American Bandmasters Association
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What Is Conductorcise® ?
WHAT IS CONDUCTORCISE® ? Place yourself in the sneakers of an orchestra conductor and raise your baton to a mighty Sousa march, an impetuous Strauss polka, or an elegant Tchaikovsky waltz as you enjoy a great musical workout. CONDUCTORCISE® is a combination aerobic workout, symphonic performance, and music history lesson that swings to the sounds of the masters. A unique program recognized internationally by health and fitness experts, CONDUCTORCISE® fosters upper body fitness that can help strengthen your heart and open your ears and mind in a natural, invigorating workout. This low-impact fitness fusion for all ages stimulates the cardio-vascular system, energizes and engages the senses and creates balance, stretching, blood circulation and brain stimulation throughout the workout. Learn basic conducting techniques, improve cognitive and listening skills, and discover the lives and work of great composers, as you keep your body and mind in tune, relieve stress and secure balance, increase circulation, manage diabetes, and build upper body strength. The brain child of clarinetist/Conductor David Dworkin, it’s an exhilarating and unique alternative to “traditional” exercise programs that has successfully traveled the globe. The only program of its kind in the world, Dworkin has brought it to pre-school children, teenagers, healthy seniors, and those in assisted- living facilities, as well as stroke, wheelchair bound, and Alzheimer’s patients and beyond, allowing participants to keep ones “body and mind in tune.” Who Leads CONDUCTORCISE®: Maestro David Dworkin Maestro David Dworkin has led orchestras across America and abroad, and served as conductor and Artistic Consultant of three PBS Television documentaries in the series Grow Old With Me, including “The Poetry of Aging,” featuring Richard Kiley, Julie Harris, and James Earl Jones. -
'Dream Job: Next Exit?'
Understanding Bach, 9, 9–24 © Bach Network UK 2014 ‘Dream Job: Next Exit?’: A Comparative Examination of Selected Career Choices by J. S. Bach and J. F. Fasch BARBARA M. REUL Much has been written about J. S. Bach’s climb up the career ladder from church musician and Kapellmeister in Thuringia to securing the prestigious Thomaskantorat in Leipzig.1 Why was the latter position so attractive to Bach and ‘with him the highest-ranking German Kapellmeister of his generation (Telemann and Graupner)’? After all, had their application been successful ‘these directors of famous court orchestras [would have been required to] end their working relationships with professional musicians [take up employment] at a civic school for boys and [wear] “a dusty Cantor frock”’, as Michael Maul noted recently.2 There was another important German-born contemporary of J. S. Bach, who had made the town’s shortlist in July 1722—Johann Friedrich Fasch (1688–1758). Like Georg Philipp Telemann (1681–1767), civic music director of Hamburg, and Christoph Graupner (1683–1760), Kapellmeister at the court of Hessen-Darmstadt, Fasch eventually withdrew his application, in favour of continuing as the newly- appointed Kapellmeister of Anhalt-Zerbst. In contrast, Bach, who was based in nearby Anhalt-Köthen, had apparently shown no interest in this particular vacancy across the river Elbe. In this article I will assess the two composers’ positions at three points in their professional careers: in 1710, when Fasch left Leipzig and went in search of a career, while Bach settled down in Weimar; in 1722, when the position of Thomaskantor became vacant, and both Fasch and Bach were potential candidates to replace Johann Kuhnau; and in 1730, when they were forced to re-evaluate their respective long-term career choices. -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI University Microfilms international A Bell & Howell Information Company 300 North! Z eeb Road, Ann Arbor, Ml 48106-1346 USA 313/761-4700 800/521-0600 Order Number 9130640 The influence of Leonard B. Smith on the heritage of the band in the United States Polce, Vincent John, Ph.D. -
Symphony Arlington Donors 2020-2021
C SYMPHONY ARLINGTON BOARD OF DIRECTORS 2020-2021 Linda Gibson, President Hollis R. Lackey, Vice President Faye Reeder, Secretary Doreen Bruner, Treasurer Lisa Farrimond Marlene Hutchison Barry Johnson Virginia Lackey Valerie Landry Anne Wilson-Stanberry 2 STAFF General Manager Ann Gerrity Executive Director Mark Hughes Office Manager Brenda Hughes Education Director Robert Fishman Community Outreach Danielle Mendelson Finance Manager Brenda Resseguie Music Librarian Sarah Myers Production Manager Chris Finley Stage Crew Basil Drayton Stage Crew Michael Finley Stage Crew Randall Fuller SYMPHONY ARLINGTON DONORS 2020-2021 Presto ($5,000 and up) Anonymous • Arlington Cultural Tourism Council National Endowment for the Arts • Texas Commission on the Arts Allegro ($1,000 to $4,999) Frances Jean Browning • Lawrence Wallace Memorial Fund Moderato ($500 to $999) Joe & Doreen Bruner • Dave & Jennifer Lloyd • Fred & Lynda Weekley Andante ($250 to $499) Ed & Lonette Bebensee • Gary Bledsoe • Suzanne & Bill de Decker Charles W. Duke, Jr. • Marjorie Hammond Memorial Fund Adagio ($100 to $249) Lisa Bedwell • Jim & Jerrie Buehrig • Nigel & Theresa Crouch Priscilla Donkle • Randy Farmer • Candy Halliburton A Donation in Memory of Mary Jo Jameson • Hollis & Virginia Lackey Carolyn Morton • Bill Palmer • James & Faye Reeder Irmgard Schmidt • Darlus L. Schoonover • Ralph & Alice Sobel Jack Thornton • Richard Urso • Donald Trimble • Peggy Uribe ADOPT-A-MUSICIAN Stephen Page, Concertmaster Sponsored by Frances Jean Browning Laura Ospina, Principal Cello Sponsored by Joe & Doreen Bruner Robert Carter Austin A native of Tennessee, Robert Carter Austin is currently in his twenty-first season as Music Director of Symphony Arlington. Maestro Austin has an unusually diverse educational background for a classical musician, including a Bachelor of Science degree from the Massachusetts Institute of Technology, a Diploma (with Distinction) in Computer Science from Cambridge University, and a Master of Musical Arts degree from Stanford University. -
PMEA 75Th Anniversary History Book
PENNSYLVANIA MUSIC EDUCATORS ASSOCIATION Celebrating 75 years 1 2 Celebrating 75 years A Brief History of PMEA 1933-2008 3 4 PMEA History at a Glance 1932-33 April 22, 1933- A group of bandsmen convened at the Abraham Lincoln Hotel in Reading, PA in a room near the one in which John Philip Sousa had died on March 6, 1932. These men met at the request of George Otto Frye, Girard College, Philadelphia. The organization became known officially as the Pennsylvania Bandmasters’ Association. The purpose of this organization was “to develop and sustain universal interest in bands and band music; to improve bands and band music by clinics, contests, and festivals; to encourage and aid bandmasters in all laudable musical enterprises; and to urge composers to write directly for the band.” 1933-34 Second Annual PA Bandmaster’s Association convention is held in Aliquippa; First All-State High School Band festival is held. 1934-35 A.D. Davenport resigns from president of PBA. A group of school bandsmen in PBA prefer more emphasis on music education in the schools and form the PA School Band and Orchestra Association; Second All-State Band festival is held in Williamsport. 1935-36 All-State High School Orchestra performs in Ebensburg, conducted by Dr. Howard Hanson and Dr. Will George Butler. Name is changed to PA School Music Association. 1936-37 First newsletter sent out by A.S. Meiser. All-State HS Band held at Coatesville under the leadership of Dr. Edwin Franko Goldman. First All-State HS Chorus at Ebensburg, conducted by Olaf Christansen. -
View Playbill
MARCH 1–4, 2018 45TH ANNIVERSARY SEASON 2017/2018 Great Artists. Great Audiences. Hancher Performances. WORK LIGHT PRODUCTIONS PRESENTS BOOK BY BERRY GORDY MUSIC AND LYRICS FROM THE LEGENDARY MOTOWN CATALOG BASED UPON THE BOOK TO BE LOVED: MUSIC BY ARRANGEMENT WITH THE MUSIC, THE MAGIC, THE MEMORIES SONY/ATV MUSIC PUBLISHING OF MOTOWN BY BERRY GORDY MOTOWN® IS USED UNDER LICENSE FROM UMG RECORDINGS, INC. STARRING KENNETH MOSLEY TRENYCE JUSTIN REYNOLDS MATT MANUEL NICK ABBOTT TRACY BYRD KAI CALHOUN ARIELLE CROSBY ALEX HAIRSTON DEVIN HOLLOWAY QUIANA HOLMES KAYLA JENERSON MATTHEW KEATON EJ KING BRETT MICHAEL LOCKLEY JASMINE MASLANOVA-BROWN ROB MCCAFFREY TREY MCCOY ALIA MUNSCH ERICK PATRICK ERIC PETERS CHASE PHILLIPS ISAAC SAUNDERS JR. ERAN SCOGGINS AYLA STACKHOUSE NATE SUMMERS CARTREZE TUCKER DRE’ WOODS NAZARRIA WORKMAN SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN PROJECTION DESIGN DAVID KORINS EMILIO SOSA NATASHA KATZ PETER HYLENSKI DANIEL BRODIE HAIR AND WIG DESIGN COMPANY STAGE SUPERVISION GENERAL MANAGEMENT EXECUTIVE PRODUCER CHARLES G. LAPOINTE SARAH DIANE WORK LIGHT PRODUCTIONS NANSCI NEIMAN-LEGETTE CASTING PRODUCTION MANAGEMENT TOUR BOOKING AGENCY TOUR MARKETING AND PRESS WOJCIK | SEAY CASTING PORT CITY TECHNICAL THE BOOKING GROUP ALLIED TOURING RHYS WILLIAMS MOLLIE MANN ORCHESTRATIONS MUSIC DIRECTOR/CONDUCTOR DANCE MUSIC ARRANGEMENTS ADDITIONAL ARRANGEMENTS ETHAN POPP & BRYAN CROOK MATTHEW CROFT ZANE MARK BRYAN CROOK SCRIPT CONSULTANTS CREATIVE CONSULTANT DAVID GOLDSMITH & DICK SCANLAN CHRISTIE BURTON MUSIC SUPERVISION AND ARRANGEMENTS BY ETHAN POPP CHOREOGRAPHY RE-CREATED BY BRIAN HARLAN BROOKS ORIGINAL CHOREOGRAPHY BY PATRICIA WILCOX & WARREN ADAMS STAGED BY SCHELE WILLIAMS DIRECTED BY CHARLES RANDOLPH-WRIGHT ORIGNALLY PRODUCED BY KEVIN MCCOLLUM DOUG MORRIS AND BERRY GORDY The Temptations in MOTOWN THE MUSICAL. -
Season 2016-2017
25 Season 2016-2017 Thursday, April 6, at 8:00 Friday, April 7, at 2:00 The Philadelphia Orchestra Saturday, April 8, at 8:00 Sunday, April 9, at 2:00 Yannick Nézet-Séguin Conductor Mason Bates Electronica Daniil Trifonov Piano Beethoven Overture and Finale, from The Creatures of Prometheus, Op. 43 Bates Alternative Energy I. Ford’s Farm, 1896— II. Chicago, 2012 III. Xinjiang Province, 2112 IV. Reykjavik, 2222 First Philadelphia Orchestra performances Intermission Mozart Piano Concerto No. 9 in E-flat major, K. 271 (“Jenamy”) I. Allegro II. Andantino III. Rondeau (Presto)—Menuetto (Cantabile)— Liszt Prometheus, Symphonic Poem No. 5 This program runs approximately 2 hours, 5 minutes. LiveNote™, the Orchestra’s interactive concert guide for mobile devices, will be enabled for these performances. The April 6 concert is sponsored by American Airlines. The April 7 concert is sponsored by Sarah Miller Coulson. Philadelphia Orchestra concerts are broadcast on WRTI 90.1 FM on Sunday afternoons at 1 PM. Visit WRTI.org to listen live or for more details. 27 The Philadelphia Orchestra Jessica Griffin The Philadelphia Orchestra Philadelphia is home and impact through Research. is one of the preeminent the Orchestra continues The Orchestra’s award- orchestras in the world, to discover new and winning Collaborative renowned for its distinctive inventive ways to nurture Learning programs engage sound, desired for its its relationship with its over 50,000 students, keen ability to capture the loyal patrons at its home families, and community hearts and imaginations of in the Kimmel Center, members through programs audiences, and admired for and also with those who such as PlayINs, side-by- a legacy of imagination and enjoy the Orchestra’s area sides, PopUP concerts, innovation on and off the performances at the Mann free Neighborhood concert stage. -
The American Bandmasters Association Edwin Franko Goldman Memorial Citation Recipients
1 The American Bandmasters Association Edwin Franko Goldman Memorial Citation Recipients of the Edwin Franko Goldman Memorial Citation Victor William Zajec (Chicago, IL, March 4, 1923 - Homewood, IL, January 26, 2005) Compiled by Victor W. Zajec, 1998 Revised by Raoul F. Camus, ABA Historian, 2019 2 THE EDWIN FRANKO GOLDMAN MEMORIAL CITATION Edwin Franko Goldman (1878-1956), founder and conductor of the Goldman Band of New York City, was also the founder (1929), first President (1930-1932), and second Honorary Life President of The American Bandmasters Association (1933-1956). Shortly after Goldman’s death, the ABA sought ways to honor the memory of the man who was such an integral part of its beginnings. ABA President Otto J. Kraushaar charged the Special Citation Committee to “prepare recommendations whereby the Association could formally recognize certain persons outside the membership of ABA for outstanding services to the band movement in America.” The committee’s report was received in 1962. At the same time, the Goldman Memorial Committee was considering a suitable memorial that would recognize the contributions of the ABA founder. Both committees agreed jointly to recommend, for consideration by the ABA Board of Directors and the ABA past presidents, that The Edwin Franko Goldman Memorial Citation be established. In addition to honoring Goldman’s memory, the purpose of the award is to provide recognition to those outside the membership of The American Bandmasters Association (ABA) who have rendered conspicuous service in the interest of bands and band music in America. The first Citation was presented to Harry Guggenheim, sponsor of the Goldman Band concerts, at a concert on the Mall in the Guggenheim Memorial Band Shell, New York, on July 20, 1963. -
James Cunningham Harper and the Lenoir, North Carolina High
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A Chant from the Great Plains: an Analysis and Rationale for a Critical Edition
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Student Research, Creative Activity, and Performance - School of Music Music, School of Spring 4-17-2013 A Chant from the Great Plains: An Analysis and Rationale for a Critical Edition Raul G. Barcenes University of Nebraska-Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/musicstudent Part of the Composition Commons, Music Pedagogy Commons, and the Other Music Commons Barcenes, Raul G., "A Chant from the Great Plains: An Analysis and Rationale for a Critical Edition" (2013). Student Research, Creative Activity, and Performance - School of Music. 58. https://digitalcommons.unl.edu/musicstudent/58 This Article is brought to you for free and open access by the Music, School of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Student Research, Creative Activity, and Performance - School of Music by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. A CHANT FROM THE GREAT PLAINS: AN ANALYSIS AND RATIONALE FOR A CRITICAL EDITION by Raul G. Barcenes A DOCTORAL DOCUMENT Presented to the Faculty of The Graduate College at the University of Nebraska In Partial Fulfillment of Requirements For the Degree of Doctor of Musical Arts Major: Music Under the Supervision of Professor Carolyn Barber Lincoln, Nebraska May, 2013 A CHANT FROM THE GREAT PLAINS: AN ANALYSIS AND RATIONALE FOR A CRITICAL EDITION Raul Guadalupe Barcenes, D.M.A. University of Nebraska, 2013 Adviser: Carolyn Barber This document explores A Chant from the Great Plains by Carl Busch. As the winner of American bandmaster Edwin Franko Goldman’s composition contest in 1919, this work helped launch the tradition of commissioning upon which the repertoire of the modern concert band medium relies. -
Program Notes | Michael Tilson Thomas Conducts
27 Season 2017-2018 Thursday, March 1, at 7:30 Friday, March 2, at 8:00 The Philadelphia Orchestra Saturday, March 3, at 8:00 Michael Tilson Thomas Conductor Measha Brueggergosman Soprano Tilson Thomas Four Preludes on Playthings of the Wind First Philadelphia Orchestra performances Mikaela Bennett, vocalist Kara Dugan, vocalist Intermission Tchaikovsky Symphony No. 6 in B minor, Op. 74 (“Pathétique”) I. Adagio—Allegro non troppo II. Allegro con grazia III. Allegro molto vivace IV. Adagio lamentoso This program runs approximately 1 hour, 50 minutes. The March 1 concert is sponsored by the Hassel Foundation. The March 1 concert is also sponsored by Constance Smukler. Philadelphia Orchestra concerts are broadcast on WRTI 90.1 FM on Sunday afternoons at 1 PM, and are repeated on Monday evenings at 7 PM on WRTI HD 2. Visit www.wrti.org to listen live or for more details. 28 Please join us following the March 2 and 3 concerts for a free Organ Postlude with Peter Richard Conte. Rachmaninoff/ Prelude in C-sharp minor, Op. 3, No. 2 transcr. Lemare Widor from Symphonie gothique, Op. 70: II. Andante sostenuto Karg-Elert Chorale Improvisation on “Nearer My God, to Thee” The Organ Postludes are part of the Fred J. Cooper Memorial Organ Experience, supported through a generous grant from the Wyncote Foundation. 29 ®™ Getting Started with LiveNote » Please silence your phone ringer. » Download the app from the Apple App Store or Google Play Store by searching for LiveNote. » Join the LiveNote Wi-Fi network from your phone. The wireless network LiveNote should appear in the list available to you. -
Members of the Juilliard Orchestra David Chan, Conductor
Members of the Juilliard Orchestra David Chan, Conductor The Juilliard School presents Members of the Juilliard Orchestra David Chan, Conductor Recorded on December 14, 2020 Judith Harris and Tony Woolfson Orchestral Studio Program A GEORGE WALKER Lyric for Strings (1947) (1922-2018) BENJAMIN BRITTEN Prelude and Fugue, Op. 29 (1943) (1913-76) Prelude: Grave Fugue: Allegro energico–Coda: Grave come prima Program B J.S. BACH Brandenburg Concerto No. 6 in B-flat Major, BWV 1051 (1710) (1685-1750) Allegro Adagio ma non tanto Allegro Brandenburg Concerto No. 3 in G Major, BWV 1048 (1713) [Allegro] Adagio* Allegro * Adagio from Bach’s Trio Sonata in G Major, BWV 1038 (published 1860) Juilliard’s livestream technology is made possible by a gift in honor of President Emeritus Joseph W. Polisi, building on his legacy of broadening Juilliard’s global reach. Juilliard is committed to the diversity of our community and to fostering an environment that is inclusive, supportive, and welcoming to all. For information on our equity, diversity, inclusion, and belonging efforts, and to see Juilliard's land acknowledgment statement, please visit our website at juilliard.edu. 1 Members of the Juilliard Orchestra Program A WALKER Lyric for Strings First Violin Viola Kevin Zhu, Concertmaster Natalie Loughran, Principal Muyun Tang Joshua Kail Jaewon Wee Graham Cohen Adrian Steele Devin Moore Mai Matsumoto Cello Second Violin David Bender, Principal Mitsuru Yonezaki, Principal Sterling Elliott Oliver Neubauer Joshua McClendon Gabrielle Després Coco Mi Double Bass Nina Bernat, Principal Bennett Norris BRITTEN Prelude and Fugue, Op. 29 First Violin Viola Kevin Zhu, Concertmaster Devin Moore, Principal Phoenix Avalon Graham Cohen Jaewon Wee Natalie Loughran Adrian Steele Mai Matsumoto Cello Muyun Tang David Bender, Principal Michael Cantú Second Violin Eliana Razzino Yang Mitsuru Yonezaki, Principal Oliver Neubauer Double Bass Gabrielle Després Bennett Norris, Principal Coco Mi Nina Bernat 2 Program B J.S.