors State University OPUS Open Portal to University Scholarship Center for Performing Arts Memorabilia Center for Performing Arts 5-25-1996 42nd Street Center for Performing Arts Follow this and additional works at: http://opus.govst.edu/cpa_memorabilia Recommended Citation Center for Performing Arts, "42nd Street" (1996). Center for Performing Arts Memorabilia. Book 82. http://opus.govst.edu/cpa_memorabilia/82 This Book is brought to you for free and open access by the Center for Performing Arts at OPUS Open Portal to University Scholarship. It has been accepted for inclusion in Center for Performing Arts Memorabilia by an authorized administrator of OPUS Open Portal to University Scholarship. For more information, please contact [email protected]. 42ND STREET Saturday, May 25 IP Ml" :• i fi THE CENTER FOR ARTS AND TECHNOLOGY AT GOVERNORS STATE UNIVERSITY The Troika Organization, Music Theatre Associates, The A.C. Company, Inc., Nicholas Hovvey, Dallett Norris, Thomas J. Lydon, and Stephen B. Kane present Music by Lyrics by HARRY WARREN AL DUBIN Book by MICHAEL STEWART & MARK BRAMBLE Based on the novel by BRADFORD ROPES Original Direction and Dances by Originally Produced on Broadway by GOWER CHAMPION DAVID MERRICK Featuring ROBERT SHERIDAN REBECCA CHRISTINE KUPKA MICHELLE FELTEN MARC KESSLER KATHY HALENDA CHRISTOPHER DAUPHINEE NATALIE SLIPKO BRIANW.WEST SHAWN EMAMJOMEH MICHAEL SHILES Scenic Design by Costume Design by Lighting Design by JAMES KRONZER NANZI ADZIMA MARY JO DONDLINGER Sound Design by Hair and Makeup Design by Asst. Director/Choreographer KEVIN HIGLEY JOHN JACK CURTIN LeANNE SCHINDLER Orchestral & Vocal Arranger Musical Director & Conductor STEPHEN M. BISHOP HAMPTON F. KING, JR.
    [Show full text]
  • Plays to Read for Furman Theatre Arts Majors
    1 PLAYS TO READ FOR FURMAN THEATRE ARTS MAJORS Aeschylus Agamemnon Greek 458 BCE Euripides Medea Greek 431 BCE Sophocles Oedipus Rex Greek 429 BCE Aristophanes Lysistrata Greek 411 BCE Terence The Brothers Roman 160 BCE Kan-ami Matsukaze Japanese c 1300 anonymous Everyman Medieval 1495 Wakefield master The Second Shepherds' Play Medieval c 1500 Shakespeare, William Hamlet Elizabethan 1599 Shakespeare, William Twelfth Night Elizabethan 1601 Marlowe, Christopher Doctor Faustus Jacobean 1604 Jonson, Ben Volpone Jacobean 1606 Webster, John The Duchess of Malfi Jacobean 1612 Calderon, Pedro Life is a Dream Spanish Golden Age 1635 Moliere Tartuffe French Neoclassicism 1664 Wycherley, William The Country Wife Restoration 1675 Racine, Jean Baptiste Phedra French Neoclassicism 1677 Centlivre, Susanna A Bold Stroke for a Wife English 18th century 1717 Goldoni, Carlo The Servant of Two Masters Italian 18th century 1753 Gogol, Nikolai The Inspector General Russian 1842 Ibsen, Henrik A Doll's House Modern 1879 Strindberg, August Miss Julie Modern 1888 Shaw, George Bernard Mrs. Warren's Profession Modern Irish 1893 Wilde, Oscar The Importance of Being Earnest Modern Irish 1895 Chekhov, Anton The Cherry Orchard Russian 1904 Pirandello, Luigi Six Characters in Search of an Author Italian 20th century 1921 Wilder, Thorton Our Town Modern 1938 Brecht, Bertolt Mother Courage and Her Children Epic Theatre 1939 Rodgers, Richard & Oscar Hammerstein Oklahoma! Musical 1943 Sartre, Jean-Paul No Exit Anti-realism 1944 Williams, Tennessee The Glass Menagerie Modern
    [Show full text]
  • Colonial Concert Series Featuring Broadway Favorites
    Amy Moorby Press Manager (413) 448-8084 x15 [email protected] Becky Brighenti Director of Marketing & Public Relations (413) 448-8084 x11 [email protected] For Immediate Release, Please: Berkshire Theatre Group Presents Colonial Concert Series: Featuring Broadway Favorites Kelli O’Hara In-Person in the Berkshires Tony Award-Winner for The King and I Norm Lewis: In Concert Tony Award Nominee for The Gershwins’ Porgy & Bess Carolee Carmello: My Outside Voice Three-Time Tony Award Nominee for Scandalous, Lestat, Parade Krysta Rodriguez: In Concert Broadway Actor and Star of Netflix’s Halston Stephanie J. Block: Returning Home Tony Award-Winner for The Cher Show Kate Baldwin & Graham Rowat: Dressed Up Again Two-Time Tony Award Nominee for Finian’s Rainbow, Hello, Dolly! & Broadway and Television Actor An Evening With Rachel Bay Jones Tony, Grammy and Emmy Award-Winner for Dear Evan Hansen Click Here To Download Press Photos Pittsfield, MA - The Colonial Concert Series: Featuring Broadway Favorites will captivate audiences throughout the summer with evenings of unforgettable performances by a blockbuster lineup of Broadway talent. Concerts by Tony Award-winner Kelli O’Hara; Tony Award nominee Norm Lewis; three-time Tony Award nominee Carolee Carmello; stage and screen actor Krysta Rodriguez; Tony Award-winner Stephanie J. Block; two-time Tony Award nominee Kate Baldwin and Broadway and television actor Graham Rowat; and Tony Award-winner Rachel Bay Jones will be presented under The Big Tent outside at The Colonial Theatre in Pittsfield, MA. Kate Maguire says, “These intimate evenings of song will be enchanting under the Big Tent at the Colonial in Pittsfield.
    [Show full text]
  • The Enduring Power of Musical Theatre Curated by Thom Allison
    THE ENDURING POWER OF MUSICAL THEATRE CURATED BY THOM ALLISON PRODUCTION SUPPORT IS GENEROUSLY PROVIDED BY NONA MACDONALD HEASLIP PRODUCTION CO-SPONSOR LAND ACKNOWLEDGEMENT Welcome to the Stratford Festival. It is a great privilege to gather and share stories on this beautiful territory, which has been the site of human activity — and therefore storytelling — for many thousands of years. We wish to honour the ancestral guardians of this land and its waterways: the Anishinaabe, the Haudenosaunee Confederacy, the Wendat, and the Attiwonderonk. Today many Indigenous peoples continue to call this land home and act as its stewards, and this responsibility extends to all peoples, to share and care for this land for generations to come. CURATED AND DIRECTED BY THOM ALLISON THE SINGERS ALANA HIBBERT GABRIELLE JONES EVANGELIA KAMBITES MARK UHRE THE BAND CONDUCTOR, KEYBOARD ACOUSTIC BASS, ELECTRIC BASS, LAURA BURTON ORCHESTRA SUPERVISOR MICHAEL McCLENNAN CELLO, ACOUSTIC GUITAR, ELECTRIC GUITAR DRUM KIT GEORGE MEANWELL DAVID CAMPION The videotaping or other video or audio recording of this production is strictly prohibited. A MESSAGE FROM OUR ARTISTIC DIRECTOR WORLDS WITHOUT WALLS Two young people are in love. They’re next- cocoon, and now it’s time to emerge in a door neighbours, but their families don’t get blaze of new colour, with lively, searching on. So they’re not allowed to meet: all they work that deals with profound questions and can do is whisper sweet nothings to each prompts us to think and see in new ways. other through a small gap in the garden wall between them. Eventually, they plan to While I do intend to program in future run off together – but on the night of their seasons all the plays we’d planned to elopement, a terrible accident of fate impels present in 2020, I also know we can’t just them both to take their own lives.
    [Show full text]
  • SEASON 38 | 2016 - 2017 1 Said a Lot Perry’Swill About Him
    SEASON 38 | 2016 - 2017 1 Said a Lot Perry’sWill About Him. What Does Your Will Say About You? Virginian-Pilot publisher Perry Morgan died in 1999. But today he and his late wife Bunny, provide college scholarships for 49 area students and help Virginia Gentleman Foundation build a Virginia Beach adventure camp for people with disabilities. Perry and Bunny will forever help people in Hampton Roads because of their charitable bequest. Help write our region’s future through your generosity. Learn how at (757) 622-7951 or leaveabequest.org. www.leaveabequest.org. • (757) 622-7951 2 THE WIZ BequestAds-StageOpera16.indd 3 9/7/16 2:13 PM ABOUT VIRGINIA STAGE COMPANY Virginia Stage Company is Southeastern Virginia’s leading non-profit theatre destination, serving an audience of over 70,000 patrons annually, both at the Wells Theatre and throughout the community. Our mission is to “enrich, educate and entertain the region by creating and producing theatrical art of the highest quality.” Virginia Stage Company is one of the country’s foremost regional theatre companies. Shows receiving their world premieres at Virginia Stage regularly include stories of special regional interest that we commission through our American Soil New Plays Program and musicals on their path to the Great White Way that we present in partnership with Broadway producers. VSC productions are created on site and from the ground up—costumes to sets, sound to lighting—especially for our unique Hampton Roads audience. Virginia Stage Company connects the Hampton Roads community through initiatives that enrich lives and encourage artists and audiences for the future.
    [Show full text]
  • Crazy for You
    CRAZY FOR YOU THE NEW GERSHWIN® MUSICAL Music and Lyrics by George Gershwin and Ira Gershwin; Book by Ken Ludwig. Co- conception by Ken Ludwig and Mike Ockrent. Inspired by material by Guy Bolton and John McGowan. Originally produced on Broadway by Roger Horchow and Elizabeth Williams THE STORY ACT ONE It is backstage at the Zangler Theater in New York City in the 1930s during a performance of the "Zangler Follies." Impresario Bela Zangler is in love with Tess, his Dance Director but since Zangler is married, Tess rejects his advances. Also back stage is Bobby Child, heir to a wealthy banking family, who yearns to be in show- business. Bobby talks Zangler into letting him audition on the spot, but the audition is not a success. Outside the theatre, Bobby is accosted by Irene, his wealthy fiancée, whom he doesn't want to marry, then by his mother, who insists that he go to Deadrock, Nevada to foreclose on a property. Bobby escapes the argument by conjuring up the Follies Girls. When he returns to reality, he chooses Deadrock over Irene and hurries off to Grand Central station and for Deadrock. Deadrock is a has-been mining town where the only woman in town is Polly Baker, a feisty postmistress. Her father, Everett, owns the Gaiety Theater that has now gone to seed. Everett has received a letter from New York stating that a banker named Bobby Child has been sent to foreclose on the theatre as the mortgage payments have not been made. Polly vows that if she ever meets this "Bobby Child "she'll do "something ugly".
    [Show full text]
  • Beautiful Family! Broadway/ First National Tour: Beautiful; Betty/ Ensemble
    SARAH BOCKEL (Carole King) is thrilled to be back on the road with her Beautiful family! Broadway/ First National Tour: Beautiful; Betty/ Ensemble. Regional: Million Dollar Quartet (Chicago); u/s Dyanne. Rocky Mountain Repertory Theatre- Les Mis; Madame Thenardier. Shrek; Dragon. Select Chicago credits: Bohemian Theatre Ensemble; Parade, Lucille (Non-eq Jeff nomination) The Hypocrites; Into the Woods, Cinderella/ Rapunzel. Haven Theatre; The Wedding Singer, Holly. Paramount Theatre; Fiddler on the Roof, ensemble. Illinois Wesleyan University SoTA Alum. Proudly represented by Stewart Talent Chicago. Many thanks to the Beautiful creative team and her superhero agents Jim and Sam. As always, for Mom and Dad. ANDREW BREWER (Gerry Goffin) Broadway/Tour: Beautiful (Swing/Ensemble u/s Gerry/Don) Off-Broadway: Sex Tips for Straight Women from a Gay Man, Cougar the Musical, Nymph Errant. Love to my amazing family, The Mine, the entire Beautiful team! SARAH GOEKE (Cynthia Weil) is elated to be joining the touring cast of Beautiful - The Carole King Musical. Originally from Cape Girardeau, Missouri, she has a BM in vocal performance from the UMKC Conservatory and an MFA in Acting from Michigan State University. Favorite roles include, Sally in Cabaret, Judy/Ginger in Ruthless! the Musical, and Svetlana in Chess. Special thanks to her vital and inspiring family, friends, and soon-to-be husband who make her life Beautiful. www.sarahgoeke.com JACOB HEIMER (Barry Mann) Theater: Soul Doctor (Off Broadway), Milk and Honey (York/MUFTI), Twelfth Night (Elm Shakespeare), Seminar (W.H.A.T.), Paloma (Kitchen Theatre), Next to Normal (Music Theatre CT), and a reading of THE VISITOR (Daniel Sullivan/The Public).
    [Show full text]
  • New Studio on Broadway: Music Theatre and Acting
    ® ® 2019 CELEBRATING JIMMY NEDERLANDER James M. Nederlander or “Jimmy,” Chairman of The Nederlander Organization, was the visionary theatrical impresario who built one of the largest private live entertainment companies in the world known for producing and presenting world-class entertainment since 1912. Jimmy started working in the theatre at age 7 sweeping floors for his father, David Tobias (D.T.) Nederlander, in Detroit, Michigan. During a career that spanned over 70 years, Jimmy amassed a network of premier legitimate theatres including nine on Broadway: the Brooks Atkinson, Gershwin, Lunt-Fontanne, Marquis, Minskoff, Nederlander, Neil Simon, Richard Rodgers, and the world famous Palace; in Los Angeles: The Pantages; in London: the Adelphi, Aldwych, and Dominion; and in Chicago: the Auditorium, Broadway Playhouse, Cadillac Palace, and CIBC Theatres, and the Oriental Theatre which this year was renamed the James M. Nederlander Theatre in Jimmy’s honor. He produced over one hundred acclaimed Broadway musicals and plays including Annie, Applause, La Cage aux Folles, Les Liaisons Dangereuses, Me and My Girl, Nine, Noises Off, Peter Pan, Sweet Charity, The Life and Adventures of Nicholas Nickelby, The Will Rogers Follies, Woman of the Year, and many more. “Generous,” “loyal” and “trusted” are just a few of the accolades his friends use to describe him. Jimmy was beloved by the industry and the recipient of many distinguished honors including an Honorary Doctorate of Fine Arts from the University of Connecticut (2014), the Exploring the Arts Foundation Award (2014), the United Nations Foundation Champion Award (2012), The Broadway League’s Schoenfeld Vision for Arts Education Award (2011), the New York Pop’s Man of the Year (2008), and the special Tony Award for Lifetime Achievement (2004).
    [Show full text]
  • Behind the Scenes: What It Takes to Mount A
    Number 4, 2017 Behind the Scenes: What It Takes to Mount a MUSICAL THIS 1 ISSUE Walter Ware III, “Hey kids, let’s put on a show!” When NATIONAL COUNCIL Resident Casting Director Mickey Rooney rallied his gang to show ON THE ARTS Finding the Right People biz in the 1939 filmBabes in Arms, he and Jane Chu, BY JOSEPHINE REED AND DON BALL his friends embarked upon a theatrical Chairman lark. A couple of kids, a few costumes— Bruce Carter what else do you need? Aaron Dworkin Turns out, a lot. In 2014, according Lee Greenwood to Bureau of Economic Analysis data, Deepa Gupta 4 Paul W. Hodes performing arts presenters contributed Tristan Raines, Maria Rosario Jackson $8.7 billion in value to the U.S. economy, Emil Kang Costume Designer but it isn’t all due to the people onstage. Charlotte Kessler Clothing the Characters For actors, musicians, and dancers to María López De León BY REBECCA SUTTON succeed, there are multitudes behind the Rick Lowe curtain that make it happen. In fact, in David “Mas” Masumoto all the arts this is true: from the people Barbara Ernst Prey mounting the artwork at a museum to the Ranee Ramaswamy publishers and editors behind a literary Diane Rodriguez 8 Tom Rothman work, the workers behind the scenes Olga Viso Denis Jones, contribute to an artwork’s success. Choreographer In this issue of NEA Arts, we go Dancing the Narrative EX-OFFICIO backstage at the Signature Theatre’s BY MORGAN MENTZER production of The Gershwins®’ & Ken Sen. Tammy Baldwin (D-WI) Ludwig’s Crazy for You®, which will run Rep.
    [Show full text]
  • Kennedy Center Education Department. Funding Also Provided by the Kennedy Center Corporate Fund
    DOCUMENT RESUME ED 381 839 CS 508 906 AUTHOR Carr, John C. TITLE "Crazy for You." Spotlight on Theater Notes. INSTITUTION John F. Kennedy Center for the Performing Arts, Washington, D.C. SPONS AGENCY Department of Education, Washington, DC. PUB DATE [95] NOTE 17p.; Produced by the Performance Plus Program, Kennedy Center Education Department. Funding also provided by the Kennedy Center Corporate Fund. For other guides in this series, see CS 508 902-905. PUB TYPE Guides General (050) EDRS PRTCE MF01/PC01 Plus Postage. DESCRIPTORS Acting; *Cultural Enrichment; *Drama; Higher Education; Playwriting; Popular Culture; Production Techniques; Secondary Education IDENTIFIERS *Crazy for You; Historical Background; Musicals ABSTRACT This booklet presents a variety of materials concerning the musical play "Crazy for You," a recasting of the 1930 hit. "Girl Crazy." After a brief historical introduction to the musical play. the booklet presents biographical information on composers George and Ira Gershwin, the book writer, the director, the star choreographer, various actors in the production, the designers, and the musical director. The booklet also offers a quiz about plays. and a 7-item list of additional readings. (RS) ....... ; Reproductions supplied by EDRS ore the best that can he made from the original document, U S DEPARTMENT OF EDUCATION Ofi.co ofEaucabonni Research aria improvement EDUCATIONAL RESOURCES INFORMATION CENTER IERIC1 Et This document has been reproduced as received from the person or organization onqinallnq d 0 Minor charms have been made to improve reproduction quality. Points or view or opinions stated in this document do not necessarily represent official OERI position or policy -1411.1tn, *.,3^ ..*.
    [Show full text]