Sherman Edwards Peter Stone
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
EARS!! the Litchfield Fund Weekly Newsletter
ALL EARS!! The Litchfield Fund Weekly Newsletter “We just don’t hear it on the street, we have our ears spread across all the fields!!!!!” In the calendar of Charlemagne, September was known as the Harvest Month. For ancient Britons, it was Barley Month, the crop ready for harvest. It was in September that Columbus departed the Canary Islands, the last stop before crossing the Atlantic & landing in the West Indies. In September, the Pilgrims, seeking religious freedom, departed Britain for the New World. September is the beginning of meteorological autumn & as we have seen this year, the peak of hurricane season is in early September. September is back to school month, the kick-off of football season at all levels & the thrill of tight baseball pennant races! See You in September: This 1966 #3 Billboard hit for The Happenings was written by Sid Wayne & Sherman Edwards. They were part of a songwriting group that was located in the Brill Building in Tin Pan Alley. The group included no less than Hal David, Burt Bacharach, Bobby Darin, Neil Sedaka, Neil Diamond, Gerry Goffin & Carole King. Mr. Wayne wrote many of the songs that were featured in Elvis Presley’s movies, partnering with other songwriters like Mr. Edwards, Ben Weisman & Abner Silver. Mr. Edwards wrote some early songs for Mr. Presley, but as the legend has it, walked out of songwriting session because of the demands of Mr. Presley’s manager, Colonel Tom Parker. Saying he was tired of Rock’n’Roll, Mr. Edwards did not know what he would do next! But on March 16, 1969 a play, with songs written by Mr. -
1776, the Musical
For Immediate Release Date: August 31, 2016 Contact: Susan Davenport Director of Communications Virginia Repertory Theatre [email protected] 8047831688 ext 1133 8045138211 Mobile Virginia Repertory Theatre Opens the Signature Season with 1776, the Musical Starring Scott Wichmann as John Adams Richmond, VA Virginia Repertory Theatre announces the opening of 1776, The Musical, at the Sara Belle and Neil November Theatre, 114 West Broad Street on Friday, September 30, 2016 with two previews on September 28 and 29. The show runs through October 23, 2016. Often referred to as “America’s Musical,” 1776 is a lively, funny, and momentous story of the second Continental Congress and the writing of the Declaration of Independence. Peter Stone and Sherman Edwards wrote the musical in the years leading up to America’s bicentennial. It debuted on Broadway in 1969 and won the Tony Award for Best Musical. Virginia Rep will partner with the Virginia Historical Society to provide related talkbacks and discussions throughout the run of the show. Visit http://varep.org/_1776novembertheatrerichmond.html for details. Director Debra Clinton is thrilled to work with such an outstanding cast. “I see 1776 as an opportunity for people to revisit the history of our country and to reflect on what brings us together as Americans. It is a very uplifting story even in the context of hard compromise.” Clinton’s recent credits for Virginia Rep include The Whipping Man and the family smashhit Croaker: The Frog Prince Musical, which she cowrote with Jason Marks. Sandy Dacus will serve as music director. -
Encores! 2016 Season Release
Contact:: Helene Davis Public Relations [email protected] NEW YORK CITY CENTER 2016 ENCORES! SEASON Cabin in the Sky Music by Vernon Duke; Lyrics by John La Touche Book by Lynn Root ~ 1776 America’s Prize Winning Musical Music and Lyrics by Sherman Edwards Book by Peter Stone Based on a Concept by Sherman Edwards ~ Do I Hear a Waltz? Music by Richard Rodgers; Lyrics by StePhen Sondheim Book by Arthur Laurents Based on the play The Time of the Cuckoo by Arthur Laurents Season Begins February 10, 2016 New York, NY, May 11, 2015– The 2016 season of New York City Center’s Tony-honored Encores! series will open with Cabin in the Sky on February 10–14, 2016, followed by 1776 and Do I Hear a Waltz?. Jack Viertel is the artistic director of Encores!; Rob Berman is its music director. Cabin in the Sky tells the fable-like story of a battle between The Lord’s General and the Devil’s only son over the soul of a charming ne’er-do-well named “Little Joe” Jackson who, after a knife fight in a saloon, is given six months more on earth to prove his worth. With Cabin in the Sky, composer Vernon Duke, lyricist John La Touche, and librettist Lynn Root set out to celebrate African American achievement in music and dance, and created a wonderfully integrated score that blends hits like “Taking a Chance on Love” with authentic traditional gospel numbers and full-fledged modern dance pieces. The show opened on October 25, 1940 at the Martin Beck Theatre in a production staged and choreographed by George Balanchine and ran 156 performances. -
SEASON 38 | 2016 - 2017 1 Said a Lot Perry’Swill About Him
SEASON 38 | 2016 - 2017 1 Said a Lot Perry’sWill About Him. What Does Your Will Say About You? Virginian-Pilot publisher Perry Morgan died in 1999. But today he and his late wife Bunny, provide college scholarships for 49 area students and help Virginia Gentleman Foundation build a Virginia Beach adventure camp for people with disabilities. Perry and Bunny will forever help people in Hampton Roads because of their charitable bequest. Help write our region’s future through your generosity. Learn how at (757) 622-7951 or leaveabequest.org. www.leaveabequest.org. • (757) 622-7951 2 THE WIZ BequestAds-StageOpera16.indd 3 9/7/16 2:13 PM ABOUT VIRGINIA STAGE COMPANY Virginia Stage Company is Southeastern Virginia’s leading non-profit theatre destination, serving an audience of over 70,000 patrons annually, both at the Wells Theatre and throughout the community. Our mission is to “enrich, educate and entertain the region by creating and producing theatrical art of the highest quality.” Virginia Stage Company is one of the country’s foremost regional theatre companies. Shows receiving their world premieres at Virginia Stage regularly include stories of special regional interest that we commission through our American Soil New Plays Program and musicals on their path to the Great White Way that we present in partnership with Broadway producers. VSC productions are created on site and from the ground up—costumes to sets, sound to lighting—especially for our unique Hampton Roads audience. Virginia Stage Company connects the Hampton Roads community through initiatives that enrich lives and encourage artists and audiences for the future. -
Student Guide Table of Contents
GOODSPEED MUSICALS STUDENT GUIDE TABLE OF CONTENTS APRIL 13 - JUNE 21, 2018 THE GOODSPEED Production History.................................................................................................................................................................................3 Synopsis.......................................................................................................................................................................................................4 Characters......................................................................................................................................................................................................5 Meet the Writers.....................................................................................................................................................................................6 Meet the Creative Team........................................................................................................................................................................8 Presents for Mrs. Rogers......................................................................................................................................................................9 Will Rogers..............................................................................................................................................................................................11 Wiley Post, Aviation Marvel..............................................................................................................................................................16 -
Professional Achievements 2009
Profess Achieve 09 8.5x11:Layout 1 9/8/09 6:03 PM Page 1 F R O S T B U R G S T A T E U N I V E R S I T Y DIVISION OF COMMUNICATIONS & MEDIA RELATIONS FROSTBURG STATE UNIVERSITY 101 BRADDOCK ROAD FROSTBURG, MD 21532-2303 COVER DESIGN: ANN TOWNSELL Professional achievements 2009 ~ ~ Frostburg State University2009 Professional Achievements This booklet highlights the many professional achievements during the past year of Frostburg State University’s diverse and talented faculty and staff. As you will see in the following pages, Frostburg’s faculty members and professional staff contribute to their fields by producing original research, creative works and performances, and scholarship in teaching and learning. Faculty and staff also engage in widespread service to their fields and in the community. These professional activities enhance performance in the classroom and bolster the University’s role in supporting regional, cultural and economic development activities. Please join me in celebrating the professional achievements of members of the Frostburg State University community and thanking them for their efforts. Dr. Stephen J. Simpson, Provost Frostburg State University The professional achievements listed are those reported by faculty and staff in response to surveys distributed during the spring of 2009. They encompass achievements during the period from June 1, 2008, to May 31, 2009. There may have been notable achievements that were unreported and thus unlisted. Published by Communications and Media Relations Compiled and edited by Candis Johnson 2 Frostburg State University Messages From the Deans College of Business It is with great pleasure that I write this message as the Interim Dean of the College of Business. -
Declaration of Independence
DECLARATION OF INDEPENDENCE IN CONGRESS, JULY 4, 1776 —————————— THE UNANIMOUS DECLARATION OF THE THIRTEEN UNITED STATES OF AMERICA When, in the course of human events, it becomes necessary for one people to dissolve the political bands which have connected them with another, and to assume among the powers of the earth the separate and equal station to which the laws of nature and nature’s God entitle them, a decent respect to the opinions of mankind requires that they should declare the causes which impel them to the separation. We hold these truths to be self-evident—that all men are created equal; that they are endowed by their Creator with certain unalienable rights; that among these are life, liberty, and the pursuit of happiness; that, to secure these rights, governments are instituted among men, deriving their just powers from the consent of the governed; that whenever any form of government becomes destructive of these ends, it is the right of the people to alter or to abolish it, and to institute new government, laying its foundation on such principles, and organizing its powers in such form, as to them shall seem most likely to effect their safety and happiness. Prudence, indeed, will dictate, that governments long established should not be changed for light and transient causes; and accordingly all experience hath shown, that mankind are more disposed to suffer, while evils are sufferable, than to right themselves by abolishing the forms to which they are accustomed. But when a long train of abuses and usurpations, pursuing invariably the same object, evinces a design to reduce them under absolute despotism, it is their right, it is their duty, to throw off such government and to provide new guards for their future security. -
The Faulkner Murals: Depicting the Creation of a Nation
DEPICTING the CREATION of a NATION The Story Behind the Murals About Our Founding Documents by LESTER S. GORELIC wo large oil-on-canvas murals (each about 14 feet by 37.5 feet) decorate the walls of the Rotunda of the National T Archives in Washington, D.C. The murals depict pivotal moments in American history represented by two founding doc uments: the Declaration of Independence and the Constitution. In one mural, Thomas Jefferson of Virginia is depicted handing over his careful ly worded and carefully edited draft of the Declaration of Independence to John Hancock of Massachusetts. Many of the other Founding Fathers look on, some fully supportive, some apprehensive. In the other, James Madison of Virginia is depicted presenting his draft of the Constitution to fellow Virginian George Washington, president of the 1787 Constitutional Convention, and to other members of the Convention. Although these moments occurred in the Pennsylvania State House in Philadelphia (Independence Hall)—not in the sylvan settings shown in the murals—the two price less documents are now in the National Archives Building in Washington, D.C., and have been seen by millions of visitors over the years. When the National Archives Building was built in the Jefferson’s placement at the front of the Committee of mid-1930s, however, these two founding documents were Five reflects his position as its head. Although Jefferson was in the custody of the Library of Congress and would not the primary author of the Declaration, his initial draft was be transferred to the Archives until 1952. Even so, the ar edited first by Adams and then by Franklin. -
Protecting the American Playwright John Weidman
Brooklyn Law Review Volume 72 | Issue 2 Article 5 2007 THE SEVENTH ANNUAL MEDIA & SOCIETY LECTURE: Protecting the American Playwright John Weidman Follow this and additional works at: https://brooklynworks.brooklaw.edu/blr Recommended Citation John Weidman, THE SEVENTH ANNUAL MEDIA & SOCIETY LECTURE: Protecting the American Playwright, 72 Brook. L. Rev. (2007). Available at: https://brooklynworks.brooklaw.edu/blr/vol72/iss2/5 This Article is brought to you for free and open access by the Law Journals at BrooklynWorks. It has been accepted for inclusion in Brooklyn Law Review by an authorized editor of BrooklynWorks. THE SEVENTH ANNUAL MEDIA AND SOCIETY LECTURE Protecting the American Playwright John Weidman† I want to begin by clarifying something which is going to become stunningly clear whether I clarify it now or not. I am not an attorney. I did in fact graduate from law school. I did in fact take and pass the New York Bar Exam. But to give you a sense of how long ago that was, when I finished the exam I celebrated by picking up a six pack of Heineken and going home to watch the Watergate Hearings. I have never practiced law. But as President of the Dramatists Guild of America for the last eight years I have found myself in the middle of a number of legal collisions, the most important of which I’m going to talk about today, not from a lawyer’s perspective—although I may attempt to dazzle you with a couple of actual citations—but from the perspective of the playwrights, composers, and lyricists whose interests the Guild represents. -
Tennessee Repertory Theatre's by Peter Stone and Sherman Edwards
2005-2006 Season for Young People Teacher Guidebook Tennessee Repertory Theatre’s by Peter Stone and Sherman Edwards 2005- Thank You Tennessee Performing Arts Center gratefully acknowledges the generous support of corporations, foundations, government agencies, and other groups and individuals who have contributed to TPAC Education in 2005-2006. American Express Philanthropic Program The Hermitage Hotel Anderson Merchandisers Ingram Charitable Fund Aspect Community Commitment Fund Jack Daniel Distillery at Community Foundation Silicon Valley Juliette C. Dobbs 1985 Trust Baulch Family Foundation LifeWorks Foundation Bank of America Lyric Street BMI-Broadcast Music Inc. The Memorial Foundation Capitol Grille Gibson Guitar Corp. The Coca-Cola Bottling Company The HCA Foundation The Community Foundation of Middle Ingram Arts Support Fund Tennessee Lifeworks Foundation Creative Artists Agency Metro Action Commission Crosslin Vaden & Associates Martha & Bronson Ingram Foundation Curb Records Nashville Gas Company HCA/TriStar Neal & Harwell, PLC General Motors Corporation Mary C. Ragland Foundation Adventure 3 Properties, G.P. Pinnacle Financial Partners American Airlines RCA Label Group BellSouth Richards Family Advised Fund Bridgestone Firestone Trust Fund Rogan Allen Builders Davis-Kidd Booksellers Inc. Southern Arts Federation DEX Imaging, Inc. Starstruck Entertainment Dollar General Corporation SunTrust Bank, Nashville The Frist Foundation Fidelity Investments Earl Swensson Associates, Inc. Charitable Gift Fund Target Stores Patricia C. & Thomas F. Frist Designated Fund The Tennessean Gaylord Entertainment Company Ticketmaster Corporation General Motors Corporation Trauger, Ney, and Tuke The Joel C. Gordon & Bernice W. Gordon United Way of Metropolitan Nashville Family Foundation Universal South Glover Group Vanderbilt University Hecht's Vanderbilt University and Medical Center This project is funded under an agreement with the Tennessee Arts Commission, and the National Endowment for the Arts. -
Edition 3Rd Wednesdays July and August Meeting At: 375 Highway 67, Dousman, WI 53118 Mail To: P
July Stated Communications: 7:30 PM 1st & 3rd Wednesdays Home 2018 September through June Edition 3rd Wednesdays July and August Meeting at: 375 Highway 67, Dousman, WI 53118 Mail to: P. O. Box 284, Hartland, WI 53029-0284 Secretary’s Phone: 262.367.2309 E-mail: [email protected] Web: http://www.lodge42.net Worshipful Master Bruce Boland 262.354.4394 Senior Warden Timothy Behling, PM 414.254.3060 Junior Warden Tim Zellner, PM 414.588.5169 Treasurer Frank McKenna, PM 262.893.1106 Secretary Gary Pilgrim, PM 262.367.2309 Chaplain Craig Wiggins, PM 267.416-0788 Senior Deacon James Lukas 262.370.4356 Junior Deacon Robert Staley 262.309.9111 Senior Steward Scott Millikin 262.490.6023 Junior Steward Aaron Marjala 414.975.9770 Counselor Henry Pynakker, PM 262.370.2665 Organist Volunteer Opportunity 555.555.5555 Tyler Robert Jewell , PM 262.212.4616 Trustees Daniel Bast, PM 414.333.1412 James A. Johnson, PM 414.651.2072 Charles Gastrow, PM 262.370.1149 Thomas Ewald 414.429.5904 Frank McKenna, PM 262.893.1106 Sickness & Distress: Please notify the Senior Warden of Brothers in Sickness or Distress. Page 1 of 9 or helping out at the event as a volunteer. All are needed. Merrill Hills is a beautiful venue, and one of the prettiest golf courses you will see. Our golf committee has worked tirelessly behind the scenes to make this a first rate event, and it will be much fun. It is good to see some of our new brothers’ step up and take on some roles. -
Founding Fathers on Screen: the Changing Relationship Between History and Film
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2012 Founding Fathers on Screen: The Changing Relationship between History and Film Jennifer Lynn Garrott College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the Film and Media Studies Commons, and the United States History Commons Recommended Citation Garrott, Jennifer Lynn, "Founding Fathers on Screen: The Changing Relationship between History and Film" (2012). Dissertations, Theses, and Masters Projects. Paper 1539626696. https://dx.doi.org/doi:10.21220/s2-42hs-e363 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. Founding Fathers on Screen: The Changing Relationship between History and Film Jennifer Lynn Garrott Burke, Virginia Bachelor of Arts, College of William and Mary, 2010 A Thesis presented to the Graduate Faculty of the College of William and Mary in Candidacy for the Degree of Master of Arts Lyon.G. Tyler Department of History The College of William and Mary August 2012 APPROVAL PAGE This Thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts r Lynn Garrott Approved by the Committee, August, 2012 Committee Chair Associate Professor Leisa Meyer, Lyon Gardir/br Tyler History Department, The College of W illiam ^ Mary __________ Associate Professor Andrew Figjfer, Lyon Gardiner Tyler History Department, The College of William & Mary Visiting Assistant Professor Sharon ZuberI jlish and Film Studies The College of William' lary ABSTRACT PAGE While historians have often addressed, and occasionally dismissed historical films, the relationship between history and film is ever changing.