Encores! 2016 Season Release
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
EARS!! the Litchfield Fund Weekly Newsletter
ALL EARS!! The Litchfield Fund Weekly Newsletter “We just don’t hear it on the street, we have our ears spread across all the fields!!!!!” In the calendar of Charlemagne, September was known as the Harvest Month. For ancient Britons, it was Barley Month, the crop ready for harvest. It was in September that Columbus departed the Canary Islands, the last stop before crossing the Atlantic & landing in the West Indies. In September, the Pilgrims, seeking religious freedom, departed Britain for the New World. September is the beginning of meteorological autumn & as we have seen this year, the peak of hurricane season is in early September. September is back to school month, the kick-off of football season at all levels & the thrill of tight baseball pennant races! See You in September: This 1966 #3 Billboard hit for The Happenings was written by Sid Wayne & Sherman Edwards. They were part of a songwriting group that was located in the Brill Building in Tin Pan Alley. The group included no less than Hal David, Burt Bacharach, Bobby Darin, Neil Sedaka, Neil Diamond, Gerry Goffin & Carole King. Mr. Wayne wrote many of the songs that were featured in Elvis Presley’s movies, partnering with other songwriters like Mr. Edwards, Ben Weisman & Abner Silver. Mr. Edwards wrote some early songs for Mr. Presley, but as the legend has it, walked out of songwriting session because of the demands of Mr. Presley’s manager, Colonel Tom Parker. Saying he was tired of Rock’n’Roll, Mr. Edwards did not know what he would do next! But on March 16, 1969 a play, with songs written by Mr. -
Boston Symphony Orchestra Concert Programs, Summer, 2005
Tanglewood sum, ; JAMES LEVINE MUSIC DIRECTOR m ^ ^* ml/ «o*<-^- -*»5i^^ i>iim T-. ORIGINS GflUCIW formerly TRIBAL ARTS GALLERY, NYC Ceremonial and modern sculpture for new and advanced collectors Open 7 Days 36 Main St. POB 905 41 3-298-0002 Stockbridge, MA 01262 urnmg lree Estates is pleased to offer an inviting opportunity in the Berkshires: [ Comforts ofHome] our exclusive community of fifteen [ Quality of Life ] tastefully unique homes. Classic New [ Sense England designs, abundant with of Community ] luxury amenities, are built with the discerning homeowner in mind. Each is majestically sited on private wooded acres along tranquil streets. Please schedule an appointment to explore our distinctive designs and the remaining lots available at Burning Tree Estates. For more information please call or visit Burning Tree Road, Great Barrington, MA BOSTON SYMPHONY ORCHESTRA One Hundred and Twenty-Fourth Season, 2004-05 TANGLEWOOD 2005 g^± Trustees of the Boston Symphony Orchestra, Inc. Peter A. Brooke, Chairman John F. Cogan, Jr., Vice-Chairman Robert P. O'Block, Vice-Chairman Nina L. Doggett, Vice-Chairman Roger T. Servison, Vice-Chairman Edward Linde, Vice-Chairman Vincent M. O'Reilly, Treasurer Harlan E. Anderson Eric D. Collins Edmund Kelly Edward I. Rudman George D. Behrakis Diddy Cullinane, George Krupp Hannah H. Schneider Gabriella Beranek ex-officio R. Willis Leith, Jr. Thomas G. Sternberg Mark G. Borden William R. Elfers Nathan R. Miller Stephen R. Weber Jan Brett Nancy J. Fitzpatrick Richard P. Morse Stephen R. Weiner Samuel B. Bruskin Charles K. Gifford Ann M. Philbin, Robert C. Winters Paul Buttenwieser Thelma E. Goldberg ex-officio James F. -
VERNON DUKE: a Neglected Master's Haunting Consolations
This copy is for your personal, noncommercial use only. You can order presentation-ready copies for distribution to your colleagues, clients or customers, please click here or use the "Reprints" tool that appears next to any article. Visit www.nytreprints.com for samples and additional information. Order a reprint of this article now. » January 24, 1999 MUSIC MUSIC; A Neglected Master's Haunting Consolations By BARRY SINGER THERE is something so improbably consoling about the sadness at the heart of the best Vernon Duke melodies. This redemptive afterglow could be a consequence of sheer melodic sophistication. Duke knew how to construct a song, elegantly, with surpassing craft and harmonic flair. Yet the earned wisdom behind the sadness in his music transcends flair and craft and goes beyond sophistication. It's not that the songs are even inherently unhappy. ''Autumn in New York,'' ''April in Paris'' and ''I Can't Get Started'' -- to name Duke's most identifiable trio -- inhabit an emotional realm uncommon in the American popular song canon, that of dry-eyed ballads of unusual poignancy. The melancholy induced by these songs, while hauntingly seductive, is never glum. Nor was Duke remotely a sad kind of guy. An aristocratic White Russian emigre turned Broadway songwriter, he seems to have had a rather good time of it all, dressing with notorious dash and, in a polyglot of languages, charming chorus girls and theatrical producers alike. Duke knew everybody, from his dearest friend, the Russian composer Sergei Prokofiev, to Picasso and Chanel, Balanchine and Jean Cocteau, and even an antic young serviceman whom Duke discovered during World War II, Sid Caesar. -
The Great American Songbook in the Classical Voice Studio
THE GREAT AMERICAN SONGBOOK IN THE CLASSICAL VOICE STUDIO BY KATHERINE POLIT Submitted to the faculty of the Jacobs School of Music in partial fulfillment of the requirements for the degree, Doctor of Music Indiana University May, 2014 Accepted by the faculty of the Jacobs School of Music, Indiana University, in partial fulfillment of the requirements for the degree Doctor of Music. ___________________________________ Patricia Wise, Research Director and Chair __________________________________ Gary Arvin __________________________________ Raymond Fellman __________________________________ Marietta Simpson ii For My Grandmothers, Patricia Phillips and Leah Polit iii ACKNOWLEDGMENTS I wish to express my sincerest thanks to the members of my committee—Professor Patricia Wise, Professor Gary Arvin, Professor Marietta Simpson and Professor Raymond Fellman—whose time and help on this project has been invaluable. I would like to especially thank Professor Wise for guiding me through my education at Indiana University. I am honored to have her as a teacher, mentor and friend. I am also grateful to Professor Arvin for helping me in variety of roles. He has been an exemplary vocal coach and mentor throughout my studies. I would like to give special thanks to Mary Ann Hart, who stepped in to help throughout my qualifying examinations, as well as Dr. Ayana Smith, who served as my minor field advisor. Finally, I would like to thank my family for their love and support throughout my many degrees. Your unwavering encouragement is the reason I have been -
Sherman Edwards Peter Stone
Artistic Director Nathaniel Shaw Managing Director Phil Whiteway 1776 SEASON SPONSORS AMERICA’S PRIZE WINNING MUSICAL MUSIC AND LYRICS BY SHERMAN E. Rhodes and Leona B. EDWARDS Carpenter Foundation BOOK BY PETER STONE BASED ON A CONCEPT BY SHERMAN EDWARDS ORIGINAL PRODUCTION DIRECTED BY PETER HUNT ORIGINALLY PRODUCED ON THE BROADWAY STAGE BY STUART OSTROW STAGE MANAGEMENT Laura Hicks* SET DESIGN COSTUME DESIGN Rich Mason Sue Griffin LIGHT DESIGN SOUND DESIGN BJ Wilkinson Derek Dumais MUSIC DIRECTION Sandy Dacus DIRECTION Debra Clinton 1776 is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. www.MTIShows.com CAST MUSICAL NUMBERS AND SCENES ACT I MEMBERS OF THE CONTINENTAL CONGRESS For God’s Sake, John, Sit Down ............................... Adams & The Congress Piddle, Twiddle ............................................................. Adams President Delaware Till Then .......................................................... Adams & Abigail John Hancock............ Michael Hawke Caesar Rodney ........... Neil Sonenklar The Lees of Old Virginia ......................................Lee, Franklin & Adams Thomas McKean ..... Andrew C. Boothby New Hampshire But, Mr. Adams — .................. Adams, Franklin, Jefferson, Sherman & Livingston George Read ................ John Winn Dr. Josiah Bartlett ......Joseph Bromfield Yours, Yours, Yours ................................................ Adams & Abigail Maryland He Plays the Violin ........................................Martha, -
Tennessee Repertory Theatre's by Peter Stone and Sherman Edwards
2005-2006 Season for Young People Teacher Guidebook Tennessee Repertory Theatre’s by Peter Stone and Sherman Edwards 2005- Thank You Tennessee Performing Arts Center gratefully acknowledges the generous support of corporations, foundations, government agencies, and other groups and individuals who have contributed to TPAC Education in 2005-2006. American Express Philanthropic Program The Hermitage Hotel Anderson Merchandisers Ingram Charitable Fund Aspect Community Commitment Fund Jack Daniel Distillery at Community Foundation Silicon Valley Juliette C. Dobbs 1985 Trust Baulch Family Foundation LifeWorks Foundation Bank of America Lyric Street BMI-Broadcast Music Inc. The Memorial Foundation Capitol Grille Gibson Guitar Corp. The Coca-Cola Bottling Company The HCA Foundation The Community Foundation of Middle Ingram Arts Support Fund Tennessee Lifeworks Foundation Creative Artists Agency Metro Action Commission Crosslin Vaden & Associates Martha & Bronson Ingram Foundation Curb Records Nashville Gas Company HCA/TriStar Neal & Harwell, PLC General Motors Corporation Mary C. Ragland Foundation Adventure 3 Properties, G.P. Pinnacle Financial Partners American Airlines RCA Label Group BellSouth Richards Family Advised Fund Bridgestone Firestone Trust Fund Rogan Allen Builders Davis-Kidd Booksellers Inc. Southern Arts Federation DEX Imaging, Inc. Starstruck Entertainment Dollar General Corporation SunTrust Bank, Nashville The Frist Foundation Fidelity Investments Earl Swensson Associates, Inc. Charitable Gift Fund Target Stores Patricia C. & Thomas F. Frist Designated Fund The Tennessean Gaylord Entertainment Company Ticketmaster Corporation General Motors Corporation Trauger, Ney, and Tuke The Joel C. Gordon & Bernice W. Gordon United Way of Metropolitan Nashville Family Foundation Universal South Glover Group Vanderbilt University Hecht's Vanderbilt University and Medical Center This project is funded under an agreement with the Tennessee Arts Commission, and the National Endowment for the Arts. -
Founding Fathers on Screen: the Changing Relationship Between History and Film
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2012 Founding Fathers on Screen: The Changing Relationship between History and Film Jennifer Lynn Garrott College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the Film and Media Studies Commons, and the United States History Commons Recommended Citation Garrott, Jennifer Lynn, "Founding Fathers on Screen: The Changing Relationship between History and Film" (2012). Dissertations, Theses, and Masters Projects. Paper 1539626696. https://dx.doi.org/doi:10.21220/s2-42hs-e363 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. Founding Fathers on Screen: The Changing Relationship between History and Film Jennifer Lynn Garrott Burke, Virginia Bachelor of Arts, College of William and Mary, 2010 A Thesis presented to the Graduate Faculty of the College of William and Mary in Candidacy for the Degree of Master of Arts Lyon.G. Tyler Department of History The College of William and Mary August 2012 APPROVAL PAGE This Thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts r Lynn Garrott Approved by the Committee, August, 2012 Committee Chair Associate Professor Leisa Meyer, Lyon Gardir/br Tyler History Department, The College of W illiam ^ Mary __________ Associate Professor Andrew Figjfer, Lyon Gardiner Tyler History Department, The College of William & Mary Visiting Assistant Professor Sharon ZuberI jlish and Film Studies The College of William' lary ABSTRACT PAGE While historians have often addressed, and occasionally dismissed historical films, the relationship between history and film is ever changing. -
CRAFTING a CAREER: ETHEL WATERS and CABIN in the SKY Briana Joy Frieda a Thesis Submitted to the Faculty at the University of No
CRAFTING A CAREER: ETHEL WATERS AND CABIN IN THE SKY Briana Joy Frieda A thesis submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Arts in Musicology in the Music Department in the School of Music. Chapel Hill 2015 Approved by: Jocelyn R. Neal Andrea Bohlman Chérie Ndaliko © 2015 Briana Joy Frieda ALL RIGHTS RESERV ED ii ABSTRACT Briana Joy Frieda: Crafting a Career: Ethel Waters and Cabin in the Sky (Under the direction of Jocelyn Neal) Ethel Waters (1896–1977) was a path-breaking African American entertainer whose career spanned nearly sixty years, moving from vaudeville to Hollywood. This thesis addresses the 1943 film Cabin in the Sky as a pivotal moment in Waters’s dramatic output, with her playing a role that served as culmination of the themes of her earlier career and as the transition to a new type of character. Beginning before Cabin , and moving through the end of her career, this analysis draws from biographical accounts in combination with close readings of the film to trace four main characteristics that govern her career and public persona: her assertion of creative control, her personal conflicts with female co-stars, her public expressions of religious piety, and her complex experiences with the racial politics of her era. Her oft-overlooked portrayal in Cabin offers insight into the tensions and contradictions that shaped her career and legacy. iii TABLE OF CONTENTS LIST OF FIGURES ..................................................................................................................... v INTRODUCTION ....................................................................................................................... 2 Writing Waters ........................................................................................................................ 3 Cabin in the Sky Summary ..................................................................................................... -
Boston Symphony Orchestra Concert Programs, Season 62,1942-1943, Trip
BmbttB Gtyratrr, (Eambrtog* [Harvard University] Thursday Evening, March 18 at 8 o'clock VICTOR RED SEAL RECORDS by the Boston Symphony Orchestra SERGE KOUSSEVITZKY, Conductor Also Sprach Zarathustra Strauss Battle of Kershenetz Rimsky-Korsakov Bolero Ravel Capriccio (Jesus Maria Sanroma, Soloist) Stravinsky Classical Symphony Prokofieff Concerto for Orchestra in D major K. P. E. Bach Concerto Grosso in D minor Vivaldi Concerto in D major (Jascha Heifetz, Soloist) Brahms Concerto No. 2 (Jascha Heifetz, Soloist) Prokofieff Concerto No. 12 — Larghetto Handel Damnation of Faust : Minuet — Waltz — Rakoczy March Berlioz Danse Debussy-Ravel Daphnis et Chloe — Suite No. 2 Ravel filegie (Violoncello solo: Jean Bedetti) Faure "Enchanted Lake" Liadov Fair Harvard Arr. by Koussevitzky Fruhlingsstimmen — Waltzes (Voices of Spring) Strauss Gymnopedie No. 1 Erik Satie-Debussy "Khovanstchina" Prelude Moussorgsky La Valse . Ravel "La Mer" ("The Sea") Debussy Last Spring Grieg "Lieutenant Kije" Suite Prokofieff Love for Three Oranges — Scherzo and March Prokofieff Ma Mere L'Oye (Mother Goose) Ravel Mefisto Waltz Liszt Missa Solemnis Beethoven Passion According to Saint Matthew (Three Albums) Bach "Peter and the Wolf" Prokofieff Pictures at an Exhibition Moussorgsky-Ravel Pohjola's Daughter Sibelius "Romeo and Juliet," Overture-Fantasia Tchaikovsky Rosamunde — Ballet Music Schubert Sal6n Mexico, El Aaron Copland San Juan Capistrano — 2 Nocturnes Harl McDonald Sarabande Debussy-Ravel Song of Volga Boatmen Arr. by Stravinsky "Swanwhite" ( "The Maiden with Roses" ) ., Sibelius Symphony No. 1 in B-flat major ("Spring") Schumann Symphony No. 2 in D major Beethoven Symphony No. 2 in D major Sibelius Symphony No. 3 Harris Symphony No. 4 in A major ("Italian") Mendelssohn Symphony No. -
James W. Phillips Collection
JAMES W. PHILLIPS COLLECTION RUTH T. WATANABE SPECIAL COLLECTIONS SIBLEY MUSIC LIBRARY EASTMAN SCHOOL OF MUSIC UNIVERSITY OF ROCHESTER Processed by Gigi Monacchino, spring 2013 Revised by Gail E. Lowther, winter 2019 1 TABLE OF CONTENTS Description of Collection . 3 Description of Series . 5 INVENTORY Sub-Group I: Composer Subdivision Series 1: Irving Berlin . 7 Series 2: George Gershwin, Victor Herbert, and Jerome Kern . 35 Series 3: Jerome Kern and Cole Porter . 45 Series 4: Cole Porter and Richard Rodgers . 60 Series 5: Richard Rodgers . 72 Series 6: Richard Rodgers and Sigmund Romberg . 86 Sub-Group II: Individual Sheet Music Division . 92 Sub-Group III: Film and Stage Musical Songs . 214 Sub-Group IV: Miscellaneous Selections . 247 2 DESCRIPTION OF COLLECTION Accession no. 2007/8/14 Shelf location: C3B 7,4–6 Physical extent: 7.5 linear feet Biographical sketch James West Phillips (b. August 11, 1915; d. July 2, 2006) was born in Rochester, NY. He graduated from the University of Rochester in 1937 with distinction with a Bachelor of Arts in Mathematics; he was also elected to the academic honors society Phi Beta Kappa. In 1941, he moved to Washington, DC, to work in the Army Ordnance Division of the War Department as a research analyst. He left that position in 1954 to restore a house he purchased in Georgetown. Subsequently, in 1956, he joined the National Automobile Dealers Association as a research analyst and worked there until his retirement in 1972. He was an avid musician and concert-goer: he was a talented pianist, and he composed music throughout his life. -
Ella Fitzgerald Collection of Sheet Music, 1897-1991
http://oac.cdlib.org/findaid/ark:/13030/tf2p300477 No online items Ella Fitzgerald collection of sheet music, 1897-1991 Finding aid prepared by Rebecca Bucher, Melissa Haley, Doug Johnson, 2015; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] ©2002 The Regents of the University of California. All rights reserved. Ella Fitzgerald collection of sheet PASC-M 135 1 music, 1897-1991 Title: Ella Fitzgerald collection of sheet music Collection number: PASC-M 135 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical Description: 13.0 linear ft.(32 flat boxes and 1 1/2 document boxes) Date (inclusive): 1897-1991 Abstract: This collection consists of primarily of published sheet music collected by singer Ella Fitzgerald. Physical Location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library Special Collections Reference Desk for paging information. creator: Fitzgerald, Ella Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library Special Collections Reference Desk for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UCLA Library Special Collections. Literary rights, including copyright, are retained by the creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright owner or his or her heir for permission to publish where The UC Regents do not hold the copyright. -
City Center Announces Casting for 1776
Contact: Joe Guttridge, Director, Communications [email protected] 212.763.1279 John Behlmann, Nikki Renée Daniels, André De Shields, Santino Fontana, Alexander Gemignani, John Larroquette, Christiane Noll, Bryce Pinkham, Jubilant Sykes, and more will star in the Encores! production of 1776, directed by Garry Hynes, Mar 30—Apr 3 February 29, 2016/New York, NY—Encores! Artistic Director Jack Viertel today announced casting for the Encores! production of 1776, the classic Tony Award-winning musical about how the founding fathers drafted the Declaration of Independence and gave birth to a new nation. 1776 will star Terence Archie, John Behlmann, Larry Bull, Nikki Renée Daniels, André De Shields, Macintyre Dixon, Santino Fontana, Alexander Gemignani, John Hickok, John Hillner, John Larroquette, Kevin Ligon, John-Michael Lyles, Laird Mackintosh, Michael McCormick, Michael Medeiros, Christiane Noll, Bryce Pinkham, Wayne Pretlow, Tom Alan Robbins, Robert Sella, Ric Stoneback, Jubilant Sykes, Vishal Vaidya, Nicholas Ward, and Jacob Keith Watson. A unique show that presents John Adams (Santino Fontana), Thomas Jefferson (John Behlmann), and Benjamin Franklin (John Larroquette) in all their fractious, fascinating complexity, 1776 features such beloved songs as “Sit Down, John,” “Cool, Cool, Considerate Men,” and “He Plays the Violin.” Written by Sherman Edwards and Peter Stone, 1776 opened on Broadway on March 16, 1969, and ran for 1217 performances. The Encores! production will be directed by Garry Hynes, and choreography by Chris Bailey