From Generosity to Justice, a New Gospel of Wealth
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“From the Cracks in the Sidewalks of NYC”: The
“From the Cracks in the Sidewalks of N.Y.C.”: The Embodied Production of Urban Decline, Survival, and Renewal in New York’s Fiscal-Crisis-Era Streets, 1977-1983 by Elizabeth Healy Matassa B.A. in Italian and French Studies, May 2003, University of Delaware M.A. in Geography, May 2006, Louisiana State University A Dissertation submitted to The Faculty of The Columbian College of Arts and Sciences of The George Washington University in partial fulfillment of the requirements for the degree of Doctor of Philosophy January 31, 2014 Dissertation directed by Suleiman Osman Associate Professor of American Studies The Columbian College of Arts and Sciences of the George Washington University certifies that Elizabeth Healy Matassa has passed the Final Examination for the degree of Doctor of Philosophy as of August 21, 2013. This is the final and approved form of the dissertation. “From the Cracks in the Sidewalks of N.Y.C.”: The Embodied Production of Decline, Survival, and Renewal in New York’s Fiscal-Crisis-Era Streets, 1977-1983 Elizabeth Healy Matassa Dissertation Research Committee: Suleiman Osman, Associate Professor of American Studies, Dissertation Director Elaine Peña, Associate Professor of American Studies, Committee Member Elizabeth Chacko, Associate Professor of Geography and International Affairs, Committee Member ii ©Copyright 2013 by Elizabeth Healy Matassa All rights reserved iii Dedication The author wishes to dedicate this dissertation to the five boroughs. From Woodlawn to the Rockaways: this one’s for you. iv Abstract of Dissertation “From the Cracks in the Sidewalks of N.Y.C.”: The Embodied Production of Urban Decline, Survival, and Renewal in New York’s Fiscal-Crisis-Era Streets, 1977-1983 This dissertation argues that New York City’s 1970s fiscal crisis was not only an economic crisis, but was also a spatial and embodied one. -
The Frick Collection Staff As of June 30, 2008
The Frick Collection annual report july 2007–june 2008 The Frick Collection annual report july 2007–june 2008 leadership 2 Board of Trustees, Council of The Frick Collection, and Young Fellows Steering Committee reports 3 Margot Bogert, Chairman 5 Anne L. Poulet, Director 8 Colin B. Bailey, Associate Director and Peter Jay Sharp Chief Curator 11 Patricia Barnett, Andrew W. Mellon Chief Librarian financial statements 13 Statement of Financial Position 14 Statement of Activities public programming 15 Exhibitions and Lectures 16 Symposia, Publications, and Concerts notable library acquisitions 17 Gifts and Exchanges 18 Purchases donor support and membership 19 Gifts and Grants 23 Fellows and Friends 30 Corporate Members and Sponsors staff 31 The Frick Collection 34 Frick Art Reference Library on our cover: Maiolica dish with The Judgment of Paris after Raphael, Fontana workshop, tin-glazed earthenware, c. 1565, The Frick Collection, gift of Dianne Dwyer Modestini in memory of Mario Modestini; photograph by Michael Bodycomb The Frick Collection Council of Young Fellows Board of Trustees The Frick Collection Steering Committee As of June 30, 2008 As of June 30, 2008 As of June 30, 2008 Margot Bogert, Chairman George C. Wachter, Chairman Lydia Fenet, Chairman Howard Phipps Jr., Vice Chairman Jonathan Brown, Vice Chairman Elisabeth Saint-Amand, Secretary L. F. Boker Doyle, Treasurer Caitlin Davis, Coordinator John P. Birkelund, Secretary Julian Agnew Irene Roosevelt Aitken Fiona Benenson Peter P. Blanchard III W. Mark Brady Genevieve Wheeler Brown I. Townsend Burden III Vivien R. Clark Kipton Cronkite Walter A. Eberstadt Anne Goldrach Paul Cruickshank Emily T. Frick Nicholas H. -
National Arts Awards Monday, October 19, 2015
2015 Americans for the Arts National Arts Awards Monday, October 19, 2015 Welcome from Robert L. Lynch Performance by YoungArts Alumni President and CEO of Americans for the Arts Musical Director, Jake Goldbas Philanthropy in the Arts Award Legacy Award Joan and Irwin Jacobs Maria Arena Bell Presented by Christopher Ashley Presented by Jeff Koons Outstanding Contributions to the Arts Award Young Artist Award Herbie Hancock Lady Gaga 1 Presented by Paul Simon Presented by Klaus Biesenbach Arts Education Award Carolyn Clark Powers Alice Walton Lifetime Achievement Award Presented by Agnes Gund Sophia Loren Presented by Rob Marshall Dinner Closing Remarks Remarks by Robert L. Lynch and Abel Lopez, Chair, introduction of Carolyn Clark Powers Americans for the Arts Board of Directors and Robert L. Lynch Remarks by Carolyn Clark Powers Chair, National Arts Awards Greetings from the Board Chair and President Welcome to the 2015 National Arts Awards as Americans for the Arts celebrates its 55th year of advancing the arts and arts education throughout the nation. This year marks another milestone as it is also the 50th anniversary of President Johnson’s signing of the act that created America’s two federal cultural agencies: the National Endowment for the Arts and the National Endowment for the Humanities. Americans for the Arts was there behind the scenes at the beginning and continues as the chief advocate for federal, state, and local support for the arts including the annual NEA budget. Each year with your help we make the case for the funding that fuels creativity and innovation in communities across the United States. -
Minutes Meeting of the Board of Directors Society of Professional Journalists October 3, 2010 Las Vegas, Nevada Planet Hollywood Hotel
MINUTES MEETING OF THE BOARD OF DIRECTORS SOCIETY OF PROFESSIONAL JOURNALISTS OCTOBER 3, 2010 LAS VEGAS, NEVADA PLANET HOLLYWOOD HOTEL MEETING CALLED TO ORDER With President Kevin Smith presiding, the meeting of the board of directors of the Society of Professional Journalists was called to order at 9:05 a.m. on Sunday, October 3, 2010, at the Planet Hollywood Hotel. ROLL CALL In addition to Smith, the following were present: Immediate Past President Dave Aeikens; President-Elect Hagit Limor; Secretary-Treasurer Darcie Lunsford; Vice President for Campus Chapter Affairs Neil Ralston; Director at-Large Bill McCloskey; Director Lauren Bartlett, Campus Advisers at-Large Sue Kopen Katcef and George Daniels; Student Representative Tara Puckey; Regional Directors Luther Turmelle, Brian Eckert, Jenn Rowell, Jeremy Steele, Liz Hansen, Amanda Theisen, Holly Edgell, Scott Cooper, John Ensslin, Jodi Cleesattle, Dana Neuts and Sonny Albarado. Staff members present for the meeting were Executive Director Joe Skeel and Associate Executive Director Chris Vachon. Others in attendance were SDX Foundation President Steve Geimann; SDX Foundation Vice President Robert Leger; SDX Foundation Secretary Irwin Gratz; SDX Foundation Board member Dave Carlson; FOI Committee Chairman Dave Cuillier and several representatives from RTDNA. MEETING MINUTES APPROVED Upon proper motion and second by Aeikens and Neuts, respectively, the board approved the minutes from the April 17, 2010 board of directors meeting. PRESIDENT’S REPORT President Smith first acknowledged the work of the SPJ committees and recommended that people take time to read the committee reports in the board meeting packet. Next, Smith discussed the shield law. He recommends, looking forward, that SPJ put forth as much effort as possible in the way of support for the bill and directs it at the senate in the next two months to facilitate its passage. -
Sunrise a Tribute to Our Founders
Museum of Contemporary Art Cleveland Sunrise A Tribute to Our Founders Sunrise: A Tribute to Our Founders March 15 – August 11, 2019 Sunrise pays homage to our founders, Marjorie Talalay, Nina Sundell, and Mueller Family Gallery Agnes Gund, through artworks that speak to their passions and pursuits. The title references the logo of The New Gallery (moCa’s original name) Organized by Jill Snyder, that was designed by Roy Lichtenstein. A sun rising above a dotted plane Kohl Executive Director with graphic rays fanning through the sky, the logo was a metaphor for the with Kate Montlack, organization, suggesting the vitality and potential of contemporary art. Assistant Director of Exhibitions For this exhibition we invited the daughters of our founders to select works in honor of their mothers. This exhibition represents some of the 20th century’s most influential artists, and each previously has been shown at moCa. Agnes, together with her daughter Catherine, selected sculptural works by three female artists who reinforce her support for the early careers of women artists. Margaret Sundell chose works that reflect her late mother Nina’s professional relationship with Robert Rauschenberg and her embrace of his desire to work in the gap between art and life. Kathy, Nina, and Lauren Talalay’s choices represent meaningful professional and personal moments in their late mother Marjorie’s career as moCa’s longest serving Executive Director (1968–1993). Shown on the cover, Lichtenstein’s logo signals our vanguard legacy. Andy Warhol’s garishly hued portrait of China’s revolutionary leader, (Mao, 1972), Robert Rauschenberg’s collage of American trauma and triumph in the sixties (Signs, 1970), and Lynda Benglis’s vulvar minimalist sculpture (Lagniappe II Major support for this Glitter, 1977) reflect the sociopolitical climate of The New Gallery’s early exhibition provided by years. -
Department of Film & Media Studies Hunter College
Department of Film & Media Studies Jeremy S. Levine Hunter College - CUNY 26 Halsey St., Apt. 3 695 Park Ave, Rm. 433 HN Brooklyn, NY 11216 New York, NY 10065 Phone: 978-578-0273 Phone: 212-772-4949 [email protected] Fax: 212-650-3619 jeremyslevine.com EDUCATION M.F.A. Integrated Media Arts, Department of Film & Media Studies, Hunter College, expected May 2020 Thesis Title: The Life of Dan, Thesis Advisor: Kelly Anderson, Distinctions: S&W Scholarship, GPA: 4.0 B.S. Television-Radio: Documentary Studies, Park School of Communications, Ithaca College, 2006 Distinctions: Magna Cum Laude, Park Scholarship EMPLOYMENT Hunter College, 2019 Adjunct Assistant Professor, Department of Film & Media Studies Taught two undergraduate sections of Intro to Media Studies in spring 2019, averaging 6.22 out of 7 in the “overall” category in student evaluations, and teaching two sections of Intro to Media Production for undergraduates in fall 2019. Brooklyn Filmmakers Collective, 2006 – Present Co-Founder, Advisory Board Member Co-founded organization dedicated to nurturing groundbreaking films, generative feedback, and supportive community. Recent member films screened at the NYFF, Sundance, and Viennale, broadcast on Showtime, HBO, and PBS, and received awards from Sundance, Slamdance, and Tribeca. Curators from Criterion, BAM, Vimeo, The Human Rights Watch Film Festival, and Art 21 programmed a series of 10-year BFC screenings at theaters including the Lincoln Center, Alamo, BAM, and Nitehawk. Transient Pictures, 2006 – 2018 Co-Founder, Director, Producer Co-founded and co-executive directed an Emmy award-winning independent production company. Developed company into a $500K gross annual organization. Directed strategic development, secured clients, managed production teams, oversaw finances, and produced original feature films. -
Primary Source Analysis Instructions
Teacher Guide to Student Worksheet 1 – Primary Source Analysis Instructions: Use this form to guide your analysis of the primary document your group has been given. Complete the questions below, providing as much detail as possible. For Student Handout 1-The Gospel of Wealth 1. Who wrote or created this document? Andrew Carnegie 2. What was the intended audience for this document? How do you know this? This essay was originally published in the North American Review in 1889. Although limited in subscriptions (3,000 total), the North American Review was one of the foremost literary magazines in New England from its founding in 1815 throughout the early part of the century until Atlantic Monthly was created. Its content focused on improving society and elevating culture. The original audience for this document was probably the well-educated and wealthier section of society. 3. Summarize in 1-2 sentences the main idea of the document: In the document Carnegie argues/defends the beneficial state of capitalism and offers three possibilities for the distribution of wealth: inheritance, money bequeathed for public purposes, or money administered by the owner while he/she is still living. In the end, Carnegie negates the first two options and explains the duty of the wealthy to administer excess funds in a way best suited for the entire community (to help the poor help themselves). 4. What was the author / creator trying to achieve with this document? What details lead you to this conclusion? A man who grew up in poverty but amassed a great fortune during his career, Andrew Carnegie was most likely reconciling with the disparity he saw regarding the distribution of wealth--between the creation of wealth (of a few) and the provision for all of society. -
2006 Ballot Measure Overview
2006 BALLOT MEASURE OVERVIEW AN A NALYSIS O F TH E MON EY RAISED A RO UND MEASU RES O N STA TE BA LLO TS I N 2006 By THE N ATIO NA L IN STI TU TE O N MON EY IN STA TE PO LI TI CS NOVEMBER 5, 2007 833 NORTH LAST CHANCE GULCH, SECOND FLOOR • HELENA, MT • 59601 PHONE 406-449-2480 • FAX 406-457-2091 • E-MAIL [email protected] www.followthemoney.org The National Institute on Money in State Politics is the only nonpartisan, nonprofit organization revealing the influence of campaign money on state-level elections and public policy in all 50 states. Our comprehensive and verifiable campaign-finance database and relevant issue analyses are available for free through our Web site FollowTheMoney.org. We encourage transparency and promote independent investigation of state-level campaign contributions by journalists, academic researchers, public-interest groups, government agencies, policymakers, students and the public at large. 833 North Last Chance Gulch, Second Floor • Helena, MT 59601 Phone: 406-449-2480 • Fax: 406-457-2091 E-mail: [email protected] www.FollowTheMoney.org This publication was made possible by grants from: JEHT Foundation, Fair and Participatory Elections Carnegie Corporation of New York, Strengthening U.S. Democracy Ford Foundation, Program on Governance and Civil Society The Pew Charitable Trusts, State Policy Initiatives Rockefeller Brothers Fund, Program on Democratic Practice The statements made and the views expressed are solely the responsibility of the Institute. National Institute on Money in State Politics -
On Social Impact Bonds and the Privatization of Public Good
University of the District of Columbia School of Law Digital Commons @ UDC Law Journal Articles Publications 2018 The New Gospel of Wealth: On Social Impact Bonds and the Privatization of Public Good Etienne C. Toussaint Follow this and additional works at: https://digitalcommons.law.udc.edu/fac_journal_articles Part of the Law and Economics Commons, and the Law and Society Commons Do Not Delete 9/21/2018 3:49 PM ARTICLE THE NEW GOSPEL OF WEALTH: ON SOCIAL IMPACT BONDS AND THE PRIVATIZATION OF PUBLIC GOOD Etienne C. Toussaint* ABSTRACT Since Andrew Carnegie penned his famous Gospel of Wealth in 1889, corporate philanthropists have championed considerable public good around the world, investing in a wide range of social programs addressing a diversity of public issues, from poverty to healthcare to criminal justice. Nevertheless, the problem of “the Rich and the Poor,” as termed by Andrew Carnegie in his famous essay, remains unsolved. Socially conscious investors have recently called for America to reimagine a new “gospel of wealth”, one that not only grapples with the what of social injustice, but also explores the how and the why of systemic social and economic inequality. An emerging social finance tool, the social impact bond (“SIB”), has been praised as a promising platform that can help solve many of our social challenges by targeting impact investments toward traditionally underfunded social welfare programs. This Article sets forth a critical examination of the new SIB * Assistant Professor of Law, University of the District of Columbia David A. Clarke School of Law (B.S. Massachusetts Institute of Technology; M.S.E. -
BEYOND WORDS Incorporating Collage, Cultural Criticism, Poetry and Video, Adam Pendleton’S Work Defies Categorization
the exchange aRt TALK BEYOND WORDS Incorporating collage, cultural criticism, poetry and video, Adam Pendleton’s work defies categorization. That’s only part of what makes it so appealing to collectors and museums alike. BY TED LOOS PHOTOGRAPHY BY CARLOS CHAVARRÍA HEN AN ARTIST captures a cultural he writes. Pendleton doesn’t think he invented the Being gay and black gave him a useful outsider’s moment just so, it’s like a lightning conversation that he’s a part of. “It is a continuum,” he perspective. “When you’re sort of off to the side, you bolt—there’s a crackle in the air, a blind- says, “but it doesn’t only move forward; it moves back- supply yourself with something that long term is ing flash, and the clouds part. At just 34, wards and sideways, too.” ultimately more productive,” he says. (Pendleton is WBrooklyn-based artist Adam Pendleton has proved Though he works in many media, much of his now married to a food entrepreneur, and they live in himself capable of generating such phenomena. visual work starts as collage, and he has a canny eye Brooklyn’s Fort Greene.) Over the past decade, Pendleton’s conceptual take for juxtapositions that recalls one of his idols, Jasper In 2002, he completed a two-year independent art- on race in America has drawn attention and stirred Johns. “Already in his incredibly youthful career, he ist’s study program in Pietrasanta, Italy, but he doesn’t discussion across the country. Last year, he had solo has managed to land on a graphic language that is have a bachelor’s degree or an M.F.A. -
TED Talk: Why Ordinary People Need to Understand Power
Video and Discussion Guide TED Talk: Why Ordinary People Need to Understand Power Speaker: Eric Liu Year made: 2013 Length: 17:15 min English level: Medium-hard Themes: Civic Engagement; Democratic Values https://www.ted.com/talks/ eric_liu_why_ordinary_people_need_to_understand_power#t-1972 TED is a nonpartisan nonprofit devoted to spreading ideas, usually in the form of short, powerful talks. TED began in 1984 as a conference where Technology, Entertainment and Design converged, and today covers almost all topics — from science to business to global issues — in more than 100 languages. (From https://www.ted.com/about/our-organization.) Please note: • AmeriCan SpaCes Coordinators should work together with their PubliC Affairs SeCtions in planning programs for tHe American Space, and to determine appropriate programming tHemes and content. • Ted Talk videos are available for download. THis is recommended for American Spaces witH low or unstable bandwidtH. Context (from Ted Talk summary) Far too many Americans are illiterate in power — what it is, how it operates and why some people have it. As a result, those few who do understand power wield disproportionate influence over everyone else. “We need to make civics attractive again,” says civics educator Eric Liu. “As attractive as it was during the American Revolution or the Civil Rights Movement.” About the Speaker (from https://www.ted.com/speakers/eric_liu) Eric Liu is an author, educator and civic entrepreneur. He is the founder and CEO of Citizen University, which promotes and teaches the art of great citizenship through a portfolio of national programs, and the executive director of the Aspen Institute Citizenship and American Identity Program. -
Connecting the Dots
MAIN STAGE | Festivals CONNECTING THE DOTS Six years after his death at the age of 56, Steve Jobs has achieved an almost mythical status as the cultural icon and technological innovator behind Apple. A new opera, The (R)evolution of Steve Jobs, receives its much-anticipated world premiere at Santa Fe Opera in July. Thomas May meets the creative team who have incorporated a few innovations of their own to tell the story of a world- changing legend. e’s everywhere, indispensable. Every time we communicate on a smart phone, laptop or tablet, Steve Jobs is with us. It’s difficult to think of a figure in recent history who pervades our culture more thoroughly. His Hlarger-than-life presence is mirrored by the intensely polarised reactions of fans and foes who deify or demonise him. What could be more suitable as a subject for the opera stage? Yet it was not only the revolution inspired by the tech genius but his all-too-human struggles that convinced the creators of The (R)evolution of Steve Jobs that here was a story ripe for operatic treatment. ‘What I was drawn to in his story is the role Steve Jobs played in transforming human communication,’ Making sense of the contradictions: Edward Parks creates ⌂ DARIO ACOSTA says Mason Bates from his home in the Bay Area of San Francisco, the role of Steve Jobs in Santa Fe’s landmark new commission www.operanow.co.uk JUNE 2017 Opera Now 31 ON0617_031-034_F_SantaFe1505OM.indd 31 16/05/2017 15:38 MAIN STAGE | Festivals KATE WARREN KATE Composer Mason Bates has incorporated eerily beautiful electronic sounds into his score Mark Campbell, librettist: ‘I tend to like a style that is expansive and not cramped’ ⌂ where Jobs himself grew up.