This is a repository copy of Music and Environmentalism in Iceland. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/98624/ Version: Accepted Version Book Section: Dibben, N. orcid.org/0000-0002-9250-5035 (2017) Music and Environmentalism in Iceland. In: Holt, F. and Kärjä, A-V., (eds.) Oxford Handbook of Popular Music in the Nordic Countries. Oxford University Press , Oxford . ISBN 9780190603908 Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing
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[email protected] https://eprints.whiterose.ac.uk/ 8 Music and Environmentalism in Iceland Nicola Dibben How much would we accept for a mountain? Two billion? Twenty billion?i At the end of the trailer for the television eco-documentary Draumalandi! (2007), an interviewee questions the monetary value placed on landscape. The question encapsulates ongoing controversies over ownership, valuation and use of the natural environment in the Nordic region and beyond. It presents an implicit opposition between, on the one hand, economic valuation of the natural environment, epitomised by natural capital accounting (measurement and incorporation into markets of natural resources and ecosystems), and on the other hand, the idea that nature is, and should remain, in the realm of the “beyond-human”.