DOCSLIB.ORG

Björk Vespertine Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Björk Vespertine mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Vespertine Released: 2001 Style: IDM, Experimental, Ambient MP3 version RAR size: 1374 mb FLAC version RAR size: 1215 mb WMA version RAR size: 1481 mb Rating: 4.5 Votes: 390 Other Formats: AA VQF ADX FLAC TTA WMA RA Tracklist Hide Credits Hidden Place Arranged By [Choir], Orchestrated By – Vince MendozaProducer, Bass [Bassline], Arranged 1 By [Choir] – BjörkProgrammed By – Matmos, Matthew HerbertProgrammed By, Arranged 5:29 By [Choir] – Guy SigsworthProgrammed By, Engineer [Protools Recording] – Damian Taylor, Jake Davies Cocoon 2 4:27 Producer, Programmed By – Björk, Thomas Knak It's Not Up To You Arranged By [Strings], Arranged By [Choir], Orchestrated By – Vince MendozaClavichord, Arranged By [Clavichord] – Guy SigsworthDrum Programming, Engineer [Protools 3 5:09 Recording] – Valgeir Sigurdsson*Engineer [Protools Recording] – Jake Davies, Leigh JamiesonHarp – Caryl ThomasHarp, Arranged By [Harp] – Zeena ParkinsProducer, Arranged By [Harp], Arranged By [Choir] – Björk Undo Arranged By [Strings], Orchestrated By – Vince MendozaHarp, Arranged By [Harp] – Zeena 4 ParkinsProducer, Arranged By [Choir], Edited By [Vocals] – BjörkProgrammed By – Thomas 5:38 KnakTechnician [Protools] – Jan "Stan" KybertTechnician [Protools], Engineer [Recording] – Jake Davies, Valgeir Sigurdsson* Pagan Poetry Adapted By [To Music Box] – Jack PerronArranged By [Harp] – Zeena ParkinsProducer 5 5:14 [Additional], Programmed By – Marius De VriesProducer, Programmed By, Bass [Bassline], Arranged By [Music Box], Arranged By [Harp] – BjörkProgrammed By – Jake Davies Frosti 6 1:41 Adapted By [To Music Box] – Jack PerronProducer, Arranged By [Music Box] – Björk Aurora Adapted By [To Music Box] – Jack PerronDrum Programming – Damian Taylor, MatmosDrum Programming, Engineer [Protools Recording] – Jake DaviesEngineer 7 4:39 [Protools Recording] – Jake DaviesHarp – Zeena ParkinsProducer, Drum Programming, Arranged By [Harp], Arranged By [Music Box], Bass [Bassline] – BjörkProgrammed By [Additional] – Marius De Vries An Echo, A Stain Arranged By [Choir], Arranged By [Strings], Orchestrated By – Vince MendozaDrum 8 Programming – Damian Taylor, Marius De Vries, MatmosDrum Programming, Celesta, 4:04 Arranged By [Choir] – Guy SigsworthEngineer [Recording] – Jake Davies, Valgeir Sigurdsson*Harp, Arranged By [Harp] – Zeena ParkinsProducer – Björk Sun In My Mouth Arranged By [Strings], Orchestrated By – Vince MendozaCelesta, Arranged By [Celesta] – 9 Guy SigsworthDrum Programming, Engineer [Recording] – Valgeir Sigurdsson*Harp, 2:40 Arranged By [Harp] – Zeena ParkinsLyrics By [From "impressions"] – E.E. Cummings*Producer, Drum Programming, Bass [Bassline] – Björk Heirloom 10 Producer – BjörkProducer, Programmed By – Martin ConsoleRecorded By [Vocals] – Jake 5:12 Davies Harm Of Will Arranged By [Choir], Orchestrated By – Vince MendozaCelesta, Arranged By [Celesta] – 11 4:36 Guy SigsworthEngineer [Recording] – Valgeir Sigurdsson*Producer, Edited By [Vocals], Arranged By [Strings] – Björk Unison Arranged By [Strings], Orchestrated By – Vince MendozaEngineer [Protools Recording] – Jake DaviesHarp, Arranged By [Harp] – Zeena ParkinsProducer, Programmed By, Arranged 12 6:47 By [Harp] – BjörkProgrammed By – Damian Taylor, Matmos, Matthew HerbertProgrammed By, Arranged By [Choir] – Guy SigsworthProgrammed By, Engineer [Protools Recording] – Valgeir Sigurdsson* Companies, etc. Phonographic Copyright (p) – Björk Overseas Ltd. Copyright (c) – Björk Overseas Ltd. Licensed Through – One Little Indian Ltd. Licensed To – Polydor Ltd. Made By – EDC, Germany – 51191294 Published By – Universal Music Published By – Copyright Control Published By – Flirt 99 Credits Arranged By [Arrrangement Of Transfer To Music Box] – Jack Perron Contractor [Choir Fixed By] – Jenny O'Grady Contractor [Orchestra Session Fixed By] – Isobel Griffiths Coordinator [Olympic Studio Sessions Co-ordinated By] – Siobhan Paine Coordinator [Orchestra And Choir Sessions Co-ordinated By] – Stuart Green Design [Sleeve] – Inez van Lamsweerde & Vinoodh Matadin, M/M ‹Paris›* Engineer [2nd Assistant] – Adrian Dawson Engineer [Assistant] – Aaron Franz, Damon Idins*, Eric & Rory, Jason Spears, Juan Garcia, Ricardo Gary Walker Engineer [Music Box Recording, Assistant] – Bobby Gosh Engineer [Music Box Recording] – Erik Gosh Engineer [Pro Tools On Mix Assistant] – Aaron*, Daniel Porter*, David Treahearn, Matt Fields Engineer [Pro Tools On Mix] – Jan "Stan" Kybert Engineer [Strings And Choir] – Geoff Foster, Rikky Mixed By – Mark "Spike" Stent* Orchestrated By [Strings And Choir] – Vince Mendoza Other [Music Boxes Supplied By] – James Sault, Porter Music Boxes Other [Swan Dress Designed By] – Marjan Pejoski Written-By – Björk, Guy Sigsworth (tracks: 8, 9, 11), Harmony Korine (tracks: 11), Martin Console (tracks: 10), Thomas Knak (tracks: 2, 4) Notes Post-2004 repress made by EDC, Germany. Released in a jewel case with an opaque white back piece (but includes a regular backsleeve) and a sticker. Thomas Knak appears courtesy of Hobby Industries. Matthew Herbert appears courtesy of Magic and Accident. Matmos appear courtesy of Matador Records. Console is part of Payola. "Sun In My Mouth": The lines from "I will wade out till my tighs Are steeped in burning flowers" © 1925, 1953 © 1991 by the trustees for the E.E. Cummings Trust, © 1976 by George James Firmage, from: Complete Poems: 1940-1962 by E.E. Cummings. Edited by George J. Firmage. Used by permission of Liverlight Publishing Corporation. The lyrics as compared to the poem: The word "sea-girls" is changed to "seagulls", and the last few lines of the poem are omitted. "Unison": Contains a sample from "Aero Deck", a track on the "Systemisch" album by Oval on Thrill Jockey Records. Thanks to Markus & Bettina. All songs published by Universal Music, except: "Harm Of Will": Harmony Korine, copyright control. "Undo", "Cocoon": Thomas Knak, copyright control. "Heirloom": Martin Console, published by Flirt 99 Music Publishing. "Harm Of Will", "An Echo, A Stain": Guy Sigsworth, published by Universal Music. Studios: El Cortijo, San Pedro, Spain; Magic Shop, New York, USA; Astoria, New York, USA; Avatar, New York, USA; Sear Sound, New York, USA; Thule Studios, Reykjavik, Iceland; Greenhouse Studios, Reykjavik, Iceland; Quad Studios, New York, USA; Looking Glass Studios, New York, USA; The Loft on Lafayette Street, New York, USA. Music Box recorded at Bugosh Music Recording Studios. Strings and choir recorded at Air Lyndhurst Studios. The copyright in this sound recording is owned by Björk Overseas Ltd. under license to One Little Indian Records and is exclusively licensed to Polydor Ltd. a Universal Music company, for the world excluding the UK, North America and Iceland. ℗ 2001 Björk Overseas Ltd / One Little Indian Ltd. © 2001 Björk Overseas Ltd / One Little Indian Ltd. Barcode and Other Identifiers Barcode (Scanned): 731458900023 Barcode (Text): 7 31458 90002 3 Matrix / Runout (Variant 1 & 2): 07314 589 000-2 02 * 51191294 [4 x Universal logo] Matrix / Runout (CD Mould Text): MADE IN GERMANY BY EDC Matrix / Runout (CD Mould Data ): K Mastering SID Code: IFPI LV26 Mould SID Code (Variant 1): IFPI 0127 Rights Society: BIEM / MCPS Label Code: LC 00309 Other versions Category Artist Title (Format) Label Category Country Year Vespertine (CD, TPLP101CD Björk One Little Indian TPLP101CD UK 2001 Album) Vespertine (CD, Polydor, Universal 589000-9 Björk 589000-9 Russia 2001 Album) Music Russia 589 000-1, Vespertine (2xLP, Polydor, Universal 589 000-1, Björk Japan 2001 UIJP-1001/2 Album) International UIJP-1001/2 Vespertine (CD, Not On Label none Björk none Europe Unknown Unofficial) (Björk) Vespertine (DVD-A, 62653-9 Björk Album, Multichannel, Elektra 62653-9 US 2001 Sup) Related Music albums to Vespertine by Björk The Concordia Choir, Paul J. Christiansen - The Concordia Choir Nada - Noi Non Cresceremo Mai Björk - Selmasongs The Oklahoma Baptist Festival Choir Featuring The Singing Churchmen Conducted By James D. Woodward Arranged For Festival Choir And Orchestra By Ronn Huff - Christmas Complete Vol. 1: Unto Us A Child Is Born Björk - The Music From Drawing Restraint 9 Björk - Hidden Place Treorchy Male Choir - Weekend Sounds... The Festival Choir Of Madison, Eric Townell , Theodore Reinke, Wisconsin Brass Quintet - Celebrate The Season With The Festival Choir Of Madison Various - Long Journey Home The Cotswold Male Voice Choir - Cotswold Male Voice Choir.
Recommended publications
  • Issue 199.Pmd

    Issue 199.Pmd

    email: [email protected] website: nightshift.oxfordmusic.net Free every month. NIGHTSHIFT Issue 199 February Oxford’s Music Magazine 2012 Asher Oxford’sDust maverick MC on his incredible lifetime of music making plus all your local music news, reviews and upcoming gigs. photo: Zahra Tehrani NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWNEWSS Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] Online: nightshift.oxfordmusic.net TRUCK FESTIVAL is set to return this summer after founders Robin and Joe Bennett handed the event over to new management. Truck, which had been the centrepiece of Oxford’s live music calendar since 1998, surviving both floods and foot and mouth crises, succumbed to financial woes last year, going into administration in September. However, the event has been taken over by the organisers of Y-Not Festival in Derbyshire, which won Best Grassroots Festival 2011 at the UK Festival Awards. The new organisers hope to take Truck back to its roots as a local community festival. In a statement on the Truck website, Joe and Robin announced, ““We have always felt a great responsibility for the integrity and sustainability of Truck Festival, which grew so quickly and with such enthusiasm from very humble beginnings in 1998. Via Truck’s unique catering arrangements with the Rotary Club, tens of thousands of pounds have been raised for charities and good causes every year, including last year, and many great bands have taken their first steps to international prominence. BONNIE ‘PRINCE’ BILLY makes visits Oxford in May when he “However, after a notoriously difficult summer of trading for Truck teams up with alt.folk band Trembling Bells.
  • Sally Anne Morgan Thread

    Sally Anne Morgan Thread

    BULLY SUGAREGG CD / LP / CS SP 1363 RELEASE DATE: AUGUST 21ST, 2020 TRACKLISTING: 1. Add It On 2. Every Tradition 3. Where to Start 4. Prism 5. You 6. Let You 7. Like Fire 8. Stuck in Your Head 9. Come Down 10. Not Ashamed 11. Hours and Hours 12. What I Wanted GENRE: Alternative Rock SUGAREGG roars from the speakers and jumpstarts both heart and mind. Like My Bloody Valentine after three double espressos, opener “Add It On” zooms heavenward within seconds, epitomizing band leader Alicia Bognanno’s newfound clarity of purpose, while the bass-driven melodies and propulsive beats of “Where to Start” and CD Packaging: Digipack “Let You” are the musical equivalents of the sun piercing through a LP Packaging: Single-pocket jacket with perpetually cloudy sky. custom dust sleeve Includes mp3 coupon A very old saying goes that no one saves us but ourselves. Recognizing NON-RETURNABLE and breaking free from the patterns impeding our forward progress can be transformative. Indeed, the third Bully album, SUGAREGG, may not ever have come to fruition had Bognanno not navigated every kind of upheaval imaginable and completely overhauled her working process along the way. The artist admits that finding the proper treatment for bipolar 2 disorder radically altered her mindset, freeing her from a cycle of paranoia and insecurity about her work. “Being able to finally navigate CS Packaging: Three-panel LP Packaging: Single-pocket jacket with that opened the door for me to write about it,” she says, pointing to J-card in clear case. custom dust sleeve the sweet, swirly “Like Fire” and slower, more contemplative songs NON-RETURNABLE LOSER EDITION blue w/white smoke such as “Prism” and “Come Down” as having been born of this new vinyl - Includes mp3 coupon NON-RETURNABLE headspace.
  • Prague Proms Festival 2020

    Prague Proms Festival 2020

    16. ročník 16th annual Prague Proms Festival 2020 Milí přátelé, Dear friends, i letos, ačkoli situace setkávání nenahrává, nabízíme despite the situation this year which hasn’t lent itself řadu festivalových koncertů. Prague Proms nebudou to gatherings, we’ve decided to offer a number of fes- tento rok záležitostí léta, jak bylo zvykem, ale roz- tival concerts in 2020. This year’s Prague Proms how- prostřeme je mezi červen a prosinec. Ano, poslední ever won’t be a summer only affair as we would typi- koncert letošního ročníku pro vás odehrajeme 21. pro- cally expect, but will instead be spread out between since, kdy připomeneme stoleté výročí narození Fe- June and December. The season will close on 21st derica Felliniho. Věřím, že i přes nástrahy, které před December to mark what would be Federico Fellini’s nás byly a vlastně stále jsou kladeny, najdete chuť a čas 100th birthday. I’m confident that despite the pitfalls se s námi setkat v Obecním domě, Kutné Hoře či u nás behind us and indeed still ahead of us, you will find v jazzovém klubu The Loop. the time and desire to join us in the Municipal House, Kutná Hora or The Loop Jazz Club. Jan Hasenöhrl Jan Hasenöhrl 3 Čestné představenstvo Honorary Board festivalu 2020 of the Festival 2020 Členové Members Jan Hasenöhrl JUDr. Petr Michal Lalo Schifrin Tim Fox ředitel ČNSO a MHF Prague Proms společník, CÍSAŘ, ČEŠKA, SMUTNÝ s. r. o., advokátní kancelář skladatel, pianista a dirigent prezident, Columbia Artists Executive Director of CNSO and Prague Proms Associate, CÍSAŘ, ČEŠKA, SMUTNÝ s.
  • Download This List As PDF Here

    Download This List As PDF Here

    QuadraphonicQuad Multichannel Engineers of 5.1 SACD, DVD-Audio and Blu-Ray Surround Discs JULY 2021 UPDATED 2021-7-16 Engineer Year Artist Title Format Notes 5.1 Production Live… Greetins From The Flow Dishwalla Services, State Abraham, Josh 2003 Staind 14 Shades of Grey DVD-A with Ryan Williams Acquah, Ebby Depeche Mode 101 Live SACD Ahern, Brian 2003 Emmylou Harris Producer’s Cut DVD-A Ainlay, Chuck David Alan David Alan DVD-A Ainlay, Chuck 2005 Dire Straits Brothers In Arms DVD-A DualDisc/SACD Ainlay, Chuck Dire Straits Alchemy Live DVD/BD-V Ainlay, Chuck Everclear So Much for the Afterglow DVD-A Ainlay, Chuck George Strait One Step at a Time DTS CD Ainlay, Chuck George Strait Honkytonkville DVD-A/SACD Ainlay, Chuck 2005 Mark Knopfler Sailing To Philadelphia DVD-A DualDisc Ainlay, Chuck 2005 Mark Knopfler Shangri La DVD-A DualDisc/SACD Ainlay, Chuck Mavericks, The Trampoline DTS CD Ainlay, Chuck Olivia Newton John Back With a Heart DTS CD Ainlay, Chuck Pacific Coast Highway Pacific Coast Highway DTS CD Ainlay, Chuck Peter Frampton Frampton Comes Alive! DVD-A/SACD Ainlay, Chuck Trisha Yearwood Where Your Road Leads DTS CD Ainlay, Chuck Vince Gill High Lonesome Sound DTS CD/DVD-A/SACD Anderson, Jim Donna Byrne Licensed to Thrill SACD Anderson, Jim Jane Ira Bloom Sixteen Sunsets BD-A 2018 Grammy Winner: Anderson, Jim 2018 Jane Ira Bloom Early Americans BD-A Best Surround Album Wild Lines: Improvising on Emily Anderson, Jim 2020 Jane Ira Bloom DSD/DXD Download Dickinson Jazz Ambassadors/Sammy Anderson, Jim The Sammy Sessions BD-A Nestico Masur/Stavanger Symphony Anderson, Jim Kverndokk: Symphonic Dances BD-A Orchestra Anderson, Jim Patricia Barber Modern Cool BD-A SACD/DSD & DXD Anderson, Jim 2020 Patricia Barber Higher with Ulrike Schwarz Download SACD/DSD & DXD Anderson, Jim 2021 Patricia Barber Clique Download Svilvay/Stavanger Symphony Anderson, Jim Mortensen: Symphony Op.
  • Download Futuro Anteriore

    Download Futuro Anteriore

    Numero XVII Estate 2017 futuro anteriore Sommario L'Editorial L’Editorial 3 InSistenze 4 Gusci vuoti alla dervia di Simone Scaloni 5 Nella sottrazione utile... di Anna Laura Longo 9 SETTEMBRE 2017 - N.17- ANNO 5 La cristallomanzia delle vite interrotte di Gioele Marchis 13 L’attimo al fulmicotone di Lucio Costantini 17 www.rivistadiwali.it InVerso 21 «No, non è detto che il passato sia già accaduto, così alla perfezione piattamente presente del digitale, che an- Gianluigi Miani 22 come non è detto che il futuro non lo sia ancora. È cer- nulla ogni profondità dimensionale. O come le visioni vo- Valentina Ciurleo 23 to questo il modo in cui spontaneamente pensiamo il lutamente caricaturali del futuro nella fantascienza, che Direttore Editoriale tempo, ma...Lo spazio di questo ma raccoglie le infinite sappiamo non si produrranno mai come le immaginiamo, Roberto Marzano 24 Maria Carla Trapani possibilità della rappresentazione artistica del futuro an- ma che hanno proprio nel loro essere improbabili la forza Martina Millefiorini 26 teriore, questo tempo strano che già sui banchi di scuola di una protesta, di una resistenza. A volte l’anticato e il Direttore Responsabile Dona Amati 28 ci appariva misterioso. Ma è tutto lì il senso del tempo: futuristico si fondono in una sola immagine doppiamente Flavio Scaloni nella possibilità di pensare adesso qualcosa che oggi o anacronistica, come nello Steampunk, in cui le due dire- Focus Haiku 30 domani sarà passata… zioni convergono in una sola immagine, in un solo suo- Redazione InStante 35 Sarà passata, eccolo un esempio del nostro tempo, no, in una sola parola di resistenza.
  • Broward/Palm Beach Björk - New Times Broward-Palm Beach 3/16/12 2:44 PM

    Broward/Palm Beach Björk - New Times Broward-Palm Beach 3/16/12 2:44 PM

    Broward/Palm Beach Björk - New Times Broward-Palm Beach 3/16/12 2:44 PM Björk Vespertine (Elektra) By Jessica Parker published: September 27, 2001 By all accounts Björk's albums should be commercial disasters. Her lyrics make little sense to the outside world, and she's known to invite listeners into the depths of her mind. (She also doesn't care one bit about the repercussions of dressing like a swan, but that's beside the point.) On the contrary her art sells, allowing her freedom to be even weirder and more experimental. Fortunately Björk offsets all her introspection and questionable fashion sense with great production, funky electronics, and killer melodies, a balancing act she continues on her latest album, Vespertine. Following up Selmasongs -- last year's accompaniment to Dancer in the Dark, the film in which Björk made her acting debut -- Vespertine is Björk's most gorgeous, tender album, a sensuous, warm peek into her diary with ornate, enchanting instrumentation. And like Selmasongs, Vespertine is cinematic in approach with its army of strings and dramatic choral section. Björk seems to work much like frequent collaborator Thom Yorke of Radiohead, making soundtracks for dreams and personal epiphanies, and the results are often intensely intimate, haunting emotional crescendos. "Heirloom" recounts a recurrent dream wherein she swallows "little glowing lights my mother and son baked for me," as the deep bass reinforces the surreal nature of the dream. In contrast the stock bossa nova drum programming renders the song almost poppy. And "It's Not Up to You" recalls the lighter side of her first solo effort, Debut, showing that Björk hasn't abandoned her own form.
  • Happy Birthday!

    Happy Birthday!

    THE THURSDAY, APRIL 1, 2021 Quote of the Day “That’s what I love about dance. It makes you happy, fully happy.” Although quite popular since the ~ Debbie Reynolds 19th century, the day is not a public holiday in any country (no kidding). Happy Birthday! 1998 – Burger King published a full-page advertisement in USA Debbie Reynolds (1932–2016) was Today introducing the “Left-Handed a mega-talented American actress, Whopper.” All the condiments singer, and dancer. The acclaimed were rotated 180 degrees for the entertainer was first noticed at a benefit of left-handed customers. beauty pageant in 1948. Reynolds Thousands of customers requested was soon making movies and the burger. earned a nomination for a Golden Globe Award for Most Promising 2005 – A zoo in Tokyo announced Newcomer. She became a major force that it had discovered a remarkable in Hollywood musicals, including new species: a giant penguin called Singin’ In the Rain, Bundle of Joy, the Tonosama (Lord) penguin. With and The Unsinkable Molly Brown. much fanfare, the bird was revealed In 1969, The Debbie Reynolds Show to the public. As the cameras rolled, debuted on TV. The the other penguins lifted their beaks iconic star continued and gazed up at the purported Lord, to perform in film, but then walked away disinterested theater, and TV well when he took off his penguin mask into her 80s. Her and revealed himself to be the daughter was actress zoo director. Carrie Fisher. ©ActivityConnection.com – The Daily Chronicles (CAN) HURSDAY PRIL T , A 1, 2021 Today is April Fools’ Day, also known as April fish day in some parts of Europe.
  • Mycelia World Tour Pilot

    Mycelia World Tour Pilot

    MYCELIA WORLD TOUR PILOT FRIDAY 8th DECEMBER 2017 THE ROUND HOUSE HAVERING-ATTE-BOWER LONDON @mycelia4music #mycelia www.myceliaformusic.org MYCELIA FOR MUSIC. SOLUTIONS FOR THE MUSIC MAKING COMMUNITY, CONNECTING THE DOTS FOR A FLOURISHING MUSIC BUSINESS ECOSYSTEM Founded by Imogen Heap, gathering support and growing a collective of creatives, professionals and lovers of music. CREATIVE PASSPORT The Creative Passport is Mycelia’s proposal for a digital identity standard for music makers, forming the Creative Passport Database, generating huge positive impact and benefits for the music business ecosystem at large. The Master Key to unlocking the door to a verified open Global Repertoire Database, the Creative Passport contains verified profile information, IDs, acknowledgements, works, business partners and payment mechanisms, acting as the essential connective hub for all music related services. MYCELIA WORLD TOUR The Mycelia World Tour is a 3 day music and tech festival, travelling with over 30 music makers and enablers, visiting over 40 major urban hubs around the world each year. A new model for touring musicians being a space to share creative works, knowledge and showcase music tech developments. At its core, it is a vehicle to deliver Creative Passports to music makers, empowering a new era of abundance for the music business ecosystem. Constantly growing and refining the Creative Passport functionality as it crosses the globe, inviting gatherings like here today, to discuss and collaborate in each location. Connecting global touring
  • The 2018 NEA Jazz Masters Tribute Concert Honoring the 2018 National Endowment for the Arts Jazz Masters

    The 2018 NEA Jazz Masters Tribute Concert Honoring the 2018 National Endowment for the Arts Jazz Masters

    4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 10:33 AM Page 1 The John F. Kennedy Center for the Performing Arts DAVID M. RUBENSTEIN , Chairman DEBoRAh F. RUTTER, President CONCERT HALL Monday Evening, April 16, 2018, at 8:00 The Kennedy Center and the National Endowment for the Arts present The 2018 NEA Jazz Masters Tribute Concert Honoring the 2018 National Endowment for the Arts Jazz Masters TODD BARKAN JOANNE BRACKEEN PAT METHENY DIANNE REEVES Jason Moran is the Kennedy Center Artistic Director for Jazz. This performance will be livestreamed online, and will be broadcast on Sirius XM Satellite Radio and WPFW 89.3 FM. Patrons are requested to turn off cell phones and other electronic devices during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. 4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 10:33 AM Page 2 THE 2018 NEA JAZZ MASTERS TRIBUTE CONCERT Hosted by JASON MORAN, Kennedy Center Artistic Director for Jazz With remarks from JANE CHU, Chairman of the National Endowment for the Arts DEBORAH F. RUTTER, President of the John F. Kennedy Center for the Performing Arts The 2018 NEA JAzz MASTERS Performances by NEA Jazz Master Eddie Palmieri and the Eddie Palmieri Sextet John Benitez Camilo Molina-Gaetán Jonathan Powell Ivan Renta Vicente “Little Johnny” Rivero Terri Lyne Carrington Nir Felder Sullivan Fortner James Francies Pasquale Grasso Gilad Hekselman Angélique Kidjo Christian McBride Camila Meza Cécile McLorin Salvant Antonio Sanchez Helen Sung Dan Wilson 4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18
  • Imsk Week for Everyone in the Business of Ivlusic 13 MOVEMBER 1993 £2.8

    Imsk Week for Everyone in the Business of Ivlusic 13 MOVEMBER 1993 £2.8

    imsk week For Everyone in the Business of IVlusic 13 MOVEMBER 1993 £2.8 BPI: pil himnow The music industry has roundly con- Keely Gilbert, of Chris Rea's man- Highdemned Court the judge warning last metedweek to eut alleged by a wasagement able toReal order Life, video says bootlegs the company of Rea's bootleggerCharlesworth, Stephen previously Charlesworth. of Clwyd- threeconcerts months by phone. to arrive "They and took were about rub- guilty in the High Court of breaching judgebish," isn'tshe muchadds. of "A a punishment."warning from a latingan injunction leaflets stopping advertising him from circu-video APUThe on case Designatec's arose from premises a raid inby May, the That,bootlegs Chris of Rea,top artistsand Peter such Gabriel. as Take CharlesworthMr Justice to payFerris the costs ordered of the behalfBPI, which of sixhad memberbrought thecompanies. case on Charlesworth was also wamed that and July 26 the BPI wouid have ceedingsSubsequently for conte. tl : BPI bi CourtStephen last Charlesworth week after heing leaves found the inHigh And warning to pii pirated acts unauthorised Take That_ he videoshad offered and contempt of an injunction restraining "It's laughable," says lan Grant, mai tapesCharlesworth for sale in July. appeared in the High advertisinghim from circulating pirate audio leaflets and hootleg iEVERLEY plainedager of inBig the Country, past of leafletswho has offerin con Court ins Septemberadjourned' for " but s1 the proceed-' until video cassettes. Charlesworth, of video bootlegs of the band. This maki photographerClwyd,
  • MTO 16.3: Takehana, Review of the Social And

    MTO 16.3: Takehana, Review of the Social And

    Volume 16, Number 3, August 2010 Copyright © 2010 Society for Music Theory Review of Nicola Dibben, Björk (Bloomington: Indiana University Press, 2009) Elise O. Takehana KEYWORDS: Nicola Dibben, Björk, Iceland, nationalism, globalism, technology, nature, popular music Received November 2009 [1] Björk Guðmundsdóttir’s works have consistently posed a challenge to pop and art music as well as to those critics who have explored her music. The broad diversity of her approach to media and genre has made her oeuvre particularly enigmatic. Nicola Dibben premises this key trait of Björk’s work, calling her a whole artist who “communicates her ideas through the integrated use of all media at her disposal” ( Dibben 2009 , 23). To uphold such an interpretation of Björk’s work and artistic position, Dibben veers from many previous texts on the pop artist that presuppose a chronological biography as its organizing structure. Instead she adopts a thematic approach to all her artistic projects regardless of genre or release date. She investigates Björk’s critical reception, dividing the book into themes surrounding many of the basic binaries the artist bridges, particularly her understanding of pop/avant-garde, nationalism/globalism, and nature/technology. By providing a concerted and accessible analysis of the artist’s music, Dibben adds a formalist dimension to past critiques of Björk’s work. Dibben’s book provides an in-depth academic treatment of the artist as both a cultural and musical figure of great importance. Björk offers an intriguing case study of the artist and adds to a continued conversation about the role of music in the face of digital utopianism and globalization that will assuredly be a standard for any subsequent study on Björk.
  • Vince Mendoza

    Vince Mendoza

    Vince Mendoza BLAUKLANG ACT 9465-2 German Release Date: September 26, 2008 In jazz, the colour blue sometimes conveys red threads. And it is no accident that this CD opens with music from a classic jazz album whose title puts its cards on the table: “of ”the most successful jazz album of all time. “”lets us literally dive into the blue sea of melancholy. When you combine blue and sounds, the blues emerges once again. The idea of Blauklang (ACT 9465-2) goes back to a painting by the famous German artist Ernst Wilhelm Nay (1902-1968), part of the ACT ART COLLECTION of Siggi Loch. In close cooperation with Bernd Hoffmann of the WDR (West German Radio) the idea of this project became reality. The name of the painting, “” “”already refers to the synaesthetic relationship between music and fine art. Grounded in the impact of colour, ’abstract works now have taken on board a real “”Vince Mendoza. Mixtures of tonal colours and coloured tones that overlay a variety of harmonic and melodic voices shape a large part of his compositions. Mendoza rules over this sovereign play of light and shadow, brightness and darkness. The album Sketches (ACT 9215-2), which he recorded with the WDR Big Band, already encapsulates an aspect of ’ work methods. Again and again he is stirred into assembling sketches into a musical arc of images. Compositions as suites – and he is as much enamoured by the details as he treasures large arcing structures. Once again Mendoza is able to find the balance between aspirations and expectations.