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INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI University Microfilms international A Bell & Howell Information Company 300 North! Z eeb Road, Ann Arbor, Ml 48106-1346 USA 313/761-4700 800/521-0600 Order Number 9130640 The influence of Leonard B. Smith on the heritage of the band in the United States Polce, Vincent John, Ph.D. -
PMEA 75Th Anniversary History Book
PENNSYLVANIA MUSIC EDUCATORS ASSOCIATION Celebrating 75 years 1 2 Celebrating 75 years A Brief History of PMEA 1933-2008 3 4 PMEA History at a Glance 1932-33 April 22, 1933- A group of bandsmen convened at the Abraham Lincoln Hotel in Reading, PA in a room near the one in which John Philip Sousa had died on March 6, 1932. These men met at the request of George Otto Frye, Girard College, Philadelphia. The organization became known officially as the Pennsylvania Bandmasters’ Association. The purpose of this organization was “to develop and sustain universal interest in bands and band music; to improve bands and band music by clinics, contests, and festivals; to encourage and aid bandmasters in all laudable musical enterprises; and to urge composers to write directly for the band.” 1933-34 Second Annual PA Bandmaster’s Association convention is held in Aliquippa; First All-State High School Band festival is held. 1934-35 A.D. Davenport resigns from president of PBA. A group of school bandsmen in PBA prefer more emphasis on music education in the schools and form the PA School Band and Orchestra Association; Second All-State Band festival is held in Williamsport. 1935-36 All-State High School Orchestra performs in Ebensburg, conducted by Dr. Howard Hanson and Dr. Will George Butler. Name is changed to PA School Music Association. 1936-37 First newsletter sent out by A.S. Meiser. All-State HS Band held at Coatesville under the leadership of Dr. Edwin Franko Goldman. First All-State HS Chorus at Ebensburg, conducted by Olaf Christansen. -
The American Bandmasters Association Edwin Franko Goldman Memorial Citation Recipients
1 The American Bandmasters Association Edwin Franko Goldman Memorial Citation Recipients of the Edwin Franko Goldman Memorial Citation Victor William Zajec (Chicago, IL, March 4, 1923 - Homewood, IL, January 26, 2005) Compiled by Victor W. Zajec, 1998 Revised by Raoul F. Camus, ABA Historian, 2019 2 THE EDWIN FRANKO GOLDMAN MEMORIAL CITATION Edwin Franko Goldman (1878-1956), founder and conductor of the Goldman Band of New York City, was also the founder (1929), first President (1930-1932), and second Honorary Life President of The American Bandmasters Association (1933-1956). Shortly after Goldman’s death, the ABA sought ways to honor the memory of the man who was such an integral part of its beginnings. ABA President Otto J. Kraushaar charged the Special Citation Committee to “prepare recommendations whereby the Association could formally recognize certain persons outside the membership of ABA for outstanding services to the band movement in America.” The committee’s report was received in 1962. At the same time, the Goldman Memorial Committee was considering a suitable memorial that would recognize the contributions of the ABA founder. Both committees agreed jointly to recommend, for consideration by the ABA Board of Directors and the ABA past presidents, that The Edwin Franko Goldman Memorial Citation be established. In addition to honoring Goldman’s memory, the purpose of the award is to provide recognition to those outside the membership of The American Bandmasters Association (ABA) who have rendered conspicuous service in the interest of bands and band music in America. The first Citation was presented to Harry Guggenheim, sponsor of the Goldman Band concerts, at a concert on the Mall in the Guggenheim Memorial Band Shell, New York, on July 20, 1963. -
Library of Congress Medium of Performance Terms for Music
A clarinet (soprano) albogue anzhad USE clarinet BT double reed instrument USE imzad a-jaeng alghōzā Appalachian dulcimer USE ajaeng USE algōjā UF American dulcimer accordeon alg̲hozah Appalachian mountain dulcimer USE accordion USE algōjā dulcimer, American accordion algōjā dulcimer, Appalachian UF accordeon A pair of end-blown flutes played simultaneously, dulcimer, Kentucky garmon widespread in the Indian subcontinent. dulcimer, lap piano accordion UF alghōzā dulcimer, mountain BT free reed instrument alg̲hozah dulcimer, plucked NT button-key accordion algōzā Kentucky dulcimer lõõtspill bīnõn mountain dulcimer accordion band do nally lap dulcimer An ensemble consisting of two or more accordions, jorhi plucked dulcimer with or without percussion and other instruments. jorī BT plucked string instrument UF accordion orchestra ngoze zither BT instrumental ensemble pāvā Appalachian mountain dulcimer accordion orchestra pāwā USE Appalachian dulcimer USE accordion band satāra arame, viola da acoustic bass guitar BT duct flute USE viola d'arame UF bass guitar, acoustic algōzā arará folk bass guitar USE algōjā A drum constructed by the Arará people of Cuba. BT guitar alpenhorn BT drum acoustic guitar USE alphorn arched-top guitar USE guitar alphorn USE guitar acoustic guitar, electric UF alpenhorn archicembalo USE electric guitar alpine horn USE arcicembalo actor BT natural horn archiluth An actor in a non-singing role who is explicitly alpine horn USE archlute required for the performance of a musical USE alphorn composition that is not in a traditionally dramatic archiphone form. alto (singer) A microtonal electronic organ first built in 1970 in the Netherlands. BT performer USE alto voice adufo alto clarinet BT electronic organ An alto member of the clarinet family that is USE tambourine archlute associated with Western art music and is normally An extended-neck lute with two peg boxes that aenas pitched in E♭. -
James Cunningham Harper and the Lenoir, North Carolina High
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A Chant from the Great Plains: an Analysis and Rationale for a Critical Edition
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Student Research, Creative Activity, and Performance - School of Music Music, School of Spring 4-17-2013 A Chant from the Great Plains: An Analysis and Rationale for a Critical Edition Raul G. Barcenes University of Nebraska-Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/musicstudent Part of the Composition Commons, Music Pedagogy Commons, and the Other Music Commons Barcenes, Raul G., "A Chant from the Great Plains: An Analysis and Rationale for a Critical Edition" (2013). Student Research, Creative Activity, and Performance - School of Music. 58. https://digitalcommons.unl.edu/musicstudent/58 This Article is brought to you for free and open access by the Music, School of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Student Research, Creative Activity, and Performance - School of Music by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. A CHANT FROM THE GREAT PLAINS: AN ANALYSIS AND RATIONALE FOR A CRITICAL EDITION by Raul G. Barcenes A DOCTORAL DOCUMENT Presented to the Faculty of The Graduate College at the University of Nebraska In Partial Fulfillment of Requirements For the Degree of Doctor of Musical Arts Major: Music Under the Supervision of Professor Carolyn Barber Lincoln, Nebraska May, 2013 A CHANT FROM THE GREAT PLAINS: AN ANALYSIS AND RATIONALE FOR A CRITICAL EDITION Raul Guadalupe Barcenes, D.M.A. University of Nebraska, 2013 Adviser: Carolyn Barber This document explores A Chant from the Great Plains by Carl Busch. As the winner of American bandmaster Edwin Franko Goldman’s composition contest in 1919, this work helped launch the tradition of commissioning upon which the repertoire of the modern concert band medium relies. -
1 George Wilson Records Thoughts on the ABA for Don Gillis American
George Wilson Records Thoughts on the ABA for Don Gillis American Bandmasters’ Association Research Center, Special Collections in Performing Arts, University of Maryland, College Park Transcription by Christina Taylor Gibson George Wilson: Don, I am going to record some information about the American Bandmasters Association. I’ll leave space in some areas and you can use your scissors and do what you want to with this. You asked for some historical background and some of the more recent activities too of the ABA. So here we go. The American Bandmasters’ Association was formally organized in 1929. As a result of his many years’ study of the problems confronting American bands, and encouraged by a group of prominent bandmasters, including the late John Philip Sousa, Dr. Edwin Franko Goldman invited a selected number of band directors from the United States and Canada to be his guests at a luncheon and conference at the Hotel Pennsylvania in New York City on July 5, 1929. It was at this meeting that the American Bandmasters’ Association was formally organized. The objects of the association were defined as, and I quote, “Mutual helpfulness and the promotion of better music through the instrumentality of the band, to secure the universal adoption of a band instrumentation so that band publications of all countries will be interchangeable. To induce prominent composers of all countries to write for the band. To establish for the concert band a higher standard of artistic excellence than has generally been maintained. And to do all possible to raise the standards of bands and band music.” John Philip Sousa was elected first honorary life president. -
Edwin Franko Goldman Memorial Citation
1 The American Bandmasters Association Edwin Franko Goldman Memorial Citation Recipients of the Edwin Franko Goldman Memorial Citation Victor William Zajec (Chicago, IL, March 4, 1923 - Homewood, IL, January 26, 2005) Compiled by Victor W. Zajec, 1998 Maintained by Raoul F. Camus, ABA Historian 2 THE EDWIN FRANKO GOLDMAN MEMORIAL CITATION Edwin Franko Goldman (1878-1956), founder and conductor of the Goldman Band of New York City, was also the founder (1929), first President (1930-1932), and second Honorary Life President of The American Bandmasters Association (1933-1956). Shortly after Goldman’s death, the ABA sought ways to honor the memory of the man who was such an integral part of its beginnings. ABA President Otto J. Kraushaar charged the Special Citation Committee to “prepare recommendations whereby the Association could formally recognize certain persons outside the membership of ABA for outstanding services to the band movement in America.” The committee’s report was received in 1962. At the same time, the Goldman Memorial Committee was considering a suitable memorial that would recognize the contributions of the ABA founder. Both committees agreed jointly to recommend, for consideration by the ABA Board of Directors and the ABA past presidents, that The Edwin Franko Goldman Memorial Citation be established. In addition to honoring Goldman’s memory, the purpose of the award is to provide recognition to those outside the membership of The American Bandmasters Association (ABA) who have rendered conspicuous service in the interest of bands and band music in America. The first Citation was presented to Harry Guggenheim, sponsor of the Goldman Band concerts, at a concert on the Mall in the Guggenheim Memorial Band Shell, New York, on July 20, 1963. -
Medium of Performance Thesaurus for Music
A clarinet (soprano) albogue tubes in a frame. USE clarinet BT double reed instrument UF kechruk a-jaeng alghōzā BT xylophone USE ajaeng USE algōjā anklung (rattle) accordeon alg̲hozah USE angklung (rattle) USE accordion USE algōjā antara accordion algōjā USE panpipes UF accordeon A pair of end-blown flutes played simultaneously, anzad garmon widespread in the Indian subcontinent. USE imzad piano accordion UF alghōzā anzhad BT free reed instrument alg̲hozah USE imzad NT button-key accordion algōzā Appalachian dulcimer lõõtspill bīnõn UF American dulcimer accordion band do nally Appalachian mountain dulcimer An ensemble consisting of two or more accordions, jorhi dulcimer, American with or without percussion and other instruments. jorī dulcimer, Appalachian UF accordion orchestra ngoze dulcimer, Kentucky BT instrumental ensemble pāvā dulcimer, lap accordion orchestra pāwā dulcimer, mountain USE accordion band satāra dulcimer, plucked acoustic bass guitar BT duct flute Kentucky dulcimer UF bass guitar, acoustic algōzā mountain dulcimer folk bass guitar USE algōjā lap dulcimer BT guitar Almglocke plucked dulcimer acoustic guitar USE cowbell BT plucked string instrument USE guitar alpenhorn zither acoustic guitar, electric USE alphorn Appalachian mountain dulcimer USE electric guitar alphorn USE Appalachian dulcimer actor UF alpenhorn arame, viola da An actor in a non-singing role who is explicitly alpine horn USE viola d'arame required for the performance of a musical BT natural horn composition that is not in a traditionally dramatic arará form. alpine horn A drum constructed by the Arará people of Cuba. BT performer USE alphorn BT drum adufo alto (singer) arched-top guitar USE tambourine USE alto voice USE guitar aenas alto clarinet archicembalo An alto member of the clarinet family that is USE arcicembalo USE launeddas associated with Western art music and is normally aeolian harp pitched in E♭. -
NJWS November 2018 Concert
Season 36, Concert 2 - November 11, 2018 2018-19 CONTRIBUTORS The New Jersey Wind Symphony gratefully acknowledges the support of our donors and subscribers whose generous support makes these programs possible. BENEFACTOR ($3,000 and above) Joseph & Deborah Marsicovete Thomas & Victoria Price Marks Family Bank of America/Merrill Lynch Wealth Management Jerry, Mary, Leah, & Brendan Meyer Bergen County Division of Cultural and Historic Affairs Keith Mogerley Irene Montella PATRON ($2,000 to $2,999) Marcella Phelan Carolyn & Howard Crumb Jean Roughgarden Judy & Roger Widicus Carol Sawitz Dr. Christian Wilhjelm & Jacqueline Sarracco Francis & Barbara Schott Richard & Jessie Ver Hage SPONSOR ($1,000 to $1,999) Dr. Richard & Katherine Wise Michael & Darel-Ann DePompeo Nancy Zweil In Memory of Gunther Schuller Blue Moon Mexican Cafe Decotiis, Fitzpatrick, Cole & Giblin, LLC BNY Mellon Community Partnership Daiichi-Sankyo, Inc. Jewish Community Fund PVH Corporation FRIEND ($1 to $99) SUPPORTER ($500 to $999) Andre Baruch Barbara Abney Bolger Jill Bloom Lawrence & Donna Friedman Lloyd & Jane DeVries Gregory Fritze Mary Dorian In Memory of Aquilina Lim Michelle Dugan Tomomi Takamoto Delbert & Anne Eisch John & Marilyn Wagner Margarita & Paul Elkin In Memory of Emma Wode Richard & Gayle Felton Fred & Patricia Yosca Frances Ferraro Fidelity Charitable Gift Fund Eileen Ginn United Way, Northern New Jersey, Somerset County Katherine Grasso Richard Hahn ASSOCIATE ($250 to $499) Emily James Mary & Paul Bergquist Emmett & Elizabeth Johnson Jeff Bittner Janet Johnston Naomi Freshwater Janis Keown-Blackburn Paul Goldberg Nathan Kinney Lois Hicks-Wozniak Dr. Lisa Lutter Paul & Carolyn Kirby Lorraine Mariella Michael J. Kokola David Marks Dorothy Neff Thelma Peres Richard Ostling Larry & Barbara Roshon Kathy & John Palatucci Albert Schagen Deloss Schertz & Rose Kraybill Rachel Schulman Beth Seavers & Neil Sheehan Ann Sirinides Richard & Karen Summers Virginia Sirinides Dorene Thornton Kathryn Smith Steven & Ida Steiner AFFILIATE ($100 to $249) Mr. -
American Bandmasters Association
Souvenir Program AMERICAN BANDMASTERS ASSOCIATION Twenty-fourth Annual Convention DEDICATION OF THE BAND BUILDING SIXTY-EIGHTH ANNIVERSARY CONCERTS The Concert Band I The First Regimental Band UNIVERSITY OF ILLINOIS, URBANA MARCH 5-6*7-8, 1958 A BRIEF HISTORY OF THE AMERICAN BANDMASTERS ASSOCIATION The American Bandmasters Association was formally University of Wisconsin, Madison, Wisconsin, February 27- organized in 1929. As the result of many years' study of the March 2, 1941 problems confronting American bands and encouraged by HENRY FILLMORE the interest of a group of prominent bandmasters, including Elkhart, Indiana, June 13-15, 1947 John Philip Sousa, Edwin Franko Goldman invited a select GLENN CLIFFE BAINUM number of band directors from the United States and Can Sioux Falls, South Dakota, March 18-21, 1948 ada to be his guests at a luncheon and conference at the HOWARD C BRONSON Hotel Pennsylvania in New York City on July 5, 1929. Charlotte, North Carolina, March 17-18, 1949 It was at this meeting that the American Bandmasters JOHN J. RICHARDS Association was formally organized. The objects of the Asso University of Michigan, Ann Arbor, Michigan, March 9-12, ciation were defined as ". mutual helpfulness, and the 1950 promotion of better music through the instrumentality of HAROLD B. BACHMAN the band ... to secure the adoption of a universal band Washington, D.C., March 8-11, 1951 instrumentation so that band publications of all countries EARL D. IRONS will be interchangeable; to induce prominent composers of Ohio State University, Columbus, Ohio, March 7-10, 1952 all countries to write for the band; to establish for the con cert band a higher standard of artistic excellence than has WILLIAM D. -
From Water, Wind and the Sea Evolved the Soundscapes of Percy Grainger’S Mind
PERCY GRAINGER AND THE SEA: FROM WATER, WIND AND THE SEA EVOLVED THE SOUNDSCAPES OF PERCY GRAINGER’S MIND E XHIBITION AND M USIC C ATALOGUE Curated By Elinor Wrobel Percy Grainger riding bareback on the Danish coast (late 1920s) GRAINGER MUSEUM THE UNIVERSITY OF MELBOURNE 1998 G rainger Museum Special Exhibition: 1998 — Page 3 “Die like a shark, fighting to the last gasp.” Old Maori Proverb, as related by Percy Grainger. THIS EXHIBITION AND CATALOGUE ARE DEDICATED TO MY ANCESTOR SIR FRANCIS DRAKE C.1540-1596 MOTTO: “SIC PARVIS MAGNA” CREDITS: Catalogue compiled and written by Elinor Wrobel, Exhibition Curator. Research by Elinor Wrobel and Alessandro Servadei, Assistant Curator, Grainger Museum. Text by Maya Pilcer and Alessandro Servadei. Museum assistance by Jenny Hayman and Fiona Moore. Desktop publishing, design and layout by Alessandro Servadei. Digital imaging by Alessandro Servadei and the Design & Print Centre, The University of Melbourne. Printing by the Design & Print Centre. Accession number refers to Grainger Collection, Grainger Museum in The University of Melbourne. Art works: size in cm. height preceding width. Idiosyncracies of spelling and punctuation in quotations reflect Grainger’s own usage. “Legends” refer to written information about museum artefacts which have been supplied by Percy Grainger. COVER: Percy Grainger riding horse bareback on the Danish coast, late 1920s. G rainger Museum Special Exhibition: 1998 — Page 4 TABLE OF CONTENTS Although the catalogue as a whole is intended to guide the visitor through the Grainger collection in sequence, for ease of reference this table of contents is divided into four main sections: Introduction, Permanent Exhibition, Special Exhibition and Bibliography.