Benedetta Tagliabue
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Parque De Los Colores
PARQUE DE LOS COLORES DESCRIPCIÓN DEL PROYECTO El parque de Mollet del Vallès, con el Centro Cívico y la Ludoteca, ocupa una superficie de aproximadamente 10.000 mq y surge en un área que originalmente era marginal. Sin ninguna identidad, simplemente delimitada por las construcciones que la rodeaban. Debido a que el terreno estaba libre de construcciones, se pudo trabajar con la topografía, obteniendo distintas zonas a partir de las diversas funciones: la zona de juegos, los paseos, los descansos, el verde. Los temas principales del proyecto derivan del lugar: como los edificios del barrio estaban recubiertos por decoraciones murales surgidas espontáneamente, del mismo modo se re-propone en el parque este tema por medio de la realización de paneles suspendidos sobre pilares. Las ságomas de estos paneles están estructuradas como verdaderos graffitis tridimensionales y las sombras –junto con las de los edificios circunstantes– localizan en el parque zonas con funciones diferentes. La Ludoteca es un volumen semicircular que se puede subdividir mediante paredes móviles; se genera sobre tres niveles escalonados, de manera tal que pueden comunicarse recíprocamente las tres distintas áreas de juego que contiene. Los accesos desde el exterior son una parte muy importante del proyecto del Centro Cívico, ya que el edificio se desarrolla alrededor del nivel de ingreso. La sombra de los edificios y la sucesión de los pilares, la vegetación, dispuesta en espesas masas arbóreas, el teatro al aire libre, formado por las gradas de la pista de bochas, -
La Planta Miralles Representación Y Pensamiento En La Arquitectura De Enric Miralles
2013 DPA - Departamento de Proyectos Arquitectónicos ETSAM - Escuela Técnica Superior de Arquitectura de Madrid LA PLANTA MIRALLES REPRESENTACIÓN Y PENSAMIENTO EN LA ARQUITECTURA DE ENRIC MIRALLES Autor: Javier Fernández Contreras, Arquitecto Director: José Manuel López Peláez, Doctor Arquitecto Índice 00 01 LA PLANTA MIRALLES REPRESENTACIÓN Y PENSAMIENTO EN LA ARQUITECTURA DE ENRIC MIRALLES ÍNDICE RESUMEN - ABSTRACT 2 0. INTRODUCCIÓN 4 0.1. Representación y pensamiento en la arquitectura de Enric Miralles 4 0.2. Definición de “planta Miralles”. Hipótesis 6 0.3. Estructura de la tesis 8 0.4. Método de investigación 10 1. LA PLANTA MIRALLES 1.1. GEOMETRÍA: DIBUJO EN PLANTA Y TIPO ARQUITECTÓNICO 14 1.1.1. Formación de Enric Miralles: el pensamiento gráfico 14 1.1.2. Miralles/Pinós. De la escuadra y cartabón a los planos croissant 26 1.1.3. Enric Miralles y EMBT. La planta como contorno, la maqueta como sección 48 1.1.C. Dibujo manual de Enric Miralles: la geometría soporte 78 1.2. DIÉDRICO: FRAGMENTACIÓN DE LA PLANTA Y COMPOSICIÓN POR PIEZAS 82 1.2.1. Planta matriz y planos parciales: concepto 82 1.2.2. Dos familias compositivas: yuxtaposición y superposición 84 1.2.3. Yuxtaposición: de la composición urbana a la fragmentación arquitectónica 86 1.2.4. Superposición: de la planta libre al plano de situación en altura 124 1.2.C. Autonomía y relatividad: el límite de una planta 141 2. CONSTRUCCIÓN EN PLANTA MIRALLES: LA REUNIÓN DE LOS FRAGMENTOS 144 2.1. Los proyectos de yuxtaposición: discontinuidades e intersticios 145 2.2. Los proyectos de superposición: la tectónica de lo aéreo 164 2.C. -
Conferencia Dada En La Facultad De Arquitectura De Oporto, Portugal
Conferencia dada en la Facultad de Arquitectura de Oporto, Portugal, dentro del “6th European Symposium on Research in Architecture and Urbanism, EURAU 12”, celebrado en Oporto del 12 al 15 de Septiembre de 2012. Publicación en actas digitales del Congreso del artículo “Enric Miralles Santa Rosa´s Park in Mollet del Valles: Redefining public space in contemporary city” http://eurau12.arq.up.pt/sites/default/files/588.pdf CONGRESO EURAU 12. OPORTO. PORTUGAL MATEO_VEGA_JOSE MANUEL_MERITOS “Enric Miralles’ Santa Rosa´s Park in Mollet del Vallés: Redefining public space in contemporary city”. EURAU’12 ABSTRACT: This article attempts to show the influence of Enric Miralles’ project in Santa Rosa’s park (1992-2001), in Mollet del Vallés (North-West of Barcelona). How in the middle of an empty, degraded, and useless field, the contemporaneous architect assumes the responsibility of intervene to give live to this wasteland generating an ideal landscape, amending the breach previously existing in the surroundings. This project proves that there are still some models and practices that enlighten the future of public space in contemporary city. The park shows that the local authorities chose the right man for the job. Nowadays, the people of the districts of Santa Rosa, Plana Lledó and Can Borrell (a very old neighborhood, a working-class district of the 60’s and a new neighborhood) walk freely and enjoy collectively of the environment. KEYWORDS: site, landscape, public space, contemporary city, natural, artificial José Manuel Mateo Vega Institution: Escuela Técnica Superior de Arquitectura de Madrid. ETSAM. Professional postal: Utrillas 8, 5º D – Madrid 28043 – Spain Email: [email protected] Telephone: +34 616 553 580 1. -
Eisenman Architects’ Map
1 INTRODUCTION M Matteo Cainer Matteo Cainer is a practising After receiving his master’s degree from the University In 2013 he co-founded and co-directed with Odile of Architecture in Venice, Italy, Matteo worked and Decq the Confluence Institute for Innovation and Office Principal architect, curator and educator. collaborated with a number of celebrated international Creative Strategies in Architecture in Lyon, France Based in London, he is Principal of practices including Peter Eisenman in New York and was Chair and professor until July 2015. City, Coop Himmelb(l)au in Vienna, and Arata Isozaki Matteo Cainer Architecture, founder Associati in Milan. It was in London that he then In March of 2020 to respond to the pandemic he of the Confluence Institute for created/directed the Design Research Studio at launches MCA Online a free educational initiative to Fletcher Priest Architects, and in June 2010 opened provide help and support to home-bound students Innovation and Creative Strategies his own practice. with tutorials, crits and a series of Lectures. He then in Architecture in Lyon, France and launches as part of Alphabet for the Futrure “What Now? Curatorially in 2004 he was Assistant Director to and ‘Post C-19!’ an Open Call to all the Architectural Director of Architecture Whispers. Kurt W. Forster for the 9th International Architecture Graduates of 2020 to imagine and sketch how Exhibition of la Biennale di Venezia - METAMORPH, they see and want the future to CHANGE. Matteo and in 2006 was appointed curator of the London continues to be a regular guest critic and jury member Architecture Biennale - CHANGE, with the exhibition: in various universities worldwide. -
Architecture Program Report for 2013 NAAB Visit for Continuing Accreditation
Academy of Art University School of Architecture Architecture Program Report for 2013 NAAB Visit for Continuing Accreditation Master of Architecture Track I 63 Credits Master of Architecture Track II 87 Credits 2009 Conditions for Accreditation 2012 Procedures for Accreditation Submitted to: The National Architectural Accrediting Board Date: September 7, 2012 Academy of Art University Architecture Program Report- M-Arch September 2012 2 Academy of Art University Architecture Program Report- M-Arch September 2012 Graduate Architecture Program Director: Amily Huang, [email protected], 415.618.3984 School of Architecture Executive Director: Mimi Sullivan, AIA, CGBP, [email protected] , 415-777-0991, ext 111 Chief Academic Officer of the Institution: Melissa Marshall, [email protected], 415-618-6384 President of the Academy of Art University, Dr. Elisa Stephens, [email protected] 415-618-6150 Individual submitting the Architecture Program Report: Mr. Joe Vollaro, Executive Vice President of Financial Aid and Compliance, [email protected], 415-618-6528 Name of individual to whom questions should be directed: Mr. Joe Vollaro, Executive Vice President of Financial Aid and Compliance, [email protected], 415-618-6528 3 Academy of Art University Architecture Program Report- M-Arch September 2012 Table of Contents Format and Contents of Part 1 and 2 follows the of the 2009 Conditions per Part 5 of the 2012 Procedures. Section Page Part One (I) Institutional Support and Commitment to Continuous Improvement 7 1. Identify & Self Assessment 7 1. History Mission 7 2. Learning Culture and Social Equity 13 3. Responses to the Five Perspectives 15 4. Long Range Planning 19 5. Program Self Assessment 23 2. -
WORKPLACE Foreword
WORKPLACE Foreword There is a radical transformation underway for workspace in London and the way it is designed, marketed and occupied. New emerging models for co-working, social enterprises and different types of ownership are rapidly changing the established paradigm of ‘CAT A’ commercial space prevalent in the capital over the last 20 years. Our challenge as practitioners, designers and occupiers is to go beyond the trend and to understand the deeper socio-economic shifts and changes informing this new ‘rental economy’. Farrells have extensive experience in this area spanning five decades. From theTVam studios in Camden (recently voted ‘Britain’s most maverick building’ by the Royal Academy) to the office buildings starting on site at Royal Albert Dock which are unique to the UK market. We have always been at the forefront of thinking about the modern workplace. Our recently established research unit within the ‘Farrells Laboratory’ at the Hatton Street Studios looks into the past, present and future of workplace design and this innovative thinking is informing our projects. Peter Barbalov, Partner E: [email protected] “Great workplaces are now as rich in variety as thriving villages and cities. Identity, fun and internal placemaking have succeeded in making offices much more than simply ‘machines for working in’.” Sir Terry Farrell CBE, Principal Farrells WORK ‘PLACE’ We believe architecture and building design should always be informed by the context and ‘place.’ The Point, Paddington, London Embankment Place, London Royal -
Selected Works Contents
selected works Contents Contact 02 Profile 05 Architecture Cultural 21 Infrastructure 47 Office & Commercial 73 Residential 105 Units Urban 135 Interior 153 Product 163 Innovation Knowledge 177 Futures 189 UNSense 193 Contact UNStudio UNStudio Asia Business Development Business Development Amsterdam Shanghai contacts: contacts: Stadhouderskade 113 Machteld Kors Room 4606 Nora Schueler 1073 AX Amsterdam [email protected] Raffles City, No. 268 [email protected] PO Box 75381 Xizang Middle Road Teun Bimbergen Maggie Sun 1070 AJ Amsterdam Shanghai 200001 [email protected] [email protected] The Netherlands China T +31 (0)20 570 20 40 Marisa Cortright T +86 21 6340 5088 Sarah Zheng F +31 (0)20 570 20 41 [email protected] F +86 21 3366 3302 [email protected] [email protected] [email protected] Giulia Carravieri www.unstudio.com www.unstudio.com [email protected] Niki Pliakogianni 中国上海市西藏中路268号 Frankfurt [email protected] 来福士广场办公楼4606室 邮编 200001 Carleigh Shannon An der Welle 4 #528 [email protected] 60322 Frankfurt Germany Hong Kong T +49 69 6593 7580 [email protected] Room 1102-1105 Yu Yuet Lai Building 43-55 Wyndham Street UNSense Central, Hong Kong T +852 3499 1261 F +852 3563 8200 Plantage Middenlaan 62 [email protected] 1018 DH Amsterdam www.unstudio.com The Netherlands [email protected] www.unsense.com 4 Profile Profile 5 Profile Background About UNStudio Selected Pivotal Projects Founded in 1988 by Ben van Berkel and Acclaimed UNStudio projects include Caroline Bos, UNStudio is an international Arnhem Central Station (The Netherlands), architectural design studio specialising the Mercedes-Benz Museum, Stuttgart in architecture, urban development, (Germany), the Raffles City Hangzhou infrastructure and interior and product mixed-use development (China), the design. -
Klimahaus® Bremerhaven 8° Ost Interactive Exhibition Bremerhaven, Germany
Klimahaus® Bremerhaven 8° Ost Interactive Exhibition Bremerhaven, Germany Client: BEAN, Bremerhaven Operator: Klimahaus® Betriebsgesellschaft Project Management: StäWoG Architect: Klumpp Architekten, agn, Niederberghaus & Partner Structural: ARGE Prof. Bellmer Ingenieurgruppe © Jan Rathke / Klimahaus® Bremerhaven 8° Ost Mechanical: (LP 39) Schmidt Reuter Completion: 2009 GFA: 20,000 m2 The architectural design for the visitor´s attraction is a transparent, sculptural glass envelope wrapped around the internal concrete structure. The houseinhouse concept hosts approx. 15,000 m2 of exhibition area and handson experimental spaces. "The Journey" takes the visitor on a trip around the globe, exhibiting him to the specific conditions of Climate zone Antarctic distinctive climatic zones of the world as extreme as arctic polar, tropical humid and hot dry desert climates. These conditions are realistically reproduced on approx. 5,000 m2 of successive rooms and spaces. A climate and energy concept around the exhibition and experimental areas such as "Elements", "Perspectives", "Opportunities" and the foyer as well as the aquariums has been developed and implemented in an integral planning process. In this process the entire design team from architect and exhibition and media designers to MEP planners, structural Climate zone Niger engineers and building operation managers were to be integrated to coordinate a wide range of individual requirements and advance from compromise to synergy. That way a fully natural strategy for cooling and ventilation based on local climatic potentials, including geothermal energy, could be implemented for the majority of the spaces. A building integrated Photovoltaic system was desgined to provide both shading and renewable electricity production of the glazed central arrival hub. -
Branksome Hall Athletics + Wellness Centre 53 Bridgepoint Hospital 55 Video Documenting
DX16 TORONTO GBBN ARCHITECTS engage. explore. discuss. THE DESIGN EXPEDITION was developed to engage, explore, and discuss design ideas among a diverse cross-section of our employees. 05 Defining DX16 09 Pre-Expedition 11 Teams 13 Informed Form: Process 15 Informed Form: Communication 17 Reflection v. Reaction: Process 19 Reflection v. Reaction: Communication 20 Tackling the Issues 21 Making it Happen The first expedition in 2015 ventured to Philadelphia for four days and included visits to the Barns 23 Workshop Collection, the University of Pennsylvania, and the Esherick House designed by Louis Kahn. While visiting and documenting buildings is a core activity, the primary function of the expedition 25 Toronto! is discourse. The inherent discussions are intended to elevate GBBN design rigor and spark 29 Agenda investigations that can permeate the firm through research, discovery, and narratives. 31 Sketching The most poignant legacy of the 2015 Design Expedition was the development of the Guiding 33 Bar Raval Principles. With this in mind, GBBN launched its second annual Design Expedition (DX16), which 35 The Queen-Richmond Centre West included staff at all levels and from all offices, including some who had been part of DX15. 37 Before + After 39 The Sharpe Centre 41 The Donnelly Centre 43 Role Playing 45 Ryerson Student Centre 47 Wave Deck Observation 49 Storyboarding 51 Branksome Hall Athletics + Wellness Centre 53 Bridgepoint Hospital 55 Video Documenting 57 Take Aways 3 DEFINING DX16 At our first team meeting, our group decided to explore two themes: 1. Informed Form: 2. Reflection vs. Reaction: acknowledge our research- not accepting the same old based design practice. -
SHARE Prague 2019
SHARE Prague 2019 Connecting people through architecture in Central and Eastern Europe Our more than 20 years experience in the Central and Eastern European market positions our events as one of the most active international forums in the region, a source of continually updated information, supporting the continuous training of specialists and the promotion of young talents. Each year, SHARE Forum has been in pursuit of excellence in the fields of architecture and construction, improving the quality and the complexity of its dynamic events with every edition. We took on the mission to find ways to communicate, share and exchange values, know- how and examples of good practices between East and West. With the idea in mind of an inclusive, free and conscious professional environment to work in, to represent architectural excellence in our built environment, and to open the possibility to work and create better in a context that benefits from administrative, political and investor’s support. At the same time, we believe that there is an unused potential of expression in the architectural profession in Central and Eastern European region and that architects could benefit from more representativeness on a European and global level achieved through proper means of communication and networking. On the prerequisite of this active community of participants and speakers, we decided to set the premises of an international Society of architects - SHARE Society that will enhance the connectivity between its members within a structure where experiences, ideas, and excellence are sharing. SHARE Society, an exclusive group to honor its members for the exceptional work and contributions within SHARE Community during the time. -
SOCIAL URBAN REGENERATION Postgraduate Diploma of Architecture and Urbanism
SOCIAL URBAN REGENERATION Postgraduate Diploma of Architecture and Urbanism Barcelona, October 6th 2016 Duration 10 weeks full-time Enric Miralles Foundation, Barcelona Universitat Politécnica de Catalunya (UPC) The Enric Miralles Foundation and the Universitat Politécnica de Catalunya (UPC) are collaborating to host a specialized course in the process of integrated urban regeneration. Based on the way of thinking and working of Enric Miralles and learning his methodology and his technique, and by joining the way of doing of EMBT Miralles Tagliabue the students will specialize on contemporary sustainable integrated Urbanism. Contact: The course aims to give students the necessary skills to develop an urban [email protected] project from start to finish, participants will create their own proposals for the T. +34936241702 Calling hours: “2017 Grand Paris Clichy-Montferneil Suburbs of Paris” project by integrating Monday to Friday all necessary theoretical and practical aspects on urbanism and creative 10am to 3pm and 4pm to 7pm design development. Where: Course leaders: Benedetta Tagliabue, Josep Maria Rovira, Igor Peraza, Salvador Fundació Enric Miralles Pass. de la Pau 10 (bis) Gilabert, Elena Nedelcu, Joan Callis, Salvador Rueda, Santiago Cirugeda, 08002, Barcelona Carolina García, Makoto Fukuda, Josep Ustrell. www.fundacioenricmiralles.com CENTER FOR EXPERIMENTATION OF CONTEMPORARY ARCHITECTURE The Enric Miralles Foundation is an open space in which the legacy of Enric´s work can continue to inspire new generations of architects to experiment and explore. It is based on methods of inquiry established by Enric and is conceived of as a platform for the promotion of knowledge. In addition to housing the archive of Enric Miralles, the Foundation will promote programs, workshops, courses, conferences, lectures, and international exchanges. -
Modelling Diagrams
Ateliers Jean Nouvel Paris Capella Garcia Architects Barcelona Miralles Tagliabue Barcelona Shmidt Hammer Lassen Copenhagen David Adjaye Architects London The Next Enterprise Vienna Bolles + Wilson Munster Schultes Frank Architects Berlin VMA Vienna Coop Himmelb(l)au Vienna Christian Kerez Architects Zurich J Mayer H Berlin Lynch Architect London TEEMA Architects Antwerp Claesson Koivisto Rune Stockholm Nigel Coates London JDS Architects Copenhagen Foster and Partners London Kruunenberg Architects Amsterdam Xaveer De Geyter Architects Brussels S.M.A.O Madrid Christian Sumi Zurich Agps architects Zurich Ateliers Jean Nouvel Paris Capella Garcia Architects Barcelona Miralles Tagliabue Barcelona Shmidt Hammer Lassen Copenhagen David Adjaye Architects London The Next Enterprise Vienna Bolles + Wilson Munster Schultes Frank Architects Berlin VMA Vienna Coop Himmelb(l)au Vienna Christian Kerez Architects Zurich J Mayer H Berlin Lynch Architect London TEEMA Architects Antwerp Claesson Koivisto Rune Stockholm Nigel Coates London JDS Architects Copenhagen Foster and Partners London Kruunenberg Architects Amsterdam Xaveer De Geyter Architects Brussels S.M.A.O Madrid Christian Sumi Zurich Agps architects Zurich Ateliers Jean Nouvel Paris Capella Garcia Architects Barcelona Miralles Tagliabue Barcelona Shmidt Hammer Lassen Copenhagen David Adjaye Architects London The Next Enterprise Vienna Bolles + Wilson Munster Schultes Frank Architects Berlin VMA Vienna Coop Himmelb(l)au Vienna Christian Kerez Architects Zurich J Mayer H Berlin Lynch Architect