DOCSLIB.ORG

ZBORNIK Radova Danas

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Međunarodna studentska konferencija Jučer, danas, sutra – slavistika 9. – 11. listopada 2013. Jučer ZBORNIK radova danas Urednik Krešimir Bobaš sutra slavistika Međunarodna studentska konferencija Jučer, danas, sutra – slavistika 9. – 11. listopada 2013. ZBORNIK RADOVA Urednik Krešimir Bobaš Sveučilište u Zagrebu Filozofski fakultet A•302 Odsjek za južnoslavenske jezike i književnosti klub studenata južne slavistike filozofskog fakulteta University of Zagreb sveučilišta u zagrebu Faculty of Humanities and Social Sciences Student Club of the Department for South Slavic Department for South Slavic Languages and Literatures Languages and Literatures impressum Urednik Krešimir Bobaš Međunarodna studentska konferencija Organizator Jučer, danas, sutra – slavistika Klub studenata južne slavistike A-302 Filozofski fakultet Filozofskog fakulteta Sveučilište u Zagrebu Sveučilišta u Zagrebu 9. – 11. listopada 2013. partner Zbornik Udruga Spectrum, Makedonsko- RAdova hrvatska udruga za promicanje kul- turnih vrijednosti i veza Predsjednica organizacijskog odbora Janja Kovač Članovi organizacijskog odbora Krešimir Bobaš, Damir Kralj, Petra Kvasnička, Olivera Radović, Teresa Sudac, Viktorija Škorućak Recenzenti Dizajn prof. dr. sc. Zvonko Kovač Marko Hrastovec dr. sc. Ivana Latković tipografija Lektori za hrvatski jezik Nikola Đurek (www.typonine.com) Valentina Bedi Gabrijela Detelj Tisak Anđelka Ilinović Kerschoffset Ana Jelić Valentina Jozić Naklada Martina Kovač 100 primjeraka Damir Kralj Pokrovitelji Lektorice za Odsjek za južnoslavenske jezike i bosanski i srpski jezik književnosti Filozofskog fakulteta Olivera Radović Sveučilišta u Zagrebu, Filozofski Viktorija Škorućak fakultet Sveučilišta u Zagrebu, Stu- dentski zbor Sveučilišta u Zagrebu Lektorice za bugarski jezik Gabrijela Jagetić ISBN 978-953-56026-6-8 Nika Presl CIP zapis dostupan u računalnome Lektorica za makedonski jezik katalogu Nacionalne i sveučilišne Ines Cebović knjižnice pod brojem 868115 Sadržaj 7 KREŠIMIR BOBAŠ (Zagreb) Riječ urednika 9 LJILJANA BAJAC (Novi Sad) Romani Svetozara Ćorovića kao preteča moderne srpske proze 21 JASENKA BEGIĆ, ANABELA LENDIĆ, IVONA RADIĆ (Zagreb) Aproprijacija društvenih stereotipa u konstrukciji povratnoga diskursa s elementima humora 31 MAIDA BILKIĆ (Zadar), DŽALILA OSMANOVIĆ (Banja Luka) Koliko Bosna i Hercegovina treba jezika: ispitivanje stavova mladih prema upotrebi triju službenih jezika u Bosni i Hercegovini 43 NIKOLA BLAGOJEVIĆ (Niš) Nomina agentis у спорту у српском и хрватском језику 59 FRANKO BUROLO (Zagreb) Pokušaj interpretacije Zakaj sem fašist Tomaža Šalamuna 65 MAJDA ČOLAK (Pula) Izgovorna stvarnost glagola u hrvatskome standardnom jeziku 73 МILA DRAGIĆ, MARINA ŠAFER (Novi Sad) Analiza dijalekata u pripovetkama iz Antologije savremene bunjevačke književnosti Lipota naši riči 85 TANJA ĐURIĆ (Slavonski Brod) Leksikologija slavonskoga dijalekta pred izazovima suvremenoga društva 99 DRAGANA EVTIMOVA (Skoplje) Кружно патување на сенката или бајки од левиот џеб до анимиран филм 107 KRISTINA GEORGIEVA (Plovdiv) Земята ще бъде рай – ще бъде! Geo Milev i Miroslav Krleža 123 KATERYNA KONDRATENKO (Kijev) Žanrovska specifičnost i stilska obilježja suvremenih hrvatskih putopisa (M. Šur Puhlovski: Novi zapisi s koljena, J. Boko: Na putu svile, K. Vujičić, Ž. Špoljar: Welcome to Croatia) 131 NATAŠA KURTUMA (Novi Sad) Spacijalni predlog na u srpskom jeziku i njegov ekvivalenat u nemačkom jeziku 143 PÉTER LANGENTHAL (Zagreb) Hrvatski jezik u gradišćanskohrvatske mladeži 155 JELENA MARIĆEVIĆ (Novi Sad) Kino čitanje signalističke šatro proze 161 ELVIRA MEZIT (Mostar) Fantastički diskurs u Talhama ili Šedrvanskom vrtu Irfana Horozovića 167 ANA MIHALJEVIĆ, JURICA POLANČEC (Zagreb) Povratne konstrukcije u hrvatskoglagoljskome Životu Marije Magdalene 179 NIKOLA MILIVOJEVIĆ (Niš) Митолошки елементи у епским песмама о Марку Краљевићу 197 DIMANA MITEVA (Sofija) Интертекстуалност в хърватския роман на 80-те и 90-те години на ХХ в. 209 ANES OSMIĆ (Sarajevo) Teorija kruga 223 ANTONIA RAGUŽ, NIKOLINA PENAVA (Zagreb) Kulturološko-povijesni kontekst jezičnih dodira između bugarskog jezika i dubrovačkog govora 237 GALJA POPOVIČ (Lavov) Usporedna analiza posuđenica hrvatskog i ukrajinskog jezika 247 SONJA PRIJIĆ (Zagreb) Simbolička i mitološka osnova romana Kaciga užasa Viktora Pelevina 255 MELISA SLIPAC (Beč) Jadi izgubljene generacije i ženska seksualnost u doba tranzicije na pri- mjeru romana Korov je samo biljka na krivom mjestu Stele Jelinčić 267 ŽARKA SVIRČEV (Beograd) Susreti u prevodu – paradigma kulturnog prevođenja Stanislava Vinavera 281 ESZTER TAMASKÓ (Budimpešta) Zamjena jezika u dvojezičnom Dušnoku 293 ALEKSANDRA TOMIĆ (Novi Sad) Симовићев песнички микросвет 307 NINA ZAVAŠNIK (Graz) Stavovi Bošnjaka, Crnogoraca, Hrvata i Srba koji žive u Sloveniji prema reakcijama Slovenaca na njihovo znanje slovenskog jezika Riječ urednika Poštovane kolegice, poštovani kolege, pred vama se nalazi Zbornik radova izloženih na Međunarodnoj studentskoj konferenciji Jučer, danas, sutra – slavistika, koja je trebala biti malen dopri- nos danas marginaliziranoj slavistici i njezinu proučavanju, disciplini koja se trudi nadići tobože nepremostive jazove između kultura, uvijek iznova valorizirajući supostojanje kao jedini mogući način napretka. Europu kakvu danas poznajemo, jaku i globalno prisutnu silu, ne bismo imali bez slavenskih naroda i njihova neprocjenjiva doprinosa njezinu kulturnom repozitoriju i znanstvenom krajobrazu. Hvala vam što ste naš mali pokušaj približavanja i osvješćivanja o ovoj itekako bitnoj, no često nepravedno zapostavljenoj, u drugi plan dovedenoj datosti svojim predanim radom, marljivim pisanjem i razmišljanjem učinili malo većim. U ime Organizacijskog odbora Međunarodne studentske konferencije Jučer, danas, sutra – slavistika, Kluba studenata južne slavistike A-302 i Odsjeka za južnoslavenske jezike i književnosti Filozofskoga fakulteta Sveučilišta u Zagrebu želim vam pregršt uspjeha u daljnjem studiju, radu i – razmišljanju. Nemojte posustati pred izazovima i preprekama današnjice, one su postojale jučer i postojat će sutra, no samo ukoliko ostanemo uporni na svome putu osvješćivanja i konstantnog podsjećanja kako je bivša jugoslavenska, pa tako i cijela slavenska regija poklonila Europi nobelovce kojima se diči, znanstvenike kojima se ponosi i umove po kojima imenuje akademije, sveučilišta i ulice, bit ćemo ujedno korak bliže našem cilju. U nadi da ste uživali u programu, srdačno vas pozdravljam. Krešimir Bobaš, urednik Zbornika radova 7 LJILJANA BAJAC [email protected] Filozofski fakultet, Univerzitet u Novom Sadu (Srbija) Znanstveno područje Znanost o književnosti Romani Svetozara Ćorovića kao preteča moderne srpske proze Sažetak Koristeći interpretativno-analitički i komparativni metod istraživanja, u radu će se ukazati na tipološke sličnosti (u formalnom, tematskom i motivskom smi- slu) romana Svetozara Ćorovića i dela Milutina Uskokovića, Veljka Milićevića, Borisava Stankovića, Isidore Sekulić, Ive Andrića, Isaka Samokovlije, Ćamila Sijarića i Meše Selimovića te će se tako na kompleksniji način sagledati razvoj srpskog romana u 20. veku. Polazeći od stava mnogih književnih kritičara da Ćorovićevo delo stoji između realizma i moderne, a oslanjajući se na rezultate ove komparativne analize, doći će se do zaključka da romani Svetozara Ćorovića pripadaju moderni kao epohi. Uočavajući da ti romani predstavljaju nezao- bilaznu stepenicu i neophodnu kariku u razvoju modernog srpskog romana i pripovetke, rad će imati za cilj da preispita vrednost književnog dela ovog hercegovačkog pisca i njegov status u srpskoj književnosti, odnosno da mu se na taj način da mesto u istoriji naše književnosti koje mu zasluženo pripada. Ključne reči čaršija, lik, sukob, moderna, žena Uvod Svetozar Ćorović je prvi značajniji pisac svog užeg zavičaja – Mostara i Herce- govine. Za razliku od svojih prethodnika, koji su pisali dela pretežno poučnog karaktera, on je pripovedačku prozu uzdigao na nivo umetničke i uključio je u tokove ostalih srpskih krajeva gde je kulturni život dobio veći zamah. U vremenu kad je objavljivao svoja dela o njemu je dosta pisano. Kas- nije, u književnoistorijskom vrednovanju prošao je nezasluženo loše. Kao zakasneli realista, odvojen od savremenih strujanja u književnosti, saživljen sa kolektivnim problemima svog zavičaja, on nije postavljao filozofska pitanja o smislu čovekove egzistencije. Pišući mnogo, često je objavljivao nedovoljno prečišćen tekst. Da bi se utvrdilo književnoistorijsko značenje nekog književnika, potreb- no je pre svega uočiti na koji način je on uticao na razvoj naše književnosti. Drugim rečima, šta su njegovi potomci od njega mogli naučiti i preuzeti. Svo- jom realističkom deskripcijom Ćorović je naznačio gotovo sve motive koje će 9 kasnije obrađivati naši pripovedači. Najupečatljivi su Ćorovićevi ženski likovi koji podsećaju na junakinje Bore Stankovića i Ive Andrića. Osim što je doneo novu sredinu, nove motive, novu koncepciju ženskog lika, te nov način obli- kovanja kompozicije, Ćorović je prvi u našu književnost uveo likove došljaka i povratnika u zavičaj. Po osećanju izdvojenosti, nepripadanja, suvišnosti i neshvaćenosti od strane svoje sredine, Ćorovićevi junaci liče na Uskokovićeve, Ćipikove i Milićevićeve, a kasnije i na junake Crnjanskog, Krleže i Kulenovića. Takođe, niko pre Ćorovića nije tako snažno dočarao kolektivnu sliku čaršijskog života i pomamu strasti ustalasane mase. To nastavljaju Andrić i Selimović. Pošto slikaju bosanskohercegovačku sredinu, Isak Samokovlija i Ćamil Sijarić
Recommended publications
  • Republic of Serbia Ipard Programme for 2014-2020

    Republic of Serbia Ipard Programme for 2014-2020

    EN ANNEX Ministry of Agriculture and Environmental Protection Republic of Serbia REPUBLIC OF SERBIA IPARD PROGRAMME FOR 2014-2020 27th June 2019 1 List of Abbreviations AI - Artificial Insemination APSFR - Areas with Potential Significant Flood Risk APV - The Autonomous Province of Vojvodina ASRoS - Agricultural Strategy of the Republic of Serbia AWU - Annual work unit CAO - Competent Accrediting Officer CAP - Common Agricultural Policy CARDS - Community Assistance for Reconstruction, Development and Stabilisation CAS - Country Assistance Strategy CBC - Cross border cooperation CEFTA - Central European Free Trade Agreement CGAP - Code of Good Agricultural Practices CHP - Combined Heat and Power CSF - Classical swine fever CSP - Country Strategy Paper DAP - Directorate for Agrarian Payment DNRL - Directorate for National Reference Laboratories DREPR - Danube River Enterprise Pollution Reduction DTD - Dunav-Tisa-Dunav Channel EAR - European Agency for Reconstruction EC - European Commission EEC - European Economic Community EU - European Union EUROP grid - Method of carcass classification F&V - Fruits and Vegetables FADN - Farm Accountancy Data Network FAO - Food and Agriculture Organization FAVS - Area of forest available for wood supply FOWL - Forest and other wooded land FVO - Food Veterinary Office FWA - Framework Agreement FWC - Framework Contract GAEC - Good agriculture and environmental condition GAP - Gross Agricultural Production GDP - Gross Domestic Product GEF - Global Environment Facility GEF - Global Environment Facility GES
  • KATALOG Lado 2018 ENG Crveni.Cdr

    KATALOG Lado 2018 ENG Crveni.Cdr

    LADO Celebrating the Richness and Diversity of Croatian Dance and Music LADO National Folk Dance Ensemble of Croatia LADO, an archaic Slavic word, is a synonym for good, kind and nice, and is frequently used as a refrain in ancient ritual songs of north-western Croatia. LADO, the National Folk Dance Ensemble of Croatia, was founded in 1949 in Zagreb as a professional national ensemble, with the aim of researching, artistically interpreting and presenting on stage the most beautiful examples of the rich traditions of Croatian music and dance. The ensemble's brilliant dancers, who are also excellent singers, can easily transform this folk dance ensemble into an impressive folk choir, while its 14 superb musicians play some fifty different traditional and classical instruments. In its repertoire, which consists of more than a hundred different choreographies and several hundred vocal, instrumental and vocal-instrumental numbers, LADO represents the rich and diverse regional musical and choreographic traditions of Croatia, which is geographically situated at a crossroad of Europe in which the Mediterranean, Balkan, Pannonian and Alpine influences are found in the dances, music and costumes. LADO is often called a "Dancing Museum" because of the priceless and beautiful authentic national costumes (more than 1,200 costumes) it has in its collection , some of which are 100 years old. The ensemble also presents new, contemporary musical and choreographic works based on traditional motifs and elements. LADO When My Wedding Party Awakens You -
  • Department of Film & Media Studies Hunter College

    Department of Film & Media Studies Hunter College

    Department of Film & Media Studies Jeremy S. Levine Hunter College - CUNY 26 Halsey St., Apt. 3 695 Park Ave, Rm. 433 HN Brooklyn, NY 11216 New York, NY 10065 Phone: 978-578-0273 Phone: 212-772-4949 [email protected] Fax: 212-650-3619 jeremyslevine.com EDUCATION M.F.A. Integrated Media Arts, Department of Film & Media Studies, Hunter College, expected May 2020 Thesis Title: The Life of Dan, Thesis Advisor: Kelly Anderson, Distinctions: S&W Scholarship, GPA: 4.0 B.S. Television-Radio: Documentary Studies, Park School of Communications, Ithaca College, 2006 Distinctions: Magna Cum Laude, Park Scholarship EMPLOYMENT Hunter College, 2019 Adjunct Assistant Professor, Department of Film & Media Studies Taught two undergraduate sections of Intro to Media Studies in spring 2019, averaging 6.22 out of 7 in the “overall” category in student evaluations, and teaching two sections of Intro to Media Production for undergraduates in fall 2019. Brooklyn Filmmakers Collective, 2006 – Present Co-Founder, Advisory Board Member Co-founded organization dedicated to nurturing groundbreaking films, generative feedback, and supportive community. Recent member films screened at the NYFF, Sundance, and Viennale, broadcast on Showtime, HBO, and PBS, and received awards from Sundance, Slamdance, and Tribeca. Curators from Criterion, BAM, Vimeo, The Human Rights Watch Film Festival, and Art 21 programmed a series of 10-year BFC screenings at theaters including the Lincoln Center, Alamo, BAM, and Nitehawk. Transient Pictures, 2006 – 2018 Co-Founder, Director, Producer Co-founded and co-executive directed an Emmy award-winning independent production company. Developed company into a $500K gross annual organization. Directed strategic development, secured clients, managed production teams, oversaw finances, and produced original feature films.
  • The Impact of the Illyrian Movement on the Croatian Lexicon

    The Impact of the Illyrian Movement on the Croatian Lexicon

    Slavistische Beiträge ∙ Band 223 (eBook - Digi20-Retro) George Thomas The Impact of the Illyrian Movement on the Croatian Lexicon Verlag Otto Sagner München ∙ Berlin ∙ Washington D.C. Digitalisiert im Rahmen der Kooperation mit dem DFG-Projekt „Digi20“ der Bayerischen Staatsbibliothek, München. OCR-Bearbeitung und Erstellung des eBooks durch den Verlag Otto Sagner: http://verlag.kubon-sagner.de © bei Verlag Otto Sagner. Eine Verwertung oder Weitergabe der Texte und Abbildungen, insbesondere durch Vervielfältigung, ist ohne vorherige schriftliche Genehmigung des Verlages unzulässig. «Verlag Otto Sagner» ist ein Imprint der Kubon & Sagner GmbH. George Thomas - 9783954792177 Downloaded from PubFactory at 01/10/2019 04:08:27AM via free access 00050383 S lavistische B e it r ä g e BEGRÜNDET VON ALOIS SCHMAUS HERAUSGEGEBEN VON HEINRICH KUNSTMANN PETER REHDER • JOSEF SCHRENK REDAKTION PETER REHDER Band 223 VERLAG OTTO SAGNER MÜNCHEN George Thomas - 9783954792177 Downloaded from PubFactory at 01/10/2019 04:08:27AM via free access 00050383 GEORGE THOMAS THE IMPACT OF THEJLLYRIAN MOVEMENT ON THE CROATIAN LEXICON VERLAG OTTO SAGNER • MÜNCHEN 1988 George Thomas - 9783954792177 Downloaded from PubFactory at 01/10/2019 04:08:27AM via free access ( B*y«ftecne I Staatsbibliothek l Mönchen ISBN 3-87690-392-0 © Verlag Otto Sagner, München 1988 Abteilung der Firma Kubon & Sagner, GeorgeMünchen Thomas - 9783954792177 Downloaded from PubFactory at 01/10/2019 04:08:27AM via free access 00050383 FOR MARGARET George Thomas - 9783954792177 Downloaded from PubFactory at 01/10/2019 04:08:27AM via free access .11 ж ־ י* rs*!! № ri. ur George Thomas - 9783954792177 Downloaded from PubFactory at 01/10/2019 04:08:27AM via free access 00050383 Preface My original intention was to write a book on caiques in Serbo-Croatian.
  • At the Margins of the Habsburg Civilizing Mission 25

    At the Margins of the Habsburg Civilizing Mission 25

    i CEU Press Studies in the History of Medicine Volume XIII Series Editor:5 Marius Turda Published in the series: Svetla Baloutzova Demography and Nation Social Legislation and Population Policy in Bulgaria, 1918–1944 C Christian Promitzer · Sevasti Trubeta · Marius Turda, eds. Health, Hygiene and Eugenics in Southeastern Europe to 1945 C Francesco Cassata Building the New Man Eugenics, Racial Science and Genetics in Twentieth-Century Italy C Rachel E. Boaz In Search of “Aryan Blood” Serology in Interwar and National Socialist Germany C Richard Cleminson Catholicism, Race and Empire Eugenics in Portugal, 1900–1950 C Maria Zarimis Darwin’s Footprint Cultural Perspectives on Evolution in Greece (1880–1930s) C Tudor Georgescu The Eugenic Fortress The Transylvanian Saxon Experiment in Interwar Romania C Katherina Gardikas Landscapes of Disease Malaria in Modern Greece C Heike Karge · Friederike Kind-Kovács · Sara Bernasconi From the Midwife’s Bag to the Patient’s File Public Health in Eastern Europe C Gregory Sullivan Regenerating Japan Organicism, Modernism and National Destiny in Oka Asajirō’s Evolution and Human Life C Constantin Bărbulescu Physicians, Peasants, and Modern Medicine Imagining Rurality in Romania, 1860–1910 C Vassiliki Theodorou · Despina Karakatsani Strengthening Young Bodies, Building the Nation A Social History of Child Health and Welfare in Greece (1890–1940) C Making Muslim Women European Voluntary Associations, Gender and Islam in Post-Ottoman Bosnia and Yugoslavia (1878–1941) Fabio Giomi Central European University Press Budapest—New York iii © 2021 Fabio Giomi Published in 2021 by Central European University Press Nádor utca 9, H-1051 Budapest, Hungary Tel: +36-1-327-3138 or 327-3000 E-mail: [email protected] Website: www.ceupress.com An electronic version of this book is freely available, thanks to the support of libraries working with Knowledge Unlatched (KU).
  • Vladimir-Peter-Goss-The-Beginnings

    Vladimir-Peter-Goss-The-Beginnings

    Vladimir Peter Goss THE BEGINNINGS OF CROATIAN ART Published by Ibis grafika d.o.o. IV. Ravnice 25 Zagreb, Croatia Editor Krešimir Krnic This electronic edition is published in October 2020. This is PDF rendering of epub edition of the same book. ISBN 978-953-7997-97-7 VLADIMIR PETER GOSS THE BEGINNINGS OF CROATIAN ART Zagreb 2020 Contents Author’s Preface ........................................................................................V What is “Croatia”? Space, spirit, nature, culture ....................................1 Rome in Illyricum – the first historical “Pre-Croatian” landscape ...11 Creativity in Croatian Space ..................................................................35 Branimir’s Croatia ...................................................................................75 Zvonimir’s Croatia .................................................................................137 Interlude of the 12th c. and the Croatia of Herceg Koloman ............165 Et in Arcadia Ego ...................................................................................231 The catastrophe of Turkish conquest ..................................................263 Croatia Rediviva ....................................................................................269 Forest City ..............................................................................................277 Literature ................................................................................................303 List of Illustrations ................................................................................324
  • The Production of Lexical Tone in Croatian

    The Production of Lexical Tone in Croatian

    The production of lexical tone in Croatian Inauguraldissertation zur Erlangung des Grades eines Doktors der Philosophie im Fachbereich Sprach- und Kulturwissenschaften der Johann Wolfgang Goethe-Universität zu Frankfurt am Main vorgelegt von Jevgenij Zintchenko Jurlina aus Kiew 2018 (Einreichungsjahr) 2019 (Erscheinungsjahr) 1. Gutacher: Prof. Dr. Henning Reetz 2. Gutachter: Prof. Dr. Sven Grawunder Tag der mündlichen Prüfung: 01.11.2018 ABSTRACT Jevgenij Zintchenko Jurlina: The production of lexical tone in Croatian (Under the direction of Prof. Dr. Henning Reetz and Prof. Dr. Sven Grawunder) This dissertation is an investigation of pitch accent, or lexical tone, in standard Croatian. The first chapter presents an in-depth overview of the history of the Croatian language, its relationship to Serbo-Croatian, its dialect groups and pronunciation variants, and general phonology. The second chapter explains the difference between various types of prosodic prominence and describes systems of pitch accent in various languages from different parts of the world: Yucatec Maya, Lithuanian and Limburgian. Following is a detailed account of the history of tone in Serbo-Croatian and Croatian, the specifics of its tonal system, intonational phonology and finally, a review of the most prominent phonetic investigations of tone in that language. The focal point of this dissertation is a production experiment, in which ten native speakers of Croatian from the region of Slavonia were recorded. The material recorded included a diverse selection of monosyllabic, bisyllabic, trisyllabic and quadrisyllabic words, containing all four accents of standard Croatian: short falling, long falling, short rising and long rising. Each target word was spoken in initial, medial and final positions of natural Croatian sentences.
  • Подкласс Exogenia Collin, 1912

    Подкласс Exogenia Collin, 1912

    Research Article ISSN 2336-9744 (online) | ISSN 2337-0173 (print) The journal is available on line at www.ecol-mne.com Contribution to the knowledge of distribution of Colubrid snakes in Serbia LJILJANA TOMOVIĆ1,2,4*, ALEKSANDAR UROŠEVIĆ2,4, RASTKO AJTIĆ3,4, IMRE KRIZMANIĆ1, ALEKSANDAR SIMOVIĆ4, NENAD LABUS5, DANKO JOVIĆ6, MILIVOJ KRSTIĆ4, SONJA ĐORĐEVIĆ1,4, MARKO ANĐELKOVIĆ2,4, ANA GOLUBOVIĆ1,4 & GEORG DŽUKIĆ2 1 University of Belgrade, Faculty of Biology, Studentski trg 16, 11000 Belgrade, Serbia 2 University of Belgrade, Institute for Biological Research “Siniša Stanković”, Bulevar despota Stefana 142, 11000 Belgrade, Serbia 3 Institute for Nature Conservation of Serbia, Dr Ivana Ribara 91, 11070 Belgrade, Serbia 4 Serbian Herpetological Society “Milutin Radovanović”, Bulevar despota Stefana 142, 11000 Belgrade, Serbia 5 University of Priština, Faculty of Science and Mathematics, Biology Department, Lole Ribara 29, 38220 Kosovska Mitrovica, Serbia 6 Institute for Nature Conservation of Serbia, Vožda Karađorđa 14, 18000 Niš, Serbia *Corresponding author: E-mail: [email protected] Received 28 March 2015 │ Accepted 31 March 2015 │ Published online 6 April 2015. Abstract Detailed distribution pattern of colubrid snakes in Serbia is still inadequately described, despite the long historical study. In this paper, we provide accurate distribution of seven species, with previously published and newly accumulated faunistic records compiled. Comparative analysis of faunas among all Balkan countries showed that Serbian colubrid fauna is among the most distinct (together with faunas of Slovenia and Romania), due to small number of species. Zoogeographic analysis showed high chorotype diversity of Serbian colubrids: seven species belong to six chorotypes. South-eastern Serbia (Pčinja River valley) is characterized by the presence of all colubrid species inhabiting our country, and deserves the highest conservation status at the national level.
  • 03 Annals 2016 Nella LONZA.Indd

    03 Annals 2016 Nella LONZA.Indd

    Dubrovnik Annals 20 (2016): pp. 93-108 93 Original paper UDC 343.25(497.5Dubrovnik)”13/17” DOI: http://doi.org/10.21857/yvjrdcn1ly THE FIGURE OF EXECUTIONER IN DUBROVNIK BETWEEN SOCIAL ACCEPTANCE AND REJECTION (FOURTEENTH TO EIGHTEENTH CENTURY)* NELLA LONZA ABSTRACT: Based on the documents from the State Archives of Dubrovnik, this article examines the office of executioner in the period between the fourteenth and the late eighteenth century. Introduction of professional executioner is being correlated with the process of the expansion of state “services” managed by professionals, with distinctive features of the penal system and the symbolic role of executioner in the rituals of power, while the abolishment of permanent office is accounted by the changing criminality trends in the mid-eighteenth century. Through the elements of execution, the ideal of “good death” is elucidated, along with the executioner’s intermediary role between the worlds of the dead and living. Further analysed is the attitude of Ragusan society towards the executioner, attention being drawn to certain ambivalent aspects, with a conclusion that in Dubrovnik, unlike elsewhere in Europe, less stigma was attached to this profession: executioner was generally perceived as an “official” who performed an unattractive though essential service to the benefit of the community. Keywords: Dubrovnik, executioner, punishment rituals, Middle Ages, Early Modern era Introductory notes on semantics Modern Croatian term for executioner krvnik is derived from the word krv, meaning blood. In the same sense it was employed by the seventeenth-century * This research has been supported by a grant from the Croatian Science Foundation (no.
  • Serbia 2Nd Periodical Report

    Serbia 2Nd Periodical Report

    Strasbourg, 23 September 2010 MIN-LANG/PR (2010) 7 EUROPEAN CHARTER FOR REGIONAL OR MINORITY LANGUAGES Second periodical report presented to the Secretary General of the Council of Europe in accordance with Article 15 of the Charter SERBIA The Republic of Serbia The European Charter for Regional or Minority Languages The Second Periodical Report Submitted to the Secretary General of the Council of Europe Pursuant to Article 15 of the Charter Belgrade, September 2010 2 C O N T E N T S 1. INTRODUCTION ……………………………………………………………………6 2. Part I …………………………………………………………………………………12 2.1. Legislative and institutional changes after the first cycle of monitoring of the implementation of the Charter …………………………………………………….12 2.1.1. Legislative changes ……………………………………………………….12 2.1.2. The National Strategy for the Improvement of the Status of Roma ……..17 2.1.3. Judicial Reform …………………………………………………………...17 2.1.4. Establishment of the Ministry of Human and Minority Rights …………..23 2.2. Novelties expected during the next monitoring cycle of the implementation of the Charter …………………………………………………………………………….24 2.2.1. The Census ………………………………………………………………..24 2.2.2. Election of the national councils of the national minorities ……………...26 2.3. Implementation of the recommendations of the Committee of Ministers of the Council of Europe (RecChL(2009)2) 28) …………………………………………29 2.4. Activities for the implementation of the box-recommendation of the Committee of Experts with regard to the implementation of the Charter ………………………...33 3. PART II Implementation of Article 7 of the Charter ……………………………..38 3.1. Information on the policy, legislation and practice in the implementation of Part II - Article 7 of the Charter ……………………………………………………………..38 3.1.1.
  • Politički Život U Dubrovniku Na Prijelazu Devetnaestog U Dvadeseto Stoljeće

    Politički Život U Dubrovniku Na Prijelazu Devetnaestog U Dvadeseto Stoljeće

    Politički život u Dubrovniku na prijelazu devetnaestog u dvadeseto stoljeće Matić, Antun Master's thesis / Diplomski rad 2020 Degree Grantor / Ustanova koja je dodijelila akademski / stručni stupanj: University of Zagreb, University of Zagreb, Faculty of Humanities and Social Sciences / Sveučilište u Zagrebu, Filozofski fakultet Permanent link / Trajna poveznica: https://urn.nsk.hr/urn:nbn:hr:131:613110 Rights / Prava: In copyright Download date / Datum preuzimanja: 2021-10-02 Repository / Repozitorij: ODRAZ - open repository of the University of Zagreb Faculty of Humanities and Social Sciences Sveučilište u Zagrebu Filozofski fakultet Odsjek za povijest POLITIČKI ŽIVOT U DUBROVNIKU NA PRIJELAZU DEVETNAESTOG U DVADESETO STOLJEĆE Diplomski rad Antun Matić Mentor: dr. sc. Filip Šimetin Šegvić Zagreb, 23. studeni 2020. Izjava o akademskoj čestitosti Izjavljujem i svojim potpisom potvrđujem da je ovaj rad rezultat mog vlastitog rada koji se temelji na istraživanjima te objavljenoj i citiranoj literaturi. Izjavljujem da nijedan dio rada nije napisan na nedozvoljen način, odnosno da je prepisan iz necitiranog rada, te da nijedan dio rada ne krši bilo čija autorska prava. Također izjavljujem da nijedan dio rada nije korišten za bilo koji drugi rad u bilo kojoj drugoj visokoškolskoj, znanstvenoj ili obrazovnoj ustanovi. ______________________ (potpis) Sadržaj 1. Uvod 2. Od Napoleona do 1867. 3. Prema prijelazu stoljeća 4. Gospodarska situacija na prijelazu stoljeća 5. Stranke 5.1. Pregled političkih stranaka 5.1.1. Narodna stranka 5.1.2. Autonomaši (Talijanaši) 5.1.3. Srpska stranka 5.1.4. Stranka prava 5.1.5. Politika Novog kursa 5.1.6. Hrvatska stranka 5.2. Odnosi među strankama i izbori 6. Pojedinci 6.1.
  • 35 Pave¹koviæ

    35 Pave¹koviæ

    DUBROVAČKI SLOVINAC U KONTEKSTU HRVATSKOG REALIZMA A n t u n P a v e š k o v i ć Časopis »Slovinac« počeo je izlaziti u Dubrovniku 1. svibnja 1878. godine. Proglas na 4. stranici prvoga broja potpisali su Pero Budmani, Antun Kazali, Ivan August Kaznačić, Medo Pucić, Jovan Sundečić, Vuk Vrčević i Luko Zore, ovaj potonji potpisan je i kao »odgovorni urednik, vlastnik i izdavalac«. Bacimo li pogled na čitavu 4. stranicu, očito prostor čija je namjena bila opravdati i objasniti pojavu lista, vidjet ćemo pred spomenutim Proglasom nešto kraći Spomen i poklon, a u dnu stranice još i podulju bilješku. Sve zajedno uzev, sadržaj ove stranice znakovit je za profil cijeloga časopisa tijekom svih godina njegove nazočnosti na hrvatskoj kulturnoj sceni. Umjesto određena književna pravca i njegove javne promocije, umjesto neke umjetničke koncepcije, Proglas razlogom pojave časopisa uzimlje odsuće, točnije govoreći, potrebu nadvladavanja odsuća književnog lista u Dalmaciji, nakon što su se ugasili Zora Dalmatinska, Zvijezda i Dubrovnik. Nadalje, zadaćom časopisa apostrofirano je promicanje književnosti, umjetnosti i obrtnosti, što znači da će se on baviti, zapravo, svačim pomalo, odnosno da će biti kulturno glasilo dosta neodređena profila. Spomenuta fusnota, smišljena kao svojevrsna emendacija uvodnom Pozdravu i poklonu, najavljuje ujedno i prijepore izazvane u hrvatskome kulturnom prostoru ideologijskom pozadinom cijeloga projekta. S obzirom na reakciju zagrebačkog Obzora, očito je već i sama najava novoga lista izazvala dvojbe i otpore. Redakcija dubrovačkog časopisa pravda se od prigovora glede imena i porabe dvaju pisama 301 — latinice i ćirilice. Činjenica da se umjesto konkretna narodnog imena uzimlje nadomjestak, uobičajen doduše u književnoj tradiciji, ali i posve anakron u sedamdesetim godinama XIX.