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10.9 De Jesus Precarious Girlhood Dissertation Draft
! ! "#$%&#'()*!+'#,-((./!"#(0,$1&2'3'45!6$%(47'5)#$.!8#(9$*!(7!:$1'4'4$!;$<$,(91$42! '4!"(*2=>??@!6$%$**'(4&#A!B'4$1&! ! ! ;$*'#C$!.$!D$*)*! ! ! ! ! E!8-$*'*! F4!2-$!! G$,!H(99$4-$'1!I%-((,!(7!B'4$1&! ! ! ! ! "#$*$42$.!'4!"'&,!:),7',,1$42!(7!2-$!6$J)'#$1$42*! :(#!2-$!;$5#$$!(7! ;(%2(#!(7!"-',(*(9-A!K:',1!&4.!G(<'45!F1&5$!I2).'$*L! &2!B(4%(#.'&!M4'<$#*'2A! G(42#$&,N!O)$0$%N!B&4&.&! ! ! ! ! ! P%2(0$#!>?Q@! ! R!;$*'#C$!.$!D$*)*N!>?Q@ ! ! CONCORDIA UNIVERSITY SCHOOL OF GRADUATE STUDIES This is to certify that the thesis prepared By: Desirée de Jesus Entitled: Precarious Girlhood: Problematizing Reconfigured Tropes of Feminine Development in Post-2009 Recessionary Cinema and submitted in partial fulfillment of the requirements for the degree of Film and Moving Image Studies complies with the regulations of the University and meets the accepted standards with respect to originality and quality. Signed by the final examining committee: Chair Dr. Lorrie Blair External Examiner Dr. Carrie Rentschler External to Program Dr. Gada Mahrouse Examiner Dr. Rosanna Maule Examiner Dr. Catherine Russell Thesis Supervisor Dr. Masha Salazkina Approved by Dr. Masha Salazkina Chair of Department or Graduate Program Director December 4, 2019 Dr. Rebecca Duclos Dean Faculty of Fine Arts ! ! "#$%&"'%! ()*+,)-./0!1-)23..45!().62*7,8-9-:;!&*+.:<-;/)*4!%).=*0!.<!>*7-:-:*!?*@*2.=7*:8!-:! (.08ABCCD!&*+*00-.:,)E!'-:*7,! ! ?*0-)F*!4*!G*0/0! '.:+.)4-,!H:-@*)0-8EI!BCJD! ! !"##"$%&'()*+(,--.(/#"01#(2+3+44%"&5()*+6+($14(1(4%'&%7%31&)(3*1&'+(%&()*+(3%&+81)%3(9+:%3)%"&( -
Tribeca: a Distinguished Enclave
SHELLEY KAPLAN This January represents an exciting and no doubt temporary convergence of forces for New York City residential real estate. The economy has stabilized, sales activity has RE:NEW YORK improved in the last couple of months, lending rates are at historic lows (which won’t Real Estate in Your Neighborhood. Premiere Edition • January 2010 • Vol. 1, Edition 1 last), and the government extended and expanded the homebuyer tax credit. Though real estate values may experience some continued minor erosion, the big price drops Welcome to the first edition of my newsletter, RE:NewYork. You might are over. want to re-design your current home or find a new space in this city. I have some perspectives on the area real estate market that I hope you’ll The New Year historically brings with it increased inventory. Add the usual January influx of buyers, the tax incentive which has been stretched to April and now includes find useful. It would be my pleasure to advise you. Don’t hesitate to call non-first-time homebuyers, and you have a recipe for transaction. Buyers will still me and share your thoughts. —Shelley Kaplan pay a bit more for a great view or a wood-burning fireplace; but there is a sense that January will be the time to act if you want to buy, or need to sell. There are opportu- nities for both sides of the table right now. A NEIGHBORHOOD STORY: Today, diligence, expert valuation and negotiating skills are more critical than ever in Tribeca: A Distinguished Enclave. -
Department of Film & Media Studies Hunter College
Department of Film & Media Studies Jeremy S. Levine Hunter College - CUNY 26 Halsey St., Apt. 3 695 Park Ave, Rm. 433 HN Brooklyn, NY 11216 New York, NY 10065 Phone: 978-578-0273 Phone: 212-772-4949 [email protected] Fax: 212-650-3619 jeremyslevine.com EDUCATION M.F.A. Integrated Media Arts, Department of Film & Media Studies, Hunter College, expected May 2020 Thesis Title: The Life of Dan, Thesis Advisor: Kelly Anderson, Distinctions: S&W Scholarship, GPA: 4.0 B.S. Television-Radio: Documentary Studies, Park School of Communications, Ithaca College, 2006 Distinctions: Magna Cum Laude, Park Scholarship EMPLOYMENT Hunter College, 2019 Adjunct Assistant Professor, Department of Film & Media Studies Taught two undergraduate sections of Intro to Media Studies in spring 2019, averaging 6.22 out of 7 in the “overall” category in student evaluations, and teaching two sections of Intro to Media Production for undergraduates in fall 2019. Brooklyn Filmmakers Collective, 2006 – Present Co-Founder, Advisory Board Member Co-founded organization dedicated to nurturing groundbreaking films, generative feedback, and supportive community. Recent member films screened at the NYFF, Sundance, and Viennale, broadcast on Showtime, HBO, and PBS, and received awards from Sundance, Slamdance, and Tribeca. Curators from Criterion, BAM, Vimeo, The Human Rights Watch Film Festival, and Art 21 programmed a series of 10-year BFC screenings at theaters including the Lincoln Center, Alamo, BAM, and Nitehawk. Transient Pictures, 2006 – 2018 Co-Founder, Director, Producer Co-founded and co-executive directed an Emmy award-winning independent production company. Developed company into a $500K gross annual organization. Directed strategic development, secured clients, managed production teams, oversaw finances, and produced original feature films. -
2019 Classic Judges
2019 NEW YORK WINE CLASSIC JUDGES Lorraine Hems, Head Judge, CS, WSET Advanced Diploma, CWE and CSS, AWS CW Lecturer at Rochester Institute of Technology; Author, Passport to the World of Wines Lorraine Hems has been involved in the wine and spirits industry for over 35 years. She has experience in retail, wholesale, and education. She is a Lecturer of beverage courses in the Hospitality and Tourism Management Department at the Rochester Institute of Technology. She authored a workbook, Passport to the World of Wines, and obtained her Master’s Degree in Service Leadership and Innovation from RIT. Lorraine was involved in the opening, hiring, staff training, class development and teaching when the New York Kitchen (formally New York Wine & Culinary Center) in Canandaigua, NY opened in 2006. She continues to teach there. She was a member of the team that delivered the New York Wine and Grape Foundation’s Industry Education and Training Grant across New York in 2008. Lorraine helped start the Rochester chapter of the national organization Women for WineSense in 1999 and received their Lifetime Achievement Award in California in 2012. The NYWGF presented her with their Consumer Award in 2016. She has judged at the New York Wine and Food Classic for years, competitions on the west coast, and in Chile (Catad’Or) and Argentina (La Mujer Elige 2012). Camp Good Days and Special Times awarded her their Teddi Award and Ring of Honor award for her work on their Finger Lakes International Wine Competition and dinner auction. Lorraine served as the Head Judge of the competition in 2017 after judging there for over 15 years. -
78 WINE SPECTATOR • DEC. 15, 2016 WS121516 Tribecagrill.Indd
THETR BECAERA 78 WINE SPECTATOR • DEC. 15, 2016 I WS121516_tribecagrill.indd 78 10/21/16 11:24 AM From left: Tribeca Grill co-owners Drew Nieporent and Robert De Niro, wine director David Gordon and managing partner Marty Shapiro have run the restaurant through the ups and downs of a quarter century. ROBERT DE NIRO AND DREW NIEPORENT’S GRAND AWARD–WINNING TRIBECA GRILL HAS HELPED SHAPE ERA NEW YORK CITY’S WINE AND DINING SCENE SINCE 1990 BY BEN O’DONNELL // PHOTOGRAPHS BY QUENTIN BACON DEC. 15, 2016 • WINE SPECTATOR 79 WS121516_tribecagrill.indd 79 10/21/16 11:24 AM David Gordon (pouring) started at Tribeca Grill as a manager but eventually changed his focus to wine, building the restaurant’s list into one of Manhattan’s most impressive. always believe in things being around for a long, De Niro then set about asking friends for investments. Some of long time.” the names of those who said yes may be familiar: Sean Penn, Bill Robert De Niro, 73, made his first screen appear- Murray, Mikhail Baryshnikov, Christopher Walken, Ed Harris, Lou ance in 1965 and has more than 130 film credits as Diamond Phillips, Russell Simmons. an actor, director and producer. But he’s talking But others declined: De Niro’s faith in Tribeca Grill’s future was about Tribeca Grill, a restaurant he opened in 1990. at odds with the reality that New York City chews up restaurants It’s still going strong. “People like tradition; they and spits them out. Even the hottest fame magnet can burn out like coming back; they like knowing it’s there.” quickly. -
Copy of Copy of Copy of Streetwear Creative Wide Presentation
"Life's most persistent and urgent question is; what are you doing for others?" -MLK OUR VISION For over a decade, MDC has helped establish rewarding relationships between thousands of individuals, businesses and charities who care deeply about the well-being of others and the community. Through our work (video production, event planning & consulting) we want to share stories that matter, organize events that build bridges, highlight extraordinary individuals, create simple and effective ways of giving back, and act as professional matchmakers. Our mission has always been to connect the people who want to help with the people who need help the most. From the start, we've witnessed heartbreaking scenarios where trauma and hardship causes a child or family to feel isolated and hopeless. Despite what we're taught, time is more precious than gold and we strive to make every day, hour and minute count. The world does not stop when tragedy strikes; but good people can and do. We enlist the help of caregivers across every business sector around the globe and rely on them to help us create special moments in time that bring hope and joy to those suffering through hardship. We've created an Active Response Team; an unofficial team of do-gooders who are willing to step up to the plate when needed. And just like the word "team" signifies, together everyone achieves more. MDC works by cause, not by client -- and in doing so, it allows us to foster collaboration and look after the interests of all involved. The impact we make by working together is more powerful and far-reaching than most individuals can achieve on their own. -
Over the Past Ten Years, Good Machine, a New York-Based
MoMA | press | Releases | 2001 | Good Marchine: Tenth Anniversary Page 1 of 4 For Immediate Release February 2001 THE MUSEUM OF MODERN ART TO CELEBRATE TENTH ANNIVERSARY OF GOOD MACHINE, NEW YORK-BASED PRODUCTION COMPANY Good Machine: Tenth Anniversary February 13-23, 2001 The Roy and Niuta Titus Theatre 1 Over the past ten years, Good Machine, a New York-based production company helmed by Ted Hope, David Linde and James Schamus, has become one of the major forces in independent film culture worldwide. Dedicated to the work of emerging, innovative filmmakers, Good Machine has produced or co-produced films by, among others, Ang Lee, Todd Solondz, Nicole Holofcener, Ed Burns, Cheryl Dunye and Hal Hartley. Beginning with Tui Shou (Pushing Hands) (1992), the first collaboration between Good Machine and director Ang Lee, The Museum of Modern Art presents eight feature films and five shorts from February 13 through 23, 2001 at the Roy and Niuta Titus Theatre 1. "Good Machine proves that audiences do want to be entertained intelligently and engaged substantively," remarks Laurence Kardish, Senior Curator, Department of Film and Video, who organized the series. "Their achievements are reflected in this Tenth Anniversary series and are, in large part, due to Good Machine's collaborations with filmmakers and its respect for the creative process." In addition to producing and co-producing films, Good Machine has gone on to establish an international sales company involved in distributing diverse and unusual works such as Joan Chen's Xiu Xiu: The Sent-Down Girl (1998) and Lars Von Trier's Dancer in the Dark (2000). -
Representations of Education in HBO's the Wire, Season 4
Teacher EducationJames Quarterly, Trier Spring 2010 Representations of Education in HBO’s The Wire, Season 4 By James Trier The Wire is a crime drama that aired for five seasons on the Home Box Of- fice (HBO) cable channel from 2002-2008. The entire series is set in Baltimore, Maryland, and as Kinder (2008) points out, “Each season The Wire shifts focus to a different segment of society: the drug wars, the docks, city politics, education, and the media” (p. 52). The series explores, in Lanahan’s (2008) words, an increasingly brutal and coarse society through the prism of Baltimore, whose postindustrial capitalism has decimated the working-class wage and sharply divided the haves and have-nots. The city’s bloated bureaucracies sustain the inequality. The absence of a decent public-school education or meaningful political reform leaves an unskilled underclass trapped between a rampant illegal drug economy and a vicious “war on drugs.” (p. 24) My main purpose in this article is to introduce season four of The Wire—the “education” season—to readers who have either never seen any of the series, or who have seen some of it but James Trier is an not season four. Specifically, I will attempt to show associate professor in the that season four holds great pedagogical potential for School of Education at academics in education.1 First, though, I will present the University of North examples of the critical acclaim that The Wire received Carolina at Chapel throughout its run, and I will introduce the backgrounds Hill, Chapel Hill, North of the creators and main writers of the series, David Carolina. -
Annual Report 2012
Cover Back Spine: (TBA) Front PMS 032U Knock out Annual Report 2012 LETTER FROM THE MAYOR 4 PART I: 2007–2012: A PERIOD OF AGENCY INNOVATION 11 PART II: AGENCY PORTFOLIO, FY12 37 PROGRAMSERVICES 39 PROGRAM SERVICES AWARD RECIPIENTS 40 CULTURAL DEVELOPMENT FUND PANELISTS 50 CULTURAL AFTER SCHOOL ADVENTURES GRANT RECIPIENTS 53 CULTURAL INSTITUTIONS GROUP 58 CAPITALPROJECTS 63 CAPITAL PROJECTS FUNDED 66 RIBBON CUTTINGS 68 GROUNDBREAKINGS 69 EQUIPMENT PURCHASES 69 COMMUNITY ARTS DEVELOPMENT PROGRAM 70 30TH ANNUAL AWARDS FOR EXCELLENCE IN DESIGN RECIPIENTS 71 PERCENT FOR ART PROGRAM 72 MATERIALS FOR THE ARTS 74 RECIPIENTS OF DONATED GOODS 76 PARTICIPATING SCHOOLS IN ARTS EDUCATION PROGRAMS 88 CULTURAL AFFAIRS ADVISORY COMMISSION 90 MAYOR’S AWARDS FOR ARTS AND CULTURE 91 DEPARTMENT OF CULTURAL AFFAIRS STAFF 92 P HO TO CREDITSPHOTO 94 ACKNOWLEDGEMENTS 95 4 Letter from The Mayor NEW YORK CITY: STRENGTHENING INVESTMENT IN THE ARTS Our City’s cultural organizations are essential arts are to New York City’s vibrancy and to improving to ensuring that New York remains one of the world’s the lives of New Yorkers and visitors from around the great cities. A magnet for talent from around the world, world. In addition, the development of new information our creative community is also a thriving small business technology systems has enabled the Department to track sector that exists in every neighborhood throughout these services and further advocate on behalf of culture’s the five boroughs. That is why our Administration has tremendous impact on our City. made supporting the arts a top priority, and why over And we continue to push boundaries in expanding our the past five years—despite challenging times—we have service to the creative sector. -
10Th TRIBECA FILM FESTIVAL ANNOUNCES WORLD
10 th TRIBECA FILM FESTIVAL ANNOUNCES WORLD NARRATIVE AND DOCUMENTARY COMPETITION SELECTIONS, AND NEW VIEWPOINTS SECTION *** TRIBECA EXPANDS AWARDS SCOPE *** 2011 Festival to Present 88 Feature-Length and 61 Short Films April 20 – May 1 Plus Free Online Film Screenings for Viewers Nationwide New York, NY [March 7, 2011] – The 2011 Tribeca Film Festival (TFF), presented by American Express ®, today announced the World Narrative and Documentary Competition film selections and the first edition of the new section—Viewpoints. Forty-four of the 88 feature-length films were announced. The 10 th edition of the Festival will take place from April 20 to May 1 in lower Manhattan. TFF organizers this year have streamlined the Festival’s format, which is now comprised of two competition sections, World Narrative and World Documentary, and three out-of-competition sections: Cinemania, Spotlight and the new Viewpoints. “It’s our tenth Tribeca Film Festival, and in our relatively brief existence we have evolved dramatically,” says Nancy Schafer, Executive Director of the Tribeca Film Festival. “The Festival has become an integral part of the cultural landscape of New York City as well as a globally recognized platform for storytelling.” The 2011 film selection includes feature films from 32 different countries, including 43 World Premieres, 10 International Premieres, 19 North American Premieres, 7 U.S. Premieres and 9 New York Premieres. Ninety-nine directors will be presenting feature works at the Festival, with 54 of these filmmakers presenting their feature directorial debuts. Twelve feature film directors are returning TFF filmmakers. The 2011 film slate was chosen from a total of 5,624 submissions, a record number for the Festival. -
Qurrat Ann Kadwani: Still Calling Her Q!
1 More Next Blog» Create Blog Sign In InfiniteBody art and creative consciousness by Eva Yaa Asantewaa Tuesday, May 6, 2014 Your Host Qurrat Ann Kadwani: Still calling her Q! Eva Yaa Asantewaa Follow View my complete profile My Pages Home About Eva Yaa Asantewaa Getting to know Eva (interview) Qurrat Ann Kadwani Eva's Tarot site (photo Bolti Studios) Interview on Tarot Talk Contact Eva Name Email * Message * Send Contribute to InfiniteBody Subscribe to IB's feed Click to subscribe to InfiniteBody RSS Get InfiniteBody by Email Talented and personable Qurrat Ann Kadwani (whose solo show, They Call Me Q!, I wrote about Email address... Submit here) is back and, I hope, every bit as "wicked smart and genuinely funny" as I observed back in September. Now she's bringing the show to the Off Broadway St. Luke's Theatre , May 19-June 4, Mondays at 7pm and Wednesdays at 8pm. THEY CALL ME Q is the story of an Indian girl growing up in the Boogie Down Bronx who gracefully seeks balance between the cultural pressures brought forth by her traditional InfiniteBody Archive parents and wanting acceptance into her new culture. Along the journey, Qurrat Ann Kadwani transforms into 13 characters that have shaped her life including her parents, ► 2015 (222) Caucasian teachers, Puerto Rican classmates, and African-American friends. Laden with ▼ 2014 (648) heart and abundant humor, THEY CALL ME Q speaks to the universal search for identity ► December (55) experienced by immigrants of all nationalities. ► November (55) Program, schedule and ticket information ► October (56) ► September (42) St. -
105 Hudson Street, New York NY
TRIBECA NEW YORK NY 105 HUDSON STREET SPACE DETAILS LOCATION COMMENTS Northwest corner of Franklin Street Strong corner with tremendous wraparound frontage APPROXIMATE SIZE Strong retail adjacencies to fashion, design and restaurant tenants Space A One block from the subway station and critically acclaimed Greenwich Hotel Ground Floor 4,030 SF * All uses allowed Lower Level 820 SF * Lower Level is selling, has a sidewalk hatch facing Hudston Street and a loading elevator facing Franklin Street Space B Direct deal, no key money, fully vented restaurant opportunity with infrastucture Ground Floor 2,390 SF * in place Lower Level 2,590 SF * Gorgeous retail space at the base of Carrere and Hastings Powell building Total 9,830 SF *Can be combined POSSESSION Immediate TERM Long term FRONTAGE Space A 35 FT on Hudson Street 95 FT on Franklin Street Space B 20 FT on Hudson Street SITE STATUS Formerly Nobu and Nobu Next Door NEIGHBORS Mr. Chow, Bubby’s, Shinola, Issey Miyake, Thom Browne, Tamarind, everafter, Locanda Verde, Noted Tribeca (coming soon), Maison Kayser, Patron of the New and Thierry Despont Gallery VIEW FROM HUDSON STREET FLOOR PLANS GROUND FLOOR LOWER LEVEL HUDSON STREET 20 FT 35 FT SPACE B SPACE A 95 FT SPACE B 2,390 SF 4,030 SF 2,590 SF FRANKLIN STREET SPACE A 820 SF AREA NEIGHBORS TRIBECA · NEW YORK, NY Ã Tribeca Spa of Tranquility S Crave I Expresso Bar ST JOHN'S LANE X T H Brilliant Bicycle Company A CANAL STREET VARICK STREET V DESBROSSES STREET United Pupculture E Grocery N Michael K Innovation U Pepolino Sea Shades E Church Street Surplus N Q R W Nancy Whiskey Pub Saluggis Pizza Mercato Goldfeder / Kahan Framing Fabbrica Cafe Bari Hudson Wine & Spirits LISPENARD STREET Art Project Maharishi Montauk FoundRae Empire Luggage Gallery Plastic Land Store Sofa John Allan's Antique Garage Kong W.