NJWS November 2018 Concert
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Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI University Microfilms international A Bell & Howell Information Company 300 North! Z eeb Road, Ann Arbor, Ml 48106-1346 USA 313/761-4700 800/521-0600 Order Number 9130640 The influence of Leonard B. Smith on the heritage of the band in the United States Polce, Vincent John, Ph.D. -
PMEA 75Th Anniversary History Book
PENNSYLVANIA MUSIC EDUCATORS ASSOCIATION Celebrating 75 years 1 2 Celebrating 75 years A Brief History of PMEA 1933-2008 3 4 PMEA History at a Glance 1932-33 April 22, 1933- A group of bandsmen convened at the Abraham Lincoln Hotel in Reading, PA in a room near the one in which John Philip Sousa had died on March 6, 1932. These men met at the request of George Otto Frye, Girard College, Philadelphia. The organization became known officially as the Pennsylvania Bandmasters’ Association. The purpose of this organization was “to develop and sustain universal interest in bands and band music; to improve bands and band music by clinics, contests, and festivals; to encourage and aid bandmasters in all laudable musical enterprises; and to urge composers to write directly for the band.” 1933-34 Second Annual PA Bandmaster’s Association convention is held in Aliquippa; First All-State High School Band festival is held. 1934-35 A.D. Davenport resigns from president of PBA. A group of school bandsmen in PBA prefer more emphasis on music education in the schools and form the PA School Band and Orchestra Association; Second All-State Band festival is held in Williamsport. 1935-36 All-State High School Orchestra performs in Ebensburg, conducted by Dr. Howard Hanson and Dr. Will George Butler. Name is changed to PA School Music Association. 1936-37 First newsletter sent out by A.S. Meiser. All-State HS Band held at Coatesville under the leadership of Dr. Edwin Franko Goldman. First All-State HS Chorus at Ebensburg, conducted by Olaf Christansen. -
The American Bandmasters Association Edwin Franko Goldman Memorial Citation Recipients
1 The American Bandmasters Association Edwin Franko Goldman Memorial Citation Recipients of the Edwin Franko Goldman Memorial Citation Victor William Zajec (Chicago, IL, March 4, 1923 - Homewood, IL, January 26, 2005) Compiled by Victor W. Zajec, 1998 Revised by Raoul F. Camus, ABA Historian, 2019 2 THE EDWIN FRANKO GOLDMAN MEMORIAL CITATION Edwin Franko Goldman (1878-1956), founder and conductor of the Goldman Band of New York City, was also the founder (1929), first President (1930-1932), and second Honorary Life President of The American Bandmasters Association (1933-1956). Shortly after Goldman’s death, the ABA sought ways to honor the memory of the man who was such an integral part of its beginnings. ABA President Otto J. Kraushaar charged the Special Citation Committee to “prepare recommendations whereby the Association could formally recognize certain persons outside the membership of ABA for outstanding services to the band movement in America.” The committee’s report was received in 1962. At the same time, the Goldman Memorial Committee was considering a suitable memorial that would recognize the contributions of the ABA founder. Both committees agreed jointly to recommend, for consideration by the ABA Board of Directors and the ABA past presidents, that The Edwin Franko Goldman Memorial Citation be established. In addition to honoring Goldman’s memory, the purpose of the award is to provide recognition to those outside the membership of The American Bandmasters Association (ABA) who have rendered conspicuous service in the interest of bands and band music in America. The first Citation was presented to Harry Guggenheim, sponsor of the Goldman Band concerts, at a concert on the Mall in the Guggenheim Memorial Band Shell, New York, on July 20, 1963. -
James Cunningham Harper and the Lenoir, North Carolina High
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A Chant from the Great Plains: an Analysis and Rationale for a Critical Edition
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Student Research, Creative Activity, and Performance - School of Music Music, School of Spring 4-17-2013 A Chant from the Great Plains: An Analysis and Rationale for a Critical Edition Raul G. Barcenes University of Nebraska-Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/musicstudent Part of the Composition Commons, Music Pedagogy Commons, and the Other Music Commons Barcenes, Raul G., "A Chant from the Great Plains: An Analysis and Rationale for a Critical Edition" (2013). Student Research, Creative Activity, and Performance - School of Music. 58. https://digitalcommons.unl.edu/musicstudent/58 This Article is brought to you for free and open access by the Music, School of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Student Research, Creative Activity, and Performance - School of Music by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. A CHANT FROM THE GREAT PLAINS: AN ANALYSIS AND RATIONALE FOR A CRITICAL EDITION by Raul G. Barcenes A DOCTORAL DOCUMENT Presented to the Faculty of The Graduate College at the University of Nebraska In Partial Fulfillment of Requirements For the Degree of Doctor of Musical Arts Major: Music Under the Supervision of Professor Carolyn Barber Lincoln, Nebraska May, 2013 A CHANT FROM THE GREAT PLAINS: AN ANALYSIS AND RATIONALE FOR A CRITICAL EDITION Raul Guadalupe Barcenes, D.M.A. University of Nebraska, 2013 Adviser: Carolyn Barber This document explores A Chant from the Great Plains by Carl Busch. As the winner of American bandmaster Edwin Franko Goldman’s composition contest in 1919, this work helped launch the tradition of commissioning upon which the repertoire of the modern concert band medium relies. -
1 George Wilson Records Thoughts on the ABA for Don Gillis American
George Wilson Records Thoughts on the ABA for Don Gillis American Bandmasters’ Association Research Center, Special Collections in Performing Arts, University of Maryland, College Park Transcription by Christina Taylor Gibson George Wilson: Don, I am going to record some information about the American Bandmasters Association. I’ll leave space in some areas and you can use your scissors and do what you want to with this. You asked for some historical background and some of the more recent activities too of the ABA. So here we go. The American Bandmasters’ Association was formally organized in 1929. As a result of his many years’ study of the problems confronting American bands, and encouraged by a group of prominent bandmasters, including the late John Philip Sousa, Dr. Edwin Franko Goldman invited a selected number of band directors from the United States and Canada to be his guests at a luncheon and conference at the Hotel Pennsylvania in New York City on July 5, 1929. It was at this meeting that the American Bandmasters’ Association was formally organized. The objects of the association were defined as, and I quote, “Mutual helpfulness and the promotion of better music through the instrumentality of the band, to secure the universal adoption of a band instrumentation so that band publications of all countries will be interchangeable. To induce prominent composers of all countries to write for the band. To establish for the concert band a higher standard of artistic excellence than has generally been maintained. And to do all possible to raise the standards of bands and band music.” John Philip Sousa was elected first honorary life president. -
Edwin Franko Goldman Memorial Citation
1 The American Bandmasters Association Edwin Franko Goldman Memorial Citation Recipients of the Edwin Franko Goldman Memorial Citation Victor William Zajec (Chicago, IL, March 4, 1923 - Homewood, IL, January 26, 2005) Compiled by Victor W. Zajec, 1998 Maintained by Raoul F. Camus, ABA Historian 2 THE EDWIN FRANKO GOLDMAN MEMORIAL CITATION Edwin Franko Goldman (1878-1956), founder and conductor of the Goldman Band of New York City, was also the founder (1929), first President (1930-1932), and second Honorary Life President of The American Bandmasters Association (1933-1956). Shortly after Goldman’s death, the ABA sought ways to honor the memory of the man who was such an integral part of its beginnings. ABA President Otto J. Kraushaar charged the Special Citation Committee to “prepare recommendations whereby the Association could formally recognize certain persons outside the membership of ABA for outstanding services to the band movement in America.” The committee’s report was received in 1962. At the same time, the Goldman Memorial Committee was considering a suitable memorial that would recognize the contributions of the ABA founder. Both committees agreed jointly to recommend, for consideration by the ABA Board of Directors and the ABA past presidents, that The Edwin Franko Goldman Memorial Citation be established. In addition to honoring Goldman’s memory, the purpose of the award is to provide recognition to those outside the membership of The American Bandmasters Association (ABA) who have rendered conspicuous service in the interest of bands and band music in America. The first Citation was presented to Harry Guggenheim, sponsor of the Goldman Band concerts, at a concert on the Mall in the Guggenheim Memorial Band Shell, New York, on July 20, 1963. -
Arts & Economic Prosperity IV
in THE LEHIGH VALLEY REGION, PA Arts and Economic Prosperity IV was conducted by Americans for the Arts, the nation’s leading nonprofit organization for advancing the arts in America. Established in 1960, we are dedicated to representing and serving local communities and creating opportunities for every American to participate in and appreciate all forms of the arts. Copyright 2012 Americans for the Arts, 1000 Vermont Avenue NW, 6th Floor, Washington, DC 20005. Arts & Economic Prosperity if a registered trademark of Americans for the Arts. Reprinted by permission. Printed in the United States. Table of Contents The Arts Mean Business ........................................................... 1 By Robert L. Lynch, President and CEO, Americans for the Arts The Economic Impact of the Nonprofit Arts and Culture Industry in the Lehigh Valley Region .......................... 3 Defining Economic Impact .....................................................................3 Economic Impact of the ENTIRE Nonprofit Arts and Culture Industry ......................................................................................4 Direct and Indirect Economic Impact: How a Dollar is Re- Spent in the Economy .............................................................................4 Economic Impact of Spending by Nonprofit Arts and Culture ORGANIZATIONS ..................................................................6 An Economic Impact Beyond Dollars: Volunteerism ............................7 The Value of In-Kind Contributions to Arts Organizations -
American Bandmasters Association
Souvenir Program AMERICAN BANDMASTERS ASSOCIATION Twenty-fourth Annual Convention DEDICATION OF THE BAND BUILDING SIXTY-EIGHTH ANNIVERSARY CONCERTS The Concert Band I The First Regimental Band UNIVERSITY OF ILLINOIS, URBANA MARCH 5-6*7-8, 1958 A BRIEF HISTORY OF THE AMERICAN BANDMASTERS ASSOCIATION The American Bandmasters Association was formally University of Wisconsin, Madison, Wisconsin, February 27- organized in 1929. As the result of many years' study of the March 2, 1941 problems confronting American bands and encouraged by HENRY FILLMORE the interest of a group of prominent bandmasters, including Elkhart, Indiana, June 13-15, 1947 John Philip Sousa, Edwin Franko Goldman invited a select GLENN CLIFFE BAINUM number of band directors from the United States and Can Sioux Falls, South Dakota, March 18-21, 1948 ada to be his guests at a luncheon and conference at the HOWARD C BRONSON Hotel Pennsylvania in New York City on July 5, 1929. Charlotte, North Carolina, March 17-18, 1949 It was at this meeting that the American Bandmasters JOHN J. RICHARDS Association was formally organized. The objects of the Asso University of Michigan, Ann Arbor, Michigan, March 9-12, ciation were defined as ". mutual helpfulness, and the 1950 promotion of better music through the instrumentality of HAROLD B. BACHMAN the band ... to secure the adoption of a universal band Washington, D.C., March 8-11, 1951 instrumentation so that band publications of all countries EARL D. IRONS will be interchangeable; to induce prominent composers of Ohio State University, Columbus, Ohio, March 7-10, 1952 all countries to write for the band; to establish for the con cert band a higher standard of artistic excellence than has WILLIAM D. -
Lehigh Preserve Institutional Repository
Lehigh Preserve Institutional Repository The Marching 97: A History of the Finest Band East of All Points West Swope, Rachel H 2019 Find more at https://preserve.lib.lehigh.edu/ This document is brought to you for free and open access by Lehigh Preserve. It has been accepted for inclusion by an authorized administrator of Lehigh Preserve. For more information, please contact [email protected]. The Marching 97: A History of the Finest Band East of All Points West Rachel H. Swope Eckardt Scholars Program Senior Thesis Lehigh University | May 2019 1 Table of Contents 1. The University Band.....................................................................................................3 2. The Brown and White Band.......................................................................................18 3. The Marching 97: Part I..............................................................................................29 4. The Marching 97: Part II.............................................................................................47 5. The Marching 97: Part III...........................................................................................62 6. In Psyche.....................................................................................................................78 7. Acknowledgements.....................................................................................................81 8. Appendix A: Lyrics to songs played by the Marching 97..........................................82 9. Appendix B: Recordings -
The American Community Band: History and Development Jason Michael Hartz [email protected]
Marshall University Marshall Digital Scholar Theses, Dissertations and Capstones 1-1-2003 The American Community Band: History and Development Jason Michael Hartz [email protected] Follow this and additional works at: http://mds.marshall.edu/etd Part of the American Popular Culture Commons, and the Music Performance Commons Recommended Citation Hartz, Jason Michael, "The American Community Band: History and Development" (2003). Theses, Dissertations and Capstones. Paper 194. This Thesis is brought to you for free and open access by Marshall Digital Scholar. It has been accepted for inclusion in Theses, Dissertations and Capstones by an authorized administrator of Marshall Digital Scholar. For more information, please contact [email protected]. THE AMERICAN COMMUNITY BAND: HISTORY AND DEVELOPMENT Thesis submitted to The Graduate College of Marshall University In partial fulfillment of the Requirements for the degree of Master of Arts Music by Jason Michael Hartz Dr. Paul Balshaw, Committee Chairperson Dr. Marshall Onofrio Dr. Vicki Stroeher Marshall University April 24, 2003 ABSTRACT THE AMERICAN COMMUNITY BAND: HISTORY AND DEVELOPMENT By Jason Michael Hartz Contemporary band scholars believe that the American community band experienced a revival at the end of the twentieth century. Examining the community band’s unique history from its earliest forms during the Revolutionary period through the Golden Age of Bands identifies the traditions that supported this revival. The twentieth century, however, is ripe with developments largely independent from previous eras, including the vast expansion of the music education system in the United States and the education of amateur musicians, the Great Depression, and the gradual acceptance of the band as an artistic medium. -
Ed 272 401 Pub Date Note Pub Type Document Resume So
DOCUMENT RESUME ED 272 401 SO 017 250 TITLE Arts and Humanities Pennsylvania Community Resource Guide. Schools and Communities: Pennsylvania Partners. Turning the Tide: An Agenda for Excellence in Pennsylvania Public Schools. [Third Edition]. INSTITUTION Pennsylvania State Dept. of Education, Harrisburg. PUB DATE 85 NOTE 66p.; For related document, see ED 256 650. PUB TYPE Reference Materials - Directories/Catalogs (132) EDRS PRICE MF01/PC03 Plus Postage. DESCRIPTORS *Art Education; *Community Organizations; Cultural Education; Dance; Dance Education; Film Study; Higher Education; Humanities; *Humanities Instruction; Literature; Music; Music Education; Theater Arts; Visual Arts IDENTIFIERS Pennsylvania; Pennsylvania Department of Education ABSTRACT This resource guide divides arts and humanities into six areas listed in separate chapters: dance, film, literature, music, theater, and visual art. A seventh chapter lists historical resources and general cultural resources. Within each of the seven chapters are alphabetically listed resources identified for each intermediate unit. The chapters are followed by a listing andmap of intermediate units, and a listing of Pennsylvania colleges and universities offering Pennsylvania Department of Education approved teacher certification programs in the arts and humanities. The guide concludes with lists of Pennsylvania and national arts and humanities organizations. (TRS) *********************************************************************** Reproductions supplied by ERRS are the bestthat can be