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Mrs. Chase Among Highest-Paid Prep School Heads; It’S About the Individual’S Safety.” 1968
VISIT US ON THE WEB AT www.phillipian.net Volume CXXVIII, Number 24 Phillips Academy, Andover, Massachusetts January 6, 2006 SMOYERʼS $1M INTERNET SAFETY DONATION TO FIX CONCERNS PROMPT ATHLETIC FIELDS E-MAIL WARNING By EMMA WOOD By STEVE BLACKMAN The Andover Athletic and ALEXA REID Department received a generous In light of recent events, Phillips “Christmas present” of $1 million Academy issued a warning to parents from Stanley Smoyer. and students about the danger of Mr. Smoyer requested that using popular networking websites his donation go directly towards like MySpace.com. renovating the drainage system In an e-mail message to parents of the Boys Varsity Soccer fi eld, and faculty sent on December 12, which fl oods often. Dean of Students and Residential “For years, now, the water Life Marlys Edwards clarifi ed school problems have interfered with policy on non-academic computer practices and forced us to cancel use, warning students about the games. The varsity teams deserve dangers inherent in posting personal to have a fi eld they can be proud information on public webpages. of, so we couldn’t be more pleased She wrote, “The safety concerns about this extraordinary gift,” said arising from use of these Internet sites Athletic Director Martha Fenton, are numerous, and they include the according to Director of Public real fear that young people are making Information Steve Porter. themselves vulnerable to predators.” Instructor in Math and Boys’ “[Sites like MySpace] are not Varsity Soccer Coach Bill Scott a bad thing, not at all, but there said to Mr. Porter, “It is our goal is incredible potential for [their] and dream to create the best natural misuse,” said Ms. -
Download This List As PDF Here
QuadraphonicQuad Multichannel Engineers of 5.1 SACD, DVD-Audio and Blu-Ray Surround Discs JULY 2021 UPDATED 2021-7-16 Engineer Year Artist Title Format Notes 5.1 Production Live… Greetins From The Flow Dishwalla Services, State Abraham, Josh 2003 Staind 14 Shades of Grey DVD-A with Ryan Williams Acquah, Ebby Depeche Mode 101 Live SACD Ahern, Brian 2003 Emmylou Harris Producer’s Cut DVD-A Ainlay, Chuck David Alan David Alan DVD-A Ainlay, Chuck 2005 Dire Straits Brothers In Arms DVD-A DualDisc/SACD Ainlay, Chuck Dire Straits Alchemy Live DVD/BD-V Ainlay, Chuck Everclear So Much for the Afterglow DVD-A Ainlay, Chuck George Strait One Step at a Time DTS CD Ainlay, Chuck George Strait Honkytonkville DVD-A/SACD Ainlay, Chuck 2005 Mark Knopfler Sailing To Philadelphia DVD-A DualDisc Ainlay, Chuck 2005 Mark Knopfler Shangri La DVD-A DualDisc/SACD Ainlay, Chuck Mavericks, The Trampoline DTS CD Ainlay, Chuck Olivia Newton John Back With a Heart DTS CD Ainlay, Chuck Pacific Coast Highway Pacific Coast Highway DTS CD Ainlay, Chuck Peter Frampton Frampton Comes Alive! DVD-A/SACD Ainlay, Chuck Trisha Yearwood Where Your Road Leads DTS CD Ainlay, Chuck Vince Gill High Lonesome Sound DTS CD/DVD-A/SACD Anderson, Jim Donna Byrne Licensed to Thrill SACD Anderson, Jim Jane Ira Bloom Sixteen Sunsets BD-A 2018 Grammy Winner: Anderson, Jim 2018 Jane Ira Bloom Early Americans BD-A Best Surround Album Wild Lines: Improvising on Emily Anderson, Jim 2020 Jane Ira Bloom DSD/DXD Download Dickinson Jazz Ambassadors/Sammy Anderson, Jim The Sammy Sessions BD-A Nestico Masur/Stavanger Symphony Anderson, Jim Kverndokk: Symphonic Dances BD-A Orchestra Anderson, Jim Patricia Barber Modern Cool BD-A SACD/DSD & DXD Anderson, Jim 2020 Patricia Barber Higher with Ulrike Schwarz Download SACD/DSD & DXD Anderson, Jim 2021 Patricia Barber Clique Download Svilvay/Stavanger Symphony Anderson, Jim Mortensen: Symphony Op. -
Download Futuro Anteriore
Numero XVII Estate 2017 futuro anteriore Sommario L'Editorial L’Editorial 3 InSistenze 4 Gusci vuoti alla dervia di Simone Scaloni 5 Nella sottrazione utile... di Anna Laura Longo 9 SETTEMBRE 2017 - N.17- ANNO 5 La cristallomanzia delle vite interrotte di Gioele Marchis 13 L’attimo al fulmicotone di Lucio Costantini 17 www.rivistadiwali.it InVerso 21 «No, non è detto che il passato sia già accaduto, così alla perfezione piattamente presente del digitale, che an- Gianluigi Miani 22 come non è detto che il futuro non lo sia ancora. È cer- nulla ogni profondità dimensionale. O come le visioni vo- Valentina Ciurleo 23 to questo il modo in cui spontaneamente pensiamo il lutamente caricaturali del futuro nella fantascienza, che Direttore Editoriale tempo, ma...Lo spazio di questo ma raccoglie le infinite sappiamo non si produrranno mai come le immaginiamo, Roberto Marzano 24 Maria Carla Trapani possibilità della rappresentazione artistica del futuro an- ma che hanno proprio nel loro essere improbabili la forza Martina Millefiorini 26 teriore, questo tempo strano che già sui banchi di scuola di una protesta, di una resistenza. A volte l’anticato e il Direttore Responsabile Dona Amati 28 ci appariva misterioso. Ma è tutto lì il senso del tempo: futuristico si fondono in una sola immagine doppiamente Flavio Scaloni nella possibilità di pensare adesso qualcosa che oggi o anacronistica, come nello Steampunk, in cui le due dire- Focus Haiku 30 domani sarà passata… zioni convergono in una sola immagine, in un solo suo- Redazione InStante 35 Sarà passata, eccolo un esempio del nostro tempo, no, in una sola parola di resistenza. -
Broward/Palm Beach Björk - New Times Broward-Palm Beach 3/16/12 2:44 PM
Broward/Palm Beach Björk - New Times Broward-Palm Beach 3/16/12 2:44 PM Björk Vespertine (Elektra) By Jessica Parker published: September 27, 2001 By all accounts Björk's albums should be commercial disasters. Her lyrics make little sense to the outside world, and she's known to invite listeners into the depths of her mind. (She also doesn't care one bit about the repercussions of dressing like a swan, but that's beside the point.) On the contrary her art sells, allowing her freedom to be even weirder and more experimental. Fortunately Björk offsets all her introspection and questionable fashion sense with great production, funky electronics, and killer melodies, a balancing act she continues on her latest album, Vespertine. Following up Selmasongs -- last year's accompaniment to Dancer in the Dark, the film in which Björk made her acting debut -- Vespertine is Björk's most gorgeous, tender album, a sensuous, warm peek into her diary with ornate, enchanting instrumentation. And like Selmasongs, Vespertine is cinematic in approach with its army of strings and dramatic choral section. Björk seems to work much like frequent collaborator Thom Yorke of Radiohead, making soundtracks for dreams and personal epiphanies, and the results are often intensely intimate, haunting emotional crescendos. "Heirloom" recounts a recurrent dream wherein she swallows "little glowing lights my mother and son baked for me," as the deep bass reinforces the surreal nature of the dream. In contrast the stock bossa nova drum programming renders the song almost poppy. And "It's Not Up to You" recalls the lighter side of her first solo effort, Debut, showing that Björk hasn't abandoned her own form. -
Music and Environmentalism in Iceland
This is a repository copy of Music and Environmentalism in Iceland. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/98624/ Version: Accepted Version Book Section: Dibben, N. orcid.org/0000-0002-9250-5035 (2017) Music and Environmentalism in Iceland. In: Holt, F. and Kärjä, A-V., (eds.) Oxford Handbook of Popular Music in the Nordic Countries. Oxford University Press , Oxford . ISBN 9780190603908 Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ 8 Music and Environmentalism in Iceland Nicola Dibben How much would we accept for a mountain? Two billion? Twenty billion?i At the end of the trailer for the television eco-documentary Draumalandi! (2007), an interviewee questions the monetary value placed on landscape. The question encapsulates ongoing controversies over ownership, valuation and use of the natural environment in the Nordic region and beyond. It presents an implicit opposition between, on the one hand, economic valuation of the natural environment, epitomised by natural capital accounting (measurement and incorporation into markets of natural resources and ecosystems), and on the other hand, the idea that nature is, and should remain, in the realm of the “beyond-human”. -
2. Case Study: Anime Music Videos
2. CASE STUDY: ANIME MUSIC VIDEOS Dana Milstein When on 1 August 1981 at 12:01 a.m. the Buggles’ ‘Video Killed the Radio Star’ aired as MTV’s first music video, its lyrics parodied the very media pre- senting it: ‘We can’t rewind, we’ve gone too far, . put the blame on VTR.’ Influenced by J. G. Ballard’s 1960 short story ‘The Sound Sweep’, Trevor Horn’s song voiced anxiety over the dystopian, artificial world developing as a result of modern technology. Ballard’s story described a world in which natu- rally audible sound, particularly song, is considered to be noise pollution; a sound sweep removes this acoustic noise on a daily basis while radios broad- cast a silent, rescored version of music using a richer, ultrasonic orchestra that subconsciously produces positive feelings in its listeners. Ballard was particu- larly criticising technology’s attempt to manipulate the human voice, by con- tending that the voice as a natural musical instrument can only be generated by ‘non-mechanical means which the neruophonic engineer could never hope, or bother, to duplicate’ (Ballard 2006: 150). Similarly, Horn professed anxiety over a world in which VTRs (video tape recorders) replace real-time radio music with simulacra of those performances. VTRs allowed networks to replay shows, to cater to different time zones, and to rerecord over material. Indeed, the first VTR broadcast occurred on 25 October 1956, when a recording of guest singer Dorothy Collins made the previous night was broadcast ‘live’ on the Jonathan Winters Show. The business of keeping audiences hooked 24 hours a day, 7 days a week, promoted the concept of quantity over quality: yes- terday’s information was irrelevant and could be permanently erased after serving its money-making purpose. -
Björk's Biophilia Björk's Whole Career Has Been a Quest for the Ultimate Fusion of the Organic and the Electronic
Björk's Biophilia Björk's whole career has been a quest for the ultimate fusion of the organic and the electronic. With her new project Biophilia – part live show, part album, part iPad app – she might just have got there Michael Cragg The Guardian, Saturday 28 May 2011 larger | smaller Iceland's singer Bjork performs during the Rock en Seine music festival, 26 August 2007 in Saint-Cloud Photograph: Afp/AFP/Getty Images For Björk, technology, nature and art have always been inextricably linked. "In Iceland, everything revolves around nature, 24 hours a day," she told Oor magazine in 1997. "Earthquakes, snowstorms, rain, ice, volcanic eruptions, geysers … very elementary and uncontrollable. But on the other hand, Iceland is incredibly modern; everything is hi- tech." The Modern Things, a track from 1995's Post, playfully posits the theory that technology has always existed, waiting in mountains for humans to catch up. In fact, Björk has always seemed like an artist who's been waiting for technology to catch up with her. Finally, it seems to have done so. When Apple announced details of its iPad early last year, it acted as a catalyst for what would become Biophilia, Björk's seventh and most elaborate album, the title of which means "love of life or living systems". Along with a conventional album release, complete with music videos – at least one of which has been directed by Eternal Sunshine's Michel Gondry – Biophilia will also be released as an "app album" and premiered as a multimedia live extravaganza at MIF. Biophilia for iPad will include around 10 separate apps, all housed within one "mother" app. -
2019 Tcc Jfteixeira.Pdf
UNIVERSIDADE FEDERAL DO CEARÁ INSTITUTO DE CULTURA E ARTE CURSO DESIGN-MODA JOHANN FREITAS TEIXEIRA BJÖRK E SEU CORAÇÃO PARTIDO: UMA ANÁLISE DAS RELAÇÕES ENTRE FIGURINO E DESIGN GRÁFICO A PARTIR DO ENCARTE DO ÁLBUM VULNICURA FORTALEZA 2019 JOHANN FREITAS TEIXEIRA BJÖRK E SEU CORAÇÃO PARTIDO: UMA ANÁLISE DAS RELAÇÕES ENTRE FIGURINO E DESIGN GRÁFICO A PARTIR DO ENCARTE DO ÁLBUM VULNICURA MonografiA ApresEntAda como conclusão de Curso Em DEsign-Moda do Instituto de Cultura E ArtE – ICA da Universidade FEderal do CeArá – UFC, como requisito parciAl para obtEnção de Título de Bacharel em DEsign-Moda. OriEntAdora: Profa. Esp. PAtriciA MontEnegro MAtos Albuquerque. FORTALEZA 2019 Dados Internacionais de Catalogação na Publicação Universidade Federal do Ceará Biblioteca Universitária Gerada automaticamente pelo módulo Catalog, mediante os dados fornecidos pelo(a) autor(a) T266b Teixeira, Johann Freitas. Björk e seu coração partido : uma analise das relações entre figurino e design gráfico a partir do encarte do álbum vulnicura / Johann Freitas Teixeira. – 2019. 60 f. : il. color. Trabalho de Conclusão de Curso (graduação) – Universidade Federal do Ceará, Instituto de cultura e Arte, Curso de Design de Moda, Fortaleza, 2019. Orientação: Profa. Esp. Patricia Montenegro Matos Albuquerque. 1. Figurino . 2. Design gráfico. 3. Encarte. 4. Björk. I. Título. CDD 391 JOHANN FREITAS TEIXEIRA BJÖRK E SEU CORAÇÃO PARTIDO: UMA ANÁLISE DAS RELAÇÕES ENTRE FIGURINO E DESIGN GRÁFICO A PARTIR DO ENCARTE DO ÁLBUM VULNICURA MonografiA ApresEntAda como conclusão de Curso Em DEsign-Moda do Instituto de Cultura E ArtE – ICA da Universidade FEderal do CeArá – UFC, como requisito parciAl para obtEnção de Título de Bacharel em DEsign-Moda. -
2017年8.9月号(No.377)
目 次 シューマン、ユーゲントアルバム op. 68:自筆譜ファクシミリ版 ……………………………………………………………………………… 1 ロンベルク、チェロ協奏曲第2番、第3番…………………………………………………………………………………………………………… 2 映画音楽100選、ピアノ・ソロ編曲 …………………………………………………………………………………………………………………… 4 オネゲル、雌山羊の踊り………………………………………………………………………………………………………………………………… 8 サイ、アルト・サクソフォーンとピアノのための組曲 op. 55 …………………………………………………………………………………… 9 スヴォボダ/ロト、トロンボーン演奏の技法 ……………………………………………………………………………………………………… 11 ビョーク、34のスコア、ピアノ、オルガン、ハープシコード、チェレスタのための ……………………………………………………… 12 ドヴォルザーク、歌曲集第2巻……………………………………………………………………………………………………………………… 12 バッハ、フーガの技法(H.E.デントラー校訂) …………………………………………………………………………………………………… 15 ブラームス、管弦楽伴奏付き合唱曲集……………………………………………………………………………………………………………… 18 ラモー、オペラ・バレ「優雅なインドの国々」からのサンフォニー(器楽曲)……………………………………………………………… 18 ラヴェル、高雅で感傷的なワルツ…………………………………………………………………………………………………………………… 19 国際音楽人名録 クラシック篇、ポピュラー篇(2017) ……………………………………………………………………………………… 20 メンデルスゾーン書簡全集 完結…………………………………………………………………………………………………………………… 21 音楽療法関連書籍 多種入荷!…………………………………………………………………………………………………………………… 23,24 ヘンレ出版社広告 J. S. バッハ、フランス組曲 BWV 812-817 …………………………………………………………………………… 24 ベルリオーズ、幻想交響曲:自筆譜ファクシミリ………………………………………………………………………………………………… 25 新ブルックナー全集………………………………………………………………………………………………………………………………… 26,27 ベーレンライター出版社広告 アントニーン・ドヴォルザーク、ヴァイオリン協奏曲イ短調 ……………………………………………… 28 http://www.academia-music.com/ 新入荷楽譜 ……………………………………………………………… ……………………………………………………………… ……………………………………………………………… 新入荷楽譜 * 印のものは特に入荷部数の少ない楽譜です。 ……………………………………………………………… 作品名の次の括弧内の人名は校訂者または ……………………………………………………………… 編曲者です。 表示価格は本体価格(税別)です。 作曲家全集 Bernhard Heinrich Romberg, zehn Konzerte fur Violoncello und Orchester (Noetzel) Jean-Baptiste -
The Subject of Music As Subject of Excess and Emergence: Resonances and Divergences Between Slavoj Žižek and Björk Guðmundsdóttir
ISSN 1751-8229 Volume Eleven, Number Three The Subject of Music as Subject of Excess and Emergence: Resonances and Divergences between Slavoj Žižek and Björk Guðmundsdóttir Jérôme Melançon, University of Regina (Canada) Alexander Carpenter, University of Alberta (Canada) Abstract In answering the question “who is the subject of music,” we argue that it is a subject of excess and emergence, and we rely on the definition and development of these terms by Žižek and Björk. Such a subject is movement and activity; it exceeds the experiences, objects, others and symbolic order that make it who it is; and it emerges through desire and drive, and resonance and animation. We open with a brief discussion of Žižek’s subject of excess, which we then relate to his approach to subjectivity in music. After an analysis of Björk’s music, centered on the piece “Black Lake” and from a perspective informed by Žižek’s account of subjectivity, we shift our attention to Björk’s thoughts on music in order to find elements that allow for the development of a subject of emergence. While the elements of excess and emergence are present in both accounts of the subject, Žižek’s and Björk’s respective focus on one of these concepts allow us to develop a fuller picture of subjectivity, particularly but not exclusively as it is engaged with in musical activities. Key Words: Subjectivity; Creation; Self-Transformation; Resonance; Popular Music; Classical Music; Musical Subjectivization Overture Who is the subject of music? Who is the subject who sings and plays, rather than simply speaking and working—whose speaking is singing and whose work is playing? Such a question is easily answered with reference to the subject of expression, who speaks and sings because it has something to say. -
2017 Dis Jpmonteiro.Pdf
UNIVERSIDADE FEDERAL DO CEARÁ INSTITUTO DE CULTURA E ARTE PROGRAMA DE PÓS-GRADUAÇÃO EM COMUNICAÇÃO JULIO PIO MONTEIRO NOMADISMO SENSÍVEL: ESTÉTICA DO VIDEOCLIPE E TENSIONAMENTOS EM STONEMILKER E BLACK LAKE FORTALEZA 2017 JULIO PIO MONTEIRO NOMADISMO SENSÍVEL: ESTÉTICA DO VIDEOCLIPE E TENSIONAMENTOS EM STONEMILKER E BLACK LAKE Dissertação apresentada ao Programa de Pós- Graduação em Comunicação da Universidade Federal do Ceará, como requisito parcial à obtenção do título de mestre em Comunicação. Área de concentração: Fotografia e Audiovisual. Orientador: Prof. Dr. Osmar Gonçalves dos Reis Filho FORTALEZA 2017 ___________________________________________________________________________ ___________________________________________________________________________ JULIO PIO MONTEIRO NOMADISMO SENSÍVEL: ESTÉTICA DO VIDEOCLIPE E TENSIONAMENTOS EM STONEMILKER E BLACK LAKE Dissertação apresentada ao Programa de Pós- Graduação em Comunicação da Universidade Federal do Ceará, como requisito parcial à obtenção do título de mestre em Comunicação. Área de concentração: Fotografia e Audiovisual. Orientador: Prof. Dr. Osmar Gonçalves dos Reis Filho Aprovada em: ___/___/______. BANCA EXAMINADORA ________________________________________ Prof. Dr. Osmar Gonçalves dos Reis Filho (Orientador) Universidade Federal do Ceará (UFC) _________________________________________ Prof. Dr. Henrique Codato Universidade Federal do Ceará (UFC) _________________________________________ Prof. Dr. Thiago Soares Universidade Federal de Pernambuco (UFPE) A meus pais, Francisca e Júlio. Ao meu sim-fim de corações, minhas irmãs. Aos meus amigos. A cada adolescente estranho no mundo. AGRADECIMENTOS Obrigado aos meus amigos que estiveram comigo durante esta jornada tão complicada. Obrigado por morarem em mim. Eu não posso numerar todos. Sou bom com afetos, não com palavras. Obrigado aos meus pais. À minha mãe, matriarca forte que soube me dar carinho e força. À meu pai, para que eu nunca esqueça de quem ele é. -
An Access-Dictionary of Internationalist High Tech Latinate English
An Access-Dictionary of Internationalist High Tech Latinate English Excerpted from Word Power, Public Speaking Confidence, and Dictionary-Based Learning, Copyright © 2007 by Robert Oliphant, columnist, Education News Author of The Latin-Old English Glossary in British Museum MS 3376 (Mouton, 1966) and A Piano for Mrs. Cimino (Prentice Hall, 1980) INTRODUCTION Strictly speaking, this is simply a list of technical terms: 30,680 of them presented in an alphabetical sequence of 52 professional subject fields ranging from Aeronautics to Zoology. Practically considered, though, every item on the list can be quickly accessed in the Random House Webster’s Unabridged Dictionary (RHU), updated second edition of 2007, or in its CD – ROM WordGenius® version. So what’s here is actually an in-depth learning tool for mastering the basic vocabularies of what today can fairly be called American-Pronunciation Internationalist High Tech Latinate English. Dictionary authority. This list, by virtue of its dictionary link, has far more authority than a conventional professional-subject glossary, even the one offered online by the University of Maryland Medical Center. American dictionaries, after all, have always assigned their technical terms to professional experts in specific fields, identified those experts in print, and in effect held them responsible for the accuracy and comprehensiveness of each entry. Even more important, the entries themselves offer learners a complete sketch of each target word (headword). Memorization. For professionals, memorization is a basic career requirement. Any physician will tell you how much of it is called for in medical school and how hard it is, thanks to thousands of strange, exotic shapes like <myocardium> that have to be taken apart in the mind and reassembled like pieces of an unpronounceable jigsaw puzzle.