Official Guide

Total Page:16

File Type:pdf, Size:1020Kb

Official Guide CODE: SPE-11-1 PUB/POST: Tribeca - TONY, materials due: PRODUCTION: M. Piscatelli LIVE: 4.875” x 7.25” DESCRIPTION: Tribeca - Guide Cover TRIM: 5.375” x 7.75” Delivery Support: 212.237.7000 FILE: 01A-002278-01D-SPE-11-1.indd SAP #: AP.APSPE.11009.K.011 BLEED: 5.875” x 8.25” AMERICAN EXPRESS THE PROUDLY PRESENTS 2011 OFFICIAL TRIBECA FILM FESTIVAL GUIDE TRIBECAFILM.COM APR 20 - MAY 1 REALIZE THE POTENTIALSM FEATURING FILM SUMMARIES | COMPLETE SCHEDULE | GUIDE TO MAKING THE MOST OF TRIBECA SPECIAL OFFERS FOR AMERICAN EXPRESS CARDMEMBERS CODE: SPE-11-2 PUB/POST: Tribeca - TONY, materials due: PRODUCTION: M. Piscatelli LIVE: 4.875” x 7.25” DESCRIPTION: Tribeca - EOS TRIM: 5.375” x 7.75” Delivery Support: 212.237.7000 FILE: 02D-002278-03C-SPE-11-2.indd SAP #: AP.APSPE.11009.K.011 BLEED: 5.875” x 8.25” 1 4/20 – 5/01 TRIBECAFILM.COM NEW York’s DOWNTOWN GET TICKETS GLOBAL CINEMA WHILE THE POPCORN IS STILL HOT. CARDMEMBERS CAN GET ADVANCE TICKETS TO THE TRIBECA FILM FESTIVAL FROM 4/12 TO 4/16. VISIT TRIBECAFILM.COM/FESTIVAL OR CALL 1-866-941-FEST. ENTERING ITS 10TH SEASON THIS YEAR, the Tribeca Film Festival has become a signature New York experience with a built-in global reach. With the support of founding sponsor American Express, the Festival has developed into a unique platform for showcasing some of the best new voices, ideas and narratives in cinema today. The Festival’s range, depth and diversity reflect not only the fabric of New York but also the larger world community beyond. Tribeca has continuously redefined the traditional film festival experience while maintaining an integral relationship with its namesake neighborhood. Started by cultural pathfinders Robert De Niro, Jane Rosenthal and Craig Hatkoff in 2001, the Festival was initially organized to promote the revitalization of lower Manhattan through the lens of the arts. REALIZE THE POTENTIALSM ©2011 American Express Company. 3 According to Rosenthal, that mission has not with the Festival’s nonprofit Tribeca Film Institute, changed over time. “It’s about community—the stars Toni Collette as a boy-genius misfit’s community of downtown and the community struggling mom. Also screening is Grey Matter, of New York. It’s about the community of one of the first feature-length films from Rwanda. filmmakers and audiences, and bringing The non-competitive Spotlight and Cinemania audiences some new voices and diverse sections feature both established and up-and- filmmaking.” At its center, she explained, the coming voices as well as recognizable subject CAROL CHANNING & Festival’s mission is to unite the industry and matter. A new section, Viewpoints, has been DORI BERINSTEIN CAROL CHANNING: community around the single idea of storytelling. added to this year’s slate. Showcasing an even LARGER THAN LIFE Having screened more than 1,000 films since its mix of features and documentaries, Viewpoints inception, Tribeca approaches this year’s Festival, was founded on the premise of offering snapshot which runs from April 20 – May 1, in dynamic perspectives of distinctive narratives from around stride. The 2011 lineup features work from some the world. Returning director Dori Berinstein 102 directors representing 32 countries, includ- described her documentary, Carol Channing: ing India, Iceland, Egypt, Spain, Haiti and Israel. Larger Than Life, as “a story that simply had to Forty-five world premieres will be showcased be told. When I got to know Carol personally among the 91 feature-length films—an elite and realized that this legendary entertainer was squad considering the fact that a record number as remarkable off-camera as on, I desperately JANE ROSENTHAL wanted to capture her stories on film. At 90, she is an unstoppable megawatt dynamo.” Another entertainment legend is spotlighted in Billy Corben’s Limelight, a behind-the-scenes look “ NEW VOICES AND at the rise and fall of New York club lord Peter DIVERSE filmmaking” Gatien. Said Corben, “You have the story of one man, Peter Gatien, and his New York nightclub empire set against the Giuliani revolution that BILLY CORBEN of 5,624 submissions were received for this transformed the city. The arc of Gatien’s story LIMELIGHT year’s competition alone. If anything, the 2011 perfectly parallels that of New York in the 1990s, lineup is about risk-taking and diversity, and aims and he was, in fact, collateral damage in this to present a fresh-eyed spectrum of cutting- culture war.” edge world cinema against the backdrop of New York. Said Rosenthal, “In terms of the cultural British filmmaker Stevan Riley’s Fire In Babylon landscape, we’re in one of the greatest cities in is a piercing work that traces the golden era the world and have the best audiences in the of West Indian cricket against the challenging world. So I think that’s fantastic for filmmakers.” backdrop of the times. “The West Indies were STEVAN RILEY unbeaten for 15 years straight and terrified the The Festival is divided into two competitive FIRE IN BABYLON opposition with their innovation of all-out pace categories, World Narrative and World bowling,” Riley explained. “And it’s no accident Documentary. Some highlights include the that their cricket revolution in the ’70s and ’80s cinema verité-influenced documentary Bombay coincided with the explosion on the world scene Beach, as well as Koran By Heart, a documentary of Caribbean artists such as Bob Marley and their on the high-stakes Koran-recitation competition shared mission for racial equality and civil rights.” held in Cairo each year. Jesus Henry Christ, one Riley went on to commend the Tribeca Film of four films in this year’s selection associated 5 Festival for adhering to such a brave selection dancing to ballroom music following a screening process. “Whereas others may checklist a film’s of Mad Hot Ballroom. Then there was the media friendliness or political persuasion, Tribeca surprise appearance of Ellen Johnson Sirleaf, the seems to me to encourage more testy and President of Liberia, for a screening of Pray the adventurous work.” Devil Back to Hell. One of Rosenthal’s most stand- alone memories, however, was pop legend Bono’s Indeed, beyond merely entertaining audiences, FIRE IN BABYLON special guest spotlight. “When we did these part of the mission of the Festival is to enlighten, concerts at Battery Park, Bono had basically inspire and arouse thoughts and ideas through promised to come. He ended up giving a speech content that aspires to promote new visions of instead of singing but he was quite magnificent,” how the world is constantly being reshaped and Rosenthal admitted. “It was courageous and transformed. “It’s always been about voices,” quite spectacular.” Rosenthal commented, “about the fact that film and art and music can take you places Since its inception, the Festival has hosted more and explain points of view beyond where any than 3 million attendees and has generated an politician can.” estimated $600 million in economic activity for the city of New York. When asked about future Added Berinstein, “Global storytelling is vital. It goals, Rosenthal said, “To keep doing what we’re can increase our understanding and appreciation doing, showing a diversified slate of pictures on of the value of the human condition. The Tribeca as many different platforms as we can.” Film Festival is on the forefront of bringing film to the world.” In true cinematic fashion, this year’s Festival will open with The Union, Cameron Crowe’s In addition to scouting for fresh talent, the documentary about the iconic music visionary Festival has a strong network of returning Sir Elton John. As a special bonus, the screening directors, actors and even music composers. will be followed by a free live performance from By creating a community within a community, the man himself. Tribeca nurtures the arts while cultivating and enabling the talent responsible for creating it. “We try to nurture all our alumni,” said Rosenthal, “that’s part of what festivals do.” GET TICKETS From the talent’s perspective, Riley agreed. “Tribeca’s support structure and communication is also top-notch so you feel that you’re part of a Tickets may be purchased online at community that is there to help you along.” tribecafilm.com or by calling (866) 941-3378. Looking back, Rosenthal recalled some of her Additionally, free online film screenings will be JESUS HENRY CHRIST personal Festival highlights. She described available for viewers nationwide via the Tribeca watching Nelson Mandela, Bill Clinton and Hugh (Online) Film Festival. Grant ring in the inaugural year on the steps of City Hall. She also pointed to a few examples of overzealous audience participation—from a “drive-in” screening of Grease where attendees flocked to the show dressed as the film’s characters to a stunning panorama of 4,300 kids 7 Jac, what attracted you BEHIND to the project? I’ve always had a thing for mustaches! No, I have huge admiration for American Express THE SCENES and tremendous gratitude for their support of the Tribeca Film Festival, so I was honored when WITH MY MOVIE PITCH they asked me to participate in the project. I was completely charmed by John’s pitch and had so much fun bringing it to the screen. How did you take a short pitch EVERY MOVIE, from the biggest blockbuster to a shoestring short, and turn it into a short film? starts with a kernel of an idea. That idea turns into a pitch and from there, movies are born. As a strident believer in the power of storytelling to unite The first thing I did was transcribe his pitch.
Recommended publications
  • 10.9 De Jesus Precarious Girlhood Dissertation Draft
    ! ! "#$%&#'()*!+'#,-((./!"#(0,$1&2'3'45!6$%(47'5)#$.!8#(9$*!(7!:$1'4'4$!;$<$,(91$42! '4!"(*2=>??@!6$%$**'(4&#A!B'4$1&! ! ! ;$*'#C$!.$!D$*)*! ! ! ! ! E!8-$*'*! F4!2-$!! G$,!H(99$4-$'1!I%-((,!(7!B'4$1&! ! ! ! ! "#$*$42$.!'4!"&#2'&,!:),7',,1$42!(7!2-$!6$J)'#$1$42*! :(#!2-$!;$5#$$!(7! ;(%2(#!(7!"-',(*(9-A!K:',1!&4.!G(<'45!F1&5$!I2).'$*L! &2!B(4%(#.'&!M4'<$#*'2A! G(42#$&,N!O)$0$%N!B&4&.&! ! ! ! ! ! P%2(0$#!>?Q@! ! R!;$*'#C$!.$!D$*)*N!>?Q@ ! ! CONCORDIA UNIVERSITY SCHOOL OF GRADUATE STUDIES This is to certify that the thesis prepared By: Desirée de Jesus Entitled: Precarious Girlhood: Problematizing Reconfigured Tropes of Feminine Development in Post-2009 Recessionary Cinema and submitted in partial fulfillment of the requirements for the degree of Film and Moving Image Studies complies with the regulations of the University and meets the accepted standards with respect to originality and quality. Signed by the final examining committee: Chair Dr. Lorrie Blair External Examiner Dr. Carrie Rentschler External to Program Dr. Gada Mahrouse Examiner Dr. Rosanna Maule Examiner Dr. Catherine Russell Thesis Supervisor Dr. Masha Salazkina Approved by Dr. Masha Salazkina Chair of Department or Graduate Program Director December 4, 2019 Dr. Rebecca Duclos Dean Faculty of Fine Arts ! ! "#$%&"'%! ()*+,)-./0!1-)23..45!().62*7,8-9-:;!&*+.:<-;/)*4!%).=*0!.<!>*7-:-:*!?*@*2.=7*:8!-:! (.08ABCCD!&*+*00-.:,)E!'-:*7,! ! ?*0-)F*!4*!G*0/0! '.:+.)4-,!H:-@*)0-8EI!BCJD! ! !"##"$%&'()*+(,--.(/#"01#(2+3+44%"&5()*+6+($14(1(4%'&%7%31&)(3*1&'+(%&()*+(3%&+81)%3(9+:%3)%"&(
    [Show full text]
  • Tribeca: a Distinguished Enclave
    SHELLEY KAPLAN This January represents an exciting and no doubt temporary convergence of forces for New York City residential real estate. The economy has stabilized, sales activity has RE:NEW YORK improved in the last couple of months, lending rates are at historic lows (which won’t Real Estate in Your Neighborhood. Premiere Edition • January 2010 • Vol. 1, Edition 1 last), and the government extended and expanded the homebuyer tax credit. Though real estate values may experience some continued minor erosion, the big price drops Welcome to the first edition of my newsletter, RE:NewYork. You might are over. want to re-design your current home or find a new space in this city. I have some perspectives on the area real estate market that I hope you’ll The New Year historically brings with it increased inventory. Add the usual January influx of buyers, the tax incentive which has been stretched to April and now includes find useful. It would be my pleasure to advise you. Don’t hesitate to call non-first-time homebuyers, and you have a recipe for transaction. Buyers will still me and share your thoughts. —Shelley Kaplan pay a bit more for a great view or a wood-burning fireplace; but there is a sense that January will be the time to act if you want to buy, or need to sell. There are opportu- nities for both sides of the table right now. A NEIGHBORHOOD STORY: Today, diligence, expert valuation and negotiating skills are more critical than ever in Tribeca: A Distinguished Enclave.
    [Show full text]
  • Department of Film & Media Studies Hunter College
    Department of Film & Media Studies Jeremy S. Levine Hunter College - CUNY 26 Halsey St., Apt. 3 695 Park Ave, Rm. 433 HN Brooklyn, NY 11216 New York, NY 10065 Phone: 978-578-0273 Phone: 212-772-4949 [email protected] Fax: 212-650-3619 jeremyslevine.com EDUCATION M.F.A. Integrated Media Arts, Department of Film & Media Studies, Hunter College, expected May 2020 Thesis Title: The Life of Dan, Thesis Advisor: Kelly Anderson, Distinctions: S&W Scholarship, GPA: 4.0 B.S. Television-Radio: Documentary Studies, Park School of Communications, Ithaca College, 2006 Distinctions: Magna Cum Laude, Park Scholarship EMPLOYMENT Hunter College, 2019 Adjunct Assistant Professor, Department of Film & Media Studies Taught two undergraduate sections of Intro to Media Studies in spring 2019, averaging 6.22 out of 7 in the “overall” category in student evaluations, and teaching two sections of Intro to Media Production for undergraduates in fall 2019. Brooklyn Filmmakers Collective, 2006 – Present Co-Founder, Advisory Board Member Co-founded organization dedicated to nurturing groundbreaking films, generative feedback, and supportive community. Recent member films screened at the NYFF, Sundance, and Viennale, broadcast on Showtime, HBO, and PBS, and received awards from Sundance, Slamdance, and Tribeca. Curators from Criterion, BAM, Vimeo, The Human Rights Watch Film Festival, and Art 21 programmed a series of 10-year BFC screenings at theaters including the Lincoln Center, Alamo, BAM, and Nitehawk. Transient Pictures, 2006 – 2018 Co-Founder, Director, Producer Co-founded and co-executive directed an Emmy award-winning independent production company. Developed company into a $500K gross annual organization. Directed strategic development, secured clients, managed production teams, oversaw finances, and produced original feature films.
    [Show full text]
  • 2019 Classic Judges
    2019 NEW YORK WINE CLASSIC JUDGES Lorraine Hems, Head Judge, CS, WSET Advanced Diploma, CWE and CSS, AWS CW Lecturer at Rochester Institute of Technology; Author, Passport to the World of Wines Lorraine Hems has been involved in the wine and spirits industry for over 35 years. She has experience in retail, wholesale, and education. She is a Lecturer of beverage courses in the Hospitality and Tourism Management Department at the Rochester Institute of Technology. She authored a workbook, Passport to the World of Wines, and obtained her Master’s Degree in Service Leadership and Innovation from RIT. Lorraine was involved in the opening, hiring, staff training, class development and teaching when the New York Kitchen (formally New York Wine & Culinary Center) in Canandaigua, NY opened in 2006. She continues to teach there. She was a member of the team that delivered the New York Wine and Grape Foundation’s Industry Education and Training Grant across New York in 2008. Lorraine helped start the Rochester chapter of the national organization Women for WineSense in 1999 and received their Lifetime Achievement Award in California in 2012. The NYWGF presented her with their Consumer Award in 2016. She has judged at the New York Wine and Food Classic for years, competitions on the west coast, and in Chile (Catad’Or) and Argentina (La Mujer Elige 2012). Camp Good Days and Special Times awarded her their Teddi Award and Ring of Honor award for her work on their Finger Lakes International Wine Competition and dinner auction. Lorraine served as the Head Judge of the competition in 2017 after judging there for over 15 years.
    [Show full text]
  • 78 WINE SPECTATOR • DEC. 15, 2016 WS121516 Tribecagrill.Indd
    THETR BECAERA 78 WINE SPECTATOR • DEC. 15, 2016 I WS121516_tribecagrill.indd 78 10/21/16 11:24 AM From left: Tribeca Grill co-owners Drew Nieporent and Robert De Niro, wine director David Gordon and managing partner Marty Shapiro have run the restaurant through the ups and downs of a quarter century. ROBERT DE NIRO AND DREW NIEPORENT’S GRAND AWARD–WINNING TRIBECA GRILL HAS HELPED SHAPE ERA NEW YORK CITY’S WINE AND DINING SCENE SINCE 1990 BY BEN O’DONNELL // PHOTOGRAPHS BY QUENTIN BACON DEC. 15, 2016 • WINE SPECTATOR 79 WS121516_tribecagrill.indd 79 10/21/16 11:24 AM David Gordon (pouring) started at Tribeca Grill as a manager but eventually changed his focus to wine, building the restaurant’s list into one of Manhattan’s most impressive. always believe in things being around for a long, De Niro then set about asking friends for investments. Some of long time.” the names of those who said yes may be familiar: Sean Penn, Bill Robert De Niro, 73, made his first screen appear- Murray, Mikhail Baryshnikov, Christopher Walken, Ed Harris, Lou ance in 1965 and has more than 130 film credits as Diamond Phillips, Russell Simmons. an actor, director and producer. But he’s talking But others declined: De Niro’s faith in Tribeca Grill’s future was about Tribeca Grill, a restaurant he opened in 1990. at odds with the reality that New York City chews up restaurants It’s still going strong. “People like tradition; they and spits them out. Even the hottest fame magnet can burn out like coming back; they like knowing it’s there.” quickly.
    [Show full text]
  • Copy of Copy of Copy of Streetwear Creative Wide Presentation
    "Life's most persistent and urgent question is; what are you doing for others?" -MLK OUR VISION For over a decade, MDC has helped establish rewarding relationships between thousands of individuals, businesses and charities who care deeply about the well-being of others and the community. Through our work (video production, event planning & consulting) we want to share stories that matter, organize events that build bridges, highlight extraordinary individuals, create simple and effective ways of giving back, and act as professional matchmakers. Our mission has always been to connect the people who want to help with the people who need help the most. From the start, we've witnessed heartbreaking scenarios where trauma and hardship causes a child or family to feel isolated and hopeless. Despite what we're taught, time is more precious than gold and we strive to make every day, hour and minute count. The world does not stop when tragedy strikes; but good people can and do. We enlist the help of caregivers across every business sector around the globe and rely on them to help us create special moments in time that bring hope and joy to those suffering through hardship. We've created an Active Response Team; an unofficial team of do-gooders who are willing to step up to the plate when needed. And just like the word "team" signifies, together everyone achieves more. MDC works by cause, not by client -- and in doing so, it allows us to foster collaboration and look after the interests of all involved. The impact we make by working together is more powerful and far-reaching than most individuals can achieve on their own.
    [Show full text]
  • Over the Past Ten Years, Good Machine, a New York-Based
    MoMA | press | Releases | 2001 | Good Marchine: Tenth Anniversary Page 1 of 4 For Immediate Release February 2001 THE MUSEUM OF MODERN ART TO CELEBRATE TENTH ANNIVERSARY OF GOOD MACHINE, NEW YORK-BASED PRODUCTION COMPANY Good Machine: Tenth Anniversary February 13-23, 2001 The Roy and Niuta Titus Theatre 1 Over the past ten years, Good Machine, a New York-based production company helmed by Ted Hope, David Linde and James Schamus, has become one of the major forces in independent film culture worldwide. Dedicated to the work of emerging, innovative filmmakers, Good Machine has produced or co-produced films by, among others, Ang Lee, Todd Solondz, Nicole Holofcener, Ed Burns, Cheryl Dunye and Hal Hartley. Beginning with Tui Shou (Pushing Hands) (1992), the first collaboration between Good Machine and director Ang Lee, The Museum of Modern Art presents eight feature films and five shorts from February 13 through 23, 2001 at the Roy and Niuta Titus Theatre 1. "Good Machine proves that audiences do want to be entertained intelligently and engaged substantively," remarks Laurence Kardish, Senior Curator, Department of Film and Video, who organized the series. "Their achievements are reflected in this Tenth Anniversary series and are, in large part, due to Good Machine's collaborations with filmmakers and its respect for the creative process." In addition to producing and co-producing films, Good Machine has gone on to establish an international sales company involved in distributing diverse and unusual works such as Joan Chen's Xiu Xiu: The Sent-Down Girl (1998) and Lars Von Trier's Dancer in the Dark (2000).
    [Show full text]
  • Representations of Education in HBO's the Wire, Season 4
    Teacher EducationJames Quarterly, Trier Spring 2010 Representations of Education in HBO’s The Wire, Season 4 By James Trier The Wire is a crime drama that aired for five seasons on the Home Box Of- fice (HBO) cable channel from 2002-2008. The entire series is set in Baltimore, Maryland, and as Kinder (2008) points out, “Each season The Wire shifts focus to a different segment of society: the drug wars, the docks, city politics, education, and the media” (p. 52). The series explores, in Lanahan’s (2008) words, an increasingly brutal and coarse society through the prism of Baltimore, whose postindustrial capitalism has decimated the working-class wage and sharply divided the haves and have-nots. The city’s bloated bureaucracies sustain the inequality. The absence of a decent public-school education or meaningful political reform leaves an unskilled underclass trapped between a rampant illegal drug economy and a vicious “war on drugs.” (p. 24) My main purpose in this article is to introduce season four of The Wire—the “education” season—to readers who have either never seen any of the series, or who have seen some of it but James Trier is an not season four. Specifically, I will attempt to show associate professor in the that season four holds great pedagogical potential for School of Education at academics in education.1 First, though, I will present the University of North examples of the critical acclaim that The Wire received Carolina at Chapel throughout its run, and I will introduce the backgrounds Hill, Chapel Hill, North of the creators and main writers of the series, David Carolina.
    [Show full text]
  • Annual Report 2012
    Cover Back Spine: (TBA) Front PMS 032U Knock out Annual Report 2012 LETTER FROM THE MAYOR 4 PART I: 2007–2012: A PERIOD OF AGENCY INNOVATION 11 PART II: AGENCY PORTFOLIO, FY12 37 PROGRAMSERVICES 39 PROGRAM SERVICES AWARD RECIPIENTS 40 CULTURAL DEVELOPMENT FUND PANELISTS 50 CULTURAL AFTER SCHOOL ADVENTURES GRANT RECIPIENTS 53 CULTURAL INSTITUTIONS GROUP 58 CAPITALPROJECTS 63 CAPITAL PROJECTS FUNDED 66 RIBBON CUTTINGS 68 GROUNDBREAKINGS 69 EQUIPMENT PURCHASES 69 COMMUNITY ARTS DEVELOPMENT PROGRAM 70 30TH ANNUAL AWARDS FOR EXCELLENCE IN DESIGN RECIPIENTS 71 PERCENT FOR ART PROGRAM 72 MATERIALS FOR THE ARTS 74 RECIPIENTS OF DONATED GOODS 76 PARTICIPATING SCHOOLS IN ARTS EDUCATION PROGRAMS 88 CULTURAL AFFAIRS ADVISORY COMMISSION 90 MAYOR’S AWARDS FOR ARTS AND CULTURE 91 DEPARTMENT OF CULTURAL AFFAIRS STAFF 92 P HO TO CREDITSPHOTO 94 ACKNOWLEDGEMENTS 95 4 Letter from The Mayor NEW YORK CITY: STRENGTHENING INVESTMENT IN THE ARTS Our City’s cultural organizations are essential arts are to New York City’s vibrancy and to improving to ensuring that New York remains one of the world’s the lives of New Yorkers and visitors from around the great cities. A magnet for talent from around the world, world. In addition, the development of new information our creative community is also a thriving small business technology systems has enabled the Department to track sector that exists in every neighborhood throughout these services and further advocate on behalf of culture’s the five boroughs. That is why our Administration has tremendous impact on our City. made supporting the arts a top priority, and why over And we continue to push boundaries in expanding our the past five years—despite challenging times—we have service to the creative sector.
    [Show full text]
  • 10Th TRIBECA FILM FESTIVAL ANNOUNCES WORLD
    10 th TRIBECA FILM FESTIVAL ANNOUNCES WORLD NARRATIVE AND DOCUMENTARY COMPETITION SELECTIONS, AND NEW VIEWPOINTS SECTION *** TRIBECA EXPANDS AWARDS SCOPE *** 2011 Festival to Present 88 Feature-Length and 61 Short Films April 20 – May 1 Plus Free Online Film Screenings for Viewers Nationwide New York, NY [March 7, 2011] – The 2011 Tribeca Film Festival (TFF), presented by American Express ®, today announced the World Narrative and Documentary Competition film selections and the first edition of the new section—Viewpoints. Forty-four of the 88 feature-length films were announced. The 10 th edition of the Festival will take place from April 20 to May 1 in lower Manhattan. TFF organizers this year have streamlined the Festival’s format, which is now comprised of two competition sections, World Narrative and World Documentary, and three out-of-competition sections: Cinemania, Spotlight and the new Viewpoints. “It’s our tenth Tribeca Film Festival, and in our relatively brief existence we have evolved dramatically,” says Nancy Schafer, Executive Director of the Tribeca Film Festival. “The Festival has become an integral part of the cultural landscape of New York City as well as a globally recognized platform for storytelling.” The 2011 film selection includes feature films from 32 different countries, including 43 World Premieres, 10 International Premieres, 19 North American Premieres, 7 U.S. Premieres and 9 New York Premieres. Ninety-nine directors will be presenting feature works at the Festival, with 54 of these filmmakers presenting their feature directorial debuts. Twelve feature film directors are returning TFF filmmakers. The 2011 film slate was chosen from a total of 5,624 submissions, a record number for the Festival.
    [Show full text]
  • Qurrat Ann Kadwani: Still Calling Her Q!
    1 More Next Blog» Create Blog Sign In InfiniteBody art and creative consciousness by Eva Yaa Asantewaa Tuesday, May 6, 2014 Your Host Qurrat Ann Kadwani: Still calling her Q! Eva Yaa Asantewaa Follow View my complete profile My Pages Home About Eva Yaa Asantewaa Getting to know Eva (interview) Qurrat Ann Kadwani Eva's Tarot site (photo Bolti Studios) Interview on Tarot Talk Contact Eva Name Email * Message * Send Contribute to InfiniteBody Subscribe to IB's feed Click to subscribe to InfiniteBody RSS Get InfiniteBody by Email Talented and personable Qurrat Ann Kadwani (whose solo show, They Call Me Q!, I wrote about Email address... Submit here) is back and, I hope, every bit as "wicked smart and genuinely funny" as I observed back in September. Now she's bringing the show to the Off Broadway St. Luke's Theatre , May 19-June 4, Mondays at 7pm and Wednesdays at 8pm. THEY CALL ME Q is the story of an Indian girl growing up in the Boogie Down Bronx who gracefully seeks balance between the cultural pressures brought forth by her traditional InfiniteBody Archive parents and wanting acceptance into her new culture. Along the journey, Qurrat Ann Kadwani transforms into 13 characters that have shaped her life including her parents, ► 2015 (222) Caucasian teachers, Puerto Rican classmates, and African-American friends. Laden with ▼ 2014 (648) heart and abundant humor, THEY CALL ME Q speaks to the universal search for identity ► December (55) experienced by immigrants of all nationalities. ► November (55) Program, schedule and ticket information ► October (56) ► September (42) St.
    [Show full text]
  • 105 Hudson Street, New York NY
    TRIBECA NEW YORK NY 105 HUDSON STREET SPACE DETAILS LOCATION COMMENTS Northwest corner of Franklin Street Strong corner with tremendous wraparound frontage APPROXIMATE SIZE Strong retail adjacencies to fashion, design and restaurant tenants Space A One block from the subway station and critically acclaimed Greenwich Hotel Ground Floor 4,030 SF * All uses allowed Lower Level 820 SF * Lower Level is selling, has a sidewalk hatch facing Hudston Street and a loading elevator facing Franklin Street Space B Direct deal, no key money, fully vented restaurant opportunity with infrastucture Ground Floor 2,390 SF * in place Lower Level 2,590 SF * Gorgeous retail space at the base of Carrere and Hastings Powell building Total 9,830 SF *Can be combined POSSESSION Immediate TERM Long term FRONTAGE Space A 35 FT on Hudson Street 95 FT on Franklin Street Space B 20 FT on Hudson Street SITE STATUS Formerly Nobu and Nobu Next Door NEIGHBORS Mr. Chow, Bubby’s, Shinola, Issey Miyake, Thom Browne, Tamarind, everafter, Locanda Verde, Noted Tribeca (coming soon), Maison Kayser, Patron of the New and Thierry Despont Gallery VIEW FROM HUDSON STREET FLOOR PLANS GROUND FLOOR LOWER LEVEL HUDSON STREET 20 FT 35 FT SPACE B SPACE A 95 FT SPACE B 2,390 SF 4,030 SF 2,590 SF FRANKLIN STREET SPACE A 820 SF AREA NEIGHBORS TRIBECA · NEW YORK, NY Ã Tribeca Spa of Tranquility S Crave I Expresso Bar ST JOHN'S LANE X T H Brilliant Bicycle Company A CANAL STREET VARICK STREET V DESBROSSES STREET United Pupculture E Grocery N Michael K Innovation U Pepolino Sea Shades E Church Street Surplus N Q R W Nancy Whiskey Pub Saluggis Pizza Mercato Goldfeder / Kahan Framing Fabbrica Cafe Bari Hudson Wine & Spirits LISPENARD STREET Art Project Maharishi Montauk FoundRae Empire Luggage Gallery Plastic Land Store Sofa John Allan's Antique Garage Kong W.
    [Show full text]