1 George Wilson Records Thoughts on the ABA for Don Gillis American
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INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI University Microfilms international A Bell & Howell Information Company 300 North! Z eeb Road, Ann Arbor, Ml 48106-1346 USA 313/761-4700 800/521-0600 Order Number 9130640 The influence of Leonard B. Smith on the heritage of the band in the United States Polce, Vincent John, Ph.D. -
PMEA 75Th Anniversary History Book
PENNSYLVANIA MUSIC EDUCATORS ASSOCIATION Celebrating 75 years 1 2 Celebrating 75 years A Brief History of PMEA 1933-2008 3 4 PMEA History at a Glance 1932-33 April 22, 1933- A group of bandsmen convened at the Abraham Lincoln Hotel in Reading, PA in a room near the one in which John Philip Sousa had died on March 6, 1932. These men met at the request of George Otto Frye, Girard College, Philadelphia. The organization became known officially as the Pennsylvania Bandmasters’ Association. The purpose of this organization was “to develop and sustain universal interest in bands and band music; to improve bands and band music by clinics, contests, and festivals; to encourage and aid bandmasters in all laudable musical enterprises; and to urge composers to write directly for the band.” 1933-34 Second Annual PA Bandmaster’s Association convention is held in Aliquippa; First All-State High School Band festival is held. 1934-35 A.D. Davenport resigns from president of PBA. A group of school bandsmen in PBA prefer more emphasis on music education in the schools and form the PA School Band and Orchestra Association; Second All-State Band festival is held in Williamsport. 1935-36 All-State High School Orchestra performs in Ebensburg, conducted by Dr. Howard Hanson and Dr. Will George Butler. Name is changed to PA School Music Association. 1936-37 First newsletter sent out by A.S. Meiser. All-State HS Band held at Coatesville under the leadership of Dr. Edwin Franko Goldman. First All-State HS Chorus at Ebensburg, conducted by Olaf Christansen. -
The American Bandmasters Association Edwin Franko Goldman Memorial Citation Recipients
1 The American Bandmasters Association Edwin Franko Goldman Memorial Citation Recipients of the Edwin Franko Goldman Memorial Citation Victor William Zajec (Chicago, IL, March 4, 1923 - Homewood, IL, January 26, 2005) Compiled by Victor W. Zajec, 1998 Revised by Raoul F. Camus, ABA Historian, 2019 2 THE EDWIN FRANKO GOLDMAN MEMORIAL CITATION Edwin Franko Goldman (1878-1956), founder and conductor of the Goldman Band of New York City, was also the founder (1929), first President (1930-1932), and second Honorary Life President of The American Bandmasters Association (1933-1956). Shortly after Goldman’s death, the ABA sought ways to honor the memory of the man who was such an integral part of its beginnings. ABA President Otto J. Kraushaar charged the Special Citation Committee to “prepare recommendations whereby the Association could formally recognize certain persons outside the membership of ABA for outstanding services to the band movement in America.” The committee’s report was received in 1962. At the same time, the Goldman Memorial Committee was considering a suitable memorial that would recognize the contributions of the ABA founder. Both committees agreed jointly to recommend, for consideration by the ABA Board of Directors and the ABA past presidents, that The Edwin Franko Goldman Memorial Citation be established. In addition to honoring Goldman’s memory, the purpose of the award is to provide recognition to those outside the membership of The American Bandmasters Association (ABA) who have rendered conspicuous service in the interest of bands and band music in America. The first Citation was presented to Harry Guggenheim, sponsor of the Goldman Band concerts, at a concert on the Mall in the Guggenheim Memorial Band Shell, New York, on July 20, 1963. -
James Cunningham Harper and the Lenoir, North Carolina High
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A Chant from the Great Plains: an Analysis and Rationale for a Critical Edition
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Student Research, Creative Activity, and Performance - School of Music Music, School of Spring 4-17-2013 A Chant from the Great Plains: An Analysis and Rationale for a Critical Edition Raul G. Barcenes University of Nebraska-Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/musicstudent Part of the Composition Commons, Music Pedagogy Commons, and the Other Music Commons Barcenes, Raul G., "A Chant from the Great Plains: An Analysis and Rationale for a Critical Edition" (2013). Student Research, Creative Activity, and Performance - School of Music. 58. https://digitalcommons.unl.edu/musicstudent/58 This Article is brought to you for free and open access by the Music, School of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Student Research, Creative Activity, and Performance - School of Music by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. A CHANT FROM THE GREAT PLAINS: AN ANALYSIS AND RATIONALE FOR A CRITICAL EDITION by Raul G. Barcenes A DOCTORAL DOCUMENT Presented to the Faculty of The Graduate College at the University of Nebraska In Partial Fulfillment of Requirements For the Degree of Doctor of Musical Arts Major: Music Under the Supervision of Professor Carolyn Barber Lincoln, Nebraska May, 2013 A CHANT FROM THE GREAT PLAINS: AN ANALYSIS AND RATIONALE FOR A CRITICAL EDITION Raul Guadalupe Barcenes, D.M.A. University of Nebraska, 2013 Adviser: Carolyn Barber This document explores A Chant from the Great Plains by Carl Busch. As the winner of American bandmaster Edwin Franko Goldman’s composition contest in 1919, this work helped launch the tradition of commissioning upon which the repertoire of the modern concert band medium relies. -
Edwin Franko Goldman Memorial Citation
1 The American Bandmasters Association Edwin Franko Goldman Memorial Citation Recipients of the Edwin Franko Goldman Memorial Citation Victor William Zajec (Chicago, IL, March 4, 1923 - Homewood, IL, January 26, 2005) Compiled by Victor W. Zajec, 1998 Maintained by Raoul F. Camus, ABA Historian 2 THE EDWIN FRANKO GOLDMAN MEMORIAL CITATION Edwin Franko Goldman (1878-1956), founder and conductor of the Goldman Band of New York City, was also the founder (1929), first President (1930-1932), and second Honorary Life President of The American Bandmasters Association (1933-1956). Shortly after Goldman’s death, the ABA sought ways to honor the memory of the man who was such an integral part of its beginnings. ABA President Otto J. Kraushaar charged the Special Citation Committee to “prepare recommendations whereby the Association could formally recognize certain persons outside the membership of ABA for outstanding services to the band movement in America.” The committee’s report was received in 1962. At the same time, the Goldman Memorial Committee was considering a suitable memorial that would recognize the contributions of the ABA founder. Both committees agreed jointly to recommend, for consideration by the ABA Board of Directors and the ABA past presidents, that The Edwin Franko Goldman Memorial Citation be established. In addition to honoring Goldman’s memory, the purpose of the award is to provide recognition to those outside the membership of The American Bandmasters Association (ABA) who have rendered conspicuous service in the interest of bands and band music in America. The first Citation was presented to Harry Guggenheim, sponsor of the Goldman Band concerts, at a concert on the Mall in the Guggenheim Memorial Band Shell, New York, on July 20, 1963. -
NJWS November 2018 Concert
Season 36, Concert 2 - November 11, 2018 2018-19 CONTRIBUTORS The New Jersey Wind Symphony gratefully acknowledges the support of our donors and subscribers whose generous support makes these programs possible. BENEFACTOR ($3,000 and above) Joseph & Deborah Marsicovete Thomas & Victoria Price Marks Family Bank of America/Merrill Lynch Wealth Management Jerry, Mary, Leah, & Brendan Meyer Bergen County Division of Cultural and Historic Affairs Keith Mogerley Irene Montella PATRON ($2,000 to $2,999) Marcella Phelan Carolyn & Howard Crumb Jean Roughgarden Judy & Roger Widicus Carol Sawitz Dr. Christian Wilhjelm & Jacqueline Sarracco Francis & Barbara Schott Richard & Jessie Ver Hage SPONSOR ($1,000 to $1,999) Dr. Richard & Katherine Wise Michael & Darel-Ann DePompeo Nancy Zweil In Memory of Gunther Schuller Blue Moon Mexican Cafe Decotiis, Fitzpatrick, Cole & Giblin, LLC BNY Mellon Community Partnership Daiichi-Sankyo, Inc. Jewish Community Fund PVH Corporation FRIEND ($1 to $99) SUPPORTER ($500 to $999) Andre Baruch Barbara Abney Bolger Jill Bloom Lawrence & Donna Friedman Lloyd & Jane DeVries Gregory Fritze Mary Dorian In Memory of Aquilina Lim Michelle Dugan Tomomi Takamoto Delbert & Anne Eisch John & Marilyn Wagner Margarita & Paul Elkin In Memory of Emma Wode Richard & Gayle Felton Fred & Patricia Yosca Frances Ferraro Fidelity Charitable Gift Fund Eileen Ginn United Way, Northern New Jersey, Somerset County Katherine Grasso Richard Hahn ASSOCIATE ($250 to $499) Emily James Mary & Paul Bergquist Emmett & Elizabeth Johnson Jeff Bittner Janet Johnston Naomi Freshwater Janis Keown-Blackburn Paul Goldberg Nathan Kinney Lois Hicks-Wozniak Dr. Lisa Lutter Paul & Carolyn Kirby Lorraine Mariella Michael J. Kokola David Marks Dorothy Neff Thelma Peres Richard Ostling Larry & Barbara Roshon Kathy & John Palatucci Albert Schagen Deloss Schertz & Rose Kraybill Rachel Schulman Beth Seavers & Neil Sheehan Ann Sirinides Richard & Karen Summers Virginia Sirinides Dorene Thornton Kathryn Smith Steven & Ida Steiner AFFILIATE ($100 to $249) Mr. -
American Bandmasters Association
Souvenir Program AMERICAN BANDMASTERS ASSOCIATION Twenty-fourth Annual Convention DEDICATION OF THE BAND BUILDING SIXTY-EIGHTH ANNIVERSARY CONCERTS The Concert Band I The First Regimental Band UNIVERSITY OF ILLINOIS, URBANA MARCH 5-6*7-8, 1958 A BRIEF HISTORY OF THE AMERICAN BANDMASTERS ASSOCIATION The American Bandmasters Association was formally University of Wisconsin, Madison, Wisconsin, February 27- organized in 1929. As the result of many years' study of the March 2, 1941 problems confronting American bands and encouraged by HENRY FILLMORE the interest of a group of prominent bandmasters, including Elkhart, Indiana, June 13-15, 1947 John Philip Sousa, Edwin Franko Goldman invited a select GLENN CLIFFE BAINUM number of band directors from the United States and Can Sioux Falls, South Dakota, March 18-21, 1948 ada to be his guests at a luncheon and conference at the HOWARD C BRONSON Hotel Pennsylvania in New York City on July 5, 1929. Charlotte, North Carolina, March 17-18, 1949 It was at this meeting that the American Bandmasters JOHN J. RICHARDS Association was formally organized. The objects of the Asso University of Michigan, Ann Arbor, Michigan, March 9-12, ciation were defined as ". mutual helpfulness, and the 1950 promotion of better music through the instrumentality of HAROLD B. BACHMAN the band ... to secure the adoption of a universal band Washington, D.C., March 8-11, 1951 instrumentation so that band publications of all countries EARL D. IRONS will be interchangeable; to induce prominent composers of Ohio State University, Columbus, Ohio, March 7-10, 1952 all countries to write for the band; to establish for the con cert band a higher standard of artistic excellence than has WILLIAM D. -
The American Community Band: History and Development Jason Michael Hartz [email protected]
Marshall University Marshall Digital Scholar Theses, Dissertations and Capstones 1-1-2003 The American Community Band: History and Development Jason Michael Hartz [email protected] Follow this and additional works at: http://mds.marshall.edu/etd Part of the American Popular Culture Commons, and the Music Performance Commons Recommended Citation Hartz, Jason Michael, "The American Community Band: History and Development" (2003). Theses, Dissertations and Capstones. Paper 194. This Thesis is brought to you for free and open access by Marshall Digital Scholar. It has been accepted for inclusion in Theses, Dissertations and Capstones by an authorized administrator of Marshall Digital Scholar. For more information, please contact [email protected]. THE AMERICAN COMMUNITY BAND: HISTORY AND DEVELOPMENT Thesis submitted to The Graduate College of Marshall University In partial fulfillment of the Requirements for the degree of Master of Arts Music by Jason Michael Hartz Dr. Paul Balshaw, Committee Chairperson Dr. Marshall Onofrio Dr. Vicki Stroeher Marshall University April 24, 2003 ABSTRACT THE AMERICAN COMMUNITY BAND: HISTORY AND DEVELOPMENT By Jason Michael Hartz Contemporary band scholars believe that the American community band experienced a revival at the end of the twentieth century. Examining the community band’s unique history from its earliest forms during the Revolutionary period through the Golden Age of Bands identifies the traditions that supported this revival. The twentieth century, however, is ripe with developments largely independent from previous eras, including the vast expansion of the music education system in the United States and the education of amateur musicians, the Great Depression, and the gradual acceptance of the band as an artistic medium. -
RCA Camden Label Discography the RCA Camden Label Was Started in 1953 As a Budget Label
RCA Discography Part 57 - By David Edwards, Mike Callahan, and Patrice Eyries. © 2018 by Mike Callahan RCA Camden Label Discography The RCA Camden label was started in 1953 as a budget label. It was named after Camden New Jersey which was the manufacturing and distribution center of RCA Victor records. Much of the material released by Camden were reissues of albums released by RCA Victor, usually with a few less songs. Initially the label was used for classical releases but soon started releasing popular, country and comedy albums. Albums released by Camden included ones released by RCA of Canada using the same numbering system. These RCA of Canada albums were only distributed in Canada and were not listed in the Schwann catalogs. CAL 100 – Tchaikovsky: Nutcracker Suite/Saint-Saens: Carnival of the Animals – Warwick Symphony Orchestra [195?] CAL 101 – Prokofieff: Peter and the Wolf/Richard Strauss: Till Eulenspiegel’s Merry Pranks – Boston Symphony Orchestra [195?] CAL 102 – Beethoven: Symphony No. 3 in E-Flat (Eroica) – London Philharmonic Orchestra [195?] CAL 103 – Symphonies No. 5 Op. 67, C Minor (Beethoven) – Stattford Symphony Orchestra (London Philharmanic Orchestra) [1960] CAL 104 – Dvorak: Symphony No. 5 in E-Minor (New World) – Philadelphia Orchestra [195?] CAL 105 – Concert Classics – Warwick Symphony Orchestra [195?] Sibelius: Finlandia/Boccherini: Minuet/Haydn: 18th Century Dance/Bach: Fugue in G minor/Wagner: Lohengrin Act 1 Prelude; Magic Fire Music/Handel: Pastoral Symphony CAL 106 – Schubert: Symphony No. 8 Unfinished/Symphony No. 5 – Serge Koussevitzky, Boston Symphony Orchestra [195?] CAL 107 – Franck: Symphony in D Minor – San Francisco Symphony [195?] CAL 108 - Sibelius Symphony No. -
The Golden Age of the American March New World 80266 THE
The Golden Age of the American March New World 80266 THE PRIDE OF AMERICA - THE GOLDEN AGE OF THE AMERICAN MARCH The march, like the waltz and the minuet, is a highly stylized form of dance. It was purely functional in origin, designed to keep troops in step with a regular beat and a cheerful sound. Some form of march music was possibly among the earliest types of concerted performance, although documentation before the middle of the seventeenth century is lacking. But we know that small bands of musicians usually marched in parades or processions, or provided encouraging noise for charges. The instrumentation of these bands, playing in the open air, was dependent not only on the potential volume but also on portability. These little bands were therefore always composed of wind instruments (the louder the better), and from early times one had fifes and trumpets—together with drums—as the basic instruments of the military band. As wind instruments evolved, they were added rather haphazardly to the bands. Until the end of the eighteenth century, the military marches these bands played were generally short and simple, as they had to be memorized. Few of them are of any musical interest today, although there are preserved examples by Lully, C. P. E. Bach, and Haydn, among others. The standard military band of the mid-eighteenth century consisted of an octet of oboes, clarinets, horns, and bassoons, with a side drum and a bass drum and occasionally a trumpet. Large bands, as we think of them today, were unknown, and the history of the modern band did not begin until the time of the French Revolution. -
Convention Book
Wednesday March 26th 7:30pm Montgomery County Concert Band 8:30pm Allentown Band Thursday March 27th 7:30pm Marist College Community Wind Symphony 8:30pm Ringgold Band Friday March 28th 7:30pm Chesapeake Silver Cornet Brass Band 8:30pm City of Fairfax Band Saturday March 29th 2:30pm Buffalo Niagara Concert Band 3:30pm South Jersey Area Wind Ensemble 7:00pm Ridgewood Concert Band 8:00pm The 2014 ACB Convention Band, Conductor Capt. Michelle A. Rakers, USMC MARCH 26 – 30, 2014 ALL CONCERTS WILL BE HELD AT CONVENTION BOOK HOLIDAY INN ALLENTOWN th 36 Annual ACB Convention 904 Hamilton St More information: acbands.org THE ASSOCIATION OF CONCERT BANDS A"WELCOME"FROM"ART"HMMELBERGER,"PRESIDENT"OF"ACB" (a 501 (c) (3) corporation) " " EXECUTIVE “ONWARD"–"UPWARD”" COMMITTEE " Art Himmelberger, President Tommy Guilbert, " President-Elect ! On! behalf! of! the! Executive! Committee,! Officers,! Board! of! Directors,! Advisory! Judith Shellenberger, Past President Council!and!Past!Presidents!of!the!Association!of!Concert!Bands,!it!gives!me!great!pleasure! ! to!welcome!you!to!the!historic!City!of!Allentown,!Pennsylvania,!located!at!the!epicenter!of! SECRETARY the!beautiful!Lehigh!River!Valley.!!Allentown,!known!as!“Band!City!USA”,!is!indeed!a!fitting! Nada Vencl Montgomery location!for!the!36th!Annual!Convention!of!our!Association!of!Concert!Bands.!!During!your! ! stay,! you! will! find! that! Allentown! is! a! vibrant! center! of! culture,! rich! with! historic! sites,! TREASURER beautiful!natural!scenery,!and!a!warm!community!of!people.!!In!essence!the!Association!of!