2017年8.9月号(No.377)
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Mrs. Chase Among Highest-Paid Prep School Heads; It’S About the Individual’S Safety.” 1968
VISIT US ON THE WEB AT www.phillipian.net Volume CXXVIII, Number 24 Phillips Academy, Andover, Massachusetts January 6, 2006 SMOYERʼS $1M INTERNET SAFETY DONATION TO FIX CONCERNS PROMPT ATHLETIC FIELDS E-MAIL WARNING By EMMA WOOD By STEVE BLACKMAN The Andover Athletic and ALEXA REID Department received a generous In light of recent events, Phillips “Christmas present” of $1 million Academy issued a warning to parents from Stanley Smoyer. and students about the danger of Mr. Smoyer requested that using popular networking websites his donation go directly towards like MySpace.com. renovating the drainage system In an e-mail message to parents of the Boys Varsity Soccer fi eld, and faculty sent on December 12, which fl oods often. Dean of Students and Residential “For years, now, the water Life Marlys Edwards clarifi ed school problems have interfered with policy on non-academic computer practices and forced us to cancel use, warning students about the games. The varsity teams deserve dangers inherent in posting personal to have a fi eld they can be proud information on public webpages. of, so we couldn’t be more pleased She wrote, “The safety concerns about this extraordinary gift,” said arising from use of these Internet sites Athletic Director Martha Fenton, are numerous, and they include the according to Director of Public real fear that young people are making Information Steve Porter. themselves vulnerable to predators.” Instructor in Math and Boys’ “[Sites like MySpace] are not Varsity Soccer Coach Bill Scott a bad thing, not at all, but there said to Mr. Porter, “It is our goal is incredible potential for [their] and dream to create the best natural misuse,” said Ms. -
Download Futuro Anteriore
Numero XVII Estate 2017 futuro anteriore Sommario L'Editorial L’Editorial 3 InSistenze 4 Gusci vuoti alla dervia di Simone Scaloni 5 Nella sottrazione utile... di Anna Laura Longo 9 SETTEMBRE 2017 - N.17- ANNO 5 La cristallomanzia delle vite interrotte di Gioele Marchis 13 L’attimo al fulmicotone di Lucio Costantini 17 www.rivistadiwali.it InVerso 21 «No, non è detto che il passato sia già accaduto, così alla perfezione piattamente presente del digitale, che an- Gianluigi Miani 22 come non è detto che il futuro non lo sia ancora. È cer- nulla ogni profondità dimensionale. O come le visioni vo- Valentina Ciurleo 23 to questo il modo in cui spontaneamente pensiamo il lutamente caricaturali del futuro nella fantascienza, che Direttore Editoriale tempo, ma...Lo spazio di questo ma raccoglie le infinite sappiamo non si produrranno mai come le immaginiamo, Roberto Marzano 24 Maria Carla Trapani possibilità della rappresentazione artistica del futuro an- ma che hanno proprio nel loro essere improbabili la forza Martina Millefiorini 26 teriore, questo tempo strano che già sui banchi di scuola di una protesta, di una resistenza. A volte l’anticato e il Direttore Responsabile Dona Amati 28 ci appariva misterioso. Ma è tutto lì il senso del tempo: futuristico si fondono in una sola immagine doppiamente Flavio Scaloni nella possibilità di pensare adesso qualcosa che oggi o anacronistica, come nello Steampunk, in cui le due dire- Focus Haiku 30 domani sarà passata… zioni convergono in una sola immagine, in un solo suo- Redazione InStante 35 Sarà passata, eccolo un esempio del nostro tempo, no, in una sola parola di resistenza. -
Imsk Week for Everyone in the Business of Ivlusic 13 MOVEMBER 1993 £2.8
imsk week For Everyone in the Business of IVlusic 13 MOVEMBER 1993 £2.8 BPI: pil himnow The music industry has roundly con- Keely Gilbert, of Chris Rea's man- Highdemned Court the judge warning last metedweek to eut alleged by a wasagement able toReal order Life, video says bootlegs the company of Rea's bootleggerCharlesworth, Stephen previously Charlesworth. of Clwyd- threeconcerts months by phone. to arrive "They and took were about rub- guilty in the High Court of breaching judgebish," isn'tshe muchadds. of "A a punishment."warning from a latingan injunction leaflets stopping advertising him from circu-video APUThe on case Designatec's arose from premises a raid inby May, the That,bootlegs Chris of Rea,top artistsand Peter such Gabriel. as Take CharlesworthMr Justice to payFerris the costs ordered of the behalfBPI, which of sixhad memberbrought thecompanies. case on Charlesworth was also wamed that and July 26 the BPI wouid have ceedingsSubsequently for conte. tl : BPI bi CourtStephen last Charlesworth week after heing leaves found the inHigh And warning to pii pirated acts unauthorised Take That_ he videoshad offered and contempt of an injunction restraining "It's laughable," says lan Grant, mai tapesCharlesworth for sale in July. appeared in the High advertisinghim from circulating pirate audio leaflets and hootleg iEVERLEY plainedager of inBig the Country, past of leafletswho has offerin con Court ins Septemberadjourned' for " but s1 the proceed-' until video cassettes. Charlesworth, of video bootlegs of the band. This maki photographerClwyd, -
MTO 16.3: Takehana, Review of the Social And
Volume 16, Number 3, August 2010 Copyright © 2010 Society for Music Theory Review of Nicola Dibben, Björk (Bloomington: Indiana University Press, 2009) Elise O. Takehana KEYWORDS: Nicola Dibben, Björk, Iceland, nationalism, globalism, technology, nature, popular music Received November 2009 [1] Björk Guðmundsdóttir’s works have consistently posed a challenge to pop and art music as well as to those critics who have explored her music. The broad diversity of her approach to media and genre has made her oeuvre particularly enigmatic. Nicola Dibben premises this key trait of Björk’s work, calling her a whole artist who “communicates her ideas through the integrated use of all media at her disposal” ( Dibben 2009 , 23). To uphold such an interpretation of Björk’s work and artistic position, Dibben veers from many previous texts on the pop artist that presuppose a chronological biography as its organizing structure. Instead she adopts a thematic approach to all her artistic projects regardless of genre or release date. She investigates Björk’s critical reception, dividing the book into themes surrounding many of the basic binaries the artist bridges, particularly her understanding of pop/avant-garde, nationalism/globalism, and nature/technology. By providing a concerted and accessible analysis of the artist’s music, Dibben adds a formalist dimension to past critiques of Björk’s work. Dibben’s book provides an in-depth academic treatment of the artist as both a cultural and musical figure of great importance. Björk offers an intriguing case study of the artist and adds to a continued conversation about the role of music in the face of digital utopianism and globalization that will assuredly be a standard for any subsequent study on Björk. -
Thepeninsulajanuary182015
ISO 9001:2008 CERTIFIED NEWSPAPER Gulf Warehousing profit jumps 38 per cent Business | 17 Sunday 18 January 2015 • 27 Rabial I 1436 • Volume 19 Number 6314 www.thepeninsulaqatar.com [email protected] | [email protected] Editorial: 4455 7741 | Advertising: 4455 7837 / 4455 7780 Range Rover Emir meets US senators outlet shut for a month Crackdown on violations continues DOHA: In its ongoing crack- the showrooms were closed for a down on erring vehicle deal- month. ers, the Ministry of Economy In the last week of December, and Commerce shuttered yet the ministry slapped closure another popular car showroom notice on another showroom that yesterday. The Ministry closed sells a popular brand on a similar down the Range Rover show- charge. This showroom was also The Emir H H Sheikh Tamim bin Hamad Al Thani and Minister of Foreign Affairs H E Dr Khalid bin Mohammed Al Attiyah with US Senators John room of Al Fardan Premier ordered to close for a month for McCain, Lindsey Graham, Joe Donnelly, Angus King and Tim Kaine at Al Bahr Palace yesterday. Motors in Al Sadd area for violating the consumer law. allegedly trying to dupe cus- Angry customers are venting tomers by selling ‘dented and their ire against the erring com- painted’ vehicles as new. panies on social media: “When This is the fourth showroom to you go for buying a new car, the OPINION be closed down in less than two dealers never disclose the details Shia militia seizes Yemen months on similar charges. The of a pre-registered car to the cus- news has evoked angry reaction tomer until it is registered in a The suffering of among people who have called for customer’s name. -
Music 5364 Songs, 12.6 Days, 21.90 GB
Music 5364 songs, 12.6 days, 21.90 GB Name Album Artist Miseria Cantare- The Beginning Sing The Sorrow A.F.I. The Leaving Song Pt. 2 Sing The Sorrow A.F.I. Bleed Black Sing The Sorrow A.F.I. Silver and Cold Sing The Sorrow A.F.I. Dancing Through Sunday Sing The Sorrow A.F.I. Girl's Not Grey Sing The Sorrow A.F.I. Death of Seasons Sing The Sorrow A.F.I. The Great Disappointment Sing The Sorrow A.F.I. Paper Airplanes (Makeshift Wings) Sing The Sorrow A.F.I. This Celluloid Dream Sing The Sorrow A.F.I. The Leaving Song Sing The Sorrow A.F.I. But Home is Nowhere Sing The Sorrow A.F.I. Hurricane Of Pain Unknown A.L.F. The Weakness Of The Inn Unknown A.L.F. I In The Shadow Of A Thousa… Abigail Williams The World Beyond In The Shadow Of A Thousa… Abigail Williams Acolytes In The Shadow Of A Thousa… Abigail Williams A Thousand Suns In The Shadow Of A Thousa… Abigail Williams Into The Ashes In The Shadow Of A Thousa… Abigail Williams Smoke and Mirrors In The Shadow Of A Thousa… Abigail Williams A Semblance Of Life In The Shadow Of A Thousa… Abigail Williams Empyrean:Into The Cold Wastes In The Shadow Of A Thousa… Abigail Williams Floods In The Shadow Of A Thousa… Abigail Williams The Departure In The Shadow Of A Thousa… Abigail Williams From A Buried Heart Legend Abigail Williams Like Carrion Birds Legend Abigail Williams The Conqueror Wyrm Legend Abigail Williams Watchtower Legend Abigail Williams Procession Of The Aeons Legend Abigail Williams Evolution Of The Elohim Unknown Abigail Williams Forced Ingestion Of Binding Chemicals Unknown Abigail -
2. Case Study: Anime Music Videos
2. CASE STUDY: ANIME MUSIC VIDEOS Dana Milstein When on 1 August 1981 at 12:01 a.m. the Buggles’ ‘Video Killed the Radio Star’ aired as MTV’s first music video, its lyrics parodied the very media pre- senting it: ‘We can’t rewind, we’ve gone too far, . put the blame on VTR.’ Influenced by J. G. Ballard’s 1960 short story ‘The Sound Sweep’, Trevor Horn’s song voiced anxiety over the dystopian, artificial world developing as a result of modern technology. Ballard’s story described a world in which natu- rally audible sound, particularly song, is considered to be noise pollution; a sound sweep removes this acoustic noise on a daily basis while radios broad- cast a silent, rescored version of music using a richer, ultrasonic orchestra that subconsciously produces positive feelings in its listeners. Ballard was particu- larly criticising technology’s attempt to manipulate the human voice, by con- tending that the voice as a natural musical instrument can only be generated by ‘non-mechanical means which the neruophonic engineer could never hope, or bother, to duplicate’ (Ballard 2006: 150). Similarly, Horn professed anxiety over a world in which VTRs (video tape recorders) replace real-time radio music with simulacra of those performances. VTRs allowed networks to replay shows, to cater to different time zones, and to rerecord over material. Indeed, the first VTR broadcast occurred on 25 October 1956, when a recording of guest singer Dorothy Collins made the previous night was broadcast ‘live’ on the Jonathan Winters Show. The business of keeping audiences hooked 24 hours a day, 7 days a week, promoted the concept of quantity over quality: yes- terday’s information was irrelevant and could be permanently erased after serving its money-making purpose. -
2019 Tcc Jfteixeira.Pdf
UNIVERSIDADE FEDERAL DO CEARÁ INSTITUTO DE CULTURA E ARTE CURSO DESIGN-MODA JOHANN FREITAS TEIXEIRA BJÖRK E SEU CORAÇÃO PARTIDO: UMA ANÁLISE DAS RELAÇÕES ENTRE FIGURINO E DESIGN GRÁFICO A PARTIR DO ENCARTE DO ÁLBUM VULNICURA FORTALEZA 2019 JOHANN FREITAS TEIXEIRA BJÖRK E SEU CORAÇÃO PARTIDO: UMA ANÁLISE DAS RELAÇÕES ENTRE FIGURINO E DESIGN GRÁFICO A PARTIR DO ENCARTE DO ÁLBUM VULNICURA MonografiA ApresEntAda como conclusão de Curso Em DEsign-Moda do Instituto de Cultura E ArtE – ICA da Universidade FEderal do CeArá – UFC, como requisito parciAl para obtEnção de Título de Bacharel em DEsign-Moda. OriEntAdora: Profa. Esp. PAtriciA MontEnegro MAtos Albuquerque. FORTALEZA 2019 Dados Internacionais de Catalogação na Publicação Universidade Federal do Ceará Biblioteca Universitária Gerada automaticamente pelo módulo Catalog, mediante os dados fornecidos pelo(a) autor(a) T266b Teixeira, Johann Freitas. Björk e seu coração partido : uma analise das relações entre figurino e design gráfico a partir do encarte do álbum vulnicura / Johann Freitas Teixeira. – 2019. 60 f. : il. color. Trabalho de Conclusão de Curso (graduação) – Universidade Federal do Ceará, Instituto de cultura e Arte, Curso de Design de Moda, Fortaleza, 2019. Orientação: Profa. Esp. Patricia Montenegro Matos Albuquerque. 1. Figurino . 2. Design gráfico. 3. Encarte. 4. Björk. I. Título. CDD 391 JOHANN FREITAS TEIXEIRA BJÖRK E SEU CORAÇÃO PARTIDO: UMA ANÁLISE DAS RELAÇÕES ENTRE FIGURINO E DESIGN GRÁFICO A PARTIR DO ENCARTE DO ÁLBUM VULNICURA MonografiA ApresEntAda como conclusão de Curso Em DEsign-Moda do Instituto de Cultura E ArtE – ICA da Universidade FEderal do CeArá – UFC, como requisito parciAl para obtEnção de Título de Bacharel em DEsign-Moda. -
Mediated Music Makers. Constructing Author Images in Popular Music
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Helsingin yliopiston digitaalinen arkisto Laura Ahonen Mediated music makers Constructing author images in popular music Academic dissertation to be publicly discussed, by due permission of the Faculty of Arts at the University of Helsinki in auditorium XII, on the 10th of November, 2007 at 10 o’clock. Laura Ahonen Mediated music makers Constructing author images in popular music Finnish Society for Ethnomusicology Publ. 16. © Laura Ahonen Layout: Tiina Kaarela, Federation of Finnish Learned Societies ISBN 978-952-99945-0-2 (paperback) ISBN 978-952-10-4117-4 (PDF) Finnish Society for Ethnomusicology Publ. 16. ISSN 0785-2746. Contents Acknowledgements. 9 INTRODUCTION – UNRAVELLING MUSICAL AUTHORSHIP. 11 Background – On authorship in popular music. 13 Underlying themes and leading ideas – The author and the work. 15 Theoretical framework – Constructing the image. 17 Specifying the image types – Presented, mediated, compiled. 18 Research material – Media texts and online sources . 22 Methodology – Social constructions and discursive readings. 24 Context and focus – Defining the object of study. 26 Research questions, aims and execution – On the work at hand. 28 I STARRING THE AUTHOR – IN THE SPOTLIGHT AND UNDERGROUND . 31 1. The author effect – Tracking down the source. .32 The author as the point of origin. 32 Authoring identities and celebrity signs. 33 Tracing back the Romantic impact . 35 Leading the way – The case of Björk . 37 Media texts and present-day myths. .39 Pieces of stardom. .40 Single authors with distinct features . 42 Between nature and technology . 45 The taskmaster and her crew. -
Björk Debut Mp3, Flac, Wma
Björk Debut mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Debut Country: Netherlands Released: 1993 Style: Downtempo, Synth-pop MP3 version RAR size: 1553 mb FLAC version RAR size: 1289 mb WMA version RAR size: 1357 mb Rating: 4.8 Votes: 442 Other Formats: TTA ADX MOD VOX MP1 WMA RA Tracklist Hide Credits Human Behaviour A1 Producer – Nellee HooperWritten-By – B. Gudmundsdottir*, N. Hooper* Crying A2 Producer – Nellee HooperWritten-By – B. Gudmundsdottir*, N. Hooper* Venus As A Boy A3 Producer – Nellee HooperWritten-By – Gudmundsdottir* There's More To Life Than This (Recorded Live At The Milk Bar Toilets) A4 Producer – Nellee HooperWritten-By – B. Gudmundsdottir*, N. Hooper* Like Someone In Love A5 Co-producer – Björk, Nellee HooperWritten-By – J Van Heusen/J Burke* Big Time Sensuality A6 Producer – Nellee HooperWritten-By – B. Gudmundsdottir*, N. Hooper* One Day B1 Producer – Nellee HooperWritten-By – Gudmundsdottir* Aeroplane B2 Producer – Nellee HooperWritten-By – Gudmundsdottir* Come To Me B3 Producer – Nellee HooperWritten-By – Gudmundsdottir* Violently Happy B4 Producer – Nellee HooperWritten-By – B. Gudmundsdottir*, N. Hooper* The Anchor Song B5 Producer – BjörkWritten-By – Gudmundsdottir* Companies, etc. Mastered At – The Exchange Published By – Bapsi Ltd. Published By – One Little Indian Credits Arranged By [Brass] – Björk, Oliver Lake Arranged By [Strings] – Sureh Sathe* Backing Vocals – Jhelisa Anderson* Bass – Luis Jardim Brass – Gary Barnacle, Mike Mower, Oliver Lake Design [Cover] – Me Company Drums, -
Espn Sues Notre Dame for Records Observer Elects Next Top Editor
THE INDEPENDENT TO UNCOVER NEWSPAPER SERVING THE TRUTH NOTRE DAME AND AND REPORT SAINT Mary’s IT ACCURATELY V OLUME 48, ISSUE 73 | THURSDAY, JANUARY 22, 2015 | NDSMCOBSERVER.COM ESPN sues Notre Dame for records Observer Lawsuit alleges NDSP violated Indiana’s Access to Public Records Act elects By ANN MARIE JAKUBOWSKI E ditor-in-Chief ESPN filed a lawsuit against next top Notre Dame earlier this month claiming the University’s re- fusal to release campus police records violates Indiana’s pub- editor lic records law, according to a Observer Staff Report report Wednesday in the South Bend Tribune. The Observer General Board The case, filed Jan. 15 in St. elected Associate Sports Editor Joseph Superior Court, al- Greg Hadley to the position of leges that Notre Dame officials Editor-in-Chief for 2015-2016 on violated Indiana’s Access to Wednesday. Public Records Act when they Hadley, a junior resident of refused to release Notre Dame Carroll Hall, is a double ma- Security Police (NDSP) records requested by ESPN reporter hief Paula Lavigne, the Tribune C reported. SUSAN ZHU | The Observer -in- In September and November Dame student athletes but was Public Access Counselor Luke Counselor website. Britt is an ditor E 2014, Lavigne formally re- turned down both times, ac- Britt in October and December, attorney appointed quested police incident re- cording to the Tribune. She according to documents avail- Greg Hadley Greg ports and logs related to Notre filed complaints with Indiana able on the Public Access see ESPN PAGE 5 2015-2016 jor in Political Science and American Studies with a mi- nor in Journalism, Ethics and Major’s Night features Career Center Democracy. -
Leksykon Polskiej I Światowej Muzyki Elektronicznej
Piotr Mulawka Leksykon polskiej i światowej muzyki elektronicznej „Zrealizowano w ramach programu stypendialnego Ministra Kultury i Dziedzictwa Narodowego-Kultura w sieci” Wydawca: Piotr Mulawka [email protected] © 2020 Wszelkie prawa zastrzeżone ISBN 978-83-943331-4-0 2 Przedmowa Muzyka elektroniczna narodziła się w latach 50-tych XX wieku, a do jej powstania przyczyniły się zdobycze techniki z końca XIX wieku m.in. telefon- pierwsze urządzenie służące do przesyłania dźwięków na odległość (Aleksander Graham Bell), fonograf- pierwsze urządzenie zapisujące dźwięk (Thomas Alv Edison 1877), gramofon (Emile Berliner 1887). Jak podają źródła, w 1948 roku francuski badacz, kompozytor, akustyk Pierre Schaeffer (1910-1995) nagrał za pomocą mikrofonu dźwięki naturalne m.in. (śpiew ptaków, hałas uliczny, rozmowy) i próbował je przekształcać. Tak powstała muzyka nazwana konkretną (fr. musigue concrete). W tym samym roku wyemitował w radiu „Koncert szumów”. Jego najważniejszą kompozycją okazał się utwór pt. „Symphonie pour un homme seul” z 1950 roku. W kolejnych latach muzykę konkretną łączono z muzyką tradycyjną. Oto pionierzy tego eksperymentu: John Cage i Yannis Xenakis. Muzyka konkretna pojawiła się w kompozycji Rogera Watersa. Utwór ten trafił na ścieżkę dźwiękową do filmu „The Body” (1970). Grupa Beaver and Krause wprowadziła muzykę konkretną do utworu „Walking Green Algae Blues” z albumu „In A Wild Sanctuary” (1970), a zespół Pink Floyd w „Animals” (1977). Pierwsze próby tworzenia muzyki elektronicznej miały miejsce w Darmstadt (w Niemczech) na Międzynarodowych Kursach Nowej Muzyki w 1950 roku. W 1951 roku powstało pierwsze studio muzyki elektronicznej przy Rozgłośni Radia Zachodnioniemieckiego w Kolonii (NWDR- Nordwestdeutscher Rundfunk). Tu tworzyli: H. Eimert (Glockenspiel 1953), K. Stockhausen (Elektronische Studie I, II-1951-1954), H.