Architecture Program Report for 2013 NAAB Visit for Continuing Accreditation
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Algorithmic Design Type Design Inquiry by Design Poster Design
Summer Workshops Basel June 29th- July 24th | 2020 Information and Application Form Visual Communication Institute FHNW HGK 29 í Poster Design Type Design í Inquiry by Design Algorithmic Design í 24 July University of Applied Sciences Academy of Art and Design The Basel School of Design Iwaidja Ifo Inabaknon Irish Iwal Ifugao, Amganad Inakeanon IrishNorthwestern Sign Switzerland Language Visual Communication Iwam Institute Ifugao, Batad Summer Workshops Basel June 29th- July 24th | 2020 Information and Application Form Visual Communication Institute FHNW HGK Program Summer Workshops Basel, June 29th to July 24th June 29th to July 03rd–Leander Eisenmann Poster Design What the requirements are for a successful poster design is an on-going theme of discussion. It must be readable from far away and close-up, attract curiosity, be informative and communicate an idea. A poster is a large 2-dimensional surface with a fas- cinating illusion of space and perspective. Its design, depending on the content, has to comply with many factors such as the concept, an existing corporate identity, recognizability, readability originality, and of course artistic expression. But, how can a poster function under all these demands? What is design quality? What demands are put on the designer? Does the informa- tional content, on the one hand, and the medium of print, on the other hand, require a different approach to finding design solutions? How many design possibilities are there and which is the right one? How do you achieve an optimal result? Can the design process in turn have an influence on the content message? In the workshop we will analyze and question the approach- es necessary for a dynamic, contextually correct and aesthetically successful poster design. -
How Interaction Design for Ceramics Exhibition Will Help Audiences to Have a Better Experience in Museums
How interaction design for ceramics exhibition will help audiences to have a better experience in museums. A thesis submitted to the Graduate School College of Design, Architecture, Art, and Planning of the University of Cincinnati in partial fulfillment of the requirements for the degree of Master of Design in the School of Design of the College of Design, Architecture, Art, and Planning by Fei Xie July 24, 2013 B.E., Automation School, Beijing University of Posts and Telecommunications (BUPT), P. R. China, 2010 Committee: Craig M. Vogel, MID Chair Katie Parker, MFA Member Renee Seward, MGD Member Abstract The common ways of offering information and educating visitors in museums are providing audio, interpretive signs and video displays. However, non-interactive ways don’t work well at engaging audiences. Artifacts in most museums are not allowed to be touched by visitors. They are usually put into glass display cabinets for protection. This thesis focuses on identify issues of user experience design in museums and define interactive product requirements for museum exhibitions as a harmonious whole system in order to provide audiences exciting experiences during visiting. Among archaeological artifacts, ceramics play an important role in understanding a region’s culture and technology. However, for audiences from a different cultural background, it is hard to understand when there is a lack of contextual information. There are also lots of stories behind ceramics, which are worth detailed explanations. However, only a limited amount of information can be presented to audiences in the museums. For that reason, this thesis uses ceramics as an entry point and discusses how to present knowledge of exhibition subject and artifacts information to audiences by using interaction designs. -
Architecture Program Report for 2012 NAAB Visit for Continuing Accreditation
Harvard Graduate School of Design Department of Architecture Architecture Program Report for 2012 NAAB Visit for Continuing Accreditation Master of Architecture Undergraduate degree outside of Architecture + 105 graduate credit hours Related pre-professional degree + 75 graduate credit hours Year of the Previous Visit: 2006 Current Term of Accreditation: At the July 2006 meeting of the National Architectural Accrediting Board (NAAB), the board reviewed the Visiting Team Report for the Harvard University Department of Architecture. As a result, the professional architecture program: Master of Architecture was formally granted a six-year term of accreditation. The accreditation term is effective January 1, 2006. The program is scheduled for its next accreditation visit in 2012. Submitted to: The National Architectural Accrediting Board Date: 14 September 2011 Harvard Graduate School of Design Architecture Program Report September 2011 Program Administrator: Jen Swartout Phone: 617.496.1234 Email: [email protected] Chief administrator for the academic unit in which the program is located (e.g., dean or department chair): Preston Scott Cohen, Chair, Department of Architecture Phone: 617.496.5826 Email: [email protected] Chief Academic Officer of the Institution: Mohsen Mostafavi, Dean Phone: 617.495.4364 Email: [email protected] President of the Institution: Drew Faust Phone: 617.495.1502 Email: [email protected] Individual submitting the Architecture Program Report: Mark Mulligan, Director, Master in Architecture Degree Program Adjunct Associate Professor of Architecture Phone: 617.496.4412 Email: [email protected] Name of individual to whom questions should be directed: Jen Swartout, Program Coordinator Phone: 617.496.1234 Email: [email protected] 2 Harvard Graduate School of Design Architecture Program Report September 2011 Table of Contents Section Page Part One. -
College of Design, Architecture, Art, and Planning Graduate Programs Information Session College of Design, Architecture, Art, and Planning Graduate Programs
Welcome to the College of Design, Architecture, Art, and Planning Graduate Programs Information Session College of Design, Architecture, Art, and Planning Graduate Programs Information Session AGENDA Moderator: Ann Black, Associate Dean Welcome: Timothy Jachna, Dean DAAP Program Overview: Lora Alberto, Graduate Program Director Co-op: Cindy Damschroder, Associate Professor Graduate Student Q+A: Student Representatives from each school Breakout Rooms: Information and Q+A of specific programs School of Design MASTER OF DESIGN Program Length: 2 years Co-op: 1 Contact: [email protected] School of Architecture & Interior Design MASTER OF ARCHITECTURE Program Length: 2-3 years Co-op: 1-2 Contact: [email protected] School of Architecture & Interior Design MASTER OF SCIENCE IN ARCHITECTURE Program Length: 2 years Contact: [email protected] School of Architecture & Interior Design PhD IN ARCHITECTURE Program Length: 3+ years Contact: [email protected] School of Art MASTER OF FINE ARTS Program Length: 2 years Contact: [email protected] School of Art MASTER OF ARTS IN ART EDUCATION Program Length: 2 years Contact: [email protected] School of Planning MASTER OF LANDSCAPE ARCHITECTURE Program Length: 2+ years Co-op: 1-2 Contact: [email protected] School of Planning MASTER OF COMMUNITY PLANNING Program Length: 1-2 years Co-op: 1 Contact: [email protected] School of Planning PhD IN REGIONAL DEVELOPMENT PLANNING Program Length: 4+ years Contact: [email protected] Graduate Certificates Historic Preservation Museum Studies Public Art & Placemaking Urban Design GIS College of Business DAAP Facilities and Labs BUILD LAB RAPID PROTOTYPING CENTER FINE ARTS STUDIO ANNEX PRINTMAKING LAB CERAMICS LAB PHOTO LAB DAAPIT COMPUTER LAB (CGC) FUTURE MOBILITY CENTER FASHION TECHNOLOGY CENTER EXPERIMENTAL PACKAGING DESIGN LAB DAAP GALLERIES ROBERT A. -
WORKPLACE Foreword
WORKPLACE Foreword There is a radical transformation underway for workspace in London and the way it is designed, marketed and occupied. New emerging models for co-working, social enterprises and different types of ownership are rapidly changing the established paradigm of ‘CAT A’ commercial space prevalent in the capital over the last 20 years. Our challenge as practitioners, designers and occupiers is to go beyond the trend and to understand the deeper socio-economic shifts and changes informing this new ‘rental economy’. Farrells have extensive experience in this area spanning five decades. From theTVam studios in Camden (recently voted ‘Britain’s most maverick building’ by the Royal Academy) to the office buildings starting on site at Royal Albert Dock which are unique to the UK market. We have always been at the forefront of thinking about the modern workplace. Our recently established research unit within the ‘Farrells Laboratory’ at the Hatton Street Studios looks into the past, present and future of workplace design and this innovative thinking is informing our projects. Peter Barbalov, Partner E: [email protected] “Great workplaces are now as rich in variety as thriving villages and cities. Identity, fun and internal placemaking have succeeded in making offices much more than simply ‘machines for working in’.” Sir Terry Farrell CBE, Principal Farrells WORK ‘PLACE’ We believe architecture and building design should always be informed by the context and ‘place.’ The Point, Paddington, London Embankment Place, London Royal -
The Registrar of the 'University 1946
'UNIVERSITY OF MICHIG.AN o F'F ICIAL 'p UBLICA T·I 0 N VOL. 50, NO.9 JULY 29,1948 . Report of , . The Registrar of the 'University 1946.. 1947 Reprinted from the President's Report for 1946-1947, University of Michigan ANN ARBOR, MICHIGAN PUBLISHED BY THE UNIVERSITY Entered as second-class matter at" the Post Office at Ann Arbor, Michigan. Issued semi weekly, by the University of Michigan. THE REGISTRAR OF THE UNIVERSITY To the President of the University: SIR~The year 1946-47 brought a considerable number of difficult ;tdmis sion problems that were different from those of the previous year. These problems were "different and difficult" because of urgent demands for the educational adjustments of the enormous number'of ser:vice men and women , returning to school after discharge from the armed forces, many of whom were not properly trained for college work. The enrollm~nt of serviCe men and women was 'increased from 7,280 in 1945-46 to 14,486 in 1946-47. ,Additional comments on enrollments for the 'year 1946-47 will be found later on in this report under the Statistical Ser:vice. ' Personnel.-Although there has been a decided trend of improvements in the training and experience of our new persomiel, nevertheless, we are still having considerable difficulty in securing members of the staff who desire permanency. We have had a great many changes during the year, but the situation is so much better than it was a year ago that we 'are well pleased at present. ' " Entrance examinations.-Univer:sity.entrance examinations and scholastic aptitude tests 'were administered during the three regular peri~ds in August, January, and June. -
Selected Works Contents
selected works Contents Contact 02 Profile 05 Architecture Cultural 21 Infrastructure 47 Office & Commercial 73 Residential 105 Units Urban 135 Interior 153 Product 163 Innovation Knowledge 177 Futures 189 UNSense 193 Contact UNStudio UNStudio Asia Business Development Business Development Amsterdam Shanghai contacts: contacts: Stadhouderskade 113 Machteld Kors Room 4606 Nora Schueler 1073 AX Amsterdam [email protected] Raffles City, No. 268 [email protected] PO Box 75381 Xizang Middle Road Teun Bimbergen Maggie Sun 1070 AJ Amsterdam Shanghai 200001 [email protected] [email protected] The Netherlands China T +31 (0)20 570 20 40 Marisa Cortright T +86 21 6340 5088 Sarah Zheng F +31 (0)20 570 20 41 [email protected] F +86 21 3366 3302 [email protected] [email protected] [email protected] Giulia Carravieri www.unstudio.com www.unstudio.com [email protected] Niki Pliakogianni 中国上海市西藏中路268号 Frankfurt [email protected] 来福士广场办公楼4606室 邮编 200001 Carleigh Shannon An der Welle 4 #528 [email protected] 60322 Frankfurt Germany Hong Kong T +49 69 6593 7580 [email protected] Room 1102-1105 Yu Yuet Lai Building 43-55 Wyndham Street UNSense Central, Hong Kong T +852 3499 1261 F +852 3563 8200 Plantage Middenlaan 62 [email protected] 1018 DH Amsterdam www.unstudio.com The Netherlands [email protected] www.unsense.com 4 Profile Profile 5 Profile Background About UNStudio Selected Pivotal Projects Founded in 1988 by Ben van Berkel and Acclaimed UNStudio projects include Caroline Bos, UNStudio is an international Arnhem Central Station (The Netherlands), architectural design studio specialising the Mercedes-Benz Museum, Stuttgart in architecture, urban development, (Germany), the Raffles City Hangzhou infrastructure and interior and product mixed-use development (China), the design. -
Klimahaus® Bremerhaven 8° Ost Interactive Exhibition Bremerhaven, Germany
Klimahaus® Bremerhaven 8° Ost Interactive Exhibition Bremerhaven, Germany Client: BEAN, Bremerhaven Operator: Klimahaus® Betriebsgesellschaft Project Management: StäWoG Architect: Klumpp Architekten, agn, Niederberghaus & Partner Structural: ARGE Prof. Bellmer Ingenieurgruppe © Jan Rathke / Klimahaus® Bremerhaven 8° Ost Mechanical: (LP 39) Schmidt Reuter Completion: 2009 GFA: 20,000 m2 The architectural design for the visitor´s attraction is a transparent, sculptural glass envelope wrapped around the internal concrete structure. The houseinhouse concept hosts approx. 15,000 m2 of exhibition area and handson experimental spaces. "The Journey" takes the visitor on a trip around the globe, exhibiting him to the specific conditions of Climate zone Antarctic distinctive climatic zones of the world as extreme as arctic polar, tropical humid and hot dry desert climates. These conditions are realistically reproduced on approx. 5,000 m2 of successive rooms and spaces. A climate and energy concept around the exhibition and experimental areas such as "Elements", "Perspectives", "Opportunities" and the foyer as well as the aquariums has been developed and implemented in an integral planning process. In this process the entire design team from architect and exhibition and media designers to MEP planners, structural Climate zone Niger engineers and building operation managers were to be integrated to coordinate a wide range of individual requirements and advance from compromise to synergy. That way a fully natural strategy for cooling and ventilation based on local climatic potentials, including geothermal energy, could be implemented for the majority of the spaces. A building integrated Photovoltaic system was desgined to provide both shading and renewable electricity production of the glazed central arrival hub. -
Branksome Hall Athletics + Wellness Centre 53 Bridgepoint Hospital 55 Video Documenting
DX16 TORONTO GBBN ARCHITECTS engage. explore. discuss. THE DESIGN EXPEDITION was developed to engage, explore, and discuss design ideas among a diverse cross-section of our employees. 05 Defining DX16 09 Pre-Expedition 11 Teams 13 Informed Form: Process 15 Informed Form: Communication 17 Reflection v. Reaction: Process 19 Reflection v. Reaction: Communication 20 Tackling the Issues 21 Making it Happen The first expedition in 2015 ventured to Philadelphia for four days and included visits to the Barns 23 Workshop Collection, the University of Pennsylvania, and the Esherick House designed by Louis Kahn. While visiting and documenting buildings is a core activity, the primary function of the expedition 25 Toronto! is discourse. The inherent discussions are intended to elevate GBBN design rigor and spark 29 Agenda investigations that can permeate the firm through research, discovery, and narratives. 31 Sketching The most poignant legacy of the 2015 Design Expedition was the development of the Guiding 33 Bar Raval Principles. With this in mind, GBBN launched its second annual Design Expedition (DX16), which 35 The Queen-Richmond Centre West included staff at all levels and from all offices, including some who had been part of DX15. 37 Before + After 39 The Sharpe Centre 41 The Donnelly Centre 43 Role Playing 45 Ryerson Student Centre 47 Wave Deck Observation 49 Storyboarding 51 Branksome Hall Athletics + Wellness Centre 53 Bridgepoint Hospital 55 Video Documenting 57 Take Aways 3 DEFINING DX16 At our first team meeting, our group decided to explore two themes: 1. Informed Form: 2. Reflection vs. Reaction: acknowledge our research- not accepting the same old based design practice. -
Roma, 25Th November 2015 LORENZO IMBESI Lorenzo Imbesi Is an Architect, Phd An
Lorenzo IMBESI Arch PhD Professor Design Unit Coordinator Mob.(EU)+39.328.1237158 e.mail: [email protected] Skype: lorenzo imbesi about.me/lorenzo_imbesi Roma, 25th November 2015 LORENZO IMBESI Lorenzo Imbesi is an Architect, PhD and Professor of Industrial Design at Sapienza University of Rome. Since 2014 he is coordinating the Design Unit and is a member of the Board of the Department of Planning, Design, Technology of Architecture Department, while gained the qualification of Full Professor (National Scientific Qualification, Italian Ministry of Education, Universities and Research MIUR - Art.16 of the Law 30 December 2010, n.240). Previously, he was an Associate Professor at Carleton University (Ottawa, Canada), where he was chairing the Master of Design MDes, furthermore he was ICCS fellow – Canada Government for two years in a row, member of the Research Board of National and European researches (AHRB/EPSRC Arts & Humanities Research Council, CEE-COST UCE ACTION C13 European Program), and coordinator of the ‘Programa Alta Formacion de Cuadros Dirigentes de los Paises del Mercosur’ from 2006 to 2009. Here below is a selection of scholarly and professional and activities from the last ten years. DEGREES and QUALIFICATIONS PhD, Environmental Design, “Sapienza” University of Rome, Italy Master, Interactive Sustainable Design and Multimedia, Roma Tre University, Italy Master, Bioclimatic Technologies for design and recovery of the built environment, ABITA Inter- University Center of Research, Italy Master, Bioecologic Architecture and Sustainable Technologies for Environment, “Sapienza" University of Rome, Italy Licence for Professional Practice as Architect, Architects Professional Association of Rome, Italy Laurea in Architecture (Summa cum Laude), “Sapienza" University of Rome, Italy Sapienza Università di Roma Dipartimento di Pianificazione Design Tecnologia dell'architettura Via Flaminia 72, 00196 | Roma PUBLICATIONS Critic and essayist for many reviews and journals, among his works he is author of: “Nomad + Design 1. -
Lezioni Di Progetto
FOCUS ON FOCUS ON LEZIONI DI PROGETTO DESIGN LESSONS CENTRAL SAINT MARTINS COLLEGE OF ART AND DESIGN LONDON, UK Christian Guellerin, Michele Capuani, Aldo Colonetti con la collaborazione di/with contributions by Silvia Airoldi, Manuela Zanotti ELISAVA – ESCOLA SUPERIOR DE DISSENY I ENGINYERIA DE BARCELONA, SPAIN Il percorso nella nuova generazione di progettisti, avviato da Ottagono e Cumulus nel 2011, giunge al secondo appuntamento. In collaborazione con l’associazione internazionale dedicata a formazione e ricerca nell’ambi- ESAG PENNINGHEN - ECOLE SUPÉRIEURE DE DESIGN, D’ART GRAPHIQUE ET D’ARCHITECTURE INTÉRIEURE, PARIS, FRANCE to di design, arti e media –attualmente Cumulus comprende 189 tra università e college dislocati in 46 nazioni – sono state individuate esperienze diverse che rappresentano un esempio concreto di come oggi si progetta. HONG KONG DESIGN INSTITUTE (HKDI) Le introduzioni di Christian Guellerin, Michele Capuani e Aldo Colonetti riconducono a un unico filo conduttore: CHINA la disciplina e la pratica del design riescono a dare un contributo innovativo a un mondo di prodotti e servizi che, a causa della congiuntura economica e sociale, sta cambiando ancor più velocemente del solito. Il design, KUNST- OG DESIGNHØGSKOLEN I BERGEN (KHIB) e le sue istituzioni, come aggregatori e acceleratori di competenze differenti, strumento di crescita sostenibile NORWAY per un mondo sfinito dalla pura logica del profitto. Inaugurated by Ottagono and Cumulus in 2011, the annual tour of the new generation of designers is now in L’ÉCOLE DE DESIGN NANTES ATLANTIQUE its second edition. This partnership with the international association for training and research in design – Cu- FRANCE mulus currently counts 189 member universities and colleges in 46 different nations – has made it possible to single out a variety of experiences offering a realistic portrait of today’s approach to design. -
Benedetta Tagliabue
BENEDETTA TAGLIABUE Benedetta Tagliabue was born in Milan and studied in Venice and New York. Graduated from IAUV (Istituto Universitario di Architettura di Venezia) in 1989. In 2004, awarded an Honorary Doctorate by the Arts and Social Science Faculty Napier University, Edinburgh, Scotland. In 1991 formed a partnership with Enric Miralles and founded Miralles Tagliabue EMBT. She is presently Visiting Lecturer at Columbia University in New York and she is directing summer workshops at TEC de Monterrey (Mexico) and the School of Architecture in Venice (IUAV). Visiting lecturer at ETSAB from 2000-2008 and at l´École Spéciale d’Architecture (ESA), París in 2007. Speaker at many architecture schools, Universities and colleges of architects in the USA, South America, Europe and Asia (Columbia University, University of Southern California, Central University of Venezuela, Zheijang University, China, R.I.B.A. (The Royal Institute of British Architects), A.A. (Architectural Association), London, Mackintosh School, Glasgow, among others). She is invited to participate as a jury in international architectural competitions and prestigious awards including the RIBA Stirling Prize 2009. Recently she has received the RIBA’s International Fellowships for her particular contribution as a non-UK architect. Honorary Member of the Royal Incorporation of Architects in Scotland and the Royal Institute of British Architects. COMPLETED PROJECTS 2010 Parking an remodelling public spaces of Ricard Viñes piazza, Lleida, Spain Spanish Pavilion for the International Exhibition Shanghai 2010 2009 Scenery for Merce Cunningham Dance Company Scenery for a play based on John Berger's novel. Directed by Isabel Coixet. Barcelona, Spain Camper shoes store interior design in Sevilla Furniture Design for a Research Center in Benasque, Spain 2007 Hafencity Hamburg Public Space, Marco Polo Platz, Germany Public Library in Palafolls, Catalunya.