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Carol Raskin
Carol Raskin Artistic Images Make-Up and Hair Artists, Inc. Miami – Office: (305) 216-4985 Miami - Cell: (305) 216-4985 Los Angeles - Office: (310) 597-1801 FILMS DATE FILM DIRECTOR PRODUCTION ROLE 2019 Fear of Rain Castille Landon Pinstripe Productions Department Head Hair (Kathrine Heigl, Madison Iseman, Israel Broussard, Harry Connick Jr.) 2018 Critical Thinking John Leguizamo Critical Thinking LLC Department Head Hair (John Leguizamo, Michael Williams, Corwin Tuggles, Zora Casebere, Ramses Jimenez, William Hochman) The Last Thing He Wanted Dee Rees Elena McMahon Productions Additional Hair (Miami) (Anne Hathaway, Ben Affleck, Willem Dafoe, Toby Jones, Rosie Perez) Waves Trey Edward Shults Ultralight Beam LLC Key Hair (Sterling K. Brown, Kevin Harrison, Jr., Alexa Demie, Renee Goldsberry) The One and Only Ivan Thea Sharrock Big Time Mall Productions/Headliner Additional Hair (Bryan Cranston, Ariana Greenblatt, Ramon Rodriguez) (U. S. unit) 2017 The Florida Project Sean Baker The Florida Project, Inc. Department Head Hair (Willem Dafoe, Bria Vinaite, Mela Murder, Brooklynn Prince) Untitled Detroit City Yann Demange Detroit City Productions, LLC Additional Hair (Miami) (Richie Merritt Jr., Matthew McConaughey, Taylour Paige, Eddie Marsan, Alan Bomar Jones) 2016 Baywatch Seth Gordon Paramount Worldwide Additional Hair (Florida) (Dwayne Johnson, Zac Efron, Alexandra Daddario, David Hasselhoff) Production, Inc. 2015 The Infiltrator Brad Furman Good Films Production Department Head Hair (Bryan Cranston, John Leguizamo, Benjamin Bratt, Olympia -
Pete Yorn Torrent Download Pete Yorn Torrent Download
pete yorn torrent download Pete yorn torrent download. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 67e088af3a481f15 • Your IP : 188.246.226.140 • Performance & security by Cloudflare. Саундтрек к фильму / Встречайте Джо Блейка и Терри Коллинза — самых удачливых грабителей банков в истории Америки! Неотразимый мачо Джо и фантастический ипохондрик Терри, вечно жалующийся на воображаемые недуги, без единого выстрела, на одном великом своем обаянии и очаровательном нахальстве взяли больше банков, чем кто-либо. Казалось, удача никогда не оставит этих вежливых и остроумных налетчиков, ставших чуть ли не национальными героями. Но вот волею судеб в компанию героев попадает захотевшая вкусить приключений бедовая домохозяйка Кейт Уилер, в которую они оба немедленно влюбляются — и все в жизни парней идет кувырком! ProStudioMasters.com. High-resolution audio offers the highest-fidelity available, far surpassing the sound quality of traditional CDs. When you listen to music on a CD or tracks purchased via consumer services such as iTunes, you are hearing a low-resolution version of what was actually recorded and mastered in the studio. -
Copy of Copy of Copy of Streetwear Creative Wide Presentation
"Life's most persistent and urgent question is; what are you doing for others?" -MLK OUR VISION For over a decade, MDC has helped establish rewarding relationships between thousands of individuals, businesses and charities who care deeply about the well-being of others and the community. Through our work (video production, event planning & consulting) we want to share stories that matter, organize events that build bridges, highlight extraordinary individuals, create simple and effective ways of giving back, and act as professional matchmakers. Our mission has always been to connect the people who want to help with the people who need help the most. From the start, we've witnessed heartbreaking scenarios where trauma and hardship causes a child or family to feel isolated and hopeless. Despite what we're taught, time is more precious than gold and we strive to make every day, hour and minute count. The world does not stop when tragedy strikes; but good people can and do. We enlist the help of caregivers across every business sector around the globe and rely on them to help us create special moments in time that bring hope and joy to those suffering through hardship. We've created an Active Response Team; an unofficial team of do-gooders who are willing to step up to the plate when needed. And just like the word "team" signifies, together everyone achieves more. MDC works by cause, not by client -- and in doing so, it allows us to foster collaboration and look after the interests of all involved. The impact we make by working together is more powerful and far-reaching than most individuals can achieve on their own. -
We Have a Movie for Everyone
FALL / WINTER 2015 NEW RELEASES The Martian 2015 • 122 min. • Colour • 20th Century Fox We have a Director: Ridley Scott Cast: Matt Damon, Jessica Chastain, Kristen Wiig, Kate Mara, Sebastian Stan, Michael Peña Movie for During a manned mission to Mars, Astronaut Mark Watney is presumed dead after a fierce storm Everyone and left behind by his crew. But Watney has survived and finds himself stranded and alone on the hostile planet. With only meager supplies, he must draw upon his ingenu- ity, wit and spirit to subsist and find a way to signal to Earth that he is alive. Pan 2015 • Colour • Warner Brothers Director: Joe Wright Cast: Hugh Jackman, Rooney Mara, Cara Delevingne, Amanda Seyfried Garrett Hedlund The story of an orphan who is spirited away to the magical Neverland. There, he finds both fun and dangers, and ultimately dis- covers his destiny -- to become the hero who will be forever known as Peter Pan. Shaun the Sheep Movie 2015 • 85 min. • Colour • Elevation Pictures Director: Mark Burton, Richard Starzak Cast: Justin Fletcher, John Sparkes, Omid Djalili, Kate Harbour, Richard Webber When Shaun decides to take the day off and have some fun, he gets a little more action than he bargained for. A mix up with the Farmer, a caravan and a very steep hill lead them all to the Big City and it’s up to Shaun and the flock to return everyone safely to the green grass of home. Kung Fu Panda 3 2015 • Colour • 20th Century Fox Director: Alessandro Carloni, Jennifer Yuh Cast: Jack Black, Angelina Jolie, Dustin Hoffman, Jackie Chan Seth Rogen, Lucy Liu Continuing his “legendary adventures of awesomeness”, Po must face two hugely epic, but different threats: one super- natural and the other a little closer to his home. -
MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self
MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall A thesis submitted in partial fulfillment of the requirements for the degree of: Master of Design University of Washington 2016 Committee: Kristine Matthews Karen Cheng Linda Norlen Program Authorized to Offer Degree: Art ©Copyright 2016 Chad Philip Hall University of Washington Abstract MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall Co-Chairs of the Supervisory Committee: Kristine Matthews, Associate Professor + Chair Division of Design, Visual Communication Design School of Art + Art History + Design Karen Cheng, Professor Division of Design, Visual Communication Design School of Art + Art History + Design Shelves of vinyl records and cassette tapes spark thoughts and mem ories at a quick glance. In the shift to digital formats, we lost physical artifacts but gained data as a rich, but often hidden artifact of our music listening. This project tracked and visualized the music listening habits of eight people over 30 days to explore how this data can serve as a visual representation of self and present new opportunities for reflection. 1 exploring music listening data as MUSIC NOTES a visual representation of self CHAD PHILIP HALL 2 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF: master of design university of washington 2016 COMMITTEE: kristine matthews karen cheng linda norlen PROGRAM AUTHORIZED TO OFFER DEGREE: school of art + art history + design, division -
Unbelievable Bodies: Audience Readings of Action Heroines As a Post-Feminist Visual Metaphor
Unbelievable Bodies: Audience Readings of Action Heroines as a Post-Feminist Visual Metaphor Jennifer McClearen A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts University of Washington 2013 Committee: Ralina Joseph, Chair LeiLani Nishime Program Authorized to Offer Degree: Communication ©Copyright 2013 Jennifer McClearen Running head: AUDIENCE READINGS OF ACTION HEROINES University of Washington Abstract Unbelievable Bodies: Audience Readings of Action Heroines as a Post-Feminist Visual Metaphor Jennifer McClearen Chair of Supervisory Committee: Associate Professor Ralina Joseph Department of Communication In this paper, I employ a feminist approach to audience research and examine the individual interviews of 11 undergraduate women who regularly watch and enjoy action heroine films. Participants in the study articulate action heroines as visual metaphors for career and academic success and take pleasure in seeing women succeed against adversity. However, they are reluctant to believe that the female bodies onscreen are physically capable of the action they perform when compared with male counterparts—a belief based on post-feminist assumptions of the limits of female physical abilities and the persistent representations of thin action heroines in film. I argue that post-feminist ideology encourages women to imagine action heroines as successful in intellectual arenas; yet, the ideology simultaneously disciplines action heroine bodies to render them unbelievable as physically powerful women. -
Theaters 3 & 4 the Grand Lodge on Peak 7
The Grand Lodge on Peak 7 Theaters 3 & 4 NOTE: 3D option is only available in theater 3 Note: Theater reservations are for 2 hours 45 minutes. Movie durations highlighted in Orange are 2 hours 20 minutes or more. Note: Movies with durations highlighted in red are only viewable during the 9PM start time, due to their excess length Title: Genre: Rating: Lead Actor: Director: Year: Type: Duration: (Mins.) The Avengers: Age of Ultron 3D Action PG-13 Robert Downey Jr. Joss Whedon 2015 3D 141 Born to be Wild 3D Family G Morgan Freeman David Lickley 2011 3D 40 Captain America : The Winter Soldier 3D Action PG-13 Chris Evans Anthony Russo/ Jay Russo 2014 3D 136 The Chronicles of Narnia: The Voyage of the Dawn Treader 3D Adventure PG Georgie Henley Michael Apted 2010 3D 113 Cirque Du Soleil: Worlds Away 3D Fantasy PG Erica Linz Andrew Adamson 2012 3D 91 Cloudy with a Chance of Meatballs 2 3D Animation PG Ana Faris Cody Cameron 2013 3D 95 Despicable Me 3D Animation PG Steve Carell Pierre Coffin 2010 3D 95 Despicable Me 2 3D Animation PG Steve Carell Pierre Coffin 2013 3D 98 Finding Nemo 3D Animation G Ellen DeGeneres Andrew Stanton 2003 3D 100 Gravity 3D Drama PG-13 Sandra Bullock Alfonso Cuaron 2013 3D 91 Hercules 3D Action PG-13 Dwayne Johnson Brett Ratner 2014 3D 97 Hotel Transylvania Animation PG Adam Sandler Genndy Tartakovsky 2012 3D 91 Ice Age: Continetal Drift 3D Animation PG Ray Romano Steve Martino 2012 3D 88 I, Frankenstein 3D Action PG-13 Aaron Eckhart Stuart Beattie 2014 3D 92 Imax Under the Sea 3D Documentary G Jim Carrey Howard Hall -
Michelle, My Belle
JUDY, JUDY, JUDY ACCESSORIES: Luxury handbag brand Judith Leiber introduces a WWDSTYLE lower-priced collection. Page 11. Michelle, My Belle A rainbow of color may have populated the red carpet at this year’s Oscars, but Best Actress nominee Michelle Williams went countertrend, keeping it simply chic with a Chanel silver sheath dress. For more on the Oscars red carpet, see pages 4 and 5. PHOTO BY DONATO SARDELLA 2 WWDSTYLE MONDAY, FEBRUARY 28, 2011 Elizabeth Banks Livia with Tom Ford. and Colin eye Firth. Claire Danes in Chanel with Hugh Dancy Emma Stone in at the Chanel Chanel at the Jennifer dinner. Chanel dinner. Hudson Livia and Colin Firth January Jones in Chanel at the Chanel The Endless Season dinner. Perhaps it was because James Franco — the current “What’s Harvey’s movie?” he asked. “‘The King’s standard-bearer for actor-artistes the world over — Speech’? I liked that very much.” was co-hosting the ceremony, or perhaps a rare SoCal But it wasn’t all high culture in Los Angeles this week. cold front had Hollywood in a more contemplative The usual array of fashion house- and magazine-sponsored mood than normal, but the annual pre-Oscar party bashes, congratulatory luncheons, lesser awards shows rodeo had a definite art world bent this year. and agency schmooze fests vied for attention as well. Rodarte designers Kate and Laura Mulleavy On Wednesday night — a day before the scandal that kicked things off Wednesday night with an exhibit engulfed the house and its designer, John Galliano — of their work (including several looks they created Harvey Weinstein took over as co-host of Dior’s annual for Natalie Portman in “Black Swan”) sponsored Oscar dinner, and transformed it from an intimate affair by Swarovski at the West Hollywood branch of beneath the Chateau Marmont colonnade to a Los Angeles’ Museum of Contemporary Art 150-person event that took over the hotel’s entire and an accompanying dinner at Mr. -
Ken Andrews Selected Producer, Engineer & Mixer Credits
KEN ANDREWS SELECTED PRODUCER, ENGINEER & MIXER CREDITS: The Shelters Jupiter Sidecar (Warner Bros.) M Failure In The Future Your Body Will Be The Furthest Thing Co-P E M Co-W Underoath Erase Me (Fearless) M Stone Temple Pilots Stone Temple Pilots (Play Pen) M Citizen As You Please (Run For Cover Records) M Gone Is Gone Echolocation (Rise) M My Jerusalem A Little Death (Razor and Tie) M Jimmy Eat World Integrity Blues (RCA) M The Naked and Famous Simple Forms (Universal Music) M Meg Myers Sorry (Atlantic) M W Failure The Heart Is A Monster (Failure) P E M The Pierces Creation (Polydor) M M83 "Oblivion" from Oblivion [Motion Picture Soundtrack] (Back Lot Music)M A Day To Remember Common Courtesy (Fontana) M Mu Paramore Paramore (Fueled By Ramen) M M83 You and the Night (Naïve) P E M Candlebox Love Stories & Other Musings (Audio Nest) P E M W Mu Arsenal / Arsenal Lokemo (Play Out!) Unwritten Law Swan (Surburban Noise) M Settle At Home We Are Tourists (Epitaph) M FM Static Dear Diary (Tooth and Nail) M Anya Marina Slow & Steady Seduction: Phase II (Chop Shop) M Beto Cuevas Miedo Escenico (Warner Music Mexico) M Crosby Loggins Time to Move (RCA) M 1 P- Producer E- Engineer M- Mixer W- Writer Mu- Musician KEN ANDREWS SELECTED PRODUCER, ENGINEER & MIXER CREDITS: Empyr Peaceful Riot (Jive) P E M W Mu Nine Inch Nails The Slip Live (The Null Corporation) M Thousand Foot Krutch The Flame In All Of Us (Tooth and Nail) P E M Army of Anyone Army of Anyone (Machine Shop) M Future of Forestry Future of Forestry (Credential) P M Bullets and Octane In -
CSUSB Scholarworks May 27Th 2008
California State University, San Bernardino CSUSB ScholarWorks Coyote Chronicle (1984-) Arthur E. Nelson University Archives 5-27-2008 May 27th 2008 CSUSB Follow this and additional works at: https://scholarworks.lib.csusb.edu/coyote-chronicle Recommended Citation CSUSB, "May 27th 2008" (2008). Coyote Chronicle (1984-). 611. https://scholarworks.lib.csusb.edu/coyote-chronicle/611 This Newspaper is brought to you for free and open access by the Arthur E. Nelson University Archives at CSUSB ScholarWorks. It has been accepted for inclusion in Coyote Chronicle (1984-) by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. Address www.coyo techro ~icl e .com C A L F 0 R N V E R S T y S A N B E R N A R D CALIFORNIA COLLEGE MEDIA ASSOCIATION AWARD WINNER Serving the CSUSB camp us for 41 years .Tuesday May 27, 2008 Vol. 41 Issue 22 $28.8 million to go Shantal Anderson Staff Writer an Be<rnardino Mayor Patrick Morris joined S the fight against the Governor's education budget cuts. The California Faculty Associ ation (CFA), Associated Students Incorporated (ASI) and Students for Quality Education (SQE) held a rally for the Governor's restoration of $288 million back into the Cali fornia State University (CSU) sys tem. "What we will try to do is our very best if there are budget cuts. San Bernardino, Riverside and Ontario ranked the worst fo r teenage We'll do our very best to make sure car crash fatalities in Califor nia (Melina Perez/Chronicle). the needed classes are offered, but there will probably be fewer of them offered, there probably will be. -
10Th TRIBECA FILM FESTIVAL ANNOUNCES WORLD
10 th TRIBECA FILM FESTIVAL ANNOUNCES WORLD NARRATIVE AND DOCUMENTARY COMPETITION SELECTIONS, AND NEW VIEWPOINTS SECTION *** TRIBECA EXPANDS AWARDS SCOPE *** 2011 Festival to Present 88 Feature-Length and 61 Short Films April 20 – May 1 Plus Free Online Film Screenings for Viewers Nationwide New York, NY [March 7, 2011] – The 2011 Tribeca Film Festival (TFF), presented by American Express ®, today announced the World Narrative and Documentary Competition film selections and the first edition of the new section—Viewpoints. Forty-four of the 88 feature-length films were announced. The 10 th edition of the Festival will take place from April 20 to May 1 in lower Manhattan. TFF organizers this year have streamlined the Festival’s format, which is now comprised of two competition sections, World Narrative and World Documentary, and three out-of-competition sections: Cinemania, Spotlight and the new Viewpoints. “It’s our tenth Tribeca Film Festival, and in our relatively brief existence we have evolved dramatically,” says Nancy Schafer, Executive Director of the Tribeca Film Festival. “The Festival has become an integral part of the cultural landscape of New York City as well as a globally recognized platform for storytelling.” The 2011 film selection includes feature films from 32 different countries, including 43 World Premieres, 10 International Premieres, 19 North American Premieres, 7 U.S. Premieres and 9 New York Premieres. Ninety-nine directors will be presenting feature works at the Festival, with 54 of these filmmakers presenting their feature directorial debuts. Twelve feature film directors are returning TFF filmmakers. The 2011 film slate was chosen from a total of 5,624 submissions, a record number for the Festival. -
From Pearl Harbor (1941) to Pearl Harbor (2001)
COPAS—Current Objectives of Postgraduate American Studies 17.2 (2016) From Pearl Harbor (1941) to Pearl Harbor (2001): On the Emancipatory Potential of Nursing During Wartime and its Representation in Hollywood Film Susanne Bueechl ABSTRACT: This essay examines the representation of the nursing profession in the Hollywood movie Pearl Harbor (2001). As cultural products of their time, films tell us about the social and political conditions in which they were created. In the late 1990s and early 2000s a conservative feminist backlash, which Susan Faludi described as early as 1991 was still impacting the emancipation of women. In its often reactionary portrayal of the women nurses of World War II, Pearl Harbor seems to reflect more the situation of women in the 1990s than doing justice to the role of nurses during the attack on Pearl Harbor. Thus, through a cultural studies-informed analysis of the movie and its protagonist Evelyn Johnson, expectations of nurses during World War II will be examined and challenged. KEYWORDS: Pearl Harbor (film); World War II; Nursing; Emancipation; Gender; Feminism Introduction For decades, the discourse on the feminist movement before, during, and after World War II, was dominated by the notion that the war resulted in a backlash which “crippled the appeal and effect of feminism for almost half a century” (LeGates 288). While the war years had a considerable effect on emancipation due to the large incorporation of women into the work force, this development was also not without problems and did not mean that women achieved unequivocal equality. Particularly the years following the war are considered to have had an ebbing effect on women’s emancipation and thus on the achievement of social equality for women (LeGates 374).