Virtual Dance Room Session # 31 Playlist Friday, October 23, 2020 - 7:30Pm - 11:00Pm-Ish CDT Page #1

Total Page:16

File Type:pdf, Size:1020Kb

Virtual Dance Room Session # 31 Playlist Friday, October 23, 2020 - 7:30Pm - 11:00Pm-Ish CDT Page #1 Virtual Dance Room Session # 31 Playlist Friday, October 23, 2020 - 7:30pm - 11:00pm-ish CDT Page #1 Play Last Set Set Ord Dances Played Origin Status Date Play Seq 10/16 999 999 Set 999 - End Placeholder 10/23 50 0 Set 050 - Early Repertoire Set - Paul Collins 10/23 8/7 50 1 1 Starcheska Rutchenitza Bulgarian Paul/Review 10/23 10/16 50 2 2 Negotinka Serbian/Vlach Paul/Lead 10/23 4/17 50 3 3 Dhivarotikos Greek Islands Paul/Teach 10/23 50 4 4 Leventikos (Pushteno) Greek/Macedonian Paul/Teach 10/23 100 0 Set 100 - Program & Requests - 1 10/23 7/31 100 1 1 Rokoko Kolo Croatian/Vojvodinan 10/23 9/18 100 2 2 Preskachanka Bulgarian 10/23 8/28 100 3 3 Shoof-Ni Israeli 10/23 100 4 4 Kangeli (Diplos - Kalamatianos, Syrtos) Greek 10/23 7/10 100 5 5 Hora dupa Anton Pann Romanian Theresa 10/23 5/8 100 6 6 Shibboleth Basadeh Israeli 10/23 6/5 100 7 7 Mindrele Romanian 10/23 9/4 100 8 8 Sestorka East Serbian 10/23 100 9 9 Pre Picior Serbian/Romanian Baker 10/23 100 10 10 Opas Bulgarian 10/23 9/4 100 11 11 Briuletul Romanian 10/23 100 12 12 Dancu Serbian/Vlach 10/23 100 13 Announcement Set 1 10/23 200 0 Set 200 - Guest Host Set 1 - Sherry Cochran 10/23 200 1 13 Hot Cheeze Romanian/Roma Sherry/Teach 10/23 200 2 14 Trakijsko Horo "Na Pojas" Bulgarian Sherry/Teach 10/23 200 3 15 Amanet Bulgarian Sherry/Teach 10/23 10/2 200 4 16 Cije e ona Mome Macedonian Sherry/Lead 10/23 200 5 17 Brazdinsko Macedonian Sherry/Lead 10/23 300 0 Set 300 - Program & Requests - 2 10/23 7/10 300 1 18 Vallja e Pllanes Albanian 10/23 8/21 300 2 19 Brestashka Ratchenitza Bulgarian 10/23 7/10 300 3 20 Drenica Macedonian 10/23 8/28 300 4 21 Godecki Cacak East Serbian 10/23 9/18 300 5 22 Rock N Roll USA paul 10/23 7/24 300 6 23 Vrapcheto Bulgarian 10/23 9/18 300 7 24 Yambolsko Pajdushko Horo Bulgarian Paul/Lead 10/23 9/4 300 8 25 Tsamikos Greek 10/23 300 9 26 Leventikos (Pushteno) Greek/Macedonian paul/lead 10/23 10/16 300 10 27 Gorani Armenian Theresa 10/23 10/16 300 11 28 Valle Toskerishte Albanian Theresa 10/23 300 12 Announcement Set 2 10/23 400 0 Set 400 - Guest Host Set 2 - Noralyn Parson 10/23 9/18 400 1 29 Tora Romanian Noralyn/Lead 10/23 9/18 400 2 30 Sitno Severnjasko Horo Bulgarian Noralyn/teach 10/23 400 3 31 U Rekee Russsian Noralyn/Lead 10/23 9/25 400 4 32 Fidayda Turkish Noralyn/teach 10/23 400 5 33 Krivatvorena Serbian/Roma Noralyn/Lead Virtual Dance Room Session # 31 Playlist Friday, October 23, 2020 - 7:30pm - 11:00pm-ish CDT Page #2 Play Last Set Set Ord Dances Played Origin Status Date Play Seq 10/23 500 0 Set 500 - Program & Requests - 3 10/23 500 1 Announcement Set 3 10/23 6/12 500 2 34 Adir Adirim Israeli 10/23 7/24 500 3 35 Lubili Se Dvama Mladi - Le retour des grues Bulgarian Theresa/Lead 10/23 7/24 500 4 36 Makazice Serbian 10/23 7/24 500 5 37 Bela Rada Serbian 10/23 8/28 500 6 38 Bufchansko Macedonian 10/23 5/22 500 7 39 Scottish des Troubadours French 10/23 7/3 500 8 40 Drumul Dracului Transylvanian/Romanian 10/23 9/25 500 9 41 Alunelul de la Bailesti Romanian 10/23 7/10 500 10 42 Galyam Galyam Bulgarian 10/23 600 0 Set 600 - Last Dance(s) 10/23 9/4 600 1 43 Ivanice Macedonian Paul/Lead 10/23 600 2 44 Ajde jano Serbian Paul/Lead 10/23 600 3 45 Sto Mi Je Milo (Katushe Mome) Serbian Paul/Lead.
Recommended publications
  • Miami Valley Folk Dance/~S Bull Etin
    MIAMI VALLEY FOLK DANCE/~S BULL ETIN APRIL 1978 G?JlliK vmEKEl'TD PRm~ISES TO BE GREAT - John and Carole Pappas have been working hard in making final arrangements for the Greek . Weekend this Sat. & Sun., April 29 t. 30. Through the cooperation of the entire club and ." , David Henry, the leader for the weekend, every thing is falling into place. At least 125 will be attending. The Program will be at the Bomberger Recreation Center, 1306 E. Fifth St., Dayton. The Schedule for Saturday is as follows I Registration and Request Dancing 1100 - 2.00; Teaching Session 2100 - 5100; Request Dancing 5.00 - 6.00; Dinner 6130 - 7130, Kulture Korner 7.30 - 8100; Party and Review 8'30 - 11100. Sundays Program will be. Request Dancing 1100 - 2.00; Teaching 2.00 - 5.00, Request Dancing 5100 - 6.00 Some of the regions of Greece along with some dances are as follows with the area or city within the region shown in parentheses. EPIRUS: Beratis (Albanian), Gramrnendchoritkos (Ioannina), Iatros (Pogoni), Pogonisious (Pogoni); WACEDONIA. Gaida Gidhas (Thessaloniki) Leventikos (Florina), Leoto (Florina), Nizamikos, Syrtos, pylaias (Thessaloniki),. REBETIC. Kainourious Argos Hasapikos; THRACE. Zonaradhikos. COW~ITTEE FOR GREEK ti.EE~ND GENERAL CHAIRPERSONS. John & Carole Pappas, TREASURER: Sam Ballinger An~ FORK: Adelle Nellis NAtm TAGS I Vera Fisher SYLLABUS: Typing - Karjorie Darragh; Collating - Charles & Ella Ingraham; Cover Color - Lenny and Betty ~olnar. TABLE DECOP~TIONSI Bessie Shopshire, Jewell Steed, Grace Wol OTHEll DECORATIONS: Ann Ballinger, Vera Fisher, Leona Lybarge Dorothy Santi. CATERING: Lebanese Delicatessen. CATERING }lliLPERS. Roki Jackson, Sara Fleisher. BAKLAVA: Bruce Cantrell REGISTRATION': Sam Ballinger, ~.cadge Hart, Ken Steed EQUIPTh~NT: P.A.
    [Show full text]
  • Levendikos (Greece)
    69 Levendikos (Greece) Levendikos is perhaps the most characteristic dance of Greek Macedonia. (It is also well-known in the former Yugoslavian republic of Macedonia and can also be called either Pousténo or Berance.)v Leader variations are an integral part of the dance, and leading this dance well is considered an honor and a challenge. Pronunciation: Leh-VEHN-dee-kohs Music: “Leventikos” on “Songs of Western Macedonia” (SDNM 109), or any other Levendikos melody. Rhythm: 12/8 meter (3+2+2+3+2/8), counted either as S,Q,Q,S,Q or 1 2 3 4 5. Formation: Open circle of M and W. High handhold (W-pos), handkerchief between leader (the person farthest to the R) and second dancer. Styling: Individual. (See “style variations.”) Meas Pattern BASIC FIGURES 1 Turning to face ctr, hop on L and lift R leg twd ctr (ct 1); turning to face slightly R, hop again on L while bringing R leg to R (ct 2); step on R to R (ct 3); step on L across behind R (ct 4); step on R to R (ct 5). 2 Turning even more to the R, take a long skipping step onto the L across in front of R, that is: hop slightly on the R on the upbeat before stepping on the L (ct 1); turning to face ctr, hop on L (ct 2); step on R to R (ct 3); step on L across in front of R (ct 4); step on R in place (ct 5). 3 Dancing in place, hop on R (ct 1); hop again on R while bringing L ft around behind the R ft (ct 2); step on L behind R (ct 3); step on ball of R ft beside or slightly behind L (ct 4); turning to face diag R, step on L across in front of R (ct 5).
    [Show full text]
  • Scene June-July 11.Book
    FOLK DANCE SCENE First Class Mail 19 Village Park Way U.S. POSTAGE Santa Monica, CA 90405 PAID Los Angeles, CA Permit No. 573 First Class Mail Dated Material ORDER FORM Please enter my subscription to FOLK DANCE SCENE for one year, beginning with the next published issue. Subscription rate: $15.00/year U.S.A., $20.00/year Canada or Mexico, $25.00/year other countries. Published monthly except for June/July and December/January issues. NAME _________________________________________ E-MAIL _________________________________________ PHONE (_____)_____–________ ADDRESS _________________________________________ STATE __________________ CITY _______________________________________ ZIP __________–________ Please mail subscription orders to the address at the top left corner of this page. (Allow 6-8 weeks for subscription to start if order is mailed after the 10th of the month.) Published by the Folk Dance Federation of California, South Volume 47, No. 5 June/July 2011 Folk Dance Scene Committee Club Directory Coordinator Jay Michtom [email protected] (818) 368-1957 SAN PEDRO KOLO DANCERS ETHNIC EXPRESS Dance Companies and Calendar Gerri Alexander [email protected] (818) 363-3761 Mon 7:30-9:30 Wed 6:30-7:30 closed holidays & Aug On the Scene Jill Michtom [email protected] (818) 368-1957 (310) 832-1074 Pauline Klak (702) 732-4871 Richard Killian Exhibition Groups Club Directory Steve Himel [email protected] (949) 646-7082 SAN PEDRO, Dalmatian-American LAS VEGAS, Charleston Heights Art Dancers Speak Sandy Helperin [email protected] (310) 391-7382 Club, 1639 S Palos Verdes St. Center, 800 S. Brush St. BALLET FOLKLORICO JUVENIL DE PICO RIVERA Federation Corner Beverly Barr [email protected] (310) 202-6166 Proofreading Editor H.
    [Show full text]
  • Traditional Greek Dance and Theatre1
    TRADITIONAL GREEK DANCE AND THEATRE1 I R E N E L OUTZAKI Abstract In modern Greece staged folk dance performances focus on the representation of a scenario. The outcome of aesthetic experience depends on the narrative forwarded by the organizers of the event. By comparing the master narratives of three dance groups – more specifically, a “national” example, an experienced “traditional” example from one site, and a third example of “historic” evolution – the paper proposes a framework for understanding staged folk dance in Greece. It juxtaposes issues such as: dance movements, dancer’s body, costumes, staging approaches, and the audience. The paper concludes with suggestions of starting a critical dialogue with dance teachers/choreographers in the hope of creating alternative approaches to staged performances of Greek folk dances. Keywords Greece; narrative analysis; staging; performances; folk dances It is an established fact that over the past twenty years a significant growth is observed in the scholarship on traditional dance in Greece. Meanwhile, most publications are preoccupied with the potential benefits of traditional dance in education. And to a great extent this may be justified. From 1980 onward, when Greek dances are established as a discipline2 and their instruction is in- tegrated into the school curriculum, a similar interest is observed among other educational institu- tions (e.g. cultural organizations, dance groups, and various dance schools that integrated teaching into their educational programs); traditional Greek dances are now regarded as a cherished form of educational material, and there is an intention to teach all interested pupils to dance, while also acquiring knowledge with regard to the origin, history and function of these dances.
    [Show full text]
  • LEVENTIKOS Aegean Macedonia
    LEVENTIKOS Aegean Macedonia This dance is closely related to other dances of south central Macedonia, Albania, and Northern Greece and conforms to the typical three-measure "Beranče" rhythmic and dance pattern. As with most Macedonian dances the basic pattern is just a framework on which every dancer adds his or her individual embellishments. Simos Konstandinou, the original source for this dance would "embellish the basic pattern as his feelings dictated virtually creating the dance each time he danced, yet always conforming to the stylistic character of the dance." Source: As learned by Tom Deering from Martin Koenig who learned it from Simos Konstandinou, from the village of Alona, Florina, Greek Macedonia. Rhythm: 12/16 counted: Slow, Quick, Quick, Slow, Quick 1 2 3 4 5 1 & ah 2 & 3 & 4 & ah 5 & Recording: BALKAN ARTS - BA 706 (7" 33rpm) Formation: Mixed lines, hands held up in "W" position. The leader on the right. The dance starts to the right with the right foot free. Meas Ct PATTERN 1-2 Introduction BASIC PATTERN 1 1 Facing center and moving R, Bounce on L lifting R foot slightly then moving R to R close to ground 2 Bounce again on L continuing to move R foot and turning to face R 3 Step forward onto R 4 Step forward onto L, slightly behind R 5 Step forward onto R 2 1 Step forward onto L 2 Bounce on L moving R foot close past L 3 Step forward onto R 4 Turning to face center Step forward onto L 5 Step back onto R 3 1 Bounce on R beginning to swing L close to ground around to behind R 2 Bounce again on R continuing to move L foot
    [Show full text]
  • The Dick Crum Collection, Date (Inclusive): 1950-1985 Collection Number: 2007.01 Extent: 42 Boxes Repository: University of California, Los Angeles
    http://oac.cdlib.org/findaid/ark:/13030/kt2r29q890 No online items Finding Aid for the The Dick Crum Collection 1950-1985 Processed by Ethnomusicology Archive Staff. Ethnomusicology Archive UCLA 1630 Schoenberg Music Building Box 951657 Los Angeles, CA 90095-1657 Phone: (310) 825-1695 Fax: (310) 206-4738 Email: [email protected] URL: http://www.ethnomusic.ucla.edu/Archive/ ©2009 The Regents of the University of California. All rights reserved. Finding Aid for the The Dick Crum 2007.01 1 Collection 1950-1985 Descriptive Summary Title: The Dick Crum Collection, Date (inclusive): 1950-1985 Collection number: 2007.01 Extent: 42 boxes Repository: University of California, Los Angeles. Library. Ethnomusicology Archive Los Angeles, California 90095-1490 Abstract: Dick Crum (1928-2005) was a teacher, dancer, and choreographer of European folk music and dance, but his expertise was in Balkan folk culture. Over the course of his lifetime, Crum amassed thousands of European folk music records. The UCLA Ethnomusicology Archive received part of Dick Crum's personal phonograph collection in 2007. This collection consists of more than 1,300 commercially-produced phonograph recordings (LPs, 78s, 45s) primarily from Eastern Europe. Many of these albums are no longer in print, or, are difficult to purchase. More information on Dick Crum can be found in the Winter 2007 edition of the EAR (Ethnomusicology Archive Report), found here: http://www.ethnomusic.ucla.edu/archive/EARvol7no2.html#deposit. Language of Material: Collection materials in English, Croatian, Bulgarian, Serbian, Greek Access Collection is open for research. Publication Rights Some materials in these collections may be protected by the U.S.
    [Show full text]
  • Veselo Dance List
    ACTIVE DANCES Current Dance Inventory 10-4-2016 Also Available DANCE Country Instructor A Trip to Paris England Newman A Ja Tzo Saritsa Abdala Bulgaria Moreau Ace of Diamonds Adana Macedonia Boxell Achy Breaky Heart Ada's Kujawiak #1 Poland Ada Adjon az Isten Ada's Kujawiak #3 Poland Ada Alley Cat Adzhibelik Bulgaria Iliana American Medley Ağīr Halay Turkey Lüleçi Ardeleana (cu Figuri) Aino Kchume Assyria Holden Arkan Ajd' na Lijevo (Mista Kolo) Croatia Crum At The Inn Ajde Jano Serbia Joukowsky Atzay Hatsaftsafot Ajde Lepa Maro Serbia Boxell Ajde Razbole Se Bulgaria Alichev Ajnzerica Croatia Jergan Ajšino Oro Macedonia Ciga Al Je Lijepo Croatia Jergan Al Kalaa Lebanon Bozigian Al Sadenu Israel Eden Al Tira Israel Browns Alexandrovsky/Alexandrovska Russia Ali Paşa Turkey Özkök Alte Kath - Zwiefacher Germany Filcich Alunelul Romania Lucaci Alunelul Batut Romania Bloland Alunelul ca la Sadova Romania Hilferink Alunelul de la Băileşti Romania Bloland Alunelul de la Urzica Romania Bloland Alunelul Sucit Romania Bloland Ambee Dageets (Armenian Turn) Armenia Bozigian Amos Moses USA Mitchell An Dro Brittany Moreau Ana Lugojana Romania Crum Andro Retournée Brittany Moreau Arap Macedonia Boxell Arap (Turkish) Turkey Lüleçi Arcanul Moldovanesc Romania Mihai Armenian Miserlou (Eench Eemanaee) Armenia Bozigian Armenian Shuffle Armenia Lind-Sinanian Armenian Turn (Ambee Dageets) Armenia Bozigian Arnautsko Horo Bulgaria Moreau Arnold's Circle England Kotansky Arvanitovlachas Greece Graziosi Ashrei Ha'ish Israel Dassa Assoulis Armenia Van Geel At Va'ani
    [Show full text]
  • DANCE NAME COUNTRY INSTRUCTOR(S) YEAR(S) Kimberlegse Trein Africa Hofman, H. 68 Bongo Africa Longden, S. 98 Ibo Africa Nicholes, G
    LISTING BY COUNTRY DANCE NAME COUNTRY INSTRUCTOR(S) YEAR(S) Kimberlegse Trein Africa Hofman, H. 68 Bongo Africa Longden, S. 98 Ibo Africa Nicholes, G. 77 Tant' Hessie Africa (South) Beliajus, V. 63 Tant' Hessie Africa (South) Hofman, H. 62 Tant' Hessie Africa (South) Nicholes, G. 77 Hiers Ek Weer Africa (South) Boer Beliajus, V. 61 Ušti Baba Albania Bagnoli, R 14 Valle Shqiptare Albania Bagnoli, R 14 Tumankuqe Albania Bagnoli, R. 11 Vajta n’Elbasan Albania Bagnoli, R. 11 Valle E Mesme Albania Bagnoli, R. 11 Ani Mori Nuse Albania Bendix, E. 06 Gorarçe Albania Bendix, E. 06 Agimi Albania Despotovič, M. (C) 79 Bracno Oro Albania Despotovič, M. (C) 79 Podrimsko Oro Albania Despotovič, M. (C) 78, 79 NT Zenska Šiptarska Igra Albania Despotovič, M. (C) 78 Metelikum Albania Joukowsky, A 58 Drenica Albania Kolarovski, A. 80 Kaladžoj Albania Kolarovski, A. 80 NT Pristinka Albania Kolarovski, A. 75 Beraçe Albania Kotansky, S. 95 Chaj Zibede Albania Kotansky, S. 99 Devolliče Albania Kotansky, S. 86 Gorarçe Albania Kotansky, S. 99 Kcim Albania Kotansky, S. 10 Nesho Albania Kotansky, S. 95 NT Valle e Dhardes Albania Kotansky, S. 99 Valle Jarnana Albania Kotansky, S. 95 Vallja E Osman Takës Albania Kotansky, S. 10 Ani More Nuse Albania Otterholt, L. 09 STOCKTON FOLK DANCE CAMP INDEX 1948-2014 PAGE 1 LISTING BY COUNTRY DANCE NAME COUNTRY INSTRUCTOR(S) YEAR(S) Bătrîneasca Albania Otterholt, L. 03 Bračno oro Albania Otterholt, L. 03 Çobankat Albania Otterholt, L. 04 Koritsa Albania Otterholt, L. 06 Podrimsko oro Albania Otterholt, L. 04 Valle e Qemalit Albania Otterholt, L.
    [Show full text]
  • PETALUMA ALPHABETICAL FOLK DANCE LOCATOR Home: Petaluma’S Best Balkan Folk Dance Music
    PETALUMA ALPHABETICAL FOLK DANCE LOCATOR Home: Petaluma’s Best Balkan Folk Dance Music- http://www.sonic.net/~stevayla/PetaBestNew.html 1 = F IRST STRING DANCES, 2 = SECOND STRING DANCES, TR = TEACHING RESERVED RECORDINGS (PERMISSION NEEDED), NAMES IN BOLD TYPE = DANCE STEPS & STYLE DESCRIBED (30-PAGE, 694 KB .PDF FILE - FOLDER IV) Abdala – Bulgaria TR Bela Rada Kolo – Serbia TR Cotton Eyed Joe– USA TR Ada's Kujawiak – Poland 2 Belasicko Oro – Macedonia 1 Cradle Dance (= Legnala Dana) Adje Lepa Maro – Serbia 1 Berance (Bajcace) – Macedonia TR Cretan Syrto – Greece 1 Adjun az Isten - Hungary 1 Beratis – Greece 2 Croatian Medley – Croatia 2 Agir Halay – Turkey 1 Berovski Cocek – Macedonia 1 Cross Bar (Ari Ari) - Armenia 1 Ais Giorgis – Greece 1 Bicak – Bulgaria TR Cujes Mala (U Sest) – Serbia 1 Ajde Jano – Serbia 1 Biserka – Serbia 1 Cupi Kasturcanki – Macedonia 2 Al Sadenu – Israel 1 Bistrica Kopanica – Bulgaria 1 Cveta Moma – Bulgaria 1 Al Sadenu B – Israel TR Bistrica Kopanica B – Bulgaria TR Ali Pasha – Turkey 1 Bitola – Macedonia 1, 2 Ali Pasha (Durst) – Turkey 1 Bo Dodi – Israel TR Alunelul B – Romania TR Bobik Djour Mi Era – Armenia 2 Alunelul Batut – Romania TR Boereasca – Romania 1 Dado La Dado – Romania 1 Alunelul de la Urzica – Romania 1 Boker – Israel 2 Daichovo Horo – Bulgaria 1 An Dro – Brittany 1 Bracno Oro – Albania 2 Daichovo Horo (6 min) – Bulgaria 2 An Dro Retourne – Brittany 1 Brasni Carvul – Bulgaria 1 Daichovo Oro – Bulgaria 2 An Dro Retourne – Brittany 2 Bregovsko Horo – Bulgaria 2 Daliana – Greece 2 Andaman Pallikari
    [Show full text]
  • Dances from Two Countries, As Noted by an Oblique (E.G., Germany/Austria), Are Listed Twice in This Document: Once Under Each Country
    LISTING BY COUNTRY Dance Name COUNTRY INSTRUCTOR(S) YEAR(S) Notes: Dances from two countries, as noted by an oblique (e.g., Germany/Austria), are listed twice in this document: once under each country. Parentheses are used for additional information beside the country name. For Polynesian dances, see France (Tahiti), New Zealand (Maori), Samoa, and U.S.A. (Hawaii). Limited notations have been added to some countries,A1167 such as (Transylvania) to Hungary and Romania, (Sardinia) to Italy and (Basque) to Spain and France, but not comprehensively. Some regional or continental dances, such as those noted as "Africa" or "Balkan" or "Scandinavia," couldn't be broken into countries. Dances marked "Czechoslovakia" and "Yugoslavia" have not been broken into separate countries post-breakup (1993 for Czechoslovakia into the Czech Republic and Slovakia; the 1990s for Yugoslavia into Slovenia, Croatia, Macedonia, etc.). Dances from Belgium and Canada have been broken into ethnicities: Belgium into (Flanders [where the majority are Flemish-speaking]) or (Wallonia [where the majority are French-speaking]), and Canada into (French Canada) or no added notation, meaning the dance is from an English- speaking area. Some designations such as Arabia, Assyria and Palestine were left as ethnicities. STOCKTON FOLK DANCE CAMP INDEX 1948-2014 PAGE 163 LISTING BY TEACHER Dance Name COUNTRY INSTRUCTOR(S) YEAR(S) Armenian Polka Armenia Ajoian, F. 57 Bardezuh Mer Armenia Ajoian, F. 56,57 Boozdigoots Armenia Ajoian, F. 57 Gemrigin Baduh Armenia Ajoian, F. 56 Golden Bracelet Armenia Ajoian, F. 56,57 Halay Armenia Ajoian, F. 55 Halay Havasi Armenia Ajoian, F. 56 Lorkay Lorkay Armenia Ajoian, F.
    [Show full text]
  • Syllabus of Dance Descriptions
    Syllabus of Dance Descriptions STOCKTON FOLK DANCE CAMP – 2010 – FINAL In Memoriam Myrtle Hoppe April 6, 1920 – October 13, 2009 Myrtle Hoppe had been coming to Stockton Camp from Minneapolis, Minnesota nearly every year since 1949! It was her dream to get her 50-year pin. Unfortunately, she died shortly after the 2009 Camp, at the age of 89. Myrtle had been a member of the University of Minnesota Folk Dancers since it was formed in 1947. She was its sole leader from the mid-1990s until her death. Myrtle loved Stockton Camp, and called it her “California Family.” Athan Karras September 22, 1927 – February 12, 2010 Athan Karras, born in Thessaloniki, Greece, was a well-known authority, performer, and teacher of Greek folk dance. Athan’s instruction explored the various styles of Greek folk dance, covering the many regions and islands of the Aegean and Ionian Seas. Athan traveled the United States, teaching and lecturing in major cities and conducting seminars and workshops at many of the leading college and university campuses. He presented several folk festivals, featuring dancers, singers, and musicians at UC Berkeley, UCLA, and Loyola Marymount University in Los Angeles. Athan directed his own Greek dance groups, including the “Intersection Greek Dancers” and” “Dionysus.” He taught at Stockton Folk Dance Camp in 2001. Carlos Ruling November 25, 1920 – November 13, 2009 Carlos was a life-long resident of San Francisco, living in the same house most of his life. He married Ruth Margaret Beck of Oakland on February 18, 1945. Carlos worked in the San Francisco Unified School District for over 30 years as a classroom teacher, assistant principal and principal.
    [Show full text]
  • Řekové V Česku
    ŘEKOVÉ V ČESKU Sotiris JOANIDIS 1 Recenzoval: PhDr. Konstantinos Tsivos, Ph.D. © Napsal: Sotiris JOANIDIS © Obálka, Rhodos: Kostas Joanidis ISBN 978-80-904122-8-6 2 Úvod Řekové v České republice jsou v mnoha ohledech zvláštní menšinou. Vznikla jako časově omezená humanitární akce pro účastníky řecké občanské války v polovině 20. století a svým způsobem dokladovala velkorysost proletářského internacio- nalismu lidově demokratických států. Přes mnoho nejistot a potíží se řecká minorita po svém hromadném příchodu plně a úspěšně zapojila do nové společnosti, přičemž si zachovala svoje národnostní vědomí, integritu a pocit národní příslušnosti. Návrat do vlasti se většině emigrantů podařil až po pádu plukovnické junty v 70. a 80. letech 20. století. Tato publikace si neklade požadavek na vědeckou práci. Archivní reálie a literatura, z nichž jsem čerpal, jsou tak neúplné, že jsem údaje musel doplňovat nejistými výpověďmi pamětníků, kterých už je dnes málo. Z téhož důvodu nemohou být přesné ani údaje o množství uprchlíků, jež se v různých publikacích liší. Snažím se však seznámit řecké i české obyvatele tohoto regionu s Řeckem, osvětlit vznik řecké poválečné emigrace do Československa a podat jim ucelené informace o dnešním životě řecké diaspory, která zasahovala oblast od Krnova přes Albrechtice, Osoblahu, Jeseník, Javorník, Šumperk až po Zábřeh na Moravě. autor 3 4 SEZNÁMENÍ S ŘECKEM Řecko čili Ellas Oficiální název Řecka je Elliniki Dimokratia (Ελληνική Δημοκρατία), v českém překladu Řecká republika. Zkráceně se také nazývá Ellada nebo Ellas (Ελλάδα, Ελλάς,). Pojmenování Řecka ve světových jazycích vznikl podle Aristotela z názvu kmene Graiků na západním pobřeží pevninského Řecka, jenž byl nejstarším starověkým kmenem Řeků.
    [Show full text]