CONTENTS

Films

03 Opening and closing sessions 04 International competition feature-length films 08 International competition short films 12 Portuguese competition feature-length films 15 Portuguese competition short films 18 Research 22 New visions 28 Chantal Akerman retrospective 36 Passages 39 United We stand, divided We fall retrospective 48 Cinema of urgency 53 Heart beat 59 Portraits 61 Green years 66 Special screenings 70 Tribute to Curtas Vila do Conde 71 Tribute to Fernando Lopes

Parallel activities

73 International conference Passages 73 Round tables 75 Masterclasses and Workshops 77 Docs 4 Kids 79 Pedagogic activities 79 Launchings 80 Lisbon Docs 81 Other activities

83 Daily programme

106 Films A-Z

109 Venues and tickets

113 Doclisboa team OPENING SESSION / CLOSING SESSION 3

OPENING SESSION

2012 A Última Vez que Portugal, France vi Macau 85’ The Last Time I saw Macao João Pedro Rodrigues, João Rui Guerra OCT 18 / 9.30 pm OCT 23 / 4.45 pm CULTURGEST LONDRES 1 da Mata Large Aud.

Two directors travel to Macao in a film, literature, and painting codes of the discovery journey of a fascinating and other, thus creating a physical and multicultural labyrinth-city in which the emotional geography album. Eastern childhood memories of one of them interact with the Eastern This film is part of the international competition fictionalised recollections framed by (feature-length films)

CLOSING SESSION

2012 Cesare deve morire Italy, 76’

Caesar must die PRERELEASE Paolo Taviani, Vittorio Taviani

OCT 27 / 9.30 pm CULTURGEST Large Aud.

Doclisboa is organised by: Apordoc – Associação pelo documentário The performance of Shakespeare’s Julius tary does not dwell on the crimes these Largo da Madalena, 1 - 1º 1100–317 Lisbon Caesar comes to an end. The actors leave men have committed in their ‘real’ lives; +351 218 883 093 the stage and return to their cells. They rather, it draws parallels between this [email protected] are all inmates of the Roman maximum classical drama and the world of today. www.apordoc.org security prison Rebibbia. This documen-

DOCLISBOA'12 FILMS INTERNATIONAL COMPETITION FEATURE-LENGTH FILMS 4 INTERNATIONAL COMPETITION FEATURE-LENGTH FILMS 5

INTERNATIONAL COMPETITION FEATURE-LENGTH FILMS Babylon 2012 Youssef Chebbi, Tunisia, 119’ NEW TALENT 2011 Ismaël, Ala The Anabasis of France May and Fusako 66’ Eddine Slim Shigenobu, Masao OCT 25 OCT 26 Adachi and 27 Years 9.15 pm 4.15 pm without Images LONDRES 2 LONDRES 1

Eric Baudelaire On a virgin territory in the wilderness, languages. This new Babylon, surround- people arrive. Soon, a city is built out of ed by trees and animals, is rapidly taking OCT 21 / 9.15 pm OCT 23 / 6.45 pm nowhere. Being inhabited by several the form of a city at once ordinary and CULTURGEST CULTURGEST Small Aud. Small Aud. nationalities, its people speak different extraordinary.

Fusako Shigenobu has been in hiding tures of State oppression that explain Bakoroman 2011, France, OCT 20 OCT 23 in Beirut for almost 30 years. May only social alienation. Anabasis is the name Burkina Faso, 62’ 9.45 pm 7.15 pm Simplice Ganou LONDRES 1 LONDRES 1 discovered Japan at the age of 27 after given, since Xenophon, to wandering, NEW TALENT her mother was arrested. Masao Adachi circuitous homeward journeys. filmed landscapes to reveal the struc- Leaving one’s family at 7, 12 or 16 years enemies. Integrating into a new world. old. Taking up residence in front of a Five Bakoroman on the road from their shop, in a video store, outside a bus village to Ouagadougou, Burkina Faso’s Arraianos 2012 station. Learning to do drugs, beg, steal, capital city, in pursuit of a better life. Spain flee, and fight. Making friends and Eloy Enciso 70’

OCT 23 OCT 25 2012, Mexico, OCT 19 OCT 22 9.30 pm 7.15 pm Fogo Canada, 61’ 7.15 pm 4.45 pm CULTURGEST LONDRES 1 Yulene Olaizola LONDRES 1 LONDRES 1 Large Aud.

The deterioration of a small community demned future, there are some residents in Fogo Island is forcing its inhabitants to who decide to remain, holding on to their The inhabitants of a small village lost purification… Between reality and fable, leave and resettle. Places once occupied memories and grieving for the past, when in the woodlands between Galicia and the Arraianos play out their lives to make by humans are now becoming part of the life in Fogo was different. Portugal live and work in a quiet routine. a portrait of the rural world and its obsti- tundra landscape. In spite of a con- One day, a stranger arrives; the pos- nate resistance to disappear. sibility of change, a way out, a means of

DOCLISBOA'12 FILMS DOCLISBOA'12 FILMS INTERNATIONAL COMPETITION FEATURE-LENGTH FILMS 6 INTERNATIONAL COMPETITION FEATURE-LENGTH FILMS 7

2012 2012 People’s Park USA, China San Zimei France, Hong Libbie D. Cohn, 78’ Kong Three Sisters 153’ J. P. Sniadecki Wang Bing

OCT 21 OCT 26 OCT 25 OCT 27 7.15 pm 9.15 pm 9.30 pm 3.30 pm LONDRES 1 LONDRES 2 CULTURGEST LONDRES 1 Large Aud.

A single-shot feature-length documen- in Chengdu, Sichuan Province. A sensory Three sisters live alone in a small village He has come to take the girls with him tary that depicts the vibrant dynamics, meditation on cinematic time and space, family house in the high mountains of to the city but he then agrees to leave the waltzing couples, mighty sycamores, and and public interaction in China. A culture the Yunan region. They spend their days older one under the supervision of her buzzing cicadas of a famous urban park of leisure and personal freedom is unveiled. working in the fields or wandering in the grandfather. village. The father returns to the village.

2012 Poslednata Bulgaria, 2012 Croatia, Vers Madrid France Lineika na Sofia Germany 60’ 75’ (The Burning Sofia’s Last WORLD NEW TALENT Ambulance Bright)! PREMIERE Ilian Metev Sylvain George

OCT 24 / 9.45 pm OCT 26 / 7.15 pm OCT 22 OCT 24 LONDRES 1 LONDRES 1 9.30 pm 4.45 pm CULTURGEST LONDRES 1 Large Aud. In a city where thirteen ambulances lives against all odds. Yet, the strain of a struggle to serve two million people, broken system is taking its toll. How long A newsreel that presents some views, ideas and concepts that were thought Krassi, Mila and Plamen are our unlikely can they keep on fixing society’s injured scenes, and moments of the class strug- forgotten. The European countries and heroes, filled with humour and saving until they loose their empathy? gle in Madrid: the 15M, a deep move- the world have turned to Madrid, to Plaza ment, trans-border and trans-historical, Puerta del Sol, like the flowers to the sun. which comes from afar, and reactivates 2012 OCT 20 OCT 24 The Radiant United Kingdom 7.00 pm 6.45 pm The Otolith Group 64’ CULTURGEST CULTURGEST Large Aud. Small Aud.

The Radiant explores the aftermath of the partial meltdown of the Fukushima March 11 2011, when the Tohoku Daiichi nuclear power plant. The film Earthquake struck the North East Coast invokes the historical promise of nuclear of Japan at 2.46 pm, triggering a tsunami energy and summons the future threat of that killed tens of thousands and causing radiation.

DOCLISBOA'12 FILMS DOCLISBOA'12 FILMS INTERNATIONAL COMPETITION SHORT FILMS 8 INTERNATIONAL COMPETITION SHORT FILMS 9

INTERNATIONAL COMPETITION SHORT FILMS 2011 Ghaliztar az Tiner The Netherlands Thicker than 29’ 2012 Cinelândia France, Brazil Paint Thinner Louidgi Beltrame, 31’ Babak Afrassiabi WORLD Elfi Turpin PREMIERE OCT 20 OCT 23 9.45 pm 7.15 pm LONDRES 1 LONDRES 1 OCT 20 / 7.00 pm OCT 24 / 6.45 pm CULTURGEST CULTURGEST Large Aud. Small Aud. This film is about a former drug addict 400 people. While the protagonist in the who becomes revolutionary and sets fire movie that was being screened succeeds Cinelândia was filmed in the jungle of occupancy. The well-preserved glass to a cinema in Iran a few months before in dying for his cause, Hossein is forsaken Tijuca near Rio de Janeiro, where Oscar pavilion is conceived of as a projection the victory of the 1979 revolution, by the post-revolutionary establishment. Niemeyer built the Casa de Canoas space for the architect’s projects and for unwillingly causing the death of nearly (1951–53) for his family, which, however, fictions of the jungle and its mythologies. they deserted after a few years of 2012 O Milagre Portugal 40’ 2012 de Santo António The Creation United Kingdom The Miracle as We saw it 14’ Ben Rivers of Saint Anthony Sergei Loznitsa

OCT 19 / 7.15 pm OCT 22 / 4.45 pm LONDRES 1 LONDRES 1 OCT 21 OCT 24 OCT 27 6.45 pm 4.15 pm 6.45 pm LONDRES 2 LONDRES 2 LONDRES 2

Three mythical stories from the Republic origin of humans, why pigs walk on all of Vanuatu, an island nation located in fours, and why a volcano sits where it In June the village of Santo António de farmers bring their animals to the church the South Pacific Ocean, concerning the does. Mixões da Serra in the Valdreu region to be blessed. Animals and people flock up of Northern Portugal honours its Patron the mountain roads to the church square Saint with a very special festival. The local to become a part of the religious festival. 2011 OCT 22 OCT 24 Dusty Night France 9.30 pm 4.45 pm Ali Hazara 20’ CULTURGEST LONDRES 1 Large Aud.

At dusk, a team of sweepers come in from dust, along an avenue in the flashing the outskirts and work at night, shadows lights of cars and glimmering shops or among shadows, displacing the heavy gas stations.

DOCLISBOA'12 FILMS DOCLISBOA'12 FILMS INTERNATIONAL COMPETITION SHORT FILMS 10 INTERNATIONAL COMPETITION SHORT FILMS 11

2011 OCT 24 OCT 26 2012 Nevada: of Landscape USA 9.45 pm 7.15 pm Sous le Ciel France and Longing 15’ LONDRES 1 LONDRES 1 Under the Sky 16’ INTERNATIONAL Ian Soroka Olivier Dury PREMIERE

A portrait of contemporary Nevada, and paragon of the American economic which documents the region as a place collapse; a place where contemporary OCT 21 / 7.15 pm OCT 26 / 9.15 pm of extremes – on the one hand, a land of notions of progress are wrestling with the LONDRES 1 LONDRES 2 notorious desolation and silence, while West’s wild landscape and mythology. on the other a capital of excess, artifice, Here the presence of the elements is monumental hardness of rock, an icy scrutinised with the pointillist precision plain demonstrates unsuspected delicacy 2012 of an attentive view, scouting the instant when the wind blows up its snowy Pan, Trabajo Spain 25’ when the matter reveals its strangeness: surface… Suddenly an appearance. y Libertad the insatiable fire prolongs silently in the WORLD Bread, Work and PREMIERE

Freedom 2012 Ziamlia Belarus, Pilar Monsell Poland Earth 30’ Victor Asliuk OCT 21 OCT 23 9.15 pm 6.45 pm CULTURGEST CULTURGEST Small Aud. Small Aud. OCT 23 OCT 25 9.30 pm 7.15 pm CULTURGEST LONDRES 1 On August 13, 1976, Javier Verdejo was and none of his relatives would report the Large Aud. killed by the Guardia Civil as he tried to crime. Rafael Verdejo, the murdered paint a graffiti on a wall: “Bread, work man’s nephew, shares his reflection about There are places where the Second World human remains, so that they can bury and freedom”. His father had been the his uncle’s death and memory. War has not yet ended. On the former them properly. The film is an elegy, which mayor of Almería under the dictatorship battlefields, now covered with woods, once again reminds us the frailty of thousands of soviet soldiers lie unburied. human existence. Every year volunteers search for these 2011 OCT 19 OCT 25 OCT 27 Relocation Belgium 9.45 pm 4.15 pm 7.15 pm Pieter Geenen 23’ LONDRES 1 LONDRES 2 LONDRES 1

Emerging at dawn, the Ararat Twin testimonies from both sides of the Mountains seem to be in dialogue with Turkish-Armenian conflict, with each other. The text appearing on screen historical, political, biblical and utopian as dialoguing subtitles is based on references.

DOCLISBOA'12 FILMS DOCLISBOA'12 FILMS PORTUGUESE COMPETITION FEATURE-LENGTH FILMS 12 PORTUGUESE COMPETITION FEATURE-LENGTH FILMS 13

PORTUGUESE COMPETITION FEATURE-LENGTH FILMS 2012, France, OCT 19 OCT 23 Le Pain que le Diable a pétri Portugal, 84’ 7.00 pm 9.30 pm CULTURGEST SÃO JORGE 3 The Bread the Devil knead WORLD Large Aud. PREMIERE 2012 OCT 20 OCT 22 José Vieira Amanhecer a andar Portugal, 97’ 4.30 pm 4.30 pm CULTURGEST SÃO JORGE 3 Walking at Dawn WORLD Large Aud. This film is an open door to a mountain in which the memories of its inhabit- Sílvia Firmino PREMIERE village called Adsamo. It is built upon the ants are not confined to the catastrophes four seasons and tells the story of a world Portugal suffered, but reveal a whole cen- An old man watches over a school at the ters will reveal in fragments: Elvita, Carlos disrupted by the 20th century mutations, tury of miseries, exodus, and wars as well. break of dawn. Children’s voices from and Salim. Three lives moving towards the afar are singing the national anthem of future without neglecting the quiet condi- Mozambique. He takes us to an enormous, tion of the present. O Regresso 2012 mysterious space, which the main charac- Portugal The Return 71’ WORLD Júlio Alves PREMIERE 2012 Cativeiro Portugal 64’ Captivity OCT 24 / 7.00 pm OCT 26 CULTURGEST 6.45 pm FIRST Large Aud. LONDRES 2 André Gil Mata FEATURE

WORLD PREMIERE “Throughout the 1960’s and 70’s most parents, who passed away prior to OCT 21 OCT 25 inhabitants of Mega Fundeira, a small fulfilling their life project. I travel to this 9.30 pm 4.15 pm CULTURGEST CULTURGEST Portuguese village, emigrated. But many village and visit the places where they Large Aud. Small Aud. returned to ‘die at home’. Others were not were born, lived and got married.” able to do so. It was the case of my To be captive is to be confined, both in on it. The captivity space itself is in turn space and in time. The captive one is not inert; it is rather characterized by not only and necessarily a prisoner, but whomever it contains, it is shaped by that 2012 O Sabor do Leite Creme Portugal becomes an inherent part of that space, experience. 74’ his identity being continually projected The Taste of Crème Brûlée FIRST Hiroatsu Suzuki, FEATURE Rossana Torres WORLD 2012, Portugal, OCT 23 OCT 25 PREMIERE Deportado France, 67’ 7.00 pm 9.30 pm Nathalie Mansoux CULTURGEST SÃO JORGE 3 FIRST FEATURE Large Aud. OCT 25 / 7.00 pm OCT 27 / 4.00 pm WORLD PREMIERE CULTURGEST CULTURGEST Large Aud. Small Aud.

The forced repatriation of Azorean mi- little of the Azores upon their return. grants from the US has resulted in tragic Separated from their loved ones and Two sisters, 96 and 98 years old, live in an shared between the house and the garden. consequences for the deportees and their barely speaking Portuguese, their old house situated opposite the school Their daily life, serene and unhurried, is families. Leaving the islands at a young struggle leaves them disconsolate in where they used to teach in the centre of full of memories and small tasks. age, and raised in the US, they remember an open sky prison. Portugal. Their care and attention is

DOCLISBOA'12 FILMS DOCLISBOA'12 FILMS PORTUGUESE COMPETITION FEATURE-LENGTH FILMS 14 PORTUGUESE COMPETITION SHORT FILMS 15

2012 PORTUGUESE COMPETITION SHORT FILMS Seems So Long Portugal Ago, Nancy 45’ FIRST 2012 OCT 24 OCT 26 Tatiana Macedo FEATURE Aux Bains de la Reine Switzerland 9.30 pm 4.00 pm WORLD 37’ CULTURGEST SÃO JORGE 3 OCT 22 / 7.30 pm OCT 24 / 4.30 pm PREMIERE The Queen’s Baths Large Aud. CULTURGEST SÃO JORGE 3 Large Aud. Maya Kosa, Sérgio da Costa

Elsa returns to her homeland, Caldas da inhabitants, as well as elements of Elsa’s “How to deal with subjectivities, how to play with these lines, but then to what Rainha in Portugal, to meet her mother. family history. A crossed impressionist reformulate them or how to re-think extent do they dissolve themselves? That Through this little adventure, we discover portrait is woven, temporalities become subjectivity? How does one re-think is why sound is paramount – because it the city and the mysterious activities of its confused, and dreams mingle with reality. about power, and how does it manifest respects no boundaries.” Filmed at Tate itself?” How can a body be the institu- Britain and Tate Modern, London. tion’s micro-cosmos? “Of course we can 2012 OCT 21 OCT 23 Bela Vista Portugal, 30’ 4.30 pm 4.30 pm Filipa Reis, CULTURGEST SÃO JORGE 3 WORLD PREMIERE Large Aud. 2012 OCT 21 OCT 23 João Miller Guerra Sobre Viver Portugal, 51’ 4.30 pm 4.30 pm CULTURGEST SÃO JORGE 3 Living on FIRST FEATURE Large Aud. Lives being lived, words, gestures, and interconnected by corridors perched over Cláudia Alves WORLD PREMIERE gazes cross our paths, amidst a chaos courtyards. Gates determine each one’s framed by a rectangular grid of windows property. The geometry of the life of a On the top of the mountain two shep- the community. One can hear a song of and balconies. Rows of buildings neighbourhood: Bela Vista. herds talk quietly while the herd is graz- resistance. Three women dance among ing. The few local inhabitants follow the the ruins. A blind man reflects on the village’s normal routine until something future of the village. Encontro com 2011 unexpected happens, which threatens Portugal São João da Cruz 19’ Encounter with Terra de Ninguém 2012 Portugal St. John of the Cross No Man’s Land 72’ Daniel Ribeiro Duarte FIRST Salomé Lamas FEATURE WORLD OCT 21 / 9.30 pm OCT 25 / 4.15 pm PREMIERE CULTURGEST CULTURGEST Large Aud. Small Aud. OCT 24 OCT 26 9.30 pm 4.00 pm CULTURGEST SÃO JORGE 3 Large Aud. A long time ago, in Portugal, I had become I would read beyond the words, and I don’t aware of the quality of the texts by John know how or why his textual impulse Paulo offers sublime portrayals of the to erect new bureaucracies, new cruelties of the Cross, in a library where I used to breathed on The Book of Communities. cruelties and paradoxes of power and of and paradoxes. His work as a mercenary work. In Louvain I acquired the bulk of his — maria gabriela llansol the revolutions that brought it down, only is in the fringe of these two worlds. Complete Works. With my eyes on his texts,

DOCLISBOA'12 FILMS DOCLISBOA'12 FILMS PORTUGUESE COMPETITION SHORT FILMS 16 PORTUGUESE COMPETITION SHORT FILMS 17

2012 OCT 19 OCT 23 2012 Histórias do Portugal, 14’ 7.00 pm 9.30 pm A Raia Portugal, CULTURGEST SÃO JORGE 3 Spain Fundo do Quintal WORLD PREMIERE Large Aud. The Border 15’

Backyard Stories Iván Castiñeiras WORLD Tiago Afonso Gallego PREMIERE

Three voices discuss the story of a revolt, choose whether to watch, to believe, or to OCT 25 OCT 27 7.00 pm 4:00 pm while the camera searches for evidence in act upon. CULTURGEST CULTURGEST the backyard. The viewer will have to Large Aud. Small Aud.

The border is the frontier that divides are – peripheral to both nations, histori- 2012 Southeastern Galicia and Northwestern cally forgotten. Various circumstances O Homem do Trator Portugal 19’ Portugal. It is a land of mountains and ex- make them very special, with a history as The Man of the Tractor treme climate, an inner land of peasants. valuable as it is unknown. WORLD Gonçalo Branco PREMIERE The people from this area were – and still

OCT 24 / 7.00 pm OCT 26 / 6.45 pm 2012 CULTURGEST LONDRES 2 Um Rio chamado Ave Portugal Large Aud. A River called Bird 20’ Luís Alves de Matos In a small village in the middle of Portugal looks for photos of when he was young to lives a man who drives his tractor, which renew his driving license. And in the face is his companion. Everyday he drives and of inevitability he resists, taking care of OCT 22 / 7.30 pm OCT 24 / 4.30 pm CULTURGEST SÃO JORGE 3 works the land or looks at the orchard. But his tractor. Large Aud. his body is deteriorating. He exercises and

A continuous journey between past and we watch the consequences of man’s 2011 OCT 23 OCT 25 present; in the sense of impermanence, indifference towards nature. But the river A Nossa Casa Portugal 7.00 pm 9.30 pm 19’ CULTURGEST SÃO JORGE 3 just like the natural status of both river resists. Because everything that is deep Our Home Large Aud. and man. In a fly-by over its waters, from reveals itself on the surface. João Rodrigues its source in the mountains to its mouth,

A foreign family moves to an island in the present, displaying elements and middle of the Atlantic Ocean. Poverty relations. A film made from written strikes its inhabitants. The family returns records of the Dabney family, who lived home. A look over the matters of the in Faial from 1804 to 1892.

DOCLISBOA'12 FILMS DOCLISBOA'12 FILMS RESEARCH 18 RESEARCH 19

RESEARCH 2012 Les Invisibles France The Invisibles 115’ 2011 Sébastien Lifshitz Dao Lu China 113’ Pathway OCT 19 OCT 21 OCT 23 4.30 pm 4.00 pm 6.45 pm Xu Xin LONDRES 1 LONDRES 2 LONDRES 2

OCT 19 OCT 26 9.15 pm 4.15 pm CULTURGEST CULTURGEST Men and women, born between the wars. their pioneering lives, and how they Small Aud. Small Aud. They have nothing in common except navigated the desire to remain ordinary their homosexuality, and their decision with the need to liberate themselves in An 83-year-old man narrates his life communist army. His wife was killed by to live openly at a time when society order to thrive. They were fearless. experience. His music teacher greatly anti-reactionaries. He was criticized and rejected them. Today they tell us about influenced him. He infiltrated the punished during the Cultural Revolution. provisional Japanese puppet government. He became the principal of a university in He served in the 35th platoon of the Hangzhou. 2012 OCT 20 OCT 26 Libya Hurra Austria 9.15 pm 9.45 pm Free Libya 70’ LONDRES 2 LONDRES 1 2012 OCT 19 OCT 22 OCT 24 Fritz Ofner Edificio España Spain 6.45 pm 9.15 pm 7.15 pm 94’ CULTURGEST LONDRES 2 LONDRES 1 The Building Small Aud. Libya, September 2011. The rebels have During the final weeks of the revolution Víctor Moreno conquered Tripoli, and only three cities the filmmaker travelled through the coun- are still held by pro-Gaddafi troops. try, capturing snapshots of the situation. In 2007, an in-depth restoration project hundred workers from dozens of coun- started on the España Building, one of tries take part in the works, generating the most prominent ones of downtown unusual anecdotes and linking their expe- 2011 Low Definition Austria Madrid, a symbol of prosperity during riences to the building’s ongoing history. 95’ decades of Franco’s regime. Over two Control Malfunctions #0 Michael Palm 2011, France, OCT 19 OCT 22 OCT 26 Espoir Voyage Burkina Faso 9.15 pm 7.15 pm 4.15 pm Michel K. Zongo 82’ LONDRES 2 LONDRES 1 LONDRES 2 OCT 21 OCT 26 NEW TALENT 9.30 pm 4.00 pm SÃO JORGE 3 CULTURGEST Large Aud. “My older brother left Burkina in 78. announced us he had died. To try to After 18 years without news of him, a understand what happened, I make this Ten years after 9/11 the spectre of the body and the governance of public cousin back from the Ivory Coast same travel looking for his history.” sleeper has not only led to an extension of health. Transforming perception into a the police’s scope of action in the paranoid gaze, it is a metaphor for the framework of the war on terror; it also uncertain futures of a society full of risks. haunts technical images of the human

DOCLISBOA'12 FILMS DOCLISBOA'12 FILMS RESEARCH 20 RESEARCH 21

2011 2012 OCT 18 OCT 22 OCT 24 Un Mito Antropologico Italy Nuukuria Neishon Japan 9.45 pm 9.30 pm 4.00 pm 54’ 145’ LONDRES 1 SÃO JORGE 3 CULTURGEST Televisivo Nuclear Nation Large Aud. An Anthropological Atsushi Funahashi

Television Myth A documentary about the exile of locals heard the hydrogen explosion at Alessandro Gagliardo, Futaba’s residents, the region housing Reactor Number 1 and were showered the Fukushima Daiichi nuclear power with nuclear fallout. The whole town was Maria Helene Bertino, plant. The day after the magnitude 9.0 designated as an “exclusion zone”. Dario Castelli OCT 21 OCT 24 OCT 27 earthquake on March 11, 2011, Futaba 6.45 pm 4.15 pm 6.45 pm LONDRES 2 LONDRES 2 LONDRES 2

2012 Revision Germany The stories on TV have penetrated so of daily life and now gives it back after 106’ deep in the fabric of society that they years, still able to recount our society, Philip Scheffner actually build a part of the history of a inviting us to make a sort of anthropo- Nation. The camera gathered fragments logical study on the culture of television. OCT 20 OCT 23 OCT 25 9.30 pm 4.15 pm 9.45 pm CULTURGEST LONDRES 2 LONDRES 1 Large Aud. 2011 Mrtvá Trať Czech Republic Into Oblivion 52’

Šimon Špidla NEW TALENT In 1992, a farmer discovers two bodies in them for wild boar. Four years later, the a corn field in the North East of Germany. trial begins. The verdict: not guilty. While attempting to cross the EU border, Revision offers different perspectives of OCT 19 OCT 25 OCT 27 the Romanian citizens were shot by contemporary European history. 9.45 pm 4.15 pm 7.15 pm LONDRES 1 LONDRES 2 LONDRES 1 hunters, which claim to have mistaken

Stalin draws a line on a map of the Soviet years, they will slave away before the 2011 OCT 20 OCT 23 Shilton Ha’Chok Israel 4.45 pm 9.45 pm Union. Where the graphite touches paper, death of Stalin himself. In just a few 101’ LONDRES 1 LONDRES 1 some 80,000 people – almost all of them weeks, there will be nothing left of their The Law in These Parts gulag inmates – will build a railroad of hectic activity. Ra’anan Alexandrowicz almost no strategic importance. For four The mechanics of an evolving military Israel’s occupation of the West Bank and occupation reveal themselves through a Gaza Strip and upheld it since 1967. An series of interviews with the Israeli insider tour of the logic and reasoning Judges, prosecutors and legal advisors behind the architecture of occupation. who created the legal framework of

DOCLISBOA'12 FILMS DOCLISBOA'12 FILMS NEW VISIONS 22 NEW VISIONS 23

NEW VISIONS Dedicated to the memory of Chris Marker, Marcel Hanoun and Stephen Dwoskin 2012 Ashes Thailand Apichatpong 20’ 2012 Weerasethakul 74 (Arbaa wa Saboun) Lebanon 74 (Seventy Four) 95’ NEW TALENT Rania Rafei, Raed Rafei OCT 22 / 9.45 pm LONDRES 1

OCT 21 / 9.45 pm OCT 24 / 6.45 pm King Kong rarely barked. She had been and the greenest leaves and the rarest LONDRES 1 LONDRES 2 with us since she was three months old. insects and the abundance of humility. Every night she slept and looked around But came a day in March we woke up in her dreams. We thought that our from our dream. The sky wept ashes. On March 19, 1974, students occupied the end to all social movements. In 2011, spirits were enriched by the fertile soil American University of Beirut, as an act seven young political activists reenact of rebellion against a 10% increase in the 1974 student rebellion as revolutions tuition fees. On April 13, 1975, the erupt through the Arab world. Cello 2012 Lebanese Civil War broke out putting an France Marcel Hanoun 61’ INTERNATIONAL PREMIERE 2012 OCT 18 OCT 22 OCT 21 OCT 25 Age is… France, United 9.15 pm 4.15 pm 6.45 pm 9.15 pm Stephen Dwoskin Kingdom, 73’ LONDRES 2 LONDRES 2 CULTURGEST CULTURGEST Small Aud. Small Aud.

A meditation on the subjective experience poem with long observations of very tiny and cultural concepts of ageing. An ode details. A gesture, a pause, a look, a mo- “A cello player is asked by her daughter two women intertwined with the author’s to the texture, the beauty, the singularity ment. Throughout his films intimacy has why she suddenly interrupted her musical give way to thought, vision. Confessions of aging faces and silhouettes, a hypnotic always played the leading role. career…” The voices and images of the of lifes dedicated to creating.

2012 OCT 23 OCT 27 2012 OCT 20 OCT 26 Anders, Molussien France 9.15 pm 6.45 pm Emak Bakia Baita Spain, 83’ 9.15 pm 9.15 pm 81’ CULTURGEST CULTURGEST CULTURGEST CULTURGEST Differently, Molussia Small Aud. Small Aud. The Search for Emak Bakia NEW TALENT Small Aud. Small Aud. Nicolas Rey Oskar Alegría

A film in nine chapters, shown in random imaginary fascist state, Molussia, The house near Biarritz where Man Ray’s of that mansion exist: the image of its order, and based on fragments from transmit one another stories about the film Emak Bakia (“Leave me alone” in front door, two columns of a window, and Günther Anders’ novel Die Molussische outside world like a series of philosophi- Basque) was shot in 1926 bore that a section of nearby coast. A search based Katakombe, written between 1932 and cal fables. peculiar name and Oskar Alegría decided on these old images would not be easy. 1936. Prisoners sitting in the pits of an to search for it on foot. Only three views

DOCLISBOA'12 FILMS DOCLISBOA'12 FILMS NEW VISIONS 24 NEW VISIONS 25

2010 Free Radicals: France Manhã de Santo António a History of 82’ Morning of Saint Experimental Film Anthony’s Day Pip Chodorov João Pedro Rodrigues

OCT 20 / 7.15 pm OCT 22 / 6.45 pm 2012 OCT 26 OCT 28 LONDRES 1 LONDRES 2 Portugal 6.30 pm 4.45 pm 24’ CULTURGEST LONDRES 1 Large Aud.

The artists and poets of cinema since excluded both from the art world and the Tradition says that on June 13th, Saint carnations and flags with popular quat- before WWI have always been free film industry, they also created a Anthony’s Day - Lisbon’s patron -, lovers rains as a token of their love. radicals, crazy about filmmaking and profound body of work that continues to must offer small vases of basil with paper pushing the artform in radical new influence our culture. directions. Trapped in a no man’s land, 2012 Mekong Hotel Thailand, Apichatpong United 2012 Kingdom Hollywood Germany 57’ 7’ Weerasethakul Movie PRERELEASE Volker Schreiner OCT 22 / 9.45 pm LONDRES 1

OCT 20 OCT 22 7.15 pm 6.45 pm LONDRES 1 LONDRES 2 Portrait of a hotel near the Mekong River, vampire-like mother and her daughter, in the north-east of Thailand, where the young lovers and the river, and A transformation of Nam June Paik’s Bogart, Elizabeth Taylor, John Turturro, Apichatpong rehearsed a movie he wrote weaving in layers of demolition, politics, text Film Scenario into a movie. “You Katharine Hepburn and other protago- years ago. The film shuffles fact and and a drifting dream of the future. can make any Hollywood movie in- nists of mainstream cinema are assem- fiction, expressing the bonds between a teresting, if you cut the movie several bled to speak a text about deconstructing times…” Michael Caine, Humphrey film watching. 2011 OCT 23 OCT 27 Meteor Germany 9.15 pm 6.45 pm Christoph Girardet, 15’ CULTURGEST CULTURGEST Inquire Within 2012 OCT 20 OCT 22 Small Aud. Small Aud. USA 7.15 pm 6.45 pm Matthias Müller Jay Rosenblatt 4’ LONDRES 1 LONDRES 2 Embracing elements of feature films, takes its viewers along on a voyage from A hypnotic, apocalyptic examination of fairy-tale moments gone astray, and the children’s room to outer space. false choices, double binds, vulnerability vintage science fiction motifs,Meteor and faith.

DOCLISBOA'12 FILMS DOCLISBOA'12 FILMS NEW VISIONS 26 NEW VISIONS 27

2011 2012 OCT 26 OCT 28 Moving Stories Belgium Saudade France 6.30 pm 4.45 pm Nicolas Provost 7’ Jean­‑Claude Rousseau 14’ CULTURGEST LONDRES 1 Large Aud.

OCT 20 OCT 22 My eyes are imprisoned Soèdade (saudade) — “longing” or “yearn- 7.15 pm 6.45 pm LONDRES 1 LONDRES 2 Weeping with great longing ing” — is a Portuguese word that does not have a precise translation in English. It has — Santa Maria’s Songs, xiiith century been described as a “… vague and constant desire for something that does not and Provost plays once more with the gram- viewers’ imagination to the maximum. probably cannot exist…” mar and the codes of (Hollywood) cin- A short study of the dramatic and nar- ema. With a limited number of images, rative power of sound and off screen an absorbing soundtrack and a minimal dialogue that proves he is a manipulator A Story for 2012 story line, he tries to stimulate the of the cinema lingo. Spain the Modlins 26’ Sergio Oksman 2012 One, Two, Many Belgium Manon de Boer 22’ OCT 20 OCT 26 9.15 pm 9.15 pm CULTURGEST CULTURGEST OCT 21 OCT 25 Small Aud. Small Aud. 6.45 pm 9.15 pm CULTURGEST CULTURGEST Small Aud. Small Aud. After appearing in the filmRosemary’s where they shut themselves inside a dark Baby, by Roman Polanski, Elmer Modlin apartment for thirty years. ran away with his family to a distant land, One, Two, Many, commissioned by Kassel ence. Central themes: the individual’s Dokumenta 2012, is made up of three body, listening to the other, and finding performances: a flute piece with continu- the right distance for multiple voices in Two Years at Sea 2011 ous breathing, a spoken monologue, and a social space. United Ben Rivers Kingdom a song by four singers in front of an audi- 88’

NEW TALENT OCT 23 OCT 25 7.00 pm 4.30 pm 2012 OCT 26 OCT 28 SÃO JORGE 3 SÃO JORGE 3 Reconversão Portugal 6.30 pm 4.45 pm 65’ CULTURGEST LONDRES 1 Reconversion Large Aud. Thom Andersen A man called Jake lives in the middle of spend time sitting in a loch. He survives the forest. He goes for walks in whatever frugally, living the radical dream he had Reconversion portraits 17 buildings and vent a pre-existence”. The film combines the weather, and takes naps in the misty as a younger man, a dream he spent two projects by Oporto’s architect Eduardo the roughness of proto-cinema with the fields and woods. He builds a raft to years working at sea to realise. Souto Moura, with the help of his own hyperrealism of digital cinema, thus written works. Souto Moura has the last leading us back to Dziga Vertov’s ideals. word: “If there is nothing there, I will in-

DOCLISBOA'12 FILMS DOCLISBOA'12 FILMS CHANTAL AKERMAN RETROSPECTIVE 28 CHANTAL AKERMAN RETROSPECTIVE 29

CHANTAL AKERMAN RETROSPECTIVE 1999 La Captive Belgium, France The Captive 107’ 1973, Belgium, OCT 26 / 7.00 pm Chantal Akerman Le 15/8 France, 42’ CINEMATECA Dr. Félix Ribeiro The 15/8 cinema Chantal Akerman, OCT 19 / 9.30 pm Samy Szlingerbaum NIMAS Simon loves Ariane madly. This irre- apartment. Adapted from La Prisonnière, On a wet August 15th, with time on hold, non-stop monologue of trivialities pours pressible need of totally possessing and by Marcel Proust, La Captive superbly Chris, a young Finnish woman recently a non-expressed angst. On the other knowing the loved person becomes an captures the mystery and the contradic- arrived in Paris and taken in by one of hand, her portrait in fixed shots captures obsession: he interrogates her, spies on tions of desire and a lover’s feeling. Chantal Akerman’s friends, confides her gestures. her, keeps her imprisoned in his Parisian herself. On the one hand, her long,

1972 OCT 20 OCT 22 / 7.00 pm La Chambre Belgium 4.15 pm CINEMATECA 1983, Belgium, OCT 28 / 6.45 pm 11’ CULTURGEST Dr. Félix Ribeiro Les Années 80 France, 79’ CULTURGEST The Room Small Aud. cinema The Eighties Small Aud. Chantal Akerman Chantal Akerman A long and non-stop slow panning shot eating an apple. It is both a mysterious Les Années 80 shows the filmmaker purpose ultimately becomes the quest repeatedly describes the space of a room. self-portrait of the filmmaker in her auditioning actors making them work on and the experimentation around the film. In bed, Chantal Akerman sits motionless; favourite place and the equivalent, for some scenes, but also creating shots and A formidable document about movies in when the camera passes her again, she is her film making, of a still life. sequences that we’ll see again, slightly the making. changed, in the finished work. The main 1996 Chantal Akerman France 63’ 2002 OCT 26 / 9.30 pm par Chantal Akerman Avec Sonia Wieder­‑Atherton France CULTURGEST With Sonia Wieder­‑Atherton 52’ Large Aud. Chantal Akerman Chantal Akerman by Chantal Akerman Chantal Akerman Sonia Wieder-Atherton is one of the that is seen, not from the hall, but from a world’s greatest living cellists. In this side wing. This device and the decision to film, she performs some short pieces, let only the music be heard provide a OCT 24 / 9.15 pm / CULTURGEST – Small Aud. either solo or accompanied by a small precious lesson in listening. ensemble. The music is played on a stage No one better than Chantal Akerman to relationship to images, and to stage her make a film about Chantal Akerman: in own work. Chantal Akerman does not the manner of Godard, she has never provide us her self-portrait; she confronts ceased to reflect in her films about her a mirror and demands its images.

DOCLISBOA'12 FILMS DOCLISBOA'12 FILMS CHANTAL AKERMAN RETROSPECTIVE 30 CHANTAL AKERMAN RETROSPECTIVE 31

2004, Belgium, OCT 18 / 9.30 pm 1982 OCT 24 / 9.15 pm Demain on déménage France, 110’ NIMAS Dis­‑moi France, 45’ CULTURGEST Tomorrow we move Tell me Small Aud. Chantal Akerman Chantal Akerman

Catherine goes back to live with her moves into a big house in the country Akerman directed this documentary in grandmothers. Seated in their sitting daughter. The mother is a musician; the with her mother… In a ceaseless whirl- the framework of a TV series about rooms, filmed in fixed shots, a whole daughter is a writer. In order to work in wind, real-estate agents and potential grandmothers. The filmmaker visits world vanished in concentration camps peace, she wants to rent a small apart- buyers invade the two women’s life. three elderly women of Jewish ascent and comes back to life in their words. ment. Unless she sells the duplex, and asks them to tell her about their

1992 OCT 21 / 4.15 pm 1993 Le Déménagement France, 42’ CULTURGEST D’Est Belgium, Small Aud. France Moving in From the East 110’ Chantal Akerman Chantal Akerman

“I should never have done it, I should man’s long monologue, alone surrounded never have moved. What possessed me? I by unpacked boxes. Because of all his OCT 19 / 9.30 pm OCT 22 / 10.00 pm CULTURGEST CINEMATECA was fine at the other place. Almost fine. moving, he has perhaps missed the place Large Aud. Luís de Pina cinema Well, no, I felt bad most of the time. Not of his existence. well? I had to move.” Thus begins this After the fall of the Wall, almost like a the same desolation, gouged-out spaces, seismograph, Akerman endeavours to dilapidated buildings, crowds of anony- 2002 OCT 27 / 4.30 pm record, in long travelling shots, what mous beings, waiting for who knows what, De l’Autre Côté Belgium, 102’ CULTURGEST Large Aud. becomes of these countries. Eastern probably the definitive end of History. From the Other Side Germany, Poland, Russia: everywhere Chantal Akerman

In Mexico, along the fences and barbed- services while they try to flee misery, to La Folie Almayer 2011, Belgium, OCT 20 / 9.30 pm wire that separate the country from the finally find that, if they reach the other France, 127’ NIMAS United States, Chantal Akerman meets side alive, they are pariahs, exiles and Almayer’s Folly PRERELEASE men, women and adolescents, continu- victims of exploitation. Chantal Akerman ously hunted by American immigration Freely adapted from Joseph Conrad’s first broken relationship with his half-Malay novel, Akerman’s hypnotic drama follows daughter. The film showcases Akerman’s a European trader’s faded dreams of aesthetic tendencies for long takes and finding fortune in Malaysia, and his docudrama-style spontaneity.

DOCLISBOA'12 FILMS DOCLISBOA'12 FILMS CHANTAL AKERMAN RETROSPECTIVE 32 CHANTAL AKERMAN RETROSPECTIVE 33

1983 1975, Belgium, OCT 22 / 7.00 pm L’Homme à la Valise France Je, tu, il, elle France, 90’ CINEMATECA 60’ Dr. Félix Ribeiro The Man with I… you… he… she cinema the Suitcase Chantal Akerman

Chantal Akerman In her provocative first feature, Akerman former girlfriend. With its famous real- stars as an aimless young woman who time carnal encounter and its daring OCT 21 / 4.15 pm CULTURGEST leaves self-imposed isolation to embark minimalism, Je, tu, il, elle is her most Small Aud. on a road trip that leads to lonely love sexually audacious film. affairs with a male truck driver and a In 1981, the INA commissioned a medi- friends. On her return, one of her friends um-length fiction film to several movie comes back and settles in her apartment. directors, with only one restriction: unity The film is the diary of this undesired and Un Jour Pina m’a demandé... of place. During a prolonged absence, obsessive cohabitation. Akerman had lent her apartment to some On Tour with Pina Bausch Chantal Akerman

1972, Belgium, OCT 23 / 7.00 pm Hôtel Monterey USA, 63’ CINEMATECA 1983, France, OCT 26 / 9.30 pm Dr. Félix Ribeiro Belgium, 57’ CULTURGEST Hotel Monterey cinema Large Aud. Chantal Akerman For five weeks, Akerman followed the documentary style, she strives to render Under Akerman’s watchful eye, a cheap tors, rooms, windows, and occasional work of choreographer Pina Bausch, through her interpretation the passionate Manhattan hotel glows with mystery and occupants framed like Edward Hopper capturing the most significant moments, and political violence embodied in Pina unexpected beauty, its corridors, eleva- tableaux. and filming the dancers’ bodies in close- Bausch’s choreographies. up. Always avoiding the informative

1975 Jeanne Dielman, 23 Belgium, 1984 OCT 26 / 7.00 pm France J’ai Faim, j’ai Froid France, 12’ CINEMATECA Quai du Commerce, 200’ I’m hungry, I’m cold Dr. Félix Ribeiro 1080 Bruxelles cinema Chantal Akerman Chantal Akerman Two Brussels’ girls take flight and arrive later, Akerman reinvents La Nouvelle OCT 25 / 9.30 pm CINEMATECA penniless in Paris. Urban drifting, punc- Vague: an art of the ballad and litotes, the Dr. Félix Ribeiro cinema tuated by their neophyte dialogues about cruel learning of freedom of feelings in a love. They meet by chance a man who black and white Paris. An astonishing work of subtextual single mother successfully merged such takes them home with him. Twenty years feminism, one of the seminal films of the diverse movements as the matriarchal 1970s. As Manny Farber noted, the passion play, the architectural ethnogra- portrait of the daily household routines phy, and the non-narrative examinations and self-imposed patterns of a Belgian of filmed space.

DOCLISBOA'12 FILMS DOCLISBOA'12 FILMS CHANTAL AKERMAN RETROSPECTIVE 34 CHANTAL AKERMAN RETROSPECTIVE 35

2006 OCT 23 OCT 24 / 10.00 pm Là­‑bas France, 78’ 4.15 pm CINEMATECA Les Rendez­‑vous d’Anna CULTURGEST Luís de Pina cinema Down there Small Aud. The Meetings of Anna Chantal Akerman Chantal Akerman

In fact, I neither intended nor felt the frame, a shot. I thought to myself, ’What urge to make a film about or in Israel. (…) a wonderful frame. All I need to do now is 1978, Belgium, France, OCT 24 / 7.00 pm Germany, 127’ CINEMATECA The decisive factor was that one day I wait and let things happen.’ Dr. Félix Ribeiro cinema picked up the camera and I stood some- — chantal akerman place and, all of a sudden, there was a In one of Akerman’s most penetrating exquisitely shot, brief encounters – with character studies, Anna, an accomplished men and women, family and strangers – 1976 filmmaker, makes her way through a we come to see her emotional and physical News from Home Belgium, France, 85’ series of European cities to promote her detachment from the world. Chantal Akerman latest movie. Via a succession of eerie,

OCT 20 / 4.15 pm OCT 26 / 10.00 pm CULTURGEST CINEMATECA 1968 OCT 22 / 7.00 pm Small Aud. Luís de Pina cinema Saute ma Ville Belgium, 13’ CINEMATECA Dr. Félix Ribeiro Blow up my Town cinema Chantal Akerman

Letters from Akerman’s mother are read Akerman’s unforgettable time capsule of 1968. Chantal Akerman is an 18 years old She tears down the kitchen, soils the over a series of elegantly composed shots the city is also a gorgeous meditation on who inaugurates her work by blowing her walls, paints her calves with shoe-polish of 1976 New York, where our (unseen) urban alienation and personal familial small one roomed flat: a burlesque while singing under her breath, and filmmaker and protagonist has relocated. disconnection. pamphlet, reminiscent of that year’s May, reaches a detonating finale. protesting against housekeeping chores.

1993 OCT 26 / 7.00 pm Portrait d’une Jeune Fille de la France CINEMATECA 1999, France OCT 23 / 10.00 pm OCT 25 60’ Dr. Félix Ribeiro Sud Belgium, 70’ CINEMATECA 3.30 pm Fin des Années 60 à Bruxelles cinema South Luís de Pina cinema CULTURGEST Portrait of a Young Girl at the Large Aud. End of the 1960s in Brussels Chantal Akerman Chantal Akerman In 1998, during a trip to the south of the an autopsy of the murder – the lynching United States, the murder of James Byrd of an African American by three white At the end of the 1960’s, a high school for the adolescent despair underlying her Jr. in Jasper, a small town in Texas, men – but rather how this fact is acted in student decides to play truant from heroin’s arrogant verbosity, the fear of haunts the film director. The movie is not both the mental and physical landscapes. school. At the movies, she meets a French desire beneath the clumsy gestures, the deserter and goes strolling along with flesh beneath the words. him through Brussels. Akerman searches

DOCLISBOA'12 FILMS DOCLISBOA'12 FILMS CHANTAL AKERMAN RETROSPECTIVE / PASSAGES 36 PASSAGES 37

1982 OCT 25 / 7.00 pm Cutelo. This director has been consistently embarking in visual arts journeys (the long Toute une Nuit France, 90’ CINEMATECA Dr. Félix Ribeiro lasting dialogue with Rui Chafes must be pointed out). Likewise Pedro Costa gives us A Whole Night cinema the chance to enter his films by means of an experiment of focusing one’s attention Chantal Akerman (a characteristic of his images) and through a meeting with a sort of minimal circuit senses that come forward as potential matters for dissemination and formation of In the stifling heat of a summer’s night, from each other in an indecisive ballet, other cinematic experiences. From the specific questions concerning the cinemato- all along Brussels’ streets, bars, bedrooms, both exasperated and fragile. Until graphic display that have been there ever since the very beginning (let us not forget and staircases, couples cross each other, sunrise, the city releases fragments of love that in 1927 Abel Gance presented Napoleon on three screens), with this section we separate, meet again, embrace, run away scenes: meetings, reunions and break-ups. hope to summon the spectator to once more meet cinema’s own history. At the same time we would also like to assume the specific dimensions deriving from the artistic field that have given a major contribution to revitalizing current film practices, and to update the eminently documental issues that – independently from its specificity and PASSAGES pertinence nowadays – have been crossing the links between film and art for some decades now. Our goal is to create a place to think about contemporary. Not as some kind of closure however – but as a complex actualisation of a story that is all but linear. Chantal Akerman | Pedro Costa

AT CARPE DIEM – ARTE E PESQUISA The End of a Love Affair Pedro Costa 2007, DVCAM, 4:3, Colour, Stereo, 8’ With Gustavo Sumpta and with the collaboration of João Fiadeiro, Philippe Morel, Hugo Leitão

Femmes d’Anvers en Novembre La Chambre, 1972 Alto Cutelo, 2012 Women from Antwerp in November In a time when both passage and contamination between contemporary artistic Chantal Akerman practices and documental films arise with great strength and certainty, Passages – Video installation with double projection: this years’ new section of Doclisboa – leads the festival to brand new venues, and to The Landscape, HD, Square, BW, Silent, 20’ different questions and ways of thinking about films. In 2012 this section shall focus Portrait, DVD, Colour, Silent, 5’ upon the work by Chantal Akerman and Pedro Costa. We will find works based upon Akerman’s films (as, for exampleUne Voix dans le Désert or La Chambre), in which the cinematographic display is revised and presented once again in connection to the specific issues of the space of exhibition. But we will also find works created from Maniac Summer scratch as installations (as Femmes d’Anvers en Novembre or Maniac Summer), in which both narrative and formal issues from the director’s work are altered through the Chantal Akerman multiplication of plastic possibilities and the installation’s own representation. In this 2009, Video installation in 3 parts, Colour, BW, Sound, 34’ and 32’ (loop) section we shall find two works by Pedro Costa:The End of a Love Affair and Alto

DOCLISBOA'12 FILMS DOCLISBOA'12 FILMS PASSAGES 38 UNITED WE STAND, DIVIDED WE FALL RETROSPECTIVE 39

Tombée de Nuit sur Shanghai UNITED WE STAND, DIVIDED WE FALL RETROSPECTIVE Nightfall on Shanghai Chantal Akerman OCT 23 / 9.30 pm La Reprise LONDRES 2 du Travail 2009, Video installation with 2 light Chinese boxes, Colour, Sound, 15’ aux Usines Wonder 1968 Une Voix dans le Désert Working Class A Voice in the Desert Heroes Chantal Akerman 2002, Single projection, Colour, Sound, 16:9, 52’

1968 La Reprise du Travail aux Usines Wonder France, 9’ AT CINEMATECA PORTUGUESA–MUSEU DO CINEMA – 6X2 ROOM Resumption of Work at the Wonder Factory Institut des Hautes Études Cinématographiques In the Mirror student collective Chantal Akerman 1971, Single projection, BW, Sound, 14’ In May 68 work starts again, unions work […]. This little movie is the primitive pretend to claim victory. At the Wonder scene of the militant cinema, the reverse factory everything is also back to normal. of La Sortie des Usines Lumière. Suddenly a woman dares to rebel, she — serge daney and serge le peron AT GALERIA PALÁCIO GALVEIAS says that she does not want to return to Alto Cutelo Classe de Lutte 1969 Pedro Costa France, 40’ 2012, Double projection, HD+16mm, 1:1,33, Colour, Stereo Struggling Class With Ventura and with the collaboration of João Dias, Hugo Leitão, Branko Neskov Groupe Medvedkine de Besançon

The first film made by the workers of And it’s a film essay about the birth of a La Chambre Group Medvedkine is a portrait of a political conscience among the workers, precise historical moment – the creation despite the uncooperative union leaders The Room of a labour union group in a factory – and and management intimidations. Chantal Akerman an intimate portrait of a militant woman. 1972, Video installation in 5 monitors, Colour, Mute, 11’

Courtesy of Chantal Akerman, Marian Goodman Gallery, Paris/New York. Courtesy of Pedro Costa

DOCLISBOA'12 FILMS DOCLISBOA'12 FILMS UNITED WE STAND, DIVIDED WE FALL RETROSPECTIVE 40 UNITED WE STAND, DIVIDED WE FALL RETROSPECTIVE 41

1979 OCT 21 / 9.15 pm À Pas Lentes France, 40’ LONDRES 2 With Slow Steps Collectif Cinélutte Against the War Four years after the great struggle and They talk about work conditions, strike at the Lip factory in Besançon, the children education, love, men and family Cinélutte collective gives the word to the life. Everything is filmed with tenderness female workers, making an unforgettable and melancholy. portrait of two working class heroines. Winter Soldier 1972 Winterfilm Collective USA, 96’

OCT 19 / 6.45 pm LONDRES 2 This documentary about American the tears shed by men who have learned atrocities in Vietnam, far from being a that to destroy the false machismo horror show or propagandistic exercise, instilled by school, state and army, it is Slapstick Politics becomes a philosophical set-piece. The necessary to learn how to cry. great and ultimate stars of the film are — amos vogel

OCT 20 / 4.15 pm Finally got LONDRES 2 Vladimir et Rosa 1970 the News France, USA, 1970 Vladimir and Rosa FRG, 96’ Groupe Dziga Vertov Black America (Jean­‑Luc Godard, Jean­‑Pierre Gorin)

In Vladimir et Rosa, Godard and Gorin use but the mise-en-scène, the structure and a primitive genre of comic cinema to make finally the film language itself are pure Off the Pig 1968 a political comedy: the result is a film in burlesque too. A non-hierarchical bunch USA, 14’ which not only the characters, the scenog- of funny fragments. San Francisco Newsreel raphy and the costumes are burlesque, Made by San Francisco Newsreel in of the Panthers’ ideas about American collaboration with the Black Panther economy and politics, an example of their Party, it’s a political message to the strategy in the crucial years around 1970 radical youth across the U.S. in order to and a useful tool for media guerrilla. recruit new militants, a clear manifesto

DOCLISBOA'12 FILMS DOCLISBOA'12 FILMS UNITED WE STAND, DIVIDED WE FALL RETROSPECTIVE 42 UNITED WE STAND, DIVIDED WE FALL RETROSPECTIVE 43

Finally got the News 1970 OCT 27 / 4.15 pm Me matan USA, 56’ LONDRES 2 si no trabajo Stewart Bird, Rene Lichtman, y si trabajo Peter Gessner, John Louis Jr. me matan Cries from South America 1974 Rather than the lock-stepped, black- News has been able to survive the organi- bereted, leather-jacketed Panther units zation it was made to promote because it of other films,Finally got the News shows is ideological in the best sense: it is a film rather ordinary people becoming very about ideas. angry with the system […] Finally got the — dan georgakas 1973 Cuando despierta el Pueblo Chile, 59’ When the People awake OCT 20 / 6.45 pm Red Squad Colectivo de la Unidad Popular LONDRES 2 1972 Documentary that explores the construc- historical background, developments and tion of socialism in Chile: we see the impending tragedy. Made by Chileans Burning America difficult transition from capitalism to who prefer to remain anonymous and socialism attempted by Allende’s Popular whose identity cannot be disclosed. Unity Government in 1970-73, tracing its

1971 Me matan si no trabajo y si trabajo me matan 1974 El Pueblo se levanta ­– The Young Lords Film USA, 50’ Argentina, 20’ The People are rising ­– The Young Lords Film They kill me if I don’t work, and if I work they kill me The Newsreel Collective Raymundo Gleyzer

In the late 60s, conditions for Puerto Young Lords as they implemented their The last film made by Raymundo Gleyzer The camera is in the middle of the strike, Ricans in the US were terrible. This film, own health, educational and public as- before his killing is a mournful and it shares the workers’ bread and conceived as a direct action, focuses on sistance programs to fight back against documentary about the situation of the wine, their mobilizations and assemblies. the community of East Harlem, captur- social injustice. metal workers who get sick and die from A lesson about the capitalist logic. ing the compassion and militancy of the led poisoning and poor labour conditions.

Red Squad 1972 OCT 21 / 3.45 pm Un Peuple USA, 45’ LONDRES 1 en Marche Howard Blatt, Steven Fischler, Joel Sucher 1963 Down with A counter-surveillance documentary dispositive against the cops: they film about the Red Squad, a security service and tape them, collecting information on Colonialism, down charged with photographing, filming and police tactics. The hunted filmmakers with Fascism! taping all political demonstrations in turn into the hunters. New York. The filmmakers reverse the

DOCLISBOA'12 FILMS DOCLISBOA'12 FILMS UNITED WE STAND, DIVIDED WE FALL RETROSPECTIVE 44 UNITED WE STAND, DIVIDED WE FALL RETROSPECTIVE 45

1963 1973 Un Peuple en Marche Algeria, 65’ Women of the Rhondda United Kingdom A People on the March London Women’s Film Group 20’ Algerian student film collective It’s one of the first “woman-talking” docu- women speak movingly to the camera on In 1962, René Vautier, together with some his students he made a film that shows mentaries, centrally concerned with what their experience of the General Strike and Algerian friends, organised the audio- the history of the Algerian War and of the it is to be a woman and with bringing vis- life in the 1930s and 40s in a depressed visual formation centre Ben Aknoun ALN (National Liberation Army), and life ibility to a woman’s point of view. Four old South Welsh mining village. to encourage a “dialogue in images” during the reconstruction. between the two factions. Together with 1976 Maso et Miso vont en Bateau France, 55’

1974 Maso and Miso go boating Caminhos da Liberdade Portugal, 45’ Roads to Freedom Nadja Ringart, Carole Roussopoulos, Delphine Seyrig, Ioana Wieder Cinequipa A reflection on the dumbness and power intelligence and humour: a game of Documentary about the Portuguese Forte de Caxias. It’s a film full of sincere of television, and on woman’s position in disassembling and superimposing, of Revolution of April 25th, 1974, made with joy and sunny hope, an euphoric love public life. Four women, friends and com- repetitions, freeze-frames and hand- archive footage, which focuses on events hymn for the country and its people, rades, record a TV show about women written titles. like the siege of the Carmo quarters and finally freed from the Fascist regime. and criticize it and re-invent it with rage, the release of the political prisoners at

OCT 25 / 6.45 pm LONDRES 2 OCT 22 / 7.15 pm L’Aggettivo CULTURGEST – Small Aud. Donna 1971 Class Struggle in the UK Women in Revolt

1972-75 Night Cleaners Part 1 United Kingdom 1971 L’Aggettivo Donna 90’ Italy, 55’ Berwick Street Film Collective The Adjective Woman Collettivo Femminista di Cinema di Roma Fusion of political documentary with asynchronous voice and image, slow mo- a rigorous reflection on the materiality tion, silence – the Collective managed to The first Italian feminist documentary. isolation of housewives, and the sadness of of film and the problems of represent- represent the forces at work: the result is It’s a historical film essay that analyses the mothers. It’s a cry against machismo and ing class struggle. Using new forms a self-reflexive film. role of the woman in modern society: the phallocentrism, a call for woman liberation – rhythmic insertion of black spacing, double exploitation of women workers, the from all the real and imaginary prisons.

DOCLISBOA'12 FILMS DOCLISBOA'12 FILMS UNITED WE STAND, DIVIDED WE FALL RETROSPECTIVE 46 UNITED WE STAND, DIVIDED WE FALL RETROSPECTIVE 47

OCT 24 / 3.30 pm OCT 26 / 6.45 pm Handsworth CULTURGEST – Small Aud. CULTURGEST – Small Aud. Songs, 1986

The Last Resistance 1 Fighting Minorities

1982 1984 So that you can live United Kingdom Territories United Kingdom Cinema Action 83’ Isaac Julien 25’

The film explores the effects of complex lives of the Butts family during five years: Territories uses experimental forms to are difficult to reduce to straightforward historical forces on industry, family, a family tries to understand and survive look at life in Britain in 1984, focusing on explanations and instead uses the term work, education and learning in a small the closure of the coal mines and the the experience of the Black British. The ‘territories’ – race, class and sexuality. town in South Wales. It was made in decimation of a community. film recognises that the different power — william fowler collaboration with and focusing on the dynamics that determine this experience

OCT 24 / 9.15 pm 1986 LONDRES 2 Handsworth Songs United Kingdom John Akomfrah 61’

The Last Resistance 2 This film breaks “with the tired style of the highly original and unpredictable the riot-documentary: the way documen- sound-track; the ‘giving voice’ to new tary footage has been retimed, tinted, subjects; the inter-cutting with the overprinted so as to formalise and ‘ghosts of other stories.’” distance it; the narrative interruptions; — stuart hall 1982 The Year of the Beaver: a Film about United Kingdom 77’ the Modern ‘Civilised’ State OCT 28 / 6.45 pm Poster Film Collective LONDRES 2

This film essay about the true roots of We understand what was the compromis- Thatcherism suggests that the birth ing role of the unions during the rise of No(w) Future of the politics and attitudes of neo- Mrs Thatcher and how the media staged liberalism was taking place within the all the events during the strikes. declining Labour government in 1976.

DOCLISBOA'12 FILMS DOCLISBOA'12 FILMS UNITED WE STAND, DIVIDED WE FALL RETROSPECTIVE / CINEMA OF URGENCY 48 CINEMA OF URGENCY 49

1987 2012 Vai Viegli Būt Jaunam? Latvia, 79’ São Lázaro 94 Portugal Is it Easy to be Young? Cinema Libertário 15’ Juris Podnieks Acção Projecção

This movie speaks about young people ties, the fear that there is no meaning On November 25, 2010, in Lisbon, the to have a renovation project for the site. who perished as a result of growing up in to their lives. A moving portrait of a lost building on 94 São Lázaro Street, After 2 more years of inaction, it is once a totalitarian society – their conflicts with generation just before the collapse of the abandoned for 10 years, is occupied. The again occupied and evacuated. This film parents and adults, the patronizing atti- Soviet Union. day after, it is evacuated by the police as gathers some fragments of this collective tudes of their teachers and the authori- instructed by the Municipality, claiming experience.

S’është Lavazh 2012 CINEMA OF URGENCY Albania, Not a Carwash 50’ Gentian Koçi This programme may be changed given the nature of its films. First person camera account of four tense battled to save an outdoor movie screen days at the Marubi Film Academy in the from destruction by police and corporate OCT 23 / 7.15 pm capital city of Tirana, Albania. Students, interests. SÃO JORGE Manoel de Oliveira cinema Cinema of Urgency 1 professors, activists and lovers of cinema

OCT 24 / 7.15 pm SÃO JORGE Es.Col.A. da Fontinha – Espaço Manoel de Oliveira cinema Cinema of Urgency 2 Colectivo Autogestionado Es.Col.A. da Fontinha – Self­ Cheap Tickets 2012 ‑Managed Collective Space Greece, Konstantinos United Viva Filmes Kingdom Iordanou 10’

2012 Portugal, 18’

The story of Espaço Colectivo Auto- for the district of Fontinha. The move- gestionado do Alto da Fontinha told by ment that triggered others throughout A gritty, intimate documentary that city of Thessaloniki to the economic, its own members. A pioneer story in the country in solidarity. What if this reflects Greece’s current economic political and cultural capital Athens. The Portugal – the occupation of a public becomes fashionable? crises through a random group of pas- documentary captures the vast range of school, in the district, by the district, and sengers on the 6-hour night train that characters on board the train. travels from the suburban working class

DOCLISBOA'12 FILMS DOCLISBOA'12 FILMS CINEMA OF URGENCY 50 CINEMA OF URGENCY 51

2012 2012 The Suffering Grasses: when Elephants Turkey, Artigo 45º Portugal fight, it is the Grass that suffers Syria, 52’ Article 45 16’ Iara Lee Rui Luís

Over a year later, with thousands dead, toppling of Moammar Gaddafi, the film the conflict in Syria has become a micro- explores the Syrian conflict through the cosm for the politics of the region, and a civilians who have been killed, abused, reflection of the world at large. Against and displaced to refugee camps. the backdrop of the Arab Spring, and the Ever since April 25th, 1974, the right to 22nd. The starting point was to collect In solidarity with the Syrian people and filmmaker Orwa Nyrabia, who has gone missing from Damascus public demonstrations is common to all images throughout from an observer’s Airport on August 23, 2012 Portuguese citizens. This film shows a point of view, being as neutral as possible demonstration held in Lisbon on March and not talking to any of the participants.

2012 Saa’bor Ghadane Syria, 4’ Thanassis 2012 I will cross Tomorrow Greece, 8’ Abounaddara A Greek DOGumentary Demetri Sofianopoulos A Syrian filmmaker takes his camera into films, he endeavours to cross the demar- the city of Homs, under siege by the army cation line, guarded by a sniper. But only The Greek crisis seen through the eyes of but his owners went bankrupt and he is of Bashar al-Assad. Like the people he his film makes it across. a stray dog. He was once adopted by a rich back in the streets once again. family and went to live in the suburbs, Dedicated to the memory of the filmmaker Basel Chehade, murdered in Homs on May 28, 2012

2012 Los Desnudos Notre Corps est une Arme France, 13’ OCT 25 / 7.15 pm SÃO JORGE Cinema of Urgency 3 Los Desnudos Our Body is a Weapon Manoel de Oliveira cinema Clarisse Hahn

Landless Mexican peasants invent a new streets of Mexico City, twice a day, until 2012 way of fight by using their body as a place they are proved right. Los Desnudos be- How to film a Revolution Canada, USA, 5’ of political and social resistance: they longs to a series of three short documen- Corey Ogilvie will demonstrate completely naked in the taries named Our Body is a Weapon.

At a time when social protest can be heard shown in the film all have the same pur- all over the world, How to film a Revolution pose: to make everyone know how to provides a set of specific instructions on strategically denounce cases of misuse how to film a revolution. The techniques of power.

DOCLISBOA'12 FILMS DOCLISBOA'12 FILMS CINEMA OF URGENCY 52 CINEMA OF URGENCY / HEART BEAT 53

Ja arriba el Temps 2012 OCT 27 / 3.00 pm Spain SÃO JORGE Cinema of Urgency 5 de remenar les Cireres 11’ Manoel de Oliveira cinema It’s Time to shake the Apple Tree 2012 Ó Marquês anda Cá Abaixo Outra Vez! Portugal, 60’ Jorge Tur Moltó The “M” of Portuguese Cinema João Viana It is March 29 in Barcelona. The city is building of the Stock Exchange. on strike. Protesters gather outside the “There are those who think about industry ask what’s going on. A woman fleeing. A police car in the corner. An runs across the street.” ambulance. My friends in the film 2011 Gravity Hill Newsreels: USA, 24’ Occupy Wall Street Part 1 Jem Cohen HEART BEAT

A series of short observational docu- ment was destroyed by the authorities, ments of the Occupy Wall Street move- these were shown as newsreels at a local Apocalypse: a Bill 2012 OCT 23 / 9.45 pm OCT 28 / 7.15 pm ment in New York. Before the encamp- movie theatre not far from Zuccotti Park. USA SÃO JORGE – Manoel SÃO JORGE – Manoel Callahan Tour Film 61’ de Oliveira cinema de Oliveira cinema Hanly Banks OCT 26 / 7.15 pm SÃO JORGE Manoel de Oliveira cinema Cinema of Urgency 4 A collection of live performances and a American leg of the 2011 Apocalypse tour. glimpse of the road from Bill Callahan's

2012 2011 Zavtra Russia, 90’ Arcana Austria, Tomorrow Henry Hills USA, 31’ Andrey Gryazev OCT 25 OCT 27 7.00 pm 9.15 pm This is a story about the most striking conduct art actions, which walk the fine SÃO JORGE 3 LONDRES 2 phenomenon in Russia's contemporary line between art and crime. No one is left art, the art collective Voina (War). Its untouched by their bold political founders Vor (Thief) and Koza (Goat) statements. lead an underground existence as they A fulminant 30-minute cut-up epic that of scenes is interlocked, with pieces from takes footage – both found and shot the John Zorn composition The Bribe In solidarity with the Voina Collective and the Pussy Riot by the filmmaker – and crosses it in an (1986), a musical tribute to crime fiction almost arithmetic manner with a pre- writer Mickey Spillane. arranged soundtrack. (…) The sequence — christian höller

DOCLISBOA'12 FILMS DOCLISBOA'12 FILMS HEART BEAT 54 HEART BEAT 55

2000 2012 OCT 22 / 9.30 pm OCT 25 Benjamin Smoke USA O Fado da Bia Portugal SÃO JORGE 4.45 pm Jem Cohen, Peter Sillen 73’ 60’ Manoel de LONDRES 1 Bia’s Fado Oliveira cinema Diogo Varela Silva OCT 21 / 9.45 pm OCT 28 / 5.00 pm SÃO JORGE SÃO JORGE Manoel de Manoel de Beatriz da Conceição – Bia for short for her career. She guides us through her Oliveira cinema Oliveira cinema most of us – is one of the major names of own life – from Oporto to present day – Fado from the last 40 years. She was born showing us the strength and the reasons in Oporto, and moved to Lisbon to sing for her Fado. the Fado. This film is a journey through Portrait of a renegade known simply as Smoke, it’s a window into a little-known, "Benjamin”, an underground legend, rapidly disappearing pocket of the occasional drag queen, and HIV positive. American South and above all, an explo- From a Mess to the Masses While the film revolves around his work ration of the life of a true American rebel. with the indescribable band named Antoine Wagner, Francisco Soriano

2011 OCT 24 OCT 28 As Canções Brazil 9.30 pm 7.15 pm 92’ SÃO JORGE 3 LONDRES 1 2011 24 OUT / 21.45 27 OUT / 16.45 Songs France, SÃO JORGE – Sala SÃO JORGE – Sala Eduardo Coutinho USA, 52’ Manoel de Oliveira Manoel de Oliveira

Men and women sing and tell the songs The film follows four friends and their which highlights the need for constant that made an imprint in their life. eight loyal team members on their quest to movement, artistically and historically, find meaning in our chaotic world through in order to remain anchored amidst the music. It is an abstract and emotional ride, surrounding disorder. Don Cherry Jean­‑Noël Delamarre, 2005 © Philippe Gras Genesis Encore Natalie Perrey, Philippe Portugal Cascais 75 40’ Gras, Horace Dimayot João Dias

1967 OCT 22 / 10.00 pm OCT 25 / 6.45 pm France CULTURGEST CULTURGEST OCT 23 / 9.45 pm OCT 28 / 7.15 pm 16’ Small Aud. Small Aud. SÃO JORGE – Manoel SÃO JORGE – Manoel de Oliveira cinema de Oliveira cinema

In this film, built around one of his po- housing blocks. Thus begins his quest for The “world’s best band” with the “best of euphoria and tension, enchantment ems, Don Cherry lands on earth and finds the path of Truth: Music, Wisdom, Love album ever” was in Cascais 37 years ago. and struggle, but the aesthetic concept of himself in Paris in a strange landscape of and Peace. Genesis Encore Cascais 75 recalls how it all the band turned a “mere” concert into a happened during those mythical concerts generational moment. on March 6th and 7th, 1975. It was a time — mário caeiro

DOCLISBOA'12 FILMS DOCLISBOA'12 FILMS HEART BEAT 56 HEART BEAT 57

1997 L’Opéra du Bout du Monde 2012, France, OCT 25 OCT 28 Lucky Three USA Madagascar, 9.45 pm 4.30 pm Jem Cohen 11’ An Opera from the Belgium, 96’ SÃO JORGE SÃO JORGE 3 Manoel Indian Ocean INTERNATIONAL de Oliveira PREMIERE cinema OCT 21 / 9.45 pm OCT 28 / 5.00 pm SÃO JORGE – Manoel SÃO JORGE – Manoel Marie­‑Clémence Paes, de Oliveira cinema de Oliveira cinema Cesar Paes

In the wings of the opera Maraina, composer, Maraina is the first opera to be An independent film portrait of singer/ three songs. The songs were done live voyaging between Reunion, Madagascar created in the region: the story of ten songwriter Elliott Smith in Portland, acoustic in his old studio, a living room, and Paris, the film recounts the story of Malagasy and two Frenchmen who Oregon (USA), in 1996, wherein he plays and a bathroom. the first settlers of the Indian Ocean landed on this pristine island in the islands. Written by a Reunion-born mid-17th century.

2012 OCT 21 OCT 24 A Minha Banda e Eu Portugal, 62 7.15 pm 7.00 pm SÃO JORGE SÃO JORGE 3 Shut up and play the Hits: My Band and I WORLD Manoel PREMIERE de Oliveira o Fim dos LCD Soundsystem Inês Gonçalves, cinema Kiluanje Liberdade Dylan Southern, Will Lovelace Between Luanda and Lisbon, the swaying bodies are shown in a documen- directors portray the new generation of tary that reveals a people’s will to 2012, United OCT 25 / 11.00 pm Angolans that believe Semba and re-invent itself and to bring its roots over Kingdom, 108’ LUXFRÁGIL Kizomba are the top expression of their to the four corners of the world through cultural identity. Warm beats and music and dance. On April 2nd 2011, LCD Soundsystem generation at the peak of its popularity. played its final show at Madison Square The instantly sold out, near four-hour Garden. Frontman James Murphy had extravaganza moved the thousands in Não me importava de morrer 2012 OCT 22 OCT 25 decided to disband one of the most attendance to tears of joy and grief. Portugal, 52’ 9.30 pm 4.45 pm celebrated and influential bands of its se houvesse Guitarras no Céu SÃO JORGE LONDRES 1 WORLD Manoel I wouldn’t mind dying if there PREMIERE de Oliveira cinema were Guitars in Heaven 2012, United OCT 22 OCT 25 Sonny Rollins Kindgom, USA 10.00 pm 6.45 pm 78’ CULTURGEST CULTURGEST Tiago Pereira Beyond the Notes Small Aud. Small Aud. Dick Fontaine Chamarrita is a folk dance that origi- to command the dance. There is a man- nated in the Azores many years ago. A dador who shouts and co-ordinates the More than forty years ago Dick Fontaine Notes follows his extraordinary journey, group composed by guitar and mandolin- various couples. This folk dance is still made a film with jazz saxophonist Sonny still refusing stereotype and compro- players and fiddlers (and sometimes quite alive in Faial and Pico Islands. Rollins, who suddenly rejected fame and mise, still searching for answers to his “singers” as well) give the necessary beat “the jazz life” to play alone. In the context music and his life. of his 80th birthday concert, Beyond the

DOCLISBOA'12 FILMS DOCLISBOA'12 FILMS HEART BEAT 58 PORTRAITS 59

1965 OCT 25 OCT 27 PORTRAITS A Stravinsky Portrait USA 7.00 pm 9.15 pm Richard Leacock, 58’ SÃO JORGE 3 LONDRES 2 Rolf Liebermann 2011 Gerhard Richter Germany 97’ Shot in 1965, A Stravinsky Portrait cap- tra rehearsal in Hamburg; holding a press Painting tures the composer at home in California conference in London; and discussing Corinna Belz discussing his work and its evolution with creativity with his old friend Balanchine. Rolf Liebermann, conducting an orches- OCT 21 OCT 26 7.00 pm 7.00 pm SÃO JORGE 3 SÃO JORGE 3 2012 Tropicália Brazil 87’ Tropicalia Gerhard Richter granted filmmaker very personal, tension-filled process of Marcelo Machado Corinna Belz access to his studio in the artistic creation. The penetrating portrait spring and summer of 2009. In quiet, of an artist at work, and a film about the highly concentrated images, the film art of seeing. OCT 21 / 4.45 pm OCT 27 / 9.45 pm gives us a fly-on-the-wall perspective of a SÃO JORGE SÃO JORGE Manoel de Manoel de Oliveira cinema Oliveira cinema Lastuja Tropicalia brings a contemporary look especially recovered for the production into this important cultural movement, and encounters with the icons of the – Taiteilijasuvun Vuosisata which exploded in Brazil in the late movement such as Caetano Veloso, Splinters – A Century 1960s. It mixes valuable archive material Gilberto Gil, Tom Zé, and Mutantes. of an Artistic Family Peter von Bagh 2012 Visões de Madredeus Portugal, 70’

Visions of Madredeus HEART BEAT 2011 OCT 20 / 6.45 pm OCT 27 / 7.00 pm OPENING Finland CULTURGEST SÃO JORGE 3 Edgar Pêra SESSION 74’ Small Aud. WORLD PREMIERE OCT 20 / 10.00 pm OCT 27 / 4.30 pm The story of the Aho-Soldan artistic fam- painter Venny Soldan-Brofeldt, cinema- SÃO JORGE – Manoel SÃO JORGE 3 de Oliveira cinema ily, whose influence has been important tographers Heikki Aho and Björn Soldan, in Finnish art throughout several decades and photographer Claire Aho. Half a of the 20th century –author Juhani Aho, century of Finnish culture and history. Film-diaries of Madredeus, from 1987 to 2006, from Europe to the East.

DOCLISBOA'12 FILMS DOCLISBOA'12 FILMS PORTRAITS 60 GREEN YEARS 61

2009 GREEN YEARS Milos Forman: Czech Republic Co tě nezabije… 100’ Milos Forman: what OCT 20 4.30 pm Green Years 1 doesn’t kill you… SÃO JORGE 3 Milos Smídmajer

Meio Caminho Andado 2012 Portugal, 7’ OCT 18 / 10.00 pm OCT 28 / 3.00 pm CULTURGEST SÃO JORGE – Manoel Halfway through Small Aud. de Oliveira cinema Bárbara Gouveia, Gisela Pissarra, Miguel Ribeiro Fernandes, Paulo Cunha Fernandes In the last fifteen years Milos Forman’s he managed to shed light on a few of the life went through a lot of big changes. intimate corners of Forman’s life which In the night before a general strike, a During the day, they walk the main Milos Smídmajer returned to this excit- continue to give him inspiration for creat- group of postmen gather to prevent the streets of Lisbon expressing their ing and larger-than-life character. ing films with depth and coherence. central post office from functioning. insatisfaction. Filming over the course of five years,

Mareantes 2012 Portugal, 7’ 2012 Roman Polanski, United Seafarers Kingdom Gonçalo Loureiro, Rui João Rodrigues, Sónia Faria Lopes a Film Memoir 90’ Laurent Bouzereau The seafarers of Sesimbra have been the Government are regarded by the struggling with various setbacks. The fishermen as more harmful than the new legislation and the lack of dialog by weather. OCT 19 / 9.45 pm OCT 27 / 7.15 pm SÃO JORGE – Manoel SÃO JORGE – Manoel de Oliveira cinema de Oliveira cinema Mamadu & Binta 2012 Cátia Aguiam, Joana Aguiam, João V. F. Portugal, 6’ The life-affirming story of both the man the tragedy of his first wife Sharon Tate, and the filmmaker. His childhood growing the controversy surrounding his arrest in Portrait of a marriage between two im- and Binta, who arrived two months ago up in the Warsaw ghetto, his film career 1977 and his life in France to this day with migrants from Guinea-Bissau: Mamadu, to live with her husband whom she met in both Europe and America culminating Emmanuelle Seigner. who has lived in Portugal for 21 years, through photos and phone conversations. with the Academy Award for The Pianist,

Ekaterina 2012 Miguel Cravo Portugal, 14’

Between family and studies, and Russian who wants to take part in the next and Portuguese language, there is daily Olympics. Ekaterina Kislinskaya does not life and the overcoming of a gymnast feel Russian. Her body is her home.

DOCLISBOA'12 FILMS DOCLISBOA'12 FILMS GREEN YEARS 62 GREEN YEARS 63

Cantores do Submundo 2012 Alquimia 2011 Portugal, 39’ Portugal, 18’ Singers of the Underworld Alchemy Fernando Miguel Moreira Diogo Sequeira The underground movement of the Rap All that nature creates tends to be unique tends to be the same an endlessly sung in Creole in a country called Portugal. and unrepeatable. All that man creates reproducible.

OCT 20 Deixa vir o de Amanhã 2012 7.00 pm Green Years 2 Portugal, 18’ SÃO JORGE 3 Let Tomorrow’s come David de Mira In Alentejo’s inland, Maria Rita (91 years done, soothing the passage of time with Aqui e Agora 2012 old) keeps on doing what she has always her flock of sheep. Portugal, 5’ Here and Now Carla Fonseca OCT 21 4.30 pm Using the split screen technique this is research on the urban landscape, its SÃO JORGE 3 Green Years 3 the first version of an audiovisual motions and rhythms.

Sagittarius 2012 Paisagens de Papel 2012 Portugal, 9’ Portugal, 12’ Samuel Marques Paper Lanscapes Pedro Almeida, André Pisca Sagittarius is a documentary that trawling fishermen. Its main goal is to attempts to portray the daily life of eight keep as far away from fiction as possible. In a region marked by abandon and deser- factories – one is over 100 years old – there tification, there is something that keeps are other traces beyond solitude. on blocking the horizon. Apart from the Horizonte 2012 Portugal, 7’ Horizon Um Passeio no Vazio 2012 Jorge Romariz, Tiago Siopa Portugal, 18’ A Walk in the Void Defining a person is a lot more than film pursues the essence of a person – his Gonçalo Cardeira, Rodrigues Lopes describing his physical appearance. This tastes, fears, hopes, and dreams. In a country increasingly overwhelmed they graduate they naively celebrate their by social setbacks, young people invest entrance in the aggressive unemploy- Teles 2012 in their future at the universities. Once ment reality. José Magro Portugal, 13’

Teles is a line drawer for Baltar’s União Sport Clube.

DOCLISBOA'12 FILMS DOCLISBOA'12 FILMS GREEN YEARS 64 GREEN YEARS 65

Cenas de uma Comunidade Política 2012 Ahh! 2012 Portugal, 19’ Portugal, 6’ Scenes of a Political Community Luís Almeida Ângela Melo, Diogo Allen, Sofia Aguiar A video-essay exploring film history to drama, from war movies to animation Scenes of a country’s hinterland forgot- exclusion and its lives that reveal an ever- archives through different footage – from – that seems to have something in ten community. A film about social lasting sense of humanity and solidarity. westerns to science fiction, from comedy common: a sound.

Canção do Desterro 2011 HullaZulla 2012 Portugal, 13’ Portugal, 7’ Song of the Exile Raquel Ceriz Margarida Correia HullaZulla is an imaginary universe filled bling dream of reality. A journey inside a The Douro’s railway was built between and of agricultural commodities from of ecstasis, phobias, and weirdness, a bub- bold yet fearful anxious young mind. 1873 and 1887. It would provide transpor- those same villages. It is now deserted. tation of people and goods to the villages Santa Maria dos Olivais 2012 Susanne Malorny Portugal, 7’ Lugar do Tempo 2011 Portugal, 12’ Land of Time The second largest district in Lisbon has buildings and ruins, abundance and Manuel Guerra plenty of opposites: it connects the city to deprivation, accumulation and solitude, its suburbs, the airport to the river, vastness and detail. A group portrait of the village of Aljustrel oppressive and liberating: it is the “chant- and of a group of retired miners. In their ing” of work, love and memory, struggle, voices and expressions nostalgia is both and resistance. Heterotopia 2012 Tiago Siopa Portugal, 11’

OCT 22 Starting from a dystopian fiction, the of a character lost between human and 7.00 pm SÃO JORGE 3 Green Years 4 connection with the observed reality machine. is established through the distant look

Diagnóstico 2012 Fado Canibal 2012 Portugal, 9’ Portugal, 22’ Diagnosis Cannibal Fado Alexandra de Matos Timóteo Azevedo This video explores the human body in its examined, diagnosed, penetrated, and Adolfo Luxúria Canibal. Interventive ney through archive footage, interviews, various scales and consistencies, as it is made visible by medical sciences’ films. character within Portuguese culture, and stage moments, and the artist’s personal frontman of the Mão Morta band. A jour- moments.

DOCLISBOA'12 FILMS DOCLISBOA'12 FILMS SPECIAL SCREENINGS 66 SPECIAL SCREENINGS 67

SPECIAL SCREENINGS 2011 OCT 21 OCT 27 Duch, le Maître France, 7.00 pm 9.15 pm Cambodia CULTURGEST CULTURGEST des Forges de l’Enfer 110’ Large Aud. Small Aud. 2011 OCT 22 OCT 27 5 Broken Cameras Palestine, 7.00 pm 9.30 pm Duch, Master of Emad Burnat, Guy Israel, SÃO JORGE SÃO JORGE 3 France Manoel the Forges of Hell 90’ de Oliveira Davidi cinema Rithy Panh

Between 1975 and 1979, the Khmer Rouge prison and then appointed to the S21 cen- Palestinian farmer Emad, has been docu- tells part of the story, beginning with regime caused the death of some 1.8 mil- tre. In 2009, he became the first leader of menting his village’s resistance to advanc- Emad recording Israeli bulldozers ripping lion people, one-quarter of the popula- the Khmer Rouge to be brought before an ing Israeli settlements since 2005, using olive trees from the ground, and building tion of Cambodia. Kaing Guek Eav, better international justice court. the five cameras of the title. Each camera up towards fiercer and fiercer conflicts. known as Duch, was in charge at M13

Demokratia, o Far from Afghanistan Dromos tou Stavrou John Gianvito, Jon Jost, Demokratia, the Way Minda Martin, Travis of the Cross Wilkerson, Soon­‑Mi Yoo Marco Gastine 2012 OCT 19 / 4.15 pm OCT 27 / 9.45 pm USA, 129’ CULTURGEST LONDRES 1 Large Aud. 2012 OCT 21 / 3.00 pm OCT 26 / 9.30 pm Greece SÃO JORGE – Manoel SÃO JORGE 3 84’ de Oliveira cinema Inspired by the 1967 collaborative under- effort to redirect US policy away from taking, Loin du Vietnam, that united a va- military and political intervention The 6 May parliamentary election, held four candidates, and offering an unusu- riety of filmmakers, cameramen, editors toward true humanitarian and develop- in the context of an unprecedented eco- ally behind-the-scenes look, the film is an and technicians, Far From Afghanistan mental care-giving. nomic, social and moral crisis was an his- insightful portrait of political practices in strives to contribute to the international torical moment for Greece, a challenge Greece today. for its democracy. Following the steps of

DOCLISBOA'12 FILMS DOCLISBOA'12 FILMS SPECIAL SCREENINGS 68 SPECIAL SCREENINGS 69

Magyarország 2011 LAUNCHINGS

Hungary 2011 On the occasion of the launching of the DVD É na Terra não é na Lua by Gonçalo Tocha Bence Fliegauf, Péter Forgács, Miklós Jancsó, András Jeles, É na Terra não é na Lua – O Arquivo 2012 OCT 19 Ágnes Kocsis, Márta Portugal 4.15 pm It’s the Earth not the Moon – The Archive 120’ CULTURGEST Mészáros, György Pálfi, Small Aud. András Salamon, Simon Gonçalo Tocha Szabó, Ferenc Török, 2012 OCT 22 / 5.00 pm OCT 28 / 4.15 pm Two hours of original material filmed Doclisboa 2011. 20 sequences of the life Hungary CULTURGEST LONDRES 2 during the shooting of É na Terra não é of the small community of Corvo Island, László Siroki 75’ Large Aud. na Lua, released last year and winner of shot between 2007 and 2011, now edited the International Competition Award at for the DVD special edition. In the present situation of the Hungarian and expressing our thoughts, reflections film we see no other possibility to prove and feelings. These films are produced our existence than with the help of a video with virtually no budget. series calling the viewers’ attention to the — béla tarr On the occasion of the launching of the book De Casa em Casa – Sobre um Encontro fact that we are still capable of working entre Etnografia e Cinema. Essay by Filomena Silvano and documentaries by João Pedro Rodrigues

1998, Iran, OCT 23 OCT 28 Sib France, 86’ 5.00 pm 4.15 pm 1997 OCT 22 CULTURGEST CULTURGEST Esta é a Minha Casa Portugal 4.45 pm The Apple Large Aud. Small Aud. This is my Home 51’ CULTURGEST Samira Makhmalbaf João Pedro Rodrigues Small Aud. A father imprisons his two children in the already become retarded and could not João Pedro Rodrigues films the holiday – combined with records from their car house for 11 years, from age 2 to age 13. talk or walk like the girls their own age. journey of an emigrant family from Paris journey through French and Spanish When the neighbours become aware and They experience their first social life to their homeland in Trás-os-Montes. highways to Portugal and with moments inform the Ministry of Welfare to come when they step into the street. Footage from the couple’s daily life in of their holidays. and help the children, the girls have Paris – he is a cobbler and she is a janitor

Viagem à Expo 1999 Portugal Journey to Expo 55’ João Pedro Rodrigues Due to the Expo 98 promotion campaign emigrant family in France during their the Portuguese capital city appeared quite journey through Lisbon’s old districts, its often in the French media. During their outskirts, and their visit to Expo or Luz Summer holidays the following year, João Stadium. Pedro Rodrigues once again films this

DOCLISBOA'12 FILMS DOCLISBOA'12 FILMS TRIBUTE TO CURTAS VILA DO CONDE 70 TRIBUTE TO FERNANDO LOPES 71

TRIBUTE TO CURTAS VILA DO CONDE TRIBUTE TO FERNANDO LOPES

OCT 26 / 9.45 pm OCT 26 / 4.45 pm SÃO JORGE SÃO JORGE Manoel de Oliveira cinema Manoel de Oliveira cinema

1961 A Rua da Estrada As Pedras e o Tempo – Évora Portugal, 16’ A Road as a Street The Stones and the Time – Évora Graça Castanheira Fernando Lopes

Évora and its monuments, its streets, 2012 and its life, and the life of the plain that Portugal, 35’ surrounds the city.

source: Cinemateca Portuguesa – Museu do Cinema

In A Road as a Street, Portuguese roads A journey through the real Portugal read are travelled with their very own peculiar by the savvy eyes of the geographer Cinema 2011 landscape – seismograph of times. Álvaro Domingues. Fernando Lopes Portugal, 23’

Cinzas, Ensaio sobre o Fogo 2012 The goal of Cinema is to visit a theatre movies and witnesses both those images’ Portugal, 18’ (“Sá da Bandeira”) full of cinephile perennial memories and its own death. Ashes, a Fire Essay traditions that is nowadays confined to The pornography of movies as today’s Pedro Flores the death of cinema’s traditional images. imaginary and visual icon. The “Sá da Bandeira” features porn Cubalhão, Gerês. Days are born with fire ancestral practices. All beings live in the and die with it. Men renew the land with same place. source: Porto 2001, European Capital of Culture, Image Odyssey

2012 1997 O Canto do Rocha Portugal, 19’ Olhar/Ver – Gérard, Fotógrafo Portugal, 50’ The Song of the Nightingale Fernando Lopes Helvécio Marins Jr. A game of glances between the photos of and in particular in Portuguese photogra- The stories, adventures, and misadven- drug dealer, the owner of a coffee-shop Gérard Castello Lopes, his importance in phy. Special appearances: Maria João tures of Alfredinho Rocha, and his friends: in Fontainhas, Oporto, a fool, a dancer, a the context of contemporary photography, Seixas, Alexandre Pomar. a Fado singer, a karate fighter, a former nightingale, and a whole family. source: Cinemateca Portuguesa – Museu do Cinema

DOCLISBOA'12 FILMS DOCLISBOA'12 FILMS INTERNATIONAL CONFERENCE PASSAGES / ROUND TABLES 73

PARALLEL ACTIVITIES INTERNATIONAL CONFERENCE PASSAGES

The confluence of two simultaneous movements over the last years OCT 25, 26 and 27 10.00 am of the 20th century – the “documentary turn” within contemporary CULTURGEST art, and film entering traditional art venues – triggered the rede- Small Aud.

signing of documental practices and opened new perspectives in Free admittance. the scope of theoretical production on this genre. The common de- Tickets must be collected nominator of most definitions of documentary, the “truth claim” is on that day. no longer fully operational, and implies a brand new approach. According to Maria Lind and Hito Steyerl, “the double bind is strong: on the one hand, documental images are most powerful than ever, and on the other hand documentary representations are less and less trustworthy”. Starting from this assertion, the goal of this conference is to question the passages between film and con- temporary art by focusing on the relationships between documen- tary and fiction, and on the role played by notions such as truth, au- thenticity, objectivity, and reality within the current artistic documental practices. What new tools are there for re-thinking documentary outside its traditional boundaries? How do the tradi- tional questions regarding truth, ethics, and reality are now made? What are the consequences affecting the negotiation protocols be- tween spectator and work?

This conference is organised with Paris 1 – Panthéon Sorbonne

ROUND TABLE

RTP AND PUBLIC TELEVISION SERVICE

In a time when the future of public television in Portugal is yet to OCT 22 / 2.30 pm CULTURGEST be decided – there is an ongoing debate on the privatisation of RTP1 Forum Debates and the extinction of RTP2 – Doclisboa promotes a round table on Free admittance. this subject. The goal of this initiative is to launch a discussion on Tickets must be the continuity of a public television service and on the continuity of collected a specific work for the maintenance of a relationship between tel- on that day. evision and documentary production. The first step will be to iden- tify and analyse the consequences of this issue, as well as its social and political implications.

DOCLISBOA'12 PARALLEL ACTIVITIES ROUND TABLES 74 ROUND TABLES / MASTERCLASSES AND WORKSHOPS 75

THE FILM INDUSTRY AND THE UNITED WE STAND, DIVIDED WE FALL SOUTHERN EUROPEAN CRISIS This round table must be considered as the last step of the retrospec- OCT 24 / 11.00 am CULTURGEST OCT 26 / 3.00 pm The financial capitalism global crisis, the Euro Zone crisis, and the tive United We stand, divided We fall, after a long and beautiful voyage Forum Debates CULTURGEST European Union political crisis – mainly felt in Southern European Forum Debates through the history of the radical collectives from the 1960s to the 80s. Free admittance. countries – has had quite negative consequences upon public cul- Every guest will speak about her/his experience and life: everyone has Tickets must be Free admittance. collected tural policies, namely in what concerns support granted to the film Tickets must be so many things to tell us about the historical, political and economical on that day. industry. The Portuguese case stands out due to the extinction of the collected conditions which pushed her/him to work in a collective way. Ministry of Culture that was downgraded to Secretary of State, and on that day. by the lack of support given to production, as well as to other bodies — federico rossin that have so far played a fundamental role in promoting and showing specific genres, as Apordoc, Agência da Curta-Metragem and Casa da Animação. Although extreme the Portuguese case is not unique. MASTERCLASSES AND WORKSHOPS This crisis has been stronger in the three European countries that have revealed clear signs of film industry renewal over the last years: ANDREI UJICA MASTERCLASS Portugal, Greece, and Romania. The latter does not belong to the Euro Zone but has however been going through an extreme econom- ical, social, and political crisis, inclusively with some authoritarian setbacks. Although with a different political stand, the same happens in Hungary, a country in which filmmakers lead the struggle against their government autocratic and xenophobe trends. Spain and Italy are also suffering from serious financial situations and likewise the budget for culture has undergone drastic cuts. Therefore, Doclisboa believes it is important to address all these specific situations and to promote a debate on the global perspectives for the Southern Europe film industry crisis, in a spirit of solidarity and resistance for artistic and cultural expressions. Harun Farocki, Andrei Ujică, Videogramme einer Revolution, 1992

INDEPENDENT FILM LABORATORIES Autobiografia lui Nicolae Ceausescu is an outstanding example of OCT 23 / 10.30 am CULTURGEST the work carried out by Andrei Ujică on archive footage, a kind of Large Aud. In a time when some Portuguese directors establish the Independent OCT 23 / 2.30 pm work that clearly stood out in Videogramme einer Revolution, co-di- CULTURGEST Free admittance. Film Laboratory (Laboratório de Cinema Independente) whose Forum Debates rected by Harun Farocki – and featured in the retrospective Tickets must be goal is to fight for the existence of an independent film laboratory in Doclisboa dedicated to Farocki last year. Ujică not only approaches collected Free admittance. on that day. Portugal, Doclisboa promotes a round table on this subject. The Tickets must be History – and contemporary history of Romania in particular – as goal of this debate is to discuss the pertinence of such laboratories collected eminently critical thinking (besides closely linked to his faculty within the current situation, and to foster a public debate on what to on that day. work at Karlsruhe University where two major theorists also teach: do with the lab equipment from the extinguished Tobis. This debate Peter Sloterdijk and Boris Groys) – just like ZKM, Zentrum für shall be attended by the Laboratório de Cinema Independente col- Kunst und Medientechnologie also does. It will be interesting to de- lective and by other Portuguese and international guests. bate with the director these two works known in Portugal but also others, as Out of the Present, in which he handed cameras to two Soviet cosmonauts. One of them, Sergei Krilakev, returned to Earth

DOCLISBOA'12 PARALLEL ACTIVITIES DOCLISBOA'12 PARALLEL ACTIVITIES MASTERCLASSES AND WORKSHOPS 76 MASTERCLASSES AND WORKSHOPS / DOCS 4 KIDS 77 when the Soviet Union had already collapsed, and he was no longer this festival, each director shall talk about her/his work process for a Soviet citizen but a Russian one. Or another of his films -Unknown three hours. Participants are welcome to prepare the questions they Quantity – an imaginary conversation between Paul Virilio and would like to see answered in each session. This workshop is for stu- Svetlana Alexievich, author of Voices from Chernobyl: the Oral dents, professionals, and other people interested in increasing their History of a Nuclear Disaster. Above all this will be an opportunity to knowledge on the guest directors’ cinematographic creation. debate film as historical and critical reflexion. — miguel clara vasconcelos

MASTERCLASS ONLINE DISTRIBUTION: WHAT TO (NOT) EXPECT WORKSHOP LOMOKINO

The masterclass “Online Distribution: what to (not) expect” will OCT 21 / 11.00 am Lomografia Portugal and Doclisboa present a workshop of Lomo- Training: CULTURGEST OCT 20 / 11.00 am provide insight to the world of legal online distribution based on the Small Aud. kino, a movie camera with 35mm film. SÃO JORGE experience of www.DAFilms.com, a selective platform focused on Free admittance. Film delivery documentary and experimental films run by the Doc Alliance, Tickets must be Further information: and screenings: which is a creative partnership of 6 key European documentary film collected Embaixada Lomográfica de Lisboa OCT 28 / 6.00 pm on that day. SÃO JORGE festivals: CPH:DOX Copenhagen, DOK Leipzig, FID Marseille, Rua da Assunção, 15 Montepio cinema IDFF Jihlava, Planete Doc Film Festival and Visions du Réel Nyon, +351 213 421 075 Bookings: which Doclisboa will join in 2013. The masterclass will cover the key [email protected] info@lomografia aspects related to different VoD platforms functioning: the motiva- www.lomografiaportugal.com portugal.com tion of the distributors, the content diversity, what do the platforms offer to the rights holders and to the audience, the importance of marketing and promotion, several technical aspects and different DOCS 4 KIDS WORKSHOP FOR CHILDREN models of financing and revenue share. DOCUMENTARY AS A GROWING AND LEARNING EXPERIENCE WORKSHOP WITH DIRECTORS Since 2008, the Docs 4 Kids workshop has been working, under the OCT 19 through 28 OCT 22 and 25 Where to begin a film? How to think about a documentary? Which is scope of Doclisboa, to bring the documentary closer to children, SÃO JORGE 11.00 am the best research method? How to approach reality? How to shoot CULTURGEST through watching films, reflecting on and talking about them, along an idea? How to convey a feeling? How to organize shootings? Forum Debates with artistic proposals which bring to life some of the ideas raised

Which is the best team? How to shoot the crucial moments? How to OCT 23, 24 and 26 by the documentaries. find the best ending for a film? When to finish shooting? How to 3.00 pm SÃO JORGE edit? How to find a leitmotif? How long does the production take? Montepio cinema Where do our eyes reach? How do clouds cross the sky? How fast do wa- How to define a film’s running time? These are some of the ques- terfalls go? What kind of worms do birds eat? How do we put on a shirt? tions to be addressed by the guest directors during this workshop’s Registration fee: €25 This workshop will get us “in” two films that invite us to watch – na- sessions. Since 2009 several directors, as Nicolas Philibert Further information ture, the earth and the hands moving, animals, and the passage of and registrations: (Nénette), Gianfranco Rosi (El Sicario: Room 164), Michael Madsen ana.pereira@ time. From both movement and drawings we shall create new spaces (Into Eternity: a Film for the Future), Anna Sanmartí (La Terra doclisboa.org with lines and shapes that put a name to who we really are. Habitada), Flávia Castro (Diário de uma Busca), Gonçalo Tocha (É na Terra não é na Lua) and Miguel Gonçalves Mendes (José e Pilar) participated in these workshops. Based upon the film featured in

DOCLISBOA'12 PARALLEL ACTIVITIES DOCLISBOA'12 PARALLEL ACTIVITIES DOCS 4 KIDS 78 PEDAGOCIC ACTIVITIES / LAUNCHINGS 79

2012 PEDAGOGIC ACTIVITIES Sous le Ciel France, 16’

Under the Sky Doclisboa sees students as a privileged audience. In 2011, 2091 stu- Exclusive sessions for schools Olivier Dury dents and teachers from the most varied areas attended the Festival. CULTURGEST The programme contemplates fundamental subjects for secondary, OCT 22, 24, 25 and 26 Here the presence of the elements is monumental hardness of rock, an icy professional and university students, and offers exclusive sessions 10.30 am scrutinised with the pointillist precision plain demonstrates unsuspected delicacy for schools at an appropriate schedule. All of the exclusive sessions Large Aud. of an attentive view, scouting the instant when the wind blows up its snowy at Culturgest will be followed by workshops concerning the films Information and when the matter reveals its strangeness: surface… Suddenly an appearance. and developed by its educational service. registrations for the workshops: the insatiable fire prolongs silently in the Ticket price – €1.50 The workshops following the film sessions are an eminently practi- (sold at CULTURGEST) Bookings must be cal, learning and sharing environment around the artistic and so- made beforehand: 2005 ciological pertinence of the screened film. +351 217 619 078 Za Plotem Poland, 12’ culturgest.servico [email protected] Behind the Fence There are reduced ticket prices for school groups (€1.20 per person, Exclusive sessions Marcin Sauter at least ten students) if the tickets are booked and picked up before- for schools hand (at least 2 days before the session) – price applicable at Cinema SÃO JORGE OCT 22 through 26 “One of the main drives to direct this film things to discover, stories to unveil, and São Jorge, Londres* and Culturgest. 2.30 pm was an attempt to return to my childhood subjects to think about would make each SÃO JORGE 3 days, holidays, and summer heat. I day seem to last forever.” * At Londres there will be no exclusive sessions for schools. Information and remember those sensations – when the — marcin sauter registrations for the school sessions: endless number of important details, This year, Doclisboa promotes a single session especially dedicated +351 910 116 063 to students from grades 1 to 6. With an appropriate programme, the +351 218 883 093 Festival invites the youngest students to watch several animated and [email protected] Coordinated by Maria Remédio non-animated short films, thus giving them the chance to discover Sessions for students grades 1 to 6: new films, and providing them with new stimuli and experiences. OCT 23 / 10.00 am with the support SÃO JORGE – Manoel of fundação inatel de Oliveira cinema Sessions for families Sessions for children Sessions for schools: (children aged 4 – 7 aged 8 – 12: OCT 19 (Fri.) with an adult): OCT 21 (Sun.) 10 am, SÃO JORGE LAUNCHINGS OCT 20 (Sat.) 3.30 pm OCT 22 through 26 3.30 pm OCT 27 (Sat.) 10 am, SÃO JORGE OCT 19 / 6.15 pm OCT 27 (Sat.) 3.30 pm Length: 1h30m DVD of the filmÉ na Terra não é na Lua, by Gonçalo Tocha, CULTURGEST 10.30 am OCT 28 (Sun.) published by Alambique. Forum Debates OCT 28 (Sun.) 3.30 pm Prior booking. 10.30 am SÃO JORGE Ticket price: €4 SÃO JORGE Montepio cinema per child, at least Book De Casa em Casa – Sobre um Encontro entre Etnografia e OCT 22 / 6.45 pm Montepio cinema Length: 2hrs 10 students. CULTURGEST Length: 2hrs Information and Cinema, comprising an essay by Filomena Silvano and two Forum Debates Prior booking. bookings: documentaries by João Pedro Rodrigues. Edited by Palavrão. Ticket price: €4 +351 962 104 816, (sold at SÃO JORGE). docs4kids@ Information doclisboa.org DVD of the filmBlokada , by Sergei Loznitsa, and DVD of the film OCT 21 / 3.00 pm and bookings: CULTURGEST + 351 962 104 816, Le Chagrin et la Pitié, by Marcel Ophüls, both published by Forum Debates docs4kids@ Alambique. doclisboa.org

DOCLISBOA'12 PARALLEL ACTIVITIES DOCLISBOA'12 PARALLEL ACTIVITIES LISBON DOCS 80 OTHER ACTIVITIES 81

LISBON DOCS OTHER ACTIVITIES

INTERNATIONAL FINANCING AND CO-PRODUCTION EUROPA 2111 SHOWCASE FORUM FOR DOCUMENTARY FILM The Europe 2111 project aims to develop a method for using the so- Project Development and Presentation Workshop OCT 16 through 18 cial documentary as a pedagogic tool. About the theme “Imagining

Around 20 projects for documentaries have been selected by EDN This workshop is Europe in 2111”, the nine institutions from six countries participat- to be discussed, developed and improved by colleagues and a tutor only open to its ing in the project have already produced 120 video documentaries, participants, who team of international experienced professionals: train for the which are now screening for the first time. presentation of their projects in the public Audrius Stonys, Filmmaker, Lithuania pitching sessions of Carmen Cobos, Producer, Spain/The Netherlands October 19 and 20. Sessions Open seminar: Open space with OCT 19 / 10.00 am OCT 19 / 3.00 pm information about Catarina Alves Costa, Filmmaker, Portugal SÃO JORGE 3 SÃO JORGE the Europa 2111 Christian Popp, Producer, Germany OCT 20 / 10.00 am Montepio cinema project: SÃO JORGE 3 OCT 20 / 2.00 pm OCT 19 and 20 Hanne Skjødt, EDN Director, Denmark SÃO JORGE SÃO JORGE Jesper Osmund, Editor, Denmark Further information: Montepio cinema 1st Floor Foyer www.europa2111. Kees Ryninks, Producer, The Netherlands net/euhome Nick Ware, Consultant, United Kingdom/France Free admittance.

Public Pitching Sessions OCT 19 and 20 10.00 am to 2.00 pm The projects are presented to a panel of commissioning editors and CULTURGEST FORUM DEBATES – CULTURGEST decision-makers from documentary funding institutions and lead- Small Aud. ing channels in international co-productions. The pitching sessions Q&A in the presence of the directors: discussions will be held eve- are open to the ryday after the screenings at the Large Auditorium. public, within the To be in the audience is a unique chance to observe what works and availability of seats, what does not work in today’s international non-fiction market. and will be held in English. VIDEO LIBRARY – CULTURGEST Organisation APORDOC – Portuguese Documentary Association The video library – located opposite to the Large Auditorium at OCT 19 through 28 From Monday EDN – European Documentary Network Culturgest – is free and open to the public. The films selected to to Friday, from Co-Production Doclisboa’12 are available (with the exception of only a few and of 11.00 am to 9.00 pm Weekends, from 2.00 Culturgest the ones from the retrospectives). The recording of images is strict- pm to 9.00 pm Staff ly forbidden in the video library. Hanne Skjodt (EDN), Maria João Taborda (Coordination), Inês Mestre (Pre-production), Marta Frade (Production Manager), Samuel Andrade (Production Assistant) PALÁCIO GALVEIAS Support MEDIA, a programme of the EU During the time of the festival Doclisboa enjoys from Palácio Galveias – Campo Pequeno, a venue to welcome guests, press, staff, and general public. The opening and closing cocktail parties will also be held at Palácio Galveias.

DOCLISBOA'12 PARALLEL ACTIVITIES DOCLISBOA'12 PARALLEL ACTIVITIES OTHER ACTIVITIES 82 83

At Palácio Galveias, Doclisboa offers catering services for guests International Conference OCT 25 OCT 26 OCT 27 PASSAGES 10.00 am 10.00 am 10.00 am only, and a venue for socialising and networking for the general CULTURGEST CULTURGEST CULTURGEST Small Aud. Small Aud. Small Aud. public at the bar managed by Purex Club. Round Table OCT 22 RTP AND PUBLIC 2.30 pm TELEVISION SERVICE CULTURGEST Opening hours of Purex Club Bar at Palácio Galveias: Forum Debates OCT 18 through 27 – from 5.00 pm to 2.00 am Round Table OCT 26 THE FILM INDUSTRY AND THE 3.00 pm Open to the general public. CULTURGEST SOUTHERN EUROPEAN CRISIS Forum Debates Round Table OCT 23 INDEPENDENT FILM 2.30 pm CULTURGEST PARTIES LABORATORIES Forum Debates Round Table OCT 24 Parties organised in collaboration with Purex Club: UNITED WE STAND, 11.00 am DIVIDED WE FALL CULTURGEST OCT 18 – from 11.30 pm to 2.00 am: Opening Cocktail and Party Forum Debates at Palácio Galveias, Campo Pequeno. Masterclass OCT 23 ANDREI UJICA 10.30 am OCT 20 – from 11.30 pm to 3.00 am: Heart Beat Opening Party at CULTURGEST Large Aud. Purex Club, Bairro Alto (Rua das Salgadeiras, 28). Masterclass OCT 21 OCT 26 – from 11.30 pm to 3.00 am: Tribute to Curtas Vila do ONLINE DISTRIBUTION: 11.00 am CULTURGEST Conde night at Purex Club, Bairro Alto (Rua das Salgadeiras, 28). WHAT TO (NOT) EXPECT Small Aud. OCT 27 – from 11.30 pm to 4.00 am: Closing Cocktail followed by Workshop OCT 22 OCT 23 OCT 24 OCT 25 OCT 26 WITH DIRECTORS 11.00 am 3.00 pm 3.00 pm 11.00 am 3.00 pm VICE Party at Palácio Galveias, Campo Pequeno. CULTURGEST SÃO JORGE SÃO JORGE CULTURGEST SÃO JORGE Forum Debates Montepio Cin. Montepio Cin. Forum Debates Montepio Cin. Party organised in collaboration with Alambique Workshop LOMOKINO OCT 28 (film screenings) 6.00 pm SÃO JORGE and Luxfrágil: Montepio Cin. OCT 25 – from midnight to 6.00 am: LCD Luxfrágil Party at Docs 4 Kids OCT 20 OCT 27 OCT 28 Av. Infante D. Henrique, Armazém A, Cais da Pedra (Sta. Apolónia). (4–7) 3.00 pm 10.30 am 10.30 am SÃO JORGE SÃO JORGE SÃO JORGE Montepio Cin. Montepio Cin. Montepio Cin. Further information: www.doclisboa.org Docs 4 Kids OCT 21 OCT 27 OCT 28 (8–12) 3.30 pm 3.30 pm 3.30 pm SÃO JORGE SÃO JORGE SÃO JORGE Montepio Cin. Montepio Cin. Montepio Cin. DVD Launching OCT 19 CANON ACTIONS É na Terra não é na Lua 6.15 pm CULTURGEST by Gonçalo Tocha Forum Debates OCT 25 – 3.00 pm, São Jorge – Montepio cinema Book Launching OCT 22 De Casa em Casa 6.45 pm by Filomena Silvano CULTURGEST Free admittance. Tickets must be collected at Cinema São Jorge. Forum Debates DVD Launching OCT 21 Blokada and Le Chagrin 3.00 pm CULTURGEST et la Pitié Forum Debates Lisbon Docs OCT 19 / 10.00 OCT 20 / 10.00 am — 14.00 pm am — 14.00 pm CULTURGEST CULTURGEST Small Aud. Small Aud. Canon Actions OCT 25 3.00 pm SÃO JORGE Montepio Cin.

DOCLISBOA'12 PARALLEL ACTIVITIES DOCLISBOA'12 PARALLEL ACTIVITIES VENUES 9:30 pm 10:00 pm

9:30 pm P. 3 DAILY PROGRAMME CULTURGEST OPENING Large SESSION • A ÚLTIMA VEZ QUE VI Auditorium MACAU (João Pedro Rodrigues, João Rui Guerra da Mata, 85')

10:00 pm P. 6 0 CULTURGEST • MILOS FORMAN: CO TE Small NEZABIJE... (Milos Smídmajer, 100') Auditorium

9:45 pm P. 2 1 LONDRES 1 • NUUKURIA NEISHON (Atsushi Funahashi, 145')

9:15 pm P. 2 2 LONDRES 2 • AGE IS... (Stephen Dwoskin, 73')

S. JORGE Manoel de Oliveira cinema

S. JORGE 3

CINEMATECA Dr. Félix Ribeiro cinema

CINEMATECA Luís de Pina cinema

9:30 pm P. 3 0 NIMAS • DEMAIN ON DÉMÉNAGE (Chantal Akerman, 110')

THU / OCTOBER 18

DAILY PROGRAMME VENUES 3:00 pm 4:00 pm 6:00 pm 7:00 pm 9:30 pm 10:00 pm

4:15 pm P. 6 7 7:00 pm P. 16, P. 13 9:30 pm P. 3 1 CULTURGEST • FAR FROM • HISTÓRIAS DO • D'EST Large AFGHANISTAN FUNDO DO QUINTAL (Chantal Akerman, 110') (AAVV, 129') (Tiago Afonso, 14') Auditorium • LE PAIN QUE LE DIABLE A PÉTRI (José Vieira, 84')

4:15 pm P. 6 9 6:45 pm P. 1 8 9:15 pm P. 1 8 CULTURGEST • É NA TERRA NÃO É • EDIFICIO • DAO LU Small NA LUA – O ARQUIVO ESPAÑA (Xu Xin, 113') (Gonçalo Tocha, 120') (Víctor Auditorium Moreno, 94')

4:30 pm P. 1 9 7:15 pm P. 8, P. 5 9:45 pm P. 10, P. 20 LONDRES 1 • LES INVISIBLES • THE CREATION • RELOCATION (Sébastien Lifshitz, 115') AS WE SAW IT (Pieter Geenen, 23') (Ben Rivers, 14') • MRTVÁ TRAT • FOGO (Šimon Špidla, 52') (Yulene Olaizola, 61')

6:45 pm P. 4 0 9:15 pm P. 1 8 LONDRES 2 SLAPSTICK • ESPOIR VOYAGE POLITICS (Michel K. Zongo, 82') • VLADIMIR ET ROSA (Groupe Dziga Vertov, 96')

9:45 pm P. 6 0 S. JORGE • ROMAN POLANSKI, Manoel A FILM MEMOIR (Laurent Bouzereau, 90') de Oliveira cinema

S. JORGE 3

CINEMATECA Dr. Félix Ribeiro cinema

CINEMATECA Luís de Pina cinema

9:30 pm P. 2 9 NIMAS • LA CAPTIVE (Chantal Akerman, 107')

FRI / OCTOBER 19

DOCLISBOA'12 DAILY PROGRAMME VENUES 3:00 pm 4:00 pm 6:00 pm 7:00 pm 9:30 pm 10:00 pm

4:30 pm P. 1 2 7:00 pm P. 8, P. 6 9:30 pm P. 2 1 CULTURGEST • AMANHECER • CINELÂNDIA • REVISION Large A ANDAR (Louidgi Beltrame, (Philip Scheffner, 106') (Sílvia Firmino, 97') Elfi Turpin, 31') Auditorium • THE RADIANT (The Otolith Group, 64')

4:15 pm P. 29, P. 34 6:45 pm P. 5 9 9:15 pm P. 27, P. 23 CULTURGEST • LA CHAMBRE • LASTUJA – • A STORY FOR Small (Chantal Akerman, 11') TAITEILIJASUVUN THE MODLINS • NEWS FROM HOME VUOSISATA (Sergio Oksman, 26') Auditorium (Chantal Akerman, 85') (Peter von Bagh, 74') • EMAK BAKIA BAITA (Oskar Alegria, 83')

4:45 pm P. 2 1 7:15 pm P. 26, P. 24, P. 24, P. 24 9:45 pm P. 9, P. 5 LONDRES 1 • SHILTON HA'CHOK • MOVING STORIES (Nicolas Provost, 7') • GHALIZTAR AZ TINER (Ra'anan Alexandrowicz, 101') • INQUIRE WITHIN (Jay Rosenblatt, 4') (Babak Afrassiabi, 29') • HOLLYWOOD MOVIE (Volker Schreiner, 7') • BAKOROMAN • FREE RADICALS: A HISTORY OF (Simplice Ganou, 62') EXPERIMENTAL FILM (Pip Chodorov, 82')

4:15 pm P. 41, P. 42 6:45 pm 9:15 pm P. 1 9 LONDRES 2 BLACK P. 42, P. 42 • LIBYA HURRA AMERICA BURNING (Fritz Ofner, 70') • OFF THE PIG (San AMERICA Francisco Newsreel, 14') • EL PUEBLO SE • FINALLY GOT THE LEVANTA – THE NEWS (AAVV, 56') YOUNG LORDS FILM (The Newsreel Collective, 50') • RED SQUAD (Howard Blatt, 10:00 pm P. 5 8 S. JORGE Steven Fischler, HEART BEAT Manoel Joel Sucher, 45') OPENING SESSION • VISÕES DE de Oliveira MADREDEUS cinema (Edgar Pêra, 70')

4:30 pm P. 61, P. 61, P. 61, P. 61, P. 62 7:00 pm P. 62, P. 62, P. 62, P. 62, P. 63, P. 63 S. JORGE 3 GREEN YEARS 1 GREEN YEARS 2 • MEIO CAMINHO ANDADO (AAVV, 7’) • AQUI E AGORA (Carla Fonseca, 5’) • SAGITTARIUS • MAREANTES (Gonçalo Loureiro, Rui João (Samuel Marques, 9’) • HORIZONTE (Jorge Romariz, Rodrigues, Sónia Faria Lopes, 7') • MAMADU & Tiago Siopa, 7’) • TELES (José Magro, 13’) • ALQUIMIA BINTA (Cátia Aguiam, Joana Aguiam, João V. F., 6’) (Diogo Sequeira, 18’) • DEIXA VIR O DE AMANHÃ • EKATERINA (Miguel Cravo, 14’) • CANTORES (David de Mira, 18’) DO SUBMUNDO (Fernando Miguel Moreira, 39’)

CINEMATECA Dr. Félix Ribeiro cinema

CINEMATECA Luís de Pina cinema

9:30 pm P. 3 1 NIMAS • LA FOLIE ALMAYER (Chantal Akerman, 127')

SAT / OCTOBER 20

DOCLISBOA'12 DAILY PROGRAMME VENUES 3:00 pm 4:00 pm 6:00 pm 7:00 pm 9:30 pm 10:00 pm

4:30 pm P. 15, P. 14 7:00 pm P. 6 7 9:30 pm P. 15, P. 12 CULTURGEST • BELA VISTA • DUCH, LE MAÎTRE • ENCONTRO COM SÃO Large (Filipa Reis, João Miller DES FORGES DE JOÃO DA CRUZ Guerra, 30') L'ENFER (Daniel Ribeiro Duarte, 19') Auditorium • SOBRE VIVER (Rithy Panh, 110') • CATIVEIRO (Cláudia Alves, 51') (André Gil Mata, 64')

4:15 pm P. 30, P. 32 6:45 pm P. 26, P. 23 9:15 pm P. 10, P. 4 CULTURGEST • LE DÉMÉNAGEMENT • ONE, TWO, MANY • PAN, TRABAJO Y LIBERTAD (Pilar Monsell, 25') Small (Chantal Akerman, 42') (Manon de Boer, 22') • THE ANABASIS OF MAY AND FUSAKO SHIGENOBU, • L'HOMME À LA VALISE • CELLO MASAO ADACHI AND 27 YEARS WITHOUT IMAGES Auditorium (Chantal Akerman, 60') (Marcel Hanoun, 61') (Eric Baudelaire, 66')

3:45 pm P. 44, P. 44 7:15 pm P. 11, P. 6 9:45 pm P. 2 2 LONDRES 1 DOWN WITH COLONIALISM, • SOUS LE CIEL • 74 (ARBAA DOWN WITH FASCISM! (Olivier Dury, 16') WA SABOUN) • UN PEUPLE EN MARCHE • PEOPLE'S PARK (Rania Rafei, (Algerian student film collective, 65') (Libbie D. Cohn, Raed Rafei, 95') • CAMINHOS DA LIBERDADE J. P. Sniadecki, 78') (Cinequipa, 45')

4:00 pm P. 1 9 6:45 pm 9:15 pm P. 4 1 LONDRES 2 • LES INVISIBLES P. 9, P. 20 AGAINST THE WAR (Sébastien Lifshitz, 115') • O MILAGRE • WINTER SOLDIER DE SANTO ANTÓNIO (Winterfilm Collective, 96') (Sergei Loznitsa, 40') • UN MITO ANTROPOLOGICO TELEVISIVO (Alessandro Gagliardo, Maria 3:00 pm P. 6 6 4:45 pm P. 5 8 Helene Bertino, 7:15 pm P. 5 6 9:45 pm P. 56, P. 54 S. JORGE • DEMOKRATIA, • TROPICÁLIA Dario Castelli, 54') • A MINHA BANDA E EU • LUCKY THREE Manoel O DROMOS TOU (Marcelo Machado, 87') (Inês Gonçalves, (Jem Cohen, 11') STAVROU Kiluanje Liberdade, 62') • BENJAMIN SMOKE de Oliveira (Marco Gastine, 84') (Jem Cohen, Peter Sillen, 73') cinema

4:30 pm P. 63, P. 63, P. 64, P. 64, P. 64 7:00 pm P. 5 9 9:30 pm P. 1 9 S. JORGE 3 GREEN YEARS 3 • GERHARD RICHTER • LOW DEFINITION • PAISAGENS DE PAPEL (Pedro Almeida, André Pisca, 12’) PAINTING CONTROL MALFUNCTIONS #0 • UM PASSEIO NO VAZIO (Gonçalo Cardeira, Rodrigo Lopes, 18') (Corinna Belz, 97') (Michael Palm, 95') • CENAS DE UMA COMUNIDADE POLÍTICA (Ângela Melo, Diogo Allen, Sofia Aguiar, 19’) • CANÇÃO DO DESTERRO (Margarida Correia, 13’) • LUGAR DO TEMPO (Manuel Guerra, 12’)

CINEMATECA Dr. Félix Ribeiro cinema

CINEMATECA Luís de Pina cinema

SUN / OCTOBER 21

DOCLISBOA'12 DAILY PROGRAMME VENUES 3:00 pm 4:00 pm 6:00 pm 7:00 pm 9:30 pm 10:00 pm

5:00 pm P. 6 8 7:30 pm P. 17, P. 14 9:30 pm P. 8, P. 7 CULTURGEST • MAGYARORSZÁG • UM RIO CHAMADO AVE • DUSTY NIGHT Large 2011 (AAVV, 75') (Luís Alves de Matos, 20') (Ali Hazara, 20') • SEEMS SO LONG AGO, NANCY • VERS MADRID Auditorium (Tatiana Macedo, 45') (THE BURNING BRIGHT)! (Sylvain George, 60')

4:45 pm P. 69, P. 69 7:15 pm P. 44, P. 45, P. 45 10:00 pm P. 54, P. 57 CULTURGEST • ESTA É A MINHA CASA WOMEN IN REVOLT • DON CHERRY Small (João Pedro Rodrigues, 51') • L’AGGETTIVO DONNA (AAVV, 16') • VIAGEM À EXPO (Collettivo Femminista di Cinema di Roma, 55') • SONNY ROLLINS Auditorium (João Pedro Rodrigues, 55') • WOMEN OF THE RHONDDA BEYOND THE NOTES (London Women’s Film Group, 20') (Dick Fontaine, 78') • MASO ET MISO VONT EN BATEAU (AAVV, 55')

4:45 pm P. 8, P. 5 7:15 pm P. 1 8 9:45 pm P. 25, P. 23 LONDRES 1 • THE CREATION • ESPOIR VOYAGE • MEKONG HOTEL AS WE SAW IT (Michel K. Zongo, 82') (Apichatpong Weerasethakul, 57') (Ben Rivers, 14') • ASHES • FOGO (Apichatpong Weerasethakul, 20') (Yulene Olaizola, 61')

4:15 pm P. 2 2 6:45 pm 9:15 pm P. 1 8 LONDRES 2 • AGE IS... P. 26, P. 24, P. 24, P. 24 • EDIFICIO ESPAÑA (Stephen Dwoskin, 73') • MOVING STORIES (Víctor Moreno, 94') (Nicolas Provost, 7') • INQUIRE WITHIN (Jay Rosenblatt, 4') • HOLLYWOOD MOVIE (Volker Schreiner, 7') • FREE RADICALS: A HISTORY OF EXPERIMENTAL FILM 7:00 pm P. 6 6 9:30 pm P. 56, P. 55 S. JORGE (Pip Chodorov, 82') • 5 BROKEN CAMERAS • NÃO ME IMPORTAVA DE Manoel (Emad Burnat, Guy Davidi, 90') MORRER SE HOUVESSE GUITARRAS NO CÉU de Oliveira (Tiago Pereira, 52') • O FADO DA BIA cinema (Diogo Varela Silva, 60')

4:30 pm P. 1 2 7:00 pm P. 64, P. 65, P. 65, P. 65, P. 65, P. 65 9:30 pm P. 2 1 S. JORGE 3 • AMANHECER GREEN YEARS 4 • NUUKURIA NEISHON A ANDAR • DIAGNÓSTICO (Alexandra de Matos, 9’) • AHH! (Atsushi Funahashi, 145') (Sílvia Firmino, 97') (Luis Almeida, 6’) • HULLAZULLA (Raquel Ceriz, 7’) • SANTA MARIA DOS OLIVAIS (Susanne Malorny, 7’) • HETEROTOPIA (Tiago Siopa, 11’) • FADO CANIBAL (Timóteo Azevedo, 22’)

7:00 pm P. 35, P. 29, P. 33 CINEMATECA • SAUTE MA VILLE Dr. Félix (Chantal Akerman, 13') • LA CHAMBRE Ribeiro (Chantal Akerman, 11') • JE, TU, IL, ELLE cinema (Chantal Akerman, 90')

10:00 pm P. 3 1 CINEMATECA • D'EST Luís de Pina (Chantal Akerman, 110') cinema

MON / OCTOBER 22

DOCLISBOA'12 DAILY PROGRAMME VENUES 3:00 pm 4:00 pm 6:00 pm 7:00 pm 9:30 pm 10:00 pm

5:00 pm P. 6 8 7:00 pm P. 16, P. 12 9:30 pm P. 11, P. 4 CULTURGEST • SIB • A NOSSA CASA • ZIAMLIA (Victor Asliuk, 30') Large (Samira (João Rodrigues, 19') • ARRAIANOS (Eloy Enciso, 70') Makhmalbaf, 86') • DEPORTADO Auditorium (Nathalie Mansoux, 67')

4:15 pm P. 3 4 6:45 pm P. 13, P. 4 9:15 pm P. 25, P. 22 CULTURGEST • LÀ‑BAS­ • PAN, TRABAJO Y • METEOR Small (Chantal Akerman, 78') LIBERTAD (Pilar (Christoph Girardet, Monsell, 25') Matthias Müller, 15') Auditorium • THE ANABASIS OF • ANDERS, MOLUSSIEN MAY AND FUSAKO (Nicolas Rey, 81') SHIGENOBU, MASAO ADACHI AND 27 YEARS WITHOUT IMAGES 4:45 pm P. 3 (Eric Baudelaire, 66') 7:15 pm P. 9, P. 5 9:45 pm P. 2 1 LONDRES 1 • A ÚLTIMA VEZ • GHALIZTAR AZ TINER • SHILTON HA'CHOK QUE VI MACAU (Babak Afrassiabi, 29') (Ra'anan Alexandrowicz, 101') (João Pedro Rodrigues, • BAKOROMAN João Rui Guerra da (Simplice Ganou, 62') Mata, 85')

4:15 pm P. 2 1 6:45 pm P. 1 9 9:30 pm P. 39, P. 39, P. 40 LONDRES 2 • REVISION • LES WORKING CLASS HEROES (Philip Scheffner, 106') INVISIBLES • LA REPRISE DU TRAVAIL AUX USINES WONDER (Sébastien (IDHEC student collective, 9') Lifshitz, 115') • CLASSE DE LUTTE (Groupes Medvedkine de Besançon, 40') • À PAS LENTES (Collectif Cinélutte, 40')

7:15 pm P. 48, P. 49, P. 49 9:45 pm P. 55, P. 53 S. JORGE CINEMA OF URGENCY 1 • GENESIS ENCORE Manoel • ES.COL.A. DA FONTINHA – ESPAÇO COLECTIVO CASCAIS 75 AUTOGESTIONADO (Viva Filmes, 18') (João Dias, 40') de Oliveira • SÃO LÁZARO 94 (Cinema Libertário Acção Projecção, 15') • APOCALYPSE: A BILL • S'ËSHTË LAVAZH (Gentian Koçi, 50') CALLAHAN TOUR FILM cinema (Hanly Banks, 61')

4:30 pm P. 15, P. 14 7:00 pm P. 2 7 9:30 pm P. 16, P. 13 S. JORGE 3 • BELA VISTA • TWO YEARS AT SEA • HISTÓRIAS DO (Filipa Reis, João Miller (Ben Rivers, 88') FUNDO DO QUINTAL Guerra, 30') (Tiago Afonso, 14') • SOBRE VIVER • LE PAIN QUE LE (Cláudia Alves, 51') DIABLE A PÉTRI (José Vieira, 84')

7:00 pm P. 3 2 CINEMATECA • HÔTEL MONTEREY Dr. Félix (Chantal Akerman, 63') Ribeiro cinema

10:00 pm P. 3 5 CINEMATECA • SUD Luís de Pina (Chantal Akerman, 70') cinema

TUE / OCTOBER 23

DOCLISBOA'12 DAILY PROGRAMME VENUES 3:00 pm 4:00 pm 6:00 pm 7:00 pm 9:30 pm 10:00 pm

4:00 pm P. 2 1 7:00 pm P. 16, P. 13 9:30 pm P. 14, P. 15 CULTURGEST • NUUKURIA NEISHON • O HOMEM • TERRA DE NINGUÉM Large (Atsushi Funahashi, 145') DO TRATOR (Salomé Lamas, 72') (Gonçalo Branco, 19') • AUX BAINS DE LA REINE Auditorium • O REGRESSO (Sérgio da Costa, Maya Kosa, 37') (Júlio Alves, 71')

3:30 pm P. 4 6 6:45 pm P. 8, P. 6 9:15 pm P. 29, P. 31 CULTURGEST THE LAST • CINELÂNDIA • CHANTAL AKERMAN Small RESISTANCE 1 (Louidgi Beltrame, PAR CHANTAL AKERMAN • SO THAT YOU CAN LIVE Elfi Turpin, 31') (Chantal Akerman, 63') Auditorium (Cinema Action, 83') • THE RADIANT • DIS‑MOI­ (The Otolith (Chantal Akerman, 45') Group, 64')

4:45 pm P. 8, P. 7 7:15 pm P. 1 8 9:45 pm P. 10, P. 6 LONDRES 1 • DUSTY NIGHT • EDIFICIO ESPAÑA • NEVADA: OF LANDSCAPE (Ali Hazara, 20') (Víctor Moreno, 94') AND LONGING • VERS MADRID (Ian Soroka, 15') (THE BURNING BRIGHT)! • POSLEDNATA LINEIKA (Sylvain George, 60') NA SOFIA (Ilian Metev,75')

4:15 pm P. 9, P. 20 6:45 pm P. 2 2 9:15 pm P. 4 6 LONDRES 2 • O MILAGRE DE • 74 (ARBAA THE LAST RESISTANCE 2 SANTO ANTÓNIO WA SABOUN) • THE YEAR OF THE BEAVER: (Sergei Loznitsa, 40') (Rania Rafei, A FILM ABOUT THE MODERN • UN MITO ANTROPOLOGICO Raed Rafei, 95') 'CIVILISED' STATE TELEVISIVO (Poster­‑Film Collective, 77') (Alessandro Gagliardo, Maria Helene Bertino, Dario Castelli, 54')

7:15 pm P. 49, P. 50, P. 50 9:45 pm P. 5 5 S. JORGE CINEMA OF URGENCY 2 • FROM A MESS Manoel • CHEAP TICKETS (Kostas Iordanou, 10') TO THE MASSES • THE SUFFERING GRASSES: WHEN (Antoine Wagner, de Oliveira ELEPHANTS FIGHT, IT IS THE GRASS Francisco Soriano, 52') THAT SUFFERS (Iara Lee, 52') cinema • SAA'BOR GHADANE (Abounaddara, 4')

4:30 pm P. 17, P. 14 7:00 pm P. 5 6 9:30 pm P. 5 4 S. JORGE 3 • UM RIO CHAMADO AVE • A MINHA BANDA E EU • AS CANÇÕES (Luís Alves de Matos, 20') (Inês Gonçalves, (Eduardo Coutinho, 92') • SEEMS SO LONG AGO, NANCY Kiluanje Liberdade, 62') (Tatiana Macedo, 45')

7:00 pm P. 2 5 CINEMATECA • LES RENDEZ‑VOUS­ D'ANNA Dr. Félix (Chantal Akerman, 127') Ribeiro cinema

10:00 pm P. 3 4 CINEMATECA • LÀ‑BAS­ Luís de Pina (Chantal Akerman, 78') cinema

WED / OCTOBER 24

DOCLISBOA'12 DAILY PROGRAMME VENUES 3:00 pm 4:00 pm 6:00 pm 7:00 pm 9:30 pm 10:00 pm

3:30 pm P. 3 5 7:00 pm P. 17, P. 13 9:30 pm P. 7 CULTURGEST • SUD • A RAIA • SAN ZIMEI Large (Chantal Akerman, 70') (Iván Castiñeiras (Wang Bing, 153') Gallego, 15') Auditorium • O SABOR DO LEITE CREME (Hiroatsu Suzuki, Rossana Torres, 74')

4:15 pm P. 15, P. 12 6:45 pm P. 54, P. 57 9:15 pm P. 26, P. 23 CULTURGEST • ENCONTRO COM • DON CHERRY • ONE, TWO, MANY Small SÃO JOÃO DA CRUZ (AAVV, 16') (Manon de Boer, 22') (Daniel Ribeiro Duarte, 19') • SONNY • CELLO Auditorium • CATIVEIRO ROLLINS (Marcel Hanoun, 61') (André Gil Mata, 64') BEYOND THE NOTES (Dick Fontaine, 78')

4:45 pm P. 56, P. 55 7:15 pm P. 11, P. 4 9:45 pm P. 2 1 LONDRES 1 • NÃO ME IMPORTAVA • ZIAMLIA • REVISION DE MORRER SE HOUVESSE (Victor Asliuk, 30') (Philip Scheffner, 106') GUITARRAS NO CÉU • ARRAIANOS (Tiago Pereira, 52') (Eloy Enciso, 70') • O FADO DA BIA (Diogo Varela Silva, 60')

4:15 pm P. 10, P. 20 6:45 pm P. 4 5 9:15 pm P. 5 LONDRES 2 • RELOCATION CLASS • BABYLON (Pieter Geenen, 23') STRUGGLE (Youssef Chebbi, • MRTVÁ TRAT IN THE UK Ismaël, Ala Eddine Slim, 119') (Šimon Špidla, 52') • NIGHT CLEANERS PART 1 (Berwick Street Film Collective, 90')

7:15 pm P. 50, P. 51, P. 51, P. 51, P. 52, P. 52 9:45 pm P. 5 7 S. JORGE CINEMA OF URGENCY 3 • L'OPÉRA DU Manoel • HOW TO FILM A REVOLUTION (Corey Ogilvie, 5') • ARTIGO 45º (Rui Luís, 16') BOUT DU MONDE • THANASSIS (Demetri Sofianopoulos, 8')• LOS DESNUDOS NOTRE CORPS EST (Marie­‑Clémence Paes, de Oliveira UNE ARME (Clarisse Hahn, 13') • JA ARRIBA EL TEMPS DE REMENAR LES Cesar Paes, 96') CIRERES (Jorge Tur Moltó, 11') • GRAVITY HILLS NEWSREELS OCCUPY WALL cinema STREET PART 1 (Jem Cohen, 24')

4:30 pm P. 2 7 7:00 pm P. 53, P. 58 9:30 pm P. 16, P. 12 S. JORGE 3 • TWO YEARS AT SEA • ARCANA • A NOSSA CASA (Ben Rivers, 88') (Henry Hills, 31') (João Rodrigues, 19') • A STRAVINSKY • DEPORTADO PORTRAIT (Nathalie Mansoux, 67') (Richard Leacock, Rolf Liebermann, 58')

7:00 pm P. 3 6 9:30 pm P. 3 2 CINEMATECA • TOUTE UNE NUIT • JEANNE DIELMAN 23, Dr. Félix (Chantal Akerman, 90') QUAI DU COMMERCE, 1080 BRUXELLES Ribeiro (Chantal Akerman, 200') cinema

CINEMATECA Luís de Pina cinema

11:00 pm P. 5 7 LUX • SHUT UP AND PLAY THE HITS: O FIM DOS LCD SOUNDSYSTEM (Dylan Southern, Will Lovelace, 108')

THU / OCTOBER 25

DOCLISBOA'12 DAILY PROGRAMME VENUES 3:00 pm 4:00 pm 6:00 pm 7:00 pm 9:30 pm 10:00 pm

4:00 pm P. 1 9 6:30 pm P. 25, P. 27, P. 26 9:30 pm P. 33, P. 28 CULTURGEST • LOW DEFINITION CONTROL • MANHÃ DE • UN JOUR PINA M'A DEMANDÉ... Large MALFUNCTIONS #0 SANTO ANTÓNIO (Chantal Akerman, 57') (Michael Palm, 95') (João Pedro Rodrigues, 24') • AVEC SONIA WIEDER‑ATHERTON­ Auditorium • SAUDADE (Chantal Akerman, 52') (Jean­‑Claude Rousseau, 14') • RECONVERSÃO (Thom Andersen, 65')

4:15 pm P. 1 8 6:45 pm P. 47, P. 47 9:15 pm P. 27, P. 23 CULTURGEST • DAO LU FIGHTING • A STORY FOR THE MODLINS Small (Xu Xin, 113') MINORITIES (Sergio Oksman, 26') • TERRITORIES • EMAK BAKIA BAITA Auditorium (Isaac Julien, 25') (Oskar Alegria, 83') • HANDSWORTH SONGS (John Akomfrah, 61')

4:15 pm P. 5 7:15 pm P. 10, P. 6 9:45 pm P. 1 9 LONDRES 1 • BABYLON • NEVADA: OF LANDSCAPE • LIBYA HURRA (Youssef Chebbi, AND LONGING (Ian Soroka, 15') (Fritz Ofner, 70') Ismaël, Ala Eddine Slim, 119') • POSLEDNATA LINEIKA NA SOFIA (Ilian Metev, 75')

4:15 pm P. 1 8 6:45 pm 9:15 pm P. 11, P. 6 LONDRES 2 • ESPOIR VOYAGE P. 16, P. 13 • SOUS LE CIEL (Michel K. Zongo, 82') • O HOMEM (Olivier Dury, 16') DO TRATOR • PEOPLE'S PARK (Gonçalo Branco, 19') (Libbie D. Cohn, • O REGRESSO J. P. Sniadecki, 78') (Júlio Alves, 71')

4:45 pm P. 71, P. 71, P. 71 7:15 pm P. 5 2 9:45 pm P. 70, P. 70, P. 70 S. JORGE TRIBUTE TO FERNANDO LOPES CINEMA OF TRIBUTE TO CURTAS VILA DO CONDE Manoel • AS PEDRAS E O TEMPO – ÉVORA URGENCY 4 • A RUA DA ESTRADA (Graça Castanheira, 35') (Fernando Lopes, 16') • ZAVTRA • CINZAS, ENSAIO SOBRE O FOGO (Pedro Flores, 18') de Oliveira • CINEMA (Fernando Lopes, 23') (Andrey Gryazev, 90') • O CANTO DO ROCHA (Helvécio Marins Jr., 19') • OLHAR/VER, GÉRARD FOTÓGRAFO cinema (Fernando Lopes, 50')

4:00 pm P. 14, P. 15 7:00 pm P. 5 9 9:30 pm P. 6 6 S. JORGE 3 • TERRA DE NINGUÉM • GERHARD RICHTER PAINTING • DEMOKRATIA, (Salomé Lamas, 72') (Corinna Belz, 97') O DROMOS TOU STAVROU • AUX BAINS DE LA REINE (Marco Gastine, 84') (Sérgio da Costa, Maya Kosa, 37')

7:00 pm P. 33, P. 28, P. 34 CINEMATECA • J'AI FAIM, J'AI FROID (Chantal Akerman, 12') Dr. Félix • LE 15/8 (Chantal Akerman, Samy Szlingerbaum, 42') • PORTRAIT D'UNE JEUNE FILLE DE LA FIN DES Ribeiro ANNÉES 60 À BRUXELLES (Chantal Akerman, 60') cinema

10:00 pm P. 3 4 CINEMATECA • NEWS FROM HOME Luís de Pina (Chantal Akerman, 85') cinema

FRI / OCTOBER 26

DOCLISBOA'12 DAILY PROGRAMME VENUES 3:00 pm 4:00 pm 6:00 pm 7:00 pm 9:30 pm 10:00 pm

4:30 pm P. 3 0 9:30 pm P. 3 CULTURGEST • DE L'AUTRE CÔTÉ CLOSING SESSION Large (Chantal Akerman, 102') AND PRIZE CEREMONY • CESARE DEVE MORIRE Auditorium (Paolo Taviani, Vittorio Taviani, 76')

4:00 pm P. 17, P. 13 6:45 pm P. 25, P. 22 9:15 pm P. 6 7 CULTURGEST • A RAIA • METEOR • DUCH, LE MAÎTRE Small (Iván Castiñeiras Gallego, 15') (Christoph Girardet, DES FORGES DE L'ENFER • O SABOR DO LEITE CREME Matthias Müller, 15') (Rithy Panh, 110') Auditorium (Hiroatsu Suzuki, Rossana Torres, 74') • ANDERS, MOLUSSIEN (Nicolas Rey, 81')

3:30 pm P. 7 7:15 pm P. 10, P. 20 9:45 pm P. 6 7 LONDRES 1 • SAN ZIMEI • RELOCATION • FAR FROM AFGHANISTAN (Wang Bing, 153') (Pieter Geenen, 23') (AAVV, 129') • MRTVÁ TRAT (Šimon Špidla, 52')

4:15 pm P. 43, P. 43 6:45 pm P. 9, P. 20 9:15 pm P. 53, P. 58 LONDRES 2 CRIES FROM SOUTH AMERICA • O MILAGRE • ARCANA • CUANDO DESPIERTA EL PUEBLO DE SANTO ANTÓNIO (Henry Hills, 31') (Colectivo de la Unidad Popular, 59') (Sergei Loznitsa, 40') • A STRAVINSKY PORTRAIT • ME MATAN SI NO TRABAJO • UN MITO (Richard Leacock, Y SI TRABAJO ME MATAN ANTROPOLOGICO Rolf Liebermann, 58') (Raymundo Gleyzer, 20') TELEVISIVO (Alessandro Gagliardo, Maria Helene Bertino, Dario Castelli, 54') 3:00 pm P. 5 3 4:45 pm P. 5 5 7:15 pm P. 6 0 9:45 pm P. 5 8 S. JORGE CINEMA OF URGENCY 5 • FROM A MESS • ROMAN POLANSKI, • TROPICÁLIA Manoel • Ó MARQUÊS ANDA CÁ TO THE MASSES A FILM MEMOIR (Marcelo Machado, 87') ABAIXO OUTRA VEZ! (Antoine Wagner, (Laurent Bouzereau, 90') de Oliveira (João Viana, 60') Francisco Soriano, 52') cinema

4:30 pm P. 5 8 7:00 pm P. 5 9 9:30 pm P. 6 6 S. JORGE 3 • VISÕES DE • LASTUJA – • 5 BROKEN CAMERAS MADREDEUS TAITEILIJASUVUN (Emad Burnat, Guy Davidi, 90') (Edgar Pêra, 70') VUOSISATA (Peter von Bagh, 74')

CINEMATECA Dr. Félix Ribeiro cinema

CINEMATECA Luís de Pina cinema

SAT / OCTOBER 27

DOCLISBOA'12 DAILY PROGRAMME VENUES 3:00 pm 4:00 pm 6:00 pm 7:00 pm 9:30 pm 10:00 pm

4:30 pm 7:00 pm 9:30 pm CULTURGEST RESEARCH AWARD PORTUGUESE INTERNATIONAL Large (RTP Award for Best COMPETITION AWARDS COMPETITION AWARDS Research Film) (LISCONT Award for Best (CITY OF LISBON Award for Auditorium Feature-length Film and Best Feature-length Film CANON Award for and SIEMENS Award for Best Short Film) Best Short Film)

4:15 pm P. 6 8 6:45 pm P. 2 8 9:15 pm CULTURGEST • SIB • LES ANNÉES 80 NEW TALENT AWARD Small (Samira Makhmalbaf, 86') (Chantal Akerman, 79') (FAST FORWARD Award for Best First Film comprising Auditorium International Competition, Investigation and New Visions)

4:45 pm P. 25, P. 27, P. 26 7:15 pm P. 5 4 LONDRES 1 • MANHÃ DE SANTO ANTÓNIO • AS CANÇÕES (João Pedro Rodrigues, 24') (Eduardo Coutinho, 92') • SAUDADE (Jean­‑Claude Rousseau, 14') • RECONVERSÃO (Thom Andersen, 65')

4:15 pm P. 6 8 6:45 pm P. 4 8 LONDRES 2 • MAGYARORSZÁG 2011 NO(W) FUTURE (AAVV, 75') • VAI VIEGLI BUT JAUNAM? (Juris Podnieks, 79')

3:00 pm P. 6 0 5:00 pm P. 56, P. 54 7:15 pm P. 55, P. 53 S. JORGE • MILOS FORMAN: • LUCKY THREE • GENESIS ENCORE Manoel CO TE NEZABIJE... (Jem Cohen, 11') CASCAIS 75 (Milos Smídmajer, 100') • BENJAMIN SMOKE (João Dias, 40') de Oliveira (Jem Cohen, Peter • APOCALYPSE: Sillen, 73') A BILL CALLAHAN cinema TOUR FILM (Hanly Banks, 61')

4:30 pm P. 5 7 7:00 pm S. JORGE 3 • L'OPÉRA DU PORTUGUESE FIRST FILM AWARD BOUT DU MONDE (JAMESON Award for Best (Marie‑Clémence­ Paes, Portuguese Competition First Film) Cesar Paes, 96')

CINEMATECA Dr. Félix Ribeiro cinema

CINEMATECA Luís de Pina cinema

SUN / OCTOBER 28

DOCLISBOA'12 DAILY PROGRAMME FILMS A-Z 106 FILMS A-Z 107

FILMS A–Z / original title 64 Cenas de uma Comunidade 65 Fado Canibal 19 Low Definition Política 55 Fado da Bia, O Control Malfunctions #0 03 Cesare deve morire 67 Far from Afghanistan 56 Lucky Three 66 5 Broken Cameras 29 Chambre, La 42 Finally got the News 64 Lugar do Tempo 28 15/8, Le 29 Chantal Akerman 05 Fogo 22 74 (Arbaa wa Saboun) par Chantal Akerman 31 Folie Almayer, La 68 Magyarország 2011 49 Cheap Tickets 24 Free Radicals: a History 61 Mamadu & Binta 22 Age is… 08 Cinelândia of Experimental Film 61 Mareantes 44 Aggetivo Donna, L’ 71 Cinema 55 From a Mess to the Masses 25 Manhã de Santo António 65 Ahh! 70 Cinzas, Ensaio sobre o Fogo 45 Maso et Miso vont en Bateau 63 Alquimia 39 Classe de Lutte 55 Genesis Encore Cascais 75 61 Meio Caminho Andado 12 Amanhecer a andar 08 Creation as We saw it, The 59 Gerhard Richter Painting 25 Mekong Hotel 04 Anabasis of May and Fusako 43 Cuando despierta el Pueblo 09 Ghaliztar az Tiner 25 Meteor Shigenobu, Masao Adachi and 52 Gravity Hill Newsreels: 43 Me matan si no trabajo y si 27 Years without Images, The 18 Dao Lu Occupy Wall Street Part 1 trabajo me matan 22 Anders, Molussien 63 Deixa vir o de Amanhã 09 Milagre de Santo António, O 28 Années 80, Les 30 Demain on déménage 47 Handsworth Songs 60 Milos Forman: Co tě nezabije… 53 Apocalypse: a Bill Callahan 30 Déménagement, Le 65 Heterotopia 56 Minha Banda e Eu, A Tour Film 66 Demokratia, o Dromos 16 Histórias do Fundo do Quintal 20 Mito Antropologico Televisivo, Un 62 Aqui e Agora tou Stavrou 24 Hollywood Movie 26 Moving Stories 53 Arcana 12 Deportado 16 Homem do Trator, O 20 Mrtvá Trať 04 Arraianos 51 Desnudos Notre Corps est 32 Homme à la Valise, L’ 51 Artigo 45º une Arme, Los 62 Horizonte 56 Não me importava de morrer 23 Ashes 30 De l’Autre Côté 32 Hôtel Monterey se houvesse Guitarras no Céu 15 Aux Bains de la Reine 64 Diagnóstico 50 How to film a Revolution 10 Nevada: of Landscape 28 Avec Sonia Wieder­‑Atherton 31 D i s ­‑ m o i 65 HullaZulla and Longing 40 À Pas Lentes 54 Don Cherry 34 News from Home 67 Duch, le Maître des Forges 24 Inquire within 45 Night Cleaners Part 1 05 Babylon de l’Enfer 19 Invisibles, Les 16 Nossa Casa, A 05 Bakoroman 08 Dusty Night 21 Nuukuria Neishon 15 Bela Vista 31 D’Est 52 Ja arriba el Temps de remenar 54 Benjamin Smoke les Cireres 41 Off the Pig 18 Edificio España 32 Jeanne Dielman, 23 Quai 71 Olhar/Ver – Gérard, Fotógrafo 44 Caminhos da Liberdade 61 Ekaterina du Commerce, 1080 Bruxelles 26 One, Two, Many 64 Canção do Desterro 23 Emak Bakia Baita 33 Je, tu, il, elle 57 Opéra du Bout du Monde, L’ 54 Canções, As 15 Encontro com São João da Cruz 33 Jour Pina m’a demandé..., Un 53 Ó Marquês anda Cá Abaixo 62 Cantores do Submundo 18 Espoir Voyage 33 J’ai Faim, j’ai Froid Outra Vez! 70 Canto do Rocha, O 48 Es.Col.A. da Fontinha – Espaço 29 Captive, La Colectivo Autogestionado 59 Lastuja – Taiteilijasuvun 13 Pan que le Diable a Pétri, Le 12 Cativeiro 69 Esta é a Minha Casa Vuosisata 10 Pan, Trabajo y Libertad 23 Cello 69 É na Terra não é na Lua 34 Là­‑bas 63 Paisagens de Papel – O Arquivo 19 Libya Hurra 63 Passeio no Vazio, Um

DOCLISBOA'12 DOCLISBOA'12 FILMS A-Z 108 VENUES AND TICKETS 109

71 Pedras e o Tempo, As – Évora 27 Story for the Modlins, A VENUES AND TICKETS 06 People’s Park 58 Stravinsky Portrait, A 44 Peuple en Marche, Un 35 Sud VENUES 34 Portrait d’une Jeune Fille de la 50 Suffering Grasses: Fin des Années 60 à Bruxelles when Elephants fight, it is CULTURGEST 06 Poslednata Lineika na Sofia the Grass that suffers , The Caixa Geral de Depósitos Foundation – Culturgest 42 Pueblo se levanta, El – The 49 S'është Lavazh Caixa Geral de Depósitos Head Office Young Lords Film Rua Arco do Cego. Tel: +351 217 905 155 62 Teles Culturgest Large Auditorium [612 seats] 06 Radiant, The 14 Terra de Ninguém Culturgest Small Auditorium [145 seats] 17 Raia, A 47 Territories 26 Reconversão 51 Thanassis CINEMA LONDRES 42 Red Squad 36 Toute une Nuit Av. de Roma, 7A. Tel: +351 218 401 313 13 Regresso, O 58 Tropicália Cinema 1 [219 seats] 10 Relocation 27 Two Years at Sea Cinema 2 [114 seats] 35 Rendez­‑vous d’Anna, Les 39 Reprise du Travail aux Usines 03 Última vez que vi Macau, A CINEMA SÃO JORGE Wonder, La Av. da Liberdade, 175. Tel: +351 213 103 400 21 Revision 48 Vai Viegli Būt Jaunam? Manoel de Oliveira Cinema [827 seats] 17 Rio chamado Ave, Um 07 Vers Madrid (The Burning Montepio Cinema [100 seats] 60 Roman Polanski, Bright)! Cinema 3 [181 seats] a Film Memoir 69 Viagem à Expo 70 Rua da Estrada, A 58 Visões de Madredeus CINEMATECA PORTUGUESA 40 Vladimir et Rosa – MUSEU DO CINEMA 50 Saa’bor Ghadane Rua Barata Salgueiro, 39. Tel: +351 213 596 262 13 Sabor do Leite Creme, O 41 Winter Soldier Dr. Félix Ribeiro Cinema [227 seats] 62 Sagittarius 45 Women of the Rhondda Luís de Pina Cinema [47 seats] 65 Santa Maria dos Olivais 6x2 Cinema 07 San Zimei 46 Year of the Beaver: 49 São Lázaro 94 a Film about the Modern CARPE DIEM – ARTE E PESQUISA 27 Saudade ‘Civilised’ State, The Rua de O Século, 79. Tel: +351 211 977 102 35 Saute ma Ville 14 Seems so long ago, Nancy 52 Zavtra GALERIA PALÁCIO GALVEIAS 21 Shilton Ha’Chok 11 Ziamlia Campo Pequeno. Tel: +351 218 701 179 57 Shut up and play the Hits: o Fim dos LCD Soundsystem LUXFRÁGIL 68 Sib Av. Infante D. Henrique, Armazém A 14 Sobre Viver Cais da Pedra a Sta. Apolónia. Tel: +351 218 820 890 57 Sonny Rollins Beyond the Notes ESPAÇO NIMAS 11 Sous le Ciel Av. 5 de Outubro, 42B. Tel: +351 213 574 362 46 So that you can live [221 seats]

DOCLISBOA'12 DOCLISBOA'12 VENUES AND TICKETS 110 VENUES AND TICKETS 111

TICKETS • Special screening: OCT 25 – 11.00 pm, and picked up beforehand (at least 2 • Culturgest – Doclisboa’12 Luxfrágil (doors open at 10.00 pm) days before the session). central ticket office TICKET PRICES Ticket: €5 (only at Luxfrágil + Ticketline Price applicable at all cinemas with the + Louie Louie + Flur). exception of Cinemateca Portuguesa. Before the Festival • Tickets on sale from 4 October: central (from 4 to 17 October): ticket office (Culturgest), Ticketline • Passages Section Information and bookings: Monday to Friday, from 11.00 am (with the exception of the tickets for Free entrance. Tickets need to be picked Joceline Rodrigues to 7.00 pm. Cinemateca Portuguesa–Museu do up beforehand at the following locations: +315 910 116 063 / +351 218 883 093 Saturdays, Sundays and Holidays, Cinema and Espaço Nimas), Cinema [email protected] from 2.00 pm to 8.00 pm. São Jorge ticket office and Cinema Galeria Palácio Galveias During the Festival Londres ticket office. Campo Pequeno Docs 4 Kids workshop tickets (from 18 to 28 October): • Normal ticket (with the exception of From Tuesday to Friday, Ticket price – €4 (sold at Cinema Everyday from 10.00 am until the Cinemateca Portuguesa) – €4 from 10.00 am to 7.00 pm São Jorge). Bookings must be made beginning of the last session. • Normal ticket Cinemateca Portuguesa – Mondays and Saturdays, beforehand. OCT 28 – from 2.00 pm until the €3.20 from 1.00 pm to 7.00 pm Inatel Foundation members – €3.50 beginning of the last session. • Under 30, over 65 and unemployed upon Closed on Sundays and Holidays presentation of the IEFP card (with the Docs 4 Kids schools • Cinema Londres exception of Cinemateca Portuguesa Carpe Diem – Arte e Pesquisa The docs 4 Kids school groups have and Espaço Nimas) – €3.50 Rua de O Século, 79 reduced entrance prices (€1.20 per Before the Festival • Students, Cartão Jovem bearers, retired, OCT 21through 28: 1.00 pm – 7.00 pm child, at least ten students) if the tickets (from 4 to 17 October): pensioners and Apordoc members (only OCT 29 through NOV 30: Wednesday are booked and picked up beforehand. From 1.00 pm to 9.45 pm. at Cinemateca Portuguesa) – €2.15 to Saturday, from 1.00 pm to 7.00 pm During the Festival • Cinemateca Portuguesa members Bookings and coordination: (from 18 to 28 October): and film students (only at Cinemateca Cinemateca Portuguesa Maria Remédio From 12.30 pm closing 30 minutes after Portuguesa) – €1.35 –Museu do Cinema – 6x2 cinema +351 962 104 816 the beginning of the last session. • Apordoc members (with the exception Rua Barata Salgueiro, 39 [email protected] of Cinemateca Portuguesa and Espaço 2ª a 6ª, 13h30–21h30 • Cinema São Jorge Nimas) – €2 Londres Cine Café offers a 20% discount • C.M.L. workers (only at Cinema São • Ticketline on bills over €10 for anyone in possession Before the Festival Jorge) – €3,50 Tickets on sale at www.ticketline.pt, of a ticket for a Doclisboa'12 session at (from 4 to 17 October): Fnac, Worten, C.C. Dolce Vita, Cinema Londres on that day. From 1.00 pm to 8.00 pm. • Book of 10 tickets (for different sessions) El Corte Inglés, Casino de Lisboa, During the Festival – €30 Galeria Comercial Campo Pequeno, (from 18 to 28 October): • Book of 20 tickets (for different sessions) Lojas Viagens Abreu, C.C. MMM, TICKET OFFICE From 1.00 pm closing 30 minutes after – €55 C.C. Mundicenter and A.B.E.P. Agency OPENING HOURS the beginning of the last session. Information and bookings: • The Doclisboa’12 book of tickets can dial +351 1820 (24h) At Culturgest, a central ticket office sells • Cinemateca Portuguesa only be bought at the Festival central tickets for all Doclisboa’12 sessions (with – Museu do Cinema ticket office (Culturgest) and can be • School groups (special price) the exception of those held at Espaço used in any session with the exception School groups benefit from reduced Nimas). The other Festival venues only Cinemateca Portuguesa – Museu do of those held at Cinemateca Portuguesa entrance fees (€1.20 per person, at least sell tickets for their own cinemas. Cinema only sells tickets on the day and Espaço Nimas. 10 students) if the tickets are booked of the sessions.

DOCLISBOA'12 DOCLISBOA'12 VENUES AND TICKETS 112 DOCLISBOA TEAM 113

During the Festival DOCLISBOA TEAM Programme Committee (from 18 to 28 October): Adriano Smaldone, Anna from 2.30 pm to 3.30 pm and from 6.00 Organization Glogowski, Augusto pm to 10.00 pm. Apordoc – Associação M. Seabra, Cátia Salgueiro, pelo Documentário Cinta Pelejà, Cíntia Gil, • Espaço Nimas Pedro Fortes, Susana de Co-Production Sousa Dias, Ana Pereira Ticket office opens 60 minutes before Culturgest (Cinema of Urgency), the sessions start. Cinema São Jorge Luís Martins (Heart Beat), Miguel Ribeiro Chantal Akerman (Cinema of Urgency) SUBTITLES Retrospective Co-Production Green Years Coordinator All films are subtitled in english with the Cinemateca Portuguesa Adriano Smaldone exception of those whose filmmakers requested not to. Passages Co-production Programme Coordinator Balaclava Noir Miguel Ribeiro

FESTIVAL FILMS RATING Production Director Direction (Apordoc) and Fundraising All films rated pg-12 except:Shut up and Cinta Pelejà, Cíntia Gil, Patrícia Romão play the Hits – R-16. Susana de Sousa Dias Communication Ana Jordão and Press Consultancy (Production Director) Helena César – Speak

Associated Programmer Guests Coordinator Augusto M. Seabra Maria Ana Freitas Johanne Lacroix Programme Consultant Anna Glogowski Print Traffic Adriano Smaldone United We stand, divided We fall Programme and Retrospective Curator Production Assistant Federico Rossin Ana Pereira

DOCLISBOA'12 DOCLISBOA'12 DOCLISBOA TEAM 114

ORGANISATION CO-PRODUCTION STRATEGIC PARTNERSHIP Palácio Galveias Translations Coordinator and Luiza Albuquerque Production Assistant Nuno Ventura Barbosa

Elsa Branco FINANCIAL SUPPORT Treasurer Submissions and Video Ana Flores – Enumerarte Library Coordinator

C H A N T A L A K E R M A N Luís Martins Doclisboa Extensions R E T R O S P E C T I V E CO-PRODUCTION Ana Pereira Ticket Office Management Bruno Sousa

LISBON DOCS SUPPORT

Invitations Coordinator COURTESY OF CHANTAL AKERMAN, MARIAN GOODMAN GALLERY, PARIS / NEW YORK Margarida Oliveira Coordination COURTESY OF PEDRO COSTA Hanne Skjødt (EDN)

Pedagogic Activities Maria João Taborda PASSAGES SECTION Joceline Rodrigues (Apordoc) CO-PRODUCTION PARTNERSHIP

Docs 4 Kids Pre-Production Maria Remédio Inês Mestre

AWARDS SPONSORS Technical Supervisor Production Director Grupo Mota-Engil Rodrigo Dâmaso Marta Frade

Passages Production Assistant Technical Director Samuel Andrade João Chaves – Balaclava Noir ASSOCIATED DISTRIBUTORS OFFICIAL TV AND EXHIBITORS Translation and Subtitling Paulo Montes

Festival Identity INSTITUTIONAL SUPPORT and Graphic Design Pedro Nora

Catalogue and Programme SPECIAL SPONSOR DOCKS 4 KIDS SUPPORT OFFICIAL INSURER Coordinator and Editor Nuno Ventura Barbosa Grupo Mota-Engil

Website Gráficos à Lapa

DOCLISBOA'12 OFFICIAL MEDIA PARTNERS

PROMOTION PARTNERS

SUPPORT

P A R T Y PARTNERS

LISBON DOCS

ORGANISATION CO-PRODUCTION FINANCIAL SUPPORT

SUPPORT