Downloaded From
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Web That Has No Weaver
THE WEB THAT HAS NO WEAVER Understanding Chinese Medicine “The Web That Has No Weaver opens the great door of understanding to the profoundness of Chinese medicine.” —People’s Daily, Beijing, China “The Web That Has No Weaver with its manifold merits … is a successful introduction to Chinese medicine. We recommend it to our colleagues in China.” —Chinese Journal of Integrated Traditional and Chinese Medicine, Beijing, China “Ted Kaptchuk’s book [has] something for practically everyone . Kaptchuk, himself an extraordinary combination of elements, is a thinker whose writing is more accessible than that of Joseph Needham or Manfred Porkert with no less scholarship. There is more here to think about, chew over, ponder or reflect upon than you are liable to find elsewhere. This may sound like a rave review: it is.” —Journal of Traditional Acupuncture “The Web That Has No Weaver is an encyclopedia of how to tell from the Eastern perspective ‘what is wrong.’” —Larry Dossey, author of Space, Time, and Medicine “Valuable as a compendium of traditional Chinese medical doctrine.” —Joseph Needham, author of Science and Civilization in China “The only approximation for authenticity is The Barefoot Doctor’s Manual, and this will take readers much further.” —The Kirkus Reviews “Kaptchuk has become a lyricist for the art of healing. And the more he tells us about traditional Chinese medicine, the more clearly we see the link between philosophy, art, and the physician’s craft.” —Houston Chronicle “Ted Kaptchuk’s book was inspirational in the development of my acupuncture practice and gave me a deep understanding of traditional Chinese medicine. -
Dressing for the Times: Fashion in Tang Dynasty China (618-907)
Dressing for the Times: Fashion in Tang Dynasty China (618-907) BuYun Chen Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2013 © 2013 BuYun Chen All rights reserved ABSTRACT Dressing for the Times: Fashion in Tang Dynasty China (618-907) BuYun Chen During the Tang dynasty, an increased capacity for change created a new value system predicated on the accumulation of wealth and the obsolescence of things that is best understood as fashion. Increased wealth among Tang elites was paralleled by a greater investment in clothes, which imbued clothes with new meaning. Intellectuals, who viewed heightened commercial activity and social mobility as symptomatic of an unstable society, found such profound changes in the vestimentary landscape unsettling. For them, a range of troubling developments, including crisis in the central government, deep suspicion of the newly empowered military and professional class, and anxiety about waste and obsolescence were all subsumed under the trope of fashionable dressing. The clamor of these intellectuals about the widespread desire to be “current” reveals the significant space fashion inhabited in the empire – a space that was repeatedly gendered female. This dissertation considers fashion as a system of social practices that is governed by material relations – a system that is also embroiled in the politics of the gendered self and the body. I demonstrate that this notion of fashion is the best way to understand the process through which competition for status and self-identification among elites gradually broke away from the imperial court and its system of official ranks. -
Phoenix Tree Holdings Limited
SECURITIES AND EXCHANGE COMMISSION FORM F-1 Registration statement for securities of certain foreign private issuers Filing Date: 2019-10-28 SEC Accession No. 0001047469-19-005933 (HTML Version on secdatabase.com) FILER Phoenix Tree Holdings Ltd Mailing Address Business Address ROOM 212, CHAO YANG ROOM 212, CHAO YANG CIK:1785154| IRS No.: 000000000 | State of Incorp.:E9 | Fiscal Year End: 1231 SHOU FU, SHOU FU, Type: F-1 | Act: 33 | File No.: 333-234354 | Film No.: 191173403 8 CHAO YANG MEN NEI ST, 8 CHAO YANG MEN NEI ST, SIC: 6513 Operators of apartment buildings DONGCHENG DIST DONGCHENG DIST BEIJING F4 100010 BEIJING F4 100010 86-10-5717-6925 Copyright © 2019 www.secdatabase.com. All Rights Reserved. Please Consider the Environment Before Printing This Document Use these links to rapidly review the document TABLE OF CONTENTS PHOENIX TREE HOLDINGS LIMITED INDEX TO THE CONSOLIDATED FINANCIAL STATEMENTS Table of Contents As filed with the Securities and Exchange Commission on October 28, 2019 Registration No. 333- SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 Form F-1 REGISTRATION STATEMENT UNDER THE SECURITIES ACT OF 1933 Phoenix Tree Holdings Limited (Exact name of Registrant as specified in its charter) Cayman Islands 7370 Not Applicable (State or Other Jurisdiction of (Primary Standard Industrial (I.R.S. Employer Incorporation or Organization) Classification Code Number) Identification Number) Room 212, Chao Yang Shou Fu 8 Chao Yang Men Nei Street Dongcheng District, Beijing 100010 People's Republic of China +86-10-5717-6925 (Address, including zip code, and telephone number, including area code, of Registrant's principal executive offices) Cogency Global Inc. -
Chancellors Under Emperor Zhaozong of Tang: Cui Yin, Cui Yuan (Late Tang)
G6YZWYSL3OMU / eBook # Chancellors Under Emperor Zhaozong of Tang: Cui Yin, Cui Yuan (Late Tang),... Ch ancellors Under Emperor Zh aozong of Tang: Cui Y in, Cui Y uan (Late Tang), Cui Zh aowei, Dugu Sun, Du Rangneng, Kong W ei, Liu Can (Tang Dynasty), Liu C Filesize: 2.87 MB Reviews It is really an amazing pdf which i have possibly go through. Indeed, it really is play, nevertheless an amazing and interesting literature. I am just very happy to let you know that this is the best ebook i have got study in my very own life and might be he very best ebook for actually. (Evan Sporer) DISCLAIMER | DMCA O3KMEHTB0XFZ ^ eBook < Chancellors Under Emperor Zhaozong of Tang: Cui Yin, Cui Yuan (Late Tang),... CHANCELLORS UNDER EMPEROR ZHAOZONG OF TANG: CUI YIN, CUI YUAN (LATE TANG), CUI ZHAOWEI, DUGU SUN, DU RANGNENG, KONG WEI, LIU CAN (TANG DYNASTY), LIU C BooksLLC.net, 2016. Paperback. Book Condition: New. PRINT ON DEMAND Book; New; Publication Year 2016; Not Signed; Fast Shipping from the UK. No. book. Read Chancellors Under Emperor Zhaozong of Tang: Cui Yin, Cui Yuan (Late Tang), Cui Zhaowei, Dugu Sun, Du Rangneng, Kong Wei, Liu Can (Tang Dynasty), Liu C Online Download PDF Chancellors Under Emperor Zhaozong of Tang: Cui Yin, Cui Yuan (Late Tang), Cui Zhaowei, Dugu Sun, Du Rangneng, Kong Wei, Liu Can (Tang Dynasty), Liu C GVARZPYZ7TOE \\ Book // Chancellors Under Emperor Zhaozong of Tang: Cui Yin, Cui Yuan (Late Tang),... Related Books Bully, the Bullied, and the Not-So Innocent Bystander: From Preschool to High School and Beyond: Breaking the Cycle of Violence and Creating More Deeply Caring Communities HarperCollins Publishers Inc, United States, 2016. -
I. Guides to the State of the Field Song Research Tools
I. Guides to the State of the Field Page 1 of 125 Song Research Tools home | about | faq I. Guides to the State of the Field The late Etienne Balazs began formulating plans for an international, collaborative study of the Sung period as early as 1949 and formally initiated the "Sung Project" in 1954. The Project was responsible for some of the most valuable reference tools in this guide. Its history is related in: Ref (W) DS751.S86 1978x Yves Hervouet, "Introduction," (W) DS751.S86 1978x A Sung Bibliography Loc: Z3102 .S77 Hong Kong: The Chinese University Press, 1978, pp. vii-xiv. I.A. SOCIETIES, NEWSLETTERS, AND JOURNALS Societies Japan: Sōdaishi kenkyūkai 宋代史研究会 (Society for Song Studies): http://home.hiroshima-u.ac.jp/songdai/songdaishi-yanjiuhui.htm This site contains announcements for and reports on the annual meetings of the society, links to related sites, a bibliography of Japanese scholarship on Song studies (1982-2002) and a directory of Japanese scholars working in the field. Sōdaishi danwakai 宋代史談話會 (Society for the Study of Song History in Japan) http://www2u.biglobe.ne.jp/~songsong/songdai/danwakai.html Established in 1997 as a forum and reading group for young scholars of Song history active in Kyoto-Osaka-Kobe region. Includes meeting information, list of readings, and an announcement board. Sōdai shibun kenkyūkai 宋代詩文研究會 (Society for the Study of Song Literature) http://www9.big.or.jp/~co-ume/song/ http://www9.big.or.jp/~co-ume/song/danwakai.htm Includes announcements and a mailing list. Registration is required to get access to the full site. -
Kuo-Sung Liu Rebel As Creator
The Art of Liu Kuo-sung and His Students RebelRebel asas CreatorCreator Contents Director’s Preface 5 Rebel as Creator: The Artistic Innovations of Liu Kuo-sung 7 Julia F. Andrews and Kuiyi Shen Liu Kuo-sung: A Master Artist and Art Educator 9 Chun-yi Lee Innovation through Challenge: the Creation of My Landscapes 11 Liu Kuo-sung Plates Liu Kuo-sung 19 Chen Yifen 25 Chiang LiHsiang 28 Lien Yu 31 Lin Shaingyuan 34 3 Luo Zhiying 37 Wu Peihua 40 Xu Xiulan 43 Zhang Meixiang 46 Director’s Preface NanHai Art is proud to present the exhibition Rebel as Creator: The Art of Liu Kuo-sung and His Students for the first time in the San Francisco Bay Area. It has taken NanHai and exhibiting artists more than one year to prepare for this exhibition, not to mention the energy and cost involved in international communication and logistics. Why did we spend so much time and effort to present Liu Kuo-sung? It can be traced back to when NanHai underwent the soul-searching process to reconfirm its mission. At that time, the first name that came to my mind was Liu Kuo-sung. As one of the earliest and most important advocates and practitioners of modernist Chinese painting, Liu has perfectly transcended Eastern and Western, tradition and modernity, established a new tradition of Chinese ink painting and successfully brought it to the center of the international art scene. Liu’s groundbreaking body of work best echoes NanHai’s commitment to present artworks that reflect the unique aesthetics of Chinese art while transcending cultural and artistic boundaries with a contemporary sensibility. -
Chinese Design a Myth?Wherefrom?Whereto? by Robert Chung
Chinese Design A myth?Wherefrom?Whereto? by Robert Chung i ii Chinese Design: a Myth? Wherefrom? Whereto? iii iv CHINESE DESIGN: A MYTH? WHEREFROM? WHERETO? by Robert Chung BSc (London) Dr Arch (Rome) PG Dip Arch Comp (Sydney) Dip Ed St (CoT, London) FCollT C Arch Academic Fellow, Warrane College, The University of New South Wales & Visiting Scholar, Raffles Design Institute, Beijing, PR China Warrane College Monograph No.20 v Warrane College is an affiliated residential college for men at The University of New South Wales. It encourages students to prepare for their future roles in society by promoting academic excellence, high personal standards and a spirit of service in a friendly environment. Lectures, seminars, educational programs, work-camps in underdeveloped societies, and local community service projects to serve both the University and the wider community, are sponsored by the College. Opus Dei, a Prelature of the Catholic Church, is responsible for the spiritual care of the College. The opinions expressed in this publication are those of the authors and not necessarily those of Warrane College Cover Design: Masnoon Hossain Zarif ISBN 0 9802902 7 9 Published by Warrane College, PO Box 123, Kensington, NSW, 1465, Australia © Warrane College, Sydney, Australia April 2010 vi Contents Foreword ix Chapter 1: Chinese and Western Culture 1 Chapter 2: Western View of Chinese Culture 8 Chapter 3: Traditional Chinese Culture 14 Chapter 4: Western and Chinese Aesthetics 20 Chapter 5: The Sinicisation of Western Aesthetics 27 Chapter 6: Metaphysical Issues 33 Chapter 7: Concluding Comments: Challenges 47 Acknowledgements 52 References 53 Warrane Monographs 57 vii viii Foreword Chinese civilisation as we know it today has outlasted many ancient and significant civilisations including the Pharaonic Egypt, the Greek and Roman. -
The Earliest Muslim Communities in China
8 The Earliest Muslim Communities in China February - March 2017 Jumada I - Rajab, 1438 WAN Lei Research Fellow King Faisal Center For Research and Islamic Studies The Earliest Muslim Communities in China WAN Lei Research Fellow King Faisal Center For Research and Islamic Studies No. 8 Jumada I - Rajab, 1438 - February - March 2017 © King Faisal Center for research and Islamic Studies, 2016 King Fahd National Library Cataloging-In-Publication Data Lei, Wan The earliest Muslim communities in China, / Wan Lei, - Riyadh, 2017 42 p; 16.5x23cm ISBN: 978-603-8206-39-3 1- Muslims - China 2- Muslims - China - History I- Title 210.9151 dc 1439/1181 L.D. no. 1439/1181 ISBN: 978-603-8206-39-3 4 Table of Contents Abstract 6 I. Background on Muslim Immigration to China 7 II. Designating Alien people in China: from “Hu” to “Fan” 11 III. Chinese Titles for Muslim Chiefs 17 IV. Duties of Muslim Community Chiefs 21 V. Challenges to “Extraterritoriality” and Beyond 27 Summaries 32 Bibliography 34 5 No. 8 Jumada I - Rajab, 1438 - February - March 2017 Abstract This article explores the earliest Muslim immigration into China during the Tang and Song dynasties. The background of such immigration, along with various Chinese titles to designate Muslims, their communities, and their leaders demonstrate the earliest forms of recognition of the Muslims by the Chinese people. The article focuses on the studies of the Muslim leaders’ duties and their confrontations with the Chinese legal system; to adapt to a new society, a community must undergo acculturation. Finally, the system of Muslim leaders was improved by the succeeding Mongol Yuan dynasty, by which time it became an established tradition that has been passed on by the Hui people until today. -
新成立/ 註冊及已更改名稱的公司名單list of Newly Incorporated
This is the text version of a report with Reference Number "RNC063" and entitled "List of Newly Incorporated /Registered Companies and Companies which have changed Names". The report was created on 01-02-2016 and covers a total of 2985 related records from 25-01-2016 to 31-01-2016. 這是報告編號為「RNC063」,名稱為「新成立 / 註冊及已更改名稱的公司名單」的純文字版報告。這份報告在 2016 年 2 月 1 日建立,包含從 2016 年 1 月 25 日到 2016 年 1 月 31 日到共 2985 個相關紀錄。 Each record in this report is presented in a single row with 6 data fields. Each data field is separated by a "Tab". The order of the 6 data fields are "Sequence Number", "Current Company Name in English", "Current Company Name in Chinese", "C.R. Number", "Date of Incorporation / Registration (D-M-Y)" and "Date of Change of Name (D-M-Y)". 每個紀錄會在報告內被設置成一行,每行細分為 6 個資料。 每個資料會被一個「Tab 符號」分開,6 個資料的次序為「順序編號」、「現用英文公司名稱」、「現用中文公司名稱」、「公司註冊編號」、「成立/註 冊日期(日-月-年)」、「更改名稱日期(日-月-年)」。 Below are the details of records in this report. 以下是這份報告的紀錄詳情。 1. 21Vianet Global Limited 2175966 26-01-2016 2. 3 Point Limited 三禾有限公司 2334566 25-01-2016 3. 33 Blanc Group Limited 2334707 25-01-2016 4. 3B Enterprises Limited 2335606 27-01-2016 5. 4iCreative Limited 2336607 29-01-2016 6. 5A INTERNATIONAL LIMITED 2335580 27-01-2016 7. 90 Day Korean Limited 2336804 29-01-2016 8. A & I Pharmacare Co., Limited 2336361 29-01-2016 9. A LEE Logistics Limited 阿里物流有限公司 2335622 27-01-2016 10. A Roentgen 3T Medical Imaging Limited 2335595 27-01-2016 11. -
Download File
On the Periphery of a Great “Empire”: Secondary Formation of States and Their Material Basis in the Shandong Peninsula during the Late Bronze Age, ca. 1000-500 B.C.E Minna Wu Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMIBIA UNIVERSITY 2013 @2013 Minna Wu All rights reserved ABSTRACT On the Periphery of a Great “Empire”: Secondary Formation of States and Their Material Basis in the Shandong Peninsula during the Late Bronze-Age, ca. 1000-500 B.C.E. Minna Wu The Shandong region has been of considerable interest to the study of ancient China due to its location in the eastern periphery of the central culture. For the Western Zhou state, Shandong was the “Far East” and it was a vast region of diverse landscape and complex cultural traditions during the Late Bronze-Age (1000-500 BCE). In this research, the developmental trajectories of three different types of secondary states are examined. The first type is the regional states established by the Zhou court; the second type is the indigenous Non-Zhou states with Dong Yi origins; the third type is the states that may have been formerly Shang polities and accepted Zhou rule after the Zhou conquest of Shang. On the one hand, this dissertation examines the dynamic social and cultural process in the eastern periphery in relation to the expansion and colonization of the Western Zhou state; on the other hand, it emphasizes the agency of the periphery during the formation of secondary states by examining how the polities in the periphery responded to the advances of the Western Zhou state and how local traditions impacted the composition of the local material assemblage which lay the foundation for the future prosperity of the regional culture. -
In Traditional Chinese Literary Criticism
Corso di Dottorato di ricerca in Studi sull’Asia e sull’Africa ciclo 30 Tesi di Ricerca in cotutela con Universitat Autónoma de Barcelona Ye Xian and her sisters The role of a Tang story in the Cinderella Cycle SSD: L-OR/21 Coordinatore del Dottorato Ca’ Foscari ch. prof. Patrick Heinrich Coordinatore del Dottorato UAB ch. prof. Amelia Saiz Supervisore ch. prof. Marco Ceresa Supervisore cotutela ch. prof. Antonio Paoliello Dottoranda Mila Moioli Matricola 773354 Ye Xian and her sisters The role of a Tang story in the Cinderella Cycle Mila Moioli Doctoral thesis UAB director: Antonio Paoliello Ca’ Foscari director: Marco Ceresa Tutor: Jordi Más Coordinator Uab: Amelia Sáiz Coordinator Ca’ Foscari: Patrick Heinrich Departament de Traducció, d'Interpretació i d'Estudis de l'Àsia Oriental, 2017/2018 To my boyfriend and my mum, who are always there. To my friends and family, who have always been there. To my tutors who were always there. To my dad, who is no longer there. iv Abstract and key words Ye Xian is the protagonist of a story written in the Tang dynasty (618-907 CE) which has been defined as “the Chinese Cinderella” and “the first written Cinderella”. I have carried out an analysis of the tale to demonstrate that the motifs, which have been ascribed to Tang culture are in fact hardly compatible with it. Moreover, the story presents a broken narrative structure and unclear elements which disclose the difficulties of adaptation of foreigner motifs. These data indicate that this text is a combination of previous narratives containing Cinderella motifs, thus making Ye Xian the first version containing all the elements present in the modern Cinderella. -
Purpose and Variation in Religious Records of the Tang
tang religious records nathan woolley The Many Boats to Yangzhou: Purpose and Variation in Religious Records of the Tang n Tang China during the seventh century, the official Dou Dexuan I 竇德玄 (598–666) was once travelling on government business to Yangzhou when he met an otherworldly being who warned Dou of his impending death. Fortunately for Dou, this fate was avoided and he went on become one of the highest officials in the empire. Four texts agree on this core narrative but differ in their descrip- tions and details. The four texts — an item from an otherwise lost Dao- ist collection, a work describing the lineage of Shangqing Daoism, an anecdote attributed to a Buddhist collection of evidential miracles, and an entry in the compilation of a late-Tang Daoist master — display contrasting priorities in how they depict religious experience and prac- tice. They all date to within a period of around two centuries, but their interrelations remain unclear. The contrasts, however, provide a win- dow for examining the purposes that lay behind the creation of certain types of religious text, as well as contemporary perceptions of religious culture. Although not sharply divergent in terms of format, there are in fact differences among them that point to fundamental processes in the production of narrative and religious texts in China. Through the history of Chinese writing and texts, a single nar- rative may occur in different guises. It may simply be that a writer imbued an existing narrative with a changed focus and thereby pro- duced a different rendering. Alternatively, a tale could be updated to fit new social circumstances and expectations, or new developments in genre and performance.