Edwin Franko Goldman Memorial Citation
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President's Welcome
PRESIDENT’S WELCOME Friends, Colleagues, and Students, Welcome to the 82nd Annual Mississippi Bandmasters Association State Band Clinic in Natchez. The other members of the MBA Executive Board and I hope that you will experience growth, new perspectives, and renewed aspirations for teaching and learning music in your community during this year’s clinic. I would like to wish all of the students in attendance a heartfelt congratulations on participating in this esteemed event. You represent the very best of the students from your band programs – I encourage you to take that sentiment to heart. Thousands of students have shared in this honor for the last 82 years. Many of you will meet friends this weekend that you will have throughout your life. Lastly, I encourage you to take this opportunity to enjoy making music with others and learning from some of the most outstanding teachers in our country. For members of our association, take the time to visit with the exhibitors and clinicians throughout the weekend. Take advantage of the clinics and presentations that are offered so that you may leave Natchez with new insights and perspectives that you can use with your students at home. Clinic is also a time to renew old friendships and foster new ones. I hope that veteran teachers will take the time to get to know those that are new to our profession and new teachers will seek out the guidance of those with more experience. To our guest clinicians, exhibitors, featured ensembles, and conductors we welcome you and hope that you will enjoy your time with us. -
Perspectives on the American Concert March in Music Education Robert Clark
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2009 Perspectives on the American Concert March in Music Education Robert Clark Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC PERSPECTIVES ON THE AMERICAN CONCERT MARCH IN MUSIC EDUCATION By ROBERT CLARK A Thesis submitted to the College of Music in partial fulfillment of the requirements for the degree of Master of Music Education Degree Awarded: Spring Semester, 2009 The members of the Committee approve the Thesis of Robert Henry Clark defended on March 30, 2009. __________________________ Steven Kelly Professor Directing Thesis __________________________ Patrick Dunnigan Committee Member __________________________ Christopher Moore Committee Member The Graduate School has verified and approved the above named committee members. ii ACKNOWLEDGEMENTS I would like to express my sincere appreciation to Dr. Bobby Adams, Jack Crew, Dr. James Croft, Joe Kreines, and Paula Thornton, who freely gave of their time, opinions, teaching methods, and wisdom to make the completion of this research study possible. They were as genuine, engaging, inspiring and generous as I had hoped…and more. It was my pleasure to get to know them all better. I would also like to thank my thesis committee, Dr. Steven Kelly, Dr. Patrick Dunnigan and Dr. Christopher Moore for dedicating the time and effort to review my research. I would especially like to thank Dr. Steven Kelly for his work in helping me refine this study, and am further appreciative to him for the guidance he has provided me throughout my undergraduate and graduate studies. -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI University Microfilms international A Bell & Howell Information Company 300 North! Z eeb Road, Ann Arbor, Ml 48106-1346 USA 313/761-4700 800/521-0600 Order Number 9130640 The influence of Leonard B. Smith on the heritage of the band in the United States Polce, Vincent John, Ph.D. -
1 Don Gillis Interviews William D. Revelli, March 2-7, 1965 American
Don Gillis Interviews William D. Revelli, March 2-7, 1965 American Bandmasters’ Association Research Center, Special Collections in Performing Arts, University of Maryland, College Park Transcription by Christina Taylor Gibson Unknown: Just say something informally and then we’ll go Don Gillis: I think the feature with Bill had a little more . William D. Revelli: Are you hearing me all right in there now? Unknown: And how [mumbling off microphone] W.R.: Is that too much Unknown: No, no it’s fine, it’s normal, just normal. W.R.: Good. That’s all you need, isn’t it? D.G.: I’m talking with William E. Revelli, that is Bill E., William D.? I’ll start over. That’s one of my great blessings, being a good tape editor. I know I can always cut this out. I’m talking to William D. Revelli of the University of Michigan Bands, whose 25th anniversary I had the good fortune to attend. How many years back was this Bill? W.R.: Well, this is … I’m in my thirtieth year now Don. D.G.: Oh, so this was five years ago. W.R.: Yes. D.G.: At the marvelous banquet where we all sat around and tried in some small way to pay tribute to you for what you had done for the band field, not only at the University of Michigan, but it went way back to a town in Indiana named— W.R.: Hobart. D.G.: Hobart, Indiana. Bill, if you don’t mind, on this afternoon to go back about thirty years, why don’t you tell us about what young William Revelli was doing in Hobart, Indiana as a band director in a town that, which started out as an unknown factor and then became known as THE high school band center of the United States after a little while. -
(1921 to 1963) Presented to the Graduate Council of the North Texas State University in Partial Fulfillment of the Requirements
10, /8( D. 0. ("PROF") WILEY: HIS CONTRIBUTIONS TO MUSIC EDUCATION (1921 TO 1963) DISSERTATION Presented to the Graduate Council of the North Texas State University in Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY By James I. Hansford, Jr., B.M.Ed., M.M.Ed. Denton, Texas May, 1982 Hansford, James I., Jr., D. 0. ("Prof") Wiley: His Contributions to Music Education (1921 to 1963). Doctor of Philosophy (Music Education), May, 1982, 236 pp., 21 illustrations, Bibliography, 88 titles. The purpose of the study was to write a history of a music educator the professional career of D. 0. Wiley as from 1921 to 1963. To give focus to the career of Wiley, answers were sought to three questions, stated as sub and influ problems: (1) What were the important events ences in the professional career of D. 0. Wiley as a college/university band director? (2) What impact did school Wiley have on the development of Texas public bands that earned him the title "Father of Texas Bands?" of and (3) What role did Wiley play in the development the Texas Music Educators Association and other professional music organizations? D. 0. Wiley was a powerful force in the development as director of public school bands of Texas. While serving of bands at Simmons College (now Hardin-Simmons University) in Abilene, and Texas Tech University in Lubbock, he trained scores of young band directors who accepted teaching positions across the state. Wiley is recognized by the Texas Bandmasters Associa tion as the "Father of Texas Bands," partially because of the large number of his students who became prominent 2 bandmasters and leaders in the professional state music education organizations, but primarily through his pioneer work with the Texas Music Educators Association (TMEA). -
2021-05-22 Program-Notes.Pdf
McKinney Community Band Jeremy Kondrat, Artistic Director/Conductor Elmer Schenk, Associate Conductor Bill Sleeper, Director Emeritus ——————————— –——————— –—— -———— Concert Program ——————————————— –—— -—— –————— Fanfare and Flourishes (For a Festive Occasion) by James Curnow We Gather Together (Hymn of Thanksgiving) traditional Dutch Melody by Kremser, arranged by Scott Stanton Libertango by Astor Piazzolla, arranged by Gareth McLearnon performed by the McKinney Flute Choir A Strange Combination by Tom Evans flute/flugelhorn duet His Honor by Henry Fillmore, arranged by Larry Clark Down by the Salley Gardens; an Irish Folk Melody arranged by Michael Sweeney Irish Suite a medley of Irish tunes, arranged by Elliot A. Del Borgo saxophone quartet Valdres by Johannes Hanssen, arranged by James Curnow Le Voir by BJ Brooks clarinet/ piano duet Kentucky 1800 by Clare Grundman, adapted for flexible ensemble by Robert Longfield THE MUSICIANS FLUTE /P ICCOLO BASSOON Robin Bishop, music teacher, PK-5 Tyson Jaquez, pilot Marsha Hope,* sales analyst Barbara Kelly, budget analyst TRUMPET Marilyn Lutz, homemaker Jacob Diewald, band director. Tom Evans,* pool company owner OBOE David Halper, software consult., retired Sarah Brawdy, ESL teacher FRENCH HORN CLARINET Beth Shumate, tourism/ marketing mgr Charlie Berry, missionary Karl Lampe, teacher, retired Mary Hanna, music school owner Ken Levin, engineer EUPHONIUM Al McGee, digital device mgr, retired BASS CLARINET Wayne Westfield, IT systems architect Judy Kysely, retired TROMBONE CONTRA ALTO CLARINET -
PMEA 75Th Anniversary History Book
PENNSYLVANIA MUSIC EDUCATORS ASSOCIATION Celebrating 75 years 1 2 Celebrating 75 years A Brief History of PMEA 1933-2008 3 4 PMEA History at a Glance 1932-33 April 22, 1933- A group of bandsmen convened at the Abraham Lincoln Hotel in Reading, PA in a room near the one in which John Philip Sousa had died on March 6, 1932. These men met at the request of George Otto Frye, Girard College, Philadelphia. The organization became known officially as the Pennsylvania Bandmasters’ Association. The purpose of this organization was “to develop and sustain universal interest in bands and band music; to improve bands and band music by clinics, contests, and festivals; to encourage and aid bandmasters in all laudable musical enterprises; and to urge composers to write directly for the band.” 1933-34 Second Annual PA Bandmaster’s Association convention is held in Aliquippa; First All-State High School Band festival is held. 1934-35 A.D. Davenport resigns from president of PBA. A group of school bandsmen in PBA prefer more emphasis on music education in the schools and form the PA School Band and Orchestra Association; Second All-State Band festival is held in Williamsport. 1935-36 All-State High School Orchestra performs in Ebensburg, conducted by Dr. Howard Hanson and Dr. Will George Butler. Name is changed to PA School Music Association. 1936-37 First newsletter sent out by A.S. Meiser. All-State HS Band held at Coatesville under the leadership of Dr. Edwin Franko Goldman. First All-State HS Chorus at Ebensburg, conducted by Olaf Christansen. -
Awards & Nominations 2
Sultans of String – Awards • 2015 JUNO Award Nominees for "Instrumental Album of the Year" – Symphony! • 2014 SIRIUSXM Independent Music Awards Winner- World Group of the Year • 2014 IMA Independent Music Award Winner – Instrumental Song - "Josie" • 2014 IMA Independent Music Vox Pop Award - Music Producer - Symphony! -Chris McKhool • 2013 ISC International Songwriting Competition- Instrumental category - "Monti's Revenge" • 2013 Folk Music Ontario- Songs of the Heart Winner - Instrumental category - "Monti's Revenge" • 2013 Festivals & Events- Performer of The Year • 2013 Queen’s Diamond Jubilee Medal for bandleader Chris McKhool • 2013 SiriusXM Canadian Indie Awards Nominee for World Group of the Year • 2012 Canadian Folk Music Awards winners– World Music Group of the Year • 2012 Canadian Folk Music Awards nominees – Instrumental Group & Pushing the Boundaries • 2012 Canadian Folk Music Award nominee- Producer of the Year for Chris McKhool • 2012 OCFF Songs of the Heart Winner • 2012 Festivals & Events- Entertainer of The Year • 2011 Ontario Contact - Artist of the Year • 2011 International Acoustic Music Awards Finalist – Instrumental • 2011 Independent Music Award 2x Finalist – Instrumental Album & World Beat Album - Yalla Yalla! • 2011 ISC International Songwriting Competition 2x Finalist- Instrumental & World Music categories • 2010 JUNO Award Nominees for "Instrumental Album of the Year" - Yalla Yalla! • 2010 Canadian Independent Music Awards nominees- Favourite World Artist/Group • 2009 International Songwriting Competition (ISC) -
The American Bandmasters Association Edwin Franko Goldman Memorial Citation Recipients
1 The American Bandmasters Association Edwin Franko Goldman Memorial Citation Recipients of the Edwin Franko Goldman Memorial Citation Victor William Zajec (Chicago, IL, March 4, 1923 - Homewood, IL, January 26, 2005) Compiled by Victor W. Zajec, 1998 Revised by Raoul F. Camus, ABA Historian, 2019 2 THE EDWIN FRANKO GOLDMAN MEMORIAL CITATION Edwin Franko Goldman (1878-1956), founder and conductor of the Goldman Band of New York City, was also the founder (1929), first President (1930-1932), and second Honorary Life President of The American Bandmasters Association (1933-1956). Shortly after Goldman’s death, the ABA sought ways to honor the memory of the man who was such an integral part of its beginnings. ABA President Otto J. Kraushaar charged the Special Citation Committee to “prepare recommendations whereby the Association could formally recognize certain persons outside the membership of ABA for outstanding services to the band movement in America.” The committee’s report was received in 1962. At the same time, the Goldman Memorial Committee was considering a suitable memorial that would recognize the contributions of the ABA founder. Both committees agreed jointly to recommend, for consideration by the ABA Board of Directors and the ABA past presidents, that The Edwin Franko Goldman Memorial Citation be established. In addition to honoring Goldman’s memory, the purpose of the award is to provide recognition to those outside the membership of The American Bandmasters Association (ABA) who have rendered conspicuous service in the interest of bands and band music in America. The first Citation was presented to Harry Guggenheim, sponsor of the Goldman Band concerts, at a concert on the Mall in the Guggenheim Memorial Band Shell, New York, on July 20, 1963. -
School of Music Faculty of Fine Arts University of Victoria C
School of Music Faculty of Fine Arts University of Victoria C UVIC MUS UNIVERSITY OF VICTORIA Wind Symphony Now and Then Dr. Steven Capaldo, Conductor We acknowledge that the land on which we gather is the traditional territory of the WSÁNEĆ (Saanich), Lkwungen (Songhees) and Wyomilth (Esquimalt) peoples of the Coast Salish Nation. Friday, October 12, 2018 • 8 p.m. The Farquhar at UVic Adults: $20 / Seniors: $15 / Students & UVic alumni: $10 P R O G R A M Rarajipari (2017) André Nowicki Canadian Premiere (b. 1976) Endurance (1993) Timothy Mahr (b. 1956) Strange Humours (2012) John Mackey (b. 1973) First Suite in E-flat (1909) Gustav Holst (1874–1934) I N T E R M I S S I O N The Gum-sucker’s March (1914) Percy Grainger (1882–1961) Embers (2016) Michael Markowski (b. 1986) Riften Wed (2014) Julie Giroux (b. 1961) Candide Suite (1956/1988) Leonard Bernstein (1918–1990) Adapted by Clare Grundman UVIC WIND SYMPHONY WOODWINDS BRASS Flute 1 Charlie Mason* French Horn 1 Sarah Mullane* Flute 1 Taya Haldane French Horn 2 Brooke Clansey Piccolo/Flute 1 Jessica Shaw French Horn 3 Allie Bertholm Flute 2 Breanna Morissette French Horn 4 Joshua Ward Flute 2 Connie Goetz Trumpet 1 Marianne Ing* Oboe 1 Janie Sinn* Trumpet 1 Ben Parker Oboe 2/English Horn Theresa Mothersill Trumpet 2 Ekaterina Della Vedova Bassoon 1 Wilson Kyne* Trumpet 2 Izzy Spencer Bassoon 2 Lee Whitehorne Trumpet 3 Jordan Smale Trumpet 3 Abha Parmar Clarinet 1 Alec Kan* Piccolo/Clarinet 1 Alicia Joinson Trombone 1 Will Quinn* Clarinet 2 Kyle Lancaster Trombone 2 Heidi Worrall Clarinet -
James Cunningham Harper and the Lenoir, North Carolina High
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Curriculum Vitae Herbert Waltl
27 Quarterhorse Lane, Rolling Hills Estates, CA 90271 - USA phone: +1 310-378.1078 • email: [email protected] Curriculum Vitae Herbert Waltl Herbert Waltl began his musical education at the age of five, but abandoned a promising career as pianist and composer in favor of producing. He has over 35 years of experience in the recording and entertainment industry. Exploring cutting-edge technology and new pro-AV production methods, Mr. Waltl has been recognized by world leading technology companies as a visionary, creative source and authority in the media industry. He was the first DVD video producer in history (working on projects for Philips Research Laboratories long before it was a recognized format or even had a name, producing both: video and audio) and has been hailed as the “guru” of surround audio productions. Herbert Waltl has also been recognized as producer with numerous awards and nominations including two Grammy awards, TEC Award for “Outstanding Creative Achievement”, DVD Entertainment Award for “Best Music DVD”, Surround Sound Music Award, DVD Audio Excellence Award and Finalist of the Billboard DEMX Awards for “Music DVD of the Year 2005”. Professional Experience Current Grammy Award Nomination 2014: Best Surround Sound Album “OPUS ONE” – Surround Sound Producer Appointed Chair/Director of “The Music Teachers’ Association of California” VOCE program, Southbay (competition/recital program for Vocalists, Orchestral instrumentalists and Chamber Ensembles) Board member of “The Music Teachers’ Association of California”, Southbay 2013 California State Senator and Chairman of the Legislative Joint Committee on the Arts, Ted W. Lieu, awarded Herbert Waltl a Certificate of Recognition In Honor of His Grammy Award Nomination for "Best Surround Sound Album" for OPUS ONE and In Appreciation of his Many Outstanding Contributions to the Recording Arts.