Happy Birthday!
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Summer Classic Film Series, Now in Its 43Rd Year
Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre. -
From Del Ray to Monterey Pop Festival
Office of Historic Alexandria City of Alexandria, Virginia Out of the Attic From Del Ray to Monterey Pop Festival Alexandria Times, February 11, 2016 Image: The Momas and the Popas. Photo, Office of Historic Alexandria. t the center of Alexandria’s connection to rock and folk music fame was John Phillips. Born in South A Carolina, John and his family lived in Del Ray for much of his childhood. He attended George Washington High School, like Cass Elliot and Jim Morrison, graduating in 1953. He met and then married his high school sweetheart, Susie Adams, with whom he had two children, Jeffrey and Mackenzie, who later became famous in her own right. Phillips and Adams lived in the Belle Haven area after high school, but John left his young family at their Fairfax County home to start a folk music group called the Journeymen in New York City. The new group included lifelong friend and collaborator Philip Bondheim, later known as Scott McKenzie, also from Del Ray. The young men had met through their mothers, who were close friends. While in New York, John’s romantic interests turned elsewhere and he told Susie he would not be returning to her. Soon after, he married his second wife, Michelle Gilliam, who was barely out of her teens. They had one daughter, Chynna, who also gained fame as a singer. Gilliam and Phillips joined two former members of a group called the Mugwumps, Denny Doherty and Cass Elliot to form The Mamas and the Papas in 1965. This photo from that time shows Gilliam and Doherty to the left, Phillips and Elliot to the right, and fellow Alexandrian Bondheim at the center. -
Download Futuro Anteriore
Numero XVII Estate 2017 futuro anteriore Sommario L'Editorial L’Editorial 3 InSistenze 4 Gusci vuoti alla dervia di Simone Scaloni 5 Nella sottrazione utile... di Anna Laura Longo 9 SETTEMBRE 2017 - N.17- ANNO 5 La cristallomanzia delle vite interrotte di Gioele Marchis 13 L’attimo al fulmicotone di Lucio Costantini 17 www.rivistadiwali.it InVerso 21 «No, non è detto che il passato sia già accaduto, così alla perfezione piattamente presente del digitale, che an- Gianluigi Miani 22 come non è detto che il futuro non lo sia ancora. È cer- nulla ogni profondità dimensionale. O come le visioni vo- Valentina Ciurleo 23 to questo il modo in cui spontaneamente pensiamo il lutamente caricaturali del futuro nella fantascienza, che Direttore Editoriale tempo, ma...Lo spazio di questo ma raccoglie le infinite sappiamo non si produrranno mai come le immaginiamo, Roberto Marzano 24 Maria Carla Trapani possibilità della rappresentazione artistica del futuro an- ma che hanno proprio nel loro essere improbabili la forza Martina Millefiorini 26 teriore, questo tempo strano che già sui banchi di scuola di una protesta, di una resistenza. A volte l’anticato e il Direttore Responsabile Dona Amati 28 ci appariva misterioso. Ma è tutto lì il senso del tempo: futuristico si fondono in una sola immagine doppiamente Flavio Scaloni nella possibilità di pensare adesso qualcosa che oggi o anacronistica, come nello Steampunk, in cui le due dire- Focus Haiku 30 domani sarà passata… zioni convergono in una sola immagine, in un solo suo- Redazione InStante 35 Sarà passata, eccolo un esempio del nostro tempo, no, in una sola parola di resistenza. -
Inspiring Mathematical Creativity Through Juggling
Journal of Humanistic Mathematics Volume 10 | Issue 2 July 2020 Inspiring Mathematical Creativity through Juggling Ceire Monahan Montclair State University Mika Munakata Montclair State University Ashwin Vaidya Montclair State University Sean Gandini Follow this and additional works at: https://scholarship.claremont.edu/jhm Part of the Arts and Humanities Commons, and the Mathematics Commons Recommended Citation Monahan, C. Munakata, M. Vaidya, A. and Gandini, S. "Inspiring Mathematical Creativity through Juggling," Journal of Humanistic Mathematics, Volume 10 Issue 2 (July 2020), pages 291-314. DOI: 10.5642/ jhummath.202002.14 . Available at: https://scholarship.claremont.edu/jhm/vol10/iss2/14 ©2020 by the authors. This work is licensed under a Creative Commons License. JHM is an open access bi-annual journal sponsored by the Claremont Center for the Mathematical Sciences and published by the Claremont Colleges Library | ISSN 2159-8118 | http://scholarship.claremont.edu/jhm/ The editorial staff of JHM works hard to make sure the scholarship disseminated in JHM is accurate and upholds professional ethical guidelines. However the views and opinions expressed in each published manuscript belong exclusively to the individual contributor(s). The publisher and the editors do not endorse or accept responsibility for them. See https://scholarship.claremont.edu/jhm/policies.html for more information. Inspiring Mathematical Creativity Through Juggling Ceire Monahan Department of Mathematical Sciences, Montclair State University, New Jersey, USA -
UNIVERSITY of CALIFORNIA, SAN DIEGO Flips and Juggles A
UNIVERSITY OF CALIFORNIA, SAN DIEGO Flips and Juggles ADissertationsubmittedinpartialsatisfactionofthe requirements for the degree Doctor of Philosophy in Mathematics by Jay Cummings Committee in charge: Professor Ron Graham, Chair Professor Jacques Verstra¨ete, Co-Chair Professor Fan Chung Professor Shachar Lovett Professor Je↵Remmel Professor Alexander Vardy 2016 Copyright Jay Cummings, 2016 All rights reserved. The Dissertation of Jay Cummings is approved, and it is acceptable in quality and form for publication on micro- film and electronically: Co-Chair Chair University of California, San Diego 2016 iii DEDICATION To mom and dad. iv EPIGRAPH We’ve taught you that the Earth is round, That red and white make pink. But something else, that matters more – We’ve taught you how to think. — Dr. Seuss v TABLE OF CONTENTS Signature Page . iii Dedication . iv Epigraph ...................................... v TableofContents.................................. vi ListofFigures ................................... viii List of Tables . ix Acknowledgements ................................. x AbstractoftheDissertation . xii Chapter1 JugglingCards ........................... 1 1.1 Introduction . 1 1.1.1 Jugglingcardsequences . 3 1.2 Throwingoneballatatime . 6 1.2.1 The unrestricted case . 7 1.2.2 Throwingeachballatleastonce . 9 1.3 Throwing m 2ballsatatime. 16 1.3.1 A digraph≥ approach . 17 1.3.2 Adi↵erentialequationsapproach . 21 1.4 Throwing di↵erent numbers of balls at di↵erent times . 23 1.4.1 Boson normal ordering . 24 1.5 Preserving ordering while throwing . 27 1.6 Juggling card sequences with minimal crossings . 32 1.6.1 A reduction bijection with Dyck Paths . 36 1.6.2 A parenthesization bijection with Dyck Paths . 48 1.6.3 Non-crossingpartitions . 52 1.6.4 Counting using generating functions . -
Leonard Bernstein's MASS
27 Season 2014-2015 Thursday, April 30, at 8:00 Friday, May 1, at 8:00 The Philadelphia Orchestra Saturday, May 2, at 8:00 Sunday, May 3, at 2:00 Leonard Bernstein’s MASS: A Theatre Piece for Singers, Players, and Dancers* Conducted by Yannick Nézet-Séguin Texts from the liturgy of the Roman Mass Additional texts by Stephen Schwartz and Leonard Bernstein For a list of performing and creative artists please turn to page 30. *First complete Philadelphia Orchestra performances This program runs approximately 1 hour, 50 minutes, and will be performed without an intermission. These performances are made possible in part by the generous support of the William Penn Foundation and the Andrew W. Mellon Foundation. Additional support has been provided by the Presser Foundation. 28 I. Devotions before Mass 1. Antiphon: Kyrie eleison 2. Hymn and Psalm: “A Simple Song” 3. Responsory: Alleluia II. First Introit (Rondo) 1. Prefatory Prayers 2. Thrice-Triple Canon: Dominus vobiscum III. Second Introit 1. In nomine Patris 2. Prayer for the Congregation (Chorale: “Almighty Father”) 3. Epiphany IV. Confession 1. Confiteor 2. Trope: “I Don’t Know” 3. Trope: “Easy” V. Meditation No. 1 VI. Gloria 1. Gloria tibi 2. Gloria in excelsis 3. Trope: “Half of the People” 4. Trope: “Thank You” VII. Mediation No. 2 VIII. Epistle: “The Word of the Lord” IX. Gospel-Sermon: “God Said” X. Credo 1. Credo in unum Deum 2. Trope: “Non Credo” 3. Trope: “Hurry” 4. Trope: “World without End” 5. Trope: “I Believe in God” XI. Meditation No. 3 (De profundis, part 1) XII. -
Kathryn J. Schubert Editor
Kathryn J. Schubert Editor Selected Film | TV WHAT BREAKS THE ICE (Post-Production) Producers | Michael Cuomo, Dustin Duke Dlouhy, Rebecca Eskreis & Michael W. Gray Credit Copy Meals Director | Rebecca Eskreis Cast | Sofia Hublitz, Brett Zimmerman, Shakira Barrera, Lukas Gage, Catherine Curtin ABOVE TO SHADOWS [Post-Production] Producers | Rob Baunoch III, Khris Baxter, Robyn K. Bennett, Mark Schacknies, Tara Sickmeier HIPZEE Director | Claudia Meyers. Producer: Rob Baunoch, Tara Sicmeier Cast | Alan Ritchson, Megan Fox, Jim Gaffigan, Olivia Thirlby DRIVER ED Producers | Helen Waters, Trish Harnetiaux Director | Amanda Cowper Cast | Jacob Ware *Premiered at Tribeca N.O.W. Showcase 2018* RUSSIAN AMERICAN [Post-Production] Producers | Michelle Booso, Molly Conners, Giulio Marantonio, Jane Oster Phiphen Pictures Director | David Gutnik Cast | FKA Twigs, Costa Ronin, Barney Harris, Sofia Vassilieva BEYOND THE NIGHT Producers | Robin C. Garvick, Erik S. Weigel NewAley Pictures, Reckless Productions Director | Jason Noto Cast | Azhy Robertson, Zane Holtz, Tommy Blanchard, Chance Kelly MARJORIE PRIME Producers | Michael Almereyda, Uri Singer Passage Pictures, FilmRise Director | Michael Almereyda. Cast | Lois Smith, Jon Hamm, Geena Davis, Tim Robbins *Premiered at Sundance Film Festival 2017* THE TRANSFIGURATION Producer | Susan Leber Transfiguration Productions, Strand Releasing Director | Michael O’Shea. Producer: Susan Leber. Cast | Eric Ruffin, Chloe Levin, Aaron Moten *Premiered at Cannes Film Festival 2016 – Un Certain Regard selection* -
At GW High School Some California Dreamin
Office of Historic Alexandria City of Alexandria, Virginia Out of the Attic At GW High School, some California dreamin’ Alexandria Times, January 28, 2016 Image: Ellen Naomi Cohen, known as Mama Cass Elliot. Photo, Office of Historic Alexandria. nother of the legendary musical performers that attended George Washington High School in Alexandria’s Del Ray neighborhood was A Ellen Naomi Cohen, who became known the world over as Mama Cass Elliot. Cohen was born in Baltimore in 1941 to the children of Russian immigrants. The family moved to Alexandria in her childhood and rented an apartment at 1502 Commonwealth Ave. Cohen did her best to fit in at GW, and adopted the nickname “Cass” possibly after the well-known comedian of the time, Peggy Cass. At the school she became interested in the performing arts and during the summer of her senior year she was cast in a production of the comedic farce, “The Boy Friend” at the Owings Mills Playhouse in Maryland. There she played the minor role of a French nurse, but her vocal talents lifted the production immensely with her solo rendition of “It’s nicer, much nicer, in Nice.” Cass left high school before graduation in 1961 and moved to New York where she assumed the stage name Elliot in memory of a recently departed friend. She worked at The Showplace nightclub in Greenwich Village as a singing coat check attendant, and could often be found performing at late-night “open mike” at area bars. In 1962, after losing out to Barbra Streisand for a part in the Broadway production of “I Can Get it for You Wholesale,” she returned to the Washington area to attend American University. -
Department, CLEAR HAVANA MAR.GUER.ITAS
OMAHA. DRUGGIST. 1 RICHARDSON DRUG CO. Department, CLEAR HAVANA MAR.GUER.ITAS. No. in Box. Per M. For an appreciative trade. Conchas .................................................. ^ .... 50V. $57.00 Perfecto. ................. .......................... 50 . 70.00 OPTIM O. Conchas Extra, boxes of 50, per M., $60.00 METROPOLIS. Demi Tasse, 25, 65.00 No. in Boxo. Per M. Non Plus Ultra, 50, 70.00 Invincibles.......................................................... 50 . $60.00 Paneteles, 50, 70.00 Prince of Wales, 50, 85.00 ^Aromaticos, 50, 90.00 SUMATRA AND HAVANA. Media Perfecto, 25, 90.00 No. in Box. Per Nl. Favoritas, 50, 90.00 Wellerette, Demi Tasse (something1 new)... 50 $35.00 Club House, 50, 1 00 .0 0 Wellerette, tins.................................... , .......... 25 35.00 Perfecto Finis, 25, 105.00 Wellerette, foil...........................v . ................ 50 35.00 Wellerette, Couchas (loose)... •............. 50 35.00 Wellerette, small (loose)............................ 50 35.00 NEW LINE HAVANA CIGARS, Citizens............................................................... 50 35.00 Dominguez................................................... 100 35.00 Department......... ................................. 50 35.00 Iron Cross............................................................. 50 35.00 Imported Stock............................................. 50 35.00 Inglaterra...................’. .......... ................ 50 35.00 Puravana.................................................... 50 35.00 Single Binder.................................................. -
CHLA 2017 Annual Report
Children’s Hospital Los Angeles Annual Report 2017 About Us The mission of Children’s Hospital Los Angeles is to create hope and build healthier futures. Founded in 1901, CHLA is the top-ranked children’s hospital in California and among the top 10 in the nation, according to the prestigious U.S. News & World Report Honor Roll of children’s hospitals for 2017-18. The hospital is home to The Saban Research Institute and is one of the few freestanding pediatric hospitals where scientific inquiry is combined with clinical care devoted exclusively to children. Children’s Hospital Los Angeles is a premier teaching hospital and has been affiliated with the Keck School of Medicine of the University of Southern California since 1932. Table of Contents 2 4 6 8 A Message From the Year in Review Patient Care: Education: President and CEO ‘Unprecedented’ The Next Generation 10 12 14 16 Research: Legislative Action: Innovation: The Jimmy Figures of Speech Protecting the The CHLA Kimmel Effect Vulnerable Health Network 18 20 21 81 Donors Transforming Children’s Miracle CHLA Honor Roll Financial Summary Care: The Steven & Network Hospitals of Donors Alexandra Cohen Honor Roll of Friends Foundation 82 83 84 85 Statistical Report Community Board of Trustees Hospital Leadership Benefit Impact Annual Report 2017 | 1 This year, we continued to shine. 2 | A Message From the President and CEO A Message From the President and CEO Every year at Children’s Hospital Los Angeles is by turning attention to the hospital’s patients, and characterized by extraordinary enthusiasm directed leveraging our skills in the arena of national advocacy. -
Leveled Books by Reading Level
A Curly and His Friends Tony Mitton Rigby A Do You Want to Be My Friend? Eric Carle Scholastic A Friends Lesly Wing Jan Rigby A Goodnight Bobbie Alison Hawes Rigby A I Like Gay Su Pinnell Scholastic A Look! Now Look! Jan Pritchett Rigby A Scaredy Cat Fay Robinson Rigby A School Gay Su Pinnell Scholastic A That's Mine! Claire Llewllyn Rigby A Things Birds Eat, The Betrey Chessen Scholastic A Time for School Maria Fleming A We Are Playing Jan Pritchett Rigby B Big and Little Jacob Cesaro Rigby B Bobbie and the Monster Monica Hughes Rigby B Bobbie and the Parade Monica Hughes Rigby B Curly Finds a Home Tony Mitton Rigby B Curly Is Hungry Tony Mitton Rigby B Eat It, Print It Stephanie Varnali Rigby B Explore in a Cave Dana Meachen Rau Abrams and Company B Gifts for Everyone Claire Llewllyn Rigby B Going Shopping Alison Hawes Rigby B Have You Seen My Cat? Eric Carle Scholastic B I Like Dogs Barbara Mitchelhill Rigby B Juggling Alison Hawes Rigby B Max Gets Ready Fay Robinson Rigby B Mixing Colors Isabel Bissett Rigby B Monster Soup Paul Shipton Rigby B Mud! Charnan Simon Houghton Mifflin B Ned's Noise Machine Monica Hughes Rigby B Pet Vet, The Marcia Leonard Houghton Mifflin B Playhouse, The Monica Hughes Rigby B Shells Coral White Rigby B Wash Day Sydnie Meltzer Kleinhenz Scholastic B What Can You See? Simon Browne Rigby B What Is It? Fay Robinson Rigby B What's in the Box? Nancy Ianni Rigby B Where Is Eric? Anne Bauers Rigby B Who Lives in a Tree? Susan Canizares Scholastic B Wings Paloma Kennedey Rigby C At Last! Alison Hawes Rigby C Baby -
Texts and Other Fictions in Gore Vidal╎s Burr
Studies in English, New Series Volume 11 Volumes 11-12 Article 29 1993 Texts and Other Fictions in Gore Vidal’s Burr Thomas Gladsky Central Missouri State University Follow this and additional works at: https://egrove.olemiss.edu/studies_eng_new Part of the American Literature Commons Recommended Citation Gladsky, Thomas (1993) "Texts and Other Fictions in Gore Vidal’s Burr," Studies in English, New Series: Vol. 11 , Article 29. Available at: https://egrove.olemiss.edu/studies_eng_new/vol11/iss1/29 This Article is brought to you for free and open access by the Studies in English at eGrove. It has been accepted for inclusion in Studies in English, New Series by an authorized editor of eGrove. For more information, please contact [email protected]. Gladsky: Texts and Other Fictions in Gore Vidal’s Burr TEXTS AND OTHER FICTIONS IN GORE VIDAL’S BURR Thomas Gladsky Central Missouri State University Over the years, Gore Vidal has campaigned furiously against theorists and writers of the new novel who, according to Vidal, “have attempted to change not only the form of the novel but the relationship between book and reader” (“French Letters” 67). In his essays, he has condemned the “misdirected” efforts of writers such as Donald Barthelme, John Gardner, Thomas Pynchon, John Barth, William Gass, and all those who come equipped with “formulas, theorems, signs, and diagrams because words have once again failed them” (“American Plastic” 102). In comparison, Vidal presents himself as a literary conservative, a defender of traditional form in fiction even though his own novels betray his willingness to penetrate beyond words and to experiment with form, especially in his series of historical novels.