Department of Film & Media Studies Hunter College
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Tribeca: a Distinguished Enclave
SHELLEY KAPLAN This January represents an exciting and no doubt temporary convergence of forces for New York City residential real estate. The economy has stabilized, sales activity has RE:NEW YORK improved in the last couple of months, lending rates are at historic lows (which won’t Real Estate in Your Neighborhood. Premiere Edition • January 2010 • Vol. 1, Edition 1 last), and the government extended and expanded the homebuyer tax credit. Though real estate values may experience some continued minor erosion, the big price drops Welcome to the first edition of my newsletter, RE:NewYork. You might are over. want to re-design your current home or find a new space in this city. I have some perspectives on the area real estate market that I hope you’ll The New Year historically brings with it increased inventory. Add the usual January influx of buyers, the tax incentive which has been stretched to April and now includes find useful. It would be my pleasure to advise you. Don’t hesitate to call non-first-time homebuyers, and you have a recipe for transaction. Buyers will still me and share your thoughts. —Shelley Kaplan pay a bit more for a great view or a wood-burning fireplace; but there is a sense that January will be the time to act if you want to buy, or need to sell. There are opportu- nities for both sides of the table right now. A NEIGHBORHOOD STORY: Today, diligence, expert valuation and negotiating skills are more critical than ever in Tribeca: A Distinguished Enclave. -
NCA All-Star National Championship Wall of Fame
WALL OF FAME DIVISION YEAR TEAM CITY, STATE L1 Tiny 2019 Cheer Force Arkansas Tiny Talons Conway, AR 2018 Cheer Athletics Itty Bitty Kitties Plano, TX 2017 Cheer Athletics Itty Bitty Kitties Plano, TX 2016 The Stingray All Stars Grape Marietta, GA 2015 Cheer Athletics Itty Bitty Kitties Plano, TX 2014 Cheer Athletics Itty Bitty Kitties Plano, TX 2013 The Stingray All Stars Marietta, GA 2012 Texas Lonestar Cheer Company Houston, TX 2011 The Stingray All Stars Marietta, GA 2010 Texas Lonestar Cheer Company Houston, TX 2009 Cheer Athletics Itty Bitty Kitties Dallas, TX 2008 Woodlands Elite The Woodlands, TX 2007 The Pride Addison, TX __________________________________________________________________________________________________ L1.1 Tiny Prep D2 2019 East Texas Twisters Ice Ice Baby Canton, TX __________________________________________________________________________________________________ L1.1 Tiny Prep 2019 All-Star Revolution Bullets Webster, TX __________________________________________________________________________________________________ L1 Tiny Prep 2018 Liberty Cheer Starlettes Midlothian, TX 2017 Louisiana Rebel All Stars Faith (A) Shreveport, LA Cheer It Up All-Stars Pearls (B) Tahlequah, OK 2016 Texas Legacy Cheer Laredo, TX 2015 Texas Legacy Cheer Laredo, TX 2014 Raider Xtreme Raider Tots Lubbock, TX __________________________________________________________________________________________________ L1 Mini 2008 The Stingray All Stars Marietta, GA 2007 Odyssey Cheer and Athletics Arlington, TX 2006 Infinity Sports Kemah, -
Curriculum Vitae (11/14)
Curriculum Vitae (11/14) Nancy Foner 785 Park Avenue New York, New York 10021 (212) 288-1580 E-mail: [email protected] Education Ph.D. University of Chicago, Anthropology, 1971 Dissertation, “Social Change and Social Mobility in a Jamaican Rural Community” M.A. University of Chicago, Anthropology, 1968 Thesis: “Riots and Disturbances in Guyana: Some Implications for the Theory of Social Conflict” B.A. Brandeis University (cum laude), 1966 University College London, Social Anthropology, September 1964-June 1965 Professional Positions 2004-present Distinguished Professor of Sociology, Hunter College and the Graduate Center, City University of New York 2002-2004 Lillie and Nathan Ackerman Visiting Professor of Equality and Justice in America, School of Public Affairs, Baruch College, City University of New York 2003- 2004 Distinguished Professor of Anthropology, State University of New York, Purchase 1985- 2003 Professor of Anthropology, State University of New York, Purchase Visiting Scholar, Russell Sage Foundation, 1994-95 1977-1985 Associate Professor of Anthropology, State University of New York, Purchase 1973-1977 Assistant Professor of Anthropology, State University of New York, Purchase 1970-1973 Assistant Professor of Anthropology, York College, City University of New York 1 Professional Honors Elected to the American Academy of Arts and Sciences, 2011 Distinguished Career Award, International Migration Section, American Sociological Association, 2010 Plenary Event, “Honoring the Contributions of Nancy Foner,” Fifth annual conference on Race, Ethnicity, and Place, Binghamton University (SUNY), 2010 Elected to the Sociological Research Association, 2009 Presidential Award for Excellence in Scholarship, Hunter College CUNY, 2011 Theodore Saloutos Book Award of the Immigration and Ethnic History Society for From Ellis Island to JFK, 2000. -
Inakustik/Music Video Distributors Jazz/Blues Blu-Ray Concert
Inakustik/Music Video Distributors Jazz/Blues Blu-ray Concerts (Autou... http://www.fulvuedrive-in.com/review/8856/Inakustik/Music+Video+Dis... Find Category: Home > Reviews > Jazz > Blues > Pop > Inakustik/Music Video Distributors Jazz/Blues Blu-ray Concerts (Autour Du Blues/Jose Feliciano Band/Stanley Jordan Trio/Mike Stern Band/Yellowjackets: New Morning Paris/Ohne Filter DVD/Lifecycle SACD) Inakustik/Music Video Distributors Jazz/Blues Blu-ray Concert Wave (Autour Du Disc Duplication Blues/Jose Feliciano > The Green Hornet (1940) + Systems Band*/Stanley Jordan The Green Hornet Strikes CD/DVD/BD Again! (1941/VCI DVD Sets) Trio*/Mike Stern Band/Yellowjackets: New Duplicators, > Torchwood – The Complete Printers and Disc Second Season (BBC Blu-ray) Morning Paris [*w/DVD Version]) > The Middleman – The + Yellowjackets In Concert: Wrappers, Complete Series (2008/Shout! Ohne Filter 1994 DVD + Supplies & Advice! www.SummationTechnology.com Factory) Yellowjackets Featuring Mike > Doctor Who – Planet Of The Stern – Lifecycle SA-CD (Heads Dead (2009/BBC Blu-ray) Up Super Audio CD/SACD/2008) > The Spectacular Spider-Man Blu Ray – The Complete First Season Picture: B-/C+ Blu-ray Sound: B (Marvel/Sony Wonder DVD) Download DVD Sound B/B- SA-CD Sound: B- WinDVD ® 9 Plus > Marple – Series Four (2008 – (PCM)/B (2.0 DSD Stereo)/B+ (5.1 2009/Acorn DVD) Blu-ray from Corel DSD) Extras: C- Concerts/Album: ® & Start Using It > The Soloist B- (2009/DreamWorks/Paramount Now! Blu-ray + DVD) www.Corel.com > Super Why – Jack & The Beanstalk and other fairytale The concerts released by Inakustik adventures (PBS Home through Music Video Distributors is the Video/Paramount DVD) longest and most numerous in all of 24 Hours 1-7 DVD > Life On Mars – Series One home video, from the Ohne Filter TV $89 (2006/British TV/Acorn DVD) + series to the New Morning – The Paris Concert series. -
Integrating Video Clips Into the “Legacy Content” of the K–12 Curriculum: TV, Movies, and Youtube in the Classroom
Integrating Video Clips into the “Legacy Content” of the K–12 Curriculum: TV, Movies, and YouTube in the Classroom Ronald A. Berk Disclaimer: This chapter is based on a presentation given at the annual Evaluation Systems Conference in Chicago. Since the content of the October 2008 presentation focused on using videos in the classrooms of the future, this chapter will not be able to capture the flavor and spirit of the actual videos shown. The audience exhibited a range of emotions, from laughter to weeping to laughter to weeping. Unfortunately, this print version will probably only bring about the weeping. Keep a box of tissues nearby. Enjoy. Using videos in teaching is not new. They date back to prehistoric times, when cave instructors used 16 mm projectors to show cave students examples of insurance company marketing commercials in business courses. Now even DVD players are history. So what’s new? There are changes in four areas: (1) the variety of video formats, (2) the ease with which the technology can facilitate their application in the classroom, (3) the number of video techniques a teacher can use, and (4) the research on multimedia learning that provides the theoretical and empirical support for their use as an effective teaching tool. A PC or Mac and a LCD projector with speakers can easily embed video clips for a PowerPoint presentation on virtually any topic. This chapter examines what we know and don’t know about videos and learning. It begins with detailed reviews of the theory and research on videos and the brain and multimedia learning. -
Netflix and the Development of the Internet Television Network
Syracuse University SURFACE Dissertations - ALL SURFACE May 2016 Netflix and the Development of the Internet Television Network Laura Osur Syracuse University Follow this and additional works at: https://surface.syr.edu/etd Part of the Social and Behavioral Sciences Commons Recommended Citation Osur, Laura, "Netflix and the Development of the Internet Television Network" (2016). Dissertations - ALL. 448. https://surface.syr.edu/etd/448 This Dissertation is brought to you for free and open access by the SURFACE at SURFACE. It has been accepted for inclusion in Dissertations - ALL by an authorized administrator of SURFACE. For more information, please contact [email protected]. Abstract When Netflix launched in April 1998, Internet video was in its infancy. Eighteen years later, Netflix has developed into the first truly global Internet TV network. Many books have been written about the five broadcast networks – NBC, CBS, ABC, Fox, and the CW – and many about the major cable networks – HBO, CNN, MTV, Nickelodeon, just to name a few – and this is the fitting time to undertake a detailed analysis of how Netflix, as the preeminent Internet TV networks, has come to be. This book, then, combines historical, industrial, and textual analysis to investigate, contextualize, and historicize Netflix's development as an Internet TV network. The book is split into four chapters. The first explores the ways in which Netflix's development during its early years a DVD-by-mail company – 1998-2007, a period I am calling "Netflix as Rental Company" – lay the foundations for the company's future iterations and successes. During this period, Netflix adapted DVD distribution to the Internet, revolutionizing the way viewers receive, watch, and choose content, and built a brand reputation on consumer-centric innovation. -
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SUBLIME PULITZER PRIZE-WINNING MUSICAL MUSIC & LYRICS BY BOOK BY STEPHEN JAMES SUNDAY IN THESONDHEIM LAPINE DIRECTED BY PETER PARK WITH GEORGEDUBOIS CURRICULUM GUIDE TABLE OF CONTENTS Standards 3 Guidelines for Attending the Theatre 4 Artists 5 Themes for Writing & Discussion 8 Mastery Assessment 10 For Further Exploration 12 Suggested Activities 15 © Huntington Theatre Company Boston, MA 02115 September 2016 No portion of this curriculum guide may be reproduced without written permission from the Huntington Theatre Company’s Department of Education & Community Programs Inquiries should be directed to: Donna Glick | Director of Education [email protected] This curriculum guide was prepared for the Huntington Theatre Company by: Marisa Jones | Education Associate with contributions by: Alex Smith | Manager of Curriculum & Instruction COMMON CORE STANDARDS IN ENGLISH LANGUAGE ARTS STANDARDS: Student Matinee performances and pre-show workshops provide unique opportunities for experiential learning and support various combinations of the Common Core Standards for English Language Arts. They may also support standards in other subject areas such as Social Studies and History, depending on the individual play’s subject matter. Activities are also included in this Curriculum Guide and in our pre-show workshops that support several of the Massachusetts state standards in Theatre. Other arts areas may also be addressed depending on the individual play’s subject matter. Reading Literature: Key Ideas and Details 1 Reading Literature: Craft and Structure 5 • Grade 8: Cite the textual evidence that most strongly supports • Grades 9-10: Analyze how an author’s choices concerning how an analysis of what the text says explicitly as well as inferences to structure a text, order events within it (e.g., parallel plots), and drawn from the text. -
LIVE from LINCOLN CENTER “Falsettos” TCA Biographies ANDREW C. WILK Andrew C. Wilk Is a Multiple Emmy Award-Winning Producer
LIVE FROM LINCOLN CENTER “Falsettos” TCA Biographies ANDREW C. WILK Andrew C. Wilk is a multiple Emmy Award-winning producer and director whose career has encompassed leading roles in many areas of commercial and educational content. Since his arrival at Lincoln Center in 2011, he has served as executive producer of Live From Lincoln Center episodes ranging from classical music to dance to theatre. Prior to his work at Lincoln Center, Wilk served as Chief Creative Officer at Sony Music Entertainment, where he oversaw all visual content for Sony’s label groups and spearheaded Sony’s digital expansion. He also served as Founding Programmer and Executive Vice President of Programming and Production for the National Geographic Channel, where he launched the channel and developed its initial programming and scheduled and commissioned new programs, including specials with PBS and NBC. Wilk has won five Emmy Awards and received 15 nominations. Over the course of his career, he has produced or directed more than 1,000 television shows, ranging from children’s programming to news to commercial entertainment, in addition to continuing his work as a conductor of live music concerts. JAMES LAPINE James Lapine collaborated with Stephen Sondheim as author and director for Sunday in the Park With George; Into the Woods; Passion; and the multi-media revue Sondheim on Sondheim. He also directed Merrily We Roll Along as part of Encores at New York City Center. With William Finn, he has collaborated on March of the Falsettos and Falsettoland, later presented on Broadway as Falsettos and recently revived in 2016; A New Brain; Muscle; and Little Miss Sunshine. -
Official Guide
CODE: SPE-11-1 PUB/POST: Tribeca - TONY, materials due: PRODUCTION: M. Piscatelli LIVE: 4.875” x 7.25” DESCRIPTION: Tribeca - Guide Cover TRIM: 5.375” x 7.75” Delivery Support: 212.237.7000 FILE: 01A-002278-01D-SPE-11-1.indd SAP #: AP.APSPE.11009.K.011 BLEED: 5.875” x 8.25” AMERICAN EXPRESS THE PROUDLY PRESENTS 2011 OFFICIAL TRIBECA FILM FESTIVAL GUIDE TRIBECAFILM.COM APR 20 - MAY 1 REALIZE THE POTENTIALSM FEATURING FILM SUMMARIES | COMPLETE SCHEDULE | GUIDE TO MAKING THE MOST OF TRIBECA SPECIAL OFFERS FOR AMERICAN EXPRESS CARDMEMBERS CODE: SPE-11-2 PUB/POST: Tribeca - TONY, materials due: PRODUCTION: M. Piscatelli LIVE: 4.875” x 7.25” DESCRIPTION: Tribeca - EOS TRIM: 5.375” x 7.75” Delivery Support: 212.237.7000 FILE: 02D-002278-03C-SPE-11-2.indd SAP #: AP.APSPE.11009.K.011 BLEED: 5.875” x 8.25” 1 4/20 – 5/01 TRIBECAFILM.COM NEW York’s DOWNTOWN GET TICKETS GLOBAL CINEMA WHILE THE POPCORN IS STILL HOT. CARDMEMBERS CAN GET ADVANCE TICKETS TO THE TRIBECA FILM FESTIVAL FROM 4/12 TO 4/16. VISIT TRIBECAFILM.COM/FESTIVAL OR CALL 1-866-941-FEST. ENTERING ITS 10TH SEASON THIS YEAR, the Tribeca Film Festival has become a signature New York experience with a built-in global reach. With the support of founding sponsor American Express, the Festival has developed into a unique platform for showcasing some of the best new voices, ideas and narratives in cinema today. The Festival’s range, depth and diversity reflect not only the fabric of New York but also the larger world community beyond. -
Festival De Cannes Will Offer New Ways to Explore
PRESS RELEASE FOR IMMEDIATE RELEASE THE MARCHÉ DU FILM – FESTIVAL DE CANNES WILL OFFER NEW WAYS TO EXPLORE EXTENDED REALITY WITH CANNES XR VIRTUAL AS IT PARTNERS WITH TRIBECA, KALEIDOSCOPE, MUSEUM OF OTHER REALITIES AND VEER CANNES XR VIRTUAL TO RUN FROM 24-26 JUNE ; THE MARCHE DU FILM ONLINE AND MUSEUM OF OTHER REALITIES TO HOST CANNES XR VIRTUAL ; CANNES XR VIRTUAL TO EXPAND ITS PROGRAMMING THROUGH PARTNERSHIPS WITH TRIBECA, KALEIDOSCOPE AND VEER Paris – Tuesday, May 12, 2020 – After unveiling the Marché du Film Online, a standalone online market to be held from 22 to 26 June, the Marché du Film – Festival de Cannes announces the reshape of Cannes XR in a digital only event dedicated to immersive technologies and works, Cannes XR Virtual. Sharing common priorities in the given situation and sanitary crisis due to COVID-19, the Marché du Film - Festival de Cannes and its partners remain committed to offering visibility to the XR community and to fostering the connections between XR artists and potential investors. From 24 to 26 June, Cannes XR Virtual is the destination where professionals from the traditional filmmaking industry, XR artists, independent producers, leading tech companies, location-based and online distributors will come together to imagine and shape the future of movies. Jérôme Paillard, Executive Director of the Marché du Film said: “It is a very special edition. After having prepared for a promising edition in Cannes, where for the first time we would have expanded the VR to the Palm Beach, we had to reinvent Cannes XR and find a way to put it online. -
Teacher Resource Guide Falsettos.Titlepage.09272016 Title Page As of 091516.Qxd 9/27/16 1:51 PM Page 1
Teacher Resource Guide Falsettos.TitlePage.09272016_Title Page as of 091516.qxd 9/27/16 1:51 PM Page 1 Falsettos Teacher Resource Guide by Nicole Kempskie MJODPMO!DFOUFS!UIFBUFS André Bishop Producing Artistic Director Adam Siegel Hattie K. Jutagir Managing Director Executive Director of Development & Planning in association with Jujamcyn Theaters presents Music and Lyrics by William Finn Book by William Finn and James Lapine with (in alphabetical order) Stephanie J. Block Christian Borle Andrew Rannells Anthony Rosenthal Tracie Thoms Brandon Uranowitz Betsy Wolfe Sets Costumes Lighting Sound David Rockwell Jennifer Caprio Jeff Croiter Dan Moses Schreier Music Direction Orchestrations Vadim Feichtner Michael Starobin Casting Mindich Chair Tara Rubin, CSA Production Stage Manager Musical Theater Associate Producer Eric Woodall, CSA Scott Taylor Rollison Ira Weitzman General Manager Production Manager Director of Marketing General Press Agent Jessica Niebanck Paul Smithyman Linda Mason Ross Philip Rinaldi Choreography Spencer Liff Directed by James Lapine Lincoln Center Theater is grateful to the Stacey and Eric Mindich Fund for Musical Theater at LCT for their leading support of this production. LCT also thanks these generous contributors to FALSETTOS: The SHS Foundation l The Blanche and Irving Laurie Foundation The Kors Le Pere Foundation l Ted Snowdon The Ted and Mary Jo Shen Charitable Gift Fund American Airlines is the Official Airline of Lincoln Center Theater. Playwrights Horizons, Inc., New York City, produced MARCH OF THE FALSETTOS Off-Broadway in 1981 and FALSETTOLAND Off-Broadway in 1990. TABLE OF CONTENTS INTRODUCTION . 1 THE MUSICAL . 2 The Story . 2 The Characters . 4 The Writers . 5 Classroom Activities . -
Spaces for Beauty: Designed a Calendar of the European Capital of Culture 2016 in Wrocław
Spaces for Beauty: Designed A Calendar of the European Capital of Culture 2016 in Wrocław City Council decides to enter the competition for the European Capital of Culture title Work on the first application October – Wrocław qualifies to the finals of the competition Works on the second application June – Wrocław wins the competition May – Wrocław is officially nominated the European Capital of Culture 2016 July – new cultural institution Impart 2016 Festival Centre is established, responsible for preparation and implementation of the title year programme 2016 2008 2009 2010 2011 2012 2013 2014 2015 2017 June – a board of curators is established, responsible for final shaping of the artistic programme January – June – the European Capital of Culture Forum – open discussions on the programme with the curators June – the programme is unveiled for the first time November – a full calendar of the events of the title-year is unveiled The European Capital of Culture year Evaluation and continuation of long-term activities Spaces for Beauty: Designed This book presents the programme of the European Capital of Culture Wrocław 2016, a programme continually undergoing metamorphosis. It began in 2008, with first preparations for the award title and was presented in two books bidding for the title: Spaces for Beauty and Spaces for Beauty Revisited. This third presentation of the programme, Spaces for Beauty: Designed, is a summary of our work, and includes concepts of curators and the entire team and a preview of specific events of the title year. Each of these books complements and counterpoints the previous one, and announces the next.